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““La La Valse a Valse a Mille Mille

Temps”Temps”Pinturas: Everett Pinturas: Everett

ShinnShinn

““Siempre nos quedará París”Siempre nos quedará París”““We’ll always have Paris”We’ll always have Paris”

In the first stage* of the waltzAll alone, you're smiling already.In the first stage of the waltzI'm alone but I catch sight of youAnd Paris which beats each measureParis which measures our excitementAnd Paris which beats each measureWhispers to me, whispers very low

A waltz in triple timeWhich offers still more timeWhich offers still more timeTo present the turnsIn the direction of loveCharming as it is.A waltz in quadruple timeIt's much less dancingIt's much less dancingBut just as charmingAs a waltz in triple timeA waltz in quadruple time,A waltz when you're twenty***It's much more arousingIt's much more arousingBut much more charmingThan a waltz in triple timeA waltz when you're twentyA waltz in hundred timeA waltz when you're a hundredA waltz that is heardAt each intersectionIn Paris which loveRenews in springtime.A waltz in thousand timeA waltz in thousand timeA waltz took the timeTo wait twenty yearsFor you to be twentyAnd for me to be twentyA waltz in thousand timeA waltz in thousand timeA waltz in thousand timeOffers to lovers aloneThree hundred thirty-three times the timeTo build a romance.

In the second stage of the waltz,We are two, you're in my armsIn the second stage of the waltzWe both count one-two-threeAnd Paris which beats each measureParis which measures our excitementAnd Paris which beats each measureHums to us, hums again

A waltz in triple timeWhich offers still more timeWhich offers still more timeTo present the turnsIn the direction of loveCharming as it is.A waltz in quadruple timeIt's much less dancingIt's much less dancingBut just as charmingAs a waltz in triple timeA waltz in quadruple time,A waltz when you're twenty***It's much more arousingIt's much more arousingBut much more charmingThan a waltz in triple timeA waltz when you're twentyA waltz in hundred timeA waltz when you're a hundredA waltz that is heardAt each intersectionIn Paris which loveRenews in springtime.A waltz in thousand timeA waltz in thousand timeA waltz took the timeTo wait twenty yearsFor you to be twentyAnd for me to be twentyA waltz in thousand timeA waltz in thousand timeA waltz in thousand timeOffers to lovers aloneThree hundred thirty-three times the timeTo build a romance.

In the third stage of the waltzWe finally waltz, everyone!In the third stage of the waltzThere's you and there's love and there's meAnd Paris which beats each measureParis which measures our excitementAnd Paris which beats each measureLets her joy finally burst!

A waltz in triple timeWhich offers still more timeWhich offers still more timeTo present the turnsIn the direction of loveCharming as it is.A waltz in quadruple timeIt's much less dancingIt's much less dancingBut just as charmingAs a waltz in triple timeA waltz in quadruple time,A waltz when you're twenty**It's much more arousingIt's much more arousingBut much more charmingThan a waltz in triple timeA waltz when you're twentyA waltz in hundred timeA waltz when you're a hundredA waltz that is heardAt each intersectionIn Paris which loveRenews in springtime.A waltz in thousand timeA waltz in thousand timeA waltz took the timeTo wait twenty yearsFor you to be twentyAnd for me to be twentyA waltz in thousand timeA waltz in thousand timeA waltz in thousand timeOffers to lovers aloneThree hundred thirty-three times the timeTo build a romance.La La Laa La, La La Laa,La La Laa La, La LA!

Everett Shinn (6 de noviembre de 1876, Woodstown, New Jersey - 1 de mayo de 1953, Nueva York) Artista estadounidense de realismo Americano, forma parte del grupo Ash-can School conocida también como "Los realistas de Nueva York" (The New York realists) o "Los ocho" (The Eight). Fue el miembro más joven del grupo de pintores modernistas que exploró la representación de la vida real.Su temática se centra en escenas callejeras y en interiores especialmente dedicados al mundo de los cabarets y teatros, y de varios aspectos del lujo.

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