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Transcript of Surrealism left side
SurrealismLeft side
Jean (Hans) Arp
Head with Three Annoying Objects
1930 (cast 1950)
Bronze
14-1⁄8 × 10-1⁄4 × 7-1⁄2”
Estate of Jean Arp.
[Fig. 14-03]
Max Ernst Europe after the Rain 1940–42 Oil on canvas 21-1⁄2 × 58-1⁄8”
Wadsworth Atheneum, Hartford, Connecticut [Fig. 14-07]
Max Ernst
Surrealism and Painting
1942
Oil on canvas
77 × 92”
Menil CollectionHouston, Texas
[Fig. 14-08]
Joan Miró
Dog Barking at the Moon
1926
Oil on canvas
28-3⁄4 × 36-1⁄4”
Philadelphia Museum of Art
[Fig. 14-11]
André Masson Battle of Fishes 1926Sand, gesso, oil, pencil, and charcoal on canvas 14-1⁄4 × 28-3⁄4”
The Museum of Modern Art, New York [Fig. 14-15]
Yves Tanguy
Maman, Papa est blessé!
(Mama, Papa Is Wounded!)
1927
Oil on canvas
36-1⁄4 × 28-3⁄4”
The Museum of Modern Art, New York
[Fig. 14-17]
Salvador Dali
Salvador Dalí
Accommodatio
ns of Desire
1929
Oil and collage on
panel
8-5⁄8 × 13-3⁄4”
Metropolitan Museum of Art
[Fig. 14-18]
Salvador Dalí
Gala and the Angelus of Millet Immediately Preceding the Arrival of the Conic
Anamorphoses
1933
Oil on panel
9-3⁄8 × 7-3⁄8”
National Gallery of Canada, Ottawa
[Fig. 14-20]
René Magritte
The Treachery (or Perfidy) of Images
1928–29
Oil on canvas,
23-1⁄4 × 31-1⁄2”
Los Angeles County
Museum of Art
[Fig. 14-22]
Hans Bellmer
Doll
1935
Wood, metal, and papier mâché.
Manoukian
Collection, Paris
[Fig. 14-26]
Dorothea Tanning
Some Roses and Their Phantoms
1952
Oil on canvas 29-7⁄8 × 40”
Tate, London
[Fig. 14-32]
Remedios Varo
Creation of the Birds
1957
Oil on Masonite
20 5/8” x 24 5/8”
Private Collection
Pablo Picasso
Seated Bather
early 1930
Oil on canvas
64-1⁄4 × 51”
The Museum of Modern Art New York
[Fig. 14-37]
Henry Moore
Reclining Figure
1939
Elm wood
3’ 1” × 6’ 7” × 2’ 6
The Detroit Institute of Arts
[Fig. 14-50]
Man Ray
Observatory Time—The Lovers
1936
Halftone reproduction
Published in Harper’s Bazaar
November 1936
[Fig. 14-53]
Bill Brandt
Portrait of a Young Girl
Eaton Place, London
1955
Gelatin-silver print
17 × 14-3⁄4”
[Fig. 14-61]
American Art Before WWII
Robert Henri
Snow in New York
Oil on canvas
1902
National Gallery of ArtWashington D.C.
George Bellows
Cliff Dwellers
1913
Oil on canvas
39-1⁄2 × 41-1⁄2”
Los Angeles County Museum of
Art
[Fig. 15-04]
Alfred Stieglitz
The Steerage
1907
Gelatin-silver print
4-5⁄16 × 3-5⁄8”
The Art Institute of Chicago
[Fig. 15-07]
Edward Steichen
Gloria Swanson
1924
Gelatin-silver print
16-1⁄16 × 13-1⁄2”
The Museum of Modern ArtNew York
[Fig. 15-09]
Arthur G. Dove
Nature Symbolized No. 2
c. 1911
Pastel on paper
17-7⁄8 × 21-1⁄2”
The Art Institute of Chicago
[Fig. 15-13]
Alfred Stieglitz
O’Keeffe Hands and Thimble
1919
printed 1947 by Lakeside Press, Chicago
Photomechanical (halftone) reproduction
7-3⁄4 × 6”
George Eastman House, Rochester, New York
[Fig. 15-15]
Georgia O’Keeffe
Music—Pink and Blue, II
1919
Oil on canvas
35-1⁄2 × 29”
Whitney Museum of American Art, New York
[Fig. 15-16]
Postcard showing the Armory Show
1913
The Museum of Modern Art
Archives New York
[Fig. 15-21]
Charles Sheeler
Church Street El
1920
Oil on canvas
16 × 19-1⁄8”
Cleveland Museum of Art
[Fig. 15-24]
Charles Demuth
The Figure 5 in Gold
1928
Oil on composition board
36 × 29-3⁄4”
The Metropolitan Museum of Art, New York
[Fig. 15-27]
Grant Wood
American Gothic
1930
Oil on beaverboard
29-7⁄8 × 24-7⁄8”
The Art Institute of Chicago
[Fig. 15-31]
Edward Hopper
Carolina Morning
1955
Oil on canvas
30 × 40-1⁄8”
Whitney Museum of American Art
New York
[Fig. 15-33]
Ben Shahn
The Passion of Sacco and Vanzetti
1931–32
Tempera on canvas
7’ 1⁄2” × 4’
Whitney Museum of American Art New York
[Fig. 15-37]
Alfred Eisenstaedt
The Kiss
(Times Square)
1945
Life magazine
[Fig. 15-42]
Diego Rivera
Detroit Industry
1932–33
Fresco north wall
The Detroit Institute of
Arts
[Fig. 15-46]
Frida Kahlo
Self-Portrait with Thorn Necklace
1940
Oil on canvas
24 × 18-3⁄4”
University of Texas, Austin
[Fig. 15-50]
Milton Avery
Swimmers and Sunbathers
1945
Oil on canvas
28 × 48-1⁄8”
The Metropolitan
Museum of Art New York
[Fig. 15-57]
Elie Nadelman
Man in the Open Air
c. 1915
Bronze
54 1⁄2” highat base 11 3⁄4 × 21 1⁄2”
The Museum of Modern Art, New York
[Fig. 15-60]
Alexander Calder
Romulus and Remus
1928
Wire and wood 30-1⁄2 × 124-1⁄2 × 26”Solomon R. Guggenheim Museum, New York [Fig. 15-63]
