Lewitt Microphones Catálogo 2015

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Austrian co-founder and CEO of LEWITT Roman Perschon has been deeply,

involved in microphone development with some of the industry s top brands and,

was for many years Senior Buyer & Project Manager for one of Austria s leading

microphone companies.

The design & research team located in Vienna, Austria recognized as a worldleading

centre of excellence in professional microphone development does all the product

development including all software and electronic engineering.

,This backs on to the company s own 45.000-sqm facility in China exclusively

designed for manufacturing microphones.

The state-of-the-art production base with

+1000 employees includes its own die

casting, clean room capsule assembly,

anechoic chambers, the latest SMT

and soldering equipment etc., to cover

all aspects of engineering, testing and

production.

As such, LEWITT is delivering its own

unique innovations with its own technology

in high quality propositions at reasonable

prices - a truly rare combination.

All of the microphones sport the LEWITT

look that signals modernity, individuality

and technical professionalism and all have

the LEWITT feel that exudes ruggedness,

an appealing design and a quality capable

of fulfilling the LEWITT promise of unaltered crystal clear transmission of your

sound, making it authentic and memorable.Roman Perschon CEO and Co-Founder

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LCT 340

LCT 550

LCT 940

LCT Series ...........................................................................................

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MTP 840

MTP 940

MTP Series ..........................................................................................

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DTP 640 REX

DTP Series ..........................................................................................

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DGT 650

DGT Series ..........................................................................................

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0.67-inch small-

diaphragm capsule

Cardioid polar pattern

124 dB dynamic range,

19 dB (A) self-noise

3-position attenuation,

3-step low-cut

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0.8-inch small-diaphragm

capsule

Cardioid and optional

omnidirectional capsule



4-position attenuation,

4-step low-cut

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1-inch large-diaphragm

condenser microphone



8 dB (A) self-noise

2-step attenuation,

2-position low-cut

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0.67-inch capsule




3-step attenuation,

3-position low-cut

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0 dB (A) self-noise from

electronics and circuitry

Any two LCT 550s form a

matched pair at +/- 0 dB

1-inch true condenser

cardioid recording mic

140 dB dynamic range

3-step attenuation,

3-position low-cut

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1-inch large-diaphragm tube microphone

5 polar patterns

130 dB dynamic range, 9 dB (A) self-noise

3-step attenuation, 3-position low-cut

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Tube and FET technology combined in one

single housing

Continuously blend between Tube and FET

9 polar patterns

4-position attenuation, 4-step low-cut

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Five different polar patterns for extraordinary flexibility

Superior transient response Flat frequency response for

natural, authentic sound 4 switchable pads 4 switchable low-cut filters Low self-noise of 10 dB (A)

and max SPL of 145 dB for a superior dynamic range of 135 dB

// Interchangeable capsules: cardioid and omnidirectional (optional)0.8-inch small-diaphragm capsule with ultra-thin externally biased, gold-layered low-mass diaphragm Flat frequency response for natural and authentic soundPerfectly suited for sophisticated live and studio applications

// 124 dB (A) dynamic range 15 dB (A) self-noise 4 switchable pads (0 dB, -6 dB, -12 dB, -18 dB) for handlinghigh sound pressure levels4 switchable low-cut filters: linear, 80 Hz (12 dB / Oct.), 150 Hz (6 dB / Oct.), 300 Hz (6 dB / Oct.)

// Illuminated user interface for quick and easy handling in dark environmentsRecessed slide switches prevent accidental operation

// Rock-solid construction ensures longevityBlack die-cast full metal bodyRuthenium-galvanized steel mesh grille to prevent wear and abuseCorrosion-resistant gold-plated 3-pin XLR output connector

THE CAPSULE

SOLID SPECIFICATIONS

EASE OF USE

RUGGED AND TOUR-WORTHY

// Features

Acoustic instruments (strings, guitars, piano and similar)Ambitious stereo on-location recordings techniques (XY, ORTF, AB)Ambient and on-location recordingsClassical instruments and ensembles

// Applications// LCT 340 microphoneDTP 40 Mts shock mountLCT 40 Ws windshieldDTP 40 Lb leather bagLCT 340 OC optional omni transducer

BOX CONTENTS

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Acoustical operating principle pressure gradient transducers, externally polarizedTransducer Ø 20,32 mm / 0,8 inchDirectional pattern cardioid / omniFrequency range 20 to 20.000 HzSensitivity 9 mV / Pa (-41 dBV), cardioid8 mV / Pa (-42 dBV), omniSignal / noise ratio 79 dB (A)Equivalent noise level 15 dB (A), cardioid (IEC 61672-1)16 dB (A), omni (IEC 61672-1)Dynamic range of mic. Amp. 124 dB (A)Max. SPL for 0,5 % THD 139 dB, 0 dB pre-attenuationPre-attenuation pad 6 dB, 12 dB, 18 dB, switchableBass cut filter slope 12 dB / octave at 40 Hz6 dB / octave at 150 Hz6 dB / octave at 300 HzRated impedance < 150 ohmsRated load impedance > 1.000 ohmsSupply voltage 48 V + / - 4 V (IEC 61938)Current consumption 6,6 mA (IEC 61938)Connector gold plated 3-pin XLRDimensions Ø 24 dia. x 160 mm / Ø 0,94 dia. x 6,3 inchNet weight 200 g / 7,05 oz

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// Specifications

// Features// Highly precise calibration of capsule and electronics means that any two microphones from this series will always form a matched pair at +/- 0 dB

// Precise transient response thanks to the 3-micron-thin, gold-layered, low-mass, 1-inch Mylar diaphragmExtraordinary sensitive: capture even extremely weak signals with great precision and detailCardioid polar pattern for effective rear sound rejection

// 0 dB (A) self-noise from electronics and circuitry3 dB (A) according to IEC 60268-1 due to Brownian Motion - in simple terms: the sound caused by the movement of air molecules ...140 dB dynamic rangeMax. SPL of 155 dB (A)Immune to electromagnetic interference thanks to transformerless preamplifier circuitry

// Illuminated user interface for quick and easy handling in dark environmentsNoiseless pushbuttons for attenuation and low-cut selectionAutomatic Attenuation and Clipping History mode

// Rugged zinc die-cast bodyInternal shock mount for maximum reduction of structure borne noiseCorrosion-resistant gold-plated 3-pin XLR output connector

A PERFECT MATCH

THE CAPSULE

UNRIVALED SPECS

EASE OF USE

RUGGED & TOUR-WORTHY

// ApplicationsClassical instruments and ensemblesAmbitious stereo recording techniques (XY, ORTF, AB, ...)Vocals & background vocalsAcoustic instruments (strings, guitars, piano and similar)Drum & percussion overhead

// LCT 550 microphoneLCT 40 SHx shock mountLCT 40 Wx windshieldDTP 40 Lb artificial leather bagBlack carrying case

BOX CONTENTS

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Acoustical operating principle pressure gradient transducer, externally polarizedDiaphragm 3 micron gold sputtered MylarTransducer Ø 25,4 mm / 1 inchPolar pattern cardioidFrequency range 20 to 20.000 HzSensitivity 36 mV / Pa (-29 dBV), +/- 0 dB @ 1 kHzSignal / noise ratio 91 dB (A)Equivalent noise level 0 dB (A) self-noise from electronics and circuitry3 dB (A), according to IEC 60268-1 due toBrownian MotionDynamic range of FET mic. Amp. 140 dB (A)Max. SPL for 0,5 % THD 143 dB, 0 dB pre-attenuationPre-attenuation pad 6 dB, 12 dB, switchableLow cut 12 dB / octave at 80 Hz6 dB / octave at 160 HzRated impedance < 150 ohmsRated load impedance > 1.000 ohmsSupply voltage 48 V +/- 4 VCurrent consumption 5,5 mAEnclosure Zinc die castConnector gold plated 3-pin XLRDimensions 158 x 52 x 36 mm / 6,22 x 2,04 x 1,42 inchNet weight 425 g / 14,9 oz.

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// Specifications

// Features// Tube and FET technology combined in a single housing for maximum creative freedomContinuously blend between tube (dual triode tube) and FET circuitry for your preferred "sound flavor"

// Pressure gradient dual-diaphragm systemPrecise transient response thanks to the 3-micron-thin, gold-layered, low-mass 1-inch Mylar diaphragmNine different polar patterns for maximum flexibility in any recording situation

// Superior dynamic range of 128 dB (A) (tube) / 135 dB (A) (FET)Exceptionally low self-noise of 12 dB (A) (tube) / 8 dB (A) (FET) for ear-catching realism and sonic depth

// Illuminated user interface for quick and easy handling in dark environmentsNoiseless pushbuttons for attenuation and low-cut selectionAutomatic Attenuation and Clipping History mode

// Rugged zinc die-cast bodyInternal shock mount for maximum reduction of structure borne noiseCorrosion-resistant gold-plated 3-pin XLR output connector

TUBE // FET AND EVERYTHING IN BETWEEN

THE CAPSULE

UNRIVALED SPECS

EASE OF USE

RUGGED & TOUR_WORTHY

// LCT 940 microphoneLCT 940 PSU remote control unitLCT 40 Trs 11-pin cableLCT 40 SHxx shock mountLCT 40 Wxx windshieldBlack carrying case

BOX CONTENTS

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Directional pattern omni, broad-cardioid, cardioid, super-cardioid, figure-8 andfour intermediate patternFrequency range 20 to 20.000 HzSensitivity 23 mV / Pa (-33 dBV), cardioidSignal / noise ratio (FET) 86 dB (A)Signal / noise ratio (Tube) 82 dB (A)Equivalent noise level (FET) 8 dB (A), cardioid (IEC 61672-1)Equivalent noise level (Tube) 12 dB (A), cardioid (IEC 61672-1)Dynamic range of FET mic. Amp. 135 dB (A)Dynamic range of Tube mic. Amp. 128 dB (A)Max. SPL for 0,5 % THD (FET) 143 dB, 0 dB pre-attenuationMax. SPL for 0,5% THD (Tube) 140 dB, 0 dB pre-attenuationPre-attenuation pad 6 dB / 12 dB / 18 dBBass cut filter slope 12 dB / octave at 40 Hz6 dB / octave at 150 Hz6 dB / octave at 300 HzRated impedance < 200 ohmsRated load impedance > 1.000 ohmsCurrent consumption 170 mAConnector gold plated 11-pin XLRCable 8 m (26 ft) / 11-pin audio cableDimensions (Mic) 192 x 60 x 46 mm / 7,5 x 2,4 x 1,8 inchDimensions (PSU) 250 x 150 x 70 mm / 9,8 x 5,9 x 2,8 inchNet weight (Mic) 662 g / 23,3 ozNet weight (PSU) 1930 g / 68,1 oz

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// ApplicationsHigh end lead & background vocalsSpoken word (radio anchor, high quality podcast, TV & movie post production)Acoustic instruments (guitars, strings, piano and similar)

Acoustical operating principle pressure gradient transducer, externally polarizedTransducer Ø 25,4 mm / 1 inch

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// Specifications

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Dynamic capsule


High gain before feedback

Integrated acoustic pop

and windshield

Highly shock-resistant and

effective structure-born

noise elimination

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// MTP 250 DMWired handheld dynamicmicrophone for ambitiousperformances

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Dynamic capsule

Frequency-consistent

cardioid polar pattern

Rock-solid full metal,

die-cast body

Highly shock-resistant and


noise elimination

// MTP 440 DMHighly versatile dynamicinstrument microphone forloud sources

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Natural, authentic sound

Integrated pop and windshield

Highly shock-resistant,


noise elimination

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// MTP 350 CMProfessional wired handheldcondenser microphone forhighly detailed sound

// MTP 550 DM

Authentic, powerful sound

Frequency consistent

cardioid polar pattern

Integrated acoustic pop

and windshield



noise elimination

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The dynamic handheldperformance must-have

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Uncompromising studio

condenser sound for

stage performances

Superior dynamic range of

140 dB (A), exceptionally

low self-noise of 15 dB (A)


for clean live sound and

effective rear rejection

2-step attenuation,

2-position low-cut

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Handheld performancemicrophone with 1-inch studiocondenser capsule

// MTP 740 CM

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Dynamic capsule tuned

specifically for demanding

vocal applications

Supercardioid pickup pattern



noise elimination

Superior dynamic range of

121 dB (A)

3-position switchable

high-pass filter, optional

3-position amplification

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// MTP 840 DMFeature-rich dynamichandheld microphone forexceptionally clean sound

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1-inch dual-system

condenser capsule

Highly accurate transient

response for nuanced and

authentic sound

Cardioid, wide cardioid and

supercardioid polar pattern

135 dB (A) dynamic range

3-step pre-attenuation,

3-position low-cut

Highly shock-resistant

thanks to advanced

suspension technology

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// MTP 940 CMLarge-diaphragm studiocondenser technology andfeatures in a handheld housing

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// MTP 840 DM microphoneMTP 40 MCs shock mount DTP 40 Lb artificial leather bagBlack carrying case

BOX CONTENTS

// Dynamic capsule tuned specifically for demanding vocal applications, brightened range and extended low end Uniform supercardioid pickup pattern for maximum isolation of the main sound source

// Optional active mode provides superior dynamic range of 121 dB (A) and extremely low self-noise of 19 dB (A) for maximum realism and distortion-free sonic depth Optional 3-position switchable amplification (0 dB, 6 dB, and 12 dB) for unrivaled signal quality in demanding environments 3-position switchable high-pass filter for direct adjustment of proximity effect Highly effective integrated acoustic pop and windshield offers excellent protection without compromising high-frequency clarity

// Illuminated indication of microphone settings for quick and easy handling even in dark environmentsRecessed slide switches prevent unintended change of settings during the performance

// Rock-solid full metal, die-cast body for rough daily touring routines Hardened steel mesh grille to prevent wear and abuseShock-resistant and effective structure-born noise elimination thanks to advanced suspension technology Minimally affected by varying load impedance Corrosion-resistant gold-plated 3-pin XLR output connector

THE CAPSULE

UNRIVALED SPECS

EASE OF USE


// Features

Lead and background vocals Demanding live and studio applications

// Applications

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Acoustical operating principle Dynamic, moving coilDirectional pattern SupercardioidFrequency range 40 to 18.000 HzSensitivity 3,5 mV / Pa (-49 dBV), passive mode7 mV / Pa (-43 dBV), active mode14 mV / Pa (-37 dBV), active modeSignal / noise ratio 75 dB (A)Equivalent noise level 19 dB (A), Super-cardioid (IEC 61672-1)Dynamic range, passive mode 135 dB (A)Dynamic range, active mode 121 dB (A), 0 dB gainMax. SPL for 0,5 % THD, active mode 140 dB, 0 dB gainGain settings, active mode 0 dB, 6 dB, 12 dB, switchableBass cut filter slope 12 dB / octave at 150 Hz12 dB / octave at 250 HzRated impedance < 600 ohmsRated load impedance > 1.000 ohmsSupply voltage 48 V +/- 4 V (IEC 61938)Current consumption 5,5 mA (IEC 61938)Connector Gold plated 3-pin XLRDimensions 51 dia. x 183 mm / 2 dia. x 7,2 inchNet weight 336 g / 11,85 oz.

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// Specifications

// Features// Uncompromising true 1-inch studio condenser for stage performance3-micron gold-sputtered Mylar diaphragmIntegrated acoustic pop and windshield for excellent protection without compromising high-frequency clarity

// Three directional characteristics - cardioid, wide cardioid, supercardioid - for maximum versatility on stage and in the studioFlat frequency response for natural sound for ear-catching realism and distortion-free sonic depth

// Superior dynamic range of 135 dB (A) Exceptionally low self-noise of 9 dB (A) thanks to innovative direct coupling technology (patent pending)3-position switchable pre-attenuation pad (0 dB, 6 dB, and 12 dB) for handling extremely high sound pressure levels3-step switchable high-pass filter for direct adjustment of proximity effect

// Illuminated indication of microphone settings for quick and easy handling even in dark environmentsRecessed slide switches prevent unintended change of settings during the performance

// Rock-solid full metal, die-cast body for rough daily touring routines Hardened steel mesh grille to prevent wear and abuse Minimally affected by varying load impedance Corrosion-resistant gold-plated 3-pin XLR output connector

THE HANDHELD STUDIO MICROPHONE

THE CAPSULE

UNRIVALED SPECS

EASE OF USE


// ApplicationsAuthentic and dynamic live vocal performancesHandheld vocal studio recordingsAcoustic instruments (live & studio)Jazzy snare drum and percussion instruments

// MTP 940 CM microphoneMTP 40 MCs shock mount DTP 40 Lb artificial leather bagBlack carrying case

BOX CONTENTS

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Acoustical operating principle pressure gradient transducer, externally polarizedTransducer Ø 25,4 mm / 1 inchDirectional pattern Wide cardioid / Cardioid / Super-cardioidFrequency range 20 to 20.000 HzSensitivity 10 mV / Pa (-40 dBV), cardioidSignal / noise ratio 85 dB (A)Equivalent noise level 9 dB (A), cardioid (IEC 61672-1)Dynamic range of mic. Amp. 135 dB (A)Max. SPL for 0,5 % THD 144 dB, 0 dB pre-attenuation150 dB, 6 dB pre-attenuation156 dB, 12 dB pre-attenuationPre-attenuation pad 6 dB, 12 dB, switchableBass cut filter slope 12 dB / octave at 80 Hz12 dB / octave at 160 HzRated impedance < 150 ohmsRated load impedance > 1.000 ohmsSupply voltage 48 V +/- 4 V (IEC 61938)Current consumption 5,5 mA (IEC 61938)Connector Gold plated 3-pin XLRDimension 51 dia. x 183mm / 2 dia. x 7,2 inchNet weight 332 g / 11,71 oz.

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// Specifications

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1 x DTP 340 REX

3 x DTP 340 TT

2 x LCT 140

Comes in a black carrying case

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// DTP Beat Kit 6Starter kit for ambitiousdrummers and percussionists

1 x DTP 640 REX

3 x DTP 340 TT

2 x LCT 340

1 x MTP 440

Comes in a black carrying case

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// DTP Beat Kit Pro 7Highly versatile set forprofessional drum andpercussion recordings

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// DTP 340 TTMultipurpose percussionmicrophone for rich andpunchy sound

High-quality dynamic element

designed especially for

drums and percussion

Frequency consistent

supercardioid polar pattern

for minimum off-axis coloration


Rock-solid full metal die-cast

body for rough daily

working routines

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// DTP 640 REXDual-element multi-tool forall bass-heavy applications

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Innovative dual-element

design: two capsules

(dynamic & condenser) in a

single housing

3 switchable filter curves

(Enhanced Frequency Response)

3 switchable pads (0 dB,

-10 dB, and -20 dB) for high

sound pressure levels

Frequency response

tuned specifically for kick

drums and bass instruments

Outstanding gain before feedback

// DTP 340 REXMultipurpose percussionmicrophone for all bass-heavy applications

Switchable filter curve

(Enhanced Frequency Response).

Frequency response

specifically tuned for kick

drums and bass instruments

Outstandingly high gain

before feedback

Cardioid polar pattern for

clean sound and effective

rear rejection

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// Features// TWICE THE KICK

// THE CAPSULES

// UNRIVALED SPECS

// ENHANCED FREQUENCY RESPONSE

// EASE OF USE

// RUGGED & TOUR-WORTHY

Innovative dual-element design: two capsules (dynamic & condenser) with individual outputs, perfectly phase aligned for most versatile and accurate sound reproduction

Two capsules phase aligned in a single housingCardioid polar pattern for clean sound and effective rear rejectionFrequency response specifically tuned for kick drums and bass instruments

Outstanding gain before feedback3 switchable filter curves (Enhanced Frequency Response) for massive low end, snappy punch or both3 switchable pads (0 dB, -10 dB, and -20 dB) for high sound pressure levels

Three switchable frequency response modes for maximum sonic versatility Flat Frequency Response mode - for the most natural sound reproductionDynamic Enhanced Frequency Response mode - enhanced dynamic frequency response, neutral condenser elementDual Enhanced Frequency Response - the condenser element focuses on frequencies from 70 to 150 Hz and delivers a full- bodied sound while the dynamic element provides a powerfulattack by focusing on the range between 3 and 5 kHz

Recessed slide switches prevent unintended change of settings during the performance

Super-robust design for tough studio & stage handlingHardened steel mesh grille to prevent wear and abuseCorrosion-resistant gold-plated 5-pin XLR output connector

// DTP 640 REX microphoneDTP 40 Trs cableDTP 40 Lb artificial leather bag

BOX CONTENTS

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// ApplicationsBass drumBass amplifier TomsHorns

// Specifications

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All-in-one stereo USB

recording solution and

interface for PC, Mac and

iOS devices - no camera

connection kit required!

XY-stereo capsule arrangement

Four recording modes: Stereo,

Cardioid, Singer/Songwriter

Mode for simultaneous

instrument and Stereo

Line-in recording

24 bit / 96 kHz

110 dB dynamic range

Asynchronus USB transfer

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// DGT 650iOS // OS X // Windowsmicrophone and audiointerface in one

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// Recording App

High-quality recordings on the go

Intuitive and quick-to-use interface -

practically self-explanatory

Well-conceived archiving system for

fast and efficient searches

Add notes, ratings, tags and photos to

every recording

Supports many common consumer

and professional formats for export

File transfer via E-mail, iTunes and

direct upload to SoundCloud

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Turns your mobile device into arecording device

Easy handling of the microphone

without leaving the workstation

All settings at a glance

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// Control CenterCheck and change the settings ofyour DGT directly from your PC

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// Features

// All-in-one stereo recording solution and interface for PC,Mac and iOS devices - no camera connection kit required!iOS, OS X and Windows supportAsynchronus USB transfer: precise internal clock handles thesamplerate timing to avoid jitter and ensures bit & pitch accurate audio capture & reproductionXY capsule arrangement for phase coherent stereo recordingsOS X Core Audio and dedicated ASIO driver for Windows - theonly way to ensure minimal tape return latencyLine-in and MIDI-input

// XY-Stereo Mode for live concerts, background vocals, ...Cardioid Mode for effective rear and side rejectionSinger/Songwriter Mode for simultaneous recording of acousticand line sourcesStereo Line-In Mode, connect a synthesizer or mixing consoleoutput and record it directly to your deviceMIDI available in all four modes

// 24 bit / 96 kHz, 110 dB dynamic rangeTwo step switchable pre-attenuation and high pass filter950 mAh battery for 3h+ recording time on iOS devicesBuilt-in amp for high impedance studio headphones

// Powerful headphone amp: 180 mW @ 32 ohm, THD+N < 0.5 %Crossfade between zero latency direct and minimal latency tapereturn monitoringASIO driver for minimal tape return latency

// Push wheel to change the DGT 650 settings on the microphoneControl Center to change the settings right from your computerIlluminated user interface for quick and easy handling in darkenvironments

// Streamlined cable handlingPowerful high impedance amplifier for studio headphonesMIDI inputHigh impedance, 2 channel line in for instrument and linesources (6.3 mm, 1/4 inch TRS phone jack)

THE MOBILE RECORDING STUDIO

FOUR RECORDING MODES

BEST IN CLASS SPECS

MONITORING QUALITIES

EASE OF USE

BREAKOUT BOX

// DGT 650 microphoneDGT 50 Tr breakout boxDGT 50 Li Apple Lightning cableDGT 50 USB standard USB cableDGT 50 Tri foldable TripodDGT 50 SHx shock mountLCT 40 Wx windscreen

BOX CONTENTS

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// ApplicationsRecord vocals, instruments and live acts wherever you goStereo mikingField recordingPodcasts and YouTube productions

// SpecificationsInput impedance > 1 Meg ohmFull scale input voltage 8 dBuInput dynamic range 110 dB (A)Frequency response 20 to 20.000 HzHeadphone output power 160 mW at 16 ohm, THD+N < 0,5 %180 mW at 32 ohm, THD+N < 0,5 %Frequency response 30 to 20.000 HzHeadphone volume control - 60 dB to 0 dBMIDI analogue MIDI connectorLine in 6,3 mm, inch TRS phone jack (2 channels)Headphones 3,5 mm phone jackDGT 50 Li Apple Lightning to 18-pin lockable hi-speed connectorDGT 50 USB USB to 18-pin lockable hi-speed connectorDGT 50 Tr 18-pin to 18-pinMic enclosure Zinc die castMic dimensions 138 x 52 x 36 mm / 5,43 x 2,04 x 1,42 inchMic net weight 310 g / 10,9 ozBreakout box dimensions 54 x 50 x 32 mm / 2,13 x 1,96 x 1,26 inch

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Reliable and easy-to-usediversity wireless vocalmicrophone

// LTS 240 Diversity C+D

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Choose between condenser or

dynamic capsule

Transmitters equipped with two

AA batteries for up to ten hours

of continuous performance

Four pre-programmed frequencies

// LTS 240 Dual C+DReliable wireless performancemicrophone for high-qualityaudio transmission

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Distortion-free, natural sound

Choose between condenser or

dynamic capsule

Transmitters equipped with two

AA batteries for up to ten hours

of continuous performance

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Lewitt Microphones Catálogo 2015

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