BIBLIOGRAPHY - Accueil UNESCO‐ICOMOS Documentation Centre ROCK ART SITES ON THE UNESCO WORLD...

download BIBLIOGRAPHY - Accueil  UNESCO‐ICOMOS Documentation Centre ROCK ART SITES ON THE UNESCO WORLD HERITAGE LIST BIBLIOGRAPHY UNESCO‐ICOMOS Documentation Centre

of 151

  • date post

    19-Apr-2018
  • Category

    Documents

  • view

    228
  • download

    2

Embed Size (px)

Transcript of BIBLIOGRAPHY - Accueil UNESCO‐ICOMOS Documentation Centre ROCK ART SITES ON THE UNESCO WORLD...

  • 1

    UNESCOICOMOSDocumentationCentre

    ROCK ART SITES ON THE UNESCO WORLD HERITAGE LIST

    BIBLIOGRAPHY UNESCOICOMOSDocumentationCentre

    September2009

    DescriptionofWorldHeritageRockArtSiteswithaBibliographyofdocumentsavailableattheUNESCOICOMOSDocumentationCentre

    49-51, Rue de la Fdration,

    75015 Paris, France Tel. 33 (0) 1 45 67 67 70 Fax. 33 (0) 1 45 66 06 22

    E-mail: documentation@icomos.org http://www.international.icomos.org/centre_documentation

    mailto:jose.garcia@icomos.orghttp://www.international.icomos.org/centre_documentation

  • 2

    * The descriptions of the sites have been taken from the UNESCO World Heritage Centre website. * Les descriptions des sites ont t prises du site web du Centre du Patrimoine Mondial de l'UNESCO

  • 3

    Table of Contents

    AFRICA

    5

    Botswana 6 Tsodilo (2001) 6 Gabon 8 Ecosystem and relict cultural landscape of Lop-Okanda (2007) 8 Malawi 13 Chongoni Rock-Art Area (2006) 13 Namibia 14 Twyfelfontein or /Ui-//aes (2007) 14 South Africa 16 Mapungubwe Cultural Landscape (2003) 16 uKhahlamba / Drakensberg Park (2000) 18 Tanzania, United Republic of 20 Kondoa Rock-Art Sites (2006) 20 Zimbabwe 21 Matobo Hills (2003) 21 ARAB STATES

    23

    Algeria 24 Tassili NAjjer (1982) 24 Lybian Arab Jamahiriya 27 Rock-Art sites of Tadrart Acacus (1985) 27 ASIA AND THE PACIFIC

    29

    Australia 30 Kakadu National Park (1981, 1987, 1992) 30 Uluru-Kata Tjuta National Park (1987, 1994) 32 India 35 Rock Shelters of Bhimbetka (2003) 35 Kazakhstan 37 Petroglyphs within the Archaeological Landscape of Tamgaly (2004) 37 EUROPE

    39

    Azerbaijan 40 Gobustan Rock Art Cultural Landscape (2007) 40 Bulgaria 43 Madara River (1979) 43 France 45 Prehistoric Sites and Decorated Caves of the Vzre Valley (1979) 45 Italy 52 Rock Drawings in Valcamonica (1979) 52

  • 4

    Norway 57 Rock Art of Alta (1985) 57 Portugal 60 Prehistoric Rock-Art Sites in the Ca Valley (1998) 60 Spain 63 Cave of Altamira and Paleolithic Cave Art of Northern Spain (1985, 2008) 63 Rock Art of the Mediterranean Basin on the Iberian Peninsula (1998) 66 Sweden 69 Rock Carvings in Tanum (1994) 69 LATIN AMERICA AND THE CARIBBEAN

    71

    Argentina 72 La Cueva de las Manos, Rio Pinturas (1999) 72 Quebrada de Humahuaca (2003) 74 Brazil 77 Serra da Capivara National Park (1991) 77 Chile 80 Rapa Nui National Park (1995) 80 Colombia 83 San Agustn Archeological Park (1995) 83 Guatemala 84 Archaeological Park and Ruins of Quirigua (1981) 84 Mexico 86 Rock Paintings of the Sierra de San Francisco (1993) 86 Peru 88 Chavin (Archaeological Site) (1985) 88 ADDITIONAL BIBLIOGRAPHY

    89

    General 89 Regions 95 Africa 95 Arab States 99 Asia and the Pacific 102 Europe 110 Latin America and the Caribbean 136 North America 147

  • 5

    AFRICA / AFRIQUE

  • 6

    BOTSWANA

    2001-Tsodilo - Criteria (i)(iii)(vi)

    With one of the highest concentrations of rock art in the world, Tsodilo has been called the ''Louvre of the Desert''. Over 4,500 paintings are preserved in an area of only 10 km2 of the Kalahari Desert. The archaeological record of the area gives a chronological account of human activities and environmental changes over at least 100,000 years. Local communities in this hostile environment respect Tsodilo as a place of worship frequented by ancestral spirits.

    Avec lune des plus fortes concentrations dart rupestre au monde, Tsodilo est parfois appel le ''Louvre du dsert''. Plus de 4 500 peintures sont conserves dans une zone de seulement 10km2 dans le dsert du Kalahari. Le site renferme la mmoire de lvolution humaine et environnementale sur une dure dau moins 100 000 ans. Les communauts qui vivent encore dans cet environnement hostile respectent Tsodilo en tant que lieu de culte peupl des esprits ancestraux.

    Statement of significance

    Criterion i: For many thousands of years the rocky outcrops of Tsodilo in the harsh landscape of the Kalahari Desert have been visited and settled by humans, who have left rich traces of their presence in the form of outstanding rock art.

    Criterion iii: Tsodilo is a site that has witnessed visits and settlement by successive human communities for many millennia.

    Criterion vi: The Tsodilo outcrops have immense symbolic and religious significance for the human communities who continue to survive in this hostile environment.

    Justification d'inscription

    Critre i: Pendant des milliers dannes, les hommes ont visit les affleurements rocheux de Tsodilo, dans le paysage aride du dsert du Kalahari et sy sont installs, laissant de nombreuses traces de leur prsence, sous la forme dun art rupestre exceptionnel.

    Critre iii: Le site de Tsodilo tmoigne des visites et peuplements de communauts humaines successives pendant des millnaires.

    Critre vi: Les affleurements rocheux de Tsodilo ont une immense signification symbolique et religieuse pour les communauts humaines qui survivent encore aujourdhui dans cet environnement hostile.

  • 7

    Documents available at the ICOMOS Documentation Centre: 1- Nomination file 2- Bibliography: 016352 - Preservation of rock art. Botswana case: a non biased approach. Mpulumbusi, Tjako. Paris, ICOMOS, 1996. p. 14-20, illus., plans. (Scientific Journal N. 7: ICOMOS Africa) (eng). Journal Scientifique N. 7: ICOMOS Afrique. PRIMARY KEYWORDS: rock art sites; archaeological heritage; rock paintings; conservation measures; management plans; Botswana. // Tsodilo Hills, Botswana ACCESSION NO: 13695. ISBN: 955-613-054-3. 018896 - Tsodilo. 23 slides: col. (eng). From WHC 1021 listed in 2001; 1 page typescript. PRIMARY KEYWORDS: archaeological sites; rock art sites; world heritage list; cultural landscapes; Botswana. // Tsodilo, Botswana (WHC 1021) CALL NO: BO.TSO.01:1-23 (WHC 1021). 035349 - Investigating the impact of world heritage site tourism on the intangible heritage of a community: Tsodilo Hills World Heritage site, Botswana. Keitumetse, Susan; Nthoi, Olivia. Seoul, NFMK, 2009. p. 143-150, illus. (International Journal of Intangible Heritage. 4) (eng). Incl. abstract and bibl. PRIMARY KEYWORDS: world heritage list; cultural tourism; intangible heritage; local communities; conservation of cultural heritage; Botswana. // Tsodilo Hills, Botswana (WHC 1021) ACCESSION NO: K-569. ISSN: 1975-3586.

  • 8

    GABON 2007- Ecosystem and relict cultural landscape of Lop-Okanda / Ecosystme et paysage culturel relique de Lop-Okanda - Criteria (iii)(iv)(ix)(x)

    The Ecosystem and Relict Cultural Landscape of Lop-Okanda demonstrates an unusual interface between dense and well-conserved tropical rainforest and relict savannah environments with a great diversity of species, including endangered large mammals, and habitats. The site illustrates ecological and biological processes in terms of species and habitat adaptation to post-glacial climatic changes. It contains evidence of the successive passages of different peoples who have left extensive and comparatively well-preserved remains of habitation around hilltops, caves and shelters, evidence of iron-working and a remarkable collection of some 1,800 petroglyphs (rock carvings). The propertys collection of Neolithic and Iron Age sites, together with the rock art found there, reflects a major migration route of Bantu and other peoples from West Africa along the River Ogoou valley to the north of the dense evergreen Congo forests and to central east and southern Africa, that has shaped the development of the whole of sub-Saharan Africa.

    Le bien prsente une interface inhabituelle entre une fort tropicale ombrophile dense bien conserve et un milieu de savane relique abritant un large ventail dhabitats et despces, parmi lesquelles de grands mammifres en voie de disparition. Il illustre des processus cologiques et biologiques dadaptation des espces et des habitats aux changements climatiques postglaciaires. Cet ensemble regroupant des sites datant du nolithique et de lge du fer et incluant des vestiges duvres dart rupestre est le reflet dun axe migratoire majeur emprunt par les Bantous et par dautres peuples originaires dAfrique de lOuest qui longeaient la valle de lOgoou pour se rendre vers le nord des forts sempervirentes denses du Congo et vers le centre, lest et le sud du continent africain. Ces flux migratoires ont faonn le dveloppement de toute lAfrique subsaharienne

    Outstanding Universal Value

    The Ecosystem and Relic Cultural Landscape of Lop-Okanda represents an unusual interface between dense and well conserved tropical rainforest and relict savannah environments. A greater number of threatened species of large mammals find their last refuge in Lop-Okanda than in any other comparable rainforest area in the Congo Rainforest Biogeographical Province. The property also preserves a record of biological evolution over the last 15,000 years of the still extant rainforest-savannah transition zone.

    The Lop-Okanda National Park displays remarkable evidence for settlement stretching over 400,000 years from the Palaeolithic, through the Neolithic and Iron Age, to the present day Bantu and Pygmy peoples. The National Park includes the River Ogoou valley, one of the principle migration routes for the diffusion of people and languages, including the Bantu, to

  • 9

    Central and Southern Africa, in the Neolithic and Iron Age, as evidenced in extraordinary number of substantial settlements sites and an extensive collection of rock art petroglyphs.

    The Lop-Okanda National Park provides the oldest dates for the extension of the Tshitolien culture towards the Atlan