VVVV ZZZZ+ vvvvÜÜ...Head Department of Urdu, AIOU, Islamabad Nine Manuscrips of "Khulasatul Fwaid"...

10
e Z Ë Z + m , w Ł à f ä ÿ ] ĩ æ (  ¡ Ú ä ] Î f ^ Ù ] æ µ à m ç Þ n ç 9 o ( ] ¡ Ý ŗ e ^ ĩ Ü v î G Z | Z Z + Æ â é V » ¬ g ° _ · _______________________ Dr. Abdul Aziz Sahir Head Department of Urdu, AIOU, Islamabad Nine Manuscrips of "Khulasatul Fwaid" by different composers The tradition of malfoozat writing is well established in the Sufi literature. They preserve a treasure related with theology and mystic studies. Khulasatul Fawaid, the malfoozat of Khawaja Noor Muhammad Muharvi, compiled by Qazi Muhammad Umer Hakim, is one of the most important works in this regard. The book is still unpublished. The author of the present study has, however, discovered its nine (9) different manuscripts by different composers. They were searched from different libraries. A comparative study on the value, validity and authenticity of them all has been given here. _______________________ Ü v î G Z | Z Z + ) 1 ( G ¬ Ý p Z z â g · ' g z ~ ) x 5 0 2 1 | ( Å É Z ] ë E L % g » p [ ß g ] % ¢ ü G O ì X Z k ô ç ã Å [ C Z h i 0 + Ï Å g ó g » Z Ö g t Ì ì Z z g ! § ¯ Z ˆ k Å 1 J ã » Z ń á g t Ì X Z k ù ´ Å ª C c Z L s ~ Z z g ~ æ Z g à g 8 - Z z g p Ò Å Ń R Z z g ! 3 { ð G O à : i 0 + Ï Å ! Ń ~ Z z g ! g » Z ( M } « C ì Ô ł g z Ý Z z g â g » Z 7 g { ì X Ü v î G Z | Z Z + ~ G ¬ Ý ¾ d $ â Z i Å Í C Ù Z ] ã Å · g Š h + ã ì X Z k Æ % " ì G O E Z z g Y ì è · / œ ä Z y W Ö Å s ~ c Å @ Z 0 + Z i ~ ~ Z L z ] . Z ã Z z g k Ë C g z - V Å ) 1 ] » Z ( Y Š z c * ì Ô ł ñ Š z Z x Æ Š g ! * g ~ Z y Å g Á ë J L ì w Å @ * [ * * Å » M s Š Z g Ì ì Z z g Z y Å § Y z Š Z V 6 , Í Z { Ì X Y ! üL ª ] G ¬ Ý ¾ d $ â Z i Å o ] Z z g Z g Z Š ] ´ 4 g ö G I Æ M p l M U * g ~ Ý ò Å µ 6 , ĩ Û z ¿ ¸ X Z ¤ / p E + { ó g z V ä Z ¹ G ¬ Ý Æ O ñ p Z z â g · * * g z z Z ! ) x 3 0 2 1 | ( » % h + ì Ô p t Š g 7 X Ü v î G Z | Z Z + ~ ˜ V } Ì p Z z * * g z z Z ! » f ° æL í M c * ì Ô % " ì G O E L ª ] ä Z ¹ Z C c z % Æ O ñ Ñ r # Æ À ò Ä Ð c * Š H ì Ô ł Z k ! * ] » â i ì Ř è · / œ G ¬ Ý ¾ d $ â Z i Æ Š Z ð ¤ / C ¸ X Z Ï § b í Z Ñ f » g Æ ! í ³ ñ ß ~ · \ ~ ä ì Ř : L L g z i ~ Ř è ñ ß s ) · / œ ( | ] G ð Š k u { g Z r š ý E L Ó x Š h + Ô 0 F , Š { ² n % Š Ř : Z z ¬ \ / Ä p ÷ M y f Z ] g Z Ë ) ´ « ĩ Û â h + X ó ó ) 2 ( g Z ä Z k Z ½ k 6 , û { D ƒ ñ å Ř : 3 5 1

Transcript of VVVV ZZZZ+ vvvvÜÜ...Head Department of Urdu, AIOU, Islamabad Nine Manuscrips of "Khulasatul Fwaid"...

Page 1: VVVV ZZZZ+ vvvvÜÜ...Head Department of Urdu, AIOU, Islamabad Nine Manuscrips of "Khulasatul Fwaid" by different composers The tradition of malfoozat writing is well established in

eZˆZ+m,‚w

‘‚…�Ãfäÿ]…æ(¡Úä]Îf^Ù]æµàmçÞnç…‰9o(]‰¡Ý�e^

ÜÜÜÜvvvvîîîîGGGGZZZZ||||ZZZZZZZZ++++ÆÆÆÆââââééé鶶¶¶VVVV»»»»¬¬¬¬gggg°°°°____····_______________________

Dr. Abdul Aziz Sahir

Head Department of Urdu, AIOU, Islamabad

Nine Manuscrips of "Khulasatul Fwaid" by different composers

The tradition of malfoozat writing is well established in the Sufi literature. They

preserve a treasure related with theology and mystic studies. Khulasatul Fawaid,

the malfoozat of Khawaja Noor Muhammad Muharvi, compiled by Qazi

Muhammad Umer Hakim, is one of the most important works in this regard. The

book is still unpublished. The author of the present study has, however,

discovered its nine (9) different manuscripts by different composers. They were

searched from different libraries. A comparative study on the value, validity and

authenticity of them all has been given here. _______________________

ÜvîGZ|ZZ+)1(G¬ÝpZzâg·'gz~)x5021|(ÅÉZ]ëEL%g»p[ßg]%¢ü

GOìXZkôçãÅ[CZhi0+ÏÅgóg�»ZÖgtÌìZzg!§¯ZˆkÅ1Jã»Z�ágtÌXZkù´Å“ªCcZLs~Zzg„~æZgÃg8-ZzgpÒÅ�RZzg!3{ð GOÃ:i0+ÏÅ!�~Zzg!g�»Z(M}«™CìÔ�gzÝZzgâg»Z7g{ìX

ÜvîGZ|ZZ+~G¬Ý¾d$âZiÅÍCÙZ]ãÅ·gŠh+ãìXZkÆ%"ìGOEZzgYì‡è·/œäZyWÖÅs~cÅ@Z0+Zi~~ZLz].ZãZzgkËCgz-VÅ)1]»Z(YŠz›c*ìÔ�’ñŠzZxÆŠg!*g~ZyÅgÁëJLìwÅ@*[**Å»MsŠZgÌìZzgZyŧ‹YzŠZV6,ÍZ{ÌXY!üL“ª]G¬Ý¾d$âZiÅo]ZzgZgZŠ]4gö G

IÆMplMU*g~Ýòŵ6,�Ûz¿¸XZ¤/p‰E+™{ógzVäZ¹G¬ÝÆOñpZzâg·**gzzZ!)x3021|(»%h+–ìÔptŠg„7XÜvîGZ|ZZ+~˜V}ÌpZz**gzzZ!»f°æLíMc*ìÔ%"ìGOEL“ª]äZ¹ZCcz%”

™ÆOñÑ™r#ÆÀòÄÐc*ŠHìÔ�Zk!*]»âiì�‡è·/œG¬Ý¾d$âZiÆŠZð¤/C¸XZϧbíZÑf»gÆ!í³ñß~·\~ä–ì�:

LLgzi~�‡èñßs)·/œ(|]GðŠku{gZršý ELÓxŠh+Ô0F,™Š{²n%Š�:Zz¬\/™Äp÷MyfZ]gZË)«�Ûâh+Xóó)2(gZ¶äZkZ½k6,û{™Dƒñ–å�:

351

Page 2: VVVV ZZZZ+ vvvvÜÜ...Head Department of Urdu, AIOU, Islamabad Nine Manuscrips of "Khulasatul Fwaid" by different composers The tradition of malfoozat writing is well established in

LLñß~·\~äLGðóÈ™ZkQ¬6,7,~Š®ÃåÆa»™Šc*XZ¤/‡è™r#

pZz**gzzZ!ÆŠZ],ÒZgZŠ]~^©0î EGƒDÔÂñß~\~ZL�ÃLGðóÈ™Zy»E+™{:™DÔ²#…54èEGE~‡è™r#ÌÑq-¸XÑixå�pZz™r#»f™LGâóÈ™HY@*Xz,ZŒßg]ÂLd-÷

IGELpŠóÅF,IÐßg]5+k,ƒCXóó)3()2(

ÜvîGZ|ZZ+Z¹ÃgÏ~ìZzgZÐZÌJ-Z�á®)ÅgzÝx7MðXgZ¶Zk»W~Q%"ìGOE™g;ìÔ�Z%ˬZzg$›Ò3¨é

GGG]zjZÙÅH,MZzg�d$Æ‚BZ)wÂ!ßg]~{¤/ƒÇXIZi,9991Y~eZË¥Âò

ÅôZã~Z*Z}ÃgÏÅZq-¤c**2+gZúZyäº[-Eg;Æ&z:Šz¶VÅæŠÐZk»Zq-Q%"ìGOEHåÔ�Ze°ÅœZzgôZÈ»gÅgZzggÚ~»�{%¢ü

GOìXZiZVeZË1úŠèZãÅu6,4~Íg»Ò-Eg;ÔуgÆZq-Ze°·�Ûh+äZ*…)ÃgÏ(Åbz~ŠÆaZkÆQÅF,KMz�d$ÅXZyÆ&4øFGILú[-Eg;ÆZq-&z:°Æ´z{cZ1²ÆÃ{ä»Zq-Ìg;ìX

)3(ÜvîGZ|ZZ+Æ&F,3̃`�ÔXÅ,8iïELfsì:ñß~ZvjgŸäÜvîGZ|ZZ+»�F,ÀHìÔz{~i),·ìXZyÆ&4øFGILÃÝxõZ−+²~»¯/ )Z³()4231|(g;ìXZkF,36,ñÑ**ZÜœjZzgeZË¥ÂòäÌ$/ç

EELU*ãÅìÔTÐZkÅŠgz

7~"C{ZŸ†ƒZìX6,zW�gZ£Ãgz¹»F,Àâ{**)oŠ~ÔŠ‹~mzZgZ�á®)5+k,ƒZåÔp¥x7�tF,ÀÂ!ßg]~ )[({¤/ƒZc*~iø&ö08jè NEÃF,*ìX·aZº»F,ÀZ4w6,öÔуgÐÖåXZ,VäT°ÐF,ÀHÔz{7721|»âåXtZy» )`(&z:åc*˵3ï NGE{äÅ!ÔzNtм7¹YYÔYè_0îE0Â"$Æ´z{…Zk°Æâ!zâm»¼D7XtZ[¹Vì?ìÌc*7XZk!*g}~̼7¹YYXZ% k‚wItF,ÀógÅŠ,k~åX¥x¶V~Zq-°Æ´z{tŠ*F,åÔ$¨45é GGGES™sZzgpZ**Ìg;ƒÇÔYèáÀ°Ås~uzŠÓxN¶VÆQÆÐ_.�X}Ãð]QÆ„~æZgÐ!*CÙÀ_ƒZCk7ƒ@*X

)4(ÜvîGZ|ZZ+¯/ñß~·ñ.:

ñß~·ñ.»¯/tËiâä~pZzÝxgÎw'gz~Å!g;ìXZyÐItpZzÝx@Æi%æGL$¸ç

GOsåXCÙŠz),gÍVÆ8þL!»Z0+gZ`°Æ¬Ô6,HŠHìXMy~Ô6,·Z1'gz~»**x8ûELN~zg‹Š\œìX631,]6,ŒìXt.e$™sZzgp’ìZzg£~–ŠHìXCÙÔ6,

451

Page 3: VVVV ZZZZ+ vvvvÜÜ...Head Department of Urdu, AIOU, Islamabad Nine Manuscrips of "Khulasatul Fwaid" by different composers The tradition of malfoozat writing is well established in

SzVÅ®ZŠÁc*ic*Š{ƒCg„ìXÁÐÁS,ŠHg{Zzgic*Š{Ðic*Š{aŠ{�XZÖpÅ®ZŠÌZTg~Z

ìX°~F,)Å„g]-Vì:LLÔŠyZv¬\�á:óXZ:v�$g@îEE

0Igu“pÑpr-÷EL-ÑpCgõ41#

ZÅ.‹«ç EE4431|ZiŠ^ïGL²+$Í-AöGELÁ"ìGGL|]8ƒg[Z°=-ZvmzMhzZô!îE�z]

ÐêOÔM·ñ.ßg‹Z!x5+k,ÄXZ

ÉÐ�êO-d·zZMw·åz!*guz]ÐêOXZÉÐ�êZ4,!ZÅ.©›å GZÅ.«çG[Ãu-xZg)-Zv¬\mzMhz]ÐêOXóó

ñß~·ñ.‰ZãpZzúŠÂ²~¾d$âZi)x8431|(Æ'ç Nh+¸Xz{**ñg¬ÅêLŠ+ñß~ZÍCÙÆ',ZŠgiZŠ}¸XpŠñß~™r#ñßsÌŠ´Exz.y~"C{'g]ZzgŠ,kÆqï¸XÓx/ŠgkzD+göÐzZhgìZzg"¤]ÅÜâ+Zy»Ãgg;X³l+ÆáíZzgZÏ8Fî E0²l£x~k&åEL{uƒñXŠaG*y~còy¾d$âZiÆ%h+ZzgÑ%h+_Å¥.çGELZâgÆâZb~ZyÅGñ�ŠìXßÅZq-]ÿ L6,Zy»**x+{ìX_0îE0z™w¥x

7ÔpMU*gÐ¥xƒ@*ì�z{8391YJ-§]¸XñÑ**Z£G»‰ÅÂ[>ZyZÄA@îEGZ]¾6,Z,Vä½oèZzgtÂ[«!*g8391Y~wáŠ6,{¤/ƒðXÜvîGZ|ZZ+¯/¦gÎw:

ÜvîGZ|ZZ+»Zq-¦gÎwÆ8jè NEL¯»?kìX¦gÎwäZL#»**x�áŠt–ìÔpZyÆZjZw6,ŠÒSØ~�X…¥x7�Zy»z…3ªî EGE0§]Hå;z{ÁÆŠZ!èELgØÐzZh¸;Zy»²d§]¾§b¬ƒZZzgz{

¾(MΊÒ{uƒñ?Zy»¯/ÜvîGZ|ZZ+»t61Xf~ƒ9031|ÃåƒZXHì?£~»A$Åplâ+»ZÖgtìX961,]6,;ƒZtÎZÖ@ÌìZzgplMU*gÌXZ%CÙÔ6,SzVÅ®ZŠ7V7X}t®ZŠ

ŠHg{ìZzg}!*g{c*¾{X˜VS,**‘;ñ"'gŧb·gÆæZg~gzZVŠzZV:ƒVÔz;V/VÅ)1CëM°YV™eƒ$Ëì?®Z/Vůz^~wVÆŠZ],}Zzg°�ZðZzg;ƒ~ËM}Å0*È7Zzg:„Zy

Å®ZŠËëM°»plÁ©**)o™C�XZ%Zk"g�Æ!*z�Š°ÆZ,]6,»A$Æ8jè NEL¯Ågóg�ZK·gŠ3g„ìXZkplM°Zzggóg�Æ!*z�ŠÄZÍw6,»A$Ð!{3ýEOÆ**xÅF,³~ÃltuiŠƒðìXZ,VäY!üL“ª]»**x‡è·/œÆOñ‡è·†ZÔ–ìÔ�$¨45é GGGESZyÆÅßóg~6,â<)VìX

t$À£åHÑp~ñß~·Z−+$À£åH~Ƶ3ï NGE{äÅi“MìXÜvîGZ|ZZ+ÆŠz°¯/ÝxõZ−+:

ÜvîGZ|ZZ+ÆŠz°ñß~ÝÄõZ−+áí³l+Ư/�Xñß~™r#pZzZvj²~¾d$âZi)x9131|(ÆŠZð¤/C¸Xz{czs�á²Zzggzvî EGZ¬',+Æ!{3ýEOñß~}.Zj™',ZbÆ7Dñß~}.ZjU*ã

ÆÌZzgŠZâŠÌXZ,VäMˆÆ“ªCZŠ[ÅÂ"$ÃZKi0+Ï»·Z7¯c*ZzgQÓx/Zk»§í~

\gìXŠ{îȳÆo]¦/ZgzVÆÃ{âV~ZyÆŠ„â“pVN°ôp�Ô�ZyÅZgZŠ]4gö GI

ÆF,)yÌ�ZzgZyÅgÁëJL¯Æ?kÌXz{ŠgkzD+göÐzZh¸X³l+~i0+Ϧ/Zg~ZzgZÏ{¿plMU*g~æyƒñXŒÛZíÐ¥xƒ@*ì�z{4391YJ-§]ZzgZkƈ„Ëz‰Ü°xÆ6,gzZ:ƒñX

551

Page 4: VVVV ZZZZ+ vvvvÜÜ...Head Department of Urdu, AIOU, Islamabad Nine Manuscrips of "Khulasatul Fwaid" by different composers The tradition of malfoozat writing is well established in

Zy»¯/ÜvîGZ|ZZ+»Zq-z‰Üè×E@D42X#8031|ÃZ!x5+k,ƒZX,]ZkÆ821�XZ¹t46',v6,ŒìXCÙÔ6,ŠHg{S,�ZzgCÙSaŠ{Gg{/V»Zq©KƒñìXÂ"$oƒZzgÍZgZìÔZ%p[ßg]7ÔqÑè»A${áplg¶zZµƒñ�XgZ¶ÃZyÆFŠ„â“"¤]ŠÚ»Z·tg;ìXz{Ng¶�ÔpZyÅNóg~:¢»g~Zzgplâ+»èŠîìÔptŠN™-V4ì�gzZgz~~–ŠHìZzgQ@Šg@Æ¿Ð

¦/gäÆZk°~F£â]æëZzgベg{‰�Xt³l+~Â"$ƒZZzgZÏ8Fî E0²l£x~ZKM[z@*[Š3@*g;X¥x7Z[tÍ8çXLM[ŠZg¾Ã{äÅid$zi“M»bŠZgìX

Zy»¯/ŠzuZz¢ïGGL×4gßZ{ã4231|Ãßg‹ZÓxÐgzÙkƒZX39,]6,;ƒZQ8jè NELÂ"$Æ)1CZ|[»MsŠZgìXCÙÔ6,Gg{S,�ÔpCÙS~/VÅ®ZŠn(,fg„ìXÁZiÁMJZzgic*Š{Ð

ic*Š{Gg{ZÖpZq-SÅi“M�XF,u»ZÈxÂËÔ6,7ƒZÔZ%g»[ÐÃðÌ™øzx7Xt{™gz×ZzgplM}ìXLt³l+Å!*gÇ{$¨å GGOk$ó[ÆÃ{äÅi“Mg;ì?Z[ZkÅ{MgZðо©**ó»7©Ýg;ìÔtÂ¥x7ÔpZÚY}ƒV�Z¤/Zy¶VÆ@',ZŠ§³m,ñß~·gpygJ-:íÔÂZyÅplyZò»ŠZ],ÒZW,ZÚ!�:ƒ@*XÜvîGZ|ZZ+ÆŠz°&z:º[-Eg;:

º[-Eg;Ôуg~ÜvîGZ|ZZ+ÆŠz°ôp�XZyÆ@',ZŠ§³m,z¤/ZòeZË¥ÂòÅ™xù~Æ:L�ÛZëƒñXº[-Eg;»&z:Zq-F,)ÐøzxìX»A$ä}ÌZL**xÐ6,Š{7ZVc*Zzg:„tCc*�z{“Zzg¹VZk°ÅÂ"$ЯZ0+ziƒg;ìXt59',v)981,](6,ŒìX™sZzgpZ**ìZzgZL

»A$Å¢gz¶’k,»âiÌXtÍgŠZk7g~]µå~•kƒZÔp“?Â"$ŧbèZi{È~»“Ì¥x7X¢‚iä·ðZhÜÔœg!*iZgÍgŠZk7gÉ™ZC¬gs™Zc*ìX

Zk°ÆCÙÔ6,âS,�ZzgCÙSZKy~!*g{¾{ZÖpÃ6,zñƒñìX°Æ¬Ô6,g‚á»**xÌ%xìXZ0+Z¯Â"$Ð¥xƒ@*ì�Â[»ÄZyˆ~Ëä–ìX

º[-Eg;Æ&z:Šzu}°~F,ÀÂìÔp»A$äZC**x7–Xz{g¶§Zi��:LLÓx”“ª‹uZ0*;r»]CÙŠg�Zi™öL@‡è%jx)z(ag‡è·/œ8L7g~ßg‹zqc*C1¢ïGGL×gz¯XgD°ZCxZ{¬‚ðàgZ#1421|_Zv4:¬\—A$–)zÅ‹ªîEzdãZSYZÄBh40î FIGGgèZveZ�Xóó

ÜvîGZ|ZZ+ÆŠø7[é¶V~Ô&4øFGILÊ*F,+ìXtG¬ÝpZzâg·'gz~ÅzÃ]Ƥ

‚w–ŠHX°ÆF,)ÐtÌ¥xƒ@*ì�Tz‰Üi%æGLÃ8jèELÂ"$Ð'×#èGOEƒ™ŠMÙƒZÔÂY!üL“ª]§]7¸Xz{1421|ÐIË‚w^«çEL°x6,gzZ:ƒñX

»A$plâÂ7ÔpZk»',çILÂ"$™sZzgpZ**ìX°6,Šz$,Ìœ�XgK$Ëßg]ÌpZ**7ìZzg(,~&=ç NXÆZÖpÌM‚ãЊ,k~7MDX¸$)(,~(My~Ô6,ÌÎðˆìXŠzâV£â]6,

651

Page 5: VVVV ZZZZ+ vvvvÜÜ...Head Department of Urdu, AIOU, Islamabad Nine Manuscrips of "Khulasatul Fwaid" by different composers The tradition of malfoozat writing is well established in

œ”{$zVÃ5™7,JYñÔÂciZŠ{Z1Ñy¡Z£‚!*vaMùZ0�á{·_Z0�á{·Z©ÆZ�#

pZ0+Ï~%¿ƒD�XÄZÍwÆZq-Ãä~»A$äg‚Ửgs-V™Zc*ì:LLg‚Èî0“ª]|]ÚZÖi',;yZÄB©3ªî GGG

|]pZzâg·gèZvÅzZgŸ{ñÎ)/Z\êLÜvîGZ|ZZ+XóóZÏÔ6,g‚áÆZq-yh+ZgÅ’k,Ìñ�ŠìÔT~Cc*ŠHì�:LL£ÄŠ‹13ÔZ~8291YZiZŒ10*ã

1$yh+{”X/7¡VZ£_ZvÅóóXÜvîGZ|ZZ+¯/ñß~7åENZja;y:

ñß~™r#»¯/t9XØZw8821|ÃåƒZXZ,VäF,)~–ì�:LLÓx”“ª‹|]G¬Ý'gz~!{3¨é EOE‹‡è·/8L7g~g9*îGZvzZ:ZvZZÑÓxzZ}>zZ?xZ±ZÑ**xzMhzZô/ZÆZxXZÉ

Ð�êZ]—û

zZßZ−tzZÄA.3ü EGZ3ÿXLsxM}c*g[Z°=MM}9XØZw8821|óóXtZVg{',v)63,](6,ŒìXCÙÔ6,MS,�ZzgCÙSäÐiZZ+ZÖpÃZLŠZð~Èñ

ƒñìX7g}°~}ÌF,uZzgg»[»ZÈx7HŠHX™sZzgpZ**ìX»A$¢»gZzgizgâöìXZyÆŠ„⓼Š°zZûȳÑpÆÃ{âV~ôp�Xz{CÙ°6,@*g

+÷GELŠ¢zg˜�ÔTжV

ÅÂ"$ÆŠzgZ#/õ EG»ç̃Y@*ìXÜvîGZ|ZZ+¯/É·aŠðZã:

ÜvîGZ|ZZ+»ƒÐp[ßg]É·aŠðZã»âìXZq-iâä~tÅ5¾æ EYLÑ6qæt³l+Å$Óë L

g;ìÔp¥x7�Z[ZkŠh+{id$°Ð¾Ã{äÆ!*xzŠgëg�?ZkÆ@J-g‚ðcZ1²ÅÂzZzg™x�ÛâðÆ!*)eƒðX»A$ä82#ZÅ.‹«ç EE1631|~tqƒ·‡h++Æa–åX87,]6,ŒìXZk°ÆZ,]6,aŠ{c*Gg{S,�XCÙS~ZÖpÅ®ZŠÌZâ„ìX

É·aŠðZãpZzqæ²~Æ%h+¸Xz{aŠðZVIek,{Z©{yÆáí¸X²áJ-³l+~}

gìZzgŠ{îȳƓªC"¤]ÅÜâ+Zy»z…3ªî EGE0§]g;XÜvîGZ|ZZ+¯/ñß~Zâxj'gz~:

ÜvîGZ|ZZ+»tG¬Ý¾d$âZiÆ{âZŠ}ÆÿLuóñß~Zâxj'gz~)x0031|(Æ8jè NELÂ"$»ZÖgtìXñß~™r#ñßs‡ŠgZæx�á²Zzg¬ÝèZV¸XÒjèIELZ',ZgÔŠ-ZȬbÔE@mÔ!*]Zzg&ȼZyÆdZzg„~^Åc*ŠÇg�Xz{ñß~}.Zjí7g~Æ%h+ZzgѸXZy»¯/4921|~åƒZXt55',v)901,](6,ŒìXñß~™r#.e$plâZzg¢óg¸XZyÆ8jè NELÂ"$ÅplM°»MsŠZgìX™sÔŠh+{id$ÔpZ**ZzgÎZÖ@ìXz{F,)~g¶§Zi��:

LLZ¢ZmŠZ°ZYZàg9*îGZvdwÉÐ)ék,h+Zâxj0|]Ýx�Ûh+]Zv!zZßZ−tzZÑ*Št

751

Page 6: VVVV ZZZZ+ vvvvÜÜ...Head Department of Urdu, AIOU, Islamabad Nine Manuscrips of "Khulasatul Fwaid" by different composers The tradition of malfoozat writing is well established in

zZS+B0îJEGzZ—],ZÅ.íÝzZÅ.ío]zZÁzZÅ.hÐ)é]zZѧ!-:ê

EXzZÑñZ]Cg+÷ GELÎxâÓ:xŠg_0îE0q-DÙZgŠzœâŠzXgßg‹Z!xc*ÄóóX

)5(ÜvîGZ|ZZ+Æé°ÂZzg̃VÐÔpgZ¶ZyÅñ�ŠÏÐMÇ{7XP™{!*Ñâ¶VÆ@$À£åHÑpÔ

³l+Ô§VÑpZzgуgÅplMU*gZzgZ$+@*[cƒVЃDƒñMÅ45é NHGJ-Mã�XjjjjZZZZÙÙÙÙzzzzjjjjZZZZÑÑÑÑ]]]]YYYY]]]]

ÜvîGZ|ZZ+Æ-_¬ÆaŠ&ÀŸ/õ GGÔgZ¶»£!>Zy:7ÕäENvîGZ|ZZ+:M¼»Zq-Zëù”î0“ª]Ô 1X

˜!ŠgŠgc*Ä&CÏî EO£ZgŠz:D-Eg;MsâegyÉ45½ð GEY+?çJEEÔZsxM!*Š:0102Y

íZÑf»g°oÜZÑ',Zg)N(:¯/ñß~7åENZja;y:8821|:m8Z³ 2XíZÑf»g°oÜZÑ',Zg:ñß~·\~:zZ{SÔZŠ!‚:0102Y:m82 3X

851

Page 7: VVVV ZZZZ+ vvvvÜÜ...Head Department of Urdu, AIOU, Islamabad Nine Manuscrips of "Khulasatul Fwaid" by different composers The tradition of malfoozat writing is well established in

951

Page 8: VVVV ZZZZ+ vvvvÜÜ...Head Department of Urdu, AIOU, Islamabad Nine Manuscrips of "Khulasatul Fwaid" by different composers The tradition of malfoozat writing is well established in

061

Page 9: VVVV ZZZZ+ vvvvÜÜ...Head Department of Urdu, AIOU, Islamabad Nine Manuscrips of "Khulasatul Fwaid" by different composers The tradition of malfoozat writing is well established in

C

161

Page 10: VVVV ZZZZ+ vvvvÜÜ...Head Department of Urdu, AIOU, Islamabad Nine Manuscrips of "Khulasatul Fwaid" by different composers The tradition of malfoozat writing is well established in

261