The Inventory of the Sue Grafton Collection #1430

33
The Inventory of the Sue Grafton Collection #1430 Howard Gotlieb Archival Research Center

Transcript of The Inventory of the Sue Grafton Collection #1430

Page 1: The Inventory of the Sue Grafton Collection #1430

The Inventory

of the

Sue Grafton

Collection

#1430

Howard Gotlieb Archival Research Center

Page 2: The Inventory of the Sue Grafton Collection #1430

Box 1

Box 2

Grafton, Sue

#60B

October, 1991, February 1992

I. MANUSCRIPTS AND RELATED MATERIAL

A. Published Novels

1. "A" IS FOR ALIBI Holt, Rinehart and Winston, 1982.

a. Typescript with holo. corr., 316p.

p. 1-148 (#1)

p. 149-316 (#2)

b. Editorial and publisher's comments Typescript, holograph, ca. 50 p. (#3)

2. "B" IS FOR BURGLAR Holt, Rinehart, and Winston, 1985.

a. Typescript, copy edited, 312p.

p. 1-140 (#4)

p. 141-312 (#5)

b. Page proofs, copy edited marked "Master Set" (#1)

1

c. Page proofs, copy edited and with author's corrections with two letters and 5 prelinimary pages. (#2)

3. "C" IS FOR CORPSE Henry Holt, 1986.

a. Typescript, copy edited.

p. 1-137 (#3)

p. 137-307 (#1)

b. Page proofs (Marked set) (#2)

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Box 3 (#2)

Box 4

Box 5

4. "D" IS FOR DEADBEAT Henry Holt and Company 1987.

a. Typescript dated August 7, 1986, 289p.

p. 1-158 (#3)

p. 159-289 (#4)

b. Typescript, copy edited, 30lp.

p. 1-148 (#5)

p. 149-301 (#1)

c. Page proofs 1st pass pages (marked set), copy edited. (#2)

d. Page proofs "Author's Pages", with holo. corr. 227 p. (#3)

e. Outline holograph. 7 p. (#4)

f. Diary entries, computer printout. 82 p. (#4)

5. "E" IS FOR EVIDENCE Henry Holt, 1986.

a. Typescript, copy edited, 274p.

p. 1-107 (#5)

p. 108-274 (#6)

b. Page proofs, marked set (#1)

c. Master set page proofs, copy edited (#2)

d. Author's set page proofs with holo. corr. (#3)

e. Diary entries on "E" 8/25/86-7/28/87. Computer printout 127 p. (#4)

6. "F" IS FOR FUGITIVE Henry Holt, 1989.

a. Typescript, copy edited, 290p.

p. 1-154 (#5)

2

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Box 5

Box 6

Box 7

Box 8

p. 155-290 (#6)

b. Page proof marked set, holo. corr. (#1)

c. Page proof author's copy. (#2)

7. 11 G11 IS FOR GUMSHOE Henry Holt, 1990.

a. Typescript, copy edited, 257p.

p. 1-167 (#3)

p. 168-357 (#4)

3

b. Binding die setting copy with layout for title page, 262p.

8 •

9.

p. 1-113 (#1)

p. 114-262 (#2)

"H" IS FOR HOMICIDE Henry Holt, 1991. (#3)

a. Notes 2 p.

b. Reading 1 p.

"I" IS FOR INNOCENT Henry Holt, 1992.

a. Photocopy setting copy 352 p. (#4,5)

b. Page proofs. Author's set. (#1,2)

c. Related material "Additions and Corrections" and "Notes on Chronology", "Style Sheet", etc. (#3)

d. "Random House Audio Book". A cut version. computer printout, 115 p.

B. Unpublished Novel

THE BROKEN. Several drafts and notes. (#5)

Typescript and carbon typescript, ca. 200 p.

C. Short Pieces. Typescript or photocopy. (#6) (Some are fragments)

1. Titled

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Box 8

Box 9

a. April 24, 1960, 6 p. (#6)

b. "The Great Big Warm Plastic Woman" 3 drafts with two letters, 21 p. each.

c. "The Last Time I Saw Laverne" 8 p.

d. "The Listening Game" 9 p.

e. "Miss Anna Died" 3 p.

f. "Night Visit, Corridor A." 2 drafts, 5 p. each.

g. "Notes from a Water Closet" 8 p.

h. "Of Roses and Hello" 2 drafts 6 p., 13 p. with notes.

i. "Of Solongs and Ashes" 10 p., 22 p., 2 p.

j. "That's not an easy way to go .. " 9 p.

k. "The Unitiated" 11 p.

1. "A Wilderness of One" 12 p.

2. Untitled (#7)

a. "During that last summer I lived alone there", l0p.

b. "Kit sat in her mother's rocking chair ... " , 6p.

c. "The girl was sitting II • • • I 4p.

d. "She was seventeen ... " , Sp.

e. "This is a story ... 11 , 4p.

D. Screenplay

1. "Missing Persons: Please Advise" (#1) Treatment of an original screenplay by Sue Grafton

1. Typescript, 37 p.

2. Newspaper Articles on the sale of human organs, 4 p.

4

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Box 9

5

E. Notes, outlines; computer printout concerning works, fragments, 2 poems, ca. 75 p. (#2)

II. CORRESPONDENCE

1. KEZIAH DANE 1967-1968. 24 items Includes agreements with Macmillan, royalty statements, agent & editorial correspondence and book reviews. (#3)

2. Peter Owen Ltd. 1966, 1967, 1970: 8 items includes agreements and invoice for Keziah Dane. (#4)

3. Holt, Rinehart and Winston 1968-1987. 49items. Royalty statements, invoices, and incl.: (#5)

Ellin, Stanley photocopy TLS 1/24/87.

Fredette, Jean TLS Feb. 3, 1992.

Kallen, Lucille 2 letters January 20, 1982; March 6, 1982.

Gotler, Joel 6 letters October 2, 1980; October 10, 1980; January 12, 1981; August 6, 1981; May 23, 1983; November 7, 1983.

Robbins, Kathy September March 12, 19, 1983;

7 letters February 18, 1980; 10, 1980; February 17, 1981; 1981; May 19,m 1983; December November 5, 1983.

Wood, Marian (Holt Rinehart Winston) 16 letters August 1, 1980; December 14, 1980; December 23, 1980; January 29, 1981; February 2, 1981; February 20, 1981; July 31, 1981; November 5, 1981; November 12, 1981; January 18, 20, 24, 26 1982; May 20, 1982; June 2, 1982; November 9, 1982.

III. PRINTED MATERIAL 15 items (#6)

1. Publicity:

HR W Fall-Winter Book Catalog 1980

Playboy Paperbacks, Book Catalog 1981

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Box 9 (#6) Macmillan London Publicity Schedule October

1991

2. Book jackets: 8 jackets of mystery novels published by Holt Rinehart and Winston.

3. Miscellaneous

Map of UCSB Article on Line Editors

4. Business Information: Prospectuses

V. Photographs of Sue Grafton (#7)

5 black/white, 4 different poses with teapot outdoors dating mid to late sixties 7.5" x 9.5"

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GRAFTON, SUE

#60B

Addenda, August, 1994

1

A collection of papers of C. W. Grafton [Cornelius Warren] (1909-198?), father of Sue Grafton and of Ann Cox.

I. MANUSCRIPTS OF C. W. GRAFTON

Box 10

Box 11

A. Novels and related material.

1. BEYOND A REASONABLE DOUBT Farrar Straus & Giroux, 1950.

a. "Trapped" (earlier title)

Carbon typescript with halo. notes. 383 p. p. 1-27 (#1) p. 128-254 (#2) p. 255-383 (#3)

b. "The False and the True" (earliest title)

Typescript with halo. corr. 342p. (missing p. 153-159)

p. 1-252 (#4) p. 160-342 and duplicate of p.160-195 with earlier corr. (#5)

c. "The False and the True"

Carbon typescript. p. 1-151 (#6)

Chap. 42 - end, unpaginated (#7)

d. Reviews and publicity, April 9, 1950-April 21, 1951.

Clips pasted on sheets (#1)

e. Correspondence with agent, editor, fans, 1948-1954.

April 20, 1948 - Nov. 1, 1950. (#2)

Jan. 5, 1951- Jan. 12, 1954 and 1973, 74, about possible film. (#3)

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Box 11

Box 12

Incl: (#3)

Agreements, May, 1949, Feb. 7, 1950, Feb. 26, 1951.

Vinson, Fred (Supreme Court) TLS March 29, 1950.

2

Wedemeyer, A.C. TLS April 20, 1950.

2. MY NAME IS CHRISTOPHER NAGEL

a. Typescript draft, 412 p. p. 1-209 (#4) p. 210-412 (#5)

Rinehart, 1947.

b. Reviews and publicity, 1947 (#1)

c. Correspondence, 1946-1954 with agent, publisher, music companies & others re permission

May 17, 1946-Dec. 21, 1946 (#2) Jan. 3, 1947-Jan. 4, 1954 (#3)

Incl.:

Grafton, T.B. (his father) TL May 4, 1947.

Rose, Billy ANS on TLS from Grafton, Aug. 14, 1945 requesting permission to quote from song.

Wedemeyer, A.C. TLS April 29, 1947.

3. THE RAT BEGAN TO GNAW THE ROPE. Farrar & Rinehart, 1944.

a. Typescript draft, 275 p. (#4)

b. Reviews. (#5)

c. Correspondence Sept. 14, 1942-Nov. 19, 1945. (#6)

Incl:

Agreement with A.M. Heath Dec. 10, 1943.

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Box 12

Box 13

4.

Bingham, May (Mrs. Barry Bingham) TLS June 11, 1943. (#6)

Mountbatten, Louis TLS Jan. 28,' 1944.

THE ROPE BEGAN TO HANG THE BUTCHER. Farrar, Straus & Giroux, 1944.

a.

b.

C.

d.

Typescript draft, 366 p. p. 1-122 (#1) p. 123-244 (#2) p. 245-366 (#3)

Typescript draft, 282 p. p. 1-141 (#4) p. 142-282 (#5)

Publicity (#6)

Correspondence

July 27, Aug. 25,

incl:

1943-March 20, 1944 (#7) 1943-July 27, 1951 (#8) Agreement for French ed. Feb. 11, 1946.

5. Untitled mystery with characters Henry Gilmore and Janet Harper.

Carbon typescript p. 1-82 (#9)

B. Short Pieces, some written under pseudonym.

1. "Don't Turn on the Water. A Chronicle of Personal Experiences in the Louisville Flood, 1937" Typescript, 17p. (#1)

2. "Eight Column Streamer" Typescript, 6 p. (#2)

3. "I Hope My Daddy's Not Mad At Me" Typescript, llp. (#3)

4. "Sardines" by Warren Dean Bond [pseud.] Typescript, 20p. (#4)

5. "The Thin Falcon" by Hashiell Dammett [pseud. ] ( #5)

a. Typescript 9p.

3

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Box j.f b. Typescript 9p. {#5)

6. "The Tiger's Tail" by Warren Dean Bond [pseud.] Typescript, 22p. (#6)

7. "A Tragedy in Yellow and White" by Warren Dean Bond [pseud.] Typescript, 16p. (#7)

8. "28 Quinsan Road" Typescript, with holo. corr, 8p. A reminiscence of Shanghai. 1930s? (#8)

9. Autobiographical piece. Typescript, 4p. ca. 1980 (#9)

C. Poetry

1. "Dreams and Shadows. A Book of Poems", 1932. (#10)

a) Typescript with holo. corr on folded sheets.

b) Typescript.

2. Numerous other poems in various formats.

a) Holograph (#11)

b) Typescript and photocopy. A few with accompanying letters of submission to magazines. 1930s-1980s. (#12, 13)

II. LETTERS (#14) 1934, 1935, 1960, 1981, Incl.

Several CTL, 1934. ALS no salutation, March 6, 1960, 6p.

autobiographical Grafton, C.W.

III. PHOTOGRAPHS All black and white. Sizes vary. (#15)

A. C.W. Grafton as a young man 1930s?

B. Three young men.

C. "Taken during video taping of Bert T. Combs Distinguished Kentuckian program" 4 photos, 1 includes CWG.

D. One of Grafton daughters as a child.

IV. PRINTED. (#16)

4

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Box 13

5

A. By CWG. Story and poems in The Collegian of Presbyterian College, Nov. 1929. (#16)

B. About CWG. Loose clips. (2)

C. Collected by CWG: About Louisville, poems (2).

V. MEMORABILIA

Package 1

A. Leather wallet (#17)

B. Items removed from wallet: Snapshot of his parents, 1945. College tuition receipts, 1930s. Columbia University transcript, 1930. Membership cards. (#18) Clips.

VI. SCRAPBOOKS.

A. THE RAT BEGAN TO GNAW THE ROPE. Clips of reviews, publicity, a few photos, fan letters.

B. THE ROPE BEGAN TO HANG THE BUTCHER. Clips, publicity, fan letters.

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I.

Box 1

Box2

Box3

GRAFTON, SUE Preliminary Listing

April 25, 1995

Manuscripts A. Novels

B.

1. 'A' IS FOR ALIBI a. Draft. Typescript b. Notes

2. THE END OF ALL MOURNING a. Draft. Typescript

3. SHALL TIME NO REFUGEE KEEP a. Draft. Typescript

4. 'J' IS FOR JUDGEMENT a. 3 drafts. Typescript

5. COLLECTION OF KINSEY MILLHONE SHORT STORIES a. 2 drafts. Typescript

6. THE CIDLDREN OF EGRESS a. Draft. Typescript

7. DIMINISHED CAPACITY a. Draft. Typescript

8. 'I' IS FOR INNOCENT a. Draft. Typescript

9. 'H' IS FOR HOMICIDE a. Draft. Typescript

10. KINSEY AND ME a. Draft. Typescript

11. 'F' IF FOR FUGITIVE a. Draft. Typescript

12. 'K' IS FOR KILLER. Proof 13. Untitled manuscript

a. Draft. Typescript Screenplays 1. "'C' is For Corpse"

a. 2 copies 2. "Deadly Obsession"

a. 2 copies 3. "How Santa Claus Came"

a. 1 copy 4. "Held Over By Popular Demand"

a. 1 copy 5. "The Taco Sauce Man"

a. 2 copies 6. "The Cave"

Page 14: The Inventory of the Sue Grafton Collection #1430

a. 1 copy IL Correspondence

A. Personal and business III. Miscellaneous

A. Budget info B. Book notes and paperwork C. Publicity info, book tours, etc D. Reviews

Box4 E. Reviews F. Artwork pertaining to book G. Chip Grafton material

1. Manuscript - untitled 2. Manuscript - THE BUTCHER BEGAN TO KILL THE OX 3. School memorabilia

H. Audio tapes - interviews I. Baseball hat with "J" on it

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Box 1 I.

Box2

Manuscripts A. K IS FOR KILLER

Grafton, Sue Preliminary Listing

12/2/97

1. 1st Pass, Reader's Set proofs. Some holograph editing 2. Master film proofs, p/c 3. Original MS. Computer script with holograph corrections 4. Draft. Printed copy

B. M IS FOR MALICE 1. Page proofs 2. Typescript MS. Photocopy with holograph corrections 3. Draft. Printed copy, photocopy 4. Audio book script. Computer script, photocopy, with holograph

corrections C. LIS FOR LAWLESS

1. Typescript MS. Photocopy with holograph corrections 2. Draft. Printed copy with holograph editing 3. AV's changes to first pass page proofs, interim set,marked 4. AV's first pass, marked

D. G IS FOR GRAFTON by Kaufman and Kay 1. Unedited MS, revised. Includes bio of Kaufman and Kay

E. "N is of for Noose." Typescript, photocopy. Review/preview of SG as an author

Page 16: The Inventory of the Sue Grafton Collection #1430

I. Manuscripts

Grafton, Sue Preliminary Listing

4/10/98

A. MIS FOR MALICE. Page proofs, 1996, 320p. B. N IS FOR NOOSE. Page proofs, 1998, 312p. C. LIS FOR LAWLESS. Page proofs, 1995, 323p. D. N IS FOR NOOSE. Audio book script. Computer script, p/c, 252p., 1998

Page 17: The Inventory of the Sue Grafton Collection #1430

Box 1 I. Manuscripts.

Grafton, Sue 04/19/00

Preliminary Listing

A. "O" IS FOR OUTLAW. 1. Page proof, 322 pages, 1999. 2. Setters proof, 460 pages, 1999. 3. 2nd pass page proof (segment) with holograph corrections. 28

pages, 1999. B. "N" IS FOR NOOSE.

1. l51 pass page proofs with holograph corrections. 287 pages, 1998. 2. 2nd pass page proofs with holograph corrections. 290 pages, 1998. 3. Page proofs with holograph corrections. 290 pages, 1998. 4. 2 sets of page proof corrections. 1998. 5. Setters proofs. 406 pages, 1998.

Page 18: The Inventory of the Sue Grafton Collection #1430

Box22

Grafton,Sue 2/10/04

Preliminary Listing

I. Manuscript, all TS unless otherwise noted. A. G IS FOR GUMSHOE.

1. Writing journal, TS with highlighting, approx. 100 p., 1988-1989. [F. 1]

2. Speech given re: G, 6/2/90; includes holograph notes, excerpts from journal used in speech. [F. 2]

3. Holograph notes re: G, 5 p. B. "A Land's End Mystery," 5 p. ,,,,

1

'

C. "Q is for Quarry," complete MS, 538 p., 2/20/02. [F. 3-5]

II. Research Material. A. File re: G IS FOR GUMSHOE, includes packet re: Nevada State Prisons,

news clippings. [F. 6]

III. Printed Material. A. Q IS FOR QUARRY. [F. 7]

1. Galley proof, 175 p., 12/16/02. 2. Bound advance proofs, 385 p., 2002. [F. 8] 3. Book cover. 4. Flyer.

B. Land's End catalog, Sep. 2003; includes mystery short story by SG. C. Business card for Marion Wood, publisher.

Grafton, Sue (2/10/04) Page 1 of 1

Page 19: The Inventory of the Sue Grafton Collection #1430

Box22

Box23

I. Manuscripts.

Grafton, Sue #1430

6/23/04 Preliminary Listing

A. P IS FOR PERIL. 1. "Marked up layouts for comp," TS with holograph corrections,

506 p., November 21, 2000. [F. 17] 2. Continued. [F. l]

B. RICOCHET, abridgement of original manuscript for audio release, TS with holo. corr.; includes 1 TLS to SG from Sherry Huber, Vice President, Random House Audio Publishing, April 9, 2004. [F. 4-5]

II. Printed Material. A. Galley proofs, PIS FOR PERIL, "fixes throughout," master pages, 352 p.

[F. 2-3]

Grafton, Sue (6/23/04) Page 1 of 1

Page 20: The Inventory of the Sue Grafton Collection #1430

Grafton, Sue #1430

6/10/04 Preliminaiy Listing

Added to Box 22

I. Manuscripts, by SG. A. R IS FOR RICOCHET, TS draft, 498 p., 1/27/04. [F. 9-12] B. P IS FOR PERIL, abridged for publication as a Random House audio

book; includes 1 TLS to SG from Sherry Huber, Vice President of Random House Audio Publishing Group, 1/22/01. [F. 13-14]

II. Printed Material. A. Galley proofs, P IS FOR PERIL, TS with crop marks and holograph

III. Audio. A.

Grafton, Sue ( 6/10/04)

corrections, December 2000. [F. 15-16]

Two cassettes, M IS FOR MALICE, two versions: one for radio (11/10/97), and one for Wal-Mart, n.d. [No folder]

Page 1 of 1

Page 21: The Inventory of the Sue Grafton Collection #1430

Box22

Box23

I. Manuscripts.

Grafton, Sue #1430

6/23/04 Preliminary Listing

A. P IS FOR PERIL. 1. "Marked up layouts for comp," TS with holograph corrections,

506 p., November 21, 2000. [F. 17] 2. Continued. [F. 1]

B. RICOCHET, abridgement of original manuscript for audio release, TS with holo. corr.; includes 1 TLS to SG from Sherry Huber, Vice President, Random House Audio Publishing, April 9, 2004. [F. 4-5]

II. Printed Material. A. Galley proofs, PIS FOR PERIL, "fixes throughout," master pages, 352 p.

[F. 2-3]

Grafton, Sue (6/23/04) Page 1 of 1

Page 22: The Inventory of the Sue Grafton Collection #1430

I. Added to Box23

II.

Manuscripts.

Grafton, Sue #1430 2/8/05

Preliminary Listing

A. Q IS FOR QUARRY, by SG, marked "original"; includes holograph notes and comments, 542 p., n.d. [F. 6-7]

B. R IS FOR RICOCHET, notes and approx. 10 revised p. [F. 8] C. List of places used in series and their real-life equivalents. D. "On the Axis Between Independence and Dependence: Sue Grafton's

Female Detective," dissertation by Kelly Russell (2004), 35 p., includes cover letter to SG, 2/7 /04.

Printed Material. A. Proofs.

1. Q IS FOR QUARRY. a. Author's galleys with holograph notes, 386 p., 5/31/02.

[F. 9-10] b. Master galleys, 386 p. with holograph notes and

corrections, 5/31/02. [F. 11-12] 2. R IS FOR RICOCHET.

a. Author's galleys, 351 p., some pages missing, 3/19/04. [F. 13-14]

b. Unconected advance proofs, 352 p., 3/16/04. [No Folder] B. Periodicals.

1. Coastal Living, article re: SG, page 40, May-June 1999. [F. 15] 2. Kentucky Monthly, SG on cover, article on page 10, Jan. 1999. 3. Mystery Scene, No. 43, interview with SG page 40, includes

photocopies. 4. Newsweek.

a. Review of A IS FOR ALIBI on p. 72, June 7, 1982. b. Review of C IS FOR CORPSE on p. 77, June 9, 1986.

5. People Weekly, review of O IS FOR OUTLAW p. 51, Oct. 25, 1999. [F. 16]

6. The Writer, SG on cover, article on page 34, Oct. 2002. 7. Written By, short story by SG page 30, Summer 2002.

C. Press Kit for N IS FOR NOOSE, 1998. D. Article re: SG, the Lake Sun Leader, Dec. 1993 - Jan. 1994. E. Flyer, promotion for R IS FOR RICOCHET book signing tour. F. File: "Reviews," includes: [F. 17]

1. Approx. 25 articles and best-sellers lists for SG books, 1991-1995. 2. The Australian, Feb. 10, 1996.

Grafton, Sue (2/8/05) Page 1 of 2

Page 23: The Inventory of the Sue Grafton Collection #1430

III. Box24

3. The Armchair Detective, SG on cover, Winter 1989. 4. Modern Maturity, SG on cover, July - Aug. 1995. 5. Mature American, SG on cover, 2 copies, Summer 1992.

Professional. A. File: "The Tour 1989," includes itineraries, ticket stubs and

correspondence, re: F IS FOR FUGITIVE. [F. 1]

IV. Correspondence.

V.

VI.

A. Untitled file, re: MYSTERY WRITER'S HANDBOOK, includes approximately 35 letters to and from SG, professional material and member list, 1989-1990. [F. 2]

B. Christmas photo card for SG, n.d.

Electronic Media. A. Floppy disks. [Env. l]

1. "Sue's 'M' Etc." 2. "Sue's New 'M' etc." 3. "'N' is for Noose Chapters 1-22." 4. "Sue's 'N' AD - List - l." 5. "New 'N' ." 6. '"O' ." 7. "More 'O'." 8. '"O' #3." 9. "Complete 'O' With Credits." 10. "'P' is for Peril." 11. "'P' Chapters 1 - 15 Thru Notes 6." 12. "'P', Outline Thru Wyoming, MWA Conference Fan Mail." 13. "Q is for Quarry June 2, 2001." 14. "'R' is for ... " 15. "'R' Research Files." 16. "'R' Chapters 1-12." 17. "'R' Chapters 1-12, Early Version w/ Subplot." 18. "'R' Vew 27, 28, 29, 30, Notes 8." 19. "[illegible]."

Audio. A. R IS FOR RICOCHET, read by Judy Kaye, cassettes. [No Folder]

Grafton, Sue (2/8/05) Page 2 of2

Page 24: The Inventory of the Sue Grafton Collection #1430

Added to Box 24

Grafton, Sue #1430 1/30/06

Preliminary Listing

I. Printed Material. A. S IS FOR SILENCE, galley proof, 3 72 p.; includes holograph notes by

SG. [F. 3-4]

II. Manuscripts. A. "Beyond a Reasonable Doubt," screenplay by SG, 132 p., adapted from

novel by C. W. Grafton. [F. 5] B. Subject files; includes plot outlines, schedules, text fragments, notes,

research material, notebooks. 1. "A is for Alibi." [F. 6] 2. "B is for Burglar." 3. "H is for Homicide." 4. "H Original Plot Lines and Notes." 5. "I is for Innocent." [F. 7] 6. "K is for Killer." 7. "K is for Killer I." 8. "K is for Killer II." 9. "L is for Lawless." 10. 11.

12. 13.

14. 15.

"Mis for Malice." [F. 8] "N is for Noose: Trip Guides, Nevada, Carson City, Hangings, Geology." "O is for Outlaw: Notes." [F. 9] "Pis for Peril: Fraud, Medical Info, Missing Persons Info/ Articles." [F. 10] "P Journals: Names and Notes." "S is for Silence." [F. 11]

III. Research Material. A. Subject files; includes printed articles, photocopied yearbook, holograph

notes. 1. 2. 3.

Grafton, Sue (1/30/06)

"Disability." "Male." "Politics."

Page 1 of 1

[F. 12]

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Added to Box 24

I. Audio. A.

Grafton, Sue (2006)

Grafton, Sue #1430 2006

Addenda

"Special Collections Sue Grafton, 12/06/04," cassette tape re: SG at HGARC lecture. [No Folder]

Page 1 of 1

Page 26: The Inventory of the Sue Grafton Collection #1430

I. Box25

Printed Materials.

Grafton, Sue #1430

12/31/06 Preliminary Listing

A. SIS FOR SILENCE, by SG, proofs. I. Master galley proof, 516 p., with editors corrections. [F. 1-3] 2. Author's galley proof.

a. Draft, 376 p., with editors corrections, 7/7/05. [F. 4-6] b. Text fragments, approx. 100 p., with editors corrections,

7/7/05; includes TLS, 8/31/06. [F. 7]

Grafton, Sue (12/31/06) Page 1 of 1

Page 27: The Inventory of the Sue Grafton Collection #1430

Added to Box 28

Grafton, Sue #1430

12/22/09 Preliminary Listing

I. Printed Materials. A. Re: UIS FOR UNDERTOW

1. Page proof with holograph corrections, 404 p., 8/19/09. [F. 3-4] 2. 2 uncorrected galley proofs, signed by SG, 2009. [Env. 11-12]

II. Manuscripts. A. UIS FOR UNDERTOW, novel by SG, abridgement of text by Lynn

Lauber for Random House audio book, TS, 279 p., 9/3/09; includes fragments and holograph corrections by SG. [F. 5-6]

Grafton, Sue (12/22/09) Page 1 of 1

Page 28: The Inventory of the Sue Grafton Collection #1430

Added to Box 28

Grafton, Sue #1430

7/28/10 Preliminary Listing

I. Printed Materials. A. T IS FOR TRESPASS, proofs.

1. Galley proof, TS, 770 p. 2. Setters proof, TS, 538 p. 3. Page proof, TS, 388 p.

Grafton, Sue (7 /28/10) Page 1 of 1

[F. 7-8] [F. 9-11]

[F. 12-13]

Page 29: The Inventory of the Sue Grafton Collection #1430

Box29

I. Manuscripts.

Grafton, Sue #1430

4/11/11 Preliminary Listing

A. UIS FOR UNDERTOW, by SG, TS draft with holograph corrections, 573 p., n.d. [F. 1-4]

II. Printed Materials. A. UIS FOR UNDERTOW, 3 page proofs, TS with holograph corrections,

402-403 p., each, 7/2/09-8/13/09, n.d. [F. 5-11]

Grafton, Sue ( 4/11/11) Page 1 of 1

Page 30: The Inventory of the Sue Grafton Collection #1430

Grafton, Sue #1430

6/6/2013 Preliminary Listing

Added to Box 29 I. Printed Materials.

A. Galley proofs; includes correspondence. 1. TIS FOR TRESPASS, 372 p., 2008. 2. VIS FOR VENGEANCE, 437 p., 2011.

Box 30 3. VIS FOR VENGEANCE, 437 p., 2011 (cont'd). 4. WIS FOR WASTED,485 p., 2013.

B. Editors' proof. 1. VIS FOR VENGEANCE, 415 p., 2011.

C. Readers' proof. 1. VIS FOR VENGEANCE, 437 p., 2011.

Grafton, Sue (6/6/13) Page 1 of 1

[F. 12-14] [F. 15-17]

[F. 1-3] [F. 4-6]

[F. 7-9]

[Loose]

Page 31: The Inventory of the Sue Grafton Collection #1430

Added to Box 30

Grafton, Sue #1430

12/11/13 Preliminary Listing

I. Printed Materials. A. Galley proofs.

1. WIS FOR WASTED, TS with holograph notes, first pass, 486 p., 5/13/13; includes ALS, 7/10/13, note, memo. (3 folders)

[F. 10-12] 2. WIS FOR WASTED, TS with holograph notes, 481 p., n.d.;

includes handwritten and computer margin edits. (3 folders) [F. 13-15]

II. Correspondence. A. Email printouts between SG and staff at Putnam re: W IS FOR WASTED

edits, 20 p., May 2013; includes holograph notes. [F. 15]

Grafton, Sue (12/11/13) Page 1 of 1

Page 32: The Inventory of the Sue Grafton Collection #1430

I. Box 31

II.

Grafton, Sue #1430

8/7/15, 8/27/15, 3/24/16 Preliminary Listing

Printed Material. A. Proofs.

1. KINSEY AND ME, by SG. a. Setting manuscript, TS with typed corrections,

holograph notes, approx. 260 p., n.d. [F. 1-2] b. Author's galley, TS with holograph notes, approx.

200 p., n.d.; includes MS and photocopies. [F. 3] c. Master galley, TS with holograph notes, approx.

300 p., 9/26/2012. [F. 4-5] 2. UIS FOR UNDERTOW, by SG.

a. Master Galley, TS with holograph notes, approx. 500 p., 7/2/2009; includes correspondence. [F. 6-8]

3. X, by SG. a. Page proof, 404 p., n.d. [F. 9-10]

Manuscripts. A. Drafts.

1. X, TS, 393 p., 2015. [F. 11-12]

Grafton, Sue (8/7/15, 8/28/15, 3/34/16) Page 1 of 1

Page 33: The Inventory of the Sue Grafton Collection #1430

Grafton, Sue (4/12/17) Page 1 of 1

Grafton, Sue #1430

4/12/17 Preliminary Listing

Added to Box 31 I. Manuscripts.

A. Drafts. 1. V IS FOR VENGEANCE, TS, approx. 600 p., missing chapter 12,

3 copies of chapter 30, n.d. [F. 13-16] Box 32 2. W IS FOR WASTED, TS, 721 p., n.d. [F. 1-4]

3. Y IS FOR YESTERDAY, TS with holograph notes, 576 p., n.d. [F. 5-8]

II. Printed Materials. A. Page proofs.

1. R IS FOR RICOCHET, fragments, TS, 2004; includes holograph notes. [F. 9]

2. V IS FOR VENGEANCE, 437 p., bound, 2011. 3. KINSEY AND ME, fragments, n.d.

III. Correspondence. A. Professional.

1. Email, 2007. [F. 10]