newpalladians

N E W P A L L A D I A N S


I !" #$%&'()$# that the *ve-hundredth anniversary of the birth of Andrea Palladio has provided an occasion for +e Prince’s Foundation for the Built Environment and the Traditional Architecture Group to join forces to mount a major exhibition of work by

the world’s leading practitioners of traditional and classical architecture.+e support of this event by ,-./01 and the Institute of Classical Architecture in the

United States has meant that, for the *rst time, the four major organisations that champion the values of humanism, tradition, continuity and environmental stewardship come together. +e exhibition rea2rms the goal that we share together of establishing a credible counterpoint to the constant erosion of cornerstones of traditions in architecture and building that have resiliently lasted for generations a3er Palladio.

It is very encouraging to see that at the outset of the twenty-*rst century so many leading architects across many generations and countries with di4erent traditions have come together in celebration of values that transcend borders, age and indeed cultures.

The Prince’s Foundation, through its activities and network, has been instrumental in providing a platform for, as well as a link between, education and best practice. I am particularly pleased that so many of the architects who are part of our network and membership programme are represented in the exhibition or are part of the supporting organisations.

Palladio’s legacy and his buildings will continue to educate, delight and enlighten future generations. It is therefore vital that we capture the spirit and essence of his legacy and use his wisdom to shape our own environment. +is will, in turn, allow us to build buildings that endure and create towns, cities and places that inspire future generations who may cast a critical eye on the legacy we leave behind.

I congratulate the New Palladians; through their work they continue to enrich and make relevant Palladio’s principles, which imbue their buildings with a sense of history and continuity. +eir endeavours preserve a rich tradition that has illuminated the path of architects of many generations into the future we inhabit today.

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+e organisers express their gratitude to the sponsors of the exhibition, EFGG, for their generosity.

+e exhibition would not have been possible without the help encouragement and support of the following individuals and organizations:

!"##Aidan Mortimer

$%& $'()*+*,-(. /'0%*+&0+1'& 2',13Jan Maciag, David Watkin, Nigel Anderson

$%& 4'*-0&’5 6,1-)(+*,- 7,' +%& 81*.+ 9-:*',-#&-+Hank Dittmar, Ben Bolgar, Steve Parissien, Michael WetherellGareth Davies, Philip King, Sarah Baleiza, Edith Platten

$%& ;-5+*+1+& ,7 <.(55*0(. /'0%*+&0+1'& = <.(55*0(. /#&'*0(Victor Deupi, Jessica Ouderkerk

;-+&'-(+*,-(. >&+?,'@ 7,' $'()*+*,-(. 81*.)*-A, /'0%*+&0+1'& = B'C(-*5#Matthew Hardy, Aura Neag

/-)Baba Hobart, Jan Hauger, Rupert Crossley, Zuber Debar, Amy Spraggs

All illustrations copyright of the respective individuals and practices. Cover drawing reproduced by kind permission of Francis Terry.Contents of the exhibition and catalogue may not be reproduced except by permission of the Traditional Architecture Group and the Prince’s Foundation for the Built Environment.


I I I

T($ .9!#&)&D6!% 09>(&)$>)?9$ H9D?I (.0H) is a society linked with the Royal Institute of British Architects. +e group was established in 2001 with the aim of promoting and celebrating the achievements of architects who are inspired by and

follow the principles of traditional and classical architecture as a living source of inspiration for creating contemporary buildings, towns and cities.

+e *ve-hundredth anniversary of the birth of Andrea Palladio has provided a *tting occasion for the .0H and +e Prince’s Foundation for the Built Environment to gather the exponents of traditional and contemporary classical architecture in a single event in celebration of the legacy of Palladio and his indelible inJuence on their work.

We are particularly encouraged by the support of ,-./01 and the Institute of Classical Architecture and Classical America; their support rea2rms the common goal of a return to fundamental and transcendental humanist values in the art of architecture and the cra3 of building. +e exhibitors represent an avant-guard of commercially successful and Jourishing practices whose inJuence is rapidly spreading around the world and helping to shape the twenty-*rst century’s towns, cities and environment in a sustainable manner.

Unfettered by the contingencies of transient technological paradigms, the New Palladians continue to build on and enhance his legacy within the contemporary practice of classicism and traditional architecture. With the belief that modernity is a qualitative and not a chronological category, their body of work continues to reJect Palladio’s sustainability and integrity in a new ecological humanism and urban civility.

+e architecture of the New Palladians is inventive, innovative and part of a continuum, but always and fundamentally inseparable from the fabric of a tradition that itself is thoroughly alive and very changeable.

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ROBERT ADAMVICTOR ALLEN

NIGEL ANDERSONJOSÉ FRANQUEIRA BAGANHA

JULIAN BICKNELLPIER CARLO BONTEMPI

RALPH BOOMMIEKE BOSSE

JAVIER CENICACELAYAPIOTR CHOYNOWSKI

GONÇALO CORNELIO DA SILVAJOSÉ CORNELIO DA SILVA

VICTOR DEUPIPETER DRIJVER

RICHARD ECONOMAKISANNE FAIRFAX

CHRISTINE FRANCKCRAIG HAMILTONMATTHEW HARDY

LÉON KRIERMICHAEL LYKOUDIS

JAN MACIAGDAVID MAYERNIK

DUNCAN MCROBERTSROBERT PATZSCHKE

HUGH PETTERJAQUELIN T. ROBERTSON

ALIREZA SAGHARCHIIÑIGO SALOÑA

RICHARD FRANKLIN SAMMONSJOHN SIMPSON

GEORGE SAUMAREZ SMITHTHOMAS GORDON SMITH

LUCIEN STEILROBERT A.M. STERN

DUNCAN STROIKFRANCIS TERRY

QUINLAN TERRYSAMIR YOUNÉS


2


ROBERT ADAM

ROBERT ADAM ARCHITECTS


ROBERT ADAM


NEW HOUSE, SURREYNEW OFFICE BUILDING, PICCADILLY, LONDON NEW HOUSE

ROBERT ADAM


3

VICTOR ALLEN


4


NIGEL ANDERSON


NEW HOUSE, SUSSEXNEW HOUSE, DORSET NEW HOUSE, HAMPSHIRE NEW HOUSE


NIGEL ANDERSON


NEW HOUSE, ULSTER

NEW HOUSE, HAMPSTEAD

RESIDENTIAL DEVELOPMENT, BENTLEY PRIORY

NIGEL ANDERSON


5

JOSÉ FRANQUEIRA BAGANHA


6

JULIAN BICKNELL


7

PIER CARLO BONTEMPI


8

RALPH BOOM DESIGNSINTERIOR BUILDING LANDSCAPE & URBAN DESIGNS

AUF DEM DANNENKAMP 49 46395 BOCHOLT GERMANYFON:+49-2871-234 5920 FAX:+49-2871-234 5929 MAIL:[email protected]

RALPH BOOM DESIGNSINTERIOR BUILDING LANDSCAPE & URBAN DESIGNS

AUF DEM DANNENKAMP 49 46395 BOCHOLT GERMANYFON:+49-2871-234 5920 FAX:+49-2871-234 5929 MAIL:[email protected]

RALPH BOOM


9

MIEKE BOSSE& PETER DRIJVER


1 0

PROJECT FOR A UNIVERSITY LIBRARYAMIENS. FRANCE, 1991

RAILWAY STATIONSANTURTZI. BIZKAIA, SPAIN, 2003-2004

ATXURI HOUSEBILBAO. BIZKAIA, SPAIN, 2005-08

IZARRA HOUSEIZARRA. ARABA, SPAIN, 2004-06

JAVIER CENICACELAYA & IÑIGO SALOÑA

BILBAO . SPAIN

ARCHITECTS

ELEXALDE HOUSEGALDAKAO. BIZKAIA, SPAIN, 1995-97

ASTARLOA HOUSE - CULTURAL CENTREDURANGO. BIZKAIA, SPAIN, 1990-95

PROJECT FOR A UNIVERSITY LIBRARYAMIENS. FRANCE, 1991

RAILWAY STATIONSANTURTZI. BIZKAIA, SPAIN, 2003-2004

ATXURI HOUSEBILBAO. BIZKAIA, SPAIN, 2005-08

IZARRA HOUSEIZARRA. ARABA, SPAIN, 2004-06


BILBAO . SPAIN

ARCHITECTS

ELEXALDE HOUSEGALDAKAO. BIZKAIA, SPAIN, 1995-97

ASTARLOA HOUSE - CULTURAL CENTREDURANGO. BIZKAIA, SPAIN, 1990-95

MULTIPURPOSE HALL SAGRADA FAMILIADERIO. BIZKAIA, SPAIN, 1987-89

BUILDING OF APARTMENTSBRUSSELS. BELGIUM, 1992-95

RURAL CENTRE AT LA RIGADAMUSKIZ. BIZKAIA, SPAIN, 1985-87

OFFICE BUILDINGBERLIN. GERMANY, 2002


BILBAO . SPAIN

ARCHITECTS

JAVIER CENICACELAYA& IÑIGO SALOÑA


1 1

GONÇALO CORNELIO DA SILVA


1 2

JOSÉ CORNELIO DA SILVA


1 3

VICTOR DEUPI


1 4

RICHARD ECONOMAKIS


1 5

ANNE FAIRFAX


1 6

Christine G. H. Franck, Inc. New York, New York

Education & Writing

Detail of the pediment at Chadsworth Cottage (above). Ms. Franck discusses the Campidoglio with an ICA&CA Rome Drawing Tour student (below left). Study of a window at the Campidoglio (below right), ink and charcoal on paper. New Old House Magazine Building Blocks illustrations (center of page).

The landside elevation of Chadsworth Cottage (above). Ms. Franck instructs an ICA&CA Summer School student in rendering techniques (below left). The ICA&CA�’s Rome Drawing Tour students enjoy a daily review of their work at

the Tempietto (below right) prior to a guided walking tour.

the Pythagoras School, a new traditional building crafts school. For this group she has created a program develop-ment plan now being implemented. Writing commissioned books and articles is another outlet for Ms. Franck�’s educational mission, as these re-sources educate professionals and the general public alike about good architecture and its history. She is the author and designer of Jose M. Allegue: A Builder�’s Legacy, commis-sioned by Mr. Lloyd Zuckerberg. Nearing completion is the ICA&CA�’s Handbook of Classical Architecture, of which Ms. Franck is the editor and a contributing author. Her column, Building Blocks, appears in each issue of New Old House Maga-zine. For each column Ms. Franck contributes an article and an original hand drawn sketch. Recognizing her leadership, in 2002 the Prince's Foun-dation awarded her the first Public Service Award for "her outstanding contribution to architectural education and de-sign." In 2007 she was appointed Harrison Design Scholar at the Georgia Institute of Technology College of Architec-ture. And in 2009 she will serve as visiting critic at the Uni-versity of Notre Dame School of Architecture. In all her educational work Ms. Franck strives to improve the literacy and skill of designers and builders, whether they work in the high-end custom realm or in the mass market, and the appre-ciation and literacy of the general public.

Developing and directing educational programs for profes-sional, student, and public audiences is an essential compo-nent of Ms. Franck's practice. After serving a teaching ap-pointment in Rome for the University of Notre Dame School of Architecture in 1996 and 1997, she was ap-pointed the first Executive Director of the ICA&CA. Ms. Franck now serves on the Board of Directors of the ICA&CA and the College of Chapters of the International Network of Traditional Building, Architecture and Urban-ism. In addition to her volunteer work for these organiza-tions, she also speaks regularly on topics related to Classical architecture, both old and new, and has become a recog-nized expert on traditional American domestic architecture. Since 1996 she has developed, directed, and adminis-tered educational programs such as the Institute of Classical Architecture & Classical America�’s (ICA&CA's) Certificate in Classical Architecture for Design and Construction Pro-fessionals, which she created for the American Institute of Building Design (AIBD); the ICA&CA�’s Summer Program in Classical Architecture, its Rome and Naples Architectural Drawing Tours, and its Continuing Education program which now reaches over 250 professionals each semester. Prior to her volunteer work at the ICA&CA, she adminis-tered the only two American Summer Schools of The Prince of Wales's Foundation. She has recently consulted to

Christine G. H. Franck, Inc. New York, New York

Design & Decoration

Waterfront elevation of Chadsworth Cottage (above) is modeled on both Palladian and local North Carolinian precedents. View into Dining Room (below left) shows a portion of the interior column screen dividing the Living Room, Lower Pas-sage, and Dining Room. Master Bedroom (below right) displays the owner�’s collection of French Empire and American Classical furniture and decorative arts.

Lower passage at Chadsworth Cottage (above) extends from the front to the back of the house, filling the first floor rooms with light from the stair hall and waterfront porch, as well as providing passive cooling during hot summers. Wa-terfront balcony railing (below left) reinterprets the bundled wheat railing design often found in American Georgian and

Federal period architecture. Serlian window detail (below right) shows design possibilities using stock products.

C HRISTINE G. H. FRANCK is a designer and educator based in New York City. Before establishing her

own practice, she interned with the office of Allan Greenberg, Architect in Washington, DC and served as the first Executive Director of the Institute of Classi-cal Architecture & Classical America (ICA&CA). Ms. Franck currently serves on the Board of Directors of the ICA&CA and the College of Chapters of the International Network of Traditional Building, Architecture, and Urban-ism (INTBAU). Her design sensitivity was developed at an early age in her hometown of Williamsburg, Vir-ginia. She holds a Bachelor of Science in Architecture from the University of Virginia and a Master of Ar-chitecture from the University of Notre Dame. Her award-winning residential design work in-cludes such diverse projects as the design and decora-tion of custom residences, the renovation of apartments and lobbies in New York City, and market-rate housing design for New Urban developments. Her work has been published in Architecture, New Old House, Period Homes, Residential Architect, Wrightsville Beach Magazine, Wilmington Magazine, In Style Magazine, The Classicist No. 6, A Decade of Art and Architecture and exhibited at The

Art of Building Cities, and A Decade of Art and Architec-ture. In 2007 her debut residential project, Chadsworth Cot-tage, shown here, was awarded the Palladio Award for Best New Residential Construction Under 5000 Square Feet. Designed as a show-house to demonstrate that correct and beautiful classical architecture can be created using stock products at a moderate coast, Chadsworth Cottage is embed-ded in the Anglo-Palladian tradition underlying North Caro-lina�’s Georgian and Federal architectural history. Situated at the northern tip of a coastal barrier island, Chadsworth Cottage was required to meet stringent building codes related to the hurricane and flood prone area. For ex-ample, the entire lower level of the house was designed to break-away from the structure during flood events and win-dows and doors had to meet high performance standards. Though the site imposed many challenges, these challenges created opportunities for unique design solutions. Ms. Franck�’s work on Chadsworth Cottage also in-cluded the full decoration of the new home and design of the landscape. Occupying a prominent position within the landscape, the home has become a recognizable landmark to local mariners and was recently recognized as Wrightsville Beach Magazine�’s Home of Distinction.

CHRISTINE FRANCK


1 7

CHAPEL FACADE

A NEW COUNTRY HOUSE

CRAIG HAMILTON


1 8

MATTHEW HARDY


1 9

LÉON KRIER


2 0

MICHAEL LYKOUDIS


2 1

JAN MACIAG


2 2

DAVID MAYERNIK


2 3

DUNCAN MCROBERTS


2 4

ROBERT PATZSCHKE


2 5


NEW COUNTRY HOUSE, GLOUCESTERSHIRE

MILLENNIUM ARCH, ATLANTA, USA

NEW HOUSE


NEW COUNTRY HOUSE, BERKSHIRE

NEW COUNTRY HOUSE, SURREY

NEW COUNTRY HOUSE, HERTFORDSHIRE

HUGH PETTER


2 6

JAQUELIN T. ROBERTSON


2 7

ALIREZA SAGHARCHI


2 8

RICHARD FRANKLIN SAMMONS


2 9

JOHN SIMPSON


3 0

N E W S U M M E R H O U S E , H A M P S H I R E

GEORGE SAUMAREZ SMITH


N E W H O U S E , H A M P S H I R E





3 1

THOMAS GORDON SMITH


3 2

ROBERT A.M. STERN


3 3

DUNCAN STROIK


3 4

FRANCIS TERRY


3 5

QUINLAN TERRY


3 6

SAMIR YOUNÉS

This neoclassical house was completed in just 15 months. Symm was responsible for every aspect of the project including stuccoed walls, Bath stone dressings, slate roofs and bespoke joinery.

For our new brochure call 01865 254900

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SYMM No ordinary builder

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management, Symm has the expertise to

complete any project, whether it be a castle,

a cottage or a contemporary interior.

10627_Symm_New Pal_Cat_ad.indd 1 15/8/08 10:49:39

This neoclassical house was completed in just 15 months. Symm was responsible for every aspect of the project including stuccoed walls, Bath stone dressings, slate roofs and bespoke joinery.

For our new brochure call 01865 254900

SYMM Osney Mead Oxford OX2 0EQ

www.symm.co.uk

SYMM No ordinary builder

Symm employs a dedicated workforce of

over 200 apprentice trained craftsmen.

Supervised by professionally qualified

management, Symm has the expertise to

complete any project, whether it be a castle,

a cottage or a contemporary interior.

10627_Symm_New Pal_Cat_ad.indd 1 15/8/08 10:49:39

N E W PA L L A D I A N S

P R I N T E D B Y S E A C O U R T E N V I R O N M E N T A L P R I N T I N G , O X F O R D

AN EXHIBITION CELEBR ATING

THE FIVE !HUNDREDTH ANNIVERSARY OF THE BIRTH

OF ANDREA PALL ADIO

3RD TO 20TH OF SEPTEMBER 2008

THE PRINCE’S FOUNDATION GALLERY

19"22 CHARLOT TE ROAD

LOND ON EC2

WWW.PRINCES !FOUNDATION.ORG

WWW.TR ADITIONAL ARCHITECTURE.C O.UK

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