800 Convention Place - NWWS · 2018. 8. 8. · F om): is o˜ered for sale and for your viewing...

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Artwork above (shown left to right, top to bottom):

All paintings were created by the 75th Diamond Anniversary Convention workshop presenters accepted into the Open exhibition – Leslie Redhead, Carla O’Connor, Kristi Galindo Dyson, Molly Murrah, Theresa Goesling, Ron Stocke, Ann Breckon, Cindy Briggs, Linda Rothchild Ollis, and Ruth Armitage.

NWWS 75th Diamond Anniversary Celebration

July 6–12, 20155-day Workshops with Judy Morris and Alvaro Castagnet

Daniel Smith Open House & Factory Tour – Platinum Patron & Sponsor

NWWS Convention, Banquet Social and Gala Awards Banquet at the Crowne Plaza-Seattle

75th International Open Exhibition Reception at the Washington State Convention Center

75th Annual International Open ExhibitionWashington State Convention Center

800 Convention Place | Seattle, WA 98101

July 1 – September 30, 2015Artists’ Reception – July 11, 4:30–6:30 p.m.

NWWS’s Annual International Open Exhibition is one of the foremost in the country. This year – as part of our 75th Diamond Anniversary Celebration – artists from the United States, Canada, Taiwan, Malaysia,

India, Singapore, Turkey and Belarus are represented. This impressive array of original paintings is o�ered for sale and for your viewing pleasure.

If you would like to purchase a painting displayed in this exhibition, NWWS accepts checks, credit cards and PayPal. Paintings are available for pickup or shipping at the end of the exhibition. All paintings are subject to applicable sales tax and shipping charges, if shipping is requested. To purchase, please contact one of the NWWS Exhibit Representatives listed below:

Peggy Meyers – Phone: 206-953-2054 Email: [email protected] Charlette Haugen – Phone: 206-282-1813 Email: [email protected]

Theresa Goesling – Phone: 425-802-3487 Email: [email protected]

This is indeed an exciting time whatwith our 75th Diamond AnniversaryCelebration upon us from July 6 – 12,2015. Starting with the workshops givenby our jurors Judy Morris and AlvaroCastagnet, a factory tour on July 10given by our generous sponsor DanielSmith, and a two day convention onJuly 11 and 12 given by 23 differentpresenters, this will be a busy andfulfilling time for our members andguests. A reception at the WashingtonState Convention Center (WSCC) and agala reception and awards banquet willbe held on Saturday, July 11 at theCrowne Plaza – Seattle Hotel. Of coursethe 75th Annual International OpenExhibition at the WSCC from July 1 –Sept. 30 will be the crowning touch. It isa stunning exhibition which will beseen by tens of thousands of conventioncenter visitors during the busy summermonths. Being President of thisesteemed organization at this junctureis an honor and a thrill.

It will be so exciting to actually havethe retrospective book in our hands.The First 75 years: Northwest WatercolorSociety…A Fluid Tradition is a knockoutand definitely one of the best coffeetable books you’ll have in yourpossession. David F. Martin, the author,Nancy Axell and Molly Murrah spentwell over a year turning this dream intoreality.

NWWS is an international

2 · July-August 2015

President’s Message · Charlette Haugen

Northwest Watercolor Society

P.O. Box 50387Bellevue, WA 98015-0387

www.nwws.org

President:Char Haugen206-282-1813

Vice-President:Theresa Goesling

425-802-3487

Corresponding Secretary:Shirley Jordan425-890-9289

Recording Secretary:Evette Norton425-442-5928

Treasurer:Peggy Meyers425-869-0783

Attorney:Darek Linke

[email protected]

Newsletter Editor:Jeff Waters

[email protected]

Newsletter deadline for theSeptember-Octobert edition

is August 10, 2015

E-mail your items [email protected]

(Subject line: NWWS or Hot Press)

Please send newmemberships/changes

of address to:Peggy MeyersP.O. Box 50387

Bellevue, WA [email protected]

Please send all bills to:Peggy MeyersP.O. Box 50387

Bellevue, WA 98015-0387

organization consisting of close to 900artists from all corners of the world. Ourexhibitions are considered to be amongthe best. To have attained and tomaintain that status takes thededication of countless volunteers. Iwould like to thank all of those whohave worked both upfront and behindthe scenes to make NWWS run sosmoothly. Thanks so much to our pastPresident, Shirley Jordan, for her role infacilitating this effort.

With Theresa Goesling and CindyBriggs as Co-Chairs, a huge contingentof workers came together to turn our75th Diamond Anniversary Celebrationinto that dream come true. One personwho will experience this dream at theconvention is Marshall Perrow, a 99year old artist who recently won Best ofShow in a recent exhibition in Olympia.If ever you need inspiration…

To all who served last year and toall the new volunteers who haverecently stepped into new committeepositions, I thank you. Positions stillneeding to be filled are an AVTechnician, Volunteer Coordinator, andGrants Writer. If you can serve in any ofthese roles, please contact me.

As you know we do not havemembership meetings during thesummer months, so we hope to see youin September at St. Andrews LutheranChurch when Molly Murrah will be ourdemo artist. Because we combined ourOpen Exhibition and Members(Waterworks) Show into the 75thcelebration, you’ll get some time off thisfall to polish up your paintingtechniques and masterpieces for nextyear’s 2016 Open Exhibition.

Enjoy the summer and remember,“The only rule in art is what works”Anonymous.

Charlette Haugen, President

Northwest Watercolor Society

July-August 2015· 3

On theRoad,Again

I spentmost of themonth of Maytraveling theSouthwest,photographingand sketching.My principal

goal was to return to Canyon de Chelly(Pronounced de Shay) in Arizona, theancestral home of the Navajo. KitCarson ran the Navajo out of thecanyon in 1863 at the behest of the U.S.Government.

In 1931, a highly unusual treaty wassigned with the federal governmentdeclaring the canyon a nationalmonument but under the control of theNavajo nation. They came home.

You must see Canyon de Chellybefore you die. It is holy ground!Anyone who has ever been there hasfelt it. You feel you must whisper. Thetowering red, sandstone cliffs rise 1,000feet straight up from the meanderingriver on the valley floor. Lush greenfoliage brightens the landscape.

Jeep tours, run by the tribe, areavailable from the mouth of the canyonbut now there is one access trail from

Editorial · Jeff Waters

the south rim to the floor near theWhite House, a structure so old that noone is certain when it was firstestablished.

I was fascinated by the Southwestskies. The cumulous and cirrus cloudssweep over head in full threedimensions.

I did very little actual painting andspent most of my time looking andphotographing. I gathered enoughmaterial to last a lifetime. I take bookson tape, usually a couple of serioustomes and some lighter stuff for relief.This time, I had the fifty volume Historyof the United States and the HarvardAstronomy Course plus some lightermysteries.

Pack your watercolor supplies inyour car, go to the bottom of yourdriveway and turn left. See where youend up. One time, I headed east until Iran out of land. Called Carol from St.John, New Brunswick.

Emotional ContentIn response to the editorial in the last edition of Hot Press, Tom Hoffmann sent

this magnificent painting of Horseman Pass in Ireland. This is my kind ofabstraction; simple, powerful but still with a recognizable subject.

Tom is a master of extraction. Wonderful!


Exclusive Party for NWWS 75th Convention AttendeesAs part of our 75th Diamond Anniversary celebration, Daniel Smith Artists’ Materials –

our main sponsor for the event – is holding a special Open House and Factory tour at their Seattle store on Friday evening July 10 from 5:00-8:00 p.m.

Find out how watercolor paints are made and meet our 75th International Open jurors – JudyMorris and Alvaro Castagnet – along with our vendors and other convention presenters. An artshow honoring our presenters will be on display. Special transportation will take you from the

Crowne Plaza-Seattle to the factory.

Let’s paint the town!

Book ReviewPainting Successful Watercolours from Photographs

By Geoff KerseyThis just-published text is a wonderful primer full of helpful suggestions andmagnificent paintings. I particularly like his editing process. (What to leave out;adding color to bland areas.) “Dampen the area of your paper before applying masking fluid to avoid raised edges.” Yes, this will leave a soft edge on the object but you can always crisp it. (I do not usemasking fluid.)My only disappointment is that he does not address distortion caused by the curvedcamera lens. Often, you can spot a painting that uses a photo as its source. The curvedsides of buildings and vertical objects, especially near the edges is a dead giveaway.Grab a ruler and straighten them in your drawing. Kersey features exercises painting the same scene in imagined seasons. The photo maybe lush summer but he will paint it in snow. Great practice. The man can paint!

As you can see by the barcode in the scanned image, I borrowed the book fromthe King County Library. I intend to purchase my own copy. Enjoy!


Former NWWS president, Phil Flash passed away April 4, 2015 at age96. Phil’s great vitality and enthusiasm for living touched many people. Hefilled his life with art and joy and was devoted to his family and legions offriends and admirers. I’ve known Phil for over 40 years and attended hislegendary birthday parties into his 90’s. At 89 he had a big one-man showand sold many paintings.

Phil grew up in Seattle and studied Architecture and Industrial Designat the University of Washington. He worked for over 45 years at Boeing as adesign and ergonomic engineer. In 1956-57 he served as president ofNWWS and continuously supported the society until his death. Hecontributed research used by David F. Martin in writing our history, AFluid Tradition: Northwest Watercolor Society…The First 75 Years. See apicture of young Phil Flash and George Tsutakawa on page 35 in the book.

Phil was passionate about art, both as painter and sculptor and avidart collector. The walls of his home were covered with a literal “Who’s Whoin Northwest Art” from the 1950’s to the present. His extensive collection ofNorth Coast Indian Art was stunningly displayed in his contemporaryhome on Mercer Island.

Phil witnessed nearly a century of history. He offered a perfectexample of how to live life: Keep busy, eat healthy food, exercise, staypositive and never sweat the small stuff. His mantra was, “be a goodperson” and that simple philosophy won him countless friends over allthose years.

Phil…we’ll miss you.

Nancy Axell

A TRIBUTE TO NWWSPRESIDENT PHIL FLASH

FOR SALEA Gagne Porta-trace light table,white with oak trim. Viewingarea is 24”x36”. Total size is 30 1/2”x42”. It retails at DickBlick for $1029; I am sellingmine for $350. (See the lighttable at dickblick.com. DickBlick sells replacement bulbs,too.)

Second item: A heavy-dutyBoeing 6 foot drafting table, ingood shape except for the wornpaint on the wood top. Two bigdrawers for storage and lotsmore storage space under thetop if you tilt it. The table is freeif you’re willing to take it homewith you.

Contact Sueellen Ross,(206)767-6500,[email protected].


The Northwest WatercolorFoundation is pleased to announce thisyear’s winner of the $1500 Gold GrantScholarship. Alysa Phan is a student atOregon State University currentlyresiding in Corvallis, Oregon. Alyssasubmitted a clear and interestingautobiography beginning with a poem,stating she is pursuing a double degreein graphic design and fine arts. In her

artist’s statement she addressed themeaningful theme of her submitted art,explaining how it is influenced by herAsian heritage. Images of her

submitted work show skillfully renderedscreen-prints with strong design, color,value and creativity. Alysa was chosento receive this award by a jury ofexperienced members of the NWWS.Her award will be presented at the GalaBanquet of the NWWS 75th Diamond

Anniversary Celebration, held July 11 atthe Crowne Plaza-Seattle.

The Northwest WatercolorFoundation is a nonprofit arm of theNorthwest Watercolor Society (NWWS).One of the purposes of the Foundationis to support emerging young visualartists by providing financial awards tocommitted, deserving students.

Established in the early 1990s, theGold Grant Award has been presentedannually to an outstanding andpromising art student.

Full-time undergraduate art majors,including graduating college seniorsenrolled in a community college oruniversity in Washington, Oregon or

Idaho and working in a variety of two-dimensional media are eligible for theFoundation’s annual Gold Grant Award.

For information about donating tothe Foundation, or applying for theGold Grant to be awarded in the springof 2015, contact Foundation PresidentAnn Breckonat [email protected].

Gold Grant Scholarship Awarded

Alysa Phan

Snoqualmie Arts Commissionpresents

The Seventh AnnualSnoqualmie Plein Air Paint Out

EVENT DATE: Saturday, August 15, 2015. Railroad Days Celebration. Sites: Painting will occur throughout Snoqualmie’scity parks and key locations. Venues will be provided for instructor demonstrations. REGISTRATION: Event check�in will beat 9:00 am at the Snoqualmie Arts Commission booth. Booths and painting sales are allowed, but artists must be working onsite throughout the day. No commission will be taken from paintings sold; no city business license will be required on August 15 for participating artists. INFORMATION: [email protected].

Awards: Grand Prize – Poster for 2016 2nd – $100 Daniel Smith Certificate 3rd – $50 Daniel Smith Certificate

REGISTRATION FORM – All Skill Levels Welcome! Reception and Judging at 3:00 at The Black DogAdditional registration forms may be downloaded from the City of Snoqualmie website at www.cityofsnoqualmie.org or registerat Gazebo in Railroad Park the day of the event.

Artist Name: __________________________________________________________________________ Instructor (circle one): Yes No

Media: ____________________________________________________________________________________ Affiliation:______________________________________________________________________________

Mailing Address: __________________________________________________________________________________________________________________________________________________________________________

Phone:____________________________________________________________________________________ Email: _____________________________________________________________________________________

NO ENTRY FEE!

School of Painting

SECRETS OF PAINTING LOOSE

Eric Wiegardt AWS DF, NWS has taught over 5,000 watercolorists workshops. Over 4,000

original paintings have been collected privately and corporately. He is a signature member of the American Watercolor Society (Dolphin Fellow), National Watercolor Society, Transparent watercolor Society of America (Master Status) and others. He has been awarded the 2012 AWS Gold Medal of Honor, among many other national and international awards. His paintings have been exhibited in many US museums, including China. He exhibited in the 2012 Invitational Exhibition of Contemporary International Watermedia Masters in Nanchang, China. Eric has been a juror for many national

watercolor shows, and was a 2014 AWS Awards Juror. Eric has been featured in many publications as well as cover artist for both Magazine and Watercolor Artist Magazine. He is the author of the book

raduate of the American Academy of Art, Chicago. This is a workshop for those who wish to loosen up in watercolor. Painting techniques and a philosophy of design will encourage bold, loose paintings. Eric believes most painting problems are the violation of an elementary painting principle. Lectures will be easily understood and helpful. It is recommended that the student have minimal previous experience. There will be ample time for students to try the concepts presented in a safe environment. Eric will do a completed painting demonstration daily. Subject matter may include land, marine, and streetscapes, florals and interiors.

www.ericwiegardt.com

Study with Eric Wiegardt AWS DF, NWS

- Jim McFarlane, President American Watercolor Society

VISUAL PLEASURE FOR GENERATIONS

exhilarating experience for our

Sharon Feingold Workshop Director San Diego Watercolor Society

School of PaintingSECRETS OF PAINTING LOOSE


Member News

Sandy Haight’s painting, Reaching,cropped for a promotional postcard,was chosen to be the poster art for theBainbridge in Bloom Garden Tour thissummer and is also featured on thecover of Currents Magazine which goesto every household on BainbridgeIsland, a short ferry ride fromdowntown Seattle, WA.

Dotti Burton, NWWS, has been juriedinto the prestigious InternationalSociety of Acrylic Painters 2015 OpenOnline exhibition, (www.isap-online.com) with her painting, Jete. Thisand other of her award-winningpaintings can be seen at her studioduring the 2015 Camano Island Studiotour. (www.camanoarts.org).

Chihiro Yabe’s work was featured onthe cover and in a six-page article in themagazine, Pratique des Arts April/Mayno.121 edition, in France. Sheparticipated in the Japan WatercolorSociety’s 5th Annual Exhibition in April.JWS published the book that introduces28 members including Chihiro with fourpages. The book is now on sale at bookstores in Japan also at Amazon.co.jp.

Sandy Haight – Reaching

Dotti Burton – Jete

Chihiro Yabe– Autumn Light

She has been invited to Artist of WorldWatercolor, Triennale Korea atHangaram Gallery, Seoul Arts Center, inMay and the Seoul Museum of Art,Gyeonghuigung Palace May16 -Jun.15. This event is held by the KoreanWatercolor Association, which has along tradition and history in SouthKorea. Her work was accepted into theTWSA show in Kenosha publicmuseum, May 2 - August 2, 2015 WI.USA

Charlene Collins Freeman’s LondonSweets was selected for inclusion inSplash 17! Charlene will have a soloexhibit at Tsuga Fine Art (10101 MainStreet Bothell) September 18 - October22. The opening reception will be onSeptember 18. Open to the public.

Charlene Collins Freeman – London Sweets

KarenKnutson willteach aworkshop forintermediatepainters inYakima, WAon July 17 -18. If

interested, please contact Karen onFacebook. She is excited to be attendingthe NWWS 75th anniversarycelebration, and meeting so many ofthe artists from all the past shows.Karen is a MN resident, so she onlyknows us by our paintings.

Eric Wiegardt, AWS DF, NWS will offera workshop “Secrets of Painting Loose”at A Guilded Gallery, 8700 271st St. NW,Stanwood, WA 98292. November 5, 6, 7,8, & 9, 2015. $575.00. To register call 360


Editor’s ContestPaint your interpretation of Canyon de Chelly’s white house. (See editorial.) Feel free to crop or alter the photo to suityour needs. Email your entry as a jpeg attachment to [email protected].

Opportunities

629-2787 for questions contact HelenLueken. [email protected].

Liz Walker willteach a 2 dayexperimentalmarblingworkshop inPortland, OregonJuly 24 - 25. Wehave two spots left(max class size is

8). No experience necessary—allsupplies and tools are included exceptfor paper. Old watercolor paintings canspring to life with a bit of marbling.Contact me on Facebook if you areinterested. I will be attending theNWWS 75th anniversary celebration,and look forward to seeing new & oldfriends!

Renew your NWWSArtist Website LinkTodayOnce again it’s time to sign up foror renew your NWWS ArtistWebsite link on the NorthwestWatercolor Society website. Addtraffic to your website with a linkon the NWWS website. Memberscan publish an image, an artist’sstatement plus a link to theirwebsite for a $10 initial set up feeplus an annual fee of $25.

An application form is available onnwws.org. UnderMembership/Join select the“NWWS Artist Websites” option.You’ll find the renewal form at thebottom of the NWWS ArtistWebsites page. Renew now for July2014-June 2015. Questions? Pleasecontact Cheri Connellat [email protected].


A lifeless shadow is also causedsimply by improper paintingconstruction. This is unique towatercolor painting. If one tones theirlight pattern too far down the valuerange, it forces the contrasting midtones darker than they should be, thenthe darks will have to be in the blackrange for the additional contrast.

I think it is easiest to leave the lightpattern the white of the paper, whichallows my mid tones to be lighter, andthen the darks can be fairly light andutilize the full range of the color wheel.At the end of the painting I will thentone the white of the paper if need be.This is opposite to conventionalwatercolor procedure, but it makessense to me and does keep my darks fullof lively color.

I feel that color in the shadows doesnot have to represent realistic color.Simply bouncing in color fromadjoining planes and shapes issufficient or interpretive color can beeffective. The important point here is tokeep away from the dull, lifeless,photographic black.

For a complete discussion of thistopic Color in Shadows DVD NumberThree, of the Painting Loose fromPhotographs series is available fromericwiegardt.com

Keep your brush wet!Eric

PAINTINGS I HAVE JUDGEDPART II-COLOR

In the last article, I mentioned thereare several weaknesses I have seen inthe national and international shows.Even though many of the paintings areastounding in technique, there are stillsome weaknesses that should beaddressed. I discussed the need formore edge variation. Here I would liketo discuss color interpretation.

Lifeless shadows, or shadows withno color in them can steal the feeling ofnatural sunlight. They suck the life andlight out of our paintings. There is noappearance of reflected light, which isessential to the feel of a natural light.The Impressionists brought this to ourattention by lightening the valueswithin the shadow patterns which in

turn allowed them to introduce morecolor. In those same shadows, theirpaintings consequently exploded withcolor and a sense of realism unseenbefore.

And yet, it seems as though thewatercolor world is falling back intodead shadow interpretations. What ishappening? I think there are twoculprits: the photo reference and anerror in painting approach.

With the advent of the camera, avery useful tool for painting has beenappreciated by most artists. The photohas helped tremendously with the easeof constructing a painting, butunfortunately has not aided in thedevelopment of great art. One of itsflaws is the lack of color in the shadows.A photo taken in the sunlitMediterraneanmarina has thesame blacklifeless shadowsas one ofsimilar subjectin the overcastPacificNorthwest.Logically, thiscannot be so, asthe lightingconditions aretotally different.Obviously, whatis happeninghere is that thecamera with itslimitationscannot detect the color in a shadoweffectively enough for painting. If wepaint the lifeless gray shadow the way itlooks in the photo, then there will be noeffective sense of reflected light; thepainted shadow will look more like adark cave sucking light out of theenvironment.

For those who like to paint plein air,shadows will appear darker from theconstricting of the pupils. Our eyes aredoing the same as the camera: thepupils close down much like thecamera’s aperture. I suggest the artisttake a moment and walk into theshadow. There the eyes will dilate andthe color will be seen.

Wiegardt on Watercolor

Box 1114 · Ocean Park, WA 98640(360) 665-5976

[email protected]

American Watercolor Society2012 Gold Medal of Honor

SCHOOL OF PAINTINGWATERCOLOR WORKSHOPS

2015 for the Northwest8/10-14—Watercolor Plein Air Workshop

11/5-9—Secrets of Painting Loose11/16-20—Creating an Area of Dominance

20161/20-27— HAWAII PLEIN AIR WORKSHOP

Learn more email us or call!Specials Every Month

ALL AVAILABLE ON-LINE and atWIEGARDT STUDIO GALLERY

VISIT OUR WEBSITE!www.ericwiegardt.com and the new ARTISTS’CONNECTION located under WorkshopsAvailable: DVDs, Books, Art Supplies

Original Paintings, Giclees Prints & Lithographs

VISUAL PLEASURE FOR GENERATIONS

Eric Wiegardt – Frejus Flower Market


Plein Air Washington ArtistsPlein Air Washington Artists (PAWA) is a group of people who love the adventure of painting outdoors in allmediums – watercolor, oil, pastel etc. We are dedicated to the fine art of painting on location in natural light todocument the diverse and breathtaking scenery of our beautiful state. The theme for 2015 is “Meadows toMountains”. http://www.pleinairwashington.com

Here is a list of upcoming paint-out events. PAWA uses Eventbrite for sign-up, details of the event and forattendees to know who is coming. You can come as a guest and/or join for $20 annually.

PAWA Woodinville Wine Country Paint-out Jun 5-6thhttp://www.eventbrite.com/e/pawa-woodinville-wine-country-paint-out-jun-5-6th-tickets-17015652274

PAWA Heritage Fair Art Festival Paint-out June 13th http://www.eventbrite.com/e/pawa-heritage-fair-art-festival-paint-out-june-13-tickets-17004562103

PAWA Arts of Kenmore Paint-out Jun 27thhttp://www.eventbrite.com/e/pawa-arts-of-kenmore-paint-out-jun-27th-tickets-17045754310

PAWA Hurricane Ridge-Olympic National Park Jul 24-25thhttps://www.eventbrite.com/e/pawa-hurricane-ridge-and-olympic-peninsula-paint-out-jul-24-25th-tickets-17179868449

PAWA Mt Vernon/Deception Pass Paint-out Aug 1-2http://www.eventbrite.com/e/pawa-mt-vernondeception-pass-paint-out-aug-1-2-tickets-17032022237

PAWA & NPS Camp Casey Paint-Out Aug 23-28th http://www.eventbrite.com/e/pawa-nps-camp-casey-paint-out-aug-23-28-tickets-16561616240

PAWA Columbia Gorge Paint-out Sep 12-13https://www.eventbrite.com/e/pawa-columbia-gorge-paint-out-sep-12-13-tickets-17056609779

PAWA Mt. Baker/Shuksan Paint-Out Sep 25-27http://www.eventbrite.com/e/pawa-mt-bakershuksan-paint-out-tickets-16473792557

Editor’s Note: I painted with this group at St. Michele Winery andfound them to be a delightful, fun-loving cadre of serious artists.I strongly encourage you to spend a day with them. Visit theirmagnificent website to see how one should be constructed.

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St. Andrews Lutheran Church

Bellevue

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Bellevue Community College

RobinswoodPark

SunsetVillage

Exit 11A Exit 11B

156TH AVE S.E

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E.145TH PL S.E.

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ST. ANDREW’S LUTHERAN CHURCH2650 148th Ave SE · Bellevue, WA 98006

A Brush with Art

Northwest Watercolor SocietyP.O. Box 50387

Bellevue, WA 98015-0387

800 Convention Place - NWWS · 2018. 8. 8. · F om): is o˜ered for sale and for your viewing...

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Transcript of 800 Convention Place - NWWS · 2018. 8. 8. · F om): is o˜ered for sale and for your viewing...