Ch 10 left side

17
Western Europe During WWI Picturing the Waste Land Left Side

Transcript of Ch 10 left side

Western Europe During WWI

Picturing the Waste Land

Left Side

Marcel Janco

Mask

1919

Paper, cardboard, string, gouache, and pastel

17-3⁄4 × 8-5⁄8 × 2”

Musée National d’Art Moderne, Centre d’Art et de Culture Georges Pompidou, Paris

[Fig. 10-01]

Sophie Taeuber

Rythmes Libres

(Free Rhythms)

1919

Gouache and watercolor on vellum

14-3⁄4 × 10-7⁄8”

Kunsthaus, Zurich

[Fig. 10-04]

Jean (Hans) Arp

Fleur Marteau

(Hammer Flower)

1916

Oil on wood

24-3⁄8 × 19-5⁄8”

Fondation ArpClamart, France

[Fig. 10-06]

Marcel Duchamp

Bicycle Wheel

New York, 1951(third version, after lost original of 1913)

Assemblage: metal wheel25-1⁄2” diameter, mounted on painted

wooden stool

23-3⁄4” high;overall 50-1⁄2 × 25-1⁄2 × 16-5⁄8”

The Museum of Modern Art, New York

[Fig. 10-09]

Marcel Duchamp

The Passage from Virgin to Bride

Munich

July–August 1912

Oil on canvas

23-3⁄8 × 21-1⁄4”

The Museum of Modern Art, New York

[Fig. 10-07]

Marcel Duchamp

The Bride Stripped Bare by Her Bachelor Even

or The Large Glass

1915–23

Oil, lead wire, foil, dust, and varnish on glass

8’ 11” × 5’ 7”

Philadelphia Museum of Art

[Fig. 10-12]

Man Ray

Seguidilla

1919

Airbrushed gouache, pen and ink, pencil, and colored pencil on paper

board

22 × 27-7⁄8”

Hirshhorn Museum & Sculpture Garden

Smithsonian Institution

Washington, D.C.

[Fig. 10-16]

Man Ray

Untitled

1922

Gelatin-silver print (Rayograph)

9-3⁄8 × 7”

The Museum of Modern Art, New York

[Fig. 10-18]

Hannah Höch

Cut with the Kitchen Knife Dada Through the Last

Weimar Beer Belly Cultural Epoch of Germany

1919–20

Photomontage

44-7⁄8 × 35-1⁄2”

Staatliche Museen zu Berlin, Preussischer Kulturbesitz,

Nationalgalerie

[Fig. 10-20]

Max Ernst

Celebes

1921

Oil on canvas

51-1⁄8 × 43-1⁄4”

Tate, London

[Fig. 10-26]

Käthe Kollwitz

Lamentation: In Memory of Ernst Barlach (Grief)

1938

Bronze

height 10-1⁄4”

Hirshhorn Museum and Sculpture Garden,

Smithsonian Institution, Washington, D.C.

[Fig. 10-29]

George Grosz

Fit for Active Service (The Faith Healers)

1916–17

Pen, brush, and India ink, sheet

20 × 14-3⁄8”

The Museum of Modern Art, New York.

Art

[Fig. 10-31]

Otto Dix

The Skat Players—Card Playing War Invalids

1920

Oil and collage on canvas

43-5⁄16 × 34-1⁄4”

Staatliche Museen zuBerlin, Preussischer

Kulturbesitz, Nationalgalerie

[Fig. 10-33]

Otto Dix

Dr. Mayer-Hermann

1926

Oil and tempera on wood

58-3⁄4 × 39”

The Museum of Modern Art, New York

[Fig. 10-35]

Max Beckmann

Self-Portrait in Tuxedo

1927

Oil on canvas

55-1⁄2 × 37-3⁄4”

Busch-Reisinger Museum, Harvard University Art

Museums, Cambridge, MA

[Fig. 10-39]