Ch 11 12 13 left side

34
Art in France after WWI left side

Transcript of Ch 11 12 13 left side

Art in France after WWI

left side

Amedeo Modigliani

Portrait of Jeanne Hebuternewith Hat and Necklace

1917Oil on Canvas

54” x 65”

Private Collection

Suzanne Valadon

Blue Room

1923

[Fig. 03-37]

Henri Matisse

Music Lesson

1917

Oil on canvas

8’ 1⁄8” × 6’ 7”

The Barnes Foundation, Philadelphia, Pennsylvania

[Fig. 11-08]

Henri Matisse

Interior with a Phonograph

1924

Oil on canvas 39-3⁄4 × 32”

Private collection

[Fig. 11-10]

Raoul Dufy

Indian Model in the Studio at L’Impasse

Guelma

1928

Oil on canvas

31-7⁄8 × 39-3⁄8”

rivate collection

[Fig. 11-13]

Pablo Picasso

Ambroise Vollard

1915

Pencil on paper

18-3⁄8 × 12-9⁄16”

The Metropolitan Museum of Art New York

[Fig. 11-14]

Pablo Picasso

The Pipes of Pan

1923

Oil on canvas

6’ 6-1⁄2” × 5’ 8-1⁄2”

Musée Picasso, Paris

[Fig. 11-17]

Pablo Picasso

Three Musicians

summer 1921

Oil on canvas

6’ 7” × 7’ 3-3⁄4”

The Museum of Modern Art, New York

[Fig. 11-19]

Georges Braque

Woman with a Mandolin

1937

Oil on canvas

51-1⁄4 × 38-1⁄4”

The Museum of Modern Art, New York

[Fig. 11-24]

Fernand Léger

The Great Parade

1954 Oil on canvas 9’ × 13’ 1”

Guggenheim Museum

New York

[Fig. 11-26]

Amédée Ozenfant

Guitar and Bottles

1920

Oil on canvas

31-7⁄8 × 39- 1⁄4”

Guggenheim MuseumNew York

[Fig. 11-27]

De Stijl&

Geometric Abstraction

Piet Mondrian

Apple Tree

Pointillist Version

1909-09Oil on Composition

Board

22 3/8” x 29 ½”

Dallas Museum of Art

[Fig.12.1]

Theo van Doesburg

Card Players

1916–17

Tempera on canvas

46-1⁄2 × 58”

Private collection

[Fig. 12-05]

Theo van Doesburg

Sophie Taeuber

& Jean (Hans) Arp

Interior, Café l’Aubette

1926–28 Strasbourg,

destroyed 1940

[Fig. 12-07]

Gerrit Rietveld

Living and dining area

Schröder House

with furniture by

Rietveld

[Fig. 12-12]

Bauhaus

Walter Gropius and Adolph Meyer, Fagus Shoe Factory, 1911–25.Alfeld-an-der-Leine, Germany. [Fig. 13-01]

Walter Gropius and Adolph Meyer, Design for the Chicago Tribune Tower, 1922.[Fig. 13-03]

László Moholy-Nagy, Light Prop for an Electric Stage (Light–Space Modulator), 1922–30.Kinetic sculpture of steel, plastic, wood, and other materials with electric motor, 59-1⁄2 × 27-1⁄2 × 27-1⁄2” (151.1 × 69.9

× 69.9 cm). Busch-Reisinger Museum, Harvard University Art Museums, Cambridge, MA. [Fig. 13-05]

László Moholy-Nagy, Untitled (looking down from the Radio Tower, Berlin), c. 1928. Gelatin-silver print, 14-1⁄4 × 10” (36.2 × 25.6 cm).

The Art Institute of Chicago, Julien Levy Collection. [Fig. 13-07]

Paul Klee, Um den Fisch (Around the Fish), 1926.Oil and tempera on primed muslin on cardboard;original frame, 18-3⁄8 × 25-1⁄8” (46.7 × 63.8 cm).

The Museum of Modern Art, New York. Abby Aldrich Rockefeller Fund. [Fig. 13-09]

Paul Klee, Ad Parnassum, 1932.Oil and casein paint on canvas; original frame, 39-3⁄8 × 49-5⁄8” (100 × 126 cm).

Kunstmuseum Bern, Dauerleihgabe des Vereins der Freunde des Kunstmuseums Bern (Society of Friends of Kunstmuseum Bern). [Fig. 13-11]

Vasily Kandinsky, Composition VIII, 1923.Oil on canvas, 55-1⁄8 × 79-1⁄8” (140 × 201 cm).

Solomon R. Guggenheim Museum, New York. [Fig. 13-13]

Oskar Schlemmer, Study for The Triadic Ballet, c. 1921–23.Gouache, brush and ink, incised enamel, and pasted photographs on paper, 22-5⁄8 × 14-5⁄8” (57.5 × 37.1 cm).

The Museum of Modern Art, New York. [Fig. 13-15]

Gunta Stölzl, Tapestry, 1922–23.Cotton, wool, and linen, 8’ 4-13⁄16” × 6’ 2” (2.56 × 1.88 m).

Busch-Reisinger Museum, Harvard University Art Museums, Cambridge, MA. Association Fund. BR49.669. [Fig. 13-17]

Herbert Bayer, Bauhaus Dessau, 1926.Letterpress, 8-1⁄2 × 5-7⁄8” (21.6 × 14.9 cm).

The Museum of Modern Art, New York. [Fig. 13-19]

Naum Gabo, Linear Construction in Space, No. 1 (Variation).Lucite with nylon thread, 24-1⁄2 × 24-1⁄2” (62.2 × 62.2 cm).

The Phillips Collection, Washington, D.C. [Fig. 13-21]

Anton Pevsner, Monde (World), 1947.Bronze, 29-1⁄2 × 23-2⁄3 × 22-3⁄4” (75 × 60 × 57 cm).

Musée National d’Art Moderne, Centre d’Art et de Culture Georges Pompidou, Paris.[Fig. 13-23]

Ludwig Mies van der Rohe, Model for a glass skyscraper, 1922. [Fig. 13-25]

Ludwig Mies van der Rohe, German Pavilion, International Exposition, 1929.Barcelona, Spain. Reconstructed 1986. [Fig. 13-27]

Ludwig Mies van der Rohe, German Pavilion, 1929. Interior view. [Fig. 13-29]