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Transcript of artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM 165A.W11/film 165A[W11... · 6e nde,— L...

Page 1: artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM 165A.W11/film 165A[W11... · 6e nde,— L Teresa Caureös THE TECHNOLOGY OF GENDER In the feminist writings and cultural
Page 2: artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM 165A.W11/film 165A[W11... · 6e nde,— L Teresa Caureös THE TECHNOLOGY OF GENDER In the feminist writings and cultural
Page 3: artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM 165A.W11/film 165A[W11... · 6e nde,— L Teresa Caureös THE TECHNOLOGY OF GENDER In the feminist writings and cultural
Page 4: artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM 165A.W11/film 165A[W11... · 6e nde,— L Teresa Caureös THE TECHNOLOGY OF GENDER In the feminist writings and cultural
Page 5: artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM 165A.W11/film 165A[W11... · 6e nde,— L Teresa Caureös THE TECHNOLOGY OF GENDER In the feminist writings and cultural
Page 6: artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM 165A.W11/film 165A[W11... · 6e nde,— L Teresa Caureös THE TECHNOLOGY OF GENDER In the feminist writings and cultural
Page 7: artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM 165A.W11/film 165A[W11... · 6e nde,— L Teresa Caureös THE TECHNOLOGY OF GENDER In the feminist writings and cultural
Page 8: artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM 165A.W11/film 165A[W11... · 6e nde,— L Teresa Caureös THE TECHNOLOGY OF GENDER In the feminist writings and cultural
Page 9: artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM 165A.W11/film 165A[W11... · 6e nde,— L Teresa Caureös THE TECHNOLOGY OF GENDER In the feminist writings and cultural
Page 10: artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM 165A.W11/film 165A[W11... · 6e nde,— L Teresa Caureös THE TECHNOLOGY OF GENDER In the feminist writings and cultural
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artsites.ucsc.eduartsites.ucsc.edu › faculty › Gustafson › FILM 162.W10... · ise" (172). Without much strain, a certain common denominator may be invoked on this point to bring

artsites.ucsc.eduartsites.ucsc.edu › faculty › Gustafson › FILM 162.W10... · ise" (172). Without much strain, a certain common denominator may be invoked on this point to bring

artsites.ucsc.eduartsites.ucsc.edu/faculty/gustafson/film 223/sontag.china.pdf · 274 SONTAG La Condition is caned Man's Fate in English. Not always liked eggs. (They're duck eggs,

artsites.ucsc.eduartsites.ucsc.edu/faculty/gustafson/film 223/sontag.china.pdf · 274 SONTAG La Condition is caned Man's Fate in English. Not always liked eggs. (They're duck eggs,

artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM 165A.W11/film 165A[W11... · Michael Jackson, megastar. His LP, Thriller, made in 1982, has sold over thirty-five million

artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM 165A.W11/film 165A[W11... · Michael Jackson, megastar. His LP, Thriller, made in 1982, has sold over thirty-five million

artsites.ucsc.eduartsites.ucsc.edu/faculty/lord/scene001.pdf · a puzzle, there is no single, correct way to put together a film. The design of each film bears the mark of the filmmaker's

artsites.ucsc.eduartsites.ucsc.edu/faculty/lord/scene001.pdf · a puzzle, there is no single, correct way to put together a film. The design of each film bears the mark of the filmmaker's

artsites.ucsc.eduartsites.ucsc.edu/sdaniel/230/Agamben-Remnants-of-Auschwitz.pdf · Created Date: 9/12/2005 5:14:05 PM

artsites.ucsc.eduartsites.ucsc.edu/sdaniel/230/Agamben-Remnants-of-Auschwitz.pdf · Created Date: 9/12/2005 5:14:05 PM

artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM20P.W11/readings/chion.3modes.pdfthree modes of listening, each of which addresses different objects.l We shall call them causal

artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM20P.W11/readings/chion.3modes.pdfthree modes of listening, each of which addresses different objects.l We shall call them causal

artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM 171C.S07/fusco.twist.pdf · URI NG A TRIP I made to Germany and France in 1993, I could not avoid taking note of resurgent

artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM 171C.S07/fusco.twist.pdf · URI NG A TRIP I made to Germany and France in 1993, I could not avoid taking note of resurgent

artsites.ucsc.eduartsites.ucsc.edu/faculty/gustafson/film 161.f06/readings... · dislocations of scale, ... while developing a consistent set of melodic phrases and The ... sole or

artsites.ucsc.eduartsites.ucsc.edu/faculty/gustafson/film 161.f06/readings... · dislocations of scale, ... while developing a consistent set of melodic phrases and The ... sole or

artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM 162.W10/readings...enough to have had dinner with Naked and Career Girls star Katrin Cartlidge before her untimely and sudden

artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM 162.W10/readings...enough to have had dinner with Naked and Career Girls star Katrin Cartlidge before her untimely and sudden

artsites.ucsc.eduartsites.ucsc.edu/faculty/gustafson/FILM80A/Gunning.pdf · Weaving a Narrative Style and Economic Background in Griffith's Biograph Films TOM GUNNING The spectre

artsites.ucsc.eduartsites.ucsc.edu/faculty/gustafson/FILM80A/Gunning.pdf · Weaving a Narrative Style and Economic Background in Griffith's Biograph Films TOM GUNNING The spectre

artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM 162.W10/readings/wollen... · The auteur theory does not limit itself to acclaiming the director as the main author of a

artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM 162.W10/readings/wollen... · The auteur theory does not limit itself to acclaiming the director as the main author of a

Traditional African Music - artsites.ucsc.eduartsites.ucsc.edu/igama/2 - Encyclopedia/e-LEGAM Content Files/C... · Traditional African Music ... mystery schools or simply filled

Traditional African Music - artsites.ucsc.eduartsites.ucsc.edu/igama/2 - Encyclopedia/e-LEGAM Content Files/C... · Traditional African Music ... mystery schools or simply filled

artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM 165A.W11...ically crossing over from a realm Of power into a realm Of powerless. ness. Just to 100k at the many negative ways

artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM 165A.W11...ically crossing over from a realm Of power into a realm Of powerless. ness. Just to 100k at the many negative ways

artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM 165A.W11/film 165A[W11... · Team, and Frank Menll i 1928 and 1929) national gym champion. Weissmuller (twelve films between

artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM 165A.W11/film 165A[W11... · Team, and Frank Menll i 1928 and 1929) national gym champion. Weissmuller (twelve films between

artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM 162.W10/readings/caughie... · Extract from François Truffaut, 'Une certaine tendance du cinéma français' Cahiers du no.

artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM 162.W10/readings/caughie... · Extract from François Truffaut, 'Une certaine tendance du cinéma français' Cahiers du no.

artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM20P.W11/readings/dancyger... · 15 Dramatic Voice/ Narrative Voice One definition Of mainstream cinema is that it subordinates

artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM20P.W11/readings/dancyger... · 15 Dramatic Voice/ Narrative Voice One definition Of mainstream cinema is that it subordinates

artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM 165A.W11/film...INTRODUCTION Postmodern feminists and queer theorists have been interrogating bodies, desires, and genders,

artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM 165A.W11/film...INTRODUCTION Postmodern feminists and queer theorists have been interrogating bodies, desires, and genders,

artsites.ucsc.eduartsites.ucsc.edu/faculty/gustafson/film 223/starfish.pdf · thwg gone adrift In t luough dedness specifK parti of th Dngo.ng refiguring; the world (and our) dynamic

artsites.ucsc.eduartsites.ucsc.edu/faculty/gustafson/film 223/starfish.pdf · thwg gone adrift In t luough dedness specifK parti of th Dngo.ng refiguring; the world (and our) dynamic

artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM 165A.W11/film 165A[W11] readings... · 124 BODIES THAT destructive repetition compulsion (and surely this is a powerful quence

artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM 165A.W11/film 165A[W11] readings... · 124 BODIES THAT destructive repetition compulsion (and surely this is a powerful quence

artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM 162.W10/readings/LEIGH...Maurice tells their secret: after fifteen years Of trying, Monica is "physically incapable' of having

artsites.ucsc.eduartsites.ucsc.edu/faculty/Gustafson/FILM 162.W10/readings/LEIGH...Maurice tells their secret: after fifteen years Of trying, Monica is "physically incapable' of having