When to Forget the Rearview Mirror - HBR

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ANALYTICS When to Forget the Rearview Mirror FROM THE JUNE 2015 ISSUE H MATT CHASE ow can marketers predict whether audiences will pay to see a new film or download a new song? Such forecasts are notoriously tricky. Academic researchers call films and songs “fashion products,” because their sales are driven by volatile consumer tastes. Fashion products often have short life cycles and rely on impulsive purchase decisions.

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  • ANALYTICS

    When to Forget the RearviewMirrorFROM THE JUNE 2015 ISSUE

    HMATT CHASE

    ow can marketers predict whether audiences will pay to see a new film or

    download a new song? Such forecasts are notoriously tricky. Academic

    researchers call films and songs fashion products, because their sales are

    driven by volatile consumer tastes. Fashion products often have short life cycles and rely

    on impulsive purchase decisions.

  • One way to improve forecasts is to seek more data. But new research suggests that with

    fashion products, this doesnt always help. IE Business Schools Matthias Seifert and a

    team of colleagues examined the joint role of historical and contextual data in human

    judgments about which products will take off and which will sputter. For example, how

    does a music company weigh historical data (Taylor Swifts previous album sold X

    copies) against contextual data (We plan to spend Y marketing this album) when

    evaluating upcoming releases?

    Because creative industries are highly dynamic, historical data isnt always useful on its

    own. Although you might assume that, say, a movie with a big-name actor will be a hit,

    studies have found that star power isnt actually a significant predictor of box office

    receipts. And contextual data tends to be subjective and qualitative, which increases the

    complexity of the judgment at hand.

    Seiferts team studied predictions about where pop singles would enter the Top 100 chart.

    First they interviewed 23 senior managers at four major record companies to identify

    predictor variablesfactors that ought to correlate with success. These included the

    marketing budget for each single, who else was releasing singles the same week, and

    whether the artist was an established performer or a fresh face. Then they gave lists of

    forthcoming singles, along with predictor-variable information about them, to 92 A&R

    managerspeople who scout and recruit musicians. Over a 12-week period the A&R

    managers completed four online questionnaires about the likely chart-entry positions of

    the singles theyd been assigned, using the predictor variables to make their forecasts210

    in all. After that the researchers sat back to see how each single performed.

    Finally they categorized each predictor variable as historical or contextual and ran

    mathematical analyses to see which type had worked bestand how the two had worked

    together. They found an interesting wrinkle: We make better judgments about volatile

    demand when we consider only contextual data. Historical data seemed to impair the A&R

    managers ability to interpret context.

  • Because algorithms can forecast linear relationships much better than the human brain

    can, Seiferts team suggests letting a computer make decisions in stable environments

    where the predictions depend solely on historical data. But when asking someone to make

    a judgment call in a volatile environment, consider withholding historical information so

    that he or she can focus on contextual information. More data isnt always better.

    About the Research: Effective Judgmental Forecasting in the Context of Fashion

    Products, by Matthias Seifert, Enno Siemsen, Allgre L. Hadida, and Andreas B.

    Eisingerich

    A version of this article appeared in the June 2015 issue of Harvard Business Review.

    Related Topics: DATA

    This article is about ANALYTICS

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