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    Title:

    Drawing on Western and local evidence, compare and contrast

    the key economic characteristics of the newspaper industry, the

    traditional television broadcasting industry and the cable

    television industry.

    Students name: Hieu Nguyen (ID: 1829034)

    Course Title: Media Economics

    Lecturer: Dr An Nguyen

    Date Submitted: 28 February 2010

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    Comparing and Contrasting Key Economic

    Characteristics of Newspaper, Traditional TV

    Broadcasting and Cable TV industries

    Hieu Nguyen

    MSc of Media and Communications University of Stirling

    Introduction

    This essay points out similarities and differences of the key economic

    characteristics between three mass media industries: newspaper,

    traditional TV broadcasting and cable TV, based on evidences in

    Western and local (Vietnamese) context. Besides reviewing each key

    economic characteristic, dissimilarities between these industries in

    different countries will be examined where possible. The approach is to

    bring a broad view over the three industries instead of focusing into anyparticular perspective. Thus, reader may have the big picture of how

    industries distinctively deal with scarcity of resources and allocate them

    to achieve maximum efficiency.

    Nature of products/services

    Newspaper is the original mass medium. It is one of the oldest types of

    mass media, and is now more than three hundred years old. The

    newspaper industry is also the most profitable media industry in the US,

    and now accounts for approximately $50 billion in sales annually

    (Picard 2004, p.109). The industry had its golden time during 1920s and1930s across Europe and in the US. However, there was a gradual

    decrease for newspaper industry since the arrival of commercial TV in

    the 1950s (Doyle 2002).

    Television plays a very important role in most developed economies.

    The television industry grew fast in the US of the late 1940s, taking

    advantages from its sibling, the radio industry. By the mid-1950s,

    television had become the primary source of entertainment and

    information in most US households (Albarran 2002, p.73). In the UK,

    television accounts for 28% of total expenditure on advertising in 2000;

    and in the US, it attracts about 20% of all media revenues in 1996 (Doyle

    2002). Different from newspaper product, traditional television

    broadcasting is a public good, which means its accessible for everyone

    and it is very difficult to find a way of collecting money from audience.

    Traditional TV broadcasting also proposes the problem of asymmetric

    information that People do not know what theyre buying until they

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    have experienced it, yet once they have experienced it they no longer

    need to buy it! (Graham & Davies 1997, p.19).

    While the job of traditional broadcasters is usually to assemble TV

    programmes from different production sources into packages

    (channels), marketing and distributing them to audience over-the-air,cable TV merely distributes available channels to audience. In the past,

    only 4-5 channels could be broadcasted in a single area without

    interference. Now cable TV allows many more channels to be

    transmitted via cable system, which offers audience a broader range of

    selection. More complex digital signals can also enable high definition

    channels or advanced features such as VODs (videos on demand -

    subscribers can choose which programmes to pay for) and

    recording/rewinding etc (Gasson 1996).

    All three industries are characterized as having dual-product. The first

    product is content sold/distributed to audience and the second product

    is the access to audience sold to advertisers.

    Cost structures

    Cost structures of three mass media industries differ greatly as they

    have different operating mechanisms. Newspaper industry

    characterized by economies of scale, has high initial cost (first copy) and

    low marginal cost. Reproduction cost, which has been reduced

    tremendously since 1980s thanks to technological improvements still

    remains a high proportion of the industrys cost structure. Newspapers

    in the US devote only 14% of cash operating to content creation, 16% to

    advertising sales and 70% to production, distribution and corporate

    services. This can be a great challenge for this industry to reduce

    traditional manufacturing cost structure and focus more into content -

    the primary value creation activity (MacMillan 2009). Vietnamese

    newspaper industry also suffers from the same situation. Huynh (2010)

    gives the fact that only 10% of total budget for producing a Tuoi Tre

    newspaper (the biggest daily title in Vietnamese market) is spent for

    content creation. Production cost (paper and printing) takes more than

    50% of total cost.

    Traditional TV broadcasting also has high fixed cost but it does not

    suffer from heavy cost structure as newspaper industry since

    distribution is rather easy over-the-air (marginal cost is zero) so its

    major cost is spent for programming. Most expensive programmes are

    usually news, sports and prime-time entertainment programmes (TV

    shows). They are often not as profitable as talk shows, game shows or

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    reality TV which are usually categorized as less expensive programmes.

    However, they help generating positive feedback from audience and

    building up reputation for the broadcaster, which will eventually bring

    back profits. Once gaining profits, broadcasters can have more expense

    for higher budgeted programmes. This creates the virtuous circles of

    profitability in broadcasting. Vicious circles of low programme budgets

    and deteriorating audiences also exist in the other end (Doyle 2002,

    p.61).

    Cable TV is one of the media industries with heaviest set up cost due to

    expensive coaxial/fibre cables, antennas and satellite reception system.

    It also has low marginal cost like newspaper and traditional television

    industries. Because cable TV operators mostly buy packages (channels)

    and then distribute to viewers, they do not really have production cost

    but license fee or copyright fee for acquiring programmes/channels.

    This cost accounts for 36% of total cost in the US. Van (2010), Chairmanof Song Thu Cable TV (the first cable TV in Danang, Vietnam) reports

    that the company spends 20% total operating budget for copyright fee

    and 30% for human resources, marketing and administration. The rest

    of the cost goes into setting up and maintaining the physical system.

    Revenue streams

    Newspaper, traditional TV broadcasting and Cable TV all participate in

    dual-product market, which means they can both sell content to

    readers/viewers and sell access to audience to advertisers at the same

    time. There is an exception with newspapers that are freely delivered their revenue streams rely solely on sale of advertising space. For

    example, the Metro first introduced their free newspapers in Sweden

    (1995), and then in Czech Republic (1996), Hungary (1998) and Finland

    (1999) (Bakker 2007). Another exception is public services broadcasting

    TV that depends mostly on public funding. They usually carry no

    advertising at all or some very little (ABC in Australia, NRK in Norway,

    SVT in Sweden and BBC in the UK). In a developing country like Vietnam,

    broadcasting channels are free of charge. They are funded by the

    government (Van 2010).

    Despite certain success of free newspapers in the last decade,

    traditional newspaper business relies on two main sources of income:

    circulation and advertising. In the UK, quality titles aim at higher class of

    socio-economic sections of the population, which results in higher

    proportion of income from advertising. On the other hand, popular

    titles source of revenue rely more on copy sales (Doyle 2002). In the

    US, since 1950s newspapers revenue has increasingly depended on

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    advertising. In 2000, advertising accounted for 81% of daily newspapers

    total income (Picard 2004). In Vietnam, the situation is somewhat

    different. Advertising also contributes as a main stream of newspaper

    revenue. Newspapers gain profit from circulation as well but cover

    prices are manipulated by the government so they do not have much

    control over this aspect (Huynh 2010).

    In case of traditional TV broadcasting, apart from public services

    broadcasting, there are also commercial broadcasting and a hybrid

    model of both. Their first customers are the viewers who usually pay

    nothing. In some countries, there have been efforts to collect tax or fee

    from those viewers. For example: in the UK, the BBC was funded by the

    BBC licence fee (a tax charged to broadcast receiving equipment

    owners) (BBC 2009). The second customers are the advertisers, who will

    pay broadcasters to have access the audiences (viewers who consume

    TV programmes). This is the main income of traditional TV broadcasting.

    Contrary to traditional television, cable TV makes a lot of money out of

    its first customers audience. Cable operators in US generate 80% of its

    revenue from subscribers (Bates & Chambers 2004). Song Thu Cable TV

    in Danang, Vietnam also reports to have the same amount 80% of total

    income from viewer subscriptions (Van 2010). Other than that, Cable TV

    also has different smaller sources of income such as: equipment &

    installation, pay-per-view, share with Home Shopping Channels, and

    advertising.

    Market structure and competition

    Newspaper, traditional TV broadcasting and cable TV have the same

    aspect that their markets tend to be geographically defined. Newspaper

    has regional/local titles and national titles. In UK, Ireland, Australia and

    Japan, national newspapers prevail while in the US and other large

    European countries, regional and local papers are preferred by the

    audience. US daily newspaper market is defined as monopoly with 98%

    of titles are the only player within their markets (Picard 2004). In the

    UK, there are several successful national titles (The Independent, The

    Times, The Daily Telegraph, The Guardian, The Observer, The Daily Mail,

    The Sun, The Daily Express...) which defines the market as oligopoly.

    Vietnamese market also has national and regional titles but there are

    two main dominating national titles: Tuoi Tre and Thanh Nien. Huynh

    (2010) announces that Tuoi Tre newspaper has the circulation of

    354,000 copies per day and the direct rival Thanh Nien has at least

    100,000 copies less.

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    Traditional TV broadcasting also has national and local stations. In most

    countries, local stations often operate in a monopoly and national

    stations operate in an oligopoly. This is possibly due to the cost of

    nationwide interconnection and the limited supply of affiliate stations

    within market areas have served as limiting factors to competition

    (Ferguson 2004, p.151). However, in Vietnam, it is interesting that each

    province (of total 64 provinces) has a local station and some stations

    even have multiple channels. The total number of channels is far more

    than from other developed countries (Thuy Lan 2009).

    Different from Newspaper and Traditonal TV broadcasting, Cable TV

    operators usually participate in local competitions. In the US, most

    markets naturally form a monopoly for local cable operators (Bates &

    Chambers 2004; Clint 1984). Higher growth of market demand and

    programmes providers also leads to acquisition and merger to take

    advantage of scale and cope. The two last decades of twentieth centuryhas witnessed remarkable merger and acquisition activities by American

    MSOs (Multiple System Operators) (Bates & Chambers 2004). In UK, this

    trend also happens:

    1999 was truly a monumental year, with NTL (as it was

    now known), buying Cable and Wireless' UK cable

    operations - which now contained digital TV capability

    in some franchises. There had been much speculation

    that either NTL or Telewest - by now the big players in

    the cable industry after most of the consolidation hadbeen done. The general consensus was that there was

    room only for two big operators to rival Sky - and that it

    wouldn't be long before NTL and Telewest leapt into

    bed. That has yet to happen (Digital Spy 2005).

    Vietnamese local cable markets on the other hand are characterized as

    oligopoly. This can be explained by the density of population in rural

    areas such as Ho Chi Minh City (with HTVC and SCTV cable operators),

    Hanoi (with HCTV and VCTV), which can supply multiple service

    providers. Only Danang cable market is a monopoly with the only major

    operator - Song Thu Cable TV (Nam Hung 2006; Van 2010).

    Pricing strategies

    Pricing strategy of an industry is decided by the following major factors:

    organization objectives, cost structure and market competition. As the

    difference in nature of three industries leads to different objectives,

    cost structures and competitions - they have very different pricing

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    strategies to maximize their profits and values. Organizations with main

    objective that is different from profit maximisation might set price to

    survive rather than making profits. Typical example could be the

    Observerand the Guardian of Guardian Newspaper Limited or the BBC

    (UK) and the PBS (US). The rest operates as profit-oriented firms who

    can benefit by strategically pricing for two products: content and

    advertising.

    Newspaper has a long history of establishment and competition has

    been very severe, especially in oligopoly markets. Sole player in a

    monopoly might get away with increasing cover price of its titles since

    there are no substitutes for the products. However in an oligopoly,

    changes in price may totally change the market share. A good example

    could be the classic price war in the UK during 1990s. After one year

    from August 1993 to August 1994, the Independentscirculation has

    dropped 11% when its direct competitor The Times cut down the pricefrom 45p to 30p. By February 2001, The Times has raised its circulation

    to 723,000 from just 354,000 in August 1993. It is noticeable that the

    Daily Telegraph and the Financial Times have not really been influenced

    by this price cut as no close substitutes were available (Doyle 2002;

    Tugend 1995).

    The nature of traditional TV broadcasting product as being asymmetric

    information and a public good, makes it difficult for it to collect money

    from audience. There were two main approaches to overcome this

    situation: public funding (an example could be BBC licence feementioned earlier) and sponsorship. Sponsorship can be described as a

    fee paid by companies (for example Procter and Gamble in the US) to

    introduce about their commercial products/services on TV (Doyle 2002;

    OHagan & Jennings 2003). Cable TV does not suffer from this problem

    it is rather easy for operators to collect money from subscribers.

    However, cable TV market usually functions as local monopoly, which

    leads to the possibility of pricing manipulation that does not benefit the

    audience welfare. Government regulates cable TV price to

    accommodate the issue but this approach might not always work. In

    the US: Throughout its history, the FCC has been charged with bothregulating and deregulating the demand side of the industry - basic

    cable television rates (Bates & Chambers 2004, p.188). In Vietnam, the

    situation is quite different with oligopoly market. Since the entering of

    DTH (1993-1994), SCTV has apparently lowered its price and provided

    more channels. Customers certainly benefit from such competition (Van

    2010).

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    Advertising price of the three industries is usually determined based on

    the audience magnitude and composition. Despite that it may take

    different forms such as per-viewer cost, rating points (broadcasting and

    cable) or size-based, colour-based (newspaper), price is set based on

    how much exposure the ad can have over a certain segment of

    readers/viewers. Thompson (1989) posits that a higher socioeconomic

    status of a newspaper's readership (as measured by a single metric

    developed by the British government) should cause a simultaneous

    increase in the price of advertising (quoted in Depken 2003). The needs

    for knowing audience profile and behaviours triggers the birth of

    corporations such as AC Nielsen or TNS who conducts extensive media

    market research and help advertisers decide which media will suit their

    needs the most.

    Economies of scale and scope

    Three industries can develop economies of scale as they have high initialcosts and low marginal cost (even zero in case of traditional TV

    broadcasting). TV industries (both cable and broadcasting) have shown

    a huge trend towards acquisition and merger to take advantages of

    scale. There were broadcasting TV networks (ITV in the UK or the big

    four network in the US) and Cable MSOs (Multiple System Operators) as

    a result of this trend (Bates & Chambers 2004; Doyle 2002). Newspapers

    create economies of scale by exploiting technological advancements

    (such as offset printing and phototypesetting) to reduce high first-copy

    cost and minimum efficient scale (Norton & Norton Jr. 1986; Picard

    2004).

    Economies of scope are achieved when savings arises as the firm widens

    its output. Newspapers can publish more than one title and create

    economies by methods such as sharing editorial content, centralising ad

    sales or even combining back offices for administration or finance

    activities (Doyle 2002). Broadcasting networks or large broadcasting

    companies can develop economies of scope as content flows from

    production to viewers in a process managed by only one company.

    Networks can also widen its scope by acquiring other networks: in 2002,

    ABC & CNN has seriously discussed about merging their newsoperations (Ferguson 2004). The prominence of cable MSOs is a result

    of achieving not only economies of scale but also scope. Large MSOs

    sought to cluster their systems geographically so they could reap the

    benefits of economies of scope by having several systems under

    regional management (Strover n.d.).

    Impact of new media technologies

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    New technologies have obviously created benefits for media industries.

    As in case of newspaper, new printing and computer technologies allow

    the industry to dramatically reduce cost and shorten production time

    (Picard 2004). Cable TV also receives lots of benefits with the invention

    of fibre cable as a much better substitute for coaxial cables. Digital

    technology helps storing and transferring media content becoming

    much easier/cheaper. The replacement of analogue with digital

    technology has lowered costs and human resources involved in media

    production (Doyle 2002).

    Despite that, newspaper, traditional TV broadcasting and cable TV has

    to face new threats from new media technologies. The birth of online

    news has directly affected newspaper industries. Since the first stage of

    taking off in earlier 1990s, online news has been more mature and

    reached a second fear-driven development stage in the late 1990s

    (Nguyen 2008, p.10). Murdoch (2005) confessed:

    Scarcely a day goes by without some claim that new

    technologies are fast writing newsprints obituary. Yet,

    as an industry, most of us have been remarkably,

    unaccountably complacent. Certainly, I didnt do as

    much as I should have after all the excitement of the

    late 1990s. I suspect many of you in this room did the

    same, quietly hoping that this thing called the digital

    revolution would just limp away.

    Well, it hasnt ... it wont ... and its a reality we had

    better get used to - and fast (quoted from Nguyen 2008,

    p.12).

    TV industries also suffer from the same competition from the Internet

    as there are more and more people watching TV and surfing the net at

    the same time. According to a survey conducted by Forrester in 2007,

    European consumers are reported to spend 14.3 hours per week online,

    11.3 hours on TV and only 4.4 hours reading newspaper and magazine.

    New TV distribution technologies (from cable to satellite and recentlydigital compression) have forced companies to continuously transform

    and adapt. Van (2010) mentions that if media firms do not catch up with

    latest technologies, they will be soon out of competition.

    Conclusion

    Newspaper, traditional TV broadcasting and cable TV industries though

    share the same characteristic of having dual products, possesses many

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    other distinctive features. While newspapers had to wisely allocate

    resources to reduce heavy cost structure, traditional TV broadcasting

    and cable TV industry witnessed many acquisitions and mergers to

    maximize economies of scale and scope. Government regulations also

    play an important role to ensure society welfare against harmful

    monopoly or to prevent discontinuation of public services that may not

    survive severe competitions. The invention of a new media always

    proposes dangers to other existing media (as TV did to newspaper and

    cable TV to traditional TV broadcasting). It is interesting to watch how

    those three mass media industries re-innovate themselves in order to

    defend their markets against the invasion of new coming media such as

    the Internet.

    References

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