Marlene Dumas ARTE344 Rachel Noteboom Sarah Ortinau Liz Gardona.
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Transcript of Marlene Dumas ARTE344 Rachel Noteboom Sarah Ortinau Liz Gardona.
![Page 1: Marlene Dumas ARTE344 Rachel Noteboom Sarah Ortinau Liz Gardona.](https://reader036.fdocuments.net/reader036/viewer/2022062803/56649f525503460f94c76148/html5/thumbnails/1.jpg)
Marlene DumasMarlene Dumas
ARTE344Rachel Noteboom
Sarah OrtinauLiz Gardona
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•South African/Dutch Painter
• Is teaching college level art students in
Amsterdam
•Duality of her identity
•She attended college- then worked
•Oil, ink, acrylic, photography and appropriation art.
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3
Materials
*paintings, collages, drawings, prints installations
*Dumas paints from personal photographs
Marlene Dumas, The Painter, 1994, oil on canvas, 79 x 39-1/4 in., The Museum of Modern Art, New York
Mostly oil on canvasand ink on paper
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IdeologyReceived ideas
of identity?
“The ambiguity of representation in her paintings and drawings is ultimately a political act, enticing the viewer into an awareness of his or her role in the assignation of meaning to faces, bodies, groups, and figures.” -Rebecca Morse [MOCA Assistant Curator]
“The ambiguity of representation in her paintings and drawings is ultimately a political act, enticing the viewer into an awareness of his or her role in the assignation of meaning to faces, bodies, groups, and figures.” -Rebecca Morse [MOCA Assistant Curator]
Marlene Dumas, Barbie, the Original, 1997, Lithography, 66 x 50 cm
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•Physical reality of human body
•Psychological value
•Removed from context
Marlene Dumas, The Blindfolded Man, 2007,Oil on canvas, 39-3/8 x 35-7/16 in.
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Influences
•Diane Arbus’s photography-complexities of the human form
Diane Arbus, Child with Toy Hand Grenade in Central Park, New York City, 1962, Photograph
• Mother’s death (weeping women)
• Uses photographs of her daughter
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Changes Over the Years•During the 90’s her work as featured images of Amsterdam and interdisciplinary projects
•She also now does multiples of portraits.
•She has dabbled in photography
Marlene Dumas, Waterproof Mascara, 2008, Öl auf Leinwand, 100 x 90 cm
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Critics•her art is in many international museums.
•considered a European artist, but wishes to be
classified as an South African Artist. Stating,
“Someone once remarked that I could not be a
South African Artist and a Dutch artist, that I could not
have it both ways. I don’t want it both ways, I want it
more ways.”Marlene Dumas, Moshekwa, 2006, Öl auf Leinwnad, 130 x 110 cm
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Her legacy
• Her legacy is being a portrait/figurative artist
•She is also known as an one of Amsterdam’s top artist
•She has won countless awards internationally, and is featured in many museums
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Video:http://youtu.be/9oJGwiEoj84
Marlene Dumas, Mamma Roma, 2012, o/c, 30 x 24 cm