artsites.ucsc.eduartsites.ucsc.edu/faculty/gustafson/film 165a.w11/film 165a[w11] readings...white...

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Transcript of artsites.ucsc.eduartsites.ucsc.edu/faculty/gustafson/film 165a.w11/film 165a[w11] readings...white...

Page 1: artsites.ucsc.eduartsites.ucsc.edu/faculty/gustafson/film 165a.w11/film 165a[w11] readings...white male body by concentrating all their analytical efforts on detailing the forms and
Page 2: artsites.ucsc.eduartsites.ucsc.edu/faculty/gustafson/film 165a.w11/film 165a[w11] readings...white male body by concentrating all their analytical efforts on detailing the forms and
Page 3: artsites.ucsc.eduartsites.ucsc.edu/faculty/gustafson/film 165a.w11/film 165a[w11] readings...white male body by concentrating all their analytical efforts on detailing the forms and
Page 4: artsites.ucsc.eduartsites.ucsc.edu/faculty/gustafson/film 165a.w11/film 165a[w11] readings...white male body by concentrating all their analytical efforts on detailing the forms and
Page 5: artsites.ucsc.eduartsites.ucsc.edu/faculty/gustafson/film 165a.w11/film 165a[w11] readings...white male body by concentrating all their analytical efforts on detailing the forms and
Page 6: artsites.ucsc.eduartsites.ucsc.edu/faculty/gustafson/film 165a.w11/film 165a[w11] readings...white male body by concentrating all their analytical efforts on detailing the forms and
Page 7: artsites.ucsc.eduartsites.ucsc.edu/faculty/gustafson/film 165a.w11/film 165a[w11] readings...white male body by concentrating all their analytical efforts on detailing the forms and
Page 8: artsites.ucsc.eduartsites.ucsc.edu/faculty/gustafson/film 165a.w11/film 165a[w11] readings...white male body by concentrating all their analytical efforts on detailing the forms and
Page 9: artsites.ucsc.eduartsites.ucsc.edu/faculty/gustafson/film 165a.w11/film 165a[w11] readings...white male body by concentrating all their analytical efforts on detailing the forms and
Page 10: artsites.ucsc.eduartsites.ucsc.edu/faculty/gustafson/film 165a.w11/film 165a[w11] readings...white male body by concentrating all their analytical efforts on detailing the forms and
Page 11: artsites.ucsc.eduartsites.ucsc.edu/faculty/gustafson/film 165a.w11/film 165a[w11] readings...white male body by concentrating all their analytical efforts on detailing the forms and
Page 12: artsites.ucsc.eduartsites.ucsc.edu/faculty/gustafson/film 165a.w11/film 165a[w11] readings...white male body by concentrating all their analytical efforts on detailing the forms and
Page 13: artsites.ucsc.eduartsites.ucsc.edu/faculty/gustafson/film 165a.w11/film 165a[w11] readings...white male body by concentrating all their analytical efforts on detailing the forms and
Page 14: artsites.ucsc.eduartsites.ucsc.edu/faculty/gustafson/film 165a.w11/film 165a[w11] readings...white male body by concentrating all their analytical efforts on detailing the forms and
Page 15: artsites.ucsc.eduartsites.ucsc.edu/faculty/gustafson/film 165a.w11/film 165a[w11] readings...white male body by concentrating all their analytical efforts on detailing the forms and
Page 16: artsites.ucsc.eduartsites.ucsc.edu/faculty/gustafson/film 165a.w11/film 165a[w11] readings...white male body by concentrating all their analytical efforts on detailing the forms and
Page 17: artsites.ucsc.eduartsites.ucsc.edu/faculty/gustafson/film 165a.w11/film 165a[w11] readings...white male body by concentrating all their analytical efforts on detailing the forms and
Page 18: artsites.ucsc.eduartsites.ucsc.edu/faculty/gustafson/film 165a.w11/film 165a[w11] readings...white male body by concentrating all their analytical efforts on detailing the forms and
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Page 20: artsites.ucsc.eduartsites.ucsc.edu/faculty/gustafson/film 165a.w11/film 165a[w11] readings...white male body by concentrating all their analytical efforts on detailing the forms and
Page 21: artsites.ucsc.eduartsites.ucsc.edu/faculty/gustafson/film 165a.w11/film 165a[w11] readings...white male body by concentrating all their analytical efforts on detailing the forms and
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artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM 165A.W11...ically crossing over from a realm Of power into a realm Of powerless. ness. Just to 100k at the many negative ways

artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM 165A.W11...ically crossing over from a realm Of power into a realm Of powerless. ness. Just to 100k at the many negative ways

macOS Serverartsites.ucsc.edu/faculty/gustafson/FILM 165A.W11... · only Paramount, but also [new's, RKO, Warner Bros, and 20th Century- Fox from acquiring additional theaters and

macOS Serverartsites.ucsc.edu/faculty/gustafson/FILM 165A.W11... · only Paramount, but also [new's, RKO, Warner Bros, and 20th Century- Fox from acquiring additional theaters and

artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM 165A.W11/film 165A[W11... · Team, and Frank Menll i 1928 and 1929) national gym champion. Weissmuller (twelve films between

artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM 165A.W11/film 165A[W11... · Team, and Frank Menll i 1928 and 1929) national gym champion. Weissmuller (twelve films between

artsites.ucsc.eduartsites.ucsc.edu/faculty/gustafson/film 223/starfish.pdf · thwg gone adrift In t luough dedness specifK parti of th Dngo.ng refiguring; the world (and our) dynamic

artsites.ucsc.eduartsites.ucsc.edu/faculty/gustafson/film 223/starfish.pdf · thwg gone adrift In t luough dedness specifK parti of th Dngo.ng refiguring; the world (and our) dynamic

artsites.ucsc.eduartsites.ucsc.edu/sdaniel/230/Relational Aesthetics_entire.pdf · Created Date: 20100228223856Z

artsites.ucsc.eduartsites.ucsc.edu/sdaniel/230/Relational Aesthetics_entire.pdf · Created Date: 20100228223856Z

artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM 171C.S07/fusco.twist.pdf · URI NG A TRIP I made to Germany and France in 1993, I could not avoid taking note of resurgent

artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM 171C.S07/fusco.twist.pdf · URI NG A TRIP I made to Germany and France in 1993, I could not avoid taking note of resurgent

artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM 165A.W11/film 165A[W11] readings... · 124 BODIES THAT destructive repetition compulsion (and surely this is a powerful quence

artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM 165A.W11/film 165A[W11] readings... · 124 BODIES THAT destructive repetition compulsion (and surely this is a powerful quence

Traditional African Music - artsites.ucsc.eduartsites.ucsc.edu/igama/2 - Encyclopedia/e-LEGAM Content Files/C... · Traditional African Music ... mystery schools or simply filled

Traditional African Music - artsites.ucsc.eduartsites.ucsc.edu/igama/2 - Encyclopedia/e-LEGAM Content Files/C... · Traditional African Music ... mystery schools or simply filled

artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM 162.W10/readings...enough to have had dinner with Naked and Career Girls star Katrin Cartlidge before her untimely and sudden

artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM 162.W10/readings...enough to have had dinner with Naked and Career Girls star Katrin Cartlidge before her untimely and sudden

artsites.ucsc.eduartsites.ucsc.edu/faculty/gustafson/FILM 165A.W11/film 165A[W11... · ... a cartoon, which for all its cature dealt With the 'real London of homelessness, violence,

artsites.ucsc.eduartsites.ucsc.edu/faculty/gustafson/FILM 165A.W11/film 165A[W11... · ... a cartoon, which for all its cature dealt With the 'real London of homelessness, violence,

artsites.ucsc.eduartsites.ucsc.edu/sdaniel/230/Agamben-Remnants-of-Auschwitz.pdf · Created Date: 9/12/2005 5:14:05 PM

artsites.ucsc.eduartsites.ucsc.edu/sdaniel/230/Agamben-Remnants-of-Auschwitz.pdf · Created Date: 9/12/2005 5:14:05 PM

artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM 161.F06/readings/vertov.pdf · name Kino-Eye, both in order to distinguish it the specihc productions and to Stress the continuity

artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM 161.F06/readings/vertov.pdf · name Kino-Eye, both in order to distinguish it the specihc productions and to Stress the continuity

artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM 165A.W11/film 165A[W11... · Vest ecl 13 THE TRANSVESTITE CONTINUUM LIBERACE-VALENTINO-ELVIS that that a It's George M to

artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM 165A.W11/film 165A[W11... · Vest ecl 13 THE TRANSVESTITE CONTINUUM LIBERACE-VALENTINO-ELVIS that that a It's George M to

artsites.ucsc.eduartsites.ucsc.edu/faculty/gustafson/film 223/sontag.china.pdf · 274 SONTAG La Condition is caned Man's Fate in English. Not always liked eggs. (They're duck eggs,

artsites.ucsc.eduartsites.ucsc.edu/faculty/gustafson/film 223/sontag.china.pdf · 274 SONTAG La Condition is caned Man's Fate in English. Not always liked eggs. (They're duck eggs,

artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM 161.F06... · an essay-film, The missing elemeiut becomes immediately apparent when we contrast the film With Buñuelk lovely,

artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM 161.F06... · an essay-film, The missing elemeiut becomes immediately apparent when we contrast the film With Buñuelk lovely,

artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM 162.W10/readings... · 2009-12-31 · Mike Leigh's Modernist Realism R Porton We Ot so isn't so monotonous We should t everyday

artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM 162.W10/readings... · 2009-12-31 · Mike Leigh's Modernist Realism R Porton We Ot so isn't so monotonous We should t everyday

artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM20P.W11/readings/chion.3modes.pdfthree modes of listening, each of which addresses different objects.l We shall call them causal

artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM20P.W11/readings/chion.3modes.pdfthree modes of listening, each of which addresses different objects.l We shall call them causal

artsites.ucsc.eduartsites.ucsc.edu › faculty › gustafson › FILM 165A.W11... · surface of the film. Candace, having discovered Brandon's disguise, comes to confront Lana, Who

artsites.ucsc.eduartsites.ucsc.edu › faculty › gustafson › FILM 165A.W11... · surface of the film. Candace, having discovered Brandon's disguise, comes to confront Lana, Who

artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM 165A.W11/film 165A[W11... · 6e nde,— L Teresa Caureös THE TECHNOLOGY OF GENDER In the feminist writings and cultural

artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM 165A.W11/film 165A[W11... · 6e nde,— L Teresa Caureös THE TECHNOLOGY OF GENDER In the feminist writings and cultural

artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM 162.W10/readings/LEIGH...Maurice tells their secret: after fifteen years Of trying, Monica is "physically incapable' of having

artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM 162.W10/readings/LEIGH...Maurice tells their secret: after fifteen years Of trying, Monica is "physically incapable' of having