Ch 10 left side
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Transcript of Ch 10 left side
Marcel Janco
Mask
1919
Paper, cardboard, string, gouache, and pastel
17-3⁄4 × 8-5⁄8 × 2”
Musée National d’Art Moderne, Centre d’Art et de Culture Georges Pompidou, Paris
[Fig. 10-01]
Sophie Taeuber
Rythmes Libres
(Free Rhythms)
1919
Gouache and watercolor on vellum
14-3⁄4 × 10-7⁄8”
Kunsthaus, Zurich
[Fig. 10-04]
Jean (Hans) Arp
Fleur Marteau
(Hammer Flower)
1916
Oil on wood
24-3⁄8 × 19-5⁄8”
Fondation ArpClamart, France
[Fig. 10-06]
Marcel Duchamp
Bicycle Wheel
New York, 1951(third version, after lost original of 1913)
Assemblage: metal wheel25-1⁄2” diameter, mounted on painted
wooden stool
23-3⁄4” high;overall 50-1⁄2 × 25-1⁄2 × 16-5⁄8”
The Museum of Modern Art, New York
[Fig. 10-09]
Marcel Duchamp
The Passage from Virgin to Bride
Munich
July–August 1912
Oil on canvas
23-3⁄8 × 21-1⁄4”
The Museum of Modern Art, New York
[Fig. 10-07]
Marcel Duchamp
The Bride Stripped Bare by Her Bachelor Even
or The Large Glass
1915–23
Oil, lead wire, foil, dust, and varnish on glass
8’ 11” × 5’ 7”
Philadelphia Museum of Art
[Fig. 10-12]
Man Ray
Seguidilla
1919
Airbrushed gouache, pen and ink, pencil, and colored pencil on paper
board
22 × 27-7⁄8”
Hirshhorn Museum & Sculpture Garden
Smithsonian Institution
Washington, D.C.
[Fig. 10-16]
Man Ray
Untitled
1922
Gelatin-silver print (Rayograph)
9-3⁄8 × 7”
The Museum of Modern Art, New York
[Fig. 10-18]
Hannah Höch
Cut with the Kitchen Knife Dada Through the Last
Weimar Beer Belly Cultural Epoch of Germany
1919–20
Photomontage
44-7⁄8 × 35-1⁄2”
Staatliche Museen zu Berlin, Preussischer Kulturbesitz,
Nationalgalerie
[Fig. 10-20]
Käthe Kollwitz
Lamentation: In Memory of Ernst Barlach (Grief)
1938
Bronze
height 10-1⁄4”
Hirshhorn Museum and Sculpture Garden,
Smithsonian Institution, Washington, D.C.
[Fig. 10-29]
George Grosz
Fit for Active Service (The Faith Healers)
1916–17
Pen, brush, and India ink, sheet
20 × 14-3⁄8”
The Museum of Modern Art, New York.
Art
[Fig. 10-31]
Otto Dix
The Skat Players—Card Playing War Invalids
1920
Oil and collage on canvas
43-5⁄16 × 34-1⁄4”
Staatliche Museen zuBerlin, Preussischer
Kulturbesitz, Nationalgalerie
[Fig. 10-33]
Otto Dix
Dr. Mayer-Hermann
1926
Oil and tempera on wood
58-3⁄4 × 39”
The Museum of Modern Art, New York
[Fig. 10-35]
Max Beckmann
Self-Portrait in Tuxedo
1927
Oil on canvas
55-1⁄2 × 37-3⁄4”
Busch-Reisinger Museum, Harvard University Art
Museums, Cambridge, MA
[Fig. 10-39]