KAuction_SummerAuction_2015

Summer AuctionK 14 JULY 2015

MODERN & CONTEMPORARY ARTINTERNATIONAL MODERN & CONTEMPORARY ARTKOREAN TRADITIONAL ART & CRAFTPUBLIC INSTITUTION CONSIGNMENT

VIEWING

2015 7 4() 13() 10 30 6 30

4 July 13 July 2015, 10:30am 6:30pm

AUCTION 2015 7 14() 514 July 2015, 5pm

VENUE K K Auction, Art Tower, 23 Eonju-ro 172-gil (640-6 Sinsa-dong),Gangnam-gu, Seoul

Summer AuctionK 14 JULY 2015

2 3

2015.6 | 2015.6 | | () | 172 23( 640-6)

() | www.dsrang.co.kr | () 031.958.9926

contact TEL 82.2 . 3479 . 8888 | FAX 82.2 . 3479 . 8800 | E-mail art@k- auction.com | www.k- auction.com

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(Account Holder): (K Auction Inc.)

(Bank Name): (Hana Bank)

(Bank Address): 77 Mugyo-dong, Jung-gu, Seoul, 110-775, Korea

(Account Number): 196-910005-07204

(Swift Code): HNBNKRSE

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( ) IMPORTANT NOTICES

4 5

The conduct of the Auction, registration and application to place bids, placing of bids and sale of lots in the Auction during this auction period (the "Auction Period") shall be regulated by the Auction Terms and these Important Notices. In the event of any ambiguity or any discrepancy between the Auction Terms and these Important Notices, these Important Notices will prevail. Any capitalised terms used but not defined in these Important Notices have the meaning set out against such terms in the Auction Terms. Prospective Bidders should read the Auction Terms and these Important Notices carefully.

PLEASE READ CAREFULLY CLAUSES 13, 14 and 15 OF THE AUCTION TERMS WHICH SET OUT K AUCTION'S

REPRESENTATIONS, WARRANTIES, DISCLAIMER AND LIMITED LIABILITY REGARDING THE SALE OF THE

LOTS AND THE LIMITED WARRANTY PROVIDED BY K AUCTION IN RESPECT OF THE LOTS.

The lots shall be sold on an "as is" basis as at the time of sale of the lots (whether or not the Buyers are in attendance in person at the Auction). The Bidder shall be responsible for conducting his/her own research and satisfying himself/herself of the condition of the lots, including, but not limited to, damage and/or restoration of the lots and in respect of any entries provided in the Auction Catalogue and/or elsewhere. K Auction will only accept a bid from a Bidder in respect of a lot on the assumption that the Bidder has satisfied himself/herself of the condition of such lot and in respect of any entries provided in the Auction Catalogue and/or elsewhere.

All amounts in US Dollars shown in the Auction Catalogue and/or elsewhere are for reference only and all bids and payment will be in Korean Won (KRW), unless otherwise expressed in the Auction Terms and/or these Important Notices or otherwise agreed in writing by K Auction. K Auction shall not be responsible for any error or omission, however caused, arising from, or in connection with, conversion of currencies.

The Prospective Bidder shall complete a Bidder Registration Form and provide a proof of photographic identity such as passport, driving licence or government issued identification card to collect his/her bidding paddle 30 minutes prior to the Auction commencement. The Prospective Bidders, including first-time Prospective Bidders, and when K Auction deems necessary, have to provide one or more original or copy of the following: bank reference or statement, credit card (visa/master), Sothebys Client registration card, Christies Client registration card or relevant supplementary document to confirm the financial credit of Prospective Bidder. Moreover, if K Auction deems necessary, the Prospective Bidder may have to provide deposits. The above procedures should be completed 30 minutes prior to the Auction commencement.

The Prospective Bidders may bid on any Lot in person, in writing or by telephone. The Prospective Bidders should register 24 hours prior to the Auction commencement in case of a written bid or a bid by telephone. K Auction staff will attempt to execute a written bid at the lowest possible price taking into account the Reserve Price, subject to the maximum bid price in writing. In respect of a lot, if a written bid, bid in person, bid by telephone have the same price, bidder has priority in the order of written bid, bid in person and bid by telephone subject to, and in accordance with, the Auction Terms. If two written bids for a lot have the same bid price, the Bidder of the written bid first received by K Auction will be declared the Buyer subject to, and in accordance with, these Auction Terms. K Auction shall use reasonable endeavours to enable Bidders to place bids in person, in writing or by telephone, but K Auction does not accept any responsibility for failure to do so or delay in doing so or for any error and/or omission by K Auction, its directors, officers, employees and/or agents in processing any registration and/or application to place bids, receiving and/or placing written or telephone bids, howsoever caused. All bids placed may be recorded and Bidders, by placing bids, are deemed to have consented to the recording of their conversations or actions.

The contract of the sale of a lot shall be made between the Seller and the Buyer. The sale of a lot shall occur when the auctioneer accepts the highest bid by striking his/her hammer and calling the paddle number of the highest Bidder (i.e. the Buyer). The Buyer will be asked to confirm his/her purchase by signing the Bid Confirmation on the date of the sale (where the Buyer made his/her bid in person and is present in the auction hall on the date of the sale) or as soon as practicable (where the Buyer did not make his/her bid in person or is not present in the auction hall on the date of the sale).

In respect of any lot, the Buyer shall pay to K Auction (for itself and/or on behalf of the Consignor) in accordance with the Auction Terms and these Important Notices the full invoiced amount and any Buyer's Expenses incurred after the invoice sent, within 7 calendar days from, but not including, the date of the sale of such lot.

RISK AND RESPONSIBILITY ASSOCIATED WITH ANY LOT

PAYMENT AND BANK TRANSFERS

BUYER'S PREMIUM

TAX

EXPORT/IMPORT PERMITS

COLLECTION AND STORAGE

TRANSLATION

The contract of sales is between the Seller and Buyer. Such a contract is established when the auctioneer accepts the highest bid by calling the paddle number of the highest bidder (i.e. successful bidder) and striking the hammer. The Buyer shall sign a Successful Bidding Confirmation confirming the purchase by him/her of a lot on the date of the sale of such lot (where the Buyer made his/her bid in person and is present in the auction hall on the date of the sale) or as soon as practicable (where the Buyer did not make his/her bid in person or is not present in the auction hall on the date of the sale). The Buyer shall pay to K Auction, in accordance with the Auction Terms and the Important Notice, the full invoiced amount (payable to K Auction and/or the Consignor) in the invoice (which hereinafter may be substituted with a notice of bidding result) and any other Buyer's Expenses incurred after the invoice has been sent to the Buyer, within seven calendar days from the date of the sale. K Auction and a Buyer may, prior to the sale of the relevant lot, agree in writing for the Purchase Price of such lot to be paid in instalments.

The Buyer shall bear the risk associated with, and the responsibility for, the lot purchased by him/her from the earlier of:() the expiration of 7 calendar days from, but not including, the date of the sale of such lot; and () the date of collection of such lot by the Buyer or its authorised representative. However, title to the lot will not

pass to the Buyer until all amounts due from the Buyer to K Auction (for itself and/or on behalf of the Consignor) in respect of the lot under the Auction Terms and/or these Important Notices are received by K Auction in good cleared funds. Please refer to the Auction Terms for further details.

Bank tranfers should be made to :

Account Holder: K Auction Inc. Bank Name: Hana Bank Bank Address: 77 Mugyo-dong, Jung-gu, Seoul, 110-775, KoreaAccount Number: 196-910005-07204 Swift Code: HNBNKRSE

Please include the Buyers name and invoice number with instructions to the bank.

Subject to the Auction Terms, in case any payment is made by personal or company cheque, please note that the relevant lot(s) will not be released, and title to such lot(s) will not pass, to the Buyer until such cheque has been cleared. Subject to the Auction Terms, payment by cash or banker's draft will enable immediate release of, and transfer of title of, such lot(s) to the Buyer once the transfer is confirmed. Travellers' cheques or payment by credit card will not be accepted. However, credit card will be accepted for the payment of the Buyers Premium only.

In respect of any lot, the Buyer's Premium shall be 15% (excluding Value Added Tax) of the Hammer Price and the Buyer's Premium is exclusive of any Buyer's Expense payable by the Buyer to K Auction. The Bidder should determine the bid price considering the Buyers Premium when placing the bid.

All sums payable by the Buyer to K Auction are exclusive of any goods or service tax or other value added tax (whether imposed in Korea or otherwise). The Buyer shall be responsible for paying such tax at the rate and time as required by the relevant law.

Lot(s) sold at the Auction may be subject to laws governing export from Korea and import restrictions of the relevant countries. It is the Buyer's sole responsibility to obtain any relevant licences required for the export/import of the purchased lot(s).In particular, bidders bidding on the lots considered to be traditional Korean relics and treasures must fully understand the terms of Korea Cultural Heritage Properties Law, which prohibits exportation of traditional Korean relics and treasures.

It is the Buyer's responsibility to arrange for collection of the lot(s), by himself/herself or by an authorized representative. Unless otherwise agreed in writing between K Auction and the Buyer, K Auction will only release the lot(s) to the Buyer or its authorised representative. K Auction will only release the lot(s) upon receiving (i) proof of identity and authorisation (in the case of an authorised representative collecting) satisfactory to K Auction and (ii) the full amounts payable by the Buyer to K Auction (for itself and/or on behalf of the Consignor) in respect of the lot(s) pursuant to the Auction Terms.

In the case of any ambiguity or discrepancy between the English, Chinese and/or Korean text in this catalogue, the Korean version shall prevail.

AUCTION TERMS

LOT

RATES OF EXCHANGE

REGISTRATION FOR LOTS

BIDDING

SALE OF LOTS, INVOICE AND PAYMENT

(for auctions held by K Auction in Korea)IMPORTANT NOTICES

6 776

123

46 - 52

9, 99, 100

115, 117

8, 21

71, 93, 94

33, 65

88

72

86

56, 81, 96

31, 70, 98

91

10, 11, 29

107

12, 13

14, 67, 69, 97

25, 26

119

28

90

118

122, 124

112

43, 45

89

57 - 59, 95

44

111, 113

30

24, 77

1, 7, 20, 32, 39, 64, 68

17, 60, 61

108

54, 55, 79, 80

120

159

157

160

170

168

153

166, 167

176

178

2 182

174

177

181

175

180

179

158

145

152

155, 164

163

147

149, 150

146

165

172

144

151

173

183

162

7 171

169

161

154

156

3

114

42

66

110

5, 6, 15, 16

116

87, 92

27, 75, 76

18, 106

103

4, 35, 36

34, 62

109

53, 73, 74

23, 85

82, 83

22, 101

19, 38

121

105

102

135

130

139

137, 138

132

133

136

128, 129

125, 126

134

131

127

140

310

313

312

3 319

322

317

309

304

323

315

305

301

314

306

335

320

330

318

327

308

316

311

331

334

329

328

324

302

333

307

303

3 321

332

02

06

08

184

214

272

320

331

332

C O N T E N T S I N D E X O F A R T I S T S

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Modern & Contemporary Art

LOT 001 ~ 124

10 11

1928 - 2007YunHyongKeun

Untitled

oil on linen

15.822.7cm (1), 6.28.9in

1990

signed on the reverse

KRW 3,000,000 - 5,000,000

USD 2,700 - 4,500

001 b.1931ParkSeoBo Ecriture

oil and pencil on hardboard

2527.5cm, 9.810.8in

1978

signed on the lower right

KRW 12,000,000 - 30,000,000

USD 10,900 - 27,200

002

12 13

1946 - 2013LeeDongYoub

()- Interspace - Musing

oil on canvas

2828cm, 1111in

signed on the lower right and reverse

KRW 3,000,000 - 9,000,000

USD 2,700 - 8,100

003 b.1932ChungSangHwa Untitled

acrylic on canvas

2419cm, 9.47.5in

KRW 5,000,000 - 10,000,000

USD 4,500 - 9,000

004

14 1515151414

b.1936LeeUFan

Untitled

watercolor on paper

3951cm, 15.420.1in

1986


KRW 10,000,000 - 20,000,000

USD 9,000 - 18,100

005 b.1936LeeUFan Correspondance

pigment suspended in glue, on canvas

24.233.4cm (4), 9.513.1in


This work is accompanied by a registration card from the Korean Art Appraisal Board.

KRW 18,000,000 - 35,000,000

USD 16,300 - 31,800

006

16 171717


Untitled

oil on linen

1933.4cm (4), 7.513.1in

1972-73

signed on the lower left and reverse

KRW 18,000,000 - 30,000,000

USD 16,300 - 27,200

007 1926 - 2013KwonYoungWoo 73-23 Untitled 73-23

ink on Korean paper

33118cm, 1346.5in

1973

sealed on the right

KRW 12,000,000 - 30,000,000

USD 10,900 - 27,200

008

18 19

1919 - 1988QuacInSik

Untitled

color on paper laid on canvas

90.972.7cm (30), 35.828.6in

1982


KRW 30,000,000 - 40,000,000

USD 27,200 - 36,300

009

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20 21

1913 - 1974KimWhanKi

Untitled

oil on newspaper

5837.5cm, 22.814.8in

1968

LITERATURE:

WHANKI, Oil on Paper 1968, Whanki Foundation, 1968, p.27

KRW 35,000,000 - 80,000,000

USD 31,800 - 72,700

010

.

..

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, 1967. 10. 13

11 (1963-1974)

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WHANKI Oil on Paper 1968, , 1968

WHANKI New York 1966-69, Hyundai Gallery, 1969

22 23


Untitled

gouache on paper

2129cm, 8.311.4in

KRW 15,000,000 - 25,000,000

USD 13,600 - 22,700

011 1919 - 2014KimSou Nude

oil on canvas

15.822.7cm (1), 6.28.9in


KRW 6,000,000 - 12,000,000

USD 5,400 - 10,900

012

24 25

1919 - 2014KimSou

Woman

oil on canvas

5365.1cm (15), 20.925.6in


KRW 30,000,000 - 45,000,000

USD 27,200 - 40,900

013 1911 - 1990NamKwan Abstraction

oil on canvas

72.790.9cm (30), 28.635.8in


KRW 27,000,000 - 40,000,000

USD 24,500 - 36,300

014

26 27

b.1936LeeUFan

With Winds


60.672.7cm (20), 23.928.6in

1988


KRW 50,000,000 - 100,000,000

USD 45,400 - 90,900

015

80

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1970 1980

. 1982

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, , 1990

, , , 2002

28 292929

b.1936LeeUFan

Correspondance


45.565.1cm (15), 17.925.6in

2002

signed on the side and reverse

KRW 43,000,000 - 70,000,000

USD 39,000 - 63,600

016

1990

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, , 2003

LEE UFAN MARKING INFINITY, GUGGENHEIM, 2011

30 31

b.1943LeeKangSo

From an Island-96022

oil on canvas

72.790.9cm (30), 28.635.8in

1996

signed on the side

KRW 15,000,000 - 30,000,000

USD 13,600 - 27,200

017 b.1944ChunKwangYoung 96-1206 Aggregation 96-1206

mixed media on Korean paper

65.1100cm (40), 2538in

1996


KRW 8,000,000 - 30,000,000

USD 7,200 - 27,200

018

32 33

b.1935HaChongHyun

Conjunction

oil on hemp cloth

24.233.4cm (4), 9.513.1in

1995


KRW 4,000,000 - 10,000,000

USD 3,600 - 9,000

019 1928 - 2007YunHyongKeun 95-#78 Untitled 95-#78

oil on linen

27.345.5cm (8), 10.717.9in

1995


KRW 9,500,000 - 15,000,000

USD 8,600 - 13,600

020

34 35

1926 - 2013KwonYoungWoo

Untitled


4133cm, 16.113in

sealed on the lower left

KRW 8,500,000 - 15,000,000

USD 7,700 - 13,600

021 1930 - 1989HaInDoo Light of the Spirit

oil on canvas

5345.5cm (10), 20.917.9in

1987


KRW 8,000,000 - 15,000,000

USD 7,200 - 13,600

022

36 37

1916 - 1985ChoiYoungRim

Fables

mixed media on panel

1284cm, 4.733.1in

1978


KRW 9,000,000 - 25,000,000

USD 8,100 - 22,700

023 1913 - 2012YoonJungSik

Landscape

oil on canvas

40.931.8cm (6), 16.112.5in

1975


KRW 8,000,000 - 18,000,000

USD 7,200 - 16,300

024

38 3938

1902 - 1977ToSangBong

Still-life

oil on canvas

24.233.4cm (4), 9.513.1in

1959


KRW 38,000,000 - 70,000,000

USD 34,500 - 63,600

025

1954

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1950

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10, , 1987

40 41

1902 - 1977ToSangBong

Joseon White Porcelain

oil on canvas

45.553cm (10), 17.920.9in

1972


KRW 70,000,000 - 150,000,000

USD 63,600 - 136,300

026

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1950

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1948 1955

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42 43

1918 - 1990ChangUcChin

The Road

oil on canvas

3535cm, 13.813.8in

1987


LITERATURE:

Catalogue raisonn, , 2001, p.437

KRW 170,000,000 - 250,000,000

USD 154,500 - 227,200

027

12,6,().

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(1963-75) (1980-1985) 1986 1990

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Catalogue raisonn, , 2001, p.437

44 45

Park SooKeun

1914 - 1965

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2

, 1953

1

, 1962

4

, 1960

3

, 1950

1950 60

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60

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1914-1965, , 1985

100 Park Soo-Keun, , 2014

46 4746

1914 - 1965ParkSooKeun

Old and Young Trees

oil on hardboard

2233.5cm, 8.713.2in

1962


LITERATURE:

, , 1995, p.101

, , 1995

, , 1995, No.76

, , 1999, p.111

, , 2002, p.76

, , 2002, p.139

KRW 350,000,000 - 550,000,000

USD 318,100 - 500,000

028

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48 49

Kim WhanKi

1913 - 1974

..

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. 50

50 60

. ( 1)

7 1963

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1

, 1959

2

, 1966

3

, 1968

50


Sounding-3-VIII-68 #32

oil on canvas

177126cm, 69.749.6in

1968


LITERATURE:

WHANKI, Fondation Whanki, 1982, p.145

Kim Whanki , , 2011, p.215

-Kim Whanki , , 1997, p.121

KRW 650,000,000 - 1,000,000,000

USD 590,900 - 909,000

029

1963 65 . , , .

.

. ,

.

52 5352

1916 - 2002YooYoungKuk

Work

oil on canvas

6565cm, 25.625.6in

1974



LITERATURE:

Yoo Youngkuk, 1997, p.97

Yoo Youngkuk , , 2012, p.19

KRW 120,000,000 - 180,000,000

USD 109,000 - 163,600

030

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.

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1930 . 1965 1990

.

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Yoo Youngkuk , , 2012

54 55

b.1929KimTschangYeul

ENS 8303 Waterdrops ENS 8303

oil on hemp cloth

181.8227.3cm (150), 71.689.5in

1982-83

signed on the side

KRW 380,000,000 - 500,000,000

USD 345,400 - 454,500

031

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, (trompe loeil)

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56 57


Untitled

oil on linen

60.690.9cm (30), 23.935.8in

1991


KRW 34,000,000 - 60,000,000

USD 30,900 - 54,500

032 b.1936KimGuiLine

Inside, Outside

oil on canvas

162.2130.3cm (100), 63.951.3in

1985-86


KRW 35,000,000 - 70,000,000

USD 31,800 - 63,600

033

Lot 33 Detail

58 59

1927 - 2011ChungChangSup

NO.99803 Meditation NO.99803

tak fiber on cotton

200100cm, 78.739.4in

1999


KRW 55,000,000 - 100,000,000

USD 50,000 - 90,900

034

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As a member of the first post-liberation generation of Korean

artists, Chang Sup Chung was an influential abstract painter

that redefined the identity of Korean contemporary art.

During his artistic career, the artist attempted a wide range of

experiments from monochrome paintings to paper mulberry,

resulting in such works like Meditation NO.99803. Part of

the Meditation series, which begun in the 1990s, the work

on offer is a prime example of Chungs artistic journey in the

defining stages of Korean art. Following a controlled series

of gestures that followed the rhythm of meditation, he used

tak fibre to transform the surface of the cotton and give it a

degree of elevation. The offered work embodies the dogma

that pushed the Meditation series and is a materialization of

his devotion to the development of the history of post-war

contemporary art.

60 616161

b.1932ChungSangHwa

82-1 Untitled 82-1

acrylic on canvas

130130cm, 51.251.2in

1982


KRW 180,000,000 - 300,000,000

USD 163,600 - 272,700

035

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(Malevich)

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. 2011 (Muse d'Art Moderne de Saint-

tienne) .

, 45 , , 2015

As one of the pioneers of abstract monochromatic art

in Korea, Chung Sang Hwas meticulous execution of

'Untitled 82-1' is an incomparable example of the artists

oeuvre. The artist used two distinctive methods to execute

this work removing and repainting, where paint was

applied repeatedly upon layer and then peeled off. The

artist covered his canvases with clay, scored them with

grids and then excavated each small square before

filling them individually with paint. This laborious process

transformed the one dimensional canvas into a work of

depth and illusion. The apparent simplicity of 'Untitled

82-1' is deeply mesmeric and stands to be an epitome of

his artistic philosophy.

62 636363

b.1932ChungSangHwa

81-10-20 Untitled 81-10-20

acrylic on canvas

10080.3cm (40), 39.431in

1981


KRW 100,000,000 - 180,000,000

USD 90,900 - 163,600

036

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. (), , 1989

64 65

b.1931ParkSeoBo

No.41~79 Ecriture No.41~79

pencil and oil on canvas

31.840.9cm (6), 12.516.1in

1979


KRW 70,000,000 - 100,000,000

USD 63,600 - 90,900

037

Lot 37 Reverse

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PARK,SEO-BO, , 1994

66 67

b.1935HaChongHyun

97-004 Conjunction 97-004

oil on hemp cloth

120120cm, 47.247.2in

1997


KRW 80,000,000 - 130,000,000

USD 72,700 - 118,100

038

,

.

Known as one of the leading figures of Dansaekhwa, Ha

ChongHyuns Conjuction 97-004 is a primary example of the

artists oeuvre. His curiosity with the materiality of paint and

the canvas is demonstrated in this work the artist pushed

thick oil paint from behind the coarsely woven canvas

so it seeps through to the surface. He then smeared the

protruding paint transforming the one dimensional canvas

into a surface with depth and complexity.

68 69


Burnt Umber & Ultramarine Blue

oil on linen

90.972.7cm (30), 35.828.6in

1993


KRW 35,000,000 - 60,000,000

USD 31,800 - 54,500

039 b.1931ParkSeoBo No.050131 Ecriture No.050131

mixed media with Korean paper on canvas

10080.3cm (40), 39.431.6in

2005


KRW 30,000,000 - 80,000,000

USD 27,200 - 72,700

040

70 71

1941 - 1990LeeSeungJio

76-19 Nucleus 76-19

oil on canvas

90.965.1cm (30), 35.825.6in

1976


KRW 22,000,000 - 30,000,000

USD 20,000 - 27,200

042 b.1931ParkSeoBo No.040401 Ecriture No.040401


90.972.7cm (30), 35.828.6in

2004


KRW 40,000,000 - 70,000,000

USD 36,300 - 63,600

041

72 737272 7373

b.1929SuhSeOk

People

ink on Korean paper

130.3162.2cm, 51.363.9in

sealed on the lower right

KRW 35,000,000 - 150,000,000

USD 31,800 - 136,300

043

,

.

.

.

,

.

,

??

..?

.

.

,

.,

,

. 2005

74 757474 7575

b.1929SuhSeOk

People

ink on paper

12090cm, 47.235.4in

signed and sealed on the lower right

KRW 18,000,000 - 80,000,000

USD 16,300 - 72,700

045 1921 - 1976ParkReHyun

Untitled

ink and light color on paper

7595.5cm, 29.537.6in


KRW 18,000,000 - 30,000,000

USD 16,300 - 27,200

044

76 77

Lee UngNo

1904 - 1989

()()

,

.

,.()

()"

1985 ()

, 1960

80 .

. 60

.

.

,

. , ,

.(

1)

1970 80

,

( 2),

.( 3)

(Galerie Paul Facchetti, Paris)

1923

()

.

()( 4),

.

,

.

.

Ungno lee, , 2004

1960-1980, , 1997

UNG-NO LEE - ORIENTAL, , 1994

, , 1989

1

180154cm, 1971-73

(1976.5)

2

8957cm, 1964

3

200.6190cm, 1970

4

5465cm, 1941

50

..

().

.

,

78 7978

1904 - 1989LeeUngNo

Abstract Letter

color on fabric

147.3101.5cm, 5840in

1975



KRW 20,000,000 - 50,000,000

USD 18,100 - 45,400

046

80 818080

1904 - 1989LeeUngNo

Abstract Letter

fabric collage

183.786.3cm, 72.334in

1975

signed on the bottom

This work is accompanied by a registration card

from the Korean Art Appraisal Board.

KRW 15,000,000 - 50,000,000

USD 13,600 - 45,400

047

1904 - 1989LeeUngNo

Abstract Letter

color on fabric

198.5151cm, 78.159.4in


KRW 25,000,000 - 70,000,000

USD 22,700 - 63,600

048

82 83

1904 - 1989LeeUngNo

Abstract Letter

color on fabric

140.5193.2cm, 55.376.1in

1972



KRW 15,000,000 - 50,000,000

USD 13,600 - 45,400

049

1904 - 1989LeeUngNo

Abstract Letter

color on fabric

207.5125.5cm, 81.749.4in

1971

signed on the lower left

This work is accompanied by a registration

card from the Korean Art Appraisal Board.

KRW 20,000,000 - 60,000,000

USD 18,100 - 54,500

050

84 858484 8585

1904 - 1989LeeUngNo

Mountain


141191cm, 55.575.2in

1950

KRW 28,000,000 - 50,000,000

USD 25,400 - 45,400

052 1904 - 1989LeeUngNo

Wild Geese


62268cm, 24.4105.5in

1978

signed and sealed on the lower left

KRW 18,000,000 - 35,000,000

USD 16,300 - 31,800

051 .

,

.

.

. ,

.

86 87

Chun KyungJa

b. 1924

4.

()

..

", 1986

1924

.

,

.

.

1969 ,

28

. , , , , , , ,

. ,

.

.

,

.

, , , , , , , , ,

.

.

1970

. 1980 1990

. ( 1, 2, 3)

.

.

, .

. ,

.

. , ,

.

.

1980

.

, ( 4)

.

,

.

,

.

70

,

.

, , , 2007

82, , 2006

- , , 1995

, , 1995

1

, 1983

2

, 1986

3

, 1988

4

, 1986

88 89

b.1924ChunKyungJa

() After the Finale

color on paper

4131.5cm, 16.112.4in

1989

signed on the upper left


LITERATURE:

- , , 2007

, , 1995

Estimate on Request

053

.

", 1989

. 70 , 80

,

.

90 91

.,

.

. ,

.

, .

,

.

,

.

, , 2008

1921 - 2005LeeDaiWon

Farm

oil on canvas

5365.1cm (15), 20.925.6in

1980


KRW 120,000,000 - 150,000,000

USD 109,000 - 136,300

054

Lot 54 Reverse

92 93

1921 - 2005LeeDaiWon

Farm

oil on canvas

65.190.9cm (30), 25.635.8in

1982



KRW 130,000,000 - 180,000,000

USD 118,100 - 163,600

055

1980

.

,

.

.

( ), ()

(), , 1979

, , 2008

94 95

b.1937Kim ChongHak

Landscape of Mt. Seorak

acrylic on canvas

72.7116.8cm (50), 28.646in

1992


KRW 80,000,000-120,000,000

USD 72,700-109,000

056

() .

.

.

. ,

.

96 97

b.1956Oh ChiGyun

Persimmons

acrylic on canvas

5050cm, 19.719.7in

2011


KRW 30,000,000-40,000,000

USD 27,200-36,300

058 b.1956Oh ChiGyun

Golden-bell Trees in Sabuk

acrylic on canvas

3060cm, 11.823.6in

2002


LITERATURE:

Oh Chi Gyun Sabuk, Itreebook, 2007, pp.90-91

KRW 20,000,000-50,000,000

USD 18,100-45,400

057

98 99

b.1956Oh ChiGyun

lll Spring lll

acrylic on canvas

80.3116.8cm (50), 31.646in

2001


LITERATURE:

, Gana Art Center, 2002, p.36

Oh ChiGyun Sabuk, Gana Art Center 2002, p.36

Oh ChiGyun Defining Landscape, Chelsea Art Museum, 2008, pp.138-139

KRW 65,000,000-150,000,000

USD 59,000-136,300

059

.

.

. ,

.

. ,

.

,

. .

, .

.

. . - ( )

, , , (

) - .

. ,

,

. ( )

100 101

b.1943Lee KangSo

Untitled-91124

acrylic on canvas

130.3162.2cm (100), 51.363.9in

1991


KRW 35,000,000-70,000,000

USD 31,800-63,600

060

. .

.

.

.

.

. ( )

102 103

b.1943Lee KangSo

From an Island-20231

oil on canvas

130.3162.2cm (100), 51.363.9in

2000


KRW 30,000,000-70,000,000

USD 27,200-63,600

061

.

.

.

.

.

.

, .

,

.

.

. ( , )

102102

b.1943b.1943Lee KangSo Lee KangSo

From an Island-20231 From an Island-20231

oil on canvasoil on canvas

130.3162.2cm (100), 51.363.9in130.3162.2cm (100), 51.363.9in

20002000

signed on the side and reversesigned on the side and reverse

KRW 30,000,000KRW 30,000,000 -- 70,000,00070,000,000

USD 27,200USD 27,200 -- 63,60063,600

061061

. .

. .

. .

. .

. .

. .

, . , .

, ,

. .

. .

. . ( , )( , )

104 105

1927 - 2011Chung ChangSup

() No.91908 TAK No.91908

tak fiber on cotton

227.3162.1cm (150), 89.563.8in

1991


KRW 55,000,000-80,000,000

USD 50,000-72,700

062

.

,

.

.

.

.

First, I put the mulberry fiber in water. The duration it

is submersed under water and the length of the fibers

determine the appearance. I then take it out of the water

and use my hands to cover the canvas with it. Sometimes

patting it and sometimes caressing it, I start to converse

with the substance. I then wait to see what expression the

fiber makes. I put aside my will to create and wait for the

mulberry fiber to express itself. Chung ChangSup

106 107

b.1931Park SeoBo

No.060529 Ecriture No.060529


162.2130.3cm (100), 63.951.3in

2006


KRW 80,000,000-140,000,000

USD 72,700-127,200

063

paint

draw' .

,

.

. 1980

()

.

,

. 2000

.

Like many Korean artists of the Post-War era, Park SeoBo

turned away from figuration and later established himself

as a major figure in the Korean Monochrome (Dansaekhwa)

movement . Combined wi th the sp i r i t o f Western

abstraction and traditional Korean approach to method and

composition, the work on offer demonstrates the artists

aesthetic rigor. Ecriture No.060529 is part of the Ecriture

series which was based on the act of emptying ones self

- demonstrated in the repetitiveness and monochromatic

palette of the work. He believed that artists need to empty

their minds when producing an artwork and should not

be the product of logic. This was the underlying principle

behind Parks artistic practice and is a great example of the

Dansaekhwa movement.

108 109

1928 - 2007Yun HyongKeun

Untitled

oil on linen

89.4130.3cm (60), 35.251.3inch

1989


KRW 85,000,000-120,000,000

USD 77,200-109,000

064

1970 80

.

.

.

2002 ,

, 2000 , 1997

, 1994

. 1995 46

1969 1975

, 1992

.

Yun, Hyong- Keun , 1996

THE ART OF DANSAEKHWA , 2014

Art of Yun HyongKeun has loneliness. Only those who are

lonely can feel the pleasure of withdrawing into themselves.

In a way, a viewer can find a shelter in Yuns work, pausing

and looking back at ourselves who are struggling to keep

pace. The stillness and modesty in the colored shades

of his painting allude to the peaceful beauty of sublimity.

Using his unique technique of natural paint smudging on

a thin fabric, he makes layers of lines to add a sense of

depth in his work and make it look peaceful. His work of

art has a strictly refined aesthetics, but it also has simplicity

that is akin to nature. In other words, through his painting,

he builds a world of moderation that is very simple and

austere. The black that he applies on his canvas is not just

black. It has all tints of colors including red, yellow, blue

and colors of the soil and grass. Furthermore, the sorrows

of life and loneliness are delicately expressed in his black.

His work with its complexities describes the profundity of

nature that is deep and wide indefinitely.

Yun, Hyong- Keun GALLERY HYUNDAI, 1996

THE ART OF DANSAEKHWA Kukje Gallery, 2014

110 111111111

b.1956Lee Bae

Untitled

acrylic medium, charcoal black on canvas

145.5112.1cm (80), 57.344.1in

2003


KRW 11,000,000-35,000,000

USD 10,000-31,800

066 b.1936Kim GuiLine

Inside, Outside

oil on canvas

13566cm, 53.126in


KRW 30,000,000-45,000,000

USD 27,200-40,900

065

Lot 65 Detail

112 113

1911 - 1990Nam Kwan

Assemblage

mixed media

107.5133cm, 42.352.4in

1987


LITERATURE:

NAM KWAN, GALLERY HYUNDAI, 1991, p.195

KRW 30,000,000-70,000,000

USD 27,200-63,600

067

,

1952 1

13

. , , ,

, . 1968

.

(Assemblage) 1950 3

.

.

-80 -, , 1991

114 115

1911 - 1990Nam Kwan

Fantasie Orientale (1)

oil on canvas

130.389.4cm (60), 51.335.2in

1966


KRW 45,000,000-90,000,000

USD 40,900-81,800

069

.

.

, ,

, ,

.

I dislike being called an abstract artist because this is

completely untrue. I use old motifs of my homeland

stones, ancient heirlooms, death masks and even old plant

patterns and symbols of old civilizations and transform

them with modern methods Nam Kwan

1928 - 2007Yun HyongKeun

Burnt Umber & Ultramarine Blue

oil on linen

72.750cm (20), 28.619.7in

1999


KRW 32,000,000-50,000,000

USD 29,000-45,400

068

116 117

b.1929Kim TschangYeul

PN93013 Waterdrops PN93013

oil on hemp cloth

162.2130.3cm (100), 63.951.3in

1991

signed on the side

KRW 65,000,000-130,000,000

USD 59,000-118,100

070

,

,

. . ()

()

(- )

.

, , 6 25

() .

1990

, () () .

() .

,

() .

() .

118 119

1923 - 2011Kwon OkYon

At Temple Site

oil on canvas

127103cm, 5040.5in

1989


LITERATURE:

, , 2001

KRW 55,000,000-90,000,000

USD 50,000-81,800

071

50

70 , 1990 , ,

.

, .

. , ,

.

.

.

.

.

. () (),

, , , ,

.

, ,

.

.

.

( ), 60 , , 2001

120 121

1910 - 2001Kim InSoong

A Girl with Pottery

oil on canvas

145.597cm (80), 57.338.2in

1955


LITERATURE:

, , 1987, p.61

KRW 160,000,000-250,000,000

USD 145,400-227,200

072

.

() .

.

.

.

. ,

.

.

.

.

.

122 123122

b.1924Chun KyungJa

Man Playing Guitar

mixed media on paper

82.589cm, 32.535in

1960



EstimateonRequest

073

,

.

, , ,

1951 ( 1)

60

. ( 2), ( 3)

, .

.

.

,

. .

.

() .

.

. , ,

. .

.

.

1944 , 22, 23

. 1954 74 ,

, , , . 1955 , 1964

, 1971 , 1979 , 1983

. .

, , 2007

1

, 1951

2

, 1964

3

, 1966

124 125124

b.1924Chun KyungJa

Woman in Morocco

color on paper

26.523.5cm, 10.49.3in

1974



KRW 70,000,000-100,000,000

USD 63,600-90,900

074

, ,

, , ,

.

.

, 1974

1974 .

, ,

.

1974 ,

,

. .

126 127126

1918 - 1990Chang UcChin

Untitled

oil on canvas

40.931.8cm (6), 16.112.5in

1981


KRW 80,000,000-180,000,000

USD 72,700-163,600

075

1980

.

1985 6 .

,

() .

.

.

.

.

.

. (1)

,

. (2)

, 1980

.

. 1981

Antique Color .

, ,

.

,

.

Catalogue raisonn, , 2001

1

, 2821.5cm, 1981

2

, 3224cm, 1981

128 129

1918 - 1990Chang UcChin

Untitled

oil on canvas

22.715.8cm (1), 8.96.2in

1979



KRW 40,000,000-70,000,000

USD 36,300-63,600

076 1913 - 2012Yoon JungSik

Autumn Landscape

oil on canvas

5365.1cm (15), 20.925.6in

1968

signed on the upper left


KRW 28,000,000-40,000,000

USD 25,400-36,300

077

130 131

1926 - 2000Byun JongHa

Wild Flowers

oil on relief

11773cm, 46.128.7in

1975

signed on the middle left

EXHIBITED:

, , 2013

, , 2013

LITERATURE:

100, , 2013, pp.92-93

100, , 2013, pp.178-179

KRW 70,000,000-100,000,000

USD 63,600-90,900

078

.

.

.

.

.

. 1950

1970 .

.

. 1975

.

()

1945 . 1955

, . 1953 , 1960

. 1964

, , ,

.

(2013.10.29-2014.03.30) .

100, , 2013

132 133

1921 - 2005Lee DaiWon

Landscape

oil on canvas

40.953cm (10), 16.120.9in

1973


KRW 75,000,000-120,000,000

USD 68,100-109,000

079

Lot 79 Reverse

,

, .

.

.

()

.

.

.

.

. ( )

134 135

b.1937Kim ChongHak

Winter Landscape

oil on canvas

72.790.9cm (30), 28.635.8in


KRW 35,000,000-60,000,000

USD 31,800-54,500

081 1921 - 2005Lee DaiWon

Pond

oil on canvas

5372.7cm (20), 20.928.6in

1997


LITERATURE:

II, 2008,

KRW 70,000,000-150,000,000

USD 63,600-136,300

080

Lot 80 Reverse

136 137137137

1940 - 1985Choi WookKyung

Camel Sold Here

acrylic on canvas

6464cm, 25.225.2in


KRW 25,000,000-40,000,000

USD 22,700-36,300

082 .

.

.

.

, .

.

. ,

.

.

.

. ()

1940 - 1985Choi WookKyung

Untitled

acrylic on canvas

91116.8cm (50), 35.846in

This work is accompanied by a registration card

from the Korean Art Appraisal Board.

KRW 60,000,000-90,000,000

USD 54,500-81,800

083

138 139

1917 - 2002Park KoSuk

Mt. Mudeung

oil on canvas

5345.5cm (10), 20.917.9in

1980


KRW 30,000,000-50,000,000

USD 27,200-45,400

084

,

.

.

, ,

, .

140 141

1946 - 2009Kim JeomSun

Flowers and Birds

oil on hemp cloth

130.5130.5cm, 51.451.4in


KRW 22,000,000-35,000,000

USD 20,000-31,800

086 1916 - 1985Choi YoungRim An Old Story

mixed media on canvas

72.753cm (20), 28.620.9in

1975


KRW 12,000,000-25,000,000

USD 10,900-22,700

085

142 143

1921 - 1996Yim JikSoon

Girl

oil on canvas

5345.5cm (10), 20.917.9in

signed on the upper left and reverse

KRW 8,000,000-20,000,000

USD 7,200-18,100

087 1b.1953Kim WonSook Needle Rain II

oil on canvas

169.5163.5cm, 66.764.4in

1992


KRW 9,000,000-18,000,000

USD 8,100-16,300

088

144 145

1899 - 1981Lee JhongWoo

Landscape

oil on canvas

65.190.9cm (30), 25.635.8in

1973


KRW 5,000,000-8,000,000

USD 4,500-7,200

089 1910 - 1994Park YoungSun Mother and daughter

oil on canvas

91116.8cm (50), 35.846in

1954


KRW 7,000,000-25,000,000

USD 6,300-22,700

090

146 147

b.1930Kim HyungGn

Still-life

oil on canvas

60.645.5cm (12), 23.917.9in

1976

signed on the upper right and reverse

KRW 15,000,000-30,000,000

USD 13,600-27,200

091 1921 - 1996Yim JikSoon Landscape

oil on canvas

72.7100cm (40), 28.639.4in

1968


KRW 30,000,000-50,000,000

USD 27,200-45,400

092

148 149

1923 - 2011Kwon OkYon

Still-life

oil on canvas

22.715.8cm (1), 8.96.2in


KRW 5,000,000-10,000,000

USD 4,500-9,000

093 1923 - 2011Kwon OkYon Girl

oil on panel

27.322cm, 10.78.7in


KRW 11,000,000-15,000,000

USD 10,000-13,600

094

150 151

b.1956Oh ChiGyun

Acacia Trees

acrylic on canvas

21.233.4cm (4), 8.313.1in

1997


KRW 10,000,000-25,000,000

USD 9,000-22,700

095 b.1937Kim ChongHak Hedychium Coronarium

acrylic on wood

7736cm, 30.314.2in

2001


KRW 25,000,000-50,000,000

USD 22,700-45,400

096

152 153

1911 - 1990Nam Kwan

Untitled

oil on canvas

5345.5cm (10), 20.917.9in

1983


KRW 13,000,000-22,000,000

USD 11,800-20,000

097 b.1929Kim TschangYeul PA97024 Waterdrops PA97024

oil on hemp cloth

60.672.7cm (20), 23.928.6in

1997

signed on the side

KRW 28,000,000-40,000,000

USD 25,400-36,300

098

154 155

1919 - 1988Quac InSik

Untitled

oriental ink, paper on canvas

42.577.5cm, 16.730.5in


KRW 30,000,000-40,000,000

USD 27,200-36,300

099 1919 - 1988Quac InSik Untitled

oriental ink, paper on canvas

5288.5cm, 20.534.8in


KRW 40,000,000-50,000,000

USD 36,300-45,400

100

156 157

1930 - 1989Ha InDoo

Mandala

oil on canvas

130.397cm (60), 51.338.2in

1980


EXHIBITED:

Salon dautomne, Paris, 1982

KRW 45,000,000-70,000,000

USD 40,900-63,600

101

70 ,

. , 1

.

.

,

.

, (

) ,

(

) () .

,

, . ()

1982 ,

. Lot 101 Reverse

158 159

b.1931Hwang YongYop

My Story

oil on canvas

97130.3cm (60), 38.251.3in

1995


KRW 15,000,000-25,000,000

USD 13,600-22,700

102 1916 - 2010Chun HyukRim Untitled

oil on canvas

162.2130.3cm (100), 63.951.3in


KRW 20,000,000-50,000,000

USD 18,100-45,400

103

160 161

1939 - 2006Oh SyngYoon

A Poem from the South Sea

oil on canvas

130.3162.2cm (100), 51.363.9in

1980


KRW 40,000,000-60,000,000

USD 36,300-54,500

104

.

.

,

. .

1 .

. ,

, 90 .

.

162 163

b.1941Hwang YoungSung

Farmer's House

oil on canvas

130.3162.2cm (100), 51.363.9in

1977

signed on the upper right

KRW 35,000,000-60,000,000

USD 31,800-54,500

105

,

. , , , ,

.

, .

, , ,

.

.

, 1970 , 1980 , 1990

. 70

, 80

.

, , 2010

164 165

b.1944Chun KwangYoung

97-164 Aggregation 97-164


162.2130.3cm (100), 63.951.3in

1997


KRW 40,000,000-90,000,000

USD 36,300-81,800

106 1924 - 2013Kim Hoon Untitled

oil on canvas

162.2130.3cm (100), 63.951.3in

1991


KRW 21,000,000-30,000,000

USD 19,000-27,200

107

166 167

b.1957Rhee KiBong

The Misty

mixed media

70160cm, 27.663in

2008


KRW 15,000,000-30,000,000

USD 13,600-27,200

108

, . ,

, . ()

, .

1957 . 1986

,

, .

ZKM Neuberger Berman ,

, .

b.1937 Korean/AmericanJohn Pai

Notes From the Stars

welded steel

3940140(h)cm, 15.415.755.1(h)in

EXHIBITED:

John Pai: Convergence and Divergence A Decade in Line 1996-2006,

Gallery Hyundai, Seoul, 2006

KRW 35,000,000-60,000,000

USD 31,800-54,500

109

168 169

b.1945Lee WalChong

Golden Mean of Jeju Living

color on Korean paper

45.556cm, 17.922in


KRW 15,000,000-25,000,000

USD 13,600-22,700

110 1946 - 2006Yoo YoungKyo Woman

italian granite

6218.526(h)cm, 24.47.310.2(h)in

1985


KRW 6,000,000-10,000,000

USD 5,400-9,000

111

170 171

b.1960Sa SukWon

Sheep

acrylic on canvas

45.553cm (10), 17.920.9in


KRW 8,000,000-15,000,000

USD 7,200-13,600

112 1946 - 2006Yoo YoungKyo 9-3 Seeker of Truth 9-3

marble

251653(h)cm, 9.86.320.9(h)in

1994


KRW 4,500,000-6,750,000

USD 4,000-6,100

113

172 173

b.1959Lee SooDong

Ha Ha Ha (sound of laughter)

acrylic on canvas

90.972.7cm (30), 35.828.6in

1994

signed on the upper right and reverse

KRW 9,000,000-15,000,000

USD 8,100-13,600

114 b.1972Kwon KiSoo Time-Wait For 3

acrylic on canvas

130.3193.9cm (120), 51.376.3in

2008


KRW 20,250,000-30,375,000

USD 18,400-27,600

115

174 175

b.1978Lee HoRyon

Overlapping Image S90310S

oil on canvas

each 162.2130.3cm (100), 2, each 63.951.3in

2009

each signed on the reverse

KRW 22,000,000-30,000,000

USD 20,000-27,200

116

176 177

b.1972Kwon KiSoo

Blue-sky Breakthrough

acrylic on canvas

130.3162.2cm (100), 51.363.9in

2011


KRW 20,000,000-30,000,000

USD 18,100-27,200

117 b.1950Bae Bien-U

Pine Tree

gelatin silverprint

99129cm, 3950.8in

2006

This work is accompanied by the Certificate of Authenticity by BBU studio.

KRW 20,000,000-40,000,000

USD 18,100-36,300

118

178 179

b.1967Lee DongGi

Flower Garden

acrylic on canvas

97130.3cm (60), 3851in

2007


KRW 12,000,000-25,000,000

USD 10,900-22,700

120 b.1971Do SungWook

Condition-Light

oil on canvas

60160cm, 23.663in


KRW 18,000,000-25,000,000

USD 16,300-22,700

119

180 181181181

b.1968Hong KyoungTack

Mr. Lonely

acrylic and oil on canvas

8080cm, 31.531.5in

2011


KRW 15,000,000-40,000,000

USD 13,600-36,300

121 1932 - 2006 Korean/AmericanPaik NamJune NJP-at 1800 RPMs (2 works)

silkscreen on laserdisk

each diameter 29cm, 2works, diameter 11.4in

KRW 8,500,000-15,000,000

USD 7,700-13,600

122

182 183

1932 - 2006 Korean/AmericanPaik NamJune

( 10 )

Untitled (set of 10 works)

lithograph

each 2429.6cm (edition 64/130), each 9.411.7in

1992

each signed on the lower right

KRW 10,000,000-15,000,000

USD 9,000-13,600

124

b.1960Kang IkJoong

Moon Jar

mixed media on panel

5858cm, 22.822.8in

2007


KRW 8,000,000-15,000,000

USD 7,200-13,600

123

184 185

Modern & Contemporary Art

LOT 125 ~ 140

International

186 187

b.1959 JapaneseYoshitomo Nara

DammItAll

woodcut

4229.5cm (edition 27/50), 16.511.6in

2012


KRW 11,000,000-13,000,000

USD 10,000-11,800

126 b.1959 JapaneseYoshitomo Nara BackwardsFowards

woodcut

4229.5cm (edition 27/50), 16.511.6in

2012


KRW 11,000,000-13,000,000

USD 10,000-11,800

125

188 189189189188188

b.1929 JapaneseYayoi Kusama

FruitBasket

screenprint

44.753.5cm (edition 6/60), 17.621.1in

1999


KRW 6,000,000-10,000,000

USD 5,400-9,000

128 1932 - 2004 AmericanTom Wesselmann StillLifewithBlowingCurtain(Red)

silkscreen

46.560cm (edition 44/100), 18.323.6in


KRW 5,000,000-10,000,000

USD 4,500-9,000

127

190 191191

b.1965 BritishDamien Hirst

LysergicAcidDiethylamide(LSD)

lambda print

106.5127cm (edition 205/300), 41.950in


KRW 7,000,000-15,000,000

USD 6,300-13,600

130 b.1929 JapaneseYayoi Kusama Pumpkins(setof5)

ceramic

each 10.59.5cm9(h)cm, 5 works (edition 67/130), each 4.13.73.5(h)in

2002

each signed on the bottom

KRW 14,000,000-18,000,000

USD 12,700-16,300

129

192 193

Fig.1 ,

wood and acrylic on canvas,

12022.86222.80cm, 1992

. ,

, , ,

. ,

.

. (California

College of Arts and Crafts) ,

(University of California, Irvine)

. , (Bruce Nauman b.1941)

(James Turrell b.1943)

.

Tony DeLap was an influential figure of the minimalist movement.

Geometric abstraction was at the core of his works, complimented

by the principles of limited color and precise craftsmanship. Hanky

900 is an example of this aesthetic and is further developed by the

artist through the utilization of illusionist techniques. The work features

strong architectural and design elements, and is reduced to the

most basic expression of form, shape and color. The work on offer

illustrates DeLaps fascination with asymmetry and forms that cannot

be observed in nature. The work also appears to be defying gravity,

obscuring the viewers perception of reality. His fascination with

reducing his works to basic colors and forms is consistently visible

throughout his career such as in Bluey-Bluey(Fig.1) a piece that was

produced the year after Hanky 900. The artist exhibited in Primary

Structures at the Jewish Museum and in American Sculpture of the

Sixties at the Los Angeles County Museum, the two most significant

exhibitions that helped define the minimalist movement.

b.1927 AmericanTony DeLap

Hanky900

color on wood

10818727(d)cm, 42.573.610.6(d)in

1991


KRW 15,000,000-40,000,000

USD 13,600-36,300

131

194 195

.

.

,

(Assemblage) ( 1).

, ,

.

, ,

( 2).

The Wedding Present 1970

.

.

,

.

,

.

. ,

.

501 (: 501 Great Artists:A Comprehensive Guide to the

Giants of the Art World), (Stephen Farthing), ,

2009

Celebrated for her contribution to the feminist art movement,

Nevelson is widely known for her dramatic monochromatic

wooden wall sculptures. Pushing the boundaries of what

is expected from a female artist, and breaking away from

the traditional practices of Female Art (drawing, painting,

arts and crafts), Nevelson produced large installation works

of architectural scale. Unquestionably influenced by Marcel

Duchamps readymades, the artist used salvaged pieces of

scrap wood from old buildings and then composed them in

a box like formation, ultimately giving birth to a monumental

wall sculpture. Once carefully arranged, the artist then

paints the work black, unifying the single cubby holes into a

complete work of art. The present lot has a strong narrative,

a very personal one, which embodies her cumulative

experiences as an immigrant, a Jewish, and a female artist in

the heavily male dominated realm of art. Her experimentation

with industrial materials, such as the wood used in this

work, allowed her to expand the scale and complexity of her

works, while at the same time challenge the expectations

of what female artists could produce. Nevelson shares

her narrative consistently throughout this body of work

and is most explicitly expressed in her most recognized

work, Sky Cathedral(Fig.1). Much like the work on offer the

salvaged wood from old buildings that would have once

been constructed by men is given new meaning through an

intimate and methodical formation by Nevelson. The scale

of The Wedding Present breaks the conventional concept

that only mens artwork can be large scale, reflecting her

emphasis on the value of freedom of expression.

1

91.461cm, 1956

2

297.2353.1cm, 1985

Fig.1

painted wood boxes

226.145.7236.2cm, 1961

Louise Nevelson

1899 - 1988

20 , .

.

(The Art Students League of New York)

(Hans Hofmann, b.1880~1966) (Diego Rivera,

b.1886~1957) .

196 197197197

1899 - 1988 AmericaLouise Nevelson

TheWeddingPresent

color on wood

109.228260(h)cm, 4311102.4(h)in

1977-1979

PROVENANCE:

Pace Gallery, New York

Private Collection

KRW 80,000,000-200,000,000

USD 72,700-181,800

132

198 199

Fig.1

painted wood

121.9121.9121.9(h), 2005

Sol LeWitt

1928 - 2007

. 3

.

.

,

Sol LeWitt

(Sol LeWitt) 1960

(Donald Judd)

. 1967 .

1950

I.M.Pei

.

1965

. ,

.

.

.

.

.

1960

.

.

Sol LeWitt played a pivotal role in the New York art scene

during the 1950s and 1960s, where he contributed to

the creation of a new aesthetic that defied the Abstract

Expressionist current of the time. Cube embodies this radical

change and is an excellent example of LeWitts conceptual

practice. Lewitt placed significant value on the intangible

concept or idea of an artwork and claimed that a work

does not need a material presence to be considered art.

This challenged some fundamental beliefs about art and

the authority of the artist as LeWitt redefined the role of an

artist to be the generator of ideas and distanced himself

from the physical execution of the work. The work on offer is

constructed of skeletal cube constructs displaying a strong

linear and geometric composition with a lot of voids. These

voids hint at the artists emphasis on intangibility and the

absence of a narrative or meaning that viewers often yearn

for when studying a work of art. The artist claimed that art

does not need to imply any sort of meaning and can exist for

its own sake, which further highlights his emphasis on the

idea or concept of a work. This theme is repeatedly explored

throughout his major works, a notable example being the

Pyramid(Fig.1). This strong emphasis reflects LeWitts

prejudice towards intangibility (a concept) over tangibility,

where the former can ultimately sustain its existence infinitely

contrary to the finite lifespan of the latter, which is vulnerable

to decay or destruction.

200 201200200

1928 - 2007 AmericanSol LeWitt

OpenCubeStructure

painted wood

7373253(h)cm, 28.728.799.6(h)in

KRW 200,000,000-350,000,000

USD 181,800-318,100

133

201

.

.

Sol LeWitt

202 203

Fig.1

steel and bronze

297.2198.1147.3(h)cm, 1970

Fig.3 of 'The Store'

plaster sculptures on ceramic plates,

metal platter and cups in glass-and-metal case

76.537.352.7(h)cm, 1961-62

Fig.2

mixed media

71.876.2141(h)cm, 1966

Claes Oldenburg

b. 1929

,

,

" I am for the art that a kid licks, after peeling away the wrapper. I am for an

art that is smoked, like a cigarette, smells, like a pair of shoes (C. Oldenburg, "I Am

For an Art... in Environments, Situations, Spaces, Martha Jackson Gallery, New York, 1961, p. 39).

(Claes

Oldenburg)

.

, , .

.

1959 . 1950

1960 (objet)

.

(Allan Kaprow)

(Judson Memorial Church) (Judson Gallery)

.

, 1961 The Store (see Fig.3)

.

.

1963 Los Angeles The Home

, Fag Ends

Three Way Plug(Fig.1), Soft

Toilet(Fig.2) . 1962

Soft Sculpture ,

.

, , .

,

.

" , , , 1961

As one of the most innovative artists of the postwar period,

Oldenburg is best known for his playfully surreal sculptures

that glorify ordinary, modern day object. Lot 134. Fagend

Study is a perfect example of the artists practice, whereby

a used cigarette butt has been manipulated in scale, making

the instantly recognizable object seem mysteriously unfamiliar.

Appropriating the form of a conventional, commonplace

object and recasting it at an enormous proportion, the artist

simultaneously plays at the viewers perception of reality and

the irony of the subject matter on view. Much like his peers

of the Pop Art movement, Oldenburg challenged the somber

bravado of Abstract Expressionism that had swept over New

York by modifying its thickly impastoed bravura paint with

figurative images and found objects. While many would label

Oldenburg as an abstract artist, the artist saw himself as a

realist.

His curiosity in the surreal portrayal of everyday life is further

explored in his other works, most notably the Three Way

Plug(Fig.1) and Soft Toilet(Fig.2). Similar to the offered

work, the physical qualities of these ordinary objects are

manipulated; the small plug is transformed into a colossal

scale and the toilet we recognize as robust is reinvented into

a soft, deflated sculpture. These works, including the one on

offer, are part of a body of work labeled The Home, which

was inspired by his move to Los Angeles and its foreign

surroundings. The Home is one of several bodies of work

produced by Oldenburg - among these are The Street and

The Store(see Fig.3), which explore urban life and everyday

goods respectively.

204 205

b.1929 AmericanClaes Oldenburg

FagendStudy

steel

18073.587(h)cm, 70.928.934.3(h)in

1975


KRW 200,000,000-300,000,000

USD 181,800-272,700

134

Lot 134 Bottom

206 207

1930 - 2002 FrenchNiki de Saint Phalle

NanawithHandbag

painted resin

3214.560(h)cm (edition 3/150), 12.65.723.6(h)in

2000


KRW 50,000,000-70,000,000

USD 45,400-63,600

135

. 1950 , 1961

(Nouveau

Ralisme) .

. ,

, .

,

.

.

.

. 1964 ,

. ,

.

Niki de Saint Phalle, , 2006

208 209

1928 - 2005 French/AmericanArman

Violin

bronze

241160(h)cm (edition 9/99), 9.44.323.6(h)in


KRW 12,000,000-25,000,000

USD 10,900-22,700

136

Lot 136 Reverse

b.1951 GermanRalph Fleck

Antiquariat5/VIII

oil on canvas

120100cm, 47.239.4in

2011


KRW 20,000,000-40,000,000

USD 18,100-36,300

137

210 211210210

b.1951 GermanRalph Fleck

WinterSport21/V

oil on canvas

162.2130.3cm, 63.951.3in

2010


KRW 45,000,000-60,000,000

USD 40,900-54,500

138

212 213

b.1967 JapaneseHiroto Kitagawa

ShokoNia

color on terra cotta

3224135(h)cm, 12.69.453.1(h)in

2008


LITERATURE:

HIROTO KITAGAWA, Tokyo Gallery + Beijing Tokyo Art Project,

2008, pp.28-29

KRW 20,000,000-35,000,000

USD 18,100-31,800

140

.

.

.

b.1944 IsraeliDavid Gerstein

X-RAY

hand-painted on steel

601380(h)cm (edition 2/150), 23.65.131.5(h)in

2008


KRW 12,000,000-15,000,000

USD 10,900-13,600

139

215

Art & Craft

LOT 141 ~ 183

Korean Traditional

216 217216

1914 - 2001 Kim KiChang

Blue-and-green style Landscape

ink and color on silk

64.5119.5cm, 25.447inch

1984


LITERATURE:

, , 1994, p.74

KRW 22,000,000-35,000,000

USD 19,800-31,800

142 1914 - 2001 Kim KiChang

a. Chrysanthemum and Bottle

b. Orchid and Vase


each 4534cm, 2pcs, each 17.713.4inch

1955

a.sealed on the lower right

b.sealed on the lower left

LITERATURE:

I, , 1994, pp.222 - 223

KRW 10,000,000-20,000,000

USD 9,000-18,100

141

218 219218218

1914 - 2001 Kim KiChang

Boating


3544cm, 13.817.3inch


KRW 4,500,000-8,000,000

USD 4,000-7,200

143 b.1933 Min KyungKap

Landscape

ink and color on paper

70141.5cm, 27.655.7inch

2002


KRW 7,000,000-12,000,000

USD 6,300-10,900

144

220 221

b.1929 Suh SeOk

Flowers


each 128.532cm, 8panels, each 50.612.6inch

1958

signed and sealed on each panel

KRW 8,000,000-15,000,000

USD 7,200-13,600

145

222 223222 223

Ahn JungShik and others

10 Corporated Work

ink and light color on silk

each 162.536.5cm, 10panels, each 6414.4inch

1917


KRW 20,000,000-50,000,000

USD 18,100-45,400

146

j ei dh cg bf a

a. (1897-1972),

b. (1852-1927),

c. (1861-1919),

d. (1855-1921),

e. (1899-1978),

f. (1892-1979),

g. (1897-1940),

h. (1899-1965),

i. (1851-1919),

j. (1860-1923),

10

. , ,

.

, , , , ,

, , ,

.

224 225

1899 - 1976 Byun KwanSik

Four Seasons Landscape


each 123.533cm, 10panels, each 48.613inch

1963


KRW 18,000,000-40,000,000

USD 16,300-36,300

147 ( ) ,

.

,

. .

S ,

. .

226 227226226 227227

1899 - 1978 Roh SooHyun

Landscape




KRW 7,000,000-12,000,000

USD 6,300-10,900

148 1809 - 1892 Huh Ryun

Landscape Distich


each 10830cm, 2panels, each 42.511.8inch

each sealed on the top

KRW 7,000,000-12,000,000

USD 6,300-10,900

149

228 229

1809 - 1892 Huh Ryun

Plum Blossom and Bamboo

ink on paper


sealed on each panel

KRW 8,000,000-12,000,000

USD 7,200-10,900

150

? - ? Yoo Hang

a., Landscape

b., Chrysanthemum

ink on paper

each 51.322.4cm, each 20.28.8inch

signed and sealed on the top

KRW 2,000,000-6,000,000

USD 1,800-5,400

151

() (18641953) () .

,

. () ()

() .

18 19 .

() .

.

.

a b

.

.

,

( )

() .

230 231231

1830 - ? Lee GunPil

Wild Geese

ink on paper

24.516cm, 9.66.3inch

sealed on the upper left

KRW 3,000,000-6,000,000

USD 2,700-5,400

152 1832 - 1914 Jung HakGyo Oddly Shaped Rock

ink on silk

145.546.5cm, 57.318.3inch

sealed on the front

KRW 3,000,000-8,000,000

USD 2,700-7,200

153

232 233232232

1863 - 1933 Kim KyuJin

a. Calligraphy

b. Bamboo

ink on silk

a.13643.5cm, 53.517.1inch

b.140.547cm, 55.318.5inch

1923

each signed and sealed on the lower left

KRW 2,000,000-6,000,000

USD 1,800-5,400

154 1820 - 1898 Lee HaEung

ink and light color on silk

126.538cm, 49.815inch

1887

signed and sealed on the right


KRW 8,000,000-15,000,000

USD 7,200-13,600

155

ba

234 235234

1707-1769 Shim SaJeong

Flowers and Bird


2315.5cm, 9.16.1inch


KRW 25,000,000-40,000,000

USD 22,700-36,300

156

() , ()

1707 () ,

.

" ,

, , ." ,

.

,

. , ()

. () .

, , , 2000

236 237

Guo Ziyis Banquet


each 5835.5cm, 8panels, each 22.814inch

19

KRW 30,000,000-60,000,000

USD 27,200-54,500

157 (, 697-781)

. ()

() () .

.

, () .

19 ,

, .

, 1 3

, 4

.(1) 5

(2) , 6 8 (),

. ,

.

238 239

Anonymous

Landscape



19

KRW 10,000,000-15,000,000

USD 9,000-13,600

158 (), () ,

.

, () ()

, , .

, , 19 .

1, 2, 5, 7, 8. 1

(), 2 () () . 5

(), 7 8 () ()

() .

346 . 3 , 4 , 6

. , () ,

.

240 241240 241

Anonymous

Legendary Scene

ink on silk


19

KRW 10,000,000-15,000,000

USD 9,000-13,600

159

() .

() ,

.

(), .

,

19

. ,

.

,

. ()

, () ()

, () , (

) ,

.

242 243

The Cloud Dream of the Nine



20

KRW 18,000,000-25,000,000

USD 16,300-22,700

160() . (16371692)

17 . ()

, , . ,

.

10

. , ,

, ,

, , , ,

, .

, ()

, . ,

, .

244 245244

1501 - 1570 Lee Hwang

Collection of Calligraphy

ink on paper

35.827cm, 16, 14.110.6inch

1556

KRW 28,000,000-40,000,000

USD 25,400-36,300

161

, , .

3 () (). , ()

(1556) () (, 1524~?) (, )

(, 1499?) , . (1743)

(, 1703~1755)

.

()

.

, ,, , , 18 (),

.

,

246 247246

1786 - 1866 Priest ChoUi

Poetry

ink on paper

31.545.5cm, 12.417.9inch

1859


KRW 10,000,000-18,000,000

USD 9,000-16,300

162

1831 - 1915 Kim SeokJun

Calligraphy

ink on paper


1907


LITERATURE:

, , 2002, p.691

- ,

|, 2002, p.97

KRW 7,000,000-10,000,000

USD 6,300-9,000

163

( ) ( ) .

()

, () .

,

.

*(,),

().

()()

()

* ()- , () () ()

(; 1280~1354), (), (; 1308~1385) (

) .

(), (). (), (

), () . ()

(, ) .

.

,().

,.

,.

(),.

,.

,.

,.

,

248 249248 249

1820 - 1898 Lee HaEung

Calligraphy

ink on paper

each 12427cm, 10 panels, each 48.810.6inch


KRW 12,000,000-18,000,000

USD 10,900-16,300

164 (), (). .

. , . ()

1895 .

() . (1130-1200)

() . ,

. . .

,.,,.,.

,.,

...

250 251

Manual of Procedures of Royal Banquet

ink on paper

26.76.5cm, 53p, 10.52.6inch

1904

KRW 5,000,000-10,000,000

USD 4,500-9,000

165

()

. 51(1904)

() ()

(, ) .

, ,

.

252 253252252 253253

1876 - 1949 Kim Gu

Calligraphy

ink on paper

117.528cm, 46.311inch

1947


KRW 5,000,000-15,000,000

USD 4,500-13,600

166 1876 - 1949 Kim Gu

Poetry

ink on paper

10129.5cm, 39.811.6inch

1947


KRW 7,000,000-15,000,000

USD 6,300-13,600

167

.

.

.

.

29(1947)1272

().

Lot169 Lot170 , ()

1947(72) .

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( 1898-1969)

.

,

.

,

.

,

.

,

.

29(1947)1072

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254 255

An Inlaid Lacquer Dining Table

lacquer, mother-of-pearl and tortoiseshell on wood

42.530.513.5(h)cm, 16.7125.3(h)inch

KRW 3,500,000-6,000,000

USD 3,100-5,400

168 Clothing Chest

wood

643299(h)cm, 25.212.639(h)inch

KRW 7,000,000-12,000,000

USD 6,300-10,900

169

256 257

Gold Earrings

gold

each 2.52.58.5cm, 3pairs, each 113.3inch

6

KRW 20,000,000-30,000

KAuction_SummerAuction_2015

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