Video walk-through of Julian Rosefeldt's Asylum, BALTIC Centre for Contemporary Art, 2004

Chris DorsettProfessor of Fine ArtBxNU Institute of Contemporary ArtFaculty of Arts, Design and Social SciencesNorthumbria University

at a moment’s notice, according to the pleasure of the holder

the semiotics of paper

the semiotics of paper

British Art Show 1984

at a moment’s notice, according to the pleasure of the holder

the semiotics of paper

British Art Show 1984 Alison Wilding, Blue-black (1984)

at a moment’s notice, according to the pleasure of the holder

the semiotics of paper

Pitt Rivers Museum , Oxford

at a moment’s notice, according to the pleasure of the holder

the semiotics of paper

Pitt Rivers Museum , Oxford

at a moment’s notice, according to the pleasure of the holder

the semiotics of paper

Pitt Rivers Museum , Oxford

at a moment’s notice, according to the pleasure of the holder

the semiotics of paper

at a moment’s notice, according to the pleasure of the holder

the semiotics of paper

at a moment’s notice, according to the pleasure of the holder

the semiotics of paper

Chris DorsettProfessor of Fine ArtBxNU Institute of Contemporary ArtFaculty of Arts, Design and Social SciencesNorthumbria University

at a moment’s notice, according to the pleasure of the holder

Pitt Rivers Museum , Oxford

Pitt Rivers Museum , Oxford

Pitt Rivers Museum , Oxford

Stahl, A. (curator) (2010) Money on Paper: Bank Notes and Related Graphic Arts from the Collections of Vsevolod Onyshkevych and Princeton UniversityFirestone Library, Princeton University.

Stahl, A. (curator) (2010) Money on Paper: Bank Notes and Related Graphic Arts from the Collections of Vsevolod Onyshkevych and Princeton UniversityFirestone Library, Princeton University.

J. S. G. Boggs (1995)

J. S. G. Boggs (1995)

Roland Farkas, (2011 ) Draw your Money. Studio Gallery, Budapest.

Edward Steichan, (1911 ) Monument to Balzac. M. Bauche, (1900 ) Rodin in the Pavillon de l'Alma.

Georg Simmel (1858–1918)

Edward Steichan, (1911 ) Monument to Balzac. M. Bauche, (1900 ) Rodin in the Pavillon de l'Alma.

Plaster Casts of Greek and Roman sculpture (2012), Northumbria University. Home-made shellac record (1947)

Chris Dorsett, (2012) Venus de l'armoire de studioink drawing on paper and plaster cast of the Venus de' Medici

Chris Dorsett, (2011) 7 Chakras Twicepencil drawing on photograph of recordings of my father's voice

Chris Dorsett, (2012) Venus de l'armoire de studioink drawing on paper and plaster cast of the Venus de' Medici

Chris Dorsett, (2011) 7 Chakras Twicepencil drawing on photograph of recordings of my father's voice

Juliette and Charles PeirceNotebooks of Charles Sanders Peirce

The Graphical Logic of C. S. Peirce - The Alpha System, University of Florida, http://www.clas.ufl.edu/users/jzeman/graphicallogic/alpha.htm

Shin, S-J. (2002) The Iconic Logic of Peirce’s Graphs, Cambridge MA.: MIT Press

The Graphical Logic of C. S. Peirce - The Alpha System, University of Florida, http://www.clas.ufl.edu/users/jzeman/graphicallogic/alpha.htm

Shin, S-J. (2002) The Iconic Logic of Peirce’s Graphs, Cambridge MA.: MIT Press

The Graphical Logic of C. S. Peirce - The Alpha System, University of Florida, http://www.clas.ufl.edu/users/jzeman/graphicallogic/alpha.htm

Shin, S-J. (2002) The Iconic Logic of Peirce’s Graphs, Cambridge MA.: MIT Press

The Graphical Logic of C. S. Peirce - The Alpha System, University of Florida, http://www.clas.ufl.edu/users/jzeman/graphicallogic/alpha.htm

Shin, S-J. (2002) The Iconic Logic of Peirce’s Graphs, Cambridge MA.: MIT Press

Hofstadter. D. (1995) Fluid Concepts and Creative Analogies: computer models of the fundamental mechanisms of thought, London: Thames and Hudson.

An Antiquary's Billiard TablePitt Rivers Museum, University of Oxford.

An Antiquary's Billiard TablePitt Rivers Museum, University of Oxford.

Encyclopédie Denis Diderot (1713-1784)

Mottram, J., Rust, C. & Till, J. (2007) AHRC Research Review: Practice-Led Research in Art, Design and Architecture, Bristol: Arts and Humanities Research Council.

Alison Wilding, Blue-black (1984)

Chris DorsettProfessor of Fine ArtBxNU Institute of Contemporary ArtFaculty of Arts, Design and Social SciencesNorthumbria University

the semiotics of paper

at a moment’s notice, according to the pleasure of the holder