Digital Booklet - The Grand Budapest Hotel (Original Soundtrack)

download Digital Booklet - The Grand Budapest Hotel (Original Soundtrack)

of 27

description

Digital Booklet - The Grand Budapest Hotel (Original Soundtrack)

Transcript of Digital Booklet - The Grand Budapest Hotel (Original Soundtrack)

  • Zauerli: a measured, lingering type of Swiss yodeling featured in Werner Herzog's mesmerizing film HEART OFGLASS (the movie where he hired a hypnotist to put the cast and crew into a trance each day, but then he fired thehypnotist after a week and took over the job of entrancing everybody himself).

    Cymbalom: a variation on the hammer-dulcimer mostly identified with Hungarian/Romani folk music, expanded andrefined into a concert instrument. It can be played very fast and wild, but can also sound elegiac and nostalgic.

    Balalaika: the three-stringed, triangular, Russian form of the mandolin. In an orchestral setting, a large group of balalaikas creates an expansive, humming, winter-fantasy wall-of-sound.

    Alpenhorn: traditionally, the most efficient way to communicate from one mountain village to another. They are usually about eight feet long.

    Gregorian Chant: at a certain point in our story, we find ourselves in a monastery above a ski resort.

    THE GRAND BUDAPEST HOTEL takes place in an imaginary country in Mittel Europe about a hundred years ago. Wealways thought of this region as being a bit Czech, a bit Hungarian, a bit Polish, a bit Russian, a bit German -- and alsoa little bit 1930's movie-studio in Culver City. We started, however, in Paris, with our gifted French composer AlexandreDesplat, who incorporated all the sounds and forms above to make what we called "Zubrowkian" music: somethingvaguely familiar (Alexandre's musical voice is always unmistakeable), but nevertheless not quite like anything else.

    A few discoveries Randall Poster and I gathered together which helped to inspire our score and colored the atmosphereof our movie:

    1. Appenzeller Zuerli by the Os Schuppel Group2. Balalaika Favorites by the Osipov State Russian Folk Orchestra3. The performances of the great Zimbalist Mr. Gianni Lincan

    We also owe special thanks to our arranger/conductor Mark Graham and our music editor Yann McCullough for theirvery important contributions to this musical project.

  • Percussion: Paul Clarvis, Frank RicottiOrgan: Simon JohnsonCymbalom: Edward Cervenka, Giani LincanZither: Jon BanksCeleste: David ArchHarp: Hugh WebbTimpani: Tristan FryBrass: David Pyatt, Simon Rayner, Philip Eastop,

    Nigel Black, Mike Hext, Mark Nightingale,Byron Fulcher, Andy Wood, Owen Slade

    Flute/Recorder: Karen Jones, Anna Noakes, Nina Robertson

    Recorder: Bill Lyons, Rebecca Austin-Brown, Jill Kemp

    Clarinet: John Carnac, Martin RobertsonClarinet/Bass Clarinet: David FuestBassoon: Daniel Jemison, Dominic Morgan,Alpenhorn: Marc Woodhurst, Frances Jones,

    Jocelyn LightfootWhistlers: Alexandre Desplat, Barney Pilling

    London Voices ChoirChorus Master: Ben ParryTenors: Garth Bardsley, Richard Eteson, Simon

    Haynes, Benedict Hymas, Henry Moss, Julian Alexander Smith, Ashley Turnell,Richard Edgar Wilson

    Basses: Stefan Berkieta, Benjamin Bevan, NicholasGarrett, Cheyney Kent, Russell Matthews,Martin Nelson, Simon Preece, LawrenceWallington

    Choir Co-Head: Terry Edwards

    The Ludmila Zykina State Academic Russian National Balalaika EnsembleArtistic Head: Dmitry DmitrienkoBalalaika Prima (Solo): Alexander MarchakovskyBalalaika Prima: Nicolas Kedroff, Oleg Piskunov,

    Kirill LavrushkinBalalaika Secunda: Viacheslav Semikov, Nadezhda

    Dmitrienko, Yaroslav Poptsov, Sergey Chuchupalov

    Balalaika Alto: Ivan Palchuck, Ivan Shramkov, Denis Zhukov, Vladimir Korzhev

    Balalaika Bass: Efnan Ibadlaev, Victor Kormakov

    Orchestre de Balalaikas Saint-GeorgesArtistic Head: Ptia Jacquet-PritkoffBalalaika Piccolo: Natalia TrocinaBalalaika Prima: Macha ApreleffBalalaika Secunda: Alexis Moussine-PouchkineBalalaika Alto: Natacha FialkovskyBalalaika Tenor: Aliona Jacquet-ApreleffBalalaika Contrabass: Micha RutschkowskyAdditional Balalaikas: Eric de Drouas, Serge Vlassenko,

    Tatiana Derevitsky, Marie Prihnenko,Nastassia Jacquet-Apreleff, Marie Kalinine, Ivan Cherkasof, Vladimir de Gourko, Romain de Gourko,Andr Chestopaloff, Nathalie Moussine-Pouchkine. AlexandreVikouloff, Philippe Garcia

  • 1. s'Rothe-Zuerli se SchuppelWritten and composed by Ruedi Roth & Werner RothPublished by myMusicRights PublishingCourtesy of PM Music by arrangement with Phono-Vertriebs GmbH

    2. The Alpine Sudetenwaltz*

    3. Mr. Moustafa*

    4. Overture: M. Gustave H*

    5. A Prayer for Madame D*

    6. The New Lobby Boy*

    7. Concerto for Lute and Plucked Strings I. Moderato Siegfried Behrend & DZO Chamber OrchestraWritten by Antonio VivaldiCourtesy of Fonoteam GmbH

    8. Daylight Express to Lutz*

    9. Schloss Lutz Overture*

    10. The Family Desgoffe und Taxis*

    11. Last Will and Testament*

    12. Up the Stairs/Down the Hall*

    13. Night Train to Nebelsbad*

    14. The Lutz Police Militia*

    15. Check Point 19 Criminal Internment Camp Overture*

    16. The Linden Tree Osipov State Russian Folk Orchestra, Vitaly GnutovWritten by Pavel Vasilevich KulikovCourtesy of Natalya Abramyan and National Music PublishersCourtesy of Universal International Music B.V. under license from Universal Music Enterprises

  • 17. J.G. Jopling, Private Inquiry Agent*

    18. A Dash of Salt (Ludwig's Theme)*

    19. The Cold-Blooded Murder of Deputy Vilmos Kovacs*

    20. Escape Concerto*

    21. The War (Zero's Theme)*

    22. No Safe-House*

    23. The Society of the Crossed Keys*

    24. M. Ivan*

    25. Lot 117*

    26. Third Class Carriage*

    27. Canto at Gabelmeister's Peak*

    28. A Troops Barracks (Requiem for the Grand Budapest)*

    29. Cleared of All Charges*

    30. The Mystical Union*

    31. Kamarinskaya Osipov State Russian Folk Orchestra, Vitaly GnutovCourtesy of Universal International Music B.V. under license from Universal Music Enterprises

    32. Traditional Arrangement: "Moonshine"

    *Music Composed by Alexandre Desplat and published by Galilea Music

  • *Music Composed by Alexandre DesplatProduced by Wes Anderson & Randall Poster

    1. s'Rothe-Zuerli se Schuppel2. The Alpine Sudetenwaltz*

    3. Mr. Moustafa*4. Overture: M. Gustave H*5. A Prayer for Madame D*

    6. The New Lobby Boy*7. Concerto for Lute and Plucked Strings I. Moderato Siegfried Behrend & DZO Chamber Orchestra

    8. Daylight Express to Lutz*9. Schloss Lutz Overture*

    10. The Family Desgoffe und Taxis*11. Last Will and Testament*

    12. Up the Stairs/Down the Hall*13. Night Train to Nebelsbad*

    14. The Lutz Police Militia*15. Check Point 19 Criminal Internment Camp Overture*

    16. The Linden Tree Osipov State Russian Folk Orchestra, Vitaly Gnutov17. J.G. Jopling, Private Inquiry Agent*18. A Dash of Salt (Ludwig's Theme)*

    19. The Cold-Blooded Murder of Deputy Vilmos Kovacs*20. Escape Concerto*

    21. The War (Zero's Theme)*22. No Safe-House*

    23. The Society of the Crossed Keys*24. M. Ivan*25. Lot 117*

    26. Third Class Carriage*27. Canto at Gabelmeister's Peak*

    28. A Troops Barracks (Requiem for the Grand Budapest)*29. Cleared of All Charges*

    30. The Mystical Union*31. Kamarinskaya Osipov State Russian Folk Orchestra, Vitaly Gnutov

    32. Traditional Arrangement: "Moonshine"

    www.abkco.com

    Motion Picture Artwork, Photos and Logos TM and 2014 Twentieth Century Fox Film Corporation. All rights reserved. This Compilation p2014 ABKCO Music & Records, Inc. and are trademarks of ABKCO Music & Records, Inc.Warning: All rights reserved.

    Unauthorized duplication is a violation of applicable laws. Manufactured by ABKCO Music & Records Inc., 85 Fifth Avenue, New York, New York 10003.

  • *Music Composed by Alexandre DesplatProduced by Wes Anderson & Randall PosterOrchestrations by Alexandre Desplat and Mark GrahamConducted by Mark GrahamSupervising Sound Editors and Re-Recording Mixers: Wayne Lemmer, Christopher ScarabosioMusic Editor: Yann McCulloughOriginal Music Recorded and Mixed by Simon RhodesMusic Coordinator: Meghan CurrierScore Coordinator: Xavier ForcioliProgrammer: Romain AllenderMusic Preparation: JoAnn Kane Music Service, Norbert Vergonjeanne, Claude RomanoMusic Librarian: David HageScore Recorded at Air StudiosPro Tools Operators and Recordists: Fiona Cruickshank, Chris BarrettAssistants: Laurence Anslow, John PrestageAdditional Recordists: Rupert Coulson, Olga FitzRoy, Jake JacksonAdditional Score Recorded at Abbey Road StudiosAdditional Recordist: Lewis JonesBalalaikas Recorded at Studio Guillaume TellRecording Assistant: Florent BerthierOrgan Recorded at St. Jude-on-the-Hill, LondonMusic Mixed at Abbey Road StudiosOrchestra Contractor (London): Isobel GriffithsAssistant Orchestra Contractor (London): Jo ChangerMusicians' Contractor (Paris): Jean-Michel BernardBalalaika Contractor: Joris Bartsch Buhle

    Mastered by: Greg Calbi at Sterling SoundPackage Design by: Brian Fitzpatrick

    Executive in charge of soundtracks for ABKCO Records: Alisa ColemanExecutive in charge of sales for ABKCO Records: Michael AllenMusic Production Coordinator for ABKCO Records: Teri LandiMarketing and Promotion for ABKCO Records: Henry UsukumahSoundtrack Coordinator for ABKCO Records: Julia BuchheimManufacturing Coordinator for ABKCO Records: Kristen Salvatore

    Special Thanks: Jody Klein, Jeremy Dawson Steven Rales, Scott Rudin, Irwin Rappaport, Peter McPartlin, Stephen Perkins, Barnaby Pilling, Octavia Peissel, Robert Kelley,Pirmin Marti, Ben Adler, Jean Michel Bernard, Robert Messinger, Joris Bartsch Buhle, Isobel Griffiths, Molly Cooper, Deborah Wettstein, Werner Herzog, Lucki Stipetic,Paul Clarvis, Alan Wertheimer and Barry Tyerman.Thanks: Tom Cavanaugh, Valerie Collin, Brittany Jones, Peter Mastrocinque, JoAnn Orgel, Maria Papazahariou, Rafael Ventura, Marilyn Laverty, Mark Satlof, RebeccaShapiro, Elizabeth Lutz, Dani Frank and the entire Shore Fire Media team.

    I would like to thank: Solre, Ninon and Antonia, Laura Engel, Jonathan Clark, Doug Mark, Xavier, Romain, and the many musicians who played on this score. Mark Grahamhas been a unique companion during these demanding recordings. Merci, Mark. Where and when can a film composer use alpenhorns, whistles, balalalikas, pipe organ,choir, bells, and cymbalom? Well, only in Wes' World. Thank you, Wes. -- Alexandre Desplat

    Motion Picture Artwork, Photos and Logos TM and 2014 Twentieth Century Fox Film Corporation. All rights reserved. This Compilation p2014 ABKCO Music & Records, Inc. and are trademarks of ABKCO Music & Records, Inc.Warning: All rights reserved.

    Unauthorized duplication is a violation of applicable laws. Manufactured by ABKCO Music & Records Inc., 85 Fifth Avenue, New York, New York 10003.