Abstract expressionism left side

37
Abstract Expressionism Left side

Transcript of Abstract expressionism left side

Abstract Expressionism

Left side

Hans Hofmann

Spring

1944–45 (dated 1940 on

reverse)

Oil on wood

11-1⁄4 × 14-1⁄8”

Museum of Modern ArtNew York

[Fig. 16-02]

Jackson Pollock

Guardians of the Secret

1943

Oil on canvas

4’ 3⁄4” × 6’ 3”

San Francisco Museum of Modern Art

[Fig. 16-07]

Lee Krasner

Milkweed

1955

Oil, paper and canvas collage on canvas

6’ 10-3⁄8” × 4’ 9-3⁄4”

Albright Knox Art Gallery, Buffalo, New York

[Fig. 16-11]

Mark Tobey

Universal Field

1949 Pastel and tempera on cardboard

28 × 44”

Whitney Museum of American Art

New York [Fig. 16-14]

Elaine de Kooning

Harold Rosenberg #3

1956

Oil on canvas

6’ 8” × 4’ 10-7⁄8”

National Portrait Gallery Smithsonian Institution

Washington, D.C.

[Fig. 16-16]

Mark Rothko

North, Northeast, & East

Wall

Paintings in the Rothko Chapel

1965–66 (opened in 1971)

Oil on canvas

Houston, Texas

[Fig. 16-20]

Barnett Newman

Genesis—The Break

1946

Oil on canvas24 × 27”

Collection DIA Center for the Arts

New York

[Fig. 16-21]

Barnett Newman Vir Heroicus Sublimis1950–51 Oil on canvas 7’ 11-3⁄8” × 17’ 9-1⁄4”

The Museum of Modern Art, New York [Fig. 16-23]

Robert Motherwell

Pancho Villa, Dead and Alive

1943 Gouache and oil

with cut-and-pasted papers on cardboard

28 × 35-7⁄8”

Museum of Modern Art, New York

[Fig. 16-28]

New American Sculpture

David Smith

The Letter

1950

Welded steel

37-5⁄8 × 22-7⁄8 × 9-1⁄4”

Munson-Williams-Proctor Institute Museum of Art, Utica, New York

[Fig. 16-31]

Louise Bourgeois

French American Artist

1911-2010

Louise Bourgeois

Quarantania I

1947–53

Painted wood on wooden base

62-3⁄8 × 11-3⁄4 × 12”

The Museum of Modern Art, New York

[Fig. 16-38]

Louise Nevelson

Dawn’s Wedding Chapel I

1959

Painted wood

7’ 6” × 4’ 3”

Private collection

[Fig. 16-41]

Aaron Siskind

Chicago

1949

Gelatin-silver print

[Fig. 16-45]

Postwar European Art

Alberto Giacometti

Head of a Man on a Rod

1947

Bronze

height 21-3⁄4”

Private collection

[Fig. 17-02]

Germaine Richier

Ouragane (Hurricane Woman)

1948–49

Bronze, height

70-1⁄8”

Musée National d’Art ModerneCentre d’Art et de Culture Georges Pompidou,

Paris

[Fig. 17-06]

Jean Dubuffet

Corps de Dame—Château d’Étoupe

1950

Oil on canvas

45-1⁄16 × 34-7⁄16”

Allen Memorial Art MuseumOberlin College

Ohio

[Fig. 17-09]

Hans Hartung

T-1954-20

1954

Oil on canvas

57-1⁄2 × 38-3⁄8”

National Gallery of AustraliaCanberra

[Fig. 17-14]

Georges Mathieu

Battle of the Bouvines

1954

Oil on Canvas

8 ½” x 19’ ¼”

Nicolas de Staël

Agrigente

1954Oil on canvas

34-3⁄4 × 50-1⁄2”

Museum of Contemporary Art

Los Angeles

[Fig. 17-21]

Richard Paul Lohse

Serial Elements Concentrated in Rhythmic

Groups

1949–56

Oil on canvas

35-3⁄8 × 35-3⁄8”

Kunsthaus Zurich

[Fig. 17-24]

Giacomo Manzù

Large Standing Cardinal

1954

Bronze

height 66-1⁄2”

Smithsonian Giacomo Institution Washington, D.C.

[Fig. 17-27]

Lucio Fontana

Spatial Concept: The End of God

1963

Oil on canvas

70 × 48-1⁄2”

Gallerie dell’ArieteMilan

[Fig. 17-30]

Lucio Fontana

Nature

1959–60

Bronze

24 × 28-3⁄4”

Tate, London

[Fig. 17-32]

Hundertwasser

House which was born in Stockholm, died in Paris, and

myself mourning it

1966

Mixed media32 × 23-2⁄3”

Private collection

[Fig. 17-39]

Henry Moore

Study for Tube Shelter Perspective

1940–41

Pencil, wax crayon, colored crayon, watercolor wash, pen

and ink

10-1⁄3 × 6-1⁄2”

Collection Mrs. Henry Moore

[Fig. 17-42]

Francis Bacon

Painting

1946

Oil on canvas

6’ 6” × 4’ 4”

The Museum of Modern ArtNew York

[Fig. 17-44]

Diego Velázquez

Pope Innocent X

1650

Oil on canvas

45 × 47”

Galleria Doria PamphiljRome

Fig. 17-45]

Lucian Freud

Girl with White Dog

1951–52

Oil on canvas

30 × 40”

Tate, London

[Fig. 17-50]

Werner Bischof

Cologne

1946

[Fig. 17-53]