Dynamic Numbers - IAPSOP...DYNAMIC NULIBZRS Some attribute it to the movie folks cf Hollywood, ether...

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Transcript of Dynamic Numbers - IAPSOP...DYNAMIC NULIBZRS Some attribute it to the movie folks cf Hollywood, ether...

Page 1: Dynamic Numbers - IAPSOP...DYNAMIC NULIBZRS Some attribute it to the movie folks cf Hollywood, ether believe it to be the psychological time for the sadden coming into prominence of
Page 2: Dynamic Numbers - IAPSOP...DYNAMIC NULIBZRS Some attribute it to the movie folks cf Hollywood, ether believe it to be the psychological time for the sadden coming into prominence of
Page 3: Dynamic Numbers - IAPSOP...DYNAMIC NULIBZRS Some attribute it to the movie folks cf Hollywood, ether believe it to be the psychological time for the sadden coming into prominence of

Dynamic Numbers(MONOGRAPH No. 4)

- B y -

HARRY J. GARDENER

SPECIAL ATTENTION

"DYNAMIC NUMBERS" i s an Educational and Inspirational Course of Study, especia lly w ritten and intended for INDIVIDUALS.

The beneficial resu lts that you w il l gain from th is Monograph w i l l , of course, be in exact proportion to the enthusiasm and GOOD JUDGMENT with which you employ this information in your daily l i f e and a ffa irs.

Get started f ir s t in a small way, never over­exert. Regarding th is, you are, of course, your own physician, meta-physician, and counsellor.

The time in which to get started on this mar­velous undertaking -- your self-improvement and s e l f ­expansion in a ll the Departments of L ife -- is very short; therefore, a very w ise individual is he who starts th is wonderful work at once, regardless of whatever his present conditions may be.

Continue to increase GRADUALLY -• a l i t t l e every day. Do th is and you wi l l be amazed at the mar­vels that you wi l l accomplish in a short period of time.

Single Copies $1.00 Each, Postpaid.

Harry J. Gardener, P u b l i sh e r 1044 South Olive Street Los Angeles 15, California

P r in te d in th e U. S. A. C opyright 1933 by H arry J. G ardener

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;

? 0 R E g 0 B D

The Science o f Numbers u n fo ld s th e m ystery of

c h a ra c te r re a d in g b e fo re you and develops an u n f a l te r in g

p e rc e p tio n and s u c c e s s fu l method c f an a ly z in g th e ch a ra c ­

t e r i s t i c s o f y o u r s e lf and o th e r s . I t shows up th e weak­

ness ess to be amended, and th e s t r e n g th s to be developed

and expanded. You Icncw a t once iu s t what q u a l i t i e s yon

possess th a t should be used fo r bo th p le a su re and p ro f i t*

The v a lu a b le and m agical q u a l i ty c f th e Science

o f Numbers w i l l make you co n sc io u s , as no o th e r s tu d y w i l l ,

th e p o t e n t i a l i t i e s th a t l i e w ith in you, and th e abundant

o p p o r tu n it ie s th e t su rround you*

"DYNAMIC NUMBER3" w i l l h e lp , f a s c in a te , and en­

t e r t a i n your frie n d s* Through t h i s S c ien ce , you a re ab lo

c l e a r ly p c rce iv o t h e i r id io s y n c r a s ie s , and w ithou t scorning

to g iv e unwanted ad v ice , a th in g th a t u s u a lly in c u rs w rath

and in d ig n a tio n , a id thorn a lo n g th e road to su ccess .

You w i l l bo a b le to b e n e f i t y o u r s e lf and your

f r ie n d s in a most amazing way, i f you use th e S cience of

Numbers e n to r ta in in g l jr .

THE AUTHOR

Lcs A ngelos,C a l i f o rn iaMOMXXXIII

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DYNAMIC NULIBZRS

Some a t t r i b u t e i t to the movie f o lk s cf Hollywood, ether

b e lie v e i t to be th e p sy c h o lo g ica l time for th e sadden coming in to

prominence of t h i s new, y e t v e ry an c ien t "ology" — Numerology. I

am under th e im pression th a t bo th are somewhat c o r re c t- I t is the

p sy c h o lo g ica l time fo r th e reappearance of t h i s a r t , and i f th e re

i s any c l a s s o f people on th e fa c e of th e globe th a t a re co n tin u ­

a l ly on th e a l e r t fo r a id s and h e lp s t o g re a tn e s s , more r a d ia n t

p e r s o n a l i t i e s and s u c c e s s , i t is th e f o lk s of F ilm lan d .

I t i s rum ored about Hollywood and Los A ngeles, th a t f u l l

93,o of th e famous an d n e a r -g re a t m otion p ic tu re s ta r s have had

t h e i r nam es, t i t l e s , a d d re sse s and so f o r th a d ju s te d t o conform to

th e r u l e s of Numerology. Even names cr t i t l e s o f g re a t p ro d u c tio n s

a re num erized to th e le a d in g s t a r s ’ names, and i s adm itted hy a l l

who know, cr sh o u ld know* Some even go so fa r as to commence the

p ro d u c tio n cf a p ic tu re an. a c e r ta in d a te , and th e d a te o f r e le a s e

i3 a lso computed w ith e n a c t accu racy .

I f th e se f o l k s , who earn fo r tu n e s in a week, a re c a r e fu l

about th e s e " l i t t l e m a tte r s " , i t seems th a t you, who have n o t been

sm iled upon t o any g re a t e x te n t by f o r tu n e , should a t l e a s t do th e

l i t t l e b i t t h a t i s r e q u ir e d by th e sc ien ce cf num bers, to b r in g

your v ib r a t io n s a t l e a s t w ith in th e v e i l of f in a n c ia l success- For

th a t re a s o n , I have compiled t h i s co u rse .

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I do n o t propose to te a c h the f i n e r p o in ts of name com-i •

b in a t io n s , but I do propose to sh ow you ju s t h o w to num erise

your fo u r im portan t d ep a rtm en ts : '

BIRTH BATE

NAME

OCCUPATION

RESIDENCE

ana how t o have ea ch a s s i s t th e o th e r in p u ll in g fo r you- The

CABALA TABLE (Cabala means m y s tic a l , o c c u lt o r h idden) i s used by

a l l th o s e wh o are am ateurs o r adepts in th e sc ien ce of Numerology.

I t i s in d is p e n s ib le .

The ta b le , a s i t appears in L a tin l e t t e r s , i s a s fo llo w s:

1 2 3 4 5 6 7 8 9

A B C D E F G H I

J t L 11 N 0 P Q R

S T U V W VU K Y Z &

In each o f u s th e re i s bu t one f ix e d number. I t i s known

as th e SOUL NUMBER or SOUL VIBRATION. I t i s a r r iv e d a t o r d e te r ­

mined as f ollow s: Let us s a y th e b i r t h d a te of a person i s Ju ly 9,

1899. Ju ly i s fee 7 th month, added to th e 9 th d ay , which in tu rn

i s added t o the 1, 8, 9 , and 9 l i k e th i s :

- 4—

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7918 9 9

T o ta l- 4.3

N ext, we' a id th e 4 and t he 3 to g e th e r , w hich maxes 7.

337IN is the SOUL IHJtlBER. I t can n e v e r be changed in t h i s in c a rn a

t io n .

Let us say th a t th e name o f t h e person being num erized i

John Henry Jones • T hat was t h e name t h a t h is fond p a re n ts gave h i

a t b i r th - R educing t h i s name t o numbers a c c o rd in g to th e C abala

T ab le , we g e t th e f ol lo v in g :

J O H N H E N R Y J O N E S

1 6 8 5 8 5 5 9 7 1 6 5 5 1

The t o t a l of w hich , when a l l a re added to g e th e r i s 72- The 7 and

th e 2 a re added and th e t o t a l is NINE. This i s known as th e NAME

VIBRATION.

When John Henry Jones was o ld enough t o g o t o sch o o l, i t

happened t h a t th e name 11 John Henry” g ra te d on h i s n e rv e s , and so t

when ch a rg in g to a d i f f e r e n t s c h o o l, he s t a r t e d in w ith a s l ig h t

change of name. He was r e g is t e r e d as John H. Jo n es , which v i ­

b ra te s to 1. This was n o t s a t i s f a c to r y , th e boys a l l c a lle d him

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"Johnny Jo n es" , which v ib r a te s to 5. L a te r , hy a c c id e n t , he was

known as "Jack Jones" and, for some reaso n unknown to young Jo n es,

he seemed t o ta k e to i t a t once. For no ap p a ren t reaso n he began

to be a le a d e r among th e boys a t once, vh ich le a d e rsh ip la s te d a l l

th rough h is co lle g e ca reer*

"Jack Jones" v ib r a te s to 7. He no lo n g er has f o r a team

of l i f e a S hetland pony a id a r a c e h e rs e , b u t , in s te a d , two s te e d s

of th e same s i z e , speed and endurance to draw h is c h a r io t o f v i ­

b r a t io n on to th e goal o f success* He to o k up e l e c t r i c a l work in

c o lle g e and l i d v e ry fine* A fte r g ra d u a tio n ho went t o Chicago,

I l l i n o i s , and was employed as an e l e c t r i c i a n , which v ib r a te s to 9.

Chicago, I l l i n o i s , v ib r a te s 1*

The l i n e up th en was b i r t h 7, name 7, (bo th name and so u l

numbers the same is w o n d erfu l) re s id e n c e 1 , and occupation 9. A ll

added to g e th e r amount to £4 or (2 p lus 4) 6.

Our f r ie n d Jack dees no t do so w e ll ; th a t i s , n o t n e a r ly

as w ell as he th in k s he should* The o p p o rtu n ity p re s e n ts i t s e l f

(as op port u n i t i e s wi I I , vh e n ihe_ name and b i r t h v ib r a t io n s a r e in

harmony) and he ac ce p ts a p o s i t io n as a n e l e c t r i c a l e n g in e e r , v i ­

b r a t in g 3 in the c i ty of Boston, M assach u se tts , vh ieh v ib r a te s 1*

The l in e -u p now i s as fo llo w s :

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B irth V ib ra tio n (Ju ly 9. 1899) ......... 7

Name V ib ra tio n (Jack Jones) ................ 7

P ro fe s s io n ( E le c t r i c a l E ng ineer) . . . 3

R esilen ce (Boston, M assach u se tts) •• 1

TOTAL........................... 18 or 9 (8 p lu s 1)

There has been a g r e a t number of i n t e r e s t i n g th in g s s e i i

about having a name v ib r a te to 11, tu t as th e re i s no such th in g

as a s in g le number 11 ( fo r 11 can be red u ced to a s in g le d i g i t ) we

need not b o th e r o u rse lv es a t t h i s tim e re g a rd in g i t . L et us g e t

f in a n c ia l freedom f i r s t , an d th e n we w il l have th e tim e , th e mone -j.

and the in c l in a t io n to go d eep er in to th e m y ste r ie s of Ilumerology.

Where one has a name which w il l n o t v ib r a te under any

circum stances w ith th e b irth , or s o u l number, then th e re i s only one

th in g to d o , and t h a t i s to change th e name. T his can e a s i l y be

done by sim ply adding a n o th e r i n i t i a l o r changing th e one you have.

Eor exam ple, J . H. Jones could be changed to J . F Jones, which

would v ib r a te 7, and mig)it be more d ig n i f ie d th an "Jack Jo n e s ."

"Wm.", "G ee.", "C has-", " Jn o ." and o th e r a b b re v ia tio n s

a re names; th e r e fo r e , i f you have one o f t h e names th e y stand fo r ,

you must w rite i t out in f u l l , or ju s t use the i n i t i a l .

In add ing t o t a l s to g e th e r , alw ays be su re t o reduce i t

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to a s in g le d i g i t . For exam ple, B oston , M assach u se tts , t o t a l s 55.

The 5 and t h e 5 added to g e th e r t o t a l 10. The 1 and th e 0 added,

t o t a l 1. The re s id e n c e v ib r a t io n th e n , i s 1, no t 10 or 55.

THE NINE SCTJL NUMBERS

and what they in d ic a te .

Your SOUL NUMBER i s sim ply your BIRTH DATE (month, day

and year) added - - n o th in g e l s e . T h is SCUL NUMBER cannot he chang

in th is l i f e . I t ts. f ix e d . A ll Hie other v ib r a t i o n s , srch as you

name, o ccu p a tio n , and re s id e n ce can he changed a t w i l l

Belov/, you w i l l f in d a l i s t o f th e HI HE SOUL NUMBERS and

what each cne in d ic a te s - - yours i s among them* I have g iv e n only

th e b r ig h t s id e o f th e p ic tu r e , so t o sp e ak . I f you p e r s i s t in

l iv in g in th e d a rk , damp caves of t h e lo w e r - s e l f , then your l i f e

ana your n a tu re w il l ta k e on ju s t th e o p p o site o f v&iat i t should

he- That i s your f a u l t . Blame no one bu t y o u r s e l f .

A ll who have l i i red in th e low land, a l l who have made v a in

e f f o r t s t o m ig ra te , know th a t i t i s im possib le t o leap from a c lo d

to a god in a s in g le e f f o r t . 'He have found t h a t p e r s i s t a n t l y

moving upward ir. a l l d e p a r tm e its o f l i f e i s th e b e s t way, th e one

way, t h a t p u ts us f a r th e r in a g iv e n time th a n any o th e r.

- 8 -

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JSUHBHt ONE VIBRATIONS

A number ONE i s possessed, by a s tro n g , fo rc e ­

f u l a c t iv e n a tu re , aid i s v e ry m ascu line . Th:

number re p re s e n ts in d iv id j ia l i ty , s tr e n g th , anc"

boldness* As a r u l e , i t is p e tu la n t , s e l f -

c e n te re d , e t c . Those who p o ssess i t seldom

reco g n ize an y th in g beyond t h e i r own v is io n ,

w hich i s o ften v e ry l im i te d . They r e fu s e to

accep t an y th in g vh ich th e i r f iv e senses cannot

inc lude in th e scheme o f th in g s or u n d ers tan d r e a d i ly .

T his is also a number o f r u l in g , p la n n in g , d i r e c t in g , an

in v e n tin g . I t s p o sse sso rs are pov;erful in a l im ite d , lo c a l is e d

way, and r a d i a t e a "do or d ie " s p i r i t* They are o f te n o f f ic io u s

and d o m in a tin g , t u t ru n to e x p la n a tio n r a th e r th an to e x e c u tio n .

ONE was th e fo u n d a tio n s to n e of c r e a t io n , and co n ta in s much o f i t s

a u s te r i t y.

NUMBER TV0 VIBRATIONS

TV0 i s a fem inine number, and is v ery re c e p ­

t i v e , d ip lo m a tic and p e a c e -lo v in g . Those who

p ossess i t a re more s u b je c t iv e th a n o b jec ­

t i v e , and t h e i r s t r e n g th of in f lu e n c e l i e s

in b e in g r e f in e d , g e n t le , and h e lp fu l . I t

i s a v e ry s u i ta b le number fo r m others, d o c to rs

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d e n t i s t s , n u rs e s , te a c h e rs and d ip lo m a ts . I t is more a number

of the h e a r t th an of th e mind. D e sc rip tiv e term s fo r t i l ls num­

ber a re diarm, endearm ent, a f f e c t io n , and a ttach m en t. I t is

bestowed upon those h a v in g composure and calm . I t a ic s companion'

sh ip and a l l f r ie n d ly a s s o c ia t io n .

NUMBER THREE VIBRATIONS

Those who p o ssess THREE a3 a Soul Humber a re

ap t t o i n c l in e tow ard e x p re s s io n , d ec lam atio n ,

and e n u n c ia tio n . I t in f lu e n c e s them toward

o ra to ry , a c tin g , s in g in g , w r i t in g , d an c in g ,

and p a in tin g . They a re noted f o r t h e i r

m ir th , good c h e e r , m errim ent, p le a s u re , and

j o l l i t y . A lso , f o r jo v , g la d n e ss , e c s ta s y

and in s p i r a t io n - I t may t r u l y be c a l le d the jo y g iv in g number.

HUMBER FOUR VIBRATIONS

The FOUR bestow s upon i t s p o sse sso rs a c r e a ­

t i v e and te n ac io u s in f lu e n c e . They a re

g iv en t o a n a ly s is an d d is c u s s io n . This i s

an id e a l number fo r mhose who are v e n tu re ­

some, as th ey a re s t r o n g , heavy, and hard to

tu r n from t h e i r course . When undeveloped, the?

- 1 0 -

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are v e ry p h y s ic a l , crude, and l im i te d . They appear pugnacious

and d r a s t i c , and are p h y s ic a lly enduring . I t Is a number of a c ­

cum ulation , c o l le c t io n , and m a te r ia l c o n c e n tra t io n .

NUMBER FIVE VIBRATIONS

A FIVE v ib r a t io n in f lu e n c e s tow ard e x c ite m e n t,

n e rv o u sn ess , and tem pestuousness. I t ch arac­

t e r i z e s a v ib r a t io n w h ich i s somewhat d i f f e r e n

from the o rd in a ry , as i t i s d o u b le -s id e d . A

number f i v e so u l may be compared to a man s i t ­

t in g on a fen ce le a n in g from one s id e t o th e

o th e r , never c e r t a in in which d i r e c t io n h is

b e s t i n t e r e s t s l i e . They are c o n s t r u c t i v e yet

d e s t ru c t iv e , c h e e rfu l y e t m elancholy , o p t im is t ic y e t p e s s im is t ic ,

s p i r i t u a l y e t m a te r ia l . They resem ble p io n e e rs in so f a r as th ey

a re g r e a t p a th f in d e rs and gate-w ays t o g r e a t th in g s , hu t seldom

rem ain to e n jo y the f r u i t s cf t h e i r under ta k in g s . This number

bestow s s o c ia l and p erso n a l a llu rem en t and a t t r a c t i o n .

NUMBER SIX VI BRATIONS

The v ib r a t io n c f the number SIX so u ls resem ble th e num­

ber TY/0, in s o fa r as p e a c e -lo v in g , jo y -g iv in g , and c o n s id e ra tio n i s

concerned, but th e y d i f f e r from th e number TWO in th a t th e y are

more u n iv e r s a l in scope. The in f lu e n c e o f th i s number i s v a r ie d

- 1 1 -

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and in c lu d e s A nt, p h ila n th ro p y , i n t u i t i o n ,

and. in s p i r a t io n . I t a lso has a s tro n g i n ­

f lu e n c e on th e s ix th se n se - I t bestow s upon

i t s p o sse sso r co n fid en ce , t r u s t , and r e l i a n c e .

I t is a number of m arriag e , one o f compre­

h en s io n , c o n s e rv a tio n , re p o se , and com fort*

NUMBER SEVEN VIBRATIONS

t

The number SEVEN v ib r a t io n is m y s te r io u s ,

d a rk , o b scu re , and u n acco u n tab le . Those

p o sse ss in g i t lack e x p re ss io n and a re h ig h ly

'c o n s e rv a tiv e and r e t i r i n g . I t i s a number

of s e l f - s a t i s f a c t i o n and outward p o ise and

re p o se . I t d e n o te s a v ib r a t io n in th e w orld

bu t no t of i t - I t s p o sse sso rs are n o t g iven

to seek in g renown , g lo r y , or any form of p ra is e for s e lf - e x p re s s io n

I t is th e number o f the s to ic , r e l i g i o u s , and m y s tic . D esc rip ­

t iv e term s f cr t h i s number a r e r e t i r e m e n t , s e c lu s io n , s o l i tu d e ,

p r iv a c y , and r e t r e a t*

NIMBII: EIGHT VIBRATIONS

This i s a s c i e n t i f i c end m ental number. One of b u s in e s s ,

m a te r ia l achievem ent, s e l f - a s s e r t iv e n e s s , end b u s in e ss su c c e ss . I t

1 2 -

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v ib r a te s accom plishm ent a n a acquirement; , and

has an in flu en ce on d iscern m en t, a n a ly s is , and

t e c h n ic a l i ty . I t s p o s s e s s o r ’s m issio n i s one

o f acquirem ent and ex ecu tio n . They a re ac­

corded u n u su a l sympathy and u n d e rs tan d in g . I t

d en o tes m e n ta l i ty , dom ination and x u le , and

ten d s tow ard o rg a n iz a tio n and i n t e l l e c t u a l i t y .

NUMBER NINE VIBRATIONS

A NINE v ib r a t io n e x e r ts a h ig h , broad , u n u su a l in f lu e n c e .

I t i s a number of lo v e , r e p r e s e n t in g th e h i^ i c s t in f lu e n c e o f

u n iv e r s a l and p e rso n a l lo v e . I t d en o te s p e r-

m aience, endurance, and s te a d f a s tn e s s . I t has

an in f lu e n c e fo r exp re s s i an , e s p e c ia l ly in a r t ,

and is h e lp fu l fo r s in g e r s , a c to r s , sp e a k e rs ,

and o th e rs o f s im ila r p ro fe s s io n s . The pos­

s e s s o r o f a NINE v ib r a t io n who i s developed ,

i s a l l in c lu s iv e . He is never sm a ll, p e t ty ,

o r meanly p e rso n a l. Even the undeveloped

have much u n iv e r s a l lovo . The NINE v ib r a t io n is th e f a th e r of a l l

v ib r a t io n s and i s th e most developed .

Knowing a l l o f th ese number v ib r a t io n s by nemory so t h a t

you can im m edia te ly b r in g them to mind w i l l g r e a t ly h e lp you to determ ine th e c h a ra c te r and q u a l i t i e s o f anybody whose b i r t h d a te

you h av e .

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Page 16: Dynamic Numbers - IAPSOP...DYNAMIC NULIBZRS Some attribute it to the movie folks cf Hollywood, ether believe it to be the psychological time for the sadden coming into prominence of

A SCRAMBLED LIST OF BIRTH DATES OF SOME FAMOUS PEOPLE FOR YOU TO

PRACTICE ON — FIND THEIR SOUL VIBRATION AND COMPARE WITH YOURS -

The fo llo w in g l i s t is one of famous people of th e p a s t

and o f th e p re s e n t , g iv in g t h e i r b i r t h dates* I t w i l l a f fo rd you

much i\in and sp le n d id p r a c t ic e to go th rough t h i s l i s t , w orking ouzo

th e SOUL numbers o f each and f in d in g which ones co rrespond w ith

your own so u l number. Knowing most of th e se famous people as you

do , you w il l be ab le to see how c lo s e ly th e y resem ble t h e i r Soul

Numbers. Knowing th e s to r i e s of th ese p eo p le , you w i l l see which

of them made the most of t h e i r V ib ra tio n and v:hich o f them f a i le d -

Good or bad, g e n t le or r u t h l e s s , th e se men and women a re famous

through h is to r y . Compare t h e ones w ith your V ib ra tio n to y o u r s e lf ,

and s tu d y th e i r w eaknesses and t h e i r s tr e n g th , because th e y r e ­

semble your own and you can th e re b y le a rn much about y o u r s e lf .

I f you are in te r e s te d in o th e rs no t h e re , or i f you a re

in te r e s te d in f ilm s ta r s or a t h l e t i c h e ro e s , look up t h e i r b i r t h

d a te s in v a r io u s movie m agazines or s p o r ts m agazines and a f t e r g e t ­

t in g th e d a te s you wan'G, work out th e Soul V ib ra tio n s . You w i l l be

amazed a t the e x p la n a tio n th i s w i l l g ive you, .of t h e i r c h a ra c te rs .

Dante A lig h ie r i Sept • 14, 1265L ouisa May Alcot-t Nov • 29, 1832Roald Amundsen Ju ly 16, 1872F ra n c is 3acon Jan . 22,

25,1561

R obert Burns Jan . 1759(S ir ) R obert Baden-Pov/ell Feb • 22, 1857A lexander Graham B e ll March 3, 1947

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Page 17: Dynamic Numbers - IAPSOP...DYNAMIC NULIBZRS Some attribute it to the movie folks cf Hollywood, ether believe it to be the psychological time for the sadden coming into prominence of

W illiam Booth A p ril 10, 18£9E lis a b e th B a rre t Browning March o, 1806W illiam Jenn ings Bryan March 19, 1800L u th er Burbank March 6 , 1849(P rin ce ) C tto von Bismark Apia 1 1, 1815(S ir) A rth u r James B alfour J u ly £5, 1843

R upert Brooke Aug. 3, 1837ITapoleon B onaparte Aug. 15, 1769Sarah B ernhard t O ct. £3, 1845Lsni e l Boone Bov • 2, 1734M ichelangelo B u o n a ro tti March 6, 1475Anton Chekhov Jan • 17, 1860F re d e rick F ran co is Chopin Mar ch 1, 1309H iko laus C opernicus F eb . 19, 1473Samuel Clemens (Mark Twain) N cw • 30, 1835O liv e r Cromwell Apr! 1 £5, 1599C a th e rin e (th e G reat) May 2, 17£9A lex is C a rre 11 June £8, 1873C alv in Coolidge J u ly a 187£E d ith Cave 11 O ct. T 9— l~< . 187£(Madam e ) Mar i e S . Curie I\T 07 « 7, 1867W alter D anrcsch Jan . 30, 186£(S ir ) F ra n c is Drake Jan . £8, 1540Eugene Dobbs Kcv. 5, 1855C h arles Dickans F eb . 8, 1812C h ai* le s Darw in Feb • 12, 1809D aniel Defoe Apri 1 26, 1661F le a n c ra Duse Oct • 3, 1859John Drew 1\0V . 13, 1853Thomas Alva E dison Feb- 11, 1847V ic to r Emanuel ( I I ) March 14, 1820A lb e rt E in s te in May 14, 1879(Queen) E l i zabeth Sept • 7, 1533Beniamin F ra n k lin J a n . 17, 1706Fr ede r i ek Wi 1 l i am (the G rea t) Jan . 24, 1712Stephen C o llin s F o s te r Ju ly 4, 1826F erd inand Foc-h O c t. 2, 1851R obert F u lto n B ov • 14, 17 65G a li le o G a l i l e i Feb. 25, 1564John Gal suffer th y Aug. 14, 1867A lexander Ham ilton J a n . 1, 1757George F re d e r ic k Haendel Feb. £3, 1685V ic to r Hugo . Feb. £6, 1802O liv e r Wendell Holmes Mar ch 8, 1841W illiam H arvey Apri 1 1, 1578(S ir ) Douglas Haig June 19, 1861

Henry (V III of England) June £8, 1491H erb e rt Hoover Aug • 10, 1874B ret H art Aug. £5, 1339

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Page 18: Dynamic Numbers - IAPSOP...DYNAMIC NULIBZRS Some attribute it to the movie folks cf Hollywood, ether believe it to be the psychological time for the sadden coming into prominence of

Warren G. H arding Nov. 2. 1865Joseph Jaec_u.es J o f f r e Jan . 4 t 1852Andrew Jackson March is ! 1767(S a in t) Jean of Arc May 16, 1412

Rudyard K ip lin g Eec • 30, 1865C h arles A ugustas L indbergh Feb • 4, 19C2R obert E. Lee Jan* IS , 180?Lav id Lloyd George J an • 17, 186?C h arle s Lamb F eb . 10, 1775Abraham L inco ln Feb . 12, 1809Henry Longfellow Feb. 27 , 1307(S ir ) Joseph L is te r Apri 1 5, 1327Jenny Lind O ct. rO , 1820W illiam M cKinley Jan . 29, 1843James P ie rp o n t Morgan A p ril 17, 1837John M uir A p ril 21, 1838G uglielm o Marconi A p ril 25, 1874(C ard in a l) J u le s M azarin J u ly 14, 1602B en ito M u sso lin i Ju ly 29. 1833(Queen) M arie A n to in e tte Nov • 2, 1755(S ir) Isa a c Newt on Jan . 1, 1642(C ard in a l) John Henry Newman F eb . 21, 1801F lo rence N ig h tin g a le May “1 o. , 1820F re d e r ic 1̂ N ie tz sch e O ct. 15, 1844(S ir ) W illiam O sier Ju ly 12, 1849Edgar A llen Poe J a n . IS , 1809P e te r A lex ev itch (th e G reat) June 9, 1572M a x fie ll P a r r is h J u ly 26, 1870(G eneral) John Joseph P e rsh in g S e p t. 13, 1850W illiam Penn Oct • 14, 1644Ignace Jan Paderew ski Nov. 5, 1860Louis P a s te u r Dec • 27, 1822Paul Revere Jan . 1, 1735John Ruskin Feb. 8, 1819M axim ilien R o b esp ie rre Yiarj 6 , 1758Rero.bran t van R ijn J u ly 15, 1607(Cardina 1) Armani de R ic h e lie u S e p t. 5 , 1585

R ichard Coeur de Leon S ep t. 8, 1157John I). R o c k e fe lle r J u ly 8, 1839Theodore R o o sev e lt O ct. 27, 1853(S ir ) W alte r R a le ig h Oct • 29, 1552August Rodin Nov • 4, 1840F ra n k lin Eel an o R o o sev e lt Jan- 50, 1882Franz Schubert Jan- 31, 1797A rthu r Schopenhauer Feb • 22, 1788W illiam Shakespeare *i.pri 1 22, 1564H a r r ie t te a c h e r Stowe June 14, 1811George Sand (Barones a D udevant) Ju ly 5, 1804George B ernard Shaw Ju ly 26, 1356R obert Louis S tevenson Nov. 11, 1864

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R ichard S tra u ss June 11, 1364A lfre d E. Sm ith Dec. 30, 1873E lle n T erry Feb • 27, 1848A lfred (Lord) Tennyson Aug. 6, 1809V ic to r ia A lexandrina

(0* o f England--Q ueen V ic to r ia ) May 24, 1819D aniel ’Webster Jan . 18, 1782John Wanaraaker J u ly 11, 1838Isa a k Walton Aug. 9, 1593Woodrow W ilson Dec • 23, 1856Noah Webster O ct. 16, 1758

HOW TO ENTERTAIN FRIENDS THROUGH THE USE OF NUMBER VIBRATIONS.

When one i s in v i t e d to a p a r ty , or to a s o c ia l g a th e r in g

o f a iy k in d , he can o f te n become th e c e n te r of a t t r a c t i o n by b e­

ing able t o r e a d c h a ra c te r s , and " t e l l fo r tu n e s " th rough a knowl­

edge of Number S c ien ce . One m ust, of co u rse , be c a r e fu l n o t to

become th e o en te r of a t t r a c t i o n to th e e x te n t t h a t th e h o s t or

h o s te s s i s l e f t out on th e s i d e l i n e s . The id e a i s to do your p a r t

in making th e a f te rn o o n or even ing a p le a sa n t one.

A working knowledge o f t h e sc ien ce of numbers is a ls o v ery

sp len d id f o r working up a r e p u ta t io n fo r b e in g an in te r e s t in g p e r ­

son . I t i s a c tu a l ly an ed u ca tio n fb r one and o ften lead s to v ery

sp le n d id a c t i v i t i e s su c h as p sy c h o lo g ic a l work, pub l ie -s p e a k in g

along p sy c h o lo g ic a l l i n e s , and may ev en le a d to s ta g e or t h e a t r i c a l

perform ance.

In re a d in g c h a ra c te rs in p u b lic , o n ly th e b i r t h d a te i s

u sed ; th a t i s , th e month, th e day o f th e month, and th e y e a r . In

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Page 20: Dynamic Numbers - IAPSOP...DYNAMIC NULIBZRS Some attribute it to the movie folks cf Hollywood, ether believe it to be the psychological time for the sadden coming into prominence of

men p a s t t h i r t y , you w i l l have d i f f i c u l t y in g e t t in g them to g iv e

you th e year of t h e i r "b irth . P r a c t i c a l l y a l l women p a s t tw enty

re fu s e to d iv u lg e th e y ea r of t h e i r en tran ce in to t h i s p a r t i c u la r

in c a rn a tio n . To avo id any em barrasm ent, when you. a re re a d in g sev­

e r a l peop le , you can t e l l them th a t you w ant th en to ta k e the year

of t h e i r b i r th an d add a l l th e ' numbers to g e th e r an d g ive you the

to ta l . For exam ple, i f a person w ere born in 1910, the t o t a l

would be 11; i f born in 1888, i t would be 25; i f i t were 1855, th e

t o t a l would be 20.

P r a c t ic a l l y anyone wi 11 f iv e you th e month and th e day of

the month of t h e i r b ir th , such a s , A p ril 27, or December 3 , or

August 25. Take th e month v ib r a t i o n , add i t to th e day o f th e

month, and then add th a t t o th e year v ib r a t io n (which th e y w i l l

g iv e you). Reduce th e whole t h in g to one s in g l e number, which

w i l l be any number from one to n in e . A fte r ycu have t h i s , proceed

to t e l l what th e v ib r a t i o n s ta n d s f a r • I t i s a very s im p le m a tte r

to remember t h e v ib r a t io n s and g e t th e o u t l in e s c l e a r l y in mind.

(See pages 8-13 in t h i s co u rse )

One must be c a re fu l t o t e l l the good th in g s , a id must be

guided by th e p e rs o n ’s g e n e ra l appearance as w e ll as s o c ia l p o s i­

t i o n . Young people a p p re c ia te co n s id erab le f l a t t e r y , w h ile o ld e r

people DO NOT APPRECIATE IT BT PUBLIC. However, in p r iv a te , you

can t e l l them any number of n ic e "things. I t is n o t n ec essa ry t o

rem ind you th a t what you say must be s in c e re .

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Of c o u rse , you can t e l l a Number ONE man some o f h is

w eaknesses, but th o se w eaknesses must c o n s is t of a "w eakness11 f o r

making money, a "weakness" fo r b e in g very e x a c t , and so fo rth *

You w i l l f in d t h a t people who v ib r a te to th e even numbers

a r e , as a r u l e , much more s u b s t a n t i a l and s o l i d th a n peop le v/hc

v ib r a te to odd numbers*

Number t h ree v ib r a t io n s are people who wi 11 a p p re c ia te to

a c e r t a in e x te n t an y th in g th a t may be in t e r e s t i n g or am using th a t

may be a p a r t o f t h e i r ch a ra c te r*

Number f iv e people a r e , as a r u l e , v e ry f l ig h ty * They

w i l l a p p re c ia te n o th in g but n ic e th in g s*

Number seven v ib r a t io n s deno te those who a re somewhat- i

m y stic a l and v io do n o t always know th e i r own mind* They may or

may n o t b e lie v e what you say* However, i f th e y do n o t im m ediately

b e lie v e what you say, and you have g iv e n them a c o r re c t re a d in g ,

th e y w i l l ponder over i t , and in a month or s i x m onths, w i l l come

back and t e l l you how c o r r e c t ly you have read t h e i r c h a ra c te r .

Number n ine people are q u ite r a d i c a l . However, a s a r u le , th e y w i l l a p p re c ia te e v e ry th in g n ic e you say about them* I f th ey have a "w eakness” f o r w ea lth or a r t or g o lf or f o r w hatever they

e x c e l l in , be su re to e n la rg e upon th e s e good th in g s .Number 8, 4, 6 ̂ 8_ v ib r a t io n s a re u s u a l ly o f even tem per.

However, be v e ry c a r e fu l n ev e r to h a r t t h e i r f e e l in g s . Never make

them, or anyone, f e e l cheap or em b arrassed , b u t t r y a s much as

p o ss ib le to b rin g up t h e i r good q u a l i t i e s in p u b lic .

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You can t e l l th e fo lk s th a t th e y have a very in te r e s t in g

number v ib r a t io n , and t h a t th e re are some th in g s t h a t you would

l ik e to t e l l them in p r iv a te , bu t t h a t i t would n o t be ex p ed ien t

to make m ention o f th e s e q u a l i t i e s b e fo re f r i e n d s . You can r e s t

a ssu red th a t w ith in a few d ay s , they w i l l c a l l upon you. You can

then t a l k v e ry p la in to them about t h e i r sh o rtco m in g s . But fo r

every shortcom ing, you must have TWO e x c e l le n t q u a l i t i e s to t o l l

th on.

I f a p e rso n , l e t us say Mr. Jones, in p r iv a te or in p u b lic

w i l l g iv e you h is vho le b i r t h d a te such as A p ril 27, 1888, you cai

g ive him a most in te r e s t in g r e a d in g . That i s , you can ta k e up th e

v a r io u s p e rio d s of h is l i f e . A p r il i s th e f o u r th month. T here­

fo r e , w r i te down h ia b i r t h d a te as fo llo w s: 4-27-1988. Now, you

w i l l n o t ic e t h a t th e re a re seven numbers in h i s b i r t h d a te : 4271888

As people co n s id e r ih a t th e y l iv e to t h e age of " th re e sco re y ea rs

and te n " ; th a t i s , 70 y e a rs , you v a i l d iv id e 7 in to 70 which g iv e s

te n y ea rs t o each n'umber in the b i r t h v ib r a t io n s . Always keep a

p ic tu re of th e person in mind acco rd ing t o h is Soul Number. Then,

as the person p asses th ro u g h th e s e ten y e a r p e r io d s , you w i l l have

a b e t t e r id e a how he w i l l be in f lu en c ed by them.

Now, th e f i r s t ten y e a rs of Mr* J o n e s ’ l i f e was governed

by a number four v ib r a t io n (4271888). T h is means t h a t h i s p a re n ts

were q u ite s t r i c t w ith him , and t h a t th ey had a t l e a s t endeavored

to get him to le a d a m ethod ical l i f e . U su a lly th e idea was to

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r e t i r e a t th e same tim e , a r is e a t the same t im e , g e t meals regu ­

l a r l y , and so f o r t h . T hai, a f t e r he got out o f th e f i r s t v ib r a t io n

o f te n y e a rs , he g ot in to th e sec and. one, 'which was trem e n io u s ly

in f lu e n c e d by the Number Two v ib r a t io n (4271888). He i s , by

Soul V ib ra tio n , a Number Two. Two, o f co u rse , i s the number of

lo v e , c o u r ts h ip , and o ften matrimony. You can f l a t t e r th e person

by say in g t h a t from th e tim e he was ten y ea rs o ld , to the tim e he

was tw en ty , he had a number of love a f f a i r s , which p robab ly no one

’mew about bu t h im s e lf . The t h i r d te n y ea rs of Mr . Jones* l i f e

was dom inated by the Number Seven v ib ra id an. That i s , between the

ages of tw en ty and t h i r t y , t h a t r a t h e r u n c e r ta in v ib r a t io n h e ld

sway (4271388). Most o f t h i s p e r io d he d i d no t f u l l y u n d erstan d

the meaning o f l i f e and cou ldn’t q u ite comprehend why he should

have such severe problem s, e t c . However, the Number One s t a r t s

v ib r a t in g s h o r t ly a f t e r Mr. Jones i s t h i r t y (4271888). This i s a

good, s tro n g , and sp le n d id vi b ra t i an — v e ry f in e fo r a person

whose s o u l v ib r a t io n i s Number Two. When Number One beg'in&fb o

in f lu e n c e Mr. Jo n e s , he w i l l "snap out of i t " , and shew/ a r e a l l y

s tro n g c h a r a c te r . He w i l l take advan tage o f a l l h i s o p p o r tu n i t ie s ,

w hether he f i l l y u n d e rs ta n d s them or n o t . The l a s t t h i r t y y ea rs

o f Mr» Jones* l i f e a r e dom inated b y th r e e Number E igh t v ib r a t io n s . Number E igh t i s t h e v ib r a t i o n o f t h e b u ild e r (4271880) . He w i l l co n tin u e an s tro n g to th e v e ry end.

Of c o u rse , a p e r s o n 's b i r th date m aybe lo n g e r th a n seven

numbers. Eor in s ta n c e , i f a pers oi were born on November 25, 1911,

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he has e ig h t numbers in h is e n t i r e b i r th d a te : 11251911. T his 8

d iv id e d in to 70 y ears averages about 9 years to a p e r io d or cy c le .

On th e o th e r ha net, i f one were born on June 7, 1921, he would only

have 6 numbers in h is b i r th d a te : 771921. T h ere fo re , th e re would

be about 12 y e a rs to each o f th e se v ib r a t io n s .

When a zero (0) appears i n t h e b i r t h d a te , su ch a3 10, 20,

or 30 in th e month d ay , or l ik e 1890 or 1906 or 1900 in the y e a r ,

the zero sim ply means t h a t the v ib r a t io n of t h e im m ediately p reced ­

in g number w i l l c a r r y th ro u g h b u t w i l l be in t e n s i f i e d . You a l l know t h a t th e number 1 means j u s t cne th in g b u t when a zero i s p laced a f t e r i t (10) i t means te n tim es as much. In number scienc<

however, i t d o e sn ’t n e c e s s a r i ly mean t h a t th e n ex t p e rio d of l i f e

i s going to be te n tim e s as in te n se as th e p rev io u s one. I t does mean th a t a person may make ihe ”0 ,,-p e r io d of h is l i f e te n tim es as good i f he w i l l put f o r t h a g r e a t d e a l of in t e r e s t i n g e f f o r t .

The double zero (00) appears only in the y ea r 1900, bu t

because a person would have t o be p a s t 50, 60, or 70 acco rd in g t o

h is b i r t h d a te , in order fo r t h e f i n a l "O’’ to v ib r a te in h is l i f e , and f o r th e sim ple rea so n th a t a person i s p a s t y o u th fu l y ea rs

when he g e ts to v ib r a t in g in th e l a s t two f ig u r e s of h is b i r t h

d a te , th e zeros in t h e end of th e y ear mean v e ry l i t t l e . Of course

no .one a c tu a l ly g e ts beyond u s e fu ln e s s . The o ld e r one g e ts , the

c le a r e r o n e ’s mind sh o u ld b e , even i f t h e body does slow up ju s t

a b i t •

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By a l i t t l e p ra c t ic e on th e b i r t h d a te s of f r i e n d s , you ca

be very p r o f ic ie n t in a s h o r t tim e at g iv in g v e ry in te r e s t in g pub­

l i c or p r iv a te re a d in g s from th e b i r t h d a te alone* Go to your

l i b r a r y , or bcrrov; books on Numerology, and s tu d y th e n ine 3oul V • ■

o r a t io n s • The l a s t page o f t h i s bode co n ta in s th e CABALA. TABLE,

w hich i s fo r your re fe re n c e in d e te im iiiin g the f o r tu n a te days fo r

you and your f r ie n d s . The lower p a r t o f t h i s sh e e t i s an add i t ion a

l i s t of b i r th d a te s o f famous people in th e c u r r e n t movie w orld a n i

f ig u re s prom inent in th e news. Use t h i s co u rse t o th e u tm o st, and

i t w il l do much fo r you in making many p le a sa n t hours p ass q u ick ly

and a lso fu rn is h enjoyment to bo th yoa. and your fr ie n d s* •

ADDITIONAL LIST OF FAMOUS PEOPLE

Jan e t G-aynor Oct * 1908Joan B en n ett ' Feb. 11, 1911Norma S hearer Aug. 10, 1904R obert Montgomery May 21, 1904P au l Muni Oct • 14, 1895Jean Crawford May 23, 1904B e tte Davis Apri 1 5, 1908C lau d e tte C o lb e rt S e p t. 1 3 , 1905P.onald Coleman Feb * 9, 1898Douglas F a irb an k s , Jr* Dec • 9, 1907Gary Cooper May 7, 1901Adolph H i t le r A p ril 20, 1899N evi 1 le C h amb e r l a i n March 18, 1869George VI (l in g o f Eng*; Dec * 14, 1895Edouard D a lad ie r June 18, 1884Joseph S ta l i n Dec * 21, 1879King C aro l (o f Roumania) Oct * 15, 1893B enito M usso lin i Ju ly 29, 1883F ra n k lin Delano R oosevelt J a n . 30, 1882Anna E lean o r R oosevelt Oct* 11, 1884W endell L. W ilk ie Feb* IS , 1892H erb ert C la rk Hoover Aug* 10, 1874John Nance G arner Nov . 22, 1869C h arles EcN&ry June 12, 1874

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Page 26: Dynamic Numbers - IAPSOP...DYNAMIC NULIBZRS Some attribute it to the movie folks cf Hollywood, ether believe it to be the psychological time for the sadden coming into prominence of

CABALA CHART

The c h a r t i s good fo r any year- F i r s t f in d what your SOUL NUMBER i s - Let us say i t is "7” . F ind "7" in th e Soul Num­ber column. Every day in l in e w ith i t i s your FORTUNATE BAY.

3 ‘ 0 U L V 1*3 ' E A T “I 0 ' A £! MONTHS ! 1 2 a | 4 j_ 5 i J H ~ » !

JANUARY9

1827

1101923

2112029

3122130

4132231

51423

61524

71625

8 *1726

FEBRUARY8

1726

91827

1101928

2112029

31221

41322

51423

61524

71625

MARCH7

1625

81726

91827

1101928

2112029

3132130

4132231

51423

61524

APRIL8

1524

71625

81726

91327

1101928

2112029

5122130

41322

51423

MAY5

1423

51524

71625

81726

91827

1101928

2 n i J . - L

2029

3122130

4132231

JUNE4

1322

51423

61524

71625

81726

91827

1JL

101928

2112029

3“1 OmXm&J

2130

JULY3

122130

4132231

51423

61524

71625

81726

91827

101928

r . ,

fopa

AUGUST2

112029

3122130

4132231

51423

61524

71625

81726

a

1827

101928

SEPTEMBER1

101928

2112029

3122130

41322

51423

61524

71525

81726

91827

OCTOBER9

•1827

T _

101928

2112029

3122130

4132231

51423

61524

71625

81726

N OVEMBER8

1726

91827

1101928

2 -A- _ L

20 29

3122130

41322

51423

61524

71625

DEC El.'IBER

f c = = = = = = = = = = = =

71625

81726

N

91827

1101928

2112029

3122130

4132231

51423

61524

- 2 4 -

Page 27: Dynamic Numbers - IAPSOP...DYNAMIC NULIBZRS Some attribute it to the movie folks cf Hollywood, ether believe it to be the psychological time for the sadden coming into prominence of
Page 28: Dynamic Numbers - IAPSOP...DYNAMIC NULIBZRS Some attribute it to the movie folks cf Hollywood, ether believe it to be the psychological time for the sadden coming into prominence of

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