Eduardo Moguillansky - Tempo Giusto (2006, rev. 2012) - SCORE

8/2/2019 Eduardo Moguillansky - Tempo Giusto (2006, rev. 2012) - SCORE

1/22

eduardo moguillansky

TEMPO GIUSTO

// for oboe, bass flute and bassoon

(2006, rev. 2012)


2/22


3/22

Duration

7 min.

MultiphonicsFor the oboe, all multiphonics have been taken from Techniques of Oboe Playing, by Peter Veale. Only a limitednumber of fingerings are given in the score -it is strongly recommended to consult the book for the precisefingerings and indications regarding reed position, air pressure, etc.

For the flute, the multiphonics have been worked in close colaboration with Carin Levine and most of the fingeringshave been taken from her bookThe techniques of Flute Playing.

For bassoon, most of the multiphonics fingerings where taken after try-outs with Pascal Gallois. The piece makesextensive use of pedal notes, pitches which sound below the lowest normally played note. The fingerings are givenin the score, but in general these are really multiphonic fingerings with a strong low pitch. For example, the low A isthe result of fingering the low F and lifting the 3. finger of the left hand. It is in fact possible to play an overtone

glissando between this lowest A and the F.

Notation

Only tongue, no pitch.

Unfocused sound, loose embouchure.

The square notehead indicates the fingering.

flatterzunge

Multiphonic. If the M sign is under the pitch, this pitchshould be the upper note of the multiphonic. If it is above

the note, the note should just be included in themultiphonic.

Tongue vibrato. As if playing staccato but withoutarticulation (in oboe and bassoon, without touching thereed)

Bisbigliando

Double bisbigliando

slow tongue vibrato. move the tongue to change the oralcavity and touch the air stream, in order to producechanges in timbre. Touching the air stream can makecertain overtones come out.

Flute. Blow away from the instrument, make it resonate.

Flute. Hand vibrato. Move the flute to intercept the airstream intermitently.

PPPP: Quasi trompa. Put the embouchure between the lips,buzz them as if playing the trumpet. The flute produces

a defined pitch, approx. a minor seventh lower.RRRR: the same, with added voice action.

With a multiphonic fingering, play an overtone gliss.


4/22

Overtone gliss. Normally indicates a transition betweentwo states of a same multiphonic. That is, the fingeringdoes not change, the different pitches indicated areachieved with changes in the air pressure and in the lipand embouchure positions. Its use is also extended toindicate a transition between two multiphonics or

normal pitches where a change in fingering is needed.

Distorted sound, extra lip pressure (cuivre)


5/22

&

V

B

44

Oboe

Bass Flute

Bassoon

K!!!!

K!!!!

K!!!!

K!!!!

Bassoon: only tongue-noise, no pitch. Fingeringad lib. The position of the notehead indicates"brightness" of the sound.

1) this articulation means "as short as possible",independently of the duration of the note abovewhich it is placed.

dolcissimo

tempo giusto

K!!!!

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eduardo moguillanskytempo giusto


6/22

BBN

5

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13

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17

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poco a poco cresc.

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25

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29

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7/22

BBNBN

37

K!!!!

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41

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5555

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very gradually mutates to pitched sound

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45 !!!!

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BFL

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49

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pitched but still unfocusedsound, loose embouchure

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always like a shadow of the bassoon

only tongue artiulation, no pitch

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BNBN

53 5555

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8/22

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BNBN

57

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BNBNBN

61

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k

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harmonic, the square notehead indicates fingering

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poco a poco cresc.

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BNBN

69

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k

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multiphonic 1)

1) multiphonics notated in this way (with a diamond like "M") are to be determined by the performed -in contrast to those whichappear later, where both sounding pitches and a suggested fingering are given. In the case of undetermined multiphonics,always a pitch is given which should be contained in the multiphonic. If the indicated pitch is above the "M", then it is expectedto be either the upper note of the multiphonic or a prominent one in its register. If the indicated pitch is below the "M", then amultiphonic should be found which contains this pitch as its lowest note or as a very prominent pitch in its register.

4


9/22

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BNBN

73

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1) tongue-vibrato, as if playing a faststaccato but without touching the

reed

1)

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BNBN

77

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k

ik

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ik

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BN

81

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embouchure vibrato, like a veryfast and irregular smorzato

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BNBN

85

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2

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Tr.

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10/22

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BNBN

89 5555

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1)

1) slow tongue-vibrato: move the tongue tochange the oral cavity and "touch" the airstream, in order to produce changes in timbre."Touching" the air stream makes theovertones to come out.666666666666

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BN

93

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bisbigliando muta in tongue-vibrato away from the flute, get the resonance

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espressivo

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quasi echo

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BN

97

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K

1)

1) all mordents with the immediatesemitone, if not otherwise indicated.Always begins with the main note.

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c

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6


11/22

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BN

100

5

ii

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p

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i is

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Ks

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i=

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2

3

4

2

3

4

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oo

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p p

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hand-vibrato

hand-vibrato: move he flute up and downirregularly so that the air stream intermitentlyexcites the air-column.

K

K

ssss

V

?

BFL

BN

104

3333

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i>>>>

5555

i

3333

55

p

5555

p

5555

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p

1) vib.vib.vib.vib. indicates always a diaphragm vibrato,which means variations in the support of theair stream. It is mainly an "intensity" vibratowhich is here asked for, not a variation of pitch.

1)2)

2) if no fingering is given for a multiphonic it is becausethis multiphonic has already been previously used in thescore. All fingerings are written in the individual parts.

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i is

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BN

108

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12/22

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BN

112

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BNBN

116

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1) flute between the lips, softflatterzunge (like spanish "r")

1)

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1)

1) this notation means thesame as the one in bar 113regarding the appearanceand disappearance of notesin a multiphonic.

a change of playing angle is accompanied with a change in pitch:

when such change is NOT written (like in this case) it is to becompensated through a change in fingering, as if it were aglissando.

ma cantabile

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very slow tongue vibrato

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BN

120 5555

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espressivo o o o

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8


13/22

V

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BN

124

55s5

55

5555

5 5

5l3333

555

5l

j 55 5

i

turn the flute until the sound breaks

234567C

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b is

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2

4

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vib.

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3333

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quasi echo

cantabile

KR

5555

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5555

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5s

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5 5 i i 55s 5scantabile, da lontano

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iis is

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5

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vib.

cant.

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4

vib.

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BNBN

128

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5 55sn in i 55j5555

55 5 K

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55s= 55

5

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5>>>>

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55

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j 5 5 55 5 K 5 55s

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is

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i>>>>

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i

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5 K

vib.

cant.

vib.

1

sssssss

9


14/22

V

?

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BNBN

132 55

5555

5 i

ks ks

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i i i

o

espressivo

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5l

55

+

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5 55s= 55s

cantabile, ma lontano

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i ii iD

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555

s

5555b

5

5

5555

5>>>>

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vib.

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55s i

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two different fingeringsfegg

o

vib.

ssss

sss

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?

BFLBFL

BN

136

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5s

55

+ 55

55

s= 5 55s

(still a shadow of bassoon)

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ii i

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5

5

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is

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cantabile

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espressivo

4

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55

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5 55

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cant.1

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ii

ks ksi 55bn

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ii i

3

4

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n

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vib.

vib.

espressivo

vib.

2 2

3333

5l

55

+ 55

s=

5555

55s55s

3333

i

i>>>>

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i ib>>>>

3333

5

555

s

55555

D>>>> 5>>>>

5555

5i

cant.

4

vvvvvvvvvvvv

s

vvvvvvvvvvvvvvvvvvv

10


15/22

V

?

BFL

BN

140

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55 55

55

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3333

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ib K

i ib

5555

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i

Trill

vib.

espressivo

2

55 5n

3333

55s 5 55bn555555

53333

5

55n34567nD

7777

ii 5

5

5

5

5555

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5555

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vib.

vib.

espressivo dolcissimo

1

2

5555

55 5 55

5555

55 555 55

5555

555

5555

5

55

5

34n56bD

3333

i i>>>>

i

i>>>>

5555

i5

555

s

5555

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5

5

5

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5

5

+ 7777

ib

i>>>>

i>>>>

o

4

5555

55

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55b

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5

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ib>>>>

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ib

5555

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in

ib>>>>

5

5

5555

5n

in>>>>

vib. vib.

vvvvvvvvvvvvvvvvvv ssssssssssssss vvvvvvvvvvvvvvvvvvvvvvvvvv

ssssss s

sssssssssssss

V

?

BFLBFL

BN 66666666666666666666666666666666

6666666666666666666666666666

144 55 5

5 K 3333

K

i

i

3333

i

i

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i i

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i>>>>

5555

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vib.

o espressivo

c

K 5

K

55 55

555

s 555

s5555+

D5n>>>>

5

5>>>>

5

55

55

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5

3333

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5

+

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Trill

vib.

cantabile

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3333

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ib

5555

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ib

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o

3

i i

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55

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ssssssss

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sssssssssssssssssssssss sssssss vvvvvvvvvvvvv

V

&?

BFL

BN 66666666666666666666

148

5

5

5b

555>>>>

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5

5

5+

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5i

b

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i i

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i

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5

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vib.

espressivo

2 2

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55

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34n56bc

7777

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55

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s>>>> 55555

nb

5

5

5+

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5b

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espressivo

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vvvvvvvvvvvvvvvvvv

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11


16/22

?BN 6666666666666666666666666666666666666666666666666666152

5555

i 55

3333

5 ii5

3333

i55 5

55

5555

555555b

5

55+

+

1)

1) both multiphonics are achieved with

the same fingering: in the first casethrough underblowing, in the secondthrough overblowing. That is indicated

with the "-" and "+"

vib. smorz.

cant.

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5

5

5s

55>>>>

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5 5

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hi

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play & sing

Trill

c

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ma espressivo

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diaphragm accentsharmonic

4 h

vvvvvvvvvvv vvvvvvvvvvvvv

sssss

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156

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hib

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i 1)

1) different fingerings for the same note, orderer

according to their proximity to the normal note in

terms of timbre.

espressivo

o c c

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i55 h5

5555

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5k

5

5

5

+5555

b

5555

555bn

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vib.

c

vvvvvvvvvvvvvvvvv

ssssss

&

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160

5

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K

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smorz.

vib.

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5k 5k 55 5 5

55

5

++

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5

cyclical form of bisbigliando:...

dolcissimo

4 c

5

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18

Eduardo Moguillansky - Tempo Giusto (2006, rev. 2012) - SCORE

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Transcript of Eduardo Moguillansky - Tempo Giusto (2006, rev. 2012) - SCORE