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4. Constantius [I] Appoints Constantine as his Successor, about 1625–1627Design by Peter Paul Rubens (Flemish, 1577–1640), 1622Border design attributed to Laurent Guyot (French, about 1575–after 1644), about 1622–1623Workshop of Faubourg Saint-Marcel (French, active 1607–1661) under the direction of entrepreneurs Marc de Comans (Flemish, 1563–1644) and François de La Planche (Flemish, 1573–1627)Wool, silk, and gilt metal-wrapped threadH: 458 x W: 407 cm (180 5/16 x 160 1/4 in.)Le Mobilier National, ParisImage © Le Mobilier National. Photo by Lawrence PerquisEX.2015.6.6

Triumph of Bacchus, about 1560Design overseen by Raphael (Raffaello Sanzio, Italian, 1483–1520), about 1518–1519Design and cartoon by Giovanni da Udine (Italian, 1487–1564) in collaboration with other artists from the workshop of Raphael, about 1518–1520 Brussels workshop of Frans Geubels (Flemish, flourished 1545–1585)Wool, silk, and gilt metal-wrapped threadH: 495 x W: 764 cm (194 7/8 x 300 13/16 in.)Le Mobilier National, ParisImage © Le Mobilier National. Photo by Lawrence PerquisEX.2015.6.4

The Chariot of Triumph Drawn by Four Piebald Horses (also known as The Golden Chariot), about 1606–1607Design by Antoine Caron (French, 1521–1599), about 1563–1570Border design attributed to Henri Lerambert (French, about 1540/1550–1608), about 1606–1607Cartoon by Henri Lerambert (French, about 1540/1550–1608), about 1606–1607Louvre workshop of Maurice I Dubout (French, died 1611)Wool and silkH: 483 x W: 614 cm (190 3/16 x 241 3/4 in.)Le Mobilier National, ParisImage © Le Mobilier National. Photo by Lawrence PerquisEX.2015.6.5

Neptune and Cupid Plead with Vulcan for the Release of Venus and Mars, about 1625–1636Design by an Unknown Northern ArtistBorder design by Francis Cleyn (German, 1582–1658), about 1625–1628Mortlake Tapestry Works (English, founded 1619) under the ownership of Sir Francis Crane (English, about 1579–1636)Wool, silk, and gilt metal-wrapped threadH: 440 x W: 585 cm (173 1/4 x 230 5/16 in.)Le Mobilier National, ParisImage © Le Mobilier National. Photo by Lawrence PerquisEX.2015.6.3

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7. 8. The Entry of Alexander into Babylon, about 1665–probably by 1676Design by Charles Le Brun (French, 1619–1690), by 1665Cartoon for the vertical loom by Henri Testelin (French, 1616–1695), about 1665Royal Furniture Factory of the Crown at the Gobelins (French, founded 1662–present) in the vertical-loom workshop of Jean Jans the Elder (Flemish, about 1618–1691), or Jean Jans the Younger (Flemish, about 1644–1723), or Jean Lefebvre (French, active until 1700)Wool, silk, gilt metal– and silver-wrapped threadObject H: 495 x W: 810 cm (194 7/8 x 318 7/8 in.)Le Mobilier National, ParisImage © Le Mobilier National. Photo by Lawrence PerquisEX.2015.6.10

Cartoon Fragments for The Entry of Alexander into Babylon, before 1690Design by Charles Le Brun (French, 1619–1690), by 1665Cartoon for the horizontal loom by François Bonnemer (French, 1637–1689), Guy-Louis Vernansal, (French, 1648–1729), Gabriel Revel (French, 1643–1712), and/or Joseph Yvart (French, 1649–1728)Oil on canvasUnframed, H: 317 x W: 387 cm (124 13/16 x 152 3/8 in.)Le Mobilier National, ParisImage © Le Mobilier National. Photo by Lawrence PerquisEX.2015.6.11

The Daughter of Jephthah, begun in the 1640s–complete by 1659Design by Simon Vouet (French, 1590–1649), mid-to-late 1630sBorder design attributed, in part, to Jean Cotelle (French, 1607–1676), before 1643Louvre workshop of Maurice II Dubout (French, died 1656)Wool and silkH: 480 x W: 595 cm (189 x 234 1/4 in.)Le Mobilier National, ParisImage © Le Mobilier National. Photo by Lawrence PerquisEX.2015.6.7

Autumn, before 1669Design by Charles Le Brun (French, 1619–1690) with the collaboration of Adam Frans van der Meulen for the hunt scene in the medallion (Flemish, 1632–1690), 1664Border design by Issac Moillon (French, 1614–1673), 1664Cartoon attributed to Beaudrin Yvart (French, 1611–1690), by 1667 Royal Furniture Factory of the Crown at the Gobelins (French, founded 1662–present) in the vertical-loom workshop of Jean Jans the Elder (Flemish, about 1618–1691)Wool, silk, and gilt metal-wrapped threadH: 480 x W: 580 cm (189 x 228 3/8 in.)Le Mobilier National, ParisImage © Le Mobilier National. Photo by Lawrence PerquisEX.2015.6.8

11. 12. Château of Monceaux / Month of December, about 1668–1676Design conceived by Charles Le Brun (French, 1619–1690), about 1665- by 1668Cartoon for the vertical loom painted collaboratively by Beaudrin Yvart (French, 1611–1690), Jean-Baptiste Monnoyer (French, 1636–1699), Pieter Boel (Flemish, 1626–1674), Guillaume Anguier (French, 1628–1708), Adam Frans van der Meulen, (Flemish, 1632–1690), and others, by 1668Royal Furniture Factory of the Crown at the Gobelins (French, founded 1662–present) in the vertical-loom workshop of Jean Jans the Younger (Flemish, about 1644–1723) or Jean Lefebvre (French, active until 1700)Wool, silk, and gilt metal–wrapped threadH: 400 x W: 660 cm (157 1/2 x 259 13/16 in.)Le Mobilier National, ParisImage © Le Mobilier National. Photo by Lawrence PerquisEX.2015.6.15

Diptyque / I, 2001–2004Design and cartoon by Raymond Hains, about 2000 (French, 1926–2005)Beauvais Manufactory (French, founded 1664–present) on the horizontal loom of Philippe Playe and Sylvie SchnellWool and linenH: 225 x W: 280 cm (88 9/16 x 110 1/4 in.)Le Mobilier National, ParisImage © Le Mobilier NationalArtwork © 2015 Artists Rights Society (ARS), New York / ADAGP, ParisEX.2015.6.16

9. 10. The Battle of Arbela, about 1670–1676/1677Design by Charles Le Brun (French, 1619–1690), 1669Cartoon for the vertical loom by Louis Licherie (French, 1629–1687), Gabriel Revel (French, 1643–1712), and/or Joseph Yvart (French, 1649–1728), about 1669Royal Furniture Factory of the Crown at the Gobelins Manufactory (French, founded 1662–present) in the vertical-loom workshop of Jean Jans the Younger (Flemish, about 1644–1723) or Jean Lefebvre (French, active until 1700)Wool, silk, gilt metal– and silver-wrapped threadH: 480 x W: 367 cm (189 x 144 1/2 in.)Le Mobilier National, ParisImage © Le Mobilier National. Photo by Lawrence PerquisEX.2015.6.12

Winter, Cybele Begs for the Sun’s Return, 1692–1693Design by Pierre Mignard (French, 1612–1695), 1677–1678Border design by Rodolphe Parent (French, died 1694), about 1686Cartoon attributed to Pierre Bourguignon (French, about 1630–1698) and retouched by Pierre Mignard, before 1686 Royal Furniture Factory of the Crown at the Gobelins (French, founded 1662–present) in the vertical-loom workshop of Jean Jans the Younger (Flemish, about 1644–1723)Wool, silk, and gilt metal-wrapped threadH: 480 x W: 625 cm (189 x 246 1/16 in.)Le Mobilier National, ParisImage © Le Mobilier National. Photo by Lawrence PerquisEX.2015.6.13

13. The Reception of the Envoys from Carthage, possibly as early as 1544, no later than 1548 /1555Design in the style of Giulio Romano (Giulio Pippi, Italian, before 1499–1546), possibly as early as the 1530s, no later than 1548/1555 Border design incorporating motifs by Tommaso Vincidor (Italian, died 1534–1536)Attributed to the Brussels workshop of the Dermoyen Family (Flemish, active 1529–1544 or 1550)Wool and silkH: 458.5 x W: 732.8 cm (180 1/2 x 288 1/2 in.)Hearst San Simeon State Historical Monument, San Simeon (California)Photograph by Victoria Garagliano/©Hearst Castle®/CA State ParksEX.2015.6.26