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Transcript of graphology-130312143012-phpapp02
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graphologyDr.desai.
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introduction
Graphology - the study of handwriting andhandwriting analysis - is now an accepted and
increasingly used technique for assessment of people in organizations. Handwriting analysis isan effective and reliable indicator of personalityand behaviour, and so is a useful tool for many
organizational processes, for example:recruitment, interviewing and selection, team-building, counselling, and career-planning.
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Contd.
graphology is 'brainwriting' - the handwritingcomes directly from the writer in a uniquely
personal and individual way, irrespective of howthe person has been taught to write: an expertgraphologist understands the styles of thedifferent countries and languages and makes
allowances for 'taught' influences. Also largelyirrelevant to the actual analysis is the content of the written text.
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Contd.
The science of graphology uses at least300 different handwriting features in its
investigative approach. The graphologist'sinterpretation skill is in the psychologicalart of understanding the particular blend
of handwriting features - an expert is ableto see the writer 'step off the page'.
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Graphology theory and history
A person's handwriting - the script - and its placing onthe page express the unique impulses of the individual:
logically, the brain sends signals along the muscles tothe writing implement they control. By examining ahandwriting sample, an expert graphologist is able toidentify relevant features of the handwritten script, andthe way the features interact. The features, andinteraction between them, provide the information forthe analysis. (No single handwriting sample will exhibitall 300 different features of course - a typical analysiswill involve far less).
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CONTD.
No single handwriting feature provesanything specific or absolute by itself; a
single feature alone can only identify atrend. It is the combination of features,and the interaction between them that
enable a full and clear interpretation.
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CONTD.
Graphology is actually a very old andrespected science - the study of
handwriting and its analysis was firstdeveloped by the Chinese 3,000 yearsago. The Romans used graphology, andthrough the centuries since then various
civilisations and cultures have analysedhandwriting to identify the essence of theperson who produced it.
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CONTD.
The modern approach to handwritinganalysis was established by a group of
French clerics, led by Abbe Michon, whodefined key aspects of the science in the1870s, after 30 years of study. This work
formed the basis of modern graphology,although the science is still beingresearched and expanded today.
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CONTD.
Professional graphologists operate to a strict code of ethics, and these experts are constantly in demand;those who use it recognise its value in the workplace as
an additional method of understanding character. It istherefore an extremely useful tool in identifying thequality and capacity of an individual's talents andpotential, particularly in career guidance and improvingrelationships. Like other powerful behavioural or intuitive
models, it is not easy to explain how and whygraphology works, nevertheless it continues to be used,respected and appreciated by many because it achievesa high level of results.
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graphology - an introductoryguide to handwriting features
slant Right slant indicates a response to communication, but
not how it takes place. For example, the writer may wishto be friendly, manipulative, responsive, intrusive, to sell,to control, to be loving, supportive, just to name somepossibilities.
If the handwriting is generally upright, this indicatesindependence.
A left slant tendency shows emotion and reserve. Thiswriter needs to be true to self first and foremost and canbe resentful if others try to push for more commitmentfrom them.
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CONTD.
size Handwriting is made up of three zones - or cases -
middle, upper and lower. A basic average measure - or
benchmark - by which size can be judged is 3mm perzone. This gives a benchmark for a non-remarkable fullheight of 9mm. More than this is large; less than this issmall.
Large size handwriting can mean extravert and outgoing,or it can mean that the writer puts on an act of confidence, although this behaviour might not beexhibited to strangers.
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CONTD.
Small size can, logically, mean the opposite.Small size handwriting can also indicate a
thinker and an academic, depending upon otherfeatures in the script. If the writing is small and delicate, the writer is
unlikely to be a good communicator with anyone
other than those on their own particularwavelength. These people do not generally findit easy to break new ground socially.
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CONTD.
pressure Heavy pressure indicates commitment and
taking things seriously, but if the pressure isexcessively heavy, that writer gets very uptightat times and can react quickly to what theymight see as criticism, even though none mayhave been intended. These writers react firstand ask questions afterwards.
Light pressure shows sensitivity to atmosphereand empathy to people, but can also, if thepressure is uneven, show lack of vitality.
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CONTD.
upper zone or case (as in l, t, h, etc) Tall upper strokes are reaching towards goals
and ambitions or, if they are very extended,there may be unrealistic expectations of whatthe person feels they must achieve.
If there are reasonably proportioned upper zoneloops, this indicates someone who likes to think
things through and use their imagination in asensible way. Wider upper zone loops indicatemore of a tendency to dream up ideas and mullthem over.
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CONTD.
If the up-stroke goes up and then returnson top of itself, the writer may be
squeezing out imagination and keeping tothe basic requirement of getting down tothe job in hand.
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CONTD.
lower zone (as in g, y, p, etc) Lower loops are also varied and have different
meanings. For example a straight stroke shows impatience
to get the job done. A 'cradle' lower stroke suggests an avoidance of
aggression and confrontation. A full loop with heavy pressure indicatesenergy/money-making/sensuality possibilities,
subject to correlation with other features.
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CONTD.
A full lower loop with light pressureindicates a need or wish for security.
If there are many and varied shapes in thelower zone, the writer may feel unsettledand unfocused emotionally. Again the
handwriting analyst would look for this tobe indicated by other features in thescript.
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CONTD.
word spacing The benchmark by which to judge wide or
narrow spacing between words is the width of one letter of the person's handwriting.
Wide spaces between words are saying - 'giveme breathing space'.
Narrow spaces between words indicate a wish to
be with others, but such writers may also crowdpeople and be intrusive, notably if the writinglacks finesse.
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CONTD.
line spacing Handwriting samples are always best on unlined
paper, and particularly for exhibiting line-spacingfeatures.
Wide-spaced lines of handwriting show a wish tostand back and take a long view.
Closely spaced lines indicates that that the writer
operates close to the action. For writers who dothis and who have writing that is rather loose instructure, the discipline of having to keep coolunder pressure brings out the best in them.
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CONTD.
page margins The sides of the page each have a meaning.
The left side margin shows the roots andbeginnings/family. The right side shows other people and the
future.
The top is goals and ambitions. The foot of the page shows energy, instincts and
practicality.
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CONTD.
Therefore margins are very informative. If the writer has a wide left margin, the interest
is in moving on. If it is narrow, caution andwanting to avoid being pushed before they areready is indicated.
Narrow right margin shows impatience andeagerness to get out there and on with things.
Wide right margin shows that there may besome fear of the unknown.
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CONTD.
Therefore margins are very informative. If the writer has a wide left margin, the interest
is in moving on. If it is narrow, caution andwanting to avoid being pushed before they areready is indicated.
Narrow right margin shows impatience andeagerness to get out there and on with things.
Wide right margin shows that there may besome fear of the unknown.
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CONTD.
Some people's handwriting consists of only onesingle style, but many people will have a mixtureof two handwriting styles or more.
Again this provides useful information. All of these features have potentially positive
and negative connotations; the analyst uses theflow and facility (ease, smoothness) of the scriptto infer a positive or negative interpretation
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CONTD.
arcade This means that the middle zone of the writing
is humped and rounded at the top like a seriesof arches. It is in the basic style of copy-book,though it is not taught in all schools. Writerswho use this can be loyal, protective,independent, trustworthy and methodical, butnegatively they can be secretive, stubborn andhypocritical when they choose. The mostimportant characteristic is group solidarityagainst outsiders.
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CONTD.
garland Garland is like an inverted 'arcade' and is a
people-orientated script. These writers maketheir m's, n's and h's in the opposite way to thearcade writer, like cups, or troughs, into whichpeople can pour their troubles or just give
information. The Garland writer enjoys beinghelpful and likes to be involved.
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CONTD.
angle Angled middle zone is the analytical style, the sharp
points, rather than curves, give the impression of probing. The angle writer, is better employing talents atwork and for business or project purposes, rather thannurturing, which is the strength of the garland writer.
As with any indicators of personality style, theinterpretation doesn't mean that each writer needs to becategorised and prevented or dissuaded from spreadingtheir talents and interests, but the analysis can helpfullyshow where the person's strengths can be bestemployed.
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CONTD.
thread Thread handwriting is like unravelled wool,
waiting to be made up into something fresh.These writers are mentally alert and adaptable,but can also be elusive and lack patience. Theyare responders, rather than initiators. They canbe very clever at drawing together strands of information and making something of them.Therefore they observe and bide their time, sothat decisions are made at the most appropriatemoment.
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CONTD.
wavyline Wavyline handwriting is often an amalgam of all
or most of the other forms and is usually writtenby people who are mentally mature and skilful.It shows that they can call on a variety of responses, to suit the occasion and indicates
good coping mechanisms. They are adaptableand resourceful.
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CONTD.
These features and interpretations provide a small butuseful guide as to the way people behave, andparticularly how they handle their social requirements.
Check your own handwriting against these pointers tosee what you can learn or confirm about yourself, andsee also how effective even just a few simple graphologytechniques can be in revealing personality style.
Understanding the personality through handwriting is a
valuable way of making the best of both personalawareness and interpersonal situations for the benefit of all concerned.
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CONTD.
The aim in using graphology to analyse aperson's handwriting must always be positive.The interpretation should enable peopleanalysed to use the understanding gained, tohelp them live their lives to the highest level of satisfaction that they choose. In a professionalor organizational context, graphology can play
an important part in enabling workingrelationships to be forged that will enhance thequality of the group or team performance.
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CONTD.
As a child you were taught to write, butit's not likely that you still write in the way
you were taught. The fact that you don'thelps to explain the reason graphologyexists and why graphology can be used to
interpret personality.