Lewitt Microphones Catálogo 2014

Product Catalog

LEWITT GmbH

Mooslackengasse 17,

1090 Vienna // AUSTRIA

[email protected]

www.lewitt-audio.com

www.facebook.com/lewitt.audio

The is the perfect

place to compare all our microphones with

each other and for testing them on several

applications.

www.lewitt-audio.com/sound_booth

LEWITT Sound Booth

02 03

STEVE AOKI // // PERCY BADY //

// BETA RECORDS // // BMI // //

JULIAN BUNETTA // // HOLT VAUGHN //

// CALI SWAG // // DYLAN CHARBENEAU

// // BRIAN CULBERTSON //

// BOOTSY COLLINS // //

HECTOR DELGADO // // KEVIN DORSEY //

// ECHO BAR STUDIOS // // EJYPTSIAN

QUEEN // // PETER MICHAEL ESCOVIDO //

// TIM FAGAN // // DAN FRAMPTON //

// TRAVIS GARLAND // // ERIK

GRIGGS // // MAX GOUSSE //

// KEITH HARRIS // // KAVIN HOO // //

DAVE HOLLISTER // // WARREN HUART //

// MARK ISHAM // // MARTIN JONES //

// CRAIG KALLMAN // // OM‘MAS

KEITH // // ALICIA LAWRENCE // // ED

LEARNED // // CORRINE MAY // // MIGHTY

YOUNG // // TERRA NAOMI // // GRANT

NICHOLAS // // COLBY O‘DONIS // //

OOMPH! // // SCOTT SHAVONI PARKER //

// NEIL POUGE // // AUGUST RIGO // //

TONY RUSSELL // // SEA + AIR //

// FLETCHER SHERDAN // // BRYANT

SIONO // // STEPHANIE SPRUILL //

// CHARLES STREETER // // STEREOTYPES //

// MIKE STEVER // // SWING HOUSE

// // ALEX TEAMER // // DJ TRENTINO //

// BRIAN VIBBERTS // // ASAPH WARD //

// MICHAEL WHITE // // JOEL WHITLEY //

// KENNETH H. WILLIAMS // // DERRICK

WRIGHT // // FRANK ZAPPA STUDIOS ...

ATLANTIC RECORDS CHRIS BAUTISTA

BJ „THE CHICAGO KID“ JOHNNY BRITT

PETER BUNETTA CALIFORNIA

ROAD STUDIOS RICK CAMP

MIKE CITY JAMES RAYMOND & DAVID

CROSBY COMPOUND ENTERTAINMENT

ERICA DENNARD BRYAN

DUNCAN NOEL EDWARDS

RANDY EMATA FAITH

EVANS ANDREW FRAMPTON

MOSES GALLART JARED GOSSELIN

CARMEN GRILLO ANDREW GOUCHE

DONALD HAYES BOB HORN

CHAUN HORTON LUKE

HUBBARD CHRIS JOHNSON

JESSE JOSEFSSON PHIL KEAGGY

JASON LA ROCCA JENNY LAWS

STEVE LU JUSTIN MERRILL

ELAN MORRISON J.P. NEGRETE

CHARLES NORRIS ON POINT

ROSS PALLONE DAN PENN

BOB REYNOLDS ELVIN ROSS

SERENITY EAST, SANCTUM SOUND

SERENITY WEST DREW SIMPSON

SY SMITH CHRISTIAN STALNECKER

MARK STEPHENS TIM

STEWARD DOREONNE STRAMLER

TANK ALEX TODOROV TUCK &

PATTI ERICK WALLS AYSHA

WEBB LOUIS WHITE ALLEE

WILLIS SEAN WINCHESTER

WRIGHTRAX

... ALL OF THEM AND MANY MORE GREAT ARTISTS AND STUDIOS

TRUST IN LEWITT MICROPHONES.

04

OUR STORY

05

OUR BELIEF

Music deserves to be heard.

Unaltered. Authentic. Memorable.

LEWITT has dedicated itself to supporting music aficionados, artists and

audio engineers around the globe in getting the best out of every single

creative idea and every project - with microphones that set new standards

in terms of sound quality, technology and reliability.

We know about the claim

for perfection that forms the basis of

every studio recording, every stage

performance, every voice recording. It

is the same claim for perfect ion

characterizing our products. We also

know that every voice is unique and are

passionate about emphasizing this

uniqueness with authentic, unaltered

sound.

LCT 340 // “I was immediately

impressed by those mics. I used

them as overheads on drums

in X /Y position and was really

surprised at how smooth they

sounded without losing the fullness

o f t h e c y m b a l s a n d e n t i r e

drum kit. I‘ve been tracking so

much drums lately that I don‘t

even want to touch them. I ’m

sure these microphones will be

with me for life.”

DTP 340 TT // “These mic’s are

great. I tried them on toms and

percussion and got awesome

results – great low end without

being muddy. I also loved the

clarity on them, they picked up

the attack of the drum really well.

I love a mic that gets the ‘smack’

on drums and that is exactly what

this mic does. They are definitely

in the same league with mic’s

three times there price.“

LCT 940 // “Now this one is like

a chameleon. I used it on Vocals

first and started in FET mode.

It had great presence without

being harsh. Later we were

recording a nylon acoustic guitar

on the 12th fret facing the center

of the hole and put it right in

the middle between Tube and

FET. Just sweet sounding, big

and full. This is my new favorite

microphone.”

Feedback from Bryant Siono

Musical Director of Jennifer Lopez‘

„Dance Again“ world tour

International research and

development know-how, cutting-edge

technology and a think tank of leading

minds in the field of audio science and

technology allow for products lending

your project a distinctive, unparalleled

sound. Anywhere . Anyt ime. And

without compromise.Roman Perschon

CEO and Co-Founder

Austrian co-founder and CEO of LEWITT Roman Perschon has been deeply

involved in microphone development with some of the industry s top brands and was

for many years Senior Buyer & Project Manager for one of Austria s leading

microphone companies.

The design & research team located in Vienna, Austria recognized as a world-

leading centre of excellence in professional microphone development does all the

product development including all software

and electronic engineering. This backs on

to the company s own 45.000-sqm facility

in China exclusively designed for

manufacturing microphones. The state-of-

the-art production base with +1000

employees includes its own die casting,

clean room capsule assembly, anechoic

chambers, the latest SMT and soldering

equipment etc., to cover all aspects of

engineering, testing and production. As

such, LEWITT is delivering its own unique

innovations with its own technology in high

quality propositions at reasonable prices

and thus is a truly rare combination.

All of the microphones sport the LEWITT

look that signals modernity, individuality

and technical professionalism and all have

the LEWITT feel that exudes ruggedness, an appealing design and a quality

capable of fulfilling the LEWITT promise of unaltered crystal clear transmission of

your sound, making it authentic and memorable.

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06 07

CONTENTS

THE LCT AUTHENTICA SERIES . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 08

MTP 240 DM / DMs

MTP 340 CM / CMs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34

MTP 440 DM . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36

MTP 540 DM / DMs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38

MTP 840 DM . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40

MTP 940 CM . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32

DTP 340 TT . . . . . . . . . . . . . . . . . . . . .

DTP 340 REX . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50

DTP 640 REX . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52

DTP Beat Kit 6 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54

DTP Beat Kit Pro 7 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48

THE MTP PERFORMANCE SERIES . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30

THE DTP PERCUSSION SERIES . . . . . . . . . . . . . . . .. . . . . . . . . . . . . . . . . 46

LTS 240 Dual C+D

LTS 240 Diversity C+D . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62

THE LTS WIRELESS SERIES . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60

LCT 140 12

LCT 240 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14

LCT 340 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16

LCT 540 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18

LCT 640 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20

LCT 840 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24

LCT 940 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

LEWITT Lounge NAMM 2013//

Ethan Farmer

Ejyptsian Queen

Terra Naomi

09

EMPHASIZETHE

INYOUR

GENUINE

SOUND.THE LCT AUTHENTICA SERIES

With the LCT Authentica Series, LEWITT introduces a new generation of highly

versatile wired condenser microphones that all aim for setting new benchmarks of

technology, sound quality and user-friendliness in both professional studio recording

and onstage use.

The microphones of the LCT Authentica Series stand for unaltered sound and

innovative features: llluminated Settings, Noiseless Push Buttons, Automatic

Attenuation with Clip Detection and History all ensure error-free sonic perfection and

peerless ease of use for today’s demanding recording artists and engineers.

LCT 140

LCT 240

LCT 340

LCT 540

LCT 640

LCT 840

LCT 940

08

10 11

"WE ARE CONSTANTLY SEARCHINGFOR STATE-OF-THE-ART GEAR."

"With the rebirth of , we are constantly searching for state-of-the-art gear to bring out the best in our

artists’performances. The LEWITT has been a fantastic addition to our audio arsenal. It not only has a full, rich

low end and crystal clear highs, but its combination of sonic flexibility and transparency is truly exceptional."

Atlantic Studios

LCT 940

Craig Kallman

CEO Atlantic Records

(Bruno Mars, Flo Rida, Jason Mraz, Missy Elliott, ... )

12

LCT 140

The LCT 140 is an extremely versatile,

easy-to-use, compact 2/3-inch back-

electret condenser microphone, perfectly

suited for quality-conscious casual users.

Its low-mass diaphragm delivers an

exceptionally clear and natural sound,

making it the perfect fit for a wide range of

live and studio applications including

drums and percussion, acoustic

instruments or even vocal ensembles.

Thanks to its uniform cardioid pickup

pattern that effectively suppresses off-axis

sound, a wide dynamic range of 124 dB

and its very low self-noise, the LCT 140

adds transparency and distortion-free

detail to every sound recording. Its

transformerless output design makes it

immune to electromagnetic interference.

The LED display can optionally be

switched on and off for better handling in

different environments. In short, the LCT

140 is an extremely versatile all-rounder

microphone.

13

SPECIFICATIONS

Acoustical operating principle:

Transducer Ø:

Directional pattern:

Frequency range:

Sensitivity at 1 kHz into 1 kohms:

Rated impedance:

Rated load impedance:

Max. SPL for 0,5 % THD:

Equivalent noise level :

Signal / noise ratio:

Dynamic range of the microphone amplifier:

Pre-attenuation pad:

Bass cut filter slope:

Supply voltage :

Current consumption :

Connector:

Dimensions:

Net weight:

pressure gradient

transducer, permanently polarized

17 mm / 0,67 inch

cardioid

30 to 20.000 Hz

8 mV / Pa (-42 dBV)

< 150 ohms

> 1.000 ohms

143 dB, 0 dB pre-attenuation



(IEC 61672-1) 19 dB-A, cardioid

75 dB-A

124 dB-A

10 dB, 20 dB, switchable

12 dB / octave at 40 Hz


(IEC 61938) 48 V +/- 4 V

(IEC 61938) 5,3 mA

gold plated 3-pin XLR

24 dia. x 160 mm / 0,94 dia. x 6,3 inch

195 g / 6,88 oz.TOP APPLICATIONS

■ Acoustic instruments // piano, guitar, drums,

percussion, strings...■ Overhead miking // drums percussion, cymbals...■ Room ambiance // guitar amplifier, drums...■ Wind instruments // brass and woodwinds...■ Home and studio recording

FEATURES

■ Neutral frequency response for natural reproduction■ Cardioid polar pattern for effective background noise

rejection■ Wide dynamic range of 124 dB and very low self-noise

level■ 3-position switchable pre-attenuation pad (0 dB, 10 dB,

and 20 dB) for handling extremely high sound pressure

levels (SPLs)■ Illuminated user interface for quick and easy handling

even in dark environments■ Rugged black all metal construction for reliable

performance onstage and in the studio■ Hexagonal ruthenium-galvanized steel mesh grille to

prevent wear and abuse■ Immune to electromagnetic interference thanks to

transformerless preamplifier circuitry■ Corrosion-resistant gold-plated 3-pin XLR output

connector■ Comes in a cardboard box with foam layers; includes

DTP 40 Mts shock mount, LCT 40 Ws windshield and

DTP 40 Lb artificial leather bag

14

With the LCT 240 2/3-inch diaphragm

condenser microphone, LEWITT

introduces a high precision multi-purpose

tool that sets new benchmarks in terms of

performance and ease of use. Designed

for use in live performances as well as

(home) studio recordings, the LCT 240 will

leave a lasting impression with users

expecting accurate and unaltered tracking

of speech, vocals and instruments.

The LCT 240 is equipped with a high-

performance back-electret capsule

delivering a warm, distortion-free and

natural sound. The very low self-noise and

a wide dynamic range ensures a detailed

sound reproduction in any setting. Like all

models of the Authentica series, the LCT

240 also features a transformerless

circuitry which makes it immune to

electromagnetic interference.

Technological improvements such as

automatic attenuation and clipping history,

as well as an illuminated user interface and

pushbuttons that allow for noiseless

switching, make this sturdy all-rounder a

highly convenient and reliable choice.

LCT 240

15

TOP APPLICATIONS

■ Lead and background vocals■ Acoustic instruments // piano, guitar, drums, percussion, strings...■ Overhead miking // drums, percussion...■ Room ambiance pick-up // guitar amplifier, drums...■ Wind instruments // brass and woodwinds...■ Live and studio applications■ Podcasting■ Recording, home recording

■ 2/3-inch small-diaphragm capsule with ultra-thin

externally biased, gold-layered low mass diaphragm for

powerful and natural sound reproduction■ Neutral frequency response for authentic sound onstage or in the studio■ Cardioid polar pattern for effective isolation of the main

sound source■ Low self-noise and a total dynamic range of 130 dB

provides an outstanding acoustic presence and powerful

yet authentic sound■ 3-position switchable pre-attenuation pad (0 dB, 10 dB,


levels and 3-position high-pass filter■ Illuminated user interface for quick and easy handling

even in dark environments■ Noiseless pushbuttons for quick and easy attenuation

and high-pass filter selection■ Clipping history, automatic attenuation and key-lock

provide error-free recording and unparalleled ease of use■ Rugged black all-metal construction for durable

performance onstage and in the studio■ Extra-large hexagonal ruthenium-galvanized steel mesh grille provides an open acoustic environment and prevents unwanted internal reflections■ Immune to electromagnetic interference thanks to



DTP 40 Mts shock mount, LCT 40 Wx windshield and


FEATURES


Transducer Ø:


Frequency range:


Rated impedance:








Supply voltage :


Connector:

Dimensions:

Net weight:

pressure gradient

transducer, permanently polarized

17 mm / 0,67 inch

cardioid

20 to 20.000 Hz

8 mV / Pa (-42 dBV)

< 150 ohms

> 1.000 ohms




(IEC 61672-1) 16 dB-A, cardioid

78 dB-A

130 dB-A




(IEC 61938) 48 V +/- 4 V

(IEC 61938) 4,7 mA


138 x 52 x 36 mm / 5,43 x 2,04 x 1,42 inch

310 g / 10,9 oz.

SPECIFICATIONS

16

LCT 340

LEWITT’s LCT 340 is a 0.8-inch externally

polarized condenser microphone that

excels at capturing acoustic and

percussion instruments, drums and

vocals, and is perfectly suited for

sophisticated live and studio applications.

Two interchangeable capsules allow for

quick and easy switching of patterns,

ensuring greater flexibility without

changing microphones.

The LCT 340 is equipped with four-

position low-cut filter and pre-attenuation

slide switches, dual-color LED indicators

and a convenient snap closure. It offers a

dynamic range of 124 dB and stands out

for its extremely low self-noise of 15 dB.

Last but not least, its transformerless

output makes this ruggedly designed pro-

mic resistant to electrical interference and

a first-class pick for true sound

enthusiasts.

17

SPECIFICATIONS


Transducer Ø:


Frequency range:


Rated impedance:








Supply voltage :


Connector:

Dimensions:

Net weight:

pressure & pressure

gradient transducers, externally polarized

20,32 mm / 0,8 inch

cardioid, omni

20 to 20.000 Hz

9 mV / Pa (-41 dBV), cardioid

8 mV / Pa (-42 dBV), omni

< 150 ohms

> 1.000 ohms





(IEC 61672-1)

15 dB-A, cardioid

16 dB-A, omni

79 dB-A

124 dB-A

6 dB, 12 dB, 18 dB, switchable




(IEC 61938) 48 V +/- 4 V

(IEC 61938) 6,6 mA


24 dia. x 160 mm / 0,94 dia. x 6,3 inch

200 g / 7,05 oz.

TOP APPLICATIONS

■ Overhead miking // drums, percussion...■ Ensembles // choral or orchestral■ Acoustic instruments // piano, guitar, drums,

percussion, strings...■ Wind instruments // brass and woodwinds...■ Demanding live and studio applications■ A/B and X/Y stereo miking

FEATURES

■ 0.8-inch small-diaphragm capsule with ultra-thin externally

biased, gold-layered low mass diaphragm for ultra-precise

and neutral sound reproduction■ Flat frequency response for natural, authentic sound■ Interchangeable capsules for cardioid and omnidirectional pattern selection ensuring maximum flexibility and an undisturbed workflow■ Wide dynamic range of 124 dB and low self-noise level of

15 dB for ear-catching realism and distortion-free sonic

depth■ 4-position switchable pre-attenuation pad (0 dB, 6 dB, 12 dB

and 18 dB) for handling extremely high sound pressure levels

and 4-position high-pass filter■ Illuminated user interface for quick and easy handling even in

dark environments■ Rugged black die-cast full-metal body ensures long life■ Hexagonal ruthenium-galvanized steel mesh grille to prevent

wear and abuse■ Immune to electromagnetic interference thanks to

transformerless preamplifier circuitry■ Corrosion-resistant gold-plated 3-pin XLR output connector■ Comes in a cardboard box with foam layers; includes DTP 40

Mts shock mount, LCT 40 Ws windshield, DTP 40 Lb leather

bag and an optional omnidirectional true condenser

transducer

18

LCT 540

combination of qualities that will

undoubtedly make it a studio favorite

among audio engineers and professional

musicians. Designed to complement

modern recording techniques and meet

the expectations of ever-demanding sound

professionals, this versatile large-diaphragm

condenser microphone offers outstanding

performance in miking lead vocals, drums

and percussion instruments, brass and

woodwinds, classical music ensembles.

The LCT 540's cardioid 1-inch capsule,

enclosed by an extra-large hexagonal

grille, captures elaborate, exceptionally

nuanced sonic details and optimizes

isolation of the main sound source by

rendering off-axis sounds. The LCT 540

features three levels of attenuation and

three switchable high-pass filters, two-

color LEDs as well as pushbuttons for

noiseless handling. A dynamic range of

135 dB and an extremely low self-noise of

8 dB round off the features of this

exceptional microphone.

The LCT 540 Authentica exhibits a

19

■ 1-inch dual-system externally biased capsule with an

active front and ultra-thin, gold-layered low-mass

diaphragm for superior transient response■ Tailored frequency response for rich and authentic

sound onstage or in the studio■ Cardioid polar pattern for effective isolation of the main

sound source■ Extremely low self-noise of 8 dB and max SPL of 143

dB for an impressive total dynamic range of 135 dB

providing a maximum of acoustic presence and clarity■ 3-position switchable pre-attenuation pad (0 dB, 10 dB,


levels and 3-position high-pass filter■ Illuminated user interface for quick and easy handling


and HPF selection■ Clipping history, automatic attenuation and key-lock

provide error-free recording and unparalleled ease of use■ Rugged all-metal construction for reliable performance

onstage and in the studio■ Extra-large hexagonal ruthenium-galvanized steel mesh

grille provides an open acoustic environment and

prevents unwanted internal reflections■ Immune to electromagnetic interference thanks to


connector■ Comes in a black carrying case; includes LCT 40 SHx

shock mount, LCT 40 Wx windshield and DTP 40 Lb

artificial leather bag

FEATURES

TOP APPLICATIONS

■ Lead and background vocals■ Acoustic instruments // piano, guitar, drums, percussion, strings...■ Overhead miking // drums, percussion...■ Ensembles // choral or orchestral■ Room ambiance pick-up // guitar amplifier, drums...■ Wind instruments // brass and woodwinds...■ Demanding live and studio applications


Transducer Ø:


Frequency range:


Rated impedance:








Supply voltage :


Connector:

Dimensions:

Net weight:

pressure gradient

transducer, externally polarized

25,4 mm / 1 inch

cardioid

20 to 20.000 Hz

16 mV / Pa (-36 dBV)

< 150 ohms

> 1.000 ohms




(IEC 61672-1) 8 dB-A

86 dB-A

135 dB-A




(IEC 61938) 48 V +/- 4 V

(IEC 61938) 5,1 mA


158 x 52 x 36 mm / 6,22 x 2,04 x 1,42 inch

425 g / 14,9 oz.

SPECIFICATIONS

20

LCT 640

LEWITT’s LCT 640 is designed to raise

the bar in its class of reference-quality

large-diaphragm condenser microphones.

This Austrian-designed and engineered

pro-mic delivers a smooth, unsurpassably

rich and exceptionally nuanced sound, and

exhibits a remarkable set of qualities that

enthuses even the most discerning users.

The LCT 640 excels in a variety of

demanding studio applications and stands

for unrivalled performance in miking lead

and background vocals, drums, percussion

instruments, grand pianos, brass and

woodwinds, classical music ensembles.

In addition to the standard omni-

directional, cardioid and figure-8 polar

patterns, the LCT 640 offers a wide-

cardioid and super-cardioid characteristic.

It offers a dynamic range of 135 dB and

stands out for its extremely low self-noise

of 10 dB. In combination with a 4-level

high-pass filter and 4-level switchable pre-

attenuation, the LCT 640 provides

maximum versatility in all recording

situations. Automatic attenuation, key-

lock, clipping history, push buttons and a

light-up user interface round off the

features of this outstanding microphone.

21


Transducer Ø:


Frequency range:


Rated impedance:








Supply voltage :


Connector:

Dimensions:

Net weight:

pressure gradient

transducer, externally polarized

25,4 mm / 1 inch

omni

broad-cardioid

cardioid

super-cardioid

figure-8

20 to 20.000 Hz



9 mV / Pa (-41 dBV), figure-8

< 150 ohms

> 1.000 ohms





(IEC 61672-1)

10 dB-A, cardioid

12 dB-A, omni

13 dB-A, figure-8

84 dB-A

135 dB-A





(IEC 61938) 48 V +/- 4 V

(IEC 61938) 5,5 mA


158 x 52 x 36 mm / 6,22 x 2,04 x 1,42 inch

430 g / 15,2 oz.

SPECIFICATIONS

TOP APPLICATIONS

■ Lead and background vocals■ Acoustic instruments // piano, guitar, drums, percussion, strings...■ Overhead miking // drums, percussion...■ Ensembles // choral or orchestral■ Room ambiance pick-up // guitar amplifier, drums...■ Wind instruments // brass and woodwinds...■ Demanding live and studio applications

■

biased, gold-layered low mass diaphragms for ear-

catching realism and authentic sound■ Flat frequency response for natural, authentic sound ■ Five consistent directional characteristics – cardioid,

omnidirectional, figure-8, broad cardioid and supercardioid

– for maximum flexibility in a wide variety of recording

applications■ 10 dB self-noise and max SPL of 145 dB for an

impressive total dynamic range of 135 dB, providing

maximum acoustic presence ■ 4-position switchable pre-attenuation pad (0 dB, 6 dB,

12 dB and 18 dB) for handling extremely high sound

pressure levels and 4-position high-pass filter■ Illuminated user interface for quick and easy handling


and HPF selection■ Clipping history, automatic attenuation and key-lock

provide error-free recording and unparalleled ease of use■ Rugged all metal construction for reliable performance

onstage and in the studio■ Extra-large hexagonal ruthenium-galvanized steel mesh


prevents unwanted internal reflections■ Immune to electromagnetic interference thanks to


connector■ Comes in a black carrying case; includes LCT 40 SHx

shock mount, LCT 40 Wx windshield and DTP 40 Lb

artificial leather bag

Superior transient response from ultra-thin externally

-

FEATURES

22

Steve Catizone

Leo Mellace

(Songwriter // Music Producer, Serenity West Recording)

"I track a lot of vocals and I usually have to tweak the EQ a ton to get that sparkle, but not with the LCT 940. Like

all LEWITT microphones they sound both current and classic."

(Songwriter // Music Producer, Serenity West Recording)

"LEWITT mics are up all over my studio and never come down. If I'm getting vocals or laying down some guitars

they are always ready to deliver. I just got the LCT 940 and love it, the edge and crispness I naturally get from it is

incredible."

23

Cameell Hanna

Serenity West Recording

(Manager // Booking Director, Serenity West Recording)

"As a studio manager I book a crazy cross section of different artists from Adele to Snoop. I love Lewitt's ethos and my clients

appreciate the incredible capture that they deliver, and they're pretty damn handsome mics to boot. The LCT 940 is a vocal mic

that I am offering up first to all of our clients."

is a haven for recording artists

like Adele, Rihanna, Justin Timberlake, Sean Combs,

Shakira, Faith Evans, Will.I.Am and many more.

"THEY SOUND BOTHCURRENT AND CLASSIC."

24

LCT 840

LEWITT’s LCT 840 is a premium-class

externally polarized dual-diaphragm tube

microphone designed to excel in a variety

of demanding applications. Equipped with

a precision-engineered 1-inch capsule,

the LCT 840 stands for exceptionally warm

and classic, solid vintage sound. Perfectly

suited for miking vocals and instruments,

this rugged multi-purpose microphone

allows for highly nuanced and authentic

sound reproduction in the studio and even

on stage. Five switchable polar patterns –

omni-directional, cardioid, figure-8, wide-

cardioid and super-cardioid – make the

LCT 840 a highly versatile tool for

professional audio engineers and

performers looking for true and authentic

tube sound.

Like all LEWITT mics, the LCT 840 stands

out for its extremely low self-noise of 9 dB

and effective rejection of off-axis sounds.

The microphone features three levels of

attenuation and three switchable high-

pass filters, LEDs and pushbuttons for

noiseless handling on the power supply

unit (PSU).

Apart from user-friendly operating controls

and advanced technological features so

essential to memorable recordings, the

LCT 840 also makes an eye-catching

design statement: The microphone is

equipped with a plexiglass inspection

window on the front side of the body, so

the illuminated tube itself is fully exposed.

The inside window surface is coated with

a highly conductive, yet transparent film

preventing electromagnetic interference.

In short: The unique combination of

innovative design, high-end technology

and tube-typical sound quality ensures

magic takes.

25


Transducer Ø:


Frequency range:

Sensitivity:



Dynamic range of mic. amp.:




Rated impedance:


Supply voltage:

Current consumption:

Connector:

Cable:

Dimensions (Mic):

Dimensions (PSU):

Net weight (Mic):

Net weight (PSU):

pressure gradient transducer,

externally polarized

25,4 mm / 1 inch

omni, broad-cardioid, cardioid, super-

cardioid, figure-8, selectable on remote control

20 to 20.000 Hz




85 dB-A

(IEC 61672-1)

9 dB-A, cardioid

10 dB-A, omni

9 dB-A, figure-8

130 dB-A




10 dB, 20 dB, selectable on remote

control



< 200 ohms

> 1.000 ohms

custom power supply unit,

230 V, 50 Hz / 110 V, 60 Hz

120 mA


8 m (26 ft), 11-pin audio cable, oxygen-free copper

192 x 60 x 46 mm / 7,5 x 2,4 x 1,8 inch

250 x 150 x 70 mm / 9,8 x 5,9 x 2,8 inch

662 g / 23,3 oz.

1894 g / 66,8 oz.

SPECIFICATIONS

TOP APPLICATIONS

■ Lead and background vocals■ Acoustic instruments // piano, guitar,

drums, percussion, strings...■ Wind instruments // brass and woodwinds...■ Demanding studio applications

■ Ultra-thin 1-inch externally biased, gold-layered low-

mass diaphragms combined with a dual triode tube

ensures accurate transient response while providing

smooth, warm and airy tube sound■ Five consistent directional characteristics – cardioid,

omnidirectional, figure-8, broad cardioid and

supercardioid – offer maximum flexibility■ Superior dynamic range of 130 dB-A (Tube) and

extremely low self-noise of 9 dB-A for ear-catching

realism and distortion-free sonic depth■ 3-position switchable pre-attenuation pad (0 dB, 10 dB,


levels and 3-position high-pass filter■ Illuminated user interface and jog dials for easy handling


and HPF selection■ Unique features like clipping history and automatic

attenuation provide error-free studio recording and

unparalleled ease of use■ Solid die-cast metal body with a stylish, oversized tube

inspection window specially coated for maximum

protection against electromagnetic interference■ Custom PSU 840 power supply unit with sturdy full-

metal housing and brushed, anodized black aluminum

front■ Extra-large hexagonal ruthenium-galvanized steel mesh


prevents unwanted internal reflections■ Corrosion-resistant gold-plated 3-pin XLR output

connector■ Comes in a black case; includes PSU 840 power supply

unit, LCT 40 SHxx shock mount, LCT 40 Tr audio cable

with gold-plated 11-pin XLR connectors and LCT 40

Wxx windscreen

FEATURES

26

LCT 940

Sound professionals naturally rely on a set

of different high-end microphones in order

to get the best out of their sound. But

changing microphones and adjusting

settings takes valuable time, the creative

flow of a session is interrupted. With its

new Authentica series flagship LCT 940,

LEWITT now introduces a microphone

that will revolutionize modern studio

recording procedures and help engineers

and artists to react more quickly to a

desired change of style and sound.

The LCT 940 combines the specific

characteristics of a premium large-

diaphragm FET condenser microphone

and a top-notch tube microphone in one

housing. Basically, users can choose

between the two main settings "FET" and

"Tube".

"Tube" delivers the classic, warm and rich

tube sound, while "FET" stands for the

clear, exceptionally rich and nuanced

sound LEWITT condenser microphones

are renowned for. However, the LCT 940

offers another unique feature that true

recording enthusiasts will swoon over: As

the characteristics of the two main

settings can be mixed and merged

continuously variable, the LCT 940 opens

up huge creative possibilities for artists

and producers.

Furthermore, the LCT 940 features a total

of nine different polar patterns – our five

"standard" polar patterns omni-directional,

cardioid, figure-8, wide- and super-

cardioid and four additional intermediate

patterns. The microphone features four

levels of attenuation and four switchable

high-pass filters, LEDs and push buttons

for noiseless handling on the PSU.

Automatic attenuation and clipping history

round off the feature list of the LCT 940.

27


Transducer Ø:


Frequency range:

Sensitivity:

Signal / noise ratio (FET):

Signal / noise ratio (Tube):

Equivalent noise level (FET) :

Equivalent noise level (Tube) :

Dynamic range of FET mic. amp.:

Dynamic range of Tube mic. amp.:

Max. SPL for 0,5 % THD (FET):

Max. SPL for 0,5 % THD (Tube):



Rated impedance:


Supply voltage:


Connector:

Cable:

Dimensions (Mic):

Dimensions (PSU):

Net weight (Mic):

Net weight (PSU):



25,4 mm / 1 inch

omni, broad-cardioid, cardioid, super-

cardioid, figure-8 and four additional intermediate pattern,

selectable on remote control

20 to 20.000 Hz




86 dB-A

82 dB-A

(IEC 61672-1)

8 dB-A, cardioid; 9 dB-A, omni; 8 dB-A, figure-8

(IEC 61672-1)

12 dB-A, cardioid; 13 dB-A, omni; 12 dB-A, figure-8

135 dB-A

128 dB-A









6 dB, 12 dB, 18 dB, selectable on remote

control




selectable on remote control

< 200 ohms

> 1.000 ohms

custom power supply unit,

230 V, 50 Hz / 110 V, 60 Hz

170 mA


8 m (26 ft), 11-pin audio cable, oxygen-free copper

192 x 60 x 46 mm / 7,5 x 2,4 x 1,8 inch

250 x 150 x 70 mm / 9,8 x 5,9 x 2,8 inch

662 g / 23,3 oz.

1930 g / 68,1 oz.

SPECIFICATIONS

TOP APPLICATIONS

■ Lead and background vocals■ Acoustic instruments // piano, guitar, drums, percussion,

strings...■ Wind instruments // brass and woodwinds...■ Demanding studio applications

■ Combines the sonic characteristics of a tube and a FET mic

in one single housing for maximum creative freedom and an

undisturbed workflow■ Continuously variable switching and merging of tube

and FET sound via rotating potentiometer■ 1-inch externally biased, dual-system capsule with ultra-thin,

gold-layered low-mass diaphragms combined with a dual

triode tube ensures accurate transient response while

providing smooth, warm and airy tube sound■ Nine consistent directional characteristics – cardioid, omni-

directional, figure-8, broad cardioid, supercardioid and four

intermediate patterns – for maximum flexibility in a wide variety

of recording applications■ Superior dynamic range of 128 dB-A (Tube) / 135 dB-A

(FET) and exceptionally low self-noise of 12 dB-A (Tube)

/ 8 dB-A (FET) for ear-catching realism and distortion-

free sonic depth■ 4-position switchable pre-attenuation pad (0 dB, 6 dB,

12 dB and 18 dB) for handling extremely high sound

pressure levels and 4-position high-pass filter■ Illuminated user interface and jog dials for easy handling

even in dark environments■ Noiseless pushbuttons for quick and easy attenuation and

HPF selection■ Unique features like clipping history and automatic

attenuation provide error-free studio recording and

unparalleled ease of use■ Custom PSU 940 power supply unit with sturdy full-metal

housing and brushed, anodized black aluminum front■ Corrosion-resistant gold-plated 3-pin XLR output connector■ Comes in a black carrying case; includes PSU 940 power

supply unit with sturdy full-metal housing and milled, anodized

black aluminum front, LCT 40 SHxx shock mount, LCT 40 Tr

audio cable with gold-plated 11-pin XLR connectors and

LCT 40 Wxx windscreen

FEATURES

2928

"A WELCOMED ADDITIONTO MY COLLECTION."

"When I'm recording a full band in the studio, I want to put up mics that I can rely on. There's limited time to achieve the

quality of sound that I want. I need tools that I can trust. Therefore, the band can play while they are still fresh. LEWITT

microphones are innovative and productive."

Brian Vibberts

Recording Engineer (participation in 250 Grammy-

nominated and 65 Grammy-awarded projects)

30

MTP 340 CM / CMs

MTP 240 DM / DMs

MTP 540 DM / DMs

31

ADDMORE

TOYOUR

POWER

TUNES.THE MTP PERFORMANCE SERIES

Music professionals know that it’s often the smallest details that make all the

difference in vocal and instrumental recordings.

With our MTP series, we aim to exceed artists’ and audio engineers’ expectations of

reproduction accuracy and isolation of the main sound source. The new flagships

among LEWITT's performance microphones the MTP 840 DM and the 940 CM

are true milestones of audio technology.

All MTP microphones are professional-quality handheld dynamic and condenser

performance microphones have been developed specifically for the authentic,

crystal-clear reproduction of vocals and are also well-suited for instrumental

applications.

Customized frequency responses, a rugged construction, high gain before feedback

and extremely low handling noise make all models of the MTP series the perfect fit for

any application, any performance and any setting.

–

MTP 840 DM

MTP 440 DM

MTP 940 CM

32

MTP 240 DM / DMs

The MTP 240 DM and MTP 240 DMs are

rugged and exceptionally feedback-safe

dynamic cardioid microphones tuned

specifically for vocal applications. Perfectly

suited for use in live performances and

ambitious home studio recordings, these

dynamic microphones please entry-level

vocalists and professionals alike.

Using state-of-the-art microphone

technology, the MTP 240 DM and DMs

are engineered to provide sound

reproduction with exceptional clarity and

detail. The optional on/off switch (MTP

240 DMs) and a tough steel-mesh grille

that perfectly resists wear and abuse

rounds out the models’ features.

33

TOP APPLICATIONS

■ Lead and background vocals■ Live and studio applications

■ Optimized frequency response for vocal applications■ Uniform cardioid polar pattern minimizes unwanted

background noise■ Easily withstands high sound pressure levels■ Effective integrated acoustic pop and windshield offers

excellent protection without compromising high-

frequency clarity■ Highly durable, black all-metal construction, optimized

for rough daily touring routine■ Minimally affected by varying load impedance■ The MTP 240 DMs features a convenient, recessed

on/off slide switch■ Corrosion-resistant gold-plated 3-pin XLR output

connector■ Comes in a cardboard box including MTP 40 MCs

shock mount and DTP 40 Lb artificial leather bag

FEATURES

dynamic, moving coil

cardioid

60 to 18.000 Hz

2 mV / Pa (-54 dBV)

< 280 ohms


49 dia. x 175 mm / 1,9 dia. x 6,9 inch

335 g / 11,8 oz.



Frequency range:

Sensitivity at 1 kHz into 1 kohm:

Rated impedance:

Connector:

Dimensions:

Net weight:

SPECIFICATIONS

34

MTP 340 CM / CMs

Our MTP 340 CM and MTP 340 CMs are

quality condenser vocal microphones with

a thin diaphragm back-electret capsule

which brings a high level of sonic detail to

demanding vocal applications. No matter

whether on stage or in the studio, the

models’ tailored frequency response

always allows for maximum precision and

unsurpassed clarity, taking professional

vocal tracking to the next level.

The uniform cardioid pickup pattern

ensures noise-free transmission, with

essential sound sources being effectively

isolated while unwanted feedback and

background noise are eliminated. These

microphones’ rugged construction and

hardened steel-mesh grille ensure

trouble-free handling on stage and in the

studio.

35

TOP APPLICATIONS




Frequency range:


Max. SPL for 1 % / 3 % THD:


Rated impedance:


Supply voltage :


Connector:

Dimensions:

Net weight:


permanently polarized

cardioid

90 to 20.000 Hz

3,1 mV / Pa (-50 dBV)

141 dB / 150 dB

(IEC 61672-1) 25 dB-A

< 200 ohms

> 1.000 ohms

(IEC 61938) 48 V +/- 4 V

(IEC 61938) 5,3 mA


49 dia. x 175 mm / 1,9 dia. x 6,9 inch

330 g / 11,6 oz.

SPECIFICATIONS

■ Frequency response shaped specifically for vocal

applications■ Uniform cardioid pickup pattern for minimum off-axis

coloration■ High gain before feedback■ Easily withstands high sound pressure levels■ Effective integrated acoustic pop and windshield offers

excellent protection against plosives and sibilance■ Highly durable, black all-metal construction, optimized for

rough daily touring routine■ Minimally affected by varying load impedance■ The MTP 340 CMs features a convenient, recessed




FEATURES

36

MTP 440 DM

The MTP 440 DM is an exceptionally

versatile, precision-engineered cardioid

dynamic microphone ideally suited for

upscale live sound and studio recording

applications. Featuring a high-

performance capsule which delivers a

remarkably bright and lively sound, the

MTP 440 is perfect for miking drums,

percussion instruments, brasses,

woodwinds and vocals.

The MTP 440’s cardioid pattern ensures

perfect off-axis rejection and exceptionally

high gain before feedback. Unwanted

reflections or background noise are

effectively suppressed. High-quality

components and rugged construction

make it a number one choice for touring

professionals and artists around the globe.

37

TOP APPLICATIONS

■ Drums and Percussion // snare, hi-hat...■ Instrument amps■ Wind instruments // brass and woodwinds...



Frequency range:


Rated impedance:

Connector:

Dimensions:

Net weight:


cardioid

60 to 16.000 Hz

2,5 mV / Pa (-52 dBV)

< 500 ohms


39 dia. x 159 mm / 1,53 dia. x 6,25 inch

280 g / 9,88 oz.

SPECIFICATIONS

■ Tailored frequency response for instrument applications■ Highly consistent cardioid polar pattern for minimum off-

axis coloration■ High gain before feedback■ Easily withstands high sound pressure levels■ Rock-solid full-metal, die-cast body for rough daily touring

routine■ Minimally affected by varying load impedance■ Corrosion-resistant gold-plated 3-pin XLR output connector■ Comes in a cardboard box with foam layers; includes MTP 40

MCs shock mount and DTP 40 Lb artificial leather bag

FEATURES

38

MTP 540 DM / DMs

LEWITT’s MTP 540 DM and MTP 540

DMs are high-performance cardioid

dynamic handheld microphones

optimized for vocal applications setting

new standards of sound quality in both

demanding studio recordings and onstage

use.

The MTP 540 DM and DMs combine the

advanced technological features so

essential to memorable and authentic

vocal reproduction, providing just the kind

of performance you expect in a top-notch

professional dynamic microphone: the

elastic shock-mount system effectively

cuts down handling noise, while a built-in

spherical wind and pop filter compliments

specially tailored frequency response to

ensure consistently rich and powerful

output in any setting.

39



Frequency range:


Rated impedance:

Connector:

Dimensions:

Net weight:


cardioid

60 to 16.000 Hz

2 mV / Pa (-54 dBV)

< 300 ohms


49 dia. x 175 mm / 1,9 dia. x 6,9 inch

400 g / 14,1 oz.

SPECIFICATIONS FEATURES

■ Frequency response shaped specifically for demanding

vocal applications, with brightened midrange and bass

roll-off■ Uniform cardioid pickup pattern for maximum isolation of

the main sound source■ Highly shock-proof capsule minimizes handling noise■ Easily withstands high sound pressure levels■ Effective integrated acoustic pop and windshield offers


frequency clarity■ Rock-solid full-metal, die-cast body for rough daily

touring routine■ Hardened hexagonal ruthenium-galvanized steel mesh

grille to prevent wear and abuse■ Minimally affected by varying load impedance■ The MTP 540 DMs features a convenient recessed



MTP 40 MCs shock mount and DTP 40 Lb artificial

leather bag

TOP APPLICATIONS


FEATURES

■ Proprietary dynamic capsule tuned specifically for

demanding vocal applications, with brightened midrange

and extended low end■ Uniform supercardioid pickup pattern for maximum

isolation of the main sound source■ Optional active mode provides superior dynamic range

of 121 dB-A and extremely low self-noise of 19 dB-A

for ear-catching realism and distortion-free sonic depth■ Optional 3-position switchable amplification (0 dB, 6 dB,

and 12 dB) for unrivalled signal quality in demanding

environments■ 3-position switchable high-pass filter for direct

adjustment of proximity effect according to application

and artist■ Illuminated indication of microphone settings for quick

and easy handling even in dark environments■ Recessed slide switches prevent unintended change of

settings■ Effective integrated acoustic pop and windshield offers


frequency clarity■ Rock-solid full metal, die-cast body for rough daily

touring routine■ Hardened steel mesh grille to prevent wear and abuse■ Minimally affected by varying load impedance■ Corrosion-resistant gold-plated 3-pin XLR output



TOP APPLICATIONS

■ Lead and background vocals■ Demanding live and studio applications

40 41

LEWITT puts true studio performance

onstage – universally usable thanks to

switchable sensitivity and a multi-step

high-pass filter, infinitely durable and

optimally equipped for punishing touring

conditions without compromising on

sound.

Excellent transient response, refined

electronics and superior capsule design

make the MTP 840 DM a unique tool for

onstage use. Innovative circuitry design

and the highest-quality components make

for low self-noise and a maximum of

dynamic range when in active mode, the

frequency curve, which is specially tailored

for vocal recordings, provides the ultimate

in sound quality. A three-step high-pass

filter directly influences the proximity

effect. The built-in three-position

switchable amplifier, is specially adapted to

the MTP 840’s components, allowing

lossless recording of even far-off sources.

The LEDs on the MTP 840 DM, which

can be turned off, make checking the

microphone’s numerous settings a direct

and easy matter even in the dark.

The new dynamic flagship MTP 840 DM

transports the artist’s voice in a natural and

powerful way, consistent directionality

across the entire frequency spectrum

makes for maximum protection against

feedback, with the flexibly suspended

capsule reducing structure-borne noise to

a minimum.

MTP 840 DM



Frequency range:

Sensitivity:


Equivalent noise level:

Dynamic range, passive mode:

Dynamic range, active mode:

Max. SPL for 0,5 % THD, active mode:

Gain settings, active mode:


Rated impedance:


Supply voltage:


Connector:

Dimensions:

Net weight:


super-cardioid

40 to 18.000 Hz

3,5 mV / Pa (-49 dBV), passive mode

7 mV / Pa (-43 dBV), active mode

14 mV / Pa (-37 dBV), active mode

75 dB-A

19 dB-A, Super-cardioid (IEC 61672-1)

135 dB-A

121 dB-A, 0 dB gain

115 dB-A, 6 dB gain

109 dB-A, 12 dB gain

140 dB, 0 dB gain

134 dB, 6 dB gain

128 dB, 12 dB gain




< 600 ohms

> 1.000 ohms

48 V +/- 4 V (IEC 61938)

5,5 mA (IEC 61938)


51 dia. x 183 mm / 2 dia. x 7,2 inch

336 g / 11,85 oz

SPECIFICATIONS

FEATURES

■ 1-inch externally biased, dual-system capsule with ultra-

thin, gold-layered low-mass diaphragms ensure accurate

transient response for nuanced and authentic sound■ Flat frequency response for natural sound■ Three consistent directional characteristics – cardioid,

wide cardioid, supercardioid – for maximum flexibility in a

wide variety of live and recording applications■ Superior dynamic range of 135 dB-A and exceptionally

low self-noise of 9 dB-A thanks to innovative direct

coupling technology (patent pending) for ear-catching

realism and distortion-free sonic depth■ 3-position switchable pre-attenuation pad (0 dB, 6 dB,


levels■ 3-position switchable high-pass filter for direct

adjustment of proximity effect according to application

and artist■ Illuminated indication of microphone settings for quick

and easy handling even in dark environments■ Recessed slide switches prevent unintended change of

settings■ Effective integrated acoustic pop and windshield offers


frequency clarity■ Rock-solid full-metal, die-cast body for rough daily

touring routine■ Hardened steel mesh grille to prevent wear and abuse■ Minimally affected by varying load impedance■ Corrosion-resistant gold-plated 3-pin XLR output



TOP APPLICATIONS

■ Lead and background vocals■ Demanding live and studio applications

42 43

Real studio performance onstage at

present, this can only be found in

LEWITT’s MTP Performance Series.

Meeting the highest standards onstage

and in the studio requires the world’s most

technically advanced, innovative and full-

featured handheld condenser microphone:

the new MTP 940 CM – a milestone of

audio technology.

The externally biased large-diaphragm

capsule of the MTP 940 CM lends the

lead voice the necessary presence in an

infinitely subtle, detailed and authentic

way. The source comes through clearly,

processed with impressive feedback

resistance and with undesired breath,

popping and handling noise reduced to a

minimum. The MTP 940 CM boasts a

135 dB dynamic range – the widest ever

achieved in a live microphone – due to its

high headroom and LEWITT’s own Direct

Coupling circuit design, which makes

possible an unbeatably low self-noise level

of just 9 dB. Thus the MTP 940 CM is

also ideal for use in the studio. Three

switchable polar patterns ease recording

of the most diverse sources. A three-step

high-pass filter makes it possible to

directly influence the proximity effect and

the three-position switchable attenuation

pad guarantees use even in extreme SPL

environments. LEDs that can be switched

off if desired, make checking the mic’s

numerous settings a direct and easy

matter even in the dark ensuring a fast and

trouble-free setup process.

For everyone who’s always dreamed of

taking their studio mic into their hands and

onstage, or of recreating a live atmosphere

in the studio at an uncompromising level

of quality, the MTP 940 CM is the only

right choice. With the optimal synergy

between versatility, innovation and sound

quality, it sets a new benchmark in the

world of high-end microphones.

–

MTP 940 CM


Transducer Ø:


Frequency range:

Sensitivity:







Rated impedance:


Supply voltage:


Connector:

Dimensions:

Net weight:



25,4 mm / 1 inch

wide cardioid

cardioid

super-cardioid

20 to 20.000 Hz


85 dB-A

9 dB-A, cardioid (IEC 61672-1)

135 dB-A







< 150 ohms

> 1.000 ohms

48 V +/- 4 V (IEC 61938)

5,5 mA (IEC 61938)


51 dia. x 183 mm / 2 dia. x 7,2 inch

332 g / 11,71 oz

SPECIFICATIONS

44 45

"

Chris Brown and another one with Mary J. Blidge ... and I love them." Rick changed J.Lo's drum microphone setup

during her world tour. Hardly the right time for experiments. Nevertheless the perfect time for the best sound.

I’ve used LEWITT microphones on several big tours that I just finished: one with Jennifer Lopez, the other with

" "I LOVE ’EM.

Rick Camp

FOH Engineer

(Jennifer Lopez, Chris Brown, Madonna, Beyoncé, ... )

46

DTP 340 REX

DTP 640 REX

DTP 340 TT

47

PUTMORE

INYOUR

BOOM

CHA.THE DTP PERCUSSION SERIES

With its DTP series, LEWITT introduces a complete family of cutting-edge,

high-performance wired dynamic microphones designed specifically for drums,

percussion and bass instruments. hese high-quality mics by our

masterpiece, the dual-element cardioid DTP 640 REX optimized for kick drum

applications stand out thanks to their sonic accuracy on stage as well as in studio

settings. Minimally affected by varying load impedance and designed to effectively

reject off-axis sound, all models of the DTP series deliver unparalleled, memorable

sound that will turn heads in any audience. Uniform cardioids and super-cardioid

patterns allow for high gain before feedback and a hardened steel mesh grille

effectively resists wear and abuse, making DTP microphones and Beat Kits the

ultimate choice for touring professionals.

From professional drummers to discerning beat aficionados, LEWITT's DTP series

lets music lovers and performers alike discover a fine-tuned, punchy sound.

T – spear-headed

–

48

With the DTP 340 TT LEWITT introduces

consistently high-performing wired

dynamic microphones specifically

designed to accurately capture the sound

of drums and percussion instruments

providing a maximum of acoustic presence

and clarity in live sound applications.

Even in high sound pressure level

applications, DTP 340 TT reproduces

instrumental sounds with sonic detail and

character. The super-cardioid polar pattern

ensures that side and rear sounds are

effectively rejected. Its rugged body and a

hardened steel-mesh grille make this

microphone highly durable professional

gear for performers and audio engineers.

DTP 340 TT

49

■ Tailored frequency response for powerful yet smooth and

natural sound on percussion instruments■ Uniform supercardioid pickup pattern ensures high gain

before feedback and maximum isolation of the desired

sound source■ Solid full-metal, die-cast body suited for rough daily

touring routine■ Highly durable steel mesh grille to prevent wear and

abuse■ Corrosion-resistant gold-plated 3-pin XLR output

connector■ Comes in a cardboard box with foam layers, including

DTP 40 Mts shock mount, DTP 40 Mt drum mount and


FEATURES

TOP APPLICATIONS

■ Drums and Percussion // tom tom, hi-hat...



Frequency range:


Rated impedance:

Connector:

Dimensions:

Net weight:


super-cardioid

40 to 16.000 Hz

1,4 mV / Pa (-57 dBV)

< 500 ohms


41 dia. x 94 mm / 1,6 dia. x 3,7 inch

165 g / 5,82 oz.

SPECIFICATIONS

50

The ambitious DTP 340 REX developed

for entry-level use and its upscale big

brother designed for professional use, the

DTP 640 REX, make the hearts of beat

aficionados beat faster. Thanks to its

cardioid polar pattern and customized

frequency response, the dynamic DTP

340 REX offers everything you need to

mic bass instruments: catchy, impressive

sound and reliable performance on stage

and in the studio.

Since 2012, the DTP 340 REX offers

another innovative feature. In addition to

the accustomed neutral and pure sound –

developed for maximum application

diversity –, the ‘Enhanced Frequency

Response’ switchable right on the

microphone will deliver an unbeatably

impressive sound by emphasizing

frequencies from 70-150 Hz and 3-5 kHz

– especially optimized for use on kick

drums.

DTP 340 REX

51

■ Switchable “Enhanced Frequency Response”

specifically tailored for a powerful kick drum sound■ Perfectly suited for recording bass instruments and

percussion■ Uniform cardioid pickup pattern for maximum isolation

of the main sound source■ Outstanding gain before feedback■ Rock-solid full metal die-cast body suited for rough daily

touring routine■ Integrated stand adapter for secure mounting and easy

positioning■ Corrosion-resistant gold-plated 3-pin XLR output

connector■ Comes in a cardboard box with foam layers and DTP

40 Lb artificial leather bag

FEATURES



Frequency range:

EFR, ‘Enhanced Frequency Response’ settings:

Sensitivity, = FFR:

Sensitivity, + EFR:

Rated impedance:

Connector:

Dimensions:

Net weight:


cardioid

20 to 16.000 Hz

= FFR, ‘Flat Frequency Response’

+ EFR, ‘Enhanced Frequency Response’

0,4 mV / Pa (-69 dBV)

0,4 mV / Pa (-69 dBV)

< 500 ohms


71 dia. x 158 mm / 2,8 dia. x 6,2 inch

740 g / 26,1 oz

SPECIFICATIONS

TOP APPLICATIONS

■ Drums and Percussion // kick drum...■ Low frequency instruments // double bass, electric bass, kick drum...■ Live and studio applications

52

DTP 640 REX

Thanks to variably controlled dual element

technology and fine tuned frequency

responses, our flagship among drum

microphones, the DTP 640 REX, offers

unparalleled and powerful sound that will

delight professional drummers and sound

engineers alike. The DTP 640 REX is

equipped with a high quality dynamic

element and a condenser element – the

dynamic element ensures accurate

reproduction of the bass drum kick, while

the condenser element optimally captures

the rich low frequency sound of the

drum’s shell. In order to guarantee full

control over the two elements, they can be

separately mixed on their own channels.

Since 2012, the DTP 640 REX offers two

more features. The dynamic element

emphasizes frequency ranges relevant for

the kick drum in the ‘Dynamic Enhanced

Frequency Response’ setting switchable

right on the microphone, while the

condenser element captures the sound

neutrally. With ‘Dual Enhanced Frequency

Response’, the character of the sound can

be shaped even more individually – with

this setting, the condenser element

focuses on frequencies from 70 to 150 Hz

and delivers a full body sound. The

dynamic element provides the necessary

power by focusing on the range between

3 and 5 kHz.

The combination of these features with

the comprehensive tonal freedom of dual-

element technology greatly increases the

range of use, turning the DTP 640 REX

into a universal tool for bass-heavy

applications.

53


Transducer (dynamic):

Transducer (condenser):


Frequency range:

Sensitivity, = // = FFR:

Sensitivity, + // = Dynamic EFR:

Sensitivity, + // + Dual EFR:





Rated impedance:

Supply voltage:


Connector:

Cable:

Dimensions:

Net weight:


condenser, permanently polarized

31,7 mm / 1,25 inch

22,4 mm / 0,88 inch

cardioids, condenser and dynamic

20 to 16.000 Hz, dynamic,

depending on EFR setting

0,4 mV / Pa (-69 dBV) dynamic

2 mV / Pa (-54 dBV) condenser

0,4 mV / Pa (-69 dBV) dynamic

2 mV / Pa (-54 dBV) condenser

condenser and dynamic matched at 1 mV / Pa (-60 dBV)

28 dB-A (IEC 61672-1), condenser, FFR

122 dB-A, condenser


160 dB,10 dB pre-attenuation


10 dB, 20 dB switchable

< 500 ohms, dynamic

< 200 ohms, condenser

48 V +/- 4 V (IEC 61938)

2 mA (IEC 61938)

gold plated 3-pin and 5-pin XLR

1,5 m (4,95’) dual shielded Y-cable,

5-pin XLR into two 3-pin XLRs

71 dia. x 158 mm / 2,8 dia. x 6,2 inch

755 g / 27,3 oz

Ø

Ø

EFR, ‘Enhanced Frequency Response’ settings:

= // = FFR, ‘Flat Frequency Response’

+ // = Dynamic EFR, ‘Dynamic Enhanced Frequency

Response’+ // + Dual EFR, ‘Dual Enhanced

Frequency Response’

SPECIFICATIONS

■ Innovative dual-element design (dynamic and back-

electret condenser) accurately captures the sharp

attack of the beater as well as the round tonalities of

the shell for unrivaled realism■ 3-position switchable "Enhanced Frequency Response"

provides various tailored frequency responses on

separate channels for maximum creative freedom■ Frequency response specifically tuned for kick drum

applications and bass instruments■ 3-position switchable pre-attenuation pad (0 dB, 10 dB,


levels■ Hardened hexagonal ruthenium-galvanized steel mesh

grille to prevent wear and abuse■ Integrated stand adapter for quick and easy mounting

and positioning■ Corrosion-resistant gold-plated 5-pin XLR output


DTP 40 Trs cable and DTP 40 Lb artificial leather bag

FEATURES

TOP APPLICATIONS

■ Drums and Percussion // kick drum...■ Low frequency instruments // double bass, electric bass, kick drum...■ Live and studio applications

54 55

■ 6 piece starter drum kit containing one DTP 340 REX, three

DTP 340 TT and two LCT 140 microphones■ All microphones feature frequency responses specifically

tailored for drum and percussion instruments■ Extremely durable gear for professional live and studio

applications■ The LCT 140 features a transformerless design which makes

it immune to electromagnetic interference■ All models are equipped with corrosion-resistant gold-plated

3-pin XLR output connectors ensuring reliable signal paths■ Comes in a black carrying case with double foam layers and

artificial leather faces for easy travel and secure storage■ Includes two LCT 40 Ws windshields, five DTP 40 Mts shock

mounts and three DTP 40 Mt drum mounts

FEATURESDTP Beat Kit 6

The DTP Beat Kit 6 is a conveniently packaged start-up

selection of dynamic and condenser drum and percussion

microphones and mounts, designed to offer performers and

audio engineers of all experience levels everything needed for

expert live sound reinforcement, home recording and studio

recording.

The 6-piece drum kit includes one DTP 340 REX and three

DTP 340 TT super-cardioid dynamic drum mics, two LCT 140

condenser mics, windshields and drum- and shock mounting

systems, and comes in a convenient black aluminium carrying

case. Thanks to carefully tailored frequency responses

optimized for drum and percussion applications, as well as

precision dynamic capsules and uniform directional pickup

patterns ensuring high gain before feedback, the DTP 340 REX

and the DTP 340 TT deliver fine-tuned drum sound with

extraordinary detail and impact onstage and in the studio.

LEWITT’s highly versatile and compact condenser all-rounder,

the LCT 140, allows for accurate and clear sound capture of

cymbals. Its transformerless design makes it immune to

electromagnetic interference, and convenient LED displays and

recessed slide switches make it a perfect fit for live applications.

The complete kit comes in a rugged aluminium case which

allows for easy travel and secure storage.

56 57

■ 7-piece quality drum kit containing one DTP 640 REX, three

dynamic DTP 340 TT microphones, two LCT 340 condenser

microphones and one dynamic MTP 440 DM■ All microphones feature frequency responses specifically

tailored for drums and percussion instruments■ Highly durable all-metal constructed bodies and hardened

steel mesh grilles for reliable performance onstage and in the

studio■ The LCT 340 provides interchangeable 0.8-inch small-

diaphragm capsules for cardioid and omnidirectional (optional)

pattern selection, convenient snap closure, transformerless

output and dual-color LEDs■ The DTP 340 TT features a uniform supercardioid pickup

pattern for high gain before feedback and maximum isolation

of the desired sound source■ The MTP 440 DM is a cardioid dynamic microphone featuring

a precision-engineered capsule for effective isolation of the

intended sound source, perfectly suited for miking snare

drums■ The DTP 640 REX combines a high-performance back-

electret and a dynamic capsule in one mic for a highly

balanced, rich and powerful drum sound■ All models are equipped with corrosion-resistant gold-plated

3-pin XLR output connectors ensuring reliable signal paths

and low noise■ Comes in a black carrying case with double foam layers and

artificial leather faces for easy travel and secure storage■ Includes two LCT 40 Ws windshields, five DTP 40 Mts shock

mounts, four DTP 40 Mt drum mounts and one MTP 40 MCs

shock mount

FEATURESDTP Beat Kit Pro 7

The DTP Beat Kit Pro 7 is an elite full-spectrum drum set

designed for an ever growing number of professional drummers

and sound engineers looking for a high-performance all-rounder

kit that allows for reproducing authentic, powerful sound full of

detail in any setting. From upscale studio projects to big live

acts, the DTP Beat Kit Pro 7 provides just the kind of reliable

premium gear you need for a memorable performance.

This 7-piece pro-kit contains our drum mic masterpiece, the

dual-element cardioid DTP 640 REX, three dynamic DTP 340

TT mics, two LCT 340 condenser mics and one cardioid

dynamic MTP 440 DM mic, as well as a selection of shock and

drum mounts. All these pro-quality, precision-engineered

microphones feature a tailored frequency response designed

specifically for miking drums, percussions and bass

instruments. The complete package exhibits fantastic SPL

handling and off-axis sound rejection, delivering remarkably

bright, smooth and balanced sound – anytime, anywhere.

The complete kit comes in a rugged aluminium case which

allows for easy travel and secure storage.

5958

Keith Harris trusts in LEWITT microphones. He may be best known as the drummer and a producer for multi-platinum

selling, The Black Eyed Peas and Fergie. His album credits include Michael Jackson, Mary J. Blige, Mariah Carey,

Christina Aguilera, Chris Brown, Pussy Cat Dolls, Earth Wind and Fire, John Legend and many more.

"IT REALLY CAPTURES THETRUE SOUND OF WHATEVER

I AM RECORDING."

Keith Harris

Producer // Drummer

(Multi Grammy Award Winner)

60

LTS 240 Diversity C+D

LTS 240 Dual C+D

61

GETMORE

INTOYOUR

LIVE

SHOW.THE LTS WIRELESS SERIES

Reasonably priced, sophisticated and yet easy-to-use wireless vocal systems which

deliver solid, distortion-free sound and excel in a variety of semi-professional studio

and live applications. That's what LEWITT's tech-engineers had in mind when they

created the LTS series. No matter whether at small live gigs, conferences, regional

events or karaoke performances, LTS wireless systems are the first choice for

ambitious entry- and mid-level users looking for the perfect combination of consistent

performance, smart operation and remarkable audio quality.

Users can choose between systems with condenser or dynamic capsules, and all

LTS sets feature handheld transmitters and full metal half-rack receivers.

Unplug and dive into a great new wireless experience.

62

LTS 240 Dual C+D

State-of-the-art wireless technology, solid

construction, reliable performance and

quality audio transmission at an

extraordinary price-performance ratio –

that’s what LEWITT’s LTS 240 Dual C &

LTS 240 Dual D wireless start-up kits

stand for. Designed for entry-level users,

these versatile, compact wireless systems

offer artists and engineers easy-to-use

wireless technology, delivering natural and

distortion-free sound on small stages, at

events or karaoke performances.

Users can choose between systems with

condenser (LTS 240 Dual C) or dynamic

capsules (LTS 240 Dual D). Each set

contains two high-quality handheld

transmitters featuring a convenient LED

display indicating battery status, a quick-

acting screw thread closure and two AA

batteries for up to 10 hours continuous

use, as well as a rugged half-rack receiver

with a sturdy metal housing.

Simply unplug and rock!

63

Transmitters

UHF, FM

cardioid

2 fixed

FM (25 kHz max. deviation), compander

system with pre- and de-emphasis

70 to 18.000 Hz

< 0,5 % typical

> 80 dB-A typical

10 mW

2 pcs AA size dry batteries: 10 hours typ.

50 dia. x 262 mm / 1,96 dia. x 10,3 inch

255 g / 9,0 oz.

Receiver

balanced 3-pin XLR; unbalanced

TS 1/4" jack

0 - 6 dB

160 x 115 x 30 mm / 6,3 x 4,5 x 1,2 inch

540 g / 19,0 oz.

Transmission principle:


Available channels:

Modulation:

Audio bandwidth:

THD:


RF radiation:

Battery life:

Dimension:

Net weight:

Audio outputs:

Gain adjustment range:

Dimensions:

Net weight:

SPECIFICATIONS

■ LTS 240 Dual C and D wireless systems are the

perfect choice for entry-level users looking for reliable

gear that delivers distortion-free, natural sound in live

and karaoke performances■ The LTS 240 Dual C kit includes two handheld

transmitters featuring quality condenser capsules and a

half-rack receiver■ The LTS 240 Dual D kit includes two handheld

transmitters featuring quality dynamic capsules and a

half-rack receiver■ Four-part RF- and AF-level LED display■ Transmitters are equipped with two AA batteries for up

to ten hours of continuous performance, a convenient

LED display indicating battery status and an

On/Off/Mute switch■ Receiver features pre-programmed frequencies, FM

modulation, UHF antennas, XLR and unbalanced (6,3

phone plug) outputs■ Volume level control ■ Solid handheld transmitters with a hexagonal side grille

and a stylish matte black finish■ Half-rack metal-case receiver with a matte black finish■ Comes in a cardboard box with foam layers; includes

LTS 40 MCs shock mount

FEATURES

TOP APPLICATIONS

■ Lead and background vocals

64

LTS 240 Diversity C+D

With the LTS 240 Diversity C and the LTS

240 Diversity D systems, LEWITT

introduces rugged, reliable and easy-to-

use wireless systems designed to add a

remarkable quality to performances of

ambitious entry-level users. Perfectly

suited for use on small stages, at club

gigs, regional events or in houses of

worship, these reasonably priced wireless

systems withstand the rigors of regular

stage use and deliver reliable performance

in any setting. Convenient and easy setup

makes these wireless systems the perfect

choice for young bands, entertainers and

karaoke professionals.

Users can choose between systems with

condenser (LTS 240 Diversity C) or

dynamic capsules (LTS 240 Diversity D).

Each set contains a quality handheld

transmitter featuring a convenient LED

display indicating battery status, a quick-

acting screw thread closure and a rotary

switch for frequency selection, as well as a

rugged diversity half-rack receiver

featuring four pre-programmed

frequencies selectable via pushbuttons.

In short, the LTS 240 Diversity C and the

LTS 240 Diversity D systems offer

everything that users expect from versatile,

modern and durable entry-level wireless

systems.

65

Transmitters

UHF, FM, diversity

cardioid

4 selectable channels

FM (25 kHz max. deviation), compander

system with pre- and de-emphasis

70 to 18.000 Hz

< 0,5 % typical

> 85 dB-A typical

10 mW

2 pcs AA size dry batteries: 10 hours typ.

50 dia. x 262 mm / 1,96 dia. x 10,3 inch

258 g / 9,1 oz.

Receiver

balanced 3-pin XLR; unbalanced

TS 1/4" jack

0 - 6 dB

Yes

160 x 115 x 30 mm / 6,3 x 4,5 x 1,2 inch

540 g / 19,0 oz.

Transmission principle:


Available channels:

Modulation:

Audio bandwidth:

THD:


RF radiation:

Battery life:

Dimension:

Net weight:

Audio outputs:

Gain adjustment range:

Squelch:

Dimensions:

Net weight:

SPECIFICATIONS

■ LTS 240 Diversity C and Diversity D wireless

systems are a top choice for ambitious entry-level users

and performances in various acoustic environments■ The LTS 240 Diversity C set includes one handheld

transmitter featuring a quality condenser capsule and a

half-rack receiver with a sturdy metal housing■ The LTS 240 Diversity D set includes one handheld

transmitter featuring a quality dynamic capsule and a

half-rack receiver with a sturdy metal housing■ Four-part RF- and AF-level LED display■ Transmitters are equipped with two AA batteries for up

to ten hours of continuous performance, an LED

display indicating battery status and an On/Off/Mute

switch and a rotary switch for frequency selection■ Receiver features four pre-programmed frequencies

selectable via pushbuttons, FM modulation, UHF

antennas, XLR and unbalanced (6,3 phone plug)

outputs■ Squelch and volume level controls■ Hardened hexagonal steel mesh grille to prevent wear

and abuse■ Half-rack all-metal case receiver with a matte black

finish■ Set comes in a cardboard box with foam layers and

includes LTS 40 MCs shock mount

FEATURES

TOP APPLICATIONS

■ Lead and background vocals

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LCT Windscreen

High-quality, ultraviolet radiation resistant foam windscreen. Prevents loud pops

from occurring when aspirated air from spoken or sung consonants like "p" and

"t" hits the microphone's diaphragm.

Suitable for

■ LCT 140

■ LCT 340

LCT 40 Ws

Suitable for

■ LCT 240

■ LCT 540

■ LCT 640

LCT 40 Wx

Suitable for

■ LCT 840

■ LCT 940

LCT 40 Wxx

Suitable for

■ LCT 840

LCT 40 Tr

High perfromance 11-pin audio cable. Oxygen free copper, an extremely

low resistance and a tight cable shielding ensures best signal

transmission. Cable length is 8m.

■ LCT 940

Small snap-in handheld microphone mount. Compatible with 3/8"

and 5/8" threads.

MTP 40 MCs

Suitable for

■ MTP 240 DM

■ MTP 240 DMs

■ MTP 440 DM

■ MTP 540 DM

■ MTP 340 CM

■ MTP 340 CMs

■ MTP 540 DMs

66

LCT 40 M2

Stereobar for accurate positioning of mics.

Compatible with 3/8" and 5/8" thread.

LCT Shock Mount

Shock mount for studio microphones. Attenuates noise, shock and vibration

transmitted through mic stands, booms and mounts. Quick-acting screw thread

closure permits fast and easy setup. Compatible with 3/8" and 5/8" threads.

Suitable for

■ LCT 840

■ LCT 940

LCT 40 SHxx

Suitable for

■ LCT 140

■ LCT 340

LCT 40 SHs

Suitable for

■ LCT 540

■ LCT 640

LCT 40 SHx

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LTS 40 MCs

Snap-in handheld microphone mount. Compatible with 3/8" and 5/8"

threads.

Suitable for

■ LTS 240 MXd

■ LTS 240 MXc

■ LTS 240 MX2d

■ LTS 240 Mx2c

■ LTS 540 MXd

■ LTS 540 MXc

Suitable for

■ DTP 40 Mts

■ MTP 40 MCs

■ LTS 40 MCs

DTP 40 Mt

Adjustable drum microphone

mount. Compatible with 3/8"

and 5/8" threads.

Suitable for

■ LTS 240

LTS 40 RMs

Rack hardware for LTS 240 wireless

systems. Suitable for mounting up

to two receivers in a 1U 19 inch

rack.

69

Suitable for

■ LCT AUTHENTICA series

■ MTP series

■ DTP 340 TT

■ DTP 40 Mt

DTP 40 Lb

Cushioned leather bag. Spray

water proof.

Suitable for

■ LCT AUTHENTICA series

■ DTP 340 TT

■ DTP 40 Mt

DTP 40 Mts

Rubber microphone mount. Provides firm grip and attenuates

structure borne noise. Compatible with 3/8" and 5/8” threads.

Suitable for

■ DTP 640 REX

DTP 40 TrsTr /

High performance 5-pin audio cable. Oxygen free copper, extremely low

resistance and a tight cable shielding ensures best signal transmission (4

m and 1,5 m length).

D TAI S M KE A

DIF ER NCE TO T E

EA S OF Y UR

AUDI NCE.

E L A

F E H

R O

E

70

SO MAKE YOURSELF HEARD.

UNALTERED. AUTHENTIC. MEMORABLE.

Music moves people.

Music is passion. Inspiration. Messenger.

And music deserves to be heard. Unaltered. Authentic. Memorable.

LEWITT has dedicated itself to supporting music aficionados, artists and audio engineers around the globe in

getting the best out of every single creative idea and every project with microphones that set new standards

in terms of sound quality, technology and reliability.

–

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Lewitt Microphones Catálogo 2014

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