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DIADORA 23

Arheoloki muzej Zadar, Zadar, 2009, 230 stranica, naklada 600 primjeraka

DIADORA 23

Archaeological Museum Zadar, Zadar, 2009, 230 pages, print run of 600 copies

Tijekom mjeseca srpnja 2010. godine iz tiska je izaaonovi, 23. po redu broj asopisa Diadora, glasila Arheolo-kog muzeja Zadar. iroj javnosti asopis je slubeno pred-stavljen dana 10. prosinca 2010. godine u prostorijamaArheolokog muzeja u Zadru. U predstavljanju asopisasudjelovali su prof. dr. sc. Ante Uglei, rektor Sveuilita uZadru, prof. dr. sc. Slobodan ae s Odjela za povijest sveu-ilita u Zadru, prof. dr. sc. Marija Kolega s Odjela za povijestumjetnosti Sveuilita u Zadru i u ime izdavaa dr. sc. Smi-ljan Gluevi, ravnatelj Arheolokog muzeja Zadar.

Novi broj asopisa Diadora objavljen je u novom suvre-menijem izgledu. Najvea promjena je dvojezinost, od-nosno paralelan tekst lanaka na hrvatskom i engleskom

jeziku. Takoer, asopis je izdan u novom, neto veem Bformatu. Slijedom prethodnih brojeva asopis je zadraoprepoznatljivu utu boju omota (korica) koja je moderni-zirana i javlja se u etiri nijanse. Uz boju, asopis je na na-slovnici zadrao tipologiju naziva koja je preuzeta iz prvogsveska objavljenog 1960. godine s popisom imena autorai radova.

Novi broj asopisa Diadora na ukupno 230 stranica do-nosi devet lanaka od kojih etiri izvorno znanstvena rada,

jedan pregledni rad, jedan struni rad, jedno prethodnopriopenje i dva lanka koja su posthumno posveena za-slunom hrvatskom arheologu Borisu Ilakovcu i fotografuArheolokog muzeja Zadar Franji Nedvedu.

U radu Istraivanja na Cvijinoj gradini u Kruevu kodObrovca autorica Natalija ondi iz Arheolokog muzejaZadar donosi rezultate sustavnih arheolokih istraivanjaprovedenih u razdoblju od 1999. do 2007. godine na nave-denom arheolokom lokalitetu (str. 922). Arheoloki loka-litet Cvijina gradina je liburnsko rimsko naselje smjetenona dominantnoj koti od 356 m/nv koje je prirodno zati-

In July 2010, the new, 23rdissue of Diadora, the journal ofthe Archaeological Museum Zadar, was published. The jour-nal was officially presented to the wider public on 10thDe-cember 2010, in the Archaeological Museum Zadar. It waspresented by Professor Dr. Ante Uglei, Rector of the Uni-versity of Zadar, Professor Dr. Slobodan ae of the HistoryDepartment of the University of Zadar, Professor Dr. MarijaKolega of the Art History Department of the University ofZadar and, on behalf of the publisher, Dr. Smiljan Gluevi,Director of the Archaeological Museum Zadar.

The latest issue of the journal was published with a new,more modern design. The biggest change is that it is bilin-gual, with parallel texts in Croatian and English. In addition,the issue was published in a new, somewhat bigger B pageformat. As in previous issues, the journal has kept its dis-tinctive yellow jacket (cover) color, now modernized, with 4different shades. Along with the color, the journal has alsokept the typology of the journals title on the cover page,taken over from the first volume published in 1960, as wellas the list of authors names and article titles.

The latest issue of Diadora, with a total of 230 pages,brings nine articles, four of which are original scientific pa-pers, one is a report, one a professional paper, one a preli-minary report and two articles posthumously dedicated tothe much deserving Croatian archaeologist Boris Ilakovacand to the photographer of the Archaeological MuseumZadar Franjo Nedved.

In her work Excavations at the hillfort of Cvijina Gradinain Kruevo near Obrovac, the author Natalija ondi of theArchaeological Museum Zadar brings the results of syste-matic archaeological investigations conducted at the men-tioned site between 1999 and 2007 (pp 9-22). The archaeo-logical site Cvijina Gradina is a Liburnian-Roman settlementsituated on a vantage point at 356 meters above sea levelwith natural protection provided by the steep cliffs alongthe northern edge, which made it possible for the settle-ment to develop unhindered through the Iron Age and the


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eno visokim liticama du sjevernog ruba to je omogui-lo nesmetan razvoj naselja kroz eljezno doba i antiku. Uvrijeme antike naselje poprima sve karakteristike antikogurbanog sredita s pristupnim cestama, ulazom, forumom,hramom, kupalinim kompleksom, stambenim i gospodar-skim graevinama s pripadajuim gradskim komunikacija-

ma kao i nekropolom u podgrau.U uvodnom dijelu rada autorica donosi pregled rezulta-

ta rekognosciranja i arheolokog istraivanja lokaliteta kojeje poetkom 20. stoljea proveo Arheoloki institut u Beupod vodstvom A. Colnaga i J. Kiela. Tom su prilikom na sa-moj Gradini istraeni hram, terme te niz graevina na ju-nom rubu platoa naselja. Rezultati navedenih istraivanjaukazali su na vanost lokaliteta u eljezno doba i antici to

je ponukalo djelatnike Arheolokog muzeja Zadar da podvodstvom Branke Nedved 1999. godine zaponu sa sustav-nim arheolokim istraivanjima lokaliteta.

U drugom dijelu rada autorica donosi kronoloki slijedrezultata arheolokih istraivanja provedenih tijekom osamistraivakih kampanja tijekom kojih je obavljen detaljanobilazak ireg podruja lokaliteta, izvrena su revizijskaistraivanja arheolokih iskapanja s poetka 20. stoljea,kao i izrada geodetskog plana naselja s pripadajuom ne-kropolom na jugoistonim padinama. Takoer, na istonomplatou naselja zapoelo se s arheolokim istraivanjima ur-banog tkiva s pripadajuim gradskim komunikacijama. Dosada su istraene etiri prostorije razliitih dimenzija kojenainom izgradnje odgovaraju rimskim standardima. Pro-storije tlocrtno prate oblike predrimskih liburnskih kuakoje poivaju izravno na ivcu, najee bez temeljne sto-pe. Na temelju nalaza pokretne arheoloke grae pretpo-

stavlja se da navedeni niz objekata predstavlja sklop javnihi gospodarskih zgrada. Predstojeim arheolokim istraiva-njima nastojat e se utvrditi namjera i karakter ostalih pro-storija u nizu.

U radu Palimpsest reljef iz crkve sv. Mihovila u Zadru au-tor Draen Mari iz Arheolokog muzeja Zadar obraujereljef s tri muka lika prikazana u visini polufigura uzidan uproelje crkve sv. Mihovila u Zadru (str. 2334). Na temeljuanalize glavnih obiljeja izrade spomenika, ikonografskihkarakteristika likova (habitus, dranje) i vieslojnosti u izradireljefa autor zakljuuje da je rije o izvorno antikom nad-grobnom reljefu koji je u vrijeme srednjeg vijeka preraen.Najvee prerade izvornog reljefa izvrene su na licima figu-ra, te djelomino frizurama koje su najvjerojatnije prerae-ne prema originalnom uzorku. Najvee preinake izvrenesu na krajnje desnom liku (poprsje, vrat, lice i odjea). Svimsu likovima prilikom prerade dodane aureole.

Analizirajui veliinu reljefa te visinu prikaza figura au-tor zakljuuje da je rije o popreno koncipiranom reljefupravokutne forme koji je u rimsko doba najvjerojatnije biouzidan u nadgrobnu graevinu (mauzolej) te kao takav pri-pada u skupinu ugradbenih reljefa. Analogije navedenojtvrdnji autor nalazi u nizu primjeraka spomenika iz Rima te

Roman period. During antiquity, the settlement acquiredall the traits of a Roman urban centre, with approach roads,an entrance, a forum, a temple, a baths complex, residentialand economic buildings and corresponding urban commu-nications as well as a necropolis in the suburbium.

In the introductory paragraphs, the author presents anoverview of the results of surveys and archaeological in-vestigations of the site conducted at the beginning of the20th century by the Archaeological Institute in Vienna, ledby A. Colnago and J. Kiel. The excavations at Gradina itselfcovered the temple, thermae and a series of buildings alongthe southern edge of the settlement plateau. The results ofthese excavations pointed to the localitys significance inthe Iron Age and Roman period, which prompted the staffof the Archaeological Museum Zadar to commence syste-matic archaeological investigations at the site in 1999 underthe leadership of Branka Nedved.

In the second part of her work, the author presents achronology of the results of archeological investigationsconducted in eight campaigns. These campaigns involved adetailed survey of the wider site area, repeat investigationsof the excavations from the beginning of the 20thcentury,as well as the drafting of a geodetic plan of the settlementwith the accompanying necropolis on the southeasternslopes. In addition to this, archaeological investigations ofthe urban fabric with the corresponding urban communi-cations commenced on the settlements eastern plateau. Sofar, four rooms of varying sizes have been excavated, whosemanner of construction complies with Roman standards.The floor plan of these rooms follows the form of the pre-Roman Liburnian houses that lie directly on the bedrock,mostly with no foundation level. The movable finds indicatethat this group of structures represents a complex of publicand economic buildings. Upcoming archaeological investi-gations will attempt to identify the purpose and characterof the remaining rooms in the row.

In his work, A palimpsest relief from the Church of St.Michael in Zadar, the author Draen Mari from the Ar-chaeological Museum Zadar deals with a relief with threemale half-figures walled into the faade of St. Michaelschurch in Zadar (pp 23-34). An analysis of the main featu-res of the monuments workmanship, the iconographiccharacteristics of the figures (appearance, posture) and themultiple layers in the structure of the relief lead the authorto conclude that this is an original Roman tombstone reliefreworked during the Middle Ages. The biggest interven-tions in the reworking of the original relief were made onthe faces of the figures, and partly also on the hairstyles,most probably reworked according to the original model.The biggest alterations were made on the figure on the farright (bust, neck, face and clothing). Halos were added to allthe figures.

After analyzing the size of the relief and the degree ofprojection of the figures, the author concludes that this isa rectangular transversally conceived relief that was proba-bly walled into the tombstone structure (mausoleum) in theRoman period. This places it among the so-called embed-ded reliefs. The author finds analogies for this statement ina number of monument specimens from Rome and speci-mens from Flanona, Arba and Salona. The author believes


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primjercima iz Flanone, Arbe i Salone. Uz navedeni ugrad-beni reljef s portretima pokojnika, prema miljenju autora,u Zadru je morao postojati vei broj slinih nadgrobnihspomenika to potvruje nalaz fragmentiranog reljefa en-ske figure u ogradnom zidu crkve sv. Ivana s gradskog pre-djela Relja.

Na temelju analize glavnih stilskih karakteristika prika-za, posebno frizure, autor izvorni nadgrobni reljef s proe-lja crkve sv. Mihovila datira neposredno prije ili oko sredine1. stoljea nakon Krista dok fragment reljefa enske figure sRelje karakterizira frizura tipina za Tiberijevo doba, odno-sno Livijina frizura tzv. Ceres tipa i njene imitacije.

U radu Dva neobjavljena natpisa Druge kohorte Kirestaiz Dalmacije autor Ivan Matijevi s Odjela za povijest Sve-uilita u Splitu obrauje dva nadgrobna spomenika kojasu pripadala vojnicima navedene kohorte (str. 3544). Usreditu Solina, tijekom arheolokih istraivanja 1992. go-dine, pronaena je nadgrobna ara koja je uz manja ote-enja sauvana u cijelosti. Iz teksta natpisa saznaje se da

je pripadala 90-godinjem veteranu Gaju Juliju Maru kojije nakon zavretka vojne slube dobio graansko pravo odnekog cara iz julijevske dinastije. Pokojnik je podrijetlom izgrada Bereje u Siriji, a spomenik mu je oporuno podigaonjegov osloboenik i nasljednik Magnus. Na temelju vre-mena osnutka Druge kohorte Kiresta, njihova premjetajau Dalmaciju te godina provedenih u vojsci autor vrijemenjegove smrti stavlja u razdoblje izmeu 50. i 60., pa do 80.godine nakon Krista.

Drugi spomenik otkriven je u Burnumu 1912. godine.Rije je o steli sauvanoj u ulomcima koja je poznata preko

crtea iz Starinarskih dnevnika fra Luje Maruna to je, ka-ko navodi autor, oteavalo restituciju natpisa. Spomenik jepodignut oko sredine 1. stoljea. Pokojnik je podrijetlom izBereje u Siriji.

U zavrnom dijelu rada autor na temelju brojnosti i mje-sta nalaza natpisa sa spomenom pripadnika Druge kohorteKiresta raspravlja o moguem smjetaju i vremenu boravkakohorte na podruju provincije Dalmacije.

U radu Zatitno arheoloko istraivanje dijela antike

nekropole Zadra u Zrinsko-Frankopanskoj ulici autori imePerovi i Ivo Fadi iz Muzeja antikog stakla u Zadru dono-se rezultate zatitnih arheolokih istraivanja dijela antikenekropole Zadra (str. 45132). Zatitnim arheolokim istra-ivanjima provedenim tijekom 2006. godine na povrini odoko 600 m utvreno je sedam pravaca zidova, dvije zidanekamene konstrukcije, 37 antikih grobova i trasa glinastopjeskuljastog naboja. U prvom dijelu rada autori na te-melju detaljne analize istraenih zidova i kamenih zidnihkonstrukcija te njihovih meusobnih odnosa i usporedbomodnosa poznatih novopronaenih zidova s podacima s ar-heolokih istraivanja provedenih na lokalitetima T. C. Reljai u Ulici Petra Svaia donose nove podatke o organizacijigrobnih parcela unutar nekropole. Zidane kamene kon-

that in addition to this embedded relief with portraits of thedeceased, there must have been a larger number of similartombstones in Zadar, as confirmed by the find of a fragmen-ted relief of a female figure in the enclosing wall of St. Johnschurch in the Relja city quarter.

Based on an analysis of the main stylistic features, espe-cially the hairstyle, the author dates the original tombstonerelief from the faade of St. Michaels church to immediatelybefore or around the middle of the 1st century AD, while thefragment of the relief of a female figure from Relja is charac-terized by a hairstyle typical of the age of Tiberius Liviashairstyle of the so-called Ceres type and its imitations.

In his work Two unpublished inscriptions of the SecondCohort Cyrrhestarum from Dalmatia, the author Ivan Mati-

jevi from the History Department of the University of Splitdeals with two tombstones belonging to soldiers of thementioned cohort (pp 35-44). Archaeological investigati-ons in the centre of Solin in 1992 uncovered a tombstonealter preserved almost entirely except for some minor da-mage. The text of the inscription reveals that it belongedto the 90-year old veteran Gaius Julius Mara who upon en-ding his military service was granted citizenship by one ofthe rulers of the Julian dynasty. The deceased was originallyfrom the Syrian town of Berea, and the tombstone was con-structed as per his will by his freedman and heir Magnus.Based on the dates of the founding of the Second CohortCyrrhestarum, its relocation to Dalmatia and the number ofyears spent in the army, the author places the date of deathin the period between 50 and 60 to 80 years AD.

The second monument was discovered in Burnum in1912. This is a stele preserved in fragments, known from thedrawings in the Journals of Antiquity (Starinarski dnevni-ci) by Fra Lujo Marun, which, as the author states, hindered

the restitution of the inscription. The monument was erec-ted around the middle of the 1stcentury. The deceased wasoriginally from Berea in Syria.

In the final part of his paper, based on the number andlocation of finds bearing the name of the Second CohortCyrrhestarum, the author discusses the possible locationsand time-frame of the Cohorts stay in the Dalmatian pro-vince.

In their work Archaeological rescue excavations of apart of the Roman necropolis of Zadar in the Zrinsko-Fran-kopanska Street, the authors ime Perovi and Ivo Fadi ofthe Museum of Ancient Glass in Zadar present the resultsof the rescue excavations of a part of the Roman necropolis

of Zadar (pp 45-132). The rescue excavations conducted in2006 on a total area of around 600 m2identified seven walltracts, two stone structures, 37 Roman graves and a stretchof clay and sandy fill. In the first part of the paper, based ona detailed analysis of the excavated walls and stone structu-res, as well as their relationships and a comparison of therelationship of the known newly-discovered walls with datafrom archaeological excavations at the sites T.C. Relja andPetra Svaia Street, the authors present new informati-on on the layout of plots within the necropolis. The stonestructures are probably the foundations of larger sepulchralbuildings, aedicule or mausoleums.

In the second part of the paper the authors present the


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strukcije najvjerojatnije predstavljaju temelje veih sepul-kralnih objekata, edikula ili mauzoleja.

U drugom dijelu rada autori donose osnovne podatkeo istraenih 37 grobnih cjelina, od ega 24 kosturna ukopai 13 paljevinskih. Na temelju meusobnih odnosa ukopa igrobnih priloga na istraenom dijelu nekropole utvre-

na su dva horizonta pokapanja. Prvom, ranijem pripada 8paljevinskih i jedan kosturni ukop u amfori koji se datirajuu ranocarsko razdoblje, odnosno u 1. i poetak 2. stoljeanakon Krista. Mlaem horizontu, uz ukope u keramikimurnama, pripadaju kosturni ukopi pod tegulama koji se da-tiraju u 2. i 3. st. nakon Krista.

U katalokom dijelu rada autori donose opis i tlocrtesvih istraenih grobova s ukupno 228 katalokih jedinica.Meu grobnim prilozima prevladavaju predmeti od stakla,razliita keramika roba (uljanice, vrevi, boce, zdjelice i dr.),kotani i metalni nalazi. Analizom staklenih predmeta au-tori istiu da uz uvoznu sjevernoitalsku robu, dio grae tre-

ba pripisati lokalnoj produkciji. Kada je rije o keramikommaterijalu, ustanovljen je uvoz iz sjevernoitalskih radionicai radionikih centara istonog Mediterana.

U radu Kameni spomenici iz crkve sv. Andrije u Bainiautor Jakov Vui iz Arheolokog muzeja Zadar obraujekamene spomenike pronaene tijekom istraivanja ostata-ka crkve (str. 133178). U uvodnom dijelu rada autor donosiosnovne podatke o smjetaju Baine, dosadanje spoznajeo naselju na temelju literature te uvjete pronalaska rano-kranske kamene skulpture prilikom izgradnje Jadranskemagistrale 1965. godine nakon ega je izvreno arheolo-ko istraivanje lokaliteta. Arhitektonski ostaci crkve nakon

zavretka istraivanja su konzervirani, no zbog dugogodi-njeg neodravanja danas se nalaze u jako loem stanju.

U drugom dijelu rada autor donosi katalog arhitekton-ske skulpture i crkvenog namjetaja s ukupno 79 katalokih

jedinica na temelju ije se analize i analogija s drugim na-lazitima crkva moe datirati u kraj 5. i poetak 6. stoljea.Takoer, analiza kamene skulpture iz crkve sv. Andrije uBaini upuuju na postojanje objekata i nekropole nastalihu neposrednoj blizini, prije izgradnje same crkve, tijekomprvih stoljea nakon Krista. S obzirom na materijal izradete nain ukraavanja utvreno je da je skulptura proizvoddviju radionica. Arhitektonska skulptura proizvod je salo-nitanskih radionica karakteristinih za 6. stoljee, dok diocrkvenog namjetaja ima karakteristike salonitanskih, a dionaronitanskih radionica.

U radu RadainovciVinogradine 1999.-2007. autor Ra-domir Juri iz Arheolokog muzeja Zadar donosi izvjetaj oarheolokim istraivanjima ranohrvatskog groblja u mjestuRadainovci kod Benkovca (str. 179192). U uvodnom dijelurada autor donosi osnovne podatke o nalazitu dok u dru-gom dijelu donosi rezultate antropoloke analize kostura ipokretne arheoloke grae. U razdoblju od 1999. do 2007.godine u mjestu Radainovci, na poloaju Vinogradine, oko

basic data on 37 excavated grave assemblages, 24 of whichwere skeletal burials and 13 cinerary burials. Based on therelationship between burials and grave goods on the exca-vated part of the necropolis, two burial horizons have beenidentified. The first and earlier one comprises 8 cinerary andone skeletal burial in an amphora, dated to the early impe-rial period, i.e. the 1st and beginning of the 2nd century AD.The more recent horizon comprises burials in ceramic urnsas well as skeletal burials under tegulae dated to the 2ndand 3rd century AD.

In the catalogue section of the paper, the authors pre-sent a description and the layout of all the excavated gra-ves with a total of 228 catalogue items. The grave goodsare mostly made up of glass items, various ceramic goods(oil lamps, jugs, bottles, bowls and others), bone and me-tal finds. After analyzing the glass items, the authors pointout that some of the goods are north Italic imports but thatsome are locally produced. The ceramic material was identi-fied as imported from north Italic workshops and the work-work-shop centers of the eastern Mediterranean.

In his work The stone monuments from the Church ofSt. Andrew in Baina, the author Jakov Vui from the Ar-chaeological Museum Zadar deals with stone monumentsuncovered during the excavations of the churchs remains(pp 133-178). In the introductory section the author presentsthe basic data on the location of Baina, current knowledgeabout the settlement gleaned form the literature, as well asthe conditions under which the early Christian stone scul-pture was found during the construction of the AdriaticCoastal Road in 1965, which was followed by archaeologicalinvestigations of the site. After the excavations were com-pleted, the architectural remains of the church were con-served, but due to years of inadequate maintenance, todaythey are in very poor condition.

In the second part of the work the author presents acatalogue of architectural sculpture and church furnishin-gs with a total of 79 catalogue items. Based on an analysisof these items and analogies with other sites, the churchcan be dated to the end of the 5th and the beginning ofthe 6th century. In addition to this, an analysis of the stonesculpture from the church of St. Andrew in Baina points tothe existence of buildings and a necropolis in close vicinityconstructed before the church itself, during the first centu-ries AD. The material of which it was made and the mannerof ornamentation lead to the conclusion that the sculpturewas the product of two workshops. The architectural scul-pture is a product of the Salona workshops characteristicfor the 6th century, while one part of the church furnish-furnish-ings bears the traits of Salona workshops and another partof Narona workshops.

In his work RadainovciVinogradine 1999-2007, theauthor Radomir Juri from the Archaeological Museum Za-dar presents a report on the archaeological investigationsof an early Croatian cemetery in the village of Radainovcinear Benkovac (pp 179-192). In the introductory part of thepaper the author presents the basic data on the site whi-le the second part brings the results of an anthropologicalanalysis of the skeletons and movable finds. In the periodbetween 1999 and 2007, in the village of Radainovci, at theposition Vinogradine, around 500 meters southeast of the


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500 metara jugoistono od upne crkve sv. Ante vrena suarheoloka istraivanja ranohrvatskog groblja na redove.U navedenom razdoblju istraeno je ukupno 109 grobovakoji su graeni od nepravilna kamenja (2-3 reda) i zatvorenikamenim poklopnicama. Dna su poploana tankim lomlje-nim ploama. Iznimku ini grob 55 koji je pokriven jednom

monolitnom poklopnicom te nekoliko grobova kod kojihsu pokojnici izravno poloeni u zemljane rake i pokriveni svie kamenih ploa.

Uz osnovne podatke o organizaciji groblja, autor do-nosi i podatke o osteolokoj grai cjelokupnog nalazita.Antropolokom analizom kostiju s nalazita utvreno je da

je navedena populacija pripadala istoj skupini koja je na-seljavala Bribir u ranom srednjem vijeku. Analizom kostijusvih ukopa utvreno je da se grob 55 razlikuje od ostalih.U grobu je pronaen kostur enske odrasle osobe starosti55 do 60 godina. Pokojnica odudara od prosjeka ivotnedobi utvrene za odrasle ene za razdoblje ranog srednjegvijeka u Hrvatskoj koji iznosi od 31 do 34 godine. Nadaljeutvreno je da pokojnica ima ankilozu desne butne i golje-nine kosti koje su spojene u zgrenu poloaju na zglobnimplotinama. Najvjerojatnije je rije o uroenoj anomaliji.

Analizom kotanog tkiva pokojnika, na nalazitu je utvr-eno postojanje zaraznih bolesti: tuberkuloze (dva kostura)i lepre (etiri kostura). Takoer, na glavi mukarca (grob 48)starosti izmeu 35 i 39 godina utvrena je perimortalnafraktura nanesena predmetom otrih bridova.

Tijekom arheolokih istraivanja u grobovima je prona-ena razliita pokretna arheoloka graa: naunice, perle,prstenje, ulomak staklene posude, nekoliko ulomaka ze-mljanih posuda iz iskopa te drugi nalazi. Najbrojniji nalazi

unutar grobova su naunice koje se javljaju u nekoliko tipo-va. Autor se posebno osvre na jednojagodne naunice ko-

je su ujedno najbrojnije i na naunice s privjeskom u oblikuzrna penice okomito postavljenog na kariku. Na temeljuusporedbe nalaza iz grobova s nekropole iz Radainovaca sdrugim nalazitima (Kai Grede, Ostrovica, Bribir Vrat-nice, Mravinci Glaviine, Katel Suurac Gajine i Glavi-ce Gluvine kue) autor sve nalaze iz Radainovaca datiranakon sredine 9. do poetka 10. stoljea. Sveukupna slikao nalazitu dobit e se zavretkom arheolokih istraivanjana lokalitetu i analizom svih arheolokih nalaza kao i antro-polokom analizom.

U radu Katedrala (Sv. Anastazije) u Biogradu autor Pa-vua Vei s Odjela za povijest umjetnosti Sveuilita uZadru na temelju povijesne grae raspravlja o arhitekturibiogradske katedrale (str. 193206). U uvodnom dijelu ra-da autor donosi podatke o razaranju Biograda 1125. godineod strane Mleana. Na temelju analize crtea Konrada vonGrnemberga s kraja 15. stoljea, drvoreza Matea Pagana iz16. stoljea te karte iz 1647. godine, autor donosi podatke oizgledu grada tijekom srednjeg vijeka.

U drugom dijelu rada autor raspravlja o problemimanastanka Biograda, biogradske katedrale i biskupije. Vaan

parish church of St. Anthony, archaeological investigationswere conducted on an early Croatian row cemetery. A totalof 109 graves were excavated in this period. These graveswere made of irregular stones (2-3 rows) and covered withstone slabs. The bases of the graves were paved with bro-ken plates. An exception to this is grave 55 which was cove-red by a single monolithic slab, and a few graves where thedeceased were laid directly into earthen pits and coveredwith several stone slabs.

In addition to data about the layout of the cemetery,the author also presents data on the osteological materi-al of the site as a whole. An anthropological analysis of thebones from the site revealed that this population belongedto the same group that inhabited Bribir in the early MiddleAges. An analysis of the graves from all the burials revealedthat grave 55 differed from the rest. It contained a skeletonof an adult female between 55 and 60 years of age. The ageof the deceased departs from the average age of adult fe-males for the early medieval period in Croatia, which is 31to 34 years of age. It was also established that the deceasedhad anchylosis of the right thigh and shin-bones, which we-re connected, in a contracted position, on the joint surfaces.This was most probably a hereditary anomaly.

An analysis of the bone tissue of the deceased revealedthat contagious diseases were present at the site: tubercu-losis (two skeletons) and leprosy (four skeletons). In additi-on, the head of a male (grave 48) between 35 and 49 yearsof age displayed a perimortem fracture inflicted with anobject with sharp edges.

During the archaeological investigations, various mo-vable finds were discovered in the graves: earrings, pearls,rings, a fragment of a glass vessel, a few fragments of ear-then vessels from the trench, and other finds. The most nu-merous finds from the graves were earrings, of which se-veral types appear. The author deals especially with single-beaded earrings, which are the most numerous, and withearrings with a pendant in the shape of a grain of wheat,placed perpendicular to the link. Based on a comparison ofthe grave finds from the Radainovci necropolis with othersites (Kai Grede, Ostrovica, Bribir Vratnice, Mravinci Glaviine, Katel Suurac Gajine i Glavice Gluvine kue),the author dates all the finds from Radainovci to the periodfrom after the middle of the 9th century to the beginning ofthe 10th century. A more complete picture of the site will begained after the investigations at the site have been com-pleted, the archaeological material analyzed and the ant-hropological analysis completed.

In his work The Cathedral (St. Anastasia) in Biograd,the author Pavua Vei from the Art History Departmentof the University of Zadar discusses the architecture of theBiograd cathedral based on historical material (pp 193-206).In the introductory section the author presents informati-on on the destruction of Biograd in 1125 by the Venetians.The author presents information on the appearance of thetown in the Middle Ages, based on an analysis of the late15th century drawings by Konrad von Grnemberg, a 16thcentury woodcut by Mateo Pagano and a map from 1647.

In the second part of the work, the author discussesthe problems regarding the origin of Biograd, the Biogradcathedral and diocese. An important event for medievalBiograd was the coronation of Coloman as King of Hun-


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atrnja Aserija koji su objavljeni u knjizi Rimski akveduktina podruju sjeverne Dalmacije.

Takoer, dr. Boris Ilakovac je, uz poticaj tadanjeg Repu-blikog zavoda za zatitu spomenika kulture, zasluan zaosnivanje akcijske skupine podmorskih arheologa pri Arhe-olokom muzeju Zadar 1969. godine. Zahvaljujui osniva-

nju navedene skupine, u razdoblju od 1969. do 1974. godi-ne, proveo je niz rekognosciranja i istraivanja podmorskiharheolokih nalazita poput Kumenta i Boane kod Biogra-da, Mirita i sv. Mihovila na Pamanu, Riula, Galenjaka idrugih nalazita.

Na kraju lanka autor donosi popis najvanijih strunih iznanstvenih radova dr. Borisa Ilakovca objavljenih u razdo-blju od 1990. do 2008. godine. Njegov ukupni opus radovaiznosi 82 jedinice.

Posljednji lanak pod nazivom Franjo Nedved (1944.-2008.) posveen je dugogodinjem fotografu Arheolokogmuzeja Zadar Franji Nedvedu zvanom Braco (str. 221228).Kao muzejski djelatnik Franjo Nedved radio je na brojnim

arheolokim istraivanjima, fotografiranju muzejske graeza potrebe muzejske fototeke i kartoteke predmeta kao iza razliite vrste muzejskih publikacija i izlobi. Slijedomnavedenog autor donosi popis svih arheolokih lokalitetas podruja grada Zadra i Zadarske upanije u kojima je Fra-njo Nedved sudjelovao kao slubeni fotograf Arheolokogmuzeja Zadar. Njegove fotografije takoer su krasile mno-gobrojne izlobe, ali i razliite kataloge i publikacije koje suizlazile u izdanju Arheolokog muzeja Zadar i drugih srod-nih ustanova. Uz terenski fotografski posao Franjo Nedved

je intenzivno radio na inventarizaciji grae muzejske foto-teke.

Kako je navedeno u predgovoru novog broja asopisaDiadora, elja Urednitva je pribliiti asopis ne samo hr-vatskim ve i stranim strunjacima, zadrati meunarodnisastav Urednikog odbora asopisa te postii redovitost uizlaenju kako bi se asopis prema kriterijima rangiranja hr-vatske znanstvene periodike koju rangira Nacionalno vijeeza znanost svrstao u asopise A1.1

Nadam se da e zacrtani ciljevi urednitva biti ispunjenite im elim puno uspjeha u daljnjem radu.

1 UREDNITVO, Predgovor, Diadora 23, Zadar, 2009, 7.

and atrnja Aserija, published in the book Roman Aque-ducts in North Dalmatia.

Dr. Boris Ilakovac also takes the credit for the setting upof an action group of underwater archaeologists at the Ar-chaeological Museum Zadar in 1969, at the initiative of whatwas then the Republic Institute for the Protection of Cultu-ral Monuments. Thanks to the setting-up of this group, inthe period between 1969 to 1974, he was able to undertakea number of surveys and investigations at underwater ar-chaeological sites such as Kumenta and Boane near Bio-grad, Mirita and St. Michael on the island of Paman, Riul,Galenjak and other sites.

The author concludes the article with a list of the mostsignificant professional and scientific papers by Dr. Boris Ila-kovac, published between 1990 and 2008. His opus has atotal of 82 items.

The last article with the title Franjo Nedved (1944-2008)is dedicated to the long-time photographer of the Archae-ological Museum Zadar Franjo Nedved, known as Braco (pp221-228). As a member of the Museum staff, Franjo Nedvedparticipated in numerous archaeological investigations,photographed museum material for the museums photo-graphic archives and item records, as well as for various mu-seum publications and exhibitions. The author presents alist of all the archaeological sites in the city of Zadar and theZadar County at which Franjo Nedved participated as theofficial photographer of the Archaeological Museum Zadar.His photographs also graced many exhibitions, as well asvarious catalogues and publications published by the Ar-chaeological Museum Zadar and other related institutions.In addition to his field work as photographer, Franjo Ned-ved also worked intensively on inventorying the material inthe Museums photographic archives.

As stated in the preface of the latest issue of Diadora, theEditorial Board wish to bring the journal closer not only toCroatian experts but also those abroad, to maintain the in-ternational composition of the Editorial Board and achievea level of regularity of publishing that would make it possi-ble for the publication to be ranked among A1 publicationsaccording to the ranking criteria for scientific periodicalslaid down by the National Science Council.1

I hope that the goals set by the Editors will be achievedand I wish them much success in their future work.

Marina Jurjevi

1 EDITORS, Preface, Diadora 23, Zadar, 2009, 7

Prijevod i lektura / Translation and Proofreading

Sanjin Miheli


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