artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM 161.F06... · an essay-film, The missing...

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Transcript of artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM 161.F06... · an essay-film, The missing...

Page 1: artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM 161.F06... · an essay-film, The missing elemeiut becomes immediately apparent when we contrast the film With Buñuelk lovely,
Page 2: artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM 161.F06... · an essay-film, The missing elemeiut becomes immediately apparent when we contrast the film With Buñuelk lovely,
Page 3: artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM 161.F06... · an essay-film, The missing elemeiut becomes immediately apparent when we contrast the film With Buñuelk lovely,
Page 4: artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM 161.F06... · an essay-film, The missing elemeiut becomes immediately apparent when we contrast the film With Buñuelk lovely,
Page 5: artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM 161.F06... · an essay-film, The missing elemeiut becomes immediately apparent when we contrast the film With Buñuelk lovely,
Page 6: artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM 161.F06... · an essay-film, The missing elemeiut becomes immediately apparent when we contrast the film With Buñuelk lovely,
Page 7: artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM 161.F06... · an essay-film, The missing elemeiut becomes immediately apparent when we contrast the film With Buñuelk lovely,
Page 8: artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM 161.F06... · an essay-film, The missing elemeiut becomes immediately apparent when we contrast the film With Buñuelk lovely,
Page 9: artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM 161.F06... · an essay-film, The missing elemeiut becomes immediately apparent when we contrast the film With Buñuelk lovely,
Page 10: artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM 161.F06... · an essay-film, The missing elemeiut becomes immediately apparent when we contrast the film With Buñuelk lovely,
Page 11: artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM 161.F06... · an essay-film, The missing elemeiut becomes immediately apparent when we contrast the film With Buñuelk lovely,
Page 12: artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM 161.F06... · an essay-film, The missing elemeiut becomes immediately apparent when we contrast the film With Buñuelk lovely,
Page 13: artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM 161.F06... · an essay-film, The missing elemeiut becomes immediately apparent when we contrast the film With Buñuelk lovely,
Page 14: artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM 161.F06... · an essay-film, The missing elemeiut becomes immediately apparent when we contrast the film With Buñuelk lovely,
Page 15: artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM 161.F06... · an essay-film, The missing elemeiut becomes immediately apparent when we contrast the film With Buñuelk lovely,

artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM 162.W10/readings/hill... · The British Cinema and Thatcherism Defining the 1980s Despite the appeal of periodizing the past

artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM 162.W10/readings/hill... · The British Cinema and Thatcherism Defining the 1980s Despite the appeal of periodizing the past

artsites.ucsc.eduartsites.ucsc.edu › faculty › gustafson › FILM 165A.W11... · surface of the film. Candace, having discovered Brandon's disguise, comes to confront Lana, Who

artsites.ucsc.eduartsites.ucsc.edu › faculty › gustafson › FILM 165A.W11... · surface of the film. Candace, having discovered Brandon's disguise, comes to confront Lana, Who

artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM 162.W10/readings/wollen... · The auteur theory does not limit itself to acclaiming the director as the main author of a

artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM 162.W10/readings/wollen... · The auteur theory does not limit itself to acclaiming the director as the main author of a

artsites.ucsc.eduartsites.ucsc.edu/faculty/gustafson/FILM 161.F08/readings/nichols.ch6.pdfCreated Date: 10/7/2008 3:30:48 PM

artsites.ucsc.eduartsites.ucsc.edu/faculty/gustafson/FILM 161.F08/readings/nichols.ch6.pdfCreated Date: 10/7/2008 3:30:48 PM

F06-Cloud-Enabling NGS

F06-Cloud-Enabling NGS

artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM 162.W10/readings...enough to have had dinner with Naked and Career Girls star Katrin Cartlidge before her untimely and sudden

artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM 162.W10/readings...enough to have had dinner with Naked and Career Girls star Katrin Cartlidge before her untimely and sudden

artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM 161.F06/readings/vertov.pdf · name Kino-Eye, both in order to distinguish it the specihc productions and to Stress the continuity

artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM 161.F06/readings/vertov.pdf · name Kino-Eye, both in order to distinguish it the specihc productions and to Stress the continuity

artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM 162.W10/readings/caughie... · Extract from François Truffaut, 'Une certaine tendance du cinéma français' Cahiers du no.

artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM 162.W10/readings/caughie... · Extract from François Truffaut, 'Une certaine tendance du cinéma français' Cahiers du no.

artsites.ucsc.eduartsites.ucsc.edu/sdaniel/230/Relational Aesthetics_entire.pdf · Created Date: 20100228223856Z

artsites.ucsc.eduartsites.ucsc.edu/sdaniel/230/Relational Aesthetics_entire.pdf · Created Date: 20100228223856Z

Cam Demo f06

Cam Demo f06

artsites.ucsc.eduartsites.ucsc.edu/faculty/gustafson/film 161.f06/readings... · dislocations of scale, ... while developing a consistent set of melodic phrases and The ... sole or

artsites.ucsc.eduartsites.ucsc.edu/faculty/gustafson/film 161.f06/readings... · dislocations of scale, ... while developing a consistent set of melodic phrases and The ... sole or

artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM80A/chion.pdf · 144 Beyond Sounds and Images SOUND FILM—WORTHY OF THE NAME 145 subject, since culturally the best understood),

artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM80A/chion.pdf · 144 Beyond Sounds and Images SOUND FILM—WORTHY OF THE NAME 145 subject, since culturally the best understood),

artsites.ucsc.eduartsites.ucsc.edu/faculty/lord/scene001.pdf · a puzzle, there is no single, correct way to put together a film. The design of each film bears the mark of the filmmaker's

artsites.ucsc.eduartsites.ucsc.edu/faculty/lord/scene001.pdf · a puzzle, there is no single, correct way to put together a film. The design of each film bears the mark of the filmmaker's

artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM 165A.W11/film 165A[W11... · Vest ecl 13 THE TRANSVESTITE CONTINUUM LIBERACE-VALENTINO-ELVIS that that a It's George M to

artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM 165A.W11/film 165A[W11... · Vest ecl 13 THE TRANSVESTITE CONTINUUM LIBERACE-VALENTINO-ELVIS that that a It's George M to

artsites.ucsc.eduartsites.ucsc.edu/faculty/gustafson/FILM 162.W10/readings... · 2009-12-31 · While in church, a woman may be permitted to sit, daydream, and even ever, as a saleswoman

artsites.ucsc.eduartsites.ucsc.edu/faculty/gustafson/FILM 162.W10/readings... · 2009-12-31 · While in church, a woman may be permitted to sit, daydream, and even ever, as a saleswoman

artsites.ucsc.eduartsites.ucsc.edu/faculty/gustafson/FILM 161.F08/readings/arthurjargons.pdf · and cable TV and is contemporaneous with an onslaught Of "reality-based" programming.

artsites.ucsc.eduartsites.ucsc.edu/faculty/gustafson/FILM 161.F08/readings/arthurjargons.pdf · and cable TV and is contemporaneous with an onslaught Of "reality-based" programming.

artsites.ucsc.eduartsites.ucsc.edu › faculty › Gustafson › FILM 162.W10... · ise" (172). Without much strain, a certain common denominator may be invoked on this point to bring

artsites.ucsc.eduartsites.ucsc.edu › faculty › Gustafson › FILM 162.W10... · ise" (172). Without much strain, a certain common denominator may be invoked on this point to bring

Base datos f06

Base datos f06

artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM 162.W10/readings/LEIGH...Maurice tells their secret: after fifteen years Of trying, Monica is "physically incapable' of having

artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM 162.W10/readings/LEIGH...Maurice tells their secret: after fifteen years Of trying, Monica is "physically incapable' of having

artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM 165A.W11/film...INTRODUCTION Postmodern feminists and queer theorists have been interrogating bodies, desires, and genders,

artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM 165A.W11/film...INTRODUCTION Postmodern feminists and queer theorists have been interrogating bodies, desires, and genders,