Final Inventory Elfriede Knauer - University of Oxford Knauer... · 2017-05-18 · 1 Inventory of...

InventoryofthePapersofProfElfriedeKnauer

ClassicalArtResearchCentre,UniversityofOxford

CompiledbyDrBerylBowen

1. SusanB.Matheson,Polygnotos:AnIlioupersisSceneattheGettyMuseum.OffprintfromOccasionalPapersonAntiquities,2,GreekVasesinTheJ.PaulGettyMuseum.

2. MadeleineMertens-Horn,BilderheiligerSpiele:ZurDeutungdersog.“Throne”ausMarmorinRomundBoston.FromAntikeWelt,ZeitschriftfürArchäologieundKulturgeschichte,28.Jahrgang1997.

3. AdrienneLezzi-Hafter,AnthesterionundHierosGamos.EinChoenbilddesMethyse-Malers.Offprint.

4. Source:NotesintheHistoryofArt,Vol.XVNo.1,Fall1995.SpecialIssue:Representationsofthe“Other”inAthenianArt,c.510-400B.C.(EnclosedisapersonallettertoE.R.K.fromJeniferNeils,oneofthecontributors).

5. AdrienneLezzi-Hafter,KinderfreundHermes:zueinerkannedesFrauenbad-Malers.OffprintfromPotniaTheron,FestschriftfürGerdaSchwarzzum65.Geburtstag,Wien2007.

6. AdrienneLezzi-Hafter,Clay,Gold,andCraft:SpecialTechniquesinthreeVasesbytheEretriaPainterandTheirApotheosisinXenophantos.OffprintfromPapersonSpecialTechniquesinAthenianVases,proceedingsofasymposiumheldinconjunctionwiththeexhibition‘TheColorsofClay:SpecialTechniquesinAthenianVases’attheGettyVilla,June15-17,2006,TheJ.PaulGettyMuseum,LosAngeles.

7. HeideMommsen,MeisterwerkedesTöpfersExekias:zurErfindungundzumErfolg.OffprintfromMeisterwerke:InternationalesSymposionanlässlichdes150GeburtstagesvonAdolfFurtwängler,FreiburgimBreisgau,30.Juni–3.Juli2003,HirmerVerlagMünchen.

8. HeideMommsen,AmasisMepoiesen:BeobachtungenzumTöpferAmasis.OffprintfromAthenianpottersandPainters,TheConferenceProceedings,OxbowMonograph67.

9. HeideMommsen,IrrfahrtendesOdysseus:zudemFragmentTübingenS./101507.OffprintfromPraestantInterna,FestschriftfürUlrichHausmann,VerlagErnstWasmuth,Tübingen.

10. HeideMommsen,ZurAuswertungvonFormfotosundProfilzeichnungen.Offprint.11. HeideMommsen,SiegreicheGespannpferde.OffprintfromAntikeKunst,45.Jahrgang2002.12. AdrienneLezzi-Hafter,VasenforschungHeute.Winckelmanns-VortragGraz,9Dezember

1999.Typescript.13. HeideMommsen,AchillundAiaspflichtvergessen.Offprintfrom“Tainia”,RolandHampe

zum70.Geburtstagam2.Dezember1978.Publ.PhilippvonZabern,MainzamRhein.WiththisoffprintisapersonalletterfromHeideMommsentoElfriedeKnauer.

14. HeideMommsen,ZurDeutungderExekias-AmphoraimVatikan.FromAncientGreekandRelatedPottery,3rdSymposium,Copenhagen1987.

15. HeideMommsen,GriechischeVasen:ZurTechnikderBemalung.InformationleafletfromtheWürttembergischesLandesmuseumStuttgart,Antikensammlung.[1986]Seealso57,58.

16. HeideMommsen,GriechischeVasen:Herkunft,Formen,GebrauchundHerstellung.InformationleafletfromtheWürttembergischesLandesmuseumStuttgart,Antikensammlung.[1986]Seealso57,58.

17. HeideMommsen,DerMalervonPhiladelphiaMS3440.OffprintfromPotniaTheron,FestschriftfürGerdaSchwarzzum65.Geburtstag,Wien2007.

18. HeideMommsen,DieApollinischeTriasaufdenExekiasfragmenteninNarbonne.OffprintfromTekmeria,ArchäologischeZeugnisseinihrerkulturhistorischenundpolitischenDimension.Publ.Scriptorium.

19. HeideMommsen,ZweischwarzfigurigeAmphorenausAthen.OffprintfromAntikeKunst,32.Jahrgang1989,Heft2.

20. JoanR.Mertens,Timeas’sScarab.OffprintfromtheMetropolitanMuseumJournal24,1989.21. JoanR.Mertens,SomeThoughtsonAtticVase-Paintingofthe6thCent.B.C.Offprintfrom

AncientGreekandRelatedPottery,3rdSymposium,Copenhagen198722. JoanR.Mertens,Reviewoftheexhibition‘TheGodsDelight:TheHumanFigureinClassical

Bronze’,(thenattheMFAB,1988).Offprint.InkcorrectionbyE.R.K.inmargin,p.451.23. JoanR.Mertens,TheHumanFigureinClassicalBronze-working:SomePerspectives.

TypescriptofanarticlestartingfromtheexhibitionTheGodsDelight:theHumanFigureinClassicalBronze(thenattheLACountyMus.),goingontodiscussothermaterials.SeeNo.22forthisexhibition.

24. JoanR.Mertens,areviewofCVADeutschland39,Würzburg,MartinvonWagner-Museum,Band1.OffprintfromGnomon1979.

25. JoanR.Mertens,AtticWhite-GroundCups:ASpecialClassofVases.OffprintfromMetropolitanMuseumJournalVol.9,1974,pp.91-108.

26. JoanR.Mertens,acriticalreviewofDieGriechischenVasenbyErikaSimonandMaxandAlbertHirmer(Munich1976).OffprintfromAJA81.

27. JoanR.Mertens,ADrawingbyChassériau.OffprintfromMetropolitanMuseumJournal15,1981,pp.153-156.

28. JoanR.Mertens,areviewofCVANewZealand1.OffprintfromGnomonBand3,1981,pp.786-789.WiththisoffprintisabriefpersonalnotetoE.R.K.fromJ.R.M.(Seealsono.63).

29. JoanR.Mertens,AHellenisticFindinNewYork.(Bronzevessels,jewellery,silvercoins,loanedbyC.Bastis).OffprintfromMetropolitanMuseumJournalVol.11,1976,pp.71-84.

30. JoanR.Mertens,ThreeChalcolithicFiguresfromCyprus.OffprintfromMetropolitanMuseumJournalVol.10,1975,pp.5-8.

31. JoanR.Mertens,areviewofCVAUSA18,LACountyMus.ofArt.OffprintfromAJA82,pp.417-418.

32. JoanR.Mertens,areviewofAttischweissgrundigeKeramikbyIrmaWehgartner,(HeidelbergerAkademiederWissenschaften,KommissionfürantikeKeramik,Keramikforschungen5),publ.Zabern,Mainz,1983.

33. JoanR.Mertens,LeodamasandHippolytos,typescriptofanarticleaboutaspectsoftheNewYorkEuphronioskrater.DatedbyE.K.ix.96.

34. JoanR.Mertens(andCarlosA.Picón).AncientartattheMetropolitan:RecentacquisitionsbytheGreekandRomanDepartment.OffprintfromApollo,July1996,pp.27-32.

35. JoanR.Mertens,ThejewelryofclassicalGreece.(DescriptionoftheexhibitionGreekGold:JewelryoftheClassicalWorld,andsomediscussionofthesubject).PagesfromAntiques,TheMagazine,December1994,pp.786-793.

36. JoanR.Mertens,Typescriptofthearticleitemno.35(TheJewelryofclassicalGreece),withattachedpersonalnotefromJ.R.M.toE.R.K.

37. JoanR.Mertens,handwrittenlettertoE.R.K.,dated27/vi/94.

38. JoanR.Mertens,handwrittenlettertoE.R.K.,dated5/vii/94,acritiqueofanarticlewrittenbyE.R.K.,apparentlyonapaintingbyLippioftheAnnunciation(nomoreprecisereferencegiven).

39. JoanR.Mertens(andCarlosA.Picón),AcquisitionsinFocus:GreekandRomanAntiquitiesattheMetropolitanMuseum.OffprintfromApollo,July1993,pp.40-44.

40. JoanR.Mertens,IntheBeginning:SomeReflectionsonGeometricOrnamentandFiguralRepresentation.Typescriptofalecturetobegivenataconference(nofurtherdetails).E.R.K.notesthatshereceivedthisinFeb.1995.

41. JoanR.Mertens,SmallBronzeSculpturefromtheAncientWorld,apaperfromaSymposiumorganizedbytheDepts.ofAntiquitiesandAntiquitiesConservationattheGettyMuseum,March16-19,1989,pp.85-102.Publ.BytheJ.PaulGettyMuseum,Malibu,California,1990.

42. JoanR.Mertens,SomeNewVasesbyPsiax.OffprintfromAntikeKunst,22.Jahrgang1979,Heft1,pp.22ff.

43. JoanR.Mertens,AnArchaicBronzeOinochoewithaPantherHeadintheMetropolitanMuseumofArt.OffprintfromBCHSupplément38,Etudesd’Iconographieenl’HonneurdeLillyKahil,pp.377-381.

44. JoanR.Mertens,AtticVase-painting:ABriefIntroduction.Typescriptofanarticle‘destinedforpublicationinJapan’(Post-ItnoteattachedbyJ.R.M.tothefirstpage,dated16/iv90(?).

45. JoanR.Mertens,AnEarlyGreekBronzeSphinxSupport.CopyofanarticlefromtheMetropolitanMuseumJournal37,2002,EssaysinHonourofClareLeCorbeiller,pp.23-33.

46. JoanR.Mertens,’Master’and‘Masterwork’inElucidatingtheEarliestGreekArt.TypescriptofalecturetobegivenataSymposiuminFreiburgimBreisgau,Germany.DatereceivedbyE.R.K.notedasV/2003.

47. JoanR.Mertens,AnAtticBlack-FigureVaseoftheMid-SixthCenturyB.C.(Neck-amphoraofPanathenaicshapebythePainterofBerlin1686).OffprintfromtheMetropolitanMuseumJournal18,1984,pp.17-27.

48. JoanR.Mertens,typescriptofalectureonthewall-paintingsfromBoscotrecaseintheMetropolitanMuseum.GiveninFreiburg,Germany?(Prof.Strockathanked,cf.Item46above).DatereceivedbyE.R.K.notedas3/1988.

49. JoanR.Mertens,ABlack-FigureHydriaofRed-FigureDate.(IUAM77.33).CopyofanarticleintheIndianaUniversityArtMuseumBulletin1979,pp.6-15.

50. JoanR.Mertens,areviewofGreekArt:ArchaicintoClassical,thepublicationofpapersfromaSymposiumattheUniv.ofCincinnatiDept.ofClassics,April2-31982.CincinnatiClassicalStudies,NewSeries5,publ.Brill,Leiden1985.ReviewAJA1986,pp.235-236.

51. JoanR.Mertens,TheAmasisPainter:ArtistandTradition.CopyofanarticlefrompapersontheAmasisPainterandhisWorld,Malibu,1987,pp.168-183.

52. JoanR.Mertens,GreekBronzesintheMetropolitanMuseumofArt.MMABulletinvol.XLIIIno.2,Fall1985.

53. JoanR.Mertens,‘Master’and‘Masterwork’inElucidatingtheEarliestGreekArt.OffprintfromMeisterwerke,InternationalesSymposionanlässlichdes150.GeburtstagvonAdolfFürtwängler,FreiburgimBreisgau,30.Juni–3.Juli2003.Publ.HirmerVerlag,München.(SeeItem46aboveforthetypescript).

54. JoanR.Mertens,TheBakerMirrorintheMetropolitanMuseumofArt:anArchaicView.OffprintfromGenethlion,pp.211-218.NicholasP.GoulandrisFoundation,MuseumofCycladicArt,Athens2006.

55. JoanR.Mertens,ThenewGreekandRomanGalleriesattheMetropolitanMuseumofArt:AnArrayofChallenges.TypescriptofalecturegivenbyJ.R.M.attheToledo,Ohio,Museum,(withaddedhandwrittennotesbytheauthor).AttachedPost-itNotetoE.R.K.dated9/vi/08.(Inyellowenvelope).

56. HeideMommsen,Töpferstudien.InacopyoftheproceedingsoftheSymposiondesDeutschenArchäologischen-Verbandes,‘VasenforschungnachBeazley’,Tübingen,24-26/11/1978,pp.14a-14c.(Publ.Mainz1979).(Thisalsocontainsarticlesbyotherscholars).

57. HeideMommsen,GriechischeVasen:KeramikundGeschichtedermykenischenKultur.InformationleafletfromtheWürttembergischesLandesmuseum,Stuttgart,Antikensammlung.[ReceivedbyE.R.K.inMay1986].Seealsonos.15&16.

58. HeideMommsen,GriechischeVasen:GeometrischerStil.InformationleafletfromtheWürttembergischesLandesmuseum,Stuttgart,Antikensammlung.[ReceivedbyE.R.K.inMay1986].Seealsonos.15&16.

59. HeideMommsen,BeobachtungenzudenExekias-Signaturen.Offprintfrom‘Metis’,Revued’anthropologiedumondegrecancien,Vol.XIII,1998.Alsoanenlargedcopywithclearerreproductionofthesignatures.

60. HeideMommsen,DionysosundseinKreisimWerkdesExekias.Offprintfromtheproceedingsofthe19./20.TriererWinckelmannsprogramm2002/03.Publ.Zabern,Mainz.

61. HeideMommsen,CopyofentriesonAtticBlack-Figurevase-paintersbyH.M.inDerNeuePauly,EnzyklopädiederAntike.[ReceivedbyE.R.K.inMarch2006].

62. HeideMommsen,PrometheusoderAtlas?ZurDeutungderAmphoraMünchen1540.Copyfrom‘AthenianPottersandPaintersVol.II,ed.OakleyandPalagia,OxbowBooks.Hand-writtendedicationtoE.R.K.fromH.M.oncover-sheet.

63. MaryB.Moore,ReviewofCVANewZealand1(OUP,1979).OffprintfromAJA85,pp.350-352.(Seealsono.28).

64. MaryB.Moore,AndokidesandaCuriousAtticBlack-FiguredAmphora.OffprintfromMetropolitanMuseumJournal36,2001,pp.15-41.Hand-writtendedicationtoE.R.K.fromM.B.M.onfirstpage,‘ForKeziawithbestregards,Mary’.

65. MaryB.Moore,UnmountedHorsesontheParthenonFrieze,especiallyWestXII.OffprintfromAntikeKunst,Vol.46,2003,pp.31-43.Handwrittenonfirstpage,‘ForKeziafromMary’.

66. MaryB.Moore,ThePrincetonPainterinNewYork.OffprintfromtheMetropolitanMuseumJournal42,2007,pp21-56.Handwrittenonfirstpage,‘ForKezia–withwarmwishes–Mary’.

67. MaryB.Moore,ANoteonaHorseBitfromtheCollectionofJ.PierpontMorganintheMetropolitanMuseumofArt.OffprintfromAntikeKunst,Vol.48,2005,pp.40-54.Handwrittenonfirstpage,‘ForKezia–allthebest,Mary’.

68. MaryB.Moore,SatyrsbytheBerlinPainterandanewinterpretationofhisNamepiece.OffprintfromAntikeKunstVol.49,2006,pp.17-28.Handwrittenonfirstpage‘ForKezia,withbestwishes.Mary’.

69. MaryB.Moore,Athens803andtheEkphora.OffprintfromAntikeKunstVol.50,2007,pp.9-23.Handwrittenonfirstpage,‘ForKezia,withbestwishes,Mary’.

70. MaryB.Moore,Shipsona“Wine-DarkSea”intheAgeofHomer.OffprintfromtheMetropolitanMuseumJournal35,2000,pp.13-38.Handwrittenonfirstpage‘ForKeziawithbestregards,Mary’.

71. MaryB.Moore,TheGigantomachyoftheSiphnianTreasury:ReconstructionofthethreeLacunae.OffprintfromBCHSupplémentIV,étudesDelphiques,pp.305-335.

72. MaryB.Moore,TheHegesiboulosCup.OffprintfromtheMetropolitanMuseumofArt,[MMAJournal?],2008,pp.11-37.Handwrittenonfirstpage,‘ForKezia–withbestwishes–Mary’.

73. MaryB.Moore,LydosandtheGigantomachy.Offprint.74. MaryB.Moore,HorseCareasDepictedonGreekVasesbefore400B.C.Offprintfromthe

MetropolitanMuseumJournal,vol.39,2004,pp.35-67.Handwrittenonfirstpage,‘ForKezia–withbestregards,Mary’.

75. MaryB.Moore,ANeck-AmphoraintheCollectionofWalterBareiss.Offprint,withnotationbyE.K.onfirstpage,‘Princeton12.ii.73’.InsidetheoffprintisatypewrittenletterfromMaryMooretoE.K.suggestingameeting.AlsoasheetwithsomenotesinE.R.K.’shand.

76. MaryB.Moore,ExekiasandTelamonianAjax.Offprint.DatedonfirstpagebyE.R.K.,3.82.77. MaryB.Moore,GiantsattheGetty.OffprintfromOccasionalPapersonAntiquities,3,Greek

VasesintheJ.PaulGettyMuseum.78. MaryB.Moore,ThePassasPainter:aProtoattic“Realist”?.OffprintfromtheMetropolitan

MuseumJournal38,2003,pp.15-44.Handwrittenonfirstpage,‘ForKezia,withbestwishes,Mary’.

79. MaryB.Moore,ExekiasandtheHarnessingofaChariotTeam.OffprintfromAntikeKunst29,1986,Heft2,pp.107-114.

80. MaryB.Moore,reviewofIrmgardBeck,‘AresinVasenmalerei,ReliefundRundplastik’,1984.OffprintfromGnomon1985,pp.756-7.

81. MaryB.Moore,reviewofHeideMommsen,‘DerAffekter’(ForschungenzurantikenKeramik,II),Zabern,Mainz,1975(Kerameus1).CopyfromTheArtBulletin[March1977?],pp.122-124.

82. MaryB.Moore,reviewofElkeBöhr,DerSchaukelmaler(Kerameus4),Zabern,Mainz,1982.OffprintfromGnomon55,1983,pp.772-775.

83. MaryB.Moore,reviewofGudrunAhlberg-Cornell,HeraklesandtheSea-MonsterinAtticBlack-FigureVase-painting(SkrifterUtgivnaavSvenskaInstitutetiAthen,XXXIII,Stockholm1984,andCarinaWeiss,‘GriechischeFlussgottheiteninVorhellenistischerZeit’(BeiträgezurArchäologie17),Würzburg1984.OffprintfromAJA90,1986,pp.108.

84. MaryB.Moore,reviewofCarloTronchetti,CeramicaAtticaaFigureNere.GrandiVasi:Anfore,Pelikai,Crateri.Roma1983.(Archaeologica.32.MaterialidelMuseoArcheologicoNazionalediTarquinia.5.).Offprint.[Gnomon?]pp.92-93.

85. MaryB.Moore,reviewofCVADeutschland48,Munich9andCVADeutschland50,FrankfurtamMain3,bothpubl.Beck,Munich1982.OffprintfromAJA89,1985,pp186-187.

86. MaryB.Moore,Aegina,Aphaia-Tempel,VIII.TheAtticBlack-FiguredPottery.OffprintfromAA1986,pp.51-93.,(publ.Berlin1986).

87. MaryB.Moore,TheBerlinPainterandTroy.Offprint,pp.160-186.Handwrittenonfirstpage,‘Withlove,fromMary’.E.R.K.hasaddedinpencil‘Fall2000/Getty’.

88. MaryB.Moore,AthenaandHeraklesonExekias’Calyx-krater.OffprintfromAJA90,1986,pp.35-39.

89. MaryB.Moore,AnEarlyProtocorinthianConicalLekythos-OenochoeintheMetropolitanMuseum.OffprintfromAntikeKunst52,2009,pp.3-19.Handwrittenonfirstpage,‘ForKeziawithbestwishes,Mary’.

90. MaryB.Moore,Hoplites,Horses,andaComicChorus.CopyfromtheMetropolitanMuseumJournal41,2006,pp.33-56.Handwrittenonfirstpage‘ForKezia–withwarmwishes–Mary’.

91. MaryB.Moore,copyofthetypescriptofpartofanarticleonAndokides–onlythenotes(someearlypp.missing),captionstoplates,bibliographyandplates.

92. JeniferNeils,ReconfiguringtheGodsontheParthenonFrieze.OffprintfromTheArtBulletin,March1999Vol.LXXXINumber1.Handwrittenonfirstpage‘BestwishesfromJenifer’.WiththeoffprintisahandwrittenletterfromJeniferNeilstoE.R.K.JeniferNeils,Who’swhoontheBerlinFoundryCup.OffprintfromJournalofRomanArchaeologySupplementarySeriesno.39,‘FromthePartstotheWhole’Vol.I,Actaofthe13thInternationalBronzeCongressheldatCambridge,Massachusetts,May28-June1,1996,pp.75-80.Handwrittenonfirstpage‘Fortheexpert!Chaire,Jenifer’.

93. JeniferNeils,TheEuthymidesKraterfromMorgantina.OffprintfromAJA99,(1995)pp.427-44.Handwrittenonfirstpage‘ForKezia–withmanythanks.Jenifer’.

94. JeniferNeils,Hera,Paestum,andtheClevelandPainter.Offprintfrom‘GreekVases:Images,ContextsandControversies’,proceedingsoftheConferencesponsoredbyTheCenterfortheAncientMediterraneanatColumbiaUniversity,23-24March2002(pp.73-83).Publ.Brill2004.Handwrittenonfirstpage‘ForKeziafromJenifer’.

95. JeniferNeils,TheMorgantinaPhormiskos.OffprintfromAJA96(1992),pp.225-235.Handwrittenonfirstpage‘Tibetsilverthisisnot–buthopeyoufinditinteresting.Jenifer’.

96. JeniferNeils,reviewofGloriaFerrari,‘IVasiAtticiaFigureRossedelPeriodoArcaico’(MaterialidelMuseoArcheologicoNazionalediTarquinia11(Rome1988).OffprintfromAJA94,1990,pp.692-693.Handwrittenonfirstpage‘ForKezia–withbestwishesfromJenifer’.

97. MaryB.Moore,reviewofD.A.Amyx,‘CorinthianVase-PaintingoftheArchaicPeriod’,3vols,publ.Berkeley1988.Thesameoffprintasno.97(AJA94,1990,pp.691-692).

98. JohnH.Oakley,NewVasesbytheAchillesPainterandSomeFurtherThoughtsontheRoleofAttribution.Copyfrom‘GreekArtinView’,EssaysinhonourofBrianSparkes,publ.OxbowBooks,chapter5,pp.63-77.HandwrittenonfirstPage‘Hopingalliswell,BestWishes,John’.

99. JohnH.Oakley,WhystudyaGreekvase-painter?-aresponsetoWhitley’s‘Beazleyastheorist’.OffprintfromAntiquityvol.72,number275,March1998,pp.209-213.

100. JohnH.Oakley,“Throughaglassdarkly”I:SomeMisconceptionsaboutthestudyofGreekVase-painting.CopyfromProceedingsoftheXVthInternationalCongressofClassicalArchaeology,Amsterdam,July12-17,1998,pp.286-290(AllardPiersonSeries,Amsterdam1999).(E.R.K.notesinpencil‘Receivedfromauthor’.).

101. JohnH.Oakley,TheBosanquetPainter.Offprintfrom‘AthenianPottersandPainters’,theConferenceProceedings,OxbowMonograph67,pp.241-248.(E.R.K.notesinpencil‘rec.17.8.98fromauthor.’).

102. JohnH.Oakley,NuptialNuances:Weddingimagesinnon-weddingscenesofMyth.Copyfrom‘Pandora’?,pp.63-73.(E.R.K.notes‘fromE.Reedes[?],Pandora.).

103. JohnH.Oakley,ZweialteVasen–zweineueDanaebilder.OffprintfromAA1990,pp.65-70.Handwrittenonfirstpage‘Bestwishes,John’.

104. JohnH.Oakley,ACalyx-KraterinVirginiabytheNikiasPainterwiththeBirthofErichthonios.OffprintfromAntikeKunst30,1987,Heft2,pp.123-130.Handwrittenonfirstpage‘Bestwishes,John’.

105. JohnH.Oakley,Perseus,theGraiai,andAeschylus’‘Phorkides’.OffprintfromAJA92,01998,pp.383-391.

106. JohnH.Oakley,reviewofNorbertKunisch,‘Makron’,2vols.(Kerameus10).Publ.Zabern,Mainz,1997.OffprintfromAJA104,2000,pp.135-136.

107. JohnH.Oakley,Some‘Other’MembersoftheAthenianHousehold:MaidsandtheirMistressesinFifth-CenturyAthenianArt.Copyfrom‘NottheClassicalIdeal–AthensandtheConstructionoftheOtherinGreekArt’,partII,InternalOthers,ch.9,pp.227-247,publ.Brill2000.

108. JohnH.Oakley,‘TheDeathofHippolytus’inSouthItalianVase-Painting.OffprintfromtheRivista‘QuaderniTicinesidinumismaticaeantichitàclassiche’,Lugano,1991–Vol.XX,pp.63-83.Handwrittenoncover‘GoodtoseeyouinWashington!John’.

109. JohnH.Oakley,AnAtticBlack-figureEye-cupwithShipsaroundtheInterior.OffprintfromAA1994[?],NachrichtenausdemMartin-von-Wagner–MuseumWürzburg,pp.16-23.

110. RelatedPottery’,ProceedingsoftheInternationalVaseSymposiumAmsterdam1984,pp.165-172(AllardPiersonSeriesVol.5).(E.R.K.notes‘Fromtheauthor,Munich1985’).

111. MarthaOhly-Dumm,EuphroniosschaleundSmikrosscherbe.CopynotedbyE.R.K.asfromMünchnerJb.3,25,1974[pp.7-26].AfewpassagesornotesmarkedbyE.R.K.

112. Martha(Ohly)Dumm,SchalemitTheseusundSinis.OffprintfromMünchnerJahrbuchderbildendenKunst,DritteFolgeBandXXII1971pp.7-22.NotedoncoverbyE.R.K.asfromtheauthor,Feb.73.

113. MarthaOhly-Dumm,Neuerwerbungen,GlyptothekundAntikensammlungen.OffprintfromMünchnerJahrbuchderbildendenKunst,DritteFolgeBandXXIV1973pp.239-246.Thisoffprintcontainsabusinesscardwithhandwrittengreetings.

114. [DieterOhly]ErinnerunganDieterOhly.Bookletprinted‘DesVereinsderFreundeundFördererderGlyptothekundderAntikensammlungenMünchenE.V.’,Jahresgabe1980,containingtheaddressesfromtheMemorialmeetingheldforDieterOhly(d.June19th1979)onFeb.6th,1980intheGlyptothek,givingaccountsofhislifeandwork(KlausVierneiselandKarlSchefold).Withthebookletareseveralnewspapercuttingsofhisobituaries,somesenttoE.R.K.byMarthaOhly-Dumm.

FOLDERS

115. File-folder1.Labelled‘Photos.Schöpfen’.PhotographsofanEtruscan[?]bronzeladle,withphotoofdetailfromincisedsceneonaPraenestinecista,showingaladle.

116. File-folder2a.Labelled‘Spenser’.A.Versions(onewithextensivenotes)ofanarticlebyE.R.K.on‘Spenser’sAlbaneseSleevesandothersartorialtrifles:somearthistoricalobservationson‘FaerieQueene’III,XI&XII.‘B.Severalletters(copies)fromE.R.K.tootherscholarsonthesubjectofthearticle,andletterstoherinreplyoraboutpublication.C.XeroxcopiesofarticlesandillustrationsrelevanttoE.R.K.’ssubject.D.AnarticlebyE.R.K.onOlausMagnusforTheSpenserEncyclopedia.E.Smallslipsofpaperwithreferences.

117. File-folder2b.CorrespondenceaboutE.R.K.’sarticleonOlausMagnusforTheSpenser

Encyclopediawithoneoftheeditors,Dr.A.C.Hamilton.ReferencestoOlausMagnus’CartaMarina(1539).PrintedbibliographiesfortheuseofcontributorstoTheSpenserEncyclopedia.TworeproductionsofRenaissancemaps(ofConstantinopleandRhodes).

[E.R.K.publishedavolumeontheCartaMarina:‘DieCartaMarinadesOlausMagnusvon1539.EinkartographischesMeisterwerkundseineWirkung’,in‘Gratia’,BambergerSchriftenzurRenaissanceforschung10,(Göttingen1981),151pp.Also‘DieCartaMarinadesOlaus

Magnus:ZurGeschichteundEinordnungderKartealsKunstwerk’in:DasDanewerkalsObjektderKartographieaufdemHintergrunddereuropäischenKartengeschichte,(Schleswig1993),pp.21-48.]

118. File-folder2c.Labelled‘Spenserorig.[inal?].A.Thetop(typed)copyofE.R.K.’sarticleon‘Spenser’sAlbaneseSleeves...’(dedicatedtoDietrichvonBothmeronhis65thbirthday),withE.R.K.’shandwrittenoriginal.B.Xeroxedcopiesofrelevantportionsof‘TheFaerieQueene’and‘AViewofthePresentStateofIreland’.C.TheoriginalsofthePlatestothearticle.D.XeroxedcopiesofarticlesonNonsuchPalaceanditsstuccodecoration,(relevanttoE.R.K.’spaper),andnewspapersandmagazinesonSpenserandonaspectsofElizabethanlifeandart(mostlybookreviews).F.CopyofatypedbibliographyofbooksonaspectsofElizabethanlife.G.Smallslipsofpaperwithhandwrittenreferences.

119. File-folder2d.(Unlabelled).MorematerialontheSpenserpassagesdiscussedbyE.R.K.inherarticle‘Spenser’sAlbaneseSleeves...’.IncludingA.Aslightlydifferentversionofthearticle(typed),withplates.B.NewspapercuttingsandXeroxcopiesofmaterialrelevanttoE.R.K.’sarticle(inthisfoldermanyarticlesaboutNonsuchPalaceanditsdecoration,NicholasofModena,andlinkswithEuropeanpalacessuchasFontainebleau,referencestostucco,tapestries,theatreandmasques).C.Atransparentfolderwithmanyslipsofpaperwithreferences,someXeroxedpagesandanewspapercutting.D.AfolderofcopiesofpublicationsbyMartinBiddle,mainlyonNonsuchandSt.AlbansAbbey.E.Atransparentfolderlabelled‘AltesMaterial’,containingmanyslipsandpagesofhandwrittenreferencesandnotesandanumberoflettersaboutthearticle.

120. File-folder3.Labelled‘FoundryPainter’.A.Transparentfolder,labelledatbottom‘402,23Boston’,dealingwiththekylixbytheFoundryPainter,MFAB98.933,ARV2,402,23.Itcontainsprofessionalphotographs,Xeroxedprinteddescription,andE.R.K.’shandwrittennotesinGerman.B.Transparentfolder,labelledatbottom‘405,iTarquinia/Foundry’andaddedillegiblenotation.ContainingXeroxcopies(onefromCVATarquinia),ofphotosofTarquiniaR.C.5291(ARV2,405i),kylixprobablybytheFoundryPainter,andhandwrittennotesinGermanbyE.R.K.C.Transparentfolderlabelledatbottom‘402,24VillaGiulia’.ItcontainsprofessionalphotographsofthekylixbytheFoundryPainter,VillaGiulia50407,ARV2402,24,andhandwrittennotesinGermanbyE.R.K.D.Transparentfolderlabelledatbottom‘403,25Leningrad’.ContainingprofessionalphotographsofthekylixbytheFoundryPainter,Leningrad663,ARV2403,25,andhandwrittennotesinGermanbyE.R.K.E.Transparentfolder,labelledatbottom‘403,26Boston’.ContainsprofessionalphotographsofMFAB13.204,someXeroxedphotos,andbriefhandwrittennotesbyE.R.K.F.Transparentfolderlabelledatbottom‘Adria403,27’.ContainsXeroxcopyfromCVAAdria,Mus.Civ.,ofphotooftwojoiningsherdsfromakylixbytheFoundryPainter,AdriaB.600,B.551,andanindexcardwithARV2description.G.Transparentfolder,labelledatbottom‘403,30Leipzig’.ContainsprofessionalphotographsoffragmentarykylixLeipzigT.542,fromTarquinia,anindexcardwithARV2description,andanalmostindecipherableXeroxedphotofromtheBeazleyArchive.H.Transparentfolderlabelledatbottom‘403,31,Tübingen’.Containsaprofessionalphotographofthefragmentarycup-tondo,TübingenE.27,ARV2403,31,anindexcard,andacopyofaprinteddescription.I.Transparentfolderlabelledatbottom‘Bowdoin13.26/403,32’.ContainsaXeroxedcopyofthefragmentarycup-tondo

Bowdoin13.26anditsprinteddescription,andanindexcardwithARV2reference.J.Transparentfolderlabelledatbottom‘403,33bis’.Cup-tondowithlove-makingscene.Labelledinside‘Munich,Bareiss,23’.ContainsonlybadlydamagedXeroxedcopiesofphoto.K.Transparentfolderlabelledatbottom‘403/Lerici33ter’.Xeroxedcopyofphoto(cup-tondo).L.Transparentfolderlabelledatbottom‘403,34/ChristchurchN.Z.’.XeroxcopiesofphotosofFoundryPaintercupChristchurch(N.Z.),CanterburyUniversityCollege17,andofTrendall’sprinteddescription,andindexcardwithARV2,403,34description.M.Transparentfolderlabelledatbottom‘403,35Todi’.ContainsXeroxcopyofFoundryPaintercup-tondo,Todi463,ARV2,403,35,andindexcardwithARVdescription.N.Transparentfolderlabelledatbottom‘403,34bis’.Xeroxedphotographofcup-tondoonly.O.Transparentfolderlabelledatbottom‘403,36/Boston’.ProfessionalphotographsandXeroxedcopiesoftondooffragmentaryFoundryPaintercup,MFAB13.95,ARV403,36,plusprinteddescription,indexcardasabove,andafewhandwrittennotesinGermanbyE.R.K.P.Transparentfolderlabelledatbottom‘403,37Athen’.XeroxcopiesofphotosofskyphosAthens14705,ARV2403,37,withsomehandwrittennotesinGermanbyE.R.K.onsmallslipsofpaper.Q.Transparentfolderlabelledatbottom‘Para371,Brauron/Add.I1651’.IndexcardwithprinteddescriptionandcopyofphotoofsherdfromBrauron.R.Transparentfolderlabelledatbottom‘N.Y.loanalabastron/Metrop.’Withcopyofplatewithsherds,andofaprinteddescription.S.Transparentfolderlabelledatbottom‘Add.1651/Para371oben:’add’.’Copiesofphotosandprinteddescriptionofcup‘probablybytheFoundryPainter’,Warsaw147235.T.Transparentfolderlabelledatbottom‘Heidelberg/21bis’.Manyprofessionalphotographsofthefragmentarycup,Heidelberg73,6,attrib.totheFoundryPainter,someshowingaddedsherdsinothermuseumsorcollections.LettersfromE.R.K.totheArchaeologicalInstituteinHeidelbergandreplies,lettertoHerbertCahnfromE.R.K.,andcopytoE.R.K.ofletterfromD.vonBothmerabouthissherds.HandwrittennotesbyE.R.K.U.TransparentfoldercontainingaXeroxtakenfromapublicationoftheMuseumfürKunstundGewerbeHamburg,‘AusGräbernundHeiligtümern’,adescriptionbyWilhelmHornbostelofacupattributedtotheFoundryPainterbyD.VonBothmer.V.Transparentfolderlabelledatbottom‘ARV2,420,60/ParisGigantomachy/FoundryPtr./Ashmead’.Xeroxcopies,notesanddrawingsbyE.R.K.ofthecupPhiladelphiaMS2445.W.Transparentfolder.CopyofanadvertisementintheBurlingtonMagazine,June1982,showingacupattributedtotheFoundryPainter,withanotetoE.R.K.fromJ.R.Guy.X.Transparentfolderlabelledatbottom‘405,2“connectedwith”/370,14bispara:‘add’.MuseumphotographsofthecupLondon95.5-13.1,probablybytheFoundryPainter,withafewhandwrittennotesbyE.K.Y.Transparentfolderlabelledatbottom‘4040b.Bibl.Nat.’.MuseumphotographofCab.Med.L719,766,593,ARV2404above,‘probablybytheFoundryPainter’,indexcardandbriefnotesbyE.R.K.Z.Transparentfolderlabelledatbottom‘LouvreG290/401,9.ContainsasmallcopyofasherdfromtheMetropolitanMuseum(1979.314.i?)senttotheLouvretojoinanotherFoundryPainterfragment.

TherefollowinFolder3twelvemoretransparentfolderswhichmostlyholdonlyaXeroxedphotoofapotorsherdandanindexcardwiththeARVdescription,mostly‘ManneroftheFoundryPainter’.SomehaveverybriefhandwrittennotesbyE.R.K.

ThereisalsoafawnfolderwithmanyindexcardsandhandwrittennotesbyE.R.K.

Lastly,thereisaXeroxofthepagesrelevanttotheFoundryPainterfromARV2,andabluetransparentfolderofXeroxesofFoundryP.pots.

[ForslidesofFoundryPainter’spotssee205,andforb&wnegatives,see152].

121.File-folder4.Labelled‘FoundryPainter’.A.TransparentfolderwithsmalllabelARV2400,i,-museumphotographsoftheFoundryPainter’sname-vase,BerlinF2294,ARV2,400,i.Alsophotocopiedtext,andsomeofE.R.K.’snoteswithsketches.B.Transparentfolderlabelledatbottomla‘401,2München.MuseumphotographsoftheFoundryPainter’scup,Munich2650.C.Transparentfolderlabelledatbottom‘401,3London’.ProfessionalphotographsoftheFoundryPainter’scup,LondonE78,ARV2,401,3,andhandwrittennotesbyE.R.K.D.Transparentfolderlabelledatbottom‘401,4,Heidelberg73.74,401.5Astarita’.PhotocopiedplatesofsherdsbytheFoundryPainter,andabriefnoteandsketchbyE.R.K.E.Transparentfolderlabelledatbottom‘401,8Paris’.Photographsofcupsherds,LouvreS1417,ARV2,401,8,andhandwrittennotesandsketchesbyE.R.K.F.Transparentfolderlabelledatbottom‘401,8bis,ehem[als]Cahn’.Professionalphotographsofafragmentarycup;E.R.K.haswrittenontheback‘ehemalsHC102,SonderlisteIV(1971)NR.77’.G.Transparentfolderlabelledatbottom‘401,9Paris’.Professional(?)photographsofLouvreG.290,ARV2,401,9.,cupbytheFoundryPainter,withhand-writtennotesbyE.R.K.H.Transparentfolderlabelledatbottom‘401,10Kopenhagen’.MuseumphotographsoftheFoundryPainter’scup,ThorvaldsensMuseum,cat.no.111,ARV2,401,10,andabriefhandwrittennotebyE.R.K.I.Transparentfolderlabelledatbottom‘KasselT664,ARV2402,10bis’.Xeroxcopiesofphotosofthiscup,Kassel664,anditsprinteddescription,withabriefhandwrittennotebyE.R.K.J.Transparentfolder,labelledatbottom‘Cahn(exHecht,D.v.B[DietrichvonBothmer])10,ter?.Photocopiesoffragmentsofacup(kylix).`K.Transparentfolderlabelledatbottom‘401/2,iiBoston’.MuseumphotographoftondoandphotocopiesofwholecupandpublisheddescriptionoftheFoundryPainter’scup,Boston01.8034,ARV2,401/2,ii.L.Transparentfolderlabelledatbottom‘402,12Cambridge.CCC.’ItcontainsXeroxedpicturesoftheFoundryPainter’scupinCambridge,UK,CorpusChristiCollege,ARV2402,12.M.Transparentfolderlabelledatbottom‘Para.370,12bisToledo’.Containsprofessionalphotographs,manyanddetailed,oftheFoundryPainter’scup,Toledo64.126,Para.370,12bis.Alsocopiesofthemuseum’sCollectionsRecordforthecup,andofcorrespondencebetweenKurtT.LucknerofthemuseumandDietrichvonBothmer(abouthairfilletsandvomit!).HandwrittennoteswithsketchesbyE.R.K.N.Transparentfolderlabelledatbottom‘402,13Berlin10’.Museumphotographoftondo,andXeroxedpicturesoftheFoundryPainter’scupBerlin3198,ARV2,402,13.O.Transparentfolderlabelledatbottom‘Basel,Kambli/402,14’.PhotocopiedpicturesoftheFoundryPainter’scup,Basel,Kambli,ARV2402,14’.P.Transparentfolderlabelledatbottom‘Cahn(402,14,D.v.B).Xeroxesoftwosherdsfromacup.InthepossessionofDietrichvonBothmer?.Q.Transparentfolderlabelledatbottom‘402,15Boston’.MuseumphotographsoftheFoundryPainter’scup,Boston10.195,ARV2402,15.AlsophotocopiesofthecupanditsdescriptioninCaskey/Beazley,‘AtticRedFigureVase-PaintingsintheMFABoston’.R.Transparentfolderlabelledatbottom‘402,16Fogg,Cambr.’.MuseumphotographsoftheFoundryPainter’scup,Harvard27.149,ARV2,402,16[nowintheSacklerMuseum,Harvard],withsomeXeroxedpicturesandacopyofthepublicationofthecupbyWilhelminavanIngen(HarvardStudies46,1935,pp.155ff.S.Transparentfolderlabelledatbottom‘Bloomington75.19.i./402,16bis’.Museumphotographs(large)plusmanygoodsmallphotographsofdetails[takenbyE.R.K.?],Xeroxedphotosand7pagesofhandwrittennotes,sketches(includinginscriptions),andmeasurements,relatedtothecupintheIndianaUniv.ArtMuseum,Bloomington75.19.i,ARV2402,16bis.T.Transparentfolderlabelledatbottom‘402,17,Brüssel’.Manygoodmedium-sizedandsmallphotosoftheFoundryPainter’scupBrusselsR322,ARV2,402,17[takenby

11E.R.K.?],3pagesofnoteswithsketchesandcopiesofinscriptions,ahand-drawnprofileofthecup,aXeroxcopyofthemuseumpublicationandacolouredpostcardofthetondo.U.Transparentfolder,unlabelled,containingmanygoodphotographs[copied?]oftheFoundryPainter’scup,Embiricoscoll.,London,ARV21651,18bis,andXeroxesofplatesandtextfromthesaleofthecup,Münzenu.MedaillenXXII,1961(no.159).V.Transparentfolderlabelledatbottom‘402,20Phila’.ManygoodphotographsoftheFoundryPainter’scup,Philadelphia31.19.2,ARV2,402,20,[takenbyE.K.?],someXeroxesofthecup,andseveralsmallpagesofhandwrittennoteswhichincludemeasurements,inscriptionsandcup-profile.W.Transparentfolderlabelledatbottom‘DvB.N.Y.ich:Foundry/20bis’.Thiscontains3photographs,andascaledrawingwithbriefnotes(byE.R.K.),ofacup-sherdassignedbyE.R.K.totheFoundryPainter.Aletter(1982)fromtheowner,RolfBlatter,accompaniedbyasmallprofessionalphotograph,tellsE.R.K.thatheacquiredthesherdbyexchangefromDietrichvonBothmer’scollection.X.Transparentfolderlabelledatbottom‘402,21Mch.’ManygoodphotographsoftheFoundryPainter’scupMunich2641,ARV2,402,21,withtwopagesofhandwrittennotescontainingmeasurementsandsketches.Y.Transparentfolderlabelledatbottom‘402,22,Mch2640’.ManygoodphotographsoftheFoundryPainter’scup,Munich2640,ARV2402,22,withsomeXeroxedphotographsandbriefhandwrittennoteswithmeasurementsandsketches.AtthebackofFolderNo.4areafewloosepagesandsomephotographsofthetondoofafragmentarycupbytheFoundryPainter.OnthebackofthephotographsE.R.K.haswritten‘NachPhotoD.v.B.’.

[E.R.K.publishedanarticleontheFoundryPainter’scupinBloomington,Indiana(seeS.above):‘ARed-FigureKylixbytheFoundryPainter:ObservationsonaGreekRealist’,IndianaUniversityArtMuseum,OccasionalPapers(Bloomington,IN1987),29pp.(No.31inE.R.K.’sbibliographyin‘Coats,QueensandCormorants:SelectedStudiesinCulturalContactbetweenEastandWest’,Kilchberg,ZH2009).]

122.File-folder5.Labelled‘Sf[Schwarzfigurig]/ARV2,1-425-53(Duris)A.Looseatthefrontofthisfolderareanumberofgoodphotographsofblack-figure(‘SF’)pots,oneofaneck-amphorabytheAffecter,and,mostnotably,severalofaveryhandsomeeye-cupdecoratedbetweentheeyeswithlargemale(mainlywarrior)busts.ThephotographsofthiscuparefromtheGermanArchaeologicalInstituteinRome,Inst.Neg.Nos.77.2000to77.2004,andunderthefootarepaintedmuseum(?)numbers,63613(?).TherearealsosmallmuseumphotosfromBerlinofafinehead-vase,F2202.B.Transparentfolder,unlabelled,containinganumberofmuseumphotographsoflateblack-figurevasesheldtogetherbyawrapperonwhichE.R.K.haswritten‘Bf.Ruspolivases/Knauercopies’.TheRuspolivasesareallamphorae,onenotedbyE.R.K.asLeagrosGroup,othersas‘nearthePrincetonPainter’,another‘Antimenean’.Besidesthese,thereisaphotographofafineExekiassherd,Philadelphia4873,ABV145,16,and3photosfromBerlin,StiftungPrüssischerKulturbesitz,StaatlicheMuseen,Antikenabteilung,F3988(pyxis),F1913(olpe),andF1723(sherd).TherestofthevasesinFile-folder5arered-figure.C.Transparentfolderlabelledatbottom‘LouvreRS460’.Thiscontainsmanymuseumphotographs,Xeroxes,andhandwrittennotesbyE.R.K.(manyonsmallslipsofpaper),ofandabouttheveryearlyred-figurepainters–theAndokidesPainterandthePioneers(Euphronios,Euthymides,Oltos,Psiax)andearlycup-painters.Onegroup,withawrappermarked‘EpidromosPtr.,ARV2117ff.’containsgalleryphotographsandseveralfoolscappagesofnotes.D.Cream-colouredfolderlabelled‘Andokides1-4’,containingprofessionalphotographsofseveralofAndokides/AndokidesPainter’sbelly-amphorae.E.Transparentfolder,labelledatbottom‘Vergleichsmaterial/Duris’.Thiscontainsprofessionalphotographs,Xeroxesandafewhandwrittennotesonthefollowingvase-painters:KleophradesPainter(photos),BerlinP.,EucharidesP.,P.ofFlorence3984(photos),Myson,HarrowP.,SyriskosP.andSirenP.(photos).F.Creamfolderlabelled‘TyszkiewiczPtr.289-296’.ThiscontainssomeXeroxesofvasesby

12theTyszkiewiczP.,asheafofhandwrittennotesonsmallpiecesofpaper,aphotocopyofanarticlebyGloriaFerrariPinney,‘PallasandPanathenaea’,andmuseumphotographsofthefollowing:Boston97.368(calyxkrater),Boston66.206(stamnos),andIndiana79.57a-h(fragmentarypsykterwithaGigantomachy).G.Creamfolderlabelled‘Onesimos313-14’.ContainstwofoolscappagesofnoteswithsketchesandinscriptiononafragmentarycupintheBareisscollection,apostcardofthetondoofacupbyO.IntheBaselAntikenmuseum(122.1),photographsandsketchofasherd,FreiburgS206,photographanddrawingsofasherdinthecollectionofDietrichvonBothmer.H.Transparentfolderlabelledatbottom‘DokimasiaPtr.413,12’.ThiscontainsprofessionalphotographsofanewcupwithaletterfromHerbertCahnaskingaboutattribution,andacopyofE.R.K.’sreplygivingherreasonsforassigningittotheDokimasiaP.WiththisgrouparephotographsofacupbytheFoundryP.intheGettyMuseum,withhandwrittennotesbyE.R.K.(vonBothmerassignsCahn’scuptotheFoundryP.,R.GuyandE.R.K.totheDokimasiaP.(thecorrespondencedatesto1988).AlsointhisfolderisacorrespondencebetweenMrs.FriedaTchacosoftheGallerieNeferinZurichandE.R.K.(from1985),withaphotoofafragmentarycupwhichE.R.K.assignstotheDokimasiaP.(ARV2,412-15).Finally,severalXeroxcopieswithpicturesofotherDokimasiaP.cups.I.Creamfolderlabelled‘Douris425-53’.Thiscontains,first,aletterof1979fromRolfBlatteraskingE.R.K.’sopiniononacup-sherdofhiswithan‘orientalarcher’,andtellingherhowotherscholars(R.GuyandD.vonBothmer)haveassignedit.OnthebackofthephotographofthesherdandonasmallsheetofpaperareE.R.K.’snotes,ending‘ich:wohlDuris’.Alsointhisfolderareprofessional(museum?)photographsofafinelekythoswithAthenafightinga?giant;museumphotos,aXeroxandnotesbyE.R.K.withsketchesandinscriptionsofacupinVienna,KunsthistorischesMuseum3694,ARV2,427,3;detailednotesbyE.R.K.onacupinBerlin(F2288),withTheseusandSkiron;severalXeroxcopiesofothercups(nonotes);finally,inaseparatepaperwrapperlabelled‘MannerofDouris’,amuseumphotographofacupintheVirginiaMuseumofFineArts,inv.56-27-5,ARV2,450,24,andaXeroxofthetondoofanothercup,‘NYJosephson(1971)’withasmallaccompanyingsheetofnotesincludingthewords‘keinTriptolemosptr.’and‘vergleichsMaterial’.J.Creamfolderlabelled‘Brygos368-98’.Contents:AnotefromHerbertCahn(n.d.)onapostcard–sizedphotoofafragmentarycup-tondowith?Anacreonsingingtohislyre,withadogwithtailbetweenlegs(noref.).Inawrapperlabelled‘Brygan’,copiesofletters(1986)fromE.R.K.toJ.V.Nobleaskingforaphotographofasherdwhichhehadshowninalecture,plusagoodphotoandnegativeofthesherd,showingabeardedhead;whereaboutsnotknowntoE.R.K.,thoughpossiblyintheGettyMuseumwithpotteryfromtheBareissCollection.Next,paper-clippedtogether,photographsandXeroxesofthewhite-groundoenochoeLondonD13,ARV2403,38,withawomanspinning,assignedbyBeazleytotheFoundryPainter;E.R.K.notesthatDyfriWilliamsassignstotheBrygosP.Next,inapaperwrapperlabelled‘ARV2,391a’,smallbutgoodphotographsoftherhytonintheshapeofabird,Leningrad682,bythePainterofLondonD15.E.R.K.notesonthebackofonephoto‘Mertens1979’butwithoutfurtherref.Next,inapaperwrapperlabelled‘ARV2,399/Ptr.OfOxfordBrygos’,museumphotographsofthiscup,Oxford(Ashmolean)1911.615,togetherwithXeroxesofthecupandofsherdsbelongingtothisandothercups,senttoE.R.K.in1989byR.Guy.Next,inawrapperlabelled‘Brygos/368-98’,photographsandXeroxesofanumberofpotsbytheBrygosP;onlytheXeroxofARV2,385,229,Athens,Acrop.20,has(brief)notesbyE.R.K.;themuseumphotographsinthiswrapperareofthepotsARV2,373,48(kylix,Vatican),ARV2,380,171(skyphos,Vienna3710),ARV2382,185(‘onceGoluchow,Czartoryski119),andasherdassignedbyR,GuytoBrygos’school.Alsointhisfolder,paper-clippedtogether,XeroxesandphotographsofpotsbythePainteroftheParisGigantomachy;thephotographs,withafewnotesbyE.R.K.ontheback,areofakylixwithdrinkingscenes,includingyouthsplayingkottabos,andanarrowbandbeneaththefigurescenewithsilhouettesofcupsandoinochoai(on

13thebackoftheXeroxesofthiscup,E.R.K.hasnoted‘ascr.D.v.B.,2.1983’).Also,paper-clippedinawrapperlabelled‘Briseis/406-12’,XeroxesofpotsbytheBriseisP.,withaverybriefnote.Lastly,afewlooseXeroxedpagesofcups,oneofthemastrikingfemale-headvaseannotated‘Douris,noquestion’,andapageofE.R.K.’ssketchesofheadsfromBrygoscupsintheLouvre.

[TheTriptolemosPainter:E.R.K.wasanexpertonthispainter,andwaspreparingamonographonhimfora‘Kerameus’volume(sadlynevercompleted).Shepublishedasubstantialarticleonhim,‘EinSkyphosdesTriptolemosmalers’,125.BerlinerWinckelmannsprogramm1973,26pp.,(no.192below),andalsothreeotherarticlesonpotsbyhim.Thesethreeitemsarenos.17,48and55inE.R.K.’sbibliographyin‘Coats,QueensandCormorants’:SelectedStudiesinCulturalContactbetweenEastandWest’,(Kilchberg,ZH2009).See151below–manynegativesofpotsandsherdsbytheTriptolemosPainter.TheAndokidesPainter:E.R.K.producedabookletonhisvaseinBerlin,seeNo.5inherbibliography].

123.File-folder6.Labelled‘ARV2,452/unascribed’.[‘Unascribed’seemsonlytoapplytooneofthefoldersinthisfile-folder.]

A.Transparentfolder,unlabelled.TwoXeroxes–acuptondobytheOedipusP.(Oxford,Beazley,ARV2p.452,andasherdbytheBrynMawrP.(Oxford,Beazley.ARVp.457).[NowintheAshmolean?].B.Creamfolder,labelled‘Antiphonptr.335-341’.Contents:i.Paperclippedtogetherinawrapperlabelled‘Antiphongr.341-50/ARV2,347’museumphotographsofafragmentarycup,LeipzigT509,withref.toARV2p.1647(Addenda),whereBeazleysaysthatthismaybebytheTriptolemosP.,nottheAntiphonGroup.Ii.Inatransparentenvelope,museumphotographsofafragmentarycupinBerlin(nopreciseref.).iii.Loose,onephotograph,withnoteonbackbyE.R.K.‘nachv.BothmerFoto’and‘Guy:Tript./ich:Antiphon?’,andseveralXeroxesofcupsbytheAntiphonP.,withtwolargerandseveralsmallsheetsofnotesbyE.R.K.ontheAntiphonP.andtheColmarP.C.Loose.XeroxcopiesofafragmentarycuptondobytheBriseisPainter,annotatedbyE.R.K.‘3.99/Zurich’.D.Creamfolder,labelled‘Makron458-81’.Contents:i.Agroupofcolour-photosofakylix,withaletter(Oct.1991)fromF.WilliamsonPriceoftheRoyalAthenaGalleries,askingforE.R.K.’sopinionontheattribution.E.R.K.notesontheletter‘nichtuncomfortablemitKreisd.Makron...’.ii.Paperclippedtogether,professionalphotographsfromBaselofakylixwithathletes,withabriefnotebyE.R.K.(inpossessionofH.Cahn?).iii.Loose,photographsandXeroxesofpotsbyMakronorfollowers;thephotographsareofthevases:skyphosbyMakronwithabductionandrecoveryofHelen(MFAB13.186,ARV2,458,1),kylixbyMakronwiththeJudgementofParis,(BerlinF2291,ARV2,459,4),andapoorPolaroidofacuplabelledbyE.R.K.,‘Makron479,330‘and‘Charterhouse’.TherearealsotwofoolscappagesofnotesbyE.R.K.E.Transparentfolder,unlabelled.Professionalphotographsofacalyx-kratertheninthepossessionofMcAlpineAncientArt(annotatedbyE.R.K.‘YaleUniversityArtGallery’),withawingedgoddesspouringwineforPoseidon.Withtheseareletters(Feb.1982)fromthegalleryandfromE.R.K.,withtheattributiontotheAegisthusPainter.F.Transparentfolder,unlabelled.AcollectionofpicturesofpotsbythePainterofBologna228,togetherwithaphotocopyofBeazley’slistinARV2.MostoftheillustrationsareXeroxcopies,afewwiththeirprintedmuseumdescriptions.Therearemuseumphotographsofonepotandtwosherds:-Munich2379ARV2,512,10(column-krater);thetwosherds,TübingenS./10,1601a,b,ARV2,513,21.G.Transparentfolder,unlabelled.ThiscontainsonlyaverybriefnoteonthelekythosBerlin30035,ARV2,532,57;aXeroxcopyofVienna634,ARV2,565,35(PigP.),andacolouredpostcardofavolute-kraterbytheNiobidP.,Bologna269,ARV2,599,8.H.Transparent

folder,labelled‘Berlin’(notrelevanttocontents).Thiscontainsbriefnoteswithsketchontheneck-amphorabytheProvidenceP.,ARV2,638,46(Munich2335b);Xeroxcopiesofthepolychromecoveredkylix,KarlsruheP.,ARV2,741,Boston00.356anditspublisheddescription;ablack-and-whitepostcardofthelekythosbytheP.oftheYaleLekythos,ARV2,658,30;andphotographsofasherdwiththeheadandshouldersofawarrior,labelledonthebackbyE.R.K.,‘D.v.B.N.Y./“REHIr[?].Jan.95”.I.Transparentfolderlabelled‘GenevaPtr.?/ARV2614f’.Enclosedwithpaperclipinapapersheathlabelled‘614f’,Xeroxcopiesofanumberofanumberofpotsby,orconnectedwith,theGenevaPainter,togetherwithasmallsheafofnoteswithsketches;aXeroxofstamnos,LouvreG370,ARV2,639,54;Asmallprofessionalphotographofasherdwiththeupperpartofawomanholdingaphiale,labelledonthebackbyE.R.K.‘V.I.3362,/[ARV2]634,4probablybytheMethysePtr.’;andaprofessionalphotographandXeroxofacalyx-kraterfragmentlabelledbyE.R.K.‘NäheGenferMaler’,withaletterfromKlausW.Berger,aPhDstudentattheUniv.ofWürzburg(Oct.1989),askingE.R.K.’sopinion.J.Creamfolderlabelled‘PanPtr.552,23’.Thiscontains,first,anexcellentsetofprofessionalphotographsofthePanPainter’sstamnosinRome,exRuspoli,ARV2,552,23.

Also,asmallsheafofhandwrittennotesbyE.R.K. Finally, inatransparentfolder labelled ‘PanPtr. fr. ,ARV2552,22’,withinthecreamfolder,manyphotographsandXeroxesofthestamnosfragments,ARV2,552,22, Louvre C10822, (Ransom of Hector) and a sherd in the possession of Dr. J. Chamay , of theMuséed’Artetd’Histoire,Geneva,showingPriamapproachingAchilles. Withthese iscorrespondencebetweenDr.ChamayandE.R.K.(whohadbeentoldofthesherdsomeyearsbefore,andthoughtitmightbebytheTriptolemosP.).Whenshesawagoodphotograph,sheassignedittothePanP.,andidentifieditasbelonging to thesamestamnosas theLouvre fragments. There follow lettersabout theChamaysherd toMartinRobertsonandHubertGirouxand replies fromProf.Giroux (withXerox). Also,on thesame subject, a letter from Robert Guy and one from Dietrich von Bothmer. This interestingcorrespondencetookplacebetweenJune1988andMarch1989.K.Transparentfolder(unlabelled).Thiscontainsgoodprofessionalphotographs(oneincolour)ofaskyphos(glaux)boughtatChristie’s,NY,byMr.CurtisBrown,withaletterfromhimtoE.R.K.ofJuly1994,givingsomedetailsandsayingthathewas going to lend it to the Dallas Museum. A note by E.R.K. says ‘not by Trip’[tolemos P.]. L.Transparentfolder.Unlabelled. ThiscontainsXeroxesofpotsbyanumberofpainters : theLewisP. (2pots),PainteroftheBrusselsoinochoai(3CVApages),PenelopeP.(1).Twosheetsofphotographsfrompublishers’advertisements:P.ofBrusselsR330,SplanchnoptP.,PhialeP.,andonephotographofadetailfromanoinochoe,ARV21212,2‘ManneroftheShuvalovP.’,intheNationalArch.Mus.,Athens(Athens1218)(drunkenDionysoswithsatyr).AndonesmallsheetofhandwrittennotesbyE.R.K.M.Agroupofsheetsheld togetherbyapaperwrapper labelled ‘ARV2807f./Para507,Lichas3bis/Guy:ClinicP.’,andapaper-clip.Thiscontains,first,acopyofaletter(Feb.1976)fromRobertGuytoDr.JohnHayesattheRoyalOntarioMus.aboutfragmentsofacupbytheClinicP.,thegreaterpartofwhichisintheStovallMuseumofScienceandHistory,Univ.ofOklahoma,andanarticleaboutthecupfromtheNewsletterofthatmuseum,(1,2,Winter1987).WiththesearetwomuseumphotographsoftheNolanamphoraLichas3bis (Antikenmuseum, Basel), on the back of which E.R.K. has crossed out her attribution to theDokimasiaP.andadded‘Guy:Klinikmaler’,andaletterofJan.1979toE.R.K.fromMargotSchmidtattheBaselmuseumabouttheamphora.Withintheouterwrapper,butseparatedbyayellowpaperwrapperlabelled‘StieglitzPtr./827-30,aresomephotographsofakylixhandleinBrynMawr,P.955,andofakylixlabelledbyE.R.K. ‘Ptr.ofPhiladelphia2449, (FollowerofMakron). Then aXeroxof fragmentsby theTelephosP.,andXeroxesofsherdsbytheStieglitzP.intheAshmolean,Oxford,Beazleycoll.N.Heldtogetherbyawhitepaperwrapperandapaperclip,andlabelled‘AmphitritePtr/(Guy?)ARV2830-34’,two small professional photographs of a sherd bearing the label ‘DEPPERT 77’, noted on the back by

15E.R.K. ‘Bothmer,N.Y. /AmphitriteMaler/D.v.B.7.2.78’,and a foolscappageofnotesandsketchesbyE.R.K.,dated30.9.77. O.Whitewrapperlabelled‘837-57/SabouroffPtr.’ enclosingaXeroxofacuplabelled‘ARV2838,27’andtwosmallsheetsofnotesbyE.R.K.P.Whitewrapperlabelled‘BootPtr.(?)/ARV2821-23.’, enclosingtwoprofessionalphotographsofsherdsfromcups,onelabelledbyE.R.K.‘nachD.v.Bothmer/ “insideonlyTriptolemosPtr. 366,76ff”, theother ’30.1.77/1/17Anachv.BothmerFoto/GuyBootptr. (1.77),andwiththesenotesandsketchesbyE.R.K. Q. Looseatbackof folder,XeroxofacupbytheTarquiniaP.,LouvreG264,ARV2869,54(ThePistoxenosPtr.andhisgroup),andaXeroxofanarticlefromAA1981byTakashiSekion‘EineNeueSchalemitBogenschützen’whichE.R.K.hasannotated‘ich:PistoxenosMl.’

124.File-folder7,labelled‘FlyingAngelPtr.’

A.Inapaperwrapperlabelled‘Heidlbg/FlyingAngel/280,3/281,36’,fourphotographsofsherdswithyouths.B.Inatransparentpaperenvelope,professionalphotographsfromHeidelbergofthesherdsinA.above,inv.nos.Kr.120,121,122.C.Loose.IndexcardsformanyoftheFlyingAngelP.potslistedbyBeazleyinARV2,279-282.Someareunannotated,butseveralhaveE.R.K.’snotesandsketchesappended:e.g.Heidelberg120,121&122(thesherdsillustratedinA&Babove);BrusselsA2483-5,ARV2,280.,10,withtwomuseumphotographs.AlsoagroupofphotographsofdetailsfromvasesintheVillaGiulia,Rome(ARV2,279,3;279,4;280,13;280,16.D.Transparentfolderlabelled‘FlyingAngel’.ThiscontainsmoreindexcardsforpotsfromBeazley’slists,mostwithE.R.K.’sappendednotesandsketches:ARV2,279,3;279,4;280,13;280,16(VillaGiulia–seeCaboveforphotographs);ARV2,279,1(notes);ARV2,279,6(notes);ARV2,280,8(Xeroxedpictureandnotes);ARV2,280,9(Xeroxedpictureandnotes);ARV2,280,15(notes);ARV2,280,17(pictureonly);ARV2,280,21(notes);ARV2,281,29(pictureonly);ARV2,281,28(picture,briefnote);ARV2,281,34,&Add.I1641(notes);ARV2,281,34(pictureonly);ARV2,281,37(notes).E.Transparentfolder,unlabelled.MoreindexcardsasinC&Dabove.:ARV2,279,2(pictureonly);ARV2,279,5(pictureandnotes);ARV2,280,11(pictureonly);ARV2,281,26(notes);ARV2,281,30(notes);ARV2,281.35(picture&sketch);ARV2,281,39ter,&Add.I,1642(Photographandnotes).TherearealsothreephotographsofARV2,280,10(BrusselsA2483-5),andanumberofsmallsheetswithnotes.F.Transparentfolder,unlabelled.ProfessionalphotographsfromSotheby’sofacolumn-kraterfromtheirsaleof9Dec.1985(Lot156),withE.R.K.’sletterrequestingthem.AlsoaXeroxofMFAB98.878.

125.Creamfolder,labelled‘Unidentified’(Folder8)

A.Transparentfolderlabelled‘StuartTray,N.J./Oionoklesod.ProvidencePtr.’ItcontainstwoprofessionalcolourphotographsofaNolanamphora,senttoE.R.K.byStuartTray.E.R.K.comparesittoARV2,648,35.B.Transparentfolderlabelled‘ARV2,1588,KalliasI,no.8(Guy)/ich:späterProvidenceM.’ColourphotossentbyD.v.BothmertoE.R.K.(Dec.1988),andherreply.AnotebyE.R.K.ofJan.1989says(asonfolderlabel)‘ich:späterProvidencePtr.’C.Xeroxofanoinochoe,withE.R.K.’snote‘ich:KleophonMaler/Nähe?’.D.Loose,withwhitepaperwrapperandpaper-clips,professionalphotographsofsherdsfromGordion(1981),andphotographsandnotesonapyxis-lidinthepossessionofH.Cahn(HC632(youngwarrior).E.Loose,withpaper-clipandnote‘Unzugeschrieben’,photographsofsherdsinFlorence.F.Loose,withpaperwrapperlabelled‘Florenz’andpaper-clip,photosofsherds,

16mostlythesameasinE.above,withE.R.K.’snotesandsketches.G.Transparentfolderlabelled‘Six’sTechnique/Undetermined’.ThiscontainsXeroxcopiesofasherdwitha?femaleheadandshoulderin‘amodifiedSix’stechnique,’foundwithotherGreeksherds(Xerox)inexcavationsatTell-el-Hesi(Israel),withdescriptionbytheexcavators(‘TrowelandPatish’,newsletterNo.1,January1984),andafewhandwrittennotesbyE.R.K.H.Transparentfolder,labelledoutside‘Tarquinia,Magaz[zino]Bruschi,ohneNr.’ThiscontainstwogoodphotographsofaRedFigurekylixsherdseenbyGloriaPinneyintheMagazzinoBruschiatTarquinia,togetherwithalongletter(Feb.1976)fromMs.PinneydescribingthesherdandattributingittotheTriptolemosPainter(alsogivingdetailsofother,inventoried,potsaboutwhichE.R.K.hadinquired).I.Transparentfolder,unlabelled,containingmuseumphotographsofared-figurecolumnkrater(ArchäologischesInstitutderUniversitätTübingen,Inv.67.5806).E.R.K.haswrittenonthebackofthesephotographs‘EarlierMannerist’,andononeoftheminpencil,‘DurchU.Hausmann/Juli1977’.ThereisalsoasmallsheetwithahandwrittennotebyE.R.K.,headed‘Rom1980’.J.Loose,threeamateurphotosofpotsintheLouvreand?NewZealand,amuseumphotographofalekythosintheVirginiaMuseum(78.82)attributed‘neartheMeidiasPainter’,aXeroxofasherdinCopenhagen(Nat.Mus.Inv.1913)andaprintedadvertisementfor‘AntikeKunstwerkeausderSammlungLudwig’withaninterestingstamnos-painting.K.Notinafolder,butheldtogetherbyapaper-clip,alettertoE.R.K.fromthered-figuresherds(photos)foundinexcavationsatPoggioCollain1998.WiththisisareplyfromE.R.K.,attributingthesherdstothePainteroftheParisGigantomachy,andsayingthatDietrichvonBothmeragreedwithher.

126.File-folder9,labelled‘OionoklesPtr.’

A.Bluefolder,labelled‘OionoklesPtr,646-649.[ARV2].Thiscontains,first,atransparentfolderwithdetailedtypeddescriptionofaRFchous,S.82.AE.30,fromtheBareissCollection,nowintheGettyMuseum,asetofsmallphotographs,(amateur,butclear),andsomelargeprofessionalphotographs.FollowingthisareXeroxcopiesofmanyoftheOionoklesPainter’spotsaslistedinBeazley,ARV2andAddenda,andmanysmallandlargersheetsofhandwrittennotesbyE.R.K.Therearealsomuseumphotographsofsomeofthepots:ARV2,646,1(Nolanamphora,NY41.162.21);ARV2,646,6(Nolanamphora,NY09.221.41);ARV2,648,39(lekythos,NY41.162.15);ARV2649,40(lekythos,NY28.57.11);andARV2,647,18(Nolanamphora,LouvreG210;alsoARV2,646,3(Nolan,Berne12215).TheotheritemsinthefolderaremainlyXeroxesofarticlesonchoes,manywithnotesandannotationsbyE.R.K.ThereisonelettertoE.R.K.fromtheUniv.OfSydney(11.11.83),fromRichardG[reen?],withdrawingsofChousshapes.

[E.R.K.publishedanarticleontheGettychous:‘....AChousbytheOionoklesPainter’,GreekVasesintheJ.PaulGettyMuseum3,OccasionalPapersonAntiquities2(Malibu1986),pp.91-100(No.29inE.R.K.’sbibliographyin‘Coats,QueensandCormorants...’)].

127a.File-folder10a.,labelled‘Guy,Diss.1982’.ThiscontainsaXeroxcopyofRobertGuy’sD.Phil.thesis,Oxford1982,‘TheLateMannerofDourisandhisEarlyClassicFollowers’.

127b.File-folder10b.ContainsacopyofRobertGuy’sMAthesis(Cincinnati1974),‘TheTriptolemosPainter’.

17127c.File-folder10c.ThiscontainsadetailedcorrespondencebetweenE.R.K.andRobertGuy,datingfrom1973to1983.

128.File-folder11,labelled‘ItalischeVasen/Antikenabt.Berlin’.Thiscontains,A.Inanenvelope,acopyofaletterfromE.R.K.toSirJohnBeazley,dated15/8/63,explainingthatsheischeckingandputtinginordertheSouthItalianvasesinBerlin,whichhadonlyrecentlybeenunpackedafterthewar,andaskinghisadviceonsomeofthem.Sheenclosesmuseumphotographsofoneofthese,acupF.2949.AlsointhisenvelopeisatypedlistoftheBerlinSouthItalianvases,andafewhandwrittennotesbyE.R.K.B.CopiesofthemuseumaccessionsheetsfortheS.Italianvases,thelatestbeingof1969.C.PhotocopyofpartofanarticleaboutpotterydatingtotheRepublicanperiodinRomeandLatium,from‘RomaMedioRepubblicana,aspetticulturalidiRomaedelLazioneiSecoliIVeIIIa.c.’,Roma1973,withabibliography.D.Somevase-listsandlistsofA.D.Trendall’sbooks.E.MuseumphotographsofthefollowingS.ItalianvasesinBerlin:F3157,volutekrater;F3161,sherdsfrompelike;F3290,hydria;F,3319,oinochoe(2);F3345,bowl,detail;F3353,shallowdish(2);F3441,rhyton(4);F4124,volutekrater(2);30917,sherd;andtwophotographsofasmall,poorlypaintedskyphoswitharunningordancingwomanoneachside(inv.no.ispartlyvisibleononephoto–F83223(or85223?)).ThereisalsoacolouredpostcardofavolutekraterinBologna,Mus.Civ.Archeologico,Roomvi.

129.File-folder12(Unlabelled).ContentsdealmainlywiththePainteroftheWoollySatyrs,ARV2,613-614.A.FragmentarykraterintheArtMuseum,SanAntonio,Texas(notlistedinARV2).AnexchangeoflettersbetweenE.R.K.andCarlosA.Picon,CuratorofAncientArtinthatmuseum(nodetaileddiscussionofthepot);anotefromDebraSchaftertoE.R.K.aboutthesceptresonthepot;Xeroxesofthepot;alsoalettertoE.R.K.fromDietrichvonBothmeraboutARV2,614,1(a)(seebelow).B.Xeroxes,somewithhandwrittennotesbyE.R.K.,ofsomeofthepotsbytheP.oftheWoollySatyrslistedbyBeazley:ARV2,613,1,Xeroxedphotosonly;ARV2,613,2,notesandXeroxes,andnotesonsmallersheetofpaper;ARV2,613,3,notesonly;ARV2,613,4,notesonsmallersheet;ARV2,613,5,notesonsmallersheet;ARV2,614,7,notesandXeroxes,andnotesonsmallersheet;ARV2,614,8,notesandXeroxes,andnotesonsmallersheet;ARV2,614,10–13,Xeroxes,andnotesonsmallersheet;ARV2,614,1(a),XeroxandD.v.B.’sdrawing(seeletterunderA.).C.Listofpapersfromthe6thBritishMuseumClassicalColloquium(1985)on‘ItalianIronAgeArtefactsintheB.M.’,andanoffprintofthepapersofasymposium,‘VasenforschungnachBeazley’,Tübingen,24-26.11.1978,inscribed‘MitherzlichenGrüssen,ihreElkeOlshausen’.D.CopyofanarticlebyJohnBoardman,‘HeroicHaircuts’,Class.QuarterlyN.S.XXIII,2,Nov.1973.E.ThreeXeroxesofpotsbytheNiobidP.andBerlinP.intheLouvre.[N.B.MostoftheXeroxedpicturesinthisfolderareofpoorquality–suitableforrecognition,butnotfordetailedstudy.]

130.File-folder13,labelled‘Museumsbeobachtungen’.Contains:A.Acreamfolderwithafewtyped

Apagewithlistsofpotsandbibliography;thisseemsincomplete,andwasperhapsforanarticle.

18B.exercisebookwithpinkcover,withnotestakenbyE.R.K.inthefollowingMuseums(startinginSept.1962):Rome,VillaGiuliaandVatican,Mus.GregorianoEtrusco;Tarquinia;Cagliari;Mus.S.Antioco(?);Orvieto,Mus.Faina(andagainlater);Chiusi;Florence;Berlin;NewYork,MMA;St.Louis,MO;Cleveland,OH;Spina(1964);Rome,Terme;Naples.Mus.Naz.Then,inthebackofthebook:VillaGiulia;Philadelphia,Univ.Mus.andArtMus.;Baltimore,WaltersArtGall.andArtMus.;WashingtonD.C.,Nat.Gall.andSmithsonian;DumbartonOaks;Denver,CO,ArtMus.(DAM);KansasCity,MO(1964);Chicago,ArtInst.;Copenhagen,ThorvaldsenMus.(1972).C.Moredetailednotes,withsomesketches,onloosesheetsofpaper.Smallandverysmallsheets,from1967to1990,fromthefollowingmuseums:WashingtonD.C.,Freercoll.;Baltimore;Thessaloniki;Delphi;Palermo;Volterra;Berlin;Cordoba,Mus.Arch.;Huelva,Mus.;Taranto;Louvre;Orvieto;‘V.G.’[VillaGiulia?];Copenhagen,ThorvaldsenMus.Largersheetsofpaper,from1966to1971:Rome,Conservatori,Capitoline,Terme,PalazzoDoria;Vatican;Naples,Nat.Mus.;Vienna;Athens,Nat.Mus.;Paros;Volos;Thebes;Tegea;Sparta;Olympia;Delphi;Corfu;Eretria;Thessaloniki;London,BM.

Thesenotes,whicharehand-writtenandmostlyinGerman,arebriefrecordsofawiderangeofobjectsofvariousdates(uptoatleasttheRenaissance),whichinterestedE.R.K.andwererelevanttoherresearch.

131.File-folder14,labelled‘Fotos,grossform.AntikeKunst’.Alargenumberofphotographs,includingmanyprofessionalones;alsocolouredmuseumpostcards.Theseareorganizedbetweencreamsheetswithhandwrittentitles,andareblack-and-whiteunlessotherwisestated:A.Vorgeschichte(Prehistory).Onegoodblack-and-whitephotoofahorse,aprehistoriccave-painting;alsoit’snegative.Detailsonbackofphoto.B.Orient.AfewphotographsofpaintedancientEgyptiansarcophagi,includingsomefinecolourphotossentbytheRoyal-AthenaGallerieswithcoveringletter;threephotosofPersepolisreliefsculptures;oneofB.M.Assyriantiger-huntreliefs;oneHittiterelief(colour,postcard);severalancientChineseobjectsintheBeijingHistoricalMuseum;twocolouredgreetingscardswithJapaneseandIndianpictures;onephotoofthemosqueofSultanSuleymanIinIstanbul;afewothersunidentified(someTurkey?).C.Schmuck.AfewgoodphotosofancientGreekand?Copticnecklaces(one,fromnearOlbia,incolour).D.AntikeBronzen,Klein-u.Gross-.Mostlysmall-ish:coins,plaques(inafolderlabelled‘ausBulgarienod.Rumanien’),figurines,Etruscansitulae,anEtruscanstatuetteandlamp(colour).Possiblylarger(noindicationofsize),afewheads,ahelmet,twobronzehorses(Roman).OnecolouredpostcardoftheZeus/PoseidonofArtemision.OneviewofsculptureatNemrudDag.E.Kreta/Mykene.ModerncolouredpostcardsfromAthens,Nat.Mus.;afewMycenaean,mostshowingfrescoesfromThera.F.AntikeTerrakotten.Fourphotographs,twoprofessional,tworatherblurred,ofGreekreliefterracotta’s,andonecolouredpostcardwithtwofigurinesofnurseswithbabies.(AndonesmallnotebyE.R.K.).G.AntikesRelief,griech.u.Röm.Greek:aSelinusmetope(frontalchariot),partoftheSiphnianTreasuryfrieze,reliefsfromSparta,Nikebalustrade(colouredpostcard),NereidMonument,photoofwell-headatKaisariani,Attica,withancientsculpture.Roman:anumberofreliefs,includingonefromTrajan’sColumn(cast),severalfrommarblebasesoraltars.AlsoacopyofanarticleintheB.M.YearbookbyRuthOlitskyRubinstein‘ABacchicsarcophagusintheRenaissance’.H.AntikePlastik,griech.u.Röm.Greek:NineteencolouredpostcardsofmarblesculpturefromtheAthenianAcropolis(sixteenofarchaicsculpture,twooftheParthenonfrieze,oneofaheadofAlexandertheGreat).FourcolouredpostcardsfromtheNat.Mus.,Athens–threebronzes,onelekythos.OnecolouredpostcardofamarblecopyoftheheadoftheAthenaLemniainBologna.TwopostcardsfromOlympia–

19terracottaZeusandGanymede,andPaionios’Nike.Roman:AbronzeheadofGaiusCaesarintheCapitolineMuseum.Severalpiecesofmarblesculpture,includingaheadofJuliusCaesarintheRijksmuseum,Leiden.AgroupofphotosofthestatuesingildedbronzefromCartoceto,from‘IBronziDoratidaCartoceto,unRestauro,(Firenze1987)’.Agroupofphotos(includingfourcolouredpostcards)ofthebronzestatueofMarcusAureliusontheCapitolinRome,andtwopostcardsofequestrianstatuesintheNat.Arch.Mus.,Naples;withthesearetwosmallpagesofhandwrittennotesandonelargersheet.AndtwonewspaperarticlesontheRiacebronzes(‘FrankfurterAllgemeinerZeitung’1981).AlsofourphotonegativesoftwohelmetedheadsofAthena.I.AntikeKleinkunst.TwophotosoflateRomanivorypanelsinthecathedraltreasury,Monza.AcameowithHonoriusandMaria,inParis.AcolouredpostcardoftheDrvaspaRhyton,intheClevelandMus.ofArt.J.AntikesMosaik.OnecolourpicturefromPella,afewRomanmosaics(includingcolouredpostcardsfromCorinthandPiazzaArmerina).K.Griechenland,Architektur,Landschaft.Fourphotos:Oitilon(Mani),Sparta,Pylos(Nestor’sPalace).L.Italien,Architektur,Landschaft.Twophotos–SelinusandSegesta.M.AntikeTechnik.Onephoto,ofaloommadebyaLapp.N.AntikeArchitektur.ColouredpostcardsofHerodiumandMasada;twophotosofatempleatThugga(Tunisia).O.Antike,verschiedenes(various).AcorsletinLeningrad.Ivorylionandbronzehelmetwithcow’searsandhorns.Severalphotosofsceneryandpeople,labelled‘Afghanistan1974’.

[E.R.K.publishedanimportantarticleonthebronzeequestrianstatueofMarcusAurelius:‘Multaegitcumregibusetpacemconfirmavit:theDateoftheEquestrianStatueofMarcusAurelius’,inRömischeMitteilungen97,1990,227-306,reprintedin‘Coats,QueensandCormorants’pp.137-170,No.34inherbibliographyinthatvolume.SeealsoNos.7and47,and,fortheCartocetobronzes,No.46.]

132.File-folder15,labelled‘Fotos,grossform.,M.A.KunstI&Renaissance’.Thiscontainsalargenumberofphotographs,manyofwhicharemuseumorprofessionalphotos,andmostofwhichareblack-and-white.Labelledcreamsheetsofpaperdividethemintogroupsbydateortype.

A.Byzantinisches.Relief-sculptureinstone,ivorybook-cover,illuminatedms.andwall-painting(colour),mosaicsincludingDaphniandSta.Cecilia,Rome(colour).B.Ma.HandschriftenundTapisserien.Kleinkunst.Mediaevalilluminatedmss.(twoincolour),onedetailoftapestryfromthechateaudeMontal(Lot,France),andoneRenaissancebrasstombstone-plaque(Burford,England).C.M.A.Architekturu.Architekturplastik.AnothermixedgroupconsistingmainlyofphotographsofRomanesquechurcharchitecture,sculptureandstainedglass(Apulia,Bourges,Strasburg,Maursmünster);onetapestry(Gerona,colour),twoilluminatedmss.(colour),andoneRenaissanceprint.D.Renaissancearchitekturu.Plastik.Fourphotographs,threefromApulia.E.Italien.Malerei.Alargegroupofexcellentprofessionalphotosofgenerallywell-knownpaintingsandfrescoesbyItalianartistsfromGiottotoTiepolo.Thelastpaintinginthissection,Tiepolo’sintheNat.Gallery,Washington,labelledontheback‘AscenefromRomanHistory’,haswithitanotebyE.R.K.andthreecopiesofacatalogueentryheaded‘QueenZenobiaaddressinghersoldiers’,whichdiscussestheinterpretationofthescene,mentioningasuggestionbyE.R.K.,‘AgrippinaAddressingtheLegionaries’.F.Italien.Plastik,Relief.Fourphotographs,twoofwhich,fromOtranto,Apulia,alsoappearinSectionD.Thefinalgroupofphotographsinthisfolder,G.SleevedCoat,areinanenvelopefortheperiodical‘Expedition’.Nonotesaccompanythesephotos,whichareprobablyforanarticlebyE.R.K.(seebelow;andcf.Items

20117-119above).Theyareofpeoplewearingsleevedcoats,inartofallkindsfrommanydatesandregions(ancientGreektomodern).(Cf.File-folder17,No.135). `

[E.R.K.publishedanarticle,‘TowardsaHistoryoftheSleevedCoat:aStudyoftheImpactofanAncientEasternGarmentontheWest’,in‘Expedition’(Philadelphia)21,1,1978,18-36;thisisNo.20inherbibliographyin‘Coats,QueensandCormorants....’.Herinterestinthiscontinued:see,e.g.,‘Exorientevestimenta–TrachtgeschichtlicheBeobachtungenzuÄrmelmantelundÄrmeljacke,’in:AufstiegundNiedergangderRömischenWeltIIPrincipat12,3(Berlin/NewYork1985),578-741(No.27inthebibliographyin‘Coats....’)].

133.File-folder16,labelled‘Fotos,grossform.M.A.u.Ren.KunstII’.[MediaevalandRenaissance].Asinthepreviousfile,labelledcreamsheetsofpaperdividethegroupsofphotographs.

A.Französisches.Onecolouredreproduction,ofa14thcenturyilluminatedms.illustrationbyGuironleCourtois.B.Nordisches.AsmallgroupofphotosofLeningrad,andseveraloffishdryingonracks!.OnecolourphotoofL.Cranach’s‘TenCommandments’intheReformationsgeschichtlichesMuseum,Wittenberg.C.DeutschePlastik.Photographsoffourstatuesorstatuettes.D.Niederl.Malerei,Fläm.Malerei.Alargegroupofexcellentprofessionalphotographs(black-and-white)ofDutchandFlemishpaintings,mainlyportraitsandmythologicalorreligiousscenes,afewlandscapes(Ruysdael).ManybyRembrandtandRubens.TwohavebriefnotesbyE.R.K.attached.ThereisalsoasetofpostcardsofdrawingsbyPieterBrueghelandengravingsfromhisworks.E.Span.Malerei.Asmallgroup(seven)ofexcellentphotographsofpaintingsbyElGreco,Velasquez,MurilloandGoya,andonemediaeval?manuscriptwork.F.Französ.Malerei.Plastik.(Butnosculptureherenow).EightexcellentphotosofpaintingsbyartistsincludingFouquet,LaTour,Poussin,Lorrain,ManetandRenoir.G.DeutscheMalerei.ThisgroupincludesSwissandAustrianartists,andrangesfromGothictoKokoschka.Againmainlysceneswithhumanfiguresandportraits,afewlandscapes.H.EnglischeKunst.Onephotograph,ofHolbein’sportraitofEdwardVI.I.Italien.(Bau-)Plastik.Twomuseumphotographsofdetailsofawooden?doorintheVaticangalleries.Thecarvedwords‘OPUSANTONIIDEFLORENTIA’appearinoneofthephotos.J.Mittel-u.Südamerika.AmateurphotographsofMayasitesandPeru(afewofMacchuPicchu).K.Islam.NinegoodphotographsofPersiansculpturedfiguresandilluminatedmss.scenes(miniatures).OneoftheminiatureshasanotebyE.R.K.attached,referringtothedressofsomeofthepersonsdepicted.L.Mittelasien.Amateurphotographsofawall-paintingofthe7thcent.A.D.from?Vorrachsa(asitewestofBokhara),andoftheBegramTreasureinKabul,Afghanistan.OnephotoofasculpturedheadofaBuddha(fromastatue),inthemuseuminKabul,andoneofaGandhararelief.AlsoherearethreephotographsofaheadofBuddha(fromastatue),inbasalt,withacoveringlettertoE.R.K.,tellingherwherethewritersacquireditandaskingheropinionastoitsgenuineness,and,ifgenuine,astoitsorigin.Theletter,sentfromKönigsteinin1979,issignedonlywithinitials:‘B+S’.M.Ostasien.FourphotographsofChineseorotherFarEasternart.N.Oddities.Eightmiscellaneousphotographs,copiesofmostofwhichappearalsoinothersections.

[Themajorityofthephotographsinthisfile-folderillustratedetailsofdress,asubjectofgreatinteresttoE.R.K.Seetheendof133above,and135,136below.Seealso198below.]

134.File-folder17,labelled‘Fotos,Duplikate/z.Vorschenken’.

21A.(Looseinthefolder),amixedgroupofgoodblack-and-whitephotographs(mainlyprofessional)ofpaintingsofdifferentsubjectsandperiods,plustwoRomanreliefs.B.Inastiffcardboardfolderlabelled‘Tafel-Vorlegen’(inbiro)and‘+Abb.–Legenden’(inpencil).Alargegroupofphotographs(someprofessional,almostallgood),ofobjectsofwide-rangingdates,originsandmaterials.Theobjectsincludeceramics,mosaics,figurines,reliefs,silver-giltvessels,wall-paintings,icons,illuminatedmss.,printsandpaintings.Datesrangefromthe5thcenturyBCtothe20thcentury,andoriginsincludeClassicalGreeceandItaly,Scythia,Byzantium,Armenia,Ottoman,Persian,Chinese,uptoalate19thcenturyphotographofKaiserWilhelmIIandtwomodernviewsofmeninTunisia.Someofthephotoshavefigurenumbers(‘Abb.---‘)ontheback,andallareclearlyrelevanttoE.R.K.’sresearchintodress,especiallycoatswithlongsleeves.Some,butnotall,ofthesephotographsareduplicatesofthoseinFile-folder15(133),G.‘SleevedCoats’.

135.File-folder18,unlabelled.A.Mantel,einÄrmelan....Thiscreamfoldercontainstwosmallsheetsofhandwrittennotesreferringtotworepresentationsofapersonwearingacoatwithonearmin,theotherout.B.Pferde/Partherschuss.(Creamfolder).ThiscontainsaXeroxedarticlefrom‘Boeheim.Waffenkunde’section10,DasPferdezeugundderPferdeharnisch,withmanydrawingsofhorse-armourandharness,andtwootherXeroxedarticles,KlausWiddracommentingonXenophon,andM.NicodèmeKondakovon‘UndétaildesHarnachementsByzantins’inMélangesoffertsaM.GustaveSchlumberger’,Paris1924,pp.399ff.Therearealsoafewnewspapercuttings,andafewphotographsofexamplesofmenonandwithhorsesinart,includingoneofaDürerdrawingofaman[whodoesn’tlooklikeaParthian]turningroundinthesaddletoshootanarrow.Finally,therearemanysmallsheetsofpaperwithhandwrittennotesbyE.R.K.onhorsesandtheirequipment.C.Acreamfolderlabelled‘Riemenzungen’[belt-buckles?].AXeroxofanarticlebyE.Künzl,‘CinguladiErcolanoePompei’fromCronachePompeianeIII1977,anothercopieditemaboutaChinesebronzebuckle,threephotographsshowingmenwearingbelts(fromRome,ArmeniaandTurkestan),andanumberofhandwrittennotesandreferencesbyE.R.K.D.Apinkfolderlabelled‘Seide’[silk].ThiscontainsaXeroxedcopyofanarticlebyDr.O.SchraderinLinguistisch-historischeForschungenzurHandelgeschichteundWarenkunde,Jena,1886andasheafofnotesonsmallsheetsofpaperbyE.R.K.E.Acreamfolderlabelled‘Stiefel’[boot].Thishastwophotographswithrepresentationsofboots(aGreekmosaic,andmetalpendantsintheformofbootsfromIran),andasheafofnotesbyE.R.K.,withsketches,onsmallsheetsofpaper.F.Acreamfolderlabelled‘Mongolen’.ThiscontainsanumberofnewspaperarticlesabouttheMongolsorreviewingbooksaboutthem,twoXeroxesshowingmediaevaldressinBohemia,fromHansWeigel,‘Trachtenbuch’,andafewsmallsheetsofnotesbyE.R.K.G.Acreamfolderlabelled‘Stradioten’.ThishasXeroxesreferringtotheStradioti,thefullestbeingE.Barbarich,‘GliStradiotinell’artemilitareitaliana’,fromRivistadiCavalleriaAnnoVII,vol.XIII(1904),pp.52-72.AlsobriefhandwrittennotesbyE.R.K.H.Acreamfolderlabelled‘Tätowierung’[tattooing].AXeroxcopyoftheentryontattooinginthe‘ReallexikonderIndogermanischeAltertumskunde’,andasheafofhandwrittennotesbyE.R.K.onsmallslipsofpaper.I.Acreamfolderlabelled‘Stilicho’.ThiscontainsthreeXeroxedarticles:a.From‘TheArtofAfghanistan’byJeannineAuboyer(Hamlyn,1968),showingtwostatuettesfoundatHadda,nearJalalabad,wearingswords(E.R.K.haswritten‘Stilicho’,and‘Schwert’onthecover).b.AreviewbyWilliamTrousdaleof‘TheWorldoftheHuns:StudiesintheirHistoryandCulture’byOttoJ.Maenchen-Helfen,U.Cal.Press1973,inSpeculum,AJournalofMedievalStudies,Vol.LI,no.4,October1976.c.ExtractsfromR.Delbrueck,‘DieConsulardiptychenu.VerwandteDenkmäler’,Berlin1929,with

22threeplates,oneofanivoryplaquewithStilichoinrelief.AlsoaconsiderablesheafofE.R.K.’snotes,handwrittenonsmallsheetsofpaper.

136.Kodakcardboardboxlabelled‘Glass–slidesandphotos’.ThiscontainsphotographsofRomanglassfromAquileia,SyriaandPalestine,andglassvesselsfromaChinesetomb(detailswrittenbyE.R.K.onthebackofthephotos).(Noslidesinthisboxnow).

137.SLIDES.Inatransparentplasticslide-box,labelled‘MAPS’,approx.62slidesofmapsandplans,ofthefollowingregions:NorthAfrica(Morocco,Algeria,Tunisia),theMediterranean,theMiddleEast,theSilkRoads,Pakistan,theFarEast(includingmanyplansoftheAngkorareainCambodia),Indonesia,Australia,theAmericas.[See218aformoremaps,oftheareasaroundtheSilkRoads.]

138.SLIDES.Inacardboardslide-box,labelled‘Scipio,allsorts’,approx.100slidesoftapestriesandafewdrawings,mostofwhicharederivedfromGiulioRomano’spaintingoftheBattleofZama,orareofotherepisodesinvolvingScipiointhePunicWar.[Seealso218d&eformoreslides.]

[E.R.K.publishedtwolongarticlesonthissubject(seenos.67and69inthebibliographyin‘Coats...,’,whichwerethenpublishedasamonograph(No.71),‘ThebattleofZamaafterGiulioRomano:aTapestryintheAmericanAcademyinRome‘(Rome2008)].

139.SLIDES.Inacardboardslide-boxlabelled‘Verhüllung’[‘covering’?],approx.95slides,mainlyshowingfiguresinvarioustypesofdress.TheobjectsshownincludeGreekvasesandstelai,Romanstatuesandreliefs(AugustustoConstantine),afewByzantine,andfromtheNearandFarEast,Persepolisreliefs,Sassanian(includingtwoviewsofTakht-i-Suleiman),Parthian,Sogdian,Gandharan,SilkRoadandChinese.ThelatestobjectsindatearethecoronationrobeofHeinrichII(11thcent.),andadetailfromafrescointheCapelladegliScrovegni,Padova(Giotto,late13thcent.).Manyoftheillustrationsareconcernedwithreligionandreligiousritual(aswellasindividualslides,thereareseveraloftheRomancultofIsis,worshipofZarathustra,andlifeofBuddha).ThereisalsoagroupofcolourslidesofthesiteofNaqsh-i-Rustem,Iran.

Themajorityoftheslidesareofreliefsculpture,includingarchitecturalsculpture,buttherearealsostatues,figurines,andafewvases,frescoes,coinsandothermetalobjects.AlltheslidesarelabelledbyE.R.K.astosubjectandprovenance.

[ForthecultofIsis,seeE.R.K.’sarticle,‘UrnulaFaberrimeCavata,ObservationsonavesselusedintheCultofIsis’(Stuttgart/Leipzig1995),74pp.No.43inthebibliographyin‘Coats.......’;alsosee160below.]

23140.SLIDES.Inacardboardslide-boxlabelled‘Verhüllen’,approx.70slidesseparatedbypaperslipslabelledbyE.K.(Therearesomepaperslipswithoutslidestoo–perhapstheslideshavebeenremovedortheslipsmisplaced).

Theslideswithpaperlabelsareasfollows:

‘Sogdian’:twoslidesofossuaries.

‘Chinese,Sogdian’:threeslidesofaSogdianfunerarycouchfoundinChina,andtwoofaChinesefunerarycouch.

‘Islam’:twoslidesofanOttomanilluminatedms.dated1558.

‘LeererThron,Gandhara’:oneslideofreliefsculpture.

‘Röm.VerhullteHände’:oneslideofaByzantineivorydiptych.

‘VerhüllterMd./Sogdisch’:three‘Sogdian’slides–anossuary(drawing)andapaintedvase(identicaltothosementionedabove,andinbox140),andthreeByzantineslides–fresco,ms.,andivory.

‘Himmelsmantel’:slideofMithraswithbull.

‘Kandys+Persisch’:detailofAlexandermosaic.

Kabq[?]-i-Zardusht’:slidewithviewofgraveterraceatNaksh-i-Rustem,Iraq(seeno.140).

‘LeererThron,Indisch’:3slidesoftwoobjects;anemptythroneisvisibleonthem.

‘LeererThron,??’:nineslides,allshowingthrones:aGreekvaseandRomancoinsandreliefs

‘LeererThronChristi’:fourslidesofearlyChristianart,showingChrist’semptythrone.

‘GeburtGandh.’:fiveslidesofGandharanreliefsculpturewiththebirthofBuddha.

‘Verh.Haupt,??’:a1stcent.silverplatefromAquileia.

‘Isis,verh.Hände’:slideofanEgyptianpaintedsarcophagus.

‘Ravenna’:3slidesofmosaicsfromSanVitale.

‘Ach....,Krone,Gandhara’:twoslidesofsculpturedcrownedheads.

‘Afrasiab’:1slideofawall-painting.

‘Nimbus’:detailofmosaicfromOstia.

‘Bekrönung’:reliefsculpturefromNemrudDag.

‘China-...[?]:3slidesofChinesefigures.

‘VerhüllteHände’:7slides,Sassanian,IranianandByzantine,

24‘VerhüllterM...[?],Zoroastorisch,Sasan.’:1slideofreliefsculpture.

‘Parsen’:Parsee?TwoslidesofmodernZoroastrianritual.

‘Königsgrüber’:slideofPersepoliswithvisitors.

‘Sogdisch/[?]’:twoslidesofSogdianart.

‘TuchaufThron’:3slides.

‘VerhülltesHaupt’:(or‘Vorhang’?):sevenslidesofChristianart.

‘Ass.Flügelsonne’:oneslidewithadrawingfromanAssyriancylinderseal.

TheslidesareannotatedbyE.R.K.Thereareseveral‘loose’paperlabels.

[Manyoftheslidesinthisboxandin140aboveand142,143,144below,arerelevanttoE.R.K.’swork–cf.,e.g.,thefollowinglongarticle:‘VerhüllteHände,verhüllterMund,verhülltesHaupt:BeobachtungenimiranischenKulturbereich’,Beitragzum‘ArbeitsgesprächVerhüllung,’HerzogAugustBibliothekWolfenbüttel9-10,Oktober2002.No.63inthebibliographyin‘Coats.....’andreprintedthere,pp.347-384.]

141. SLIDES. In a brown cardboard slide-box, labelled ‘Halsketten; Sigismund; KanellopoulosMantel/Hut;Cuffia;Tegila;Sternkarte(Dürer)’,approx.70slides(thoughanumberofduplicates).

‘Halsketten’:26slidesofancientnecklacesfromGreece,SouthRussia,ItalyandRomanEgypt,someonfiguresorheadsinsculpture,oncoinsandpaintings.Withthesearetwoslidesofear-ringsfromTroy.

Theremainingslidesinthisboxarenotnowseparatedintocategories.Therearemanyloosepaperswithlabelsinthebox,someofwhichprobablybelongtotheseslides,e.g.‘tegila’,‘cuffia’,’Sigismund’,‘Greekhats’,butitisoftennotobviouswhichslidesbelongtowhichcategory.Most,ifnotall,oftheremainingslidesareofRenaissancedate–14thand15thcentury-,andareofpaintings(frescoes),drawingsandilluminatedmssfromGermanyandItaly.ThepaintersincludeGozzoli,Pintoricchio,M.Schongauer,C.Engelbretsz,andDürer(drawings);thescenesaremostlyfullofpeopleinrichclothingandelaborateandwonderfulhead-gear.

MostoftheslidesareannotatedbyE.R.K.,butthereareseveral(ofRenaissancedate)whicharenotidentified.

142.i.SLIDES.Inabrowncardboardslide-boxlabelled‘NYKaftan/MoscevajaBalka’,slidesofkaftans,leggingsandothertextiles.

a.MMA1996.78.2a&2b.21slides,mainlyincolour,ofapairofleggings.Mostaredetailsofthewovenpatternsinthematerial.

25b.MMA1996.78.i.40slides,colourandblack-and-white,ofthekaftanwhichgoeswiththeleggings.Theslidesareroughlyequallydividedbetweenviewsofthecomplete(restored)kaftananddetailsofthegarmentshowingthewovenpatternsinthematerial.

Inbotha.andb.,theslidesarefullyannotatedbyE.R.K.

c.9slides,colourandblack-and-white,ofakaftan.Theslidesarelabelled‘Rossi&Rossi,Chineseand‘Sogdian’silk’andsomehavethedate1999added,butnofurtherdetailsaregiven.

d.‘Porters,20thc.’Oneblack-and-whiteslideshowingporterscarryingloadsontheirbacks.Theyarewearinglongrobes(kaftans?)andleggings.E.R.K.givesthereference‘ATreasuryofEarlyIranianPhotography,Teheran1992’.

e.MoshchevayaBalka.Approx.42slides,black-andwhiteandcoloured,offindsfromthe8th-9thcenturyburialgroundofMoshchevayaBalkaontheNorthCaucasianSilkRoad.ThemajorityoftheslidesaretakenfromA.A.Ierusalimskaya&B.Borkopp,‘VonChinanachByzanz:FrümittelalterlicheSeidenausderStaatlichenErmitageSt.Petersburg,München1996(catalogueofanexhibitionattheBayerischenNationalmuseum,München,1996-1997)’.TwoarefromA.A.Ierusalimskaya,‘DieGräberderMoshchevayaBalka’,andtwofrom‘CulturalContactsbetweenEastandWestinAntiquityandtheMiddleAges’,thecatalogueofanexhibitioninTokyo(fromRussia)in1985.AlltheslidesareannotatedbyE.R.K.Thefindsincludeasilkkaftan,alinenkaftanwithsilkandfur,akaftanof‘Sogdiansilk’,manyfragmentsofsilk,linenandfurfromgarments,somelabelledbyE.R.K.‘Byzantine?’or‘Sogdian’.Therearecapsofsilk,linenandleather,ahelmetofwood,leatherandsilk,achild’sshoeinleatherwithsilktrim,aleatherglove,stockingsinlinen,linentrunkswithabelt,linenstockingswithgarters.AlsoafragmentofBuddhistpaintingwithpaintandink(onsilk?),abow,bow-case,quiverandarrows,apotteryjugandbowl,andfragmentsofthedocumentsofaChinesemerchantofthe8thcentury.Inaddition,thereisafragmentofwoollentapestryfromChasanb,[?],labelledbyE.R.K.‘Egypt?Iran?’.

142.ii.SLIDES.Inabrowncardboardslideboxlabelled‘Caftan/NewYork’,approx.50slides,mainlyblack-and-white,copiedfrombooks.Thereisagroupofabout9slides,somecoloured,withmapsoftheSilkRoadandtheCaucasusarea,buttherestarecomparativematerialfortheNewYorkcaftan,labelled‘CRAIslides,mantel’,‘Bamyan’,‘Sogdiansilk’,‘Skythisch’,‘Sasani’,‘Parthisch’,‘Coptic’and‘Reitermantel’,thislastwithmoderncopiesofridingcoatsofPersianstyle.

143.SLIDES.Inabrowncardboardslideboxlabelledinink‘VerschränkteArme,/Windtowers/Maskenschultern’,approx.86slides,incategoriesasfollows:

A.VerschränkteArme:approx.45slides(afewduplicates),bothcolourandblack-and-white,withillustrationsofpeoplewithfoldedarms.TheserangefromaGreekmarblefunerarylekythosandalateRomansilverdishthroughBuddhiststatuettesfromN.IndiaandNepal,andParthianandIranianstoneandrockreliefs,toByzantineandRenaissancemanuscriptilluminations(thelargestgroup)andafewRenaissancepaintingsandsculptures.ThelatestillustrationisofapaintingbyP.O.Rünge(1808).AlltheslidesareannotatedbyE.R.K.B.Windtowers(orwindcatchers):approx.15slides.Thereare6slidesoffrescoesandstuccofromRomanhousesinRome,Boscotrecase,BoscorealeandPompeiishowingbuildingswithtowerswhichlooklikewindtowers,3slidesofventilatorsinCairo,and6slidesshowing

26windcatchersandstructuraldrawingsofsame,inthedesertinPersia.Theselastaretakenfromthebook‘LivingwiththeDesert’,byE.BeazleyandH.Harverson(Warminster1982).[E.R.K.’sarticleonwindtowers,‘WindtowersinRomanWall-Paintings?“TheWindBlowswhereitwills”(John3:8)’,canbefoundin‘Coats,QueensandCormorants...’pp.171-189,bibliographyno.35].C.Maskenschultern:approx.22slides,mostincolour,showingfigureswithhumanoranimalmasksontheshouldersoftheirrobesorarmour.TherearetwoslidesofGreekart–detailofanamphorabyExekiasandapieceofbronzeupper-armarmour.Also,a6thcent.A.D.claysculpturefromTurkestan,severaldrawingsfromSogdianwall-paintingsofthe7thand8thcenturies,6slidesshowingT’angtomb-guardianfiguresofthe7thcent,one?iconfromCyprus,5slidesshowingRenaissancesculptureandpaintings,andtwoofagarmentmadeinIndiafortheThaimarketinthe18thcentury.

Asusual,theslidesarecarefullyannotatedbyE.R.K.

144.SLIDES.Inabrowncardboardslideboxlabelledinpencil‘Gandhara’,approx.130slides.Apartfrom4slidesofmapsofGandhara,theslidesaremainlyofGandharanreliefsculptureinstone(includingafewofarchitecturalsculpture)showingscenesfromthelifeofBuddha.Therearealsoafewslidesofsculptureintheround,includingseveralheads.Roughlyhalfoftheslidesareincolour,manyofthesetakenbyE.R.K.orherhusband,andsometimesofpoorqualitybecauseofconditionsinthemuseums.Theblackandwhiteslides,carefullyannotatedbyE.R.K.,arelargelytakenfromH.Ingholt,‘GandharanArtinPakistan’(NY1957);TherearealsoseveralfromJ.M.Rosenfield,‘TheDynasticArtsoftheKushans’(Berkeley1967).AswellastheobjectsfrommuseumsinPakistan,thereareafewexamplesfromseveralWesternmuseums,includingtheBritishMuseum,theMuseumofOrientalArtinRome,theFreerGalleryinWashingtonD.C.,MFABoston,MMANY,ClevelandandtheUniv.ofPennsylvania.

145a.SLIDES.Inabrowncardboardslideboxlabelledinbiro‘VictorFestschrift’,approx.90slides,roughlyhalfincolourandhalfblackandwhite.Theslidesareallconcernedwithcostume,mostparticularlywithsleevedcoats,oftenwithonesleeveslippedoff–aspecialinterestofE.R.K.TheobjectsshowndatefromancientGreektomodern,andthereisagreatrangeofmaterials,includingstone,terracotta,bronze,silver,ivory,mosaic,cloth,illuminatedmss.,prints,photographs.TheseobviouslyillustratedapaperorarticlewrittenbyDr.Knauer.Theslidesareseparatedintogroupsbyslipsofpaperwiththefollowingheadings:Dian;Achaemenid;CentralAsia;MantelEuropa;MantelChina;Griech[isch];GestreifterRock;Islam;Koptisch;HängeärmelRus;Skythisch;Sogdisch;Thrakisch;Tibet;Tunesien;Parthisch;Maskenschultern,Keule.Afewslipsofpaperhavenoslideswiththem.

145b.SLIDES.Inabrowncardboardslideboxlabelledinink‘VictorMaterial’,approx.40slides,mainlyblackandwhite,severalincolour.Thisseemstobean‘overflow’fromthematerialinbox147a,andincludesafewduplicatesoftheslidesinthatboxaswellasothermaterialagainconcernedwithdress.Theslidesareseparatedintogroupsbyslipsofpaperwiththefollowingheadings:Orlat[necropolisN.ofSamarkand];Kanishka,Mathura;Guimetcouch;Katanda;SolomonColl.;Pjanjikent[?]rhyton;TibetMantel;DunhuangXianbeiMantel;Dalversin[tepe]Hephtuliken[??];Mersiken[?];Uomod’oro;DianKampf;KaniskaMünze;KhalchayanFries;DianSchnalle;SolomonColl.;Leggings;Leggings[??]Afghanistan;SibirischerAltar;China;CentralAsiaKizil[Xinjiang]StreifenRöcke;Xianrhyton;FrauenmantelMakedonien;LeggingsMMA.[Seeslidebox143(a)fortheMMAleggings,and

27files133Gand136Aforphotosandnotes,also117,119and120forsleeves].MostoftheobjectsintheseslidesarehistoricandfromtheCentralAsianarea,andmostcategoriescontainonlyoneortwoslides.Therearemanylooseslipsofpaperwithoutslides.[218f&g–related?]

Onthelidofbox146bisa‘Post-it’notewithanoteinbiro:‘VictorMaterial/einob......,wennArtikelakzeptiert/7.04’.

[See‘Coats,QueensandCormorants’pp.401-434,bibliographyno.66,‘QuisquiliaeSinicae’].

146.SLIDES.Inabrowncardboardslideboxlabelled‘A-BL’inpencil,approx.130slides,separatedbyslipsofpaperorcard,labelledbyE.R.K.,asfollows:

Adysian:findsfromkurgansof13th-15thc.andaceramicjugof8th-9thc.

Achaimen:silverrhytonandcoinof5th-4thc.,andPersepolissculpture.

Afghanistan:SurkhKotal,viewsandsculpture,othersculptureincludingfromBegram.

AiKhanum:map,architecturalremains,sculpture,papyrusfragment.

Alchi(Ladakh):viewofmonastery,colourslidesofBuddhistmurals.

Altai:slideofdrawingofcoatfromSiberiantomb,5th-4thc.

AmazoneDia.Bloomington:terracotta[?]sculptureofAmazononhorseback,inIndianaU.ArtMus.

Amorini+roundel:Sasaniansilvergiltplate,4thc.,FreerGallery,D.C.,andChristianclayampoulesfromMonza-Bobbio.

Amorinionutu[?]/support:GandharanBuddhistreliefsculpture.

Amoriniwithswags:Gandharanakroterion.

Animalsasarchsupports:Gandharanreliefandarchitecturalsculpture.

Antike:Greekrf.vase-fragment,stelaiandcoin,Lyciantomb-painting,Romanmosaics,illuminatedms.

Ostasiatischesi.Antiken/Westenimportiert:ChinesevasefromOstia,Indianmirror-handlefromPompeii,twovasesfromRomeandCanterbury.Alsoan?Alexandrianbronzelampfromnr.Bangkok.

Apsaras:approx.12slides,mostshowingflyingfigures:2Panathenaicamphorae,a?marblerelieffragmentfromIstanbul(inv.5449),anarchfromLambaesiswithreliefofahandholdingagarlandaloft.TherestareBuddhist:asculptureofaflyingfigurebearingabasketoffruit[?],andawallpainting,bothfromTag-eBostan(5thc.),threeviewsofChinesereliefsculptureintheFreerGallery,WashingtonD.C.,dated8thc.,‘eleven-headedKuan-Yin’,and,alsointheFreer,areliefofthedeathofBuddhafromthestonerailingofastupaatBarhut(2ndcB.C.);areliefofaseatedBuddhawithsupporters,fromtheMathuruMuseum;finally,2slidesofpoorquality,onewithafragmentarypaintingonsilk,fromDunhuang,intheMuséeGuimet,Paris,andadrawingofa?Chinesecave-painting.

28Armenian:slidesofthreeexamplesofreliefsculpturefromArmenianchurches,twoshowinghorsemen.

ArtificialFlowers:onecolourslideofasilkbouquetunearthedinSinkiangprovince.

Atlantes:AnumberofslidesshowingRomanreliefsculpturewith‘atlantes’,meninasquattingorsemi-kneelingposturesupportingarchitecturalelements,datingfromabout100B.C.toaboutthe3rdc.A.D.,onstelaeorsarcophagi(onewall-painting).ThenseveralslidesshowingGandharanstonesculptureandonebronze,ofatlantesinaverysimilarposturetotheRomanexamples(approx.1st-4thc.A.D.).Someofthese,butnotall,arelabelledbyE.R.K.

Ausspeien:Agroupofslidesofsculptureshowinglion-headswithgarlandsorfoliagecomingoutoftheirmouths,orsnake-likecreatureswithlion-heads:theoldestareanEtruscanbronzecandelabrumintheVillaGiulia,Rome(difficulttoseedetailonslide),andaUrartianbronzecandelabrum-leg.Therestare:aKushanivorychair-leg,anivoryrelieffromBegraminKabul,twoHindustoneheads,fromButkaraandBesnagar,anddetailofabronzecensor,takenbyE.R.K.inBaiyumGuanDaoisttemple.Thereisalsoalow-reliefsculpturefromPaganwithdecorativefoliage–ref.Th.H.Thomann,‘Pagan’1923,fig.[?]36.TheslidesarefullyannotatedbyE.R.K.

Bactriancoins:sixBactriantetradrachmswithheadsofrulersfromDemetriostoMithradatesIII(fromFranke-Hirmerpl.212.

Balalyk-Tepe(Uzbekistan):6slidesshowingcopiesofawall-paintingofabanquet,fromBalalyk-Tepe;andoneslideofadetailofaSogdianossuaryinTashkentmuseum.Referencesgivenontheslides.

Bamyan:ColourslideofviewoftheGreatBuddhanicheatBamyan(beforedestruction).

Bäffchen[?]:Oneslideshowinganivoryrelief(orstonesculpture?)withabishopapproachedbyarowofbowingpeople.Noannotation.

Baptistère:Threeslidesshowingdetailsofabronzebowl,twoofthemfromDavidStormRice,‘LeBaptistèredeSaintLouis’,Paris1953.Thebowldatedc.1300A.D.,Syria.

Barhut:detailofthestonerelieffromtherailingsofastupaatBarhutwiththedeathofBuddha,intheFreerGallery,WashingtonD.C.(32.26).(See‘Apsaras’foranotherview).

Beinlinge[?]:Acolour-slidedetailfromamuralfromTemple9,Bözäklik,nr.Turfan,showingSogdianmerchants.Ref.givenonslide.

Beribbonedanimals:3slidesshowingriding-horseswithribbonstiedroundeachleg.OneisastuccopanelfromaSasanianpalacenearVeramin,Iran,inthePhiladelphiaMuseum,thesecondadrawingofaSogdianwall-paintingfromAfrasiab,thethirdadetailofsilkinBamberg,showingthepersonificationofacity.

BienenwabenMuster[honeycomb]:threeslides,ofmetalwork,wall-paintingandembroidery,fromAquileiatotheSilkRoad.

Bimaranreliquary:aslideofareliquaryofthe1stcA.D.,intheBritishMuseum.

29BlattförmigerSchulterschmuck:aslideofadetailfromafragmentarybanner-paintingfromDunHuang,late9thc.A.D.

147.SLIDESInabrowncardboardslideboxlabelled‘BL–Cr’inpencil,approx.90slidesseparatedbyslipsofpaperorcardandlabelledbyE.R.K.asfollows:

Blütenkelch:8slides.

Blütens.-Rosetten:3slides.

Bodhisattvas,Buddhas,standing,Gandhara:1colourslideofdetailofaBodhisattva,inMFAB.

Brustschmuck:11slidesshowingfemalefigures,mostwithnakeduppertorsos,adornedwithelaboratenecklacesandchains.MostarefromAsiaMinorandtheSilkRoads.

Buddhist:4slides.

Burma:2slides,amap,andaplanoftheAnandatempleatPagan.

Bustfromflower:1slide,detailofreliefsculpturefromtemple.

Byzantin.:1slide,ofmosaicfromAquileia.

Byzanz.:5slides,ofobjectsnotobviouslyconnectedwitheachother.

Byzant.Ms.:slideoftheLastJudgmentinaGreekms.

Canopy:1slide.

CentralAsianPhysiognomies:7slides,ofsculpture,painting,embroidery.

Celestials/Barbars:Islide.

China,sculpture:5slides.

Chinesisch:5slides.

China–CelticArt:7slides–5Chinese(2duplicates),2Celtic.

Chinesesculpture:13slides.

ClassicThemesinSteppeArt:3slides.

Columns+Jewels:Islide.

CopticTextiles:3slides.

CremationofBuddha:3slides.

(Severalslipswithoutslidesplacedatbackofbox).

30148.SLIDES.Inabrowncardboardslide-box,labelled‘Cu–Fr’,approx.77slides,separatedbyslipsofpaperorcardlabelledbyE.R.K.asfollows:

Diadem,parth:4slides.

Dian:2slides.

Dian,costume,slides:9slides.

Dian–Kultur:2slides.

Dian,Köpfen,slides:3slides.

DickerKranz:2slides.

EnemyUnderfoot:8slides[perhaps1or2misplaced].

Evangelistensymbole:1slide.

FaceofGlory:7slides(oneduplicate).

FlameHalo:5slides(2areduplicatesofslidesinthepreviousgroup).

FlowerShower:6slides.

Flügelhelm+Diadem:5slides.

FlyingGalopp:6slides.

Frühchristlich:14slides.

Attheback,3slidesofBuddhistartthatarenowunclassified.

149.SLIDES.Inabrowncardboardslideboxlabelled‘Mas–Pa’inpencil,approx.90slides,separatedbyslipsofpaperorcardlabelledbyE.R.K.asfollows:

VasefromMerv:2slides.

Mischwesen(incl.SeaCentaurs):18slides.

Mongolian:1slide.

Mummies:Tarim:6unlabelledcolourslidesofthesamemummy.

Mummies:Cherchen:1slide.

Nagelräder:4slides(wheeledcarts).

Nagyszentmiklos:9slides(2duplicates).

NagyS.M.vgl.:1slide.

Noin-Ula:2slidesofpoorquality.

31Nomadentracht:1slide.

NorthernWei,Stickereien[embroidery]:1slide.

NordicMigrationPeriod:2slides.

Palermo:11slides.

Palmyra:19slides.

Parthischerhyta:10slides.

Parthisches:5slides.

150.Inafawnplasticindex-cardbox,approx.385postcards,themajoritycoloured,dividedasfollows:AtticRedFigure:approx.157postcards,almostallwithARVref.addedonbackbyE.R.K.

GeometricandProto-Attic:13postcards.

Corinthian:20postcards(including2Italo-orEtrusco-Corinthian).

EastGreek:6postcards.

BlackFigure:approx.97postcards,mainlyofAtticBF,butwithafewLaconian,Boeotian,PonticandCaeretan.

WhiteGround:approx.23postcards.

SouthItalian:approx.32postcards(almostallofRedFigurepots).

Etruscan:approx.15postcards.

Amongthepostcardsthereareafewphoto-negatives.

Twosmallgroupsnowplacedontopoftheboxare:

Unattributed:approx.23AtticRedFigurepots.

Lipari:AfolderandafewloosecardsfromtheMuseoArcheologicoEolianoonLipari.

151.Acardboardboxwithoutlid,holdinglargenumbersofblack-and-whitenegatives.TheseareofworksofartofallthekindswhichinterestedE.R.K.,andincludemanyphotographsofworksbytheTriptolemosPainter(manysherds).[See123above].

152.Inafile-folderlabelled‘MigrationofMotifsalongtheSilkRoad’/Engl.+Germ.1984-88’,severalcopiesinEnglishandtwoinGermanofE.R.K.’spaperonthissubject,deliveredtoatleastthreeAmericaninstitutions(VirginiaMuseum,AAR,OrientalClubofPhiladelphia)andatleastoneinGermany(Berlin).

153.Inafile-folderlabelled‘SilkRoad–CoatLecture1988’,anintroductiontothelecturetotheTextileArtSocietyofPhiladelphia,entitled‘CutyourcoatalongtheSilkRoad’,followedbythetextof‘MigrationofMotifs....’.

154.Inafile-folderlabelled‘Presentations/Archeolog.Club’,thetextsofthreetalksgiventotheArchaeologicalCluboftheUniversityMuseumoftheUniv.ofPennsylvania.Thefirst,in1982,isontheYünKangCavesnearDatonginNorthShansi,China,(onlythefirstpageispresent).Thesecond,dated2.XI.1986,isadiscussionofthefacadefriezesofModenaCathedral(seealsoNo.159).Thethird,in1989,ison‘WindtowersinRomanWallpaintings’,asubjectonwhichE.R.K.publishedanarticle(re-publishedinElfriedeReginaKnauer,‘Coats,QueensandCormorants’(2009):‘WindTowersinRomanWall-Paintings?“TheWindBlowswhereitwills“(John3:8)’pp.171-189.,bibliographyno.35.

155.Inafile-folderlabelled‘DeGrummond/DICTIONARY’,alongcorrespondencebetweenNancyGrummond,editorof‘AnEncyclopediaoftheHistoryofClassicalArchaeology’andE.R.K.between1982and1995,culminatinginthegalleyproofsofE.R.K.’stwoentries:‘TheCartocetoBronzes’,and‘MarcusAureliusEquestrianStatue’.[See132Hforphotographsofthesesculptures.E.R.K.alsopublishedalongarticleontheMarcusAureliusstatue:‘Multaegitcumregibusetpacemconfirmavit.TheDateoftheEquestrianStatueofMarcusAurelius’,re-publishedinElfriedeReginaKnauer,‘Coats,QueensandCormorants’(2009),pp.137-169,andbibliographythereno.34.]

156a.Inafile-folderlabelled‘IslamischesMarmorgefäss’,morethan30Xeroxcopiesofarticlesandmuseum-catalogueentriesreferringtoIslamicstonewater-jarsandtheirstands,alongwithsomeofE.R.K.’shandwrittennotes.

156b.Inafile-folderlabelled‘Kilga,Fotos’,manyblack-and-whitephotographsandseveralnegativesshowingthemarblestands(kilga),andaconsiderablenumberofE.R.K.’shandwrittennotes.

[E.R.K.’sarticleonthestands:‘MarbleJar-standsfromEgypt’,MMAjournal14,1980,67-101;reprintedin‘Coats,QueensandCormorants...pp.15-60,bibliographyno.22.Seealso167below.]

157.Inafile-folderlabelled‘Lit.(Xerox)zuMODENA’,approx.8XeroxedarticlesaboutRomantombstonesandsarcophagi,mainlyfromNoricumandPannonia.[ThesearerelevantforE.R.K..’sstudyofthesculpturedfriezeonthefacadeoftheCathedralofModena,re-publishedin‘Coats,QueensandCormorants’(2009):‘TribueruntsuaMarmoraprovinciae.BeobachtungenzuantikenVorbildernvonWiligelmus’Geneses-FriesanderDomfassadeinModenaundzudensogennantenMetopen’,pp.103-135,bibliographyno.32.]Thereisalsoanemptyfile-folderlabelled‘FotosMODENA’.[SeealsoNo.156]..

33158.Inafile-folderlabelled‘Isis,fotos/1994/5’,manyblack-and-whitephotographsofIsisorscenesandattributesreferringtohercult.SomeoftheseareEgyptian:sarcophagi,sculpturesandwall-paintings,butquiteanumberareRoman.[Seenoteto141above,and43inthebibliographyin‘Coats.......’].

159.Inafile-folderlabelled‘VicolodellaFRUSTA/1985’,thetextofachapteronthetopographyoftheJaniculumentitled‘RuminationsonMrs.Heyland’sWill’,Chapter11inabookaboutthehillpublishedbyBernardandNormaGoldmanofWayneStateUniversity,Detroit.Thefolderalsocontainsearlierversionsofthechapter,anddetailedcorrespondencebetweenE.R.K.andtheGoldmans,andalsobetweenE.R.K.andHelenNorthandSophieConsagraaboutanearlierpossibilityofpublication.

[Seethebibliographyin‘Coats....’,no.33].

160.Inafile-folderlabelled‘SALVINIFestschr./1984’,copiesofanarticlebyE.R.K.in‘ScrittidiStoriadellArteinOnorediRobertoSalvini(Firenze1984).[Thearticle,‘EinigetrachtgeschichtlicheBeobachtungenamWerkeGiottos’,isre-publishedinE.R.K..’s‘Coats,QueensandCormorants’,pp.91-101.]…

161.Inanunlabelledfile-folder,materialrelatingtotheYünKangcaves.(Cf.No.156).Therearemanyblack-and–whitephotographsofthecavesandtheirsculptures,alsomanynegatives,notallofwhichcorrespondtotheprints.AlsomanyXeroxcopiesofaplanofthecaves,andoftheSilkRoads.Therearecopiesofaselectbibliographyofthecaves,andthefirstpageofE.R.K.’spaperpresentedtothe‘EastAsianColloquium’,February10th1983,withthetitle‘TheFifthCenturyA.D.BuddhistCave-TemplesatYün-KanginNorthChina–Alookattheirwesternconnections’.

162.Inafile-folderlabelled‘KongressDublin/FIEC/Rhyton–P.Bernard/1984‘(andadded‘X-Arme’),acopyofthetextofthelecturegivenbyP.Bernard,entitled‘AiKhanoumetlaDiffusiondel’HellenismeenAsieCentraleetdansl’IndeduNord-ouest’.Secondly,thetextofareplygivenbyE.R.K.dealingmainlywithrhytaandtheiroriginsanddissemination.

Thirdly,thefirstpageofatalkonthesamesubjectgivenbyE.R.K.,headed‘MeetingoftheArchaeologicalClub,8.XII.1985’.

TherearealsomanyhandwrittennotesbyE.R.K.,withlistsofrhytagivingtheiroriginsandotherdetails.

The‘X-Arme’referstoaXeroxcopyofapaintingbyNicolòdiPietro,showingtheyoungSt.Augustinewithfoldedarms.

163.Inafile-folderlabelled‘Perspective’,severaltypedcopiesofanarticleandlecture(almostidentical)byE.R.K.onaspectsofperspectiveinvase-painting.Dated1973.

34TherearealsomanyofE.R.K.’shandwrittennotesonthesubject,andseveralXeroxcopiesofrelevantillustrationsfromCVA.PlustwomuseumphotographsofsherdsintheEllaRiegalMemorialMuseumatBrynMawr.

Finally,thereisacopyofareviewinPolishofE.R.K.’s‘EinSkyphosdesTriptolemosmalers’.

164.Inafile-folderlabelled‘Hut/Mantel/Material’,manyXeroxedarticlesabout,orwithillustrationsof,hatsfrommediaevalandRenaissanceEuropeandfromAsiaincludingChina.

Also,manycolouredpostcardsofpaintingsandfrescoesbyFraAngelico,Perugino,OrcagnaandBenozzoGozzoli(b+w),amosaicinSanMarco,Venice,andtwoexamplesofhatsandcostumefromtheAmericanMus.ofNaturalHistory.Therearealsoseveralgoodblack-and-whitephotographstakenbytheKnauersinaChineseembroideryfactory,showinghatsbeingmadeanddecorated.

Finally,thereisafawnfolderlabelled‘Kulturgesch./Anthropol.‘and‘Falken’,containingacoupleofnewspaperarticlesandphotosoffalconsorhawks,aXeroxcopyofanarticleonTurkishfalconry,andafewofE.R.K.’shandwrittennotes.

165.Inafile-folderlabelled‘Schleudermaschinen’,with‘Lehmann’writtenaboveinred,probablylater,therearegroupsofXeroxedarticlesontwosubjects:Onegroupofarticleswithsomecopiedillustrationsdealswithmediaevaltrebuchets,asthefolder-titlesuggests.Theothergroup,againcopiedarticlesandillustrations,isconcernedwiththerodsorstaff-likeobjectsprotrudingfromthetopsofminarets,andwiththe‘kilgas’orjar-standsinmosquesandmuseums,aboutwhichE.R.K.publishedanarticle(seeno.158above).

ThereisalsocorrespondenceabouttherodsandkilgasbetweenE.R.K.andDr.MichaelRogersoftheB.M.andDr.L.A.IbrahimoftheAmericanUniversityinCairo.

Despitethetitle‘Lehmann’,thereappeartobeonlytwoorthreepagesofanarticlebyPhyllisWilliamsLehmann,andsomeofE.R.K.’shandwrittennotesreferringtoit.

166.Inafile-folderlabelled‘VogelkopfDeichsel’,afewhandwrittennotesbyE.R.K.withrefs.tobird–headsorbirdsandgriffin-protomesonchariot-poles,andonhelmets.

167.Inafile-folderlabelled‘Vogelkopfhelme’,thereareafewXeroxedpagesofanarticlewithareferenceto‘thebird-headdressofVaisravana’,from‘EastandWest’,NewSeries,Vol,23–nos.1-2(March-June1973),andanumberofhandwrittennotesbyE.R.K.onbird-orfeathered-orwingedhelmets.

168.Inafile-folderlabelled‘Orient.Schilde/Setzschilde’,fourXeroxedarticlesonancientormediaevalshieldsoronarmourgenerally,twoXeroxesofearlyred-figurecups,andhandwrittennotesbyE.R.K.

35169.Inafile-folderlabelled‘Mäntel(Kapuzen)etc.’,severalXeroxedarticlesonfifteenthcenturyandlatercoatsandcloaks,somewithhoods[Kapuzen],whichareeitherPersianorotherNearEastern,

Moorish,orotherEuropean(esp.Polish)influencedbyEasternpeoples.ThereisalsoasmallsheafofE.R.K.’shandwrittennotes.

170.Inafile-folderlabelled‘Leierstimmen’,anumberofXeroxedarticlesonGreeklyresandtheirtuning,andhowtheywereplayed.SeveralillustrationsfromGreekvase-painting,includingonemuseumphotographofawhite-groundlekythosinBerlin.

TherearemanyhandwrittennotesbyE.R.K.andtwocopiesofatypescriptheaded‘-5-(notes),/Excursustonote17’,discussingmethodsoftuning,andapparentlyreferringtothehandwrittentitleatthetopofthepage,‘B.Aign,DieGeschichtederMusikinstrumentedesägäischenRaumesbisum700v.Chr.,Kassel1963,....rev.H.Hickmann,Gnomon,38,1966,804-09’.

TherearealsotwofoolscapsheetsofnotesbyE.R.K.,listingthesubjectsofDouris’pots.

171.Inafile-folderlabelled‘Projekte1’,manyfolderswithreferencesandnotes,onsubjectsofinteresttoE.R.K.andclearlyintendedforfuturework.Onmostofthetopics,E.R.K.isresearchingconnectionsbetweenEastandWest.Thetopicsare,inalphabeticalorder:

a.Ahaenobarbus-Hirsch.Asmallamountofmaterialon‘sea-animals’,e.g.sea-horseasonthethiasosfriezeofthe‘AltarofDomitiusAhenobarbus’(Munich,Glyptothek).

b.AntikeVorbilderf.15/16.Jh.Tracht(auchTheater).Foursmallsheetsofnotes.

c.Apsaras.Foursmallsheetsofnotes,andaXeroxofa4thcenturySicilianvase.[Slide-box148hasslidesofApsaras].

d.Blattförm.Schulterschmuck.Asheafofsmallsheetsofnotes,withsketches,andthreeXeroxsheetswith5thcent.Greek,Buddhist,andRenaissanceItaliantheatreexamples.[ThereisoneslideunderthisheadinginSlide-box148].

e.Diadem.Manysmallsheetsofnoteswithsomesketches,andsomeXeroxedpageswithillustrationsofBuddhistexamplesfromcentralAsia.[Inslide-box150,thereare4slidesofaParthiandiadem,andfiveundertheheading‘Flügelhelme+Diadem’].

f.Felsgeburt.Foursmallsheetsofnotes.

g.Flammulon.SomenotesandsketchesbyE.R.K.andafewXeroxedpagesonbattle-flagsandstandards.

h.Flügelhelm/Federkrone.ManysmallpagesofnotesbyE.R.K.onthissubject,alongwithseveralXeroxesshowinghelmetsorcrowns.ThesearemainlyfromcentralAsia(Kushan),butthereisoneofanearly17thcent.Europeanexample. TherearealsotwoprofessionalphotographsofFlorentinepaintings(GentiledaFabrianoandBenozzoGozzoli),oneofpartofanAsianpainting(unlabelled),andacolouredpostcardofaPietàbyBotticelli.[Seealso169above].

36i.Gesten/Grussformeln.AXeroxcopyofpartofanarticlebyKurtStegmannvonPritzwaldonthemeaningofcertaintypesofgreeting.ThepartscopieddealwithGreeceandRome.

j.Giebelwechsel.Onenote.

k.Glöckchen.AfewsmallpagesofnotesbyE.R.K.onsmallbellsaspartofcostume.[Seealso‘Juggler’below].

l.Gotische/IranischeWenzelskappe.ManysmallsheetsofnotesbyE.R.K.withsketches,showingexamplesofhistoricalcrownsorhelmets.Therearealsotwocolouredpostcards,oneofwhichshowsa14thcent.CzechpaintingofKingWenceslaswithcrown,andsomegoodblack-and-whitephotographsofanearlyChristianmosaicoftheSeasonswhichisinThebesMuseum.

m.Jagdleopard.Threesmallsheetsofnotes.

n.Juggler.Manysmallsheetsofnoteswithreferencestojugglers,clownsandfoolsofmediaevalandRenaissancedateinEurope,manyofthemwearingsmallbellsaspartoftheircostume.[SeeGlöckchenabove].TherearealsosomereferencestoAsiaticexamples,includingdervishes.AndthereisalongXeroxedarticlebyGeoWidengren,(1953),‘HarlekintrachtundMönchskutte,ClownhutundDerwischmütze’,withmanyillustrations.

o.Knoten.Twosmallsheetsofnotes.

p.Dürer/Sternkarte.AreproductionofDürer’sstarmapoftheNorthernHemisphere(awoodcutintheNationalGallery,Washington).[PerhapstheheadgearofAsophus,therepresentativeofAsia,interestedE.R.K.].

172.Inafile-folderlabelled‘Projekte2a’,thereareanumberoffolderswiththefollowingtitles:

a.Tegila[tegilia].AsmallsheafofnotesbyE.R.K.andanumberofXeroxesshowingthequiltedcoatwornbymediaevalRussianhorsemen.ThereisalsoalettertoProf.MortonBensonintheSlavicLanguagesandLiteraturesDept.,Univ.ofPennsylvania,andhisreplyabouttheoriginsoftheword‘tegilia’andalsothewords‘kantusch’and‘kazakin’.

b.Waffen/Kriegswesen.ThisfoldercontainsXeroxedcopiesofpartsofthreearticlesaboutmediaevalarmourandweapons.E.R.K.haswritten‘Ballisten’ononeofthese.[See167].

c.Zelte.Threesmallsheetsofreferencestotents.

d.Zopf.Thisfoldercontainsmanysmallsheetsofnotes,withsomesketches,aboutthewearingofplaits,eitherofthebeardorthehair,withmanyexamplesofmediaevaldatefromEurope,includingRussia,andfromfurthereast,includingChina.Theseareaccompaniedbythreephotographs,andseveralXeroxedextractsfromarticlesaboutplaits,includingsomeabouttheGerman‘FellowshipsofthePlait’.Thereisalsooneslideofafurniture-legwithacow’sheadwithaplaitedbeard,intheBardoMuseum,Tunis(unfortunatelynotveryclear!).

Theremainingitemsinfile-folder174aretwoXeroxes.Oneisjustafewpagesonclubs(Keule).TheotherisofthefirstpartoftheKatalogderLeibrüstkammeroftheweaponscollectionofthe

37KunsthistorischesMuseum,Wien(coveringtheperiodfrom500to1530A.D.).Itdescribesthedisplays,andhasmanyillustrations.

173.Inablackfile-folderlabelled‘GeschichteinGestalten’1959-72’,apinkfoldercontainingalongseriesoflettersbetweenE.R.K.andtheeditorsandpublishersofthislexicon,goingupto1981(dealingwithdetailsofpublication,dates,etc.)andabluefoldercontainingcopiesofthearticlesthatE.R.K..wroteforthelexicon,asfollows:

Naramsin,kingofAkkad;Aeschylus;Ambrosios,bishopofMailand;AmmianusMarcellinus,historian;Antipater,Macedoniangeneral;Antonios,Egyptianhermit;ArgistiI,kingofUrartu;Aristophanes;CassiusDio,senatorandhistorian;L.QuinctiusCincinnatus;Duketios,kingoftheSikels;Empedocles;Eunus,leaderoftheSicilianslaverevolt;Gratianus,Romanemperor;GudeaofLagash;Hecataeus,historian;Herodotos;JasonofPherai;Konon,Athenianadmiral;LiviaDrusilla,wifeofAugustus;T.Livius,historian;Manetho,Egyptianpriestandhistorian;Pindar;Plotinus,philosopher;Pythagoras,Greekscholar;C.SallustiusCrispus,historian;SalmanassarIII,kingofAssyria;Saussatar,kingoftheMitanni;Corn.Tacitus,historian;Teuta,Illyrianqueen;Theramenes,Athenianpolitician;Thrasyboulos,Atheniangeneralandpolitician;Timoleon,Corinthiangeneral;Zeno,philosopher.

[Thereferencetothislexiconisno.2inthebibliographyin‘Coats.....’]

174.Inafile-folderlabelled‘Kaschnitz/1959-61’,correspondencebetweenE.R.K.andvariousacademicsaboutthere-publicationofabookbythelateProf.GuidovonKaschnitz-Weinberg,‘MittelmeerischenGrundlagenderantikenKunst’(withwhichE.R.K.wasaskedtohelp).Thereareafewpagesofcorrectionstothetext,butthelettersaremainlyaboutthebusinessofpublication.[Prof.GuidovonKaschnitzwasE.R.K.’ssupervisorforherPh.D.dissertation].

175.Inafile-folderlabelled‘Mantel,Abb.[ildungen]’,anumberofgoodblack-and-whitephotographs,andafewcolouredreproductions,showingfigureswearingcoatsandtunics.TheseillustrationsaremainlyfromEuropeatthetimeoftheRenaissance,butalsoincludesomePersianandIndianexamples.[Dress,andcoatsinparticular,wasofgreatinteresttoE.R.K.–see,e.g.,nos.133G,136A,140&143(slides),153,162,166,171,180,210(slides)].

176.Inafile-folderlabelled‘BärtigerSphinx’,onemuseumphotographofa?S.Italianred-figurekraterintheAntikensammlungoftheKunsthalleinKiel,withalargebeardedsphinxononeside,accompaniedbythreesmallsheetsofE.R.K.’snotes.

177.Inafile-folderlabelled‘Sternkarte’,copiesofDürer’sstar-mapof1515,withcopiesofoneortwootherstar-mapsandXeroxcopiesofrelevantpartsofthefollowingbooksorarticles:

E.Panofsky,‘AlbrechtDürer’vol.2,3rdedn,pp.44,45.

38DeborahJeanWarner,‘TheCelestialCartographyofGiovanniAntonioVanosinoDaVarese’inJournaloftheWarburgandCourtauldInstitutes,Vol.34,1971,pp.336,337.

HeinrichSuter,‘DieMathematikerundAstronomenderAraberundihreWerke’,Leipzig,1900,pp.62,63.

SamuelG.Barton,‘DürerandEarlyStarMaps’,inSkyandTelescopeNo.71,pp.6-13.

TherearealsoseveralsmallsheetsofE.R.K.’snotes.[SeealsoNo.173p].

178.Inanunlabelledfile-folder,anumberofblack-andwhitephotographsandXeroxcopiesfrombooks,ofmanuscriptilluminations,andasheafofsmallsheetsofE.R.K.’snoteswithsketches.Manyofthenotesarelabelled‘Bäffchen’,whichseemstorefertothetwotasselsorribbonswornattheneckbysomeofthemen.

179.Inafile-folderlabelled‘BaptistèreII/XeroxRice’,aXeroxcopyof‘TheBaptistèredeSaintLouis’,aMasterpieceofIslamicMetalwork’,byD.S.Rice,publishedbyLesEditionsduChene,Paris,1953,pp.1-26,plusNotesandPlates.[Seenextentry].

180.Inanunlabelledfile-folder,alargenumberofnotesbyE.R.K.Manyofthesearebibliographical,listingrelevantbookswithbriefreferencetotheircontent.However,manyhavenoteson,andsketchesof,costume,coatsandespeciallyhead-gear,andmanyalsohavetheheading‘baptistère’,referringtotheMamlukbasinknownasthe‘baptistèredeSaintLouis’[see179above].

Aswellasthenotes,thereareabout35photographsandpostcards.Thephotographs,(black-and-white),takenfrombooks,areofgoodquality.Theyincludeagroupofdrawingsfromthe‘baptistèredeSaintLouis’,aswellasseveralreliefsculpturesfromDaghestanandmany14thcenturyItalianpaintingsbyFlorentineandSieneseartists.[NoteE.R.K.’sarticle,re-publishedin‘Coats,QueensandCormorants’pp.91-101,‘EinigetrachtgeschichtlicheBeobachtungenamWerkeGiottos’].

AlsointhisfolderareseveralXeroxcopiesofarticlesorextractsfrombooksonlatemediaeval/earlyRenaissanceItalianpaintingandcostumeandonIslamicartofthesameperiod.

181.Inafile-folderlabelled‘Baptistère/Giotto’therearemanysmallsheetsofE.R.K.’snotes,mainlyreferringtobooksandarticlesonIslamiclatemediaevalart.Therearesomephotographs,duplicatesofthoseinfile-folder182,andXeroxcopiesofextractsfrombooksandarticles.

182.Thisfile-folderlabelled‘Am.Acad.1994’containscorrespondencerelatedtoE.R.K.’sResidencyattheAmericanAcademyinRomeinthelastthirdof1994,andseveralcopiesoftheNewsletteroftheAcademy.

183.Afile-folderlabelled‘Haarschneiden/Ohlshausen’containsthetextofatalkgivenbyE.R.K.attheArchaeologicalClub,PhiladelphiaonNovember2nd,1980.Itisentitled‘Eroswiththerazor?’,andupholdsthegenerallyacceptedinterpretationoftheobjectinEros’handonanearlycupbyDouris(no.13inARV)asasandal,againsttheviewputforwardbyOhlshausenthatitisarazor.

184.Afile-folderlabelled‘ProjektDestiladera’.E.R.K.isinterestedinthevesselheldbyFelicità(‘unlambicco’)inthepoem‘Adone’byGiambattistaMarino(Bk.X,stanzas70ff),whichshebelievestobe‘aporousstoneorclayjar.....widelyusedtopurifywater’.Therearetwotypedfoolscappagesheaded‘Knauernotes77’and‘Knauernotes78’,andmanysmallpagesofhand-writtennotesandreferencesbyE.R.K.whichclearlybelongtoanarticleonthesubject,andtwopagesofhand-writtenscriptheaded‘LambiccooderDestillatore?’,zuG.B.MarinosAdone,X,71f./KurtvonFritzzum80Geburtstag.’

AlsointhefolderareanumberofXeroxesrelevanttothesubject:

1. GiambattistaMarino,‘Adone’,Volumeprimo,CantoX,stanze1-86.2. DoraandErwinPanofsky,‘Pandora’sBox,TheChangingAspectsofaMythicalSymbol’,

Addenda.3. CarloBattistiGiovanniAlessio,DizionarioEtimologicoItaliano,Firenze1951,markedbyE.k.at

‘lambire’.4. SalvatoreBattaglio,GrandeDizionariodellaLinguaItaliana,sectionsmarkedbyE.K.at‘boccia’

and‘distillare’.5. ThereisalsoaquotationcopiedbyE.R.K.fromCorradoCorradino,‘Ilsecentismoel’Adonedel

CavalierMarino,Torino1880,p.43.

[cf.156above,‘IslamischesMarmorgefäss’.]

185.Afile-folderlabelled‘Helm,Athena/Myron.’ThiscontainsthetypescriptsoftwopapersgivenbyER.K.:1.‘CapsandHelmets’,dated‘Philadelphia1976’.

2.‘AvolutekraterbythePainteroftheWoollySatyrs’,giventotheArchaeologicalClub,Philadelphia,1.xi.1987,inwhichE.K.referstoanarticlepublishedbyherin1986.

E.R.K.discussesexamplesinEarlyClassicalsculptureandvase-painting(startinginthefirstpaperwiththeAthenaidentifiedasfromthesculpturalgroupofAthenaandMarsyasbyMyron),ofhelmetswornovercapswhichsometimeshaveear-flaps.

Alongwiththesepapers,thereisatransparentfolderwithaverylargenumberofE.R.K.’shandwrittennotes,and(loose)severalgoodmuseumphotographsandsomeXeroxesofvasesandsculpturewithwarriors.AlsothefollowingXeroxedarticlesorextracts:

1.MartinRobertson,AHistoryofGreekArt,pp.120-140‘RipeArchaicArt’;pp214-270,‘RevolutioninPainting’;pp.594-595,‘LateArchaicandEarlyClassical;andNotes.

2.RachelHachlili,ANeck-AmphoraintheIsraelMuseum(ScriptaClassicaIsraelicaVol.III,1975,pp.26ff.

403.DietrichvonBothmer,AmazonsinGreekArt,Oxford1957,ch.X,‘AtticRed-Figure:EarlyClassicandClassic’.

4.JohnP.Barron,‘NewlightonOldWalls,TheMuralsoftheTheseion’,JHSVol.XCII,1972.

5.ErnstBerger,‘DerBaslerAthenakopfausderSammlungLudwig’,AK2,1974.

6.O.BenndorfandG.Niemann,DasHeroonvonGjölbaschi-Trysa,Wien1950(afewpp.andplates).

[PainteroftheWoollySatyrs,morematerialin129above.]

186.Afile-folderlabelled‘Keule’.Thisbulgingfolderholds:

1.AnextremelylargenumberofE.R.K.’ssmallhand-writtennote-sheets,withreferencesandmanysketchesofwar-clubsandsceptres(thesehavebeenplaced,unsorted,togetherinanenvelopeforconvenienceandsafety).ThemajorityoftheserefertoclubsorsceptresofMediaevalandRenaissancedate,mainlyEuropean.Thereare,however,referencestomuchearlierexamples,andtoAsiaticones.Manyoftheexamplesarefrompaintingsandsculpture,butanumberareactualexamplesfrommuseumcollectionsofarmourandweapons.

2.Anumberofgoodphotographs,postcardsandslideswithillustrationsofclubsandsceptres.Thesehavealsobeenplacedinanenvelopeforsafetyandconvenience.[Seealso174].

3.AlargenumberofXeroxedpagesfromawidevarietyofpublications(withtitle-pagesorannotations).Themajorityofthesehaveillustrations,butsomearetakenfromchroniclesorhistoricalworkswhichrefertoclubsorsceptres(andE.R.K.hasmarkedthesereferences).

4.Atransparentfolderlabelled‘Lappenkeule/notused1990’,containingafewslidesandphotographs,notesandXeroxedpages.

187a.andb.Twofolders,oneorangelabelled‘Material’,andonebluelabelled‘Korr.,Nachträge,Fotos,Text’,withcollectionsofmaterialonthesubjectof‘CaritasRomana’,thestoryofPerosucklingherimprisonedfatherCimon(orMicon)tokeephimalive.ThematerialrangesfromRoman‘SamianWare’sherdstoEuropeanpaintingsofthe17thcenturyA.D.Therearemanygoodmuseumphotographs,someofwhicharemountedasifinpreparationforanarticle.ThebluefolderalsocontainsmanylettersbetweenE.R.K.,mainlyrequestingcopiesofphotographs,andmuseumcuratorsreplyingtotheserequests.

[E.R.K.publishedanarticle,‘CaritasRomana’,inJahrbuchderBerlinerMuseen6,1964,9-23.Thisisno.4inthebibliographyin‘Coats....]

188.AfawnfoldercontainingtheoriginalandacopyofalecturegivenbyE.R.K.totheClassicalArchaeologyGraduateStudents’AssociationoftheUniv.ofPennsylvaniaonFeb.2nd,1976:‘SomeAspectsoftheClassicalHeritageinAfghanistan’.Thereisalsoacorrectedpartialtext;alsomanyblack-and-whitenegativesandseveralenlargedphotographs.

41[E.R.K.publishedanarticlewiththistitlein‘Expedition’(Philadelphia)18,3,1976,pp.14-25.Thisisno.18inthebibliographyin‘Coats.....’.]

189.Inatransparentfolder,correspondencebetweenE.R.K.andDietrichvonBothmerfromabout1973toabout1997.Muchispersonal,butthereissomediscussionaboutGreekvases.

190.Inatransparentfolder,correspondencebetweenE.R.K.andRobertGuyfromabout1984toabout1991,withmuchaboutsherdsandtheirattribution.AlsoafewlettersbetweenHerbertGirouxandE.R.K.

191.Inatransparentfolder,correspondenceabouttheBerlinamphorabytheAndokidesPainter–D.vonBothmer,A.Greifenhagen,CarlGeorgHeise.Mainlyaboutgettingphotographs,permissiontopublish,andcontractwiththepublisher.Also,inabrownenvelope,lettersthankingE.R.K.forcopiesoftheresultingbooklet.

[Seeno.5inthebibliographyin‘Coats.....’:‘DieBerlinerAndokidesvase’,Einführung,WerkmonographienzurbildendenKunstinReclamsUniversal-Bibliotheketc.,Nr.103(Stuttgart1963),32pp,re-issued1971].

192.TwoXeroxedcopiesofE.R.K.’sarticle,‘EinSkyphosdesTriptolemosmalers’,125.WinckelmannsprogrammderarchäologischenGesellschaftzuBerlin,publ.WalterdeGruyter,Berlin1973,pp.5-26,figs.1-23.Thesearenotinafolder.(Nowplacedinabrownenvelope).

193.AsummaryofE.R.K.’sprojectedmonographontheTriptolemosPainter,explainingthebackgroundandgivinganindicationoftheproblemsinvolvedandtheworkneededtocompletethis.[ThisshortsummarywascompiledbyE.R.K.aspartofherapplicationforaresidencyattheBellagioCenter–seenextentry].

194.Abluefolderwiththelabel‘BellagioStudyandConferenceCenter/InformationforResidentGuests’.ThiscontainscorrespondenceaboutE.R.K.’sapplicationforaresidencyattheCenter,includinglettersofrecommendationandalsoinformationabouttheCenter.(ItalsocontainsProfessorG.Knauer’sapplication,withhissummaryofprojectedwork).

195.AtransparentfoldercontainingalargenumberofE.R.K.’shandwrittennotesandreferences,mainlyonsmallslipsofpaper.Thesecontainreferencestored-figurevases,andquiteanumberhave‘Tript.’atthetopofthesheet.SoprobablythisfolderispartofE.R.K.’sworkforhermonographontheTriptolemosPainter.

196.Acreamfolderlabelled‘Hermonax’,containinganumberofXeroxedarticles,afewofE.R.K.’snotes,andsomegoodphotographs.

A.Inapinkfolder,thefollowingXeroxes:

1.‘LookingatGreekVases’,ed.T.RasmussenandN.Spivey,(CUP1991),prefaceandchs.4,5,6,9,10.

2.‘DininginaClassicalContext’,ed.W.J.Slater,(UMP,AnnArbor,1991),Introd.andSections1,4,and5.

3. ‘New perspectives in Early Greek Art’, ed. Diana Buitron-Oliver, (Center for Advanced Study in theVisualArts,SymposiumPapersXVI,Nat.Gall.ofArt,Washington,1991),DyfriWilliams,‘TheDrawingoftheHumanFigureonEarlyRed-FigureVases’(pp.285-301).

4. ‘Pornography and Representation in Greece and Rome’, ed. Amy Richlin, (OUP 1992), sections on‘PornographyandPersuasiononAtticPottery’and‘ErosinLove:PederastyandPornographyinGreece’.

AlsointhepinkfolderareafewslipsofnotesbyE.R.K.,almostallwith‘Tript.’atthetopofthesheet,andseveral good photographs of the figure decoration on the neck of the fragmentary volute-krater byEuthymides,ARV2,28.10–HeraklesandtheAmazonsononeside,andasymposionontheother.Onthebackofonephotograph,E.R.K.haswritten‘xii.92,fromneg.ofJ.Neils.’

B.Looseintheoutercreamfolder:

1.AXeroxedarticle,‘TheCareerofHermonax’byFranklinP.Johnson,fromAJASuppl.1947.

2. Twooffprints from ‘ArchäologischeSammlungderUniversitätZürich’, sent toE.R.K.by theauthor,CorneliaIsler-Kerenyi,‘HermonaxinZürichI:EinPuzzlemitHermonaxscherben’andHermonaxinZürichIII:DerSchalenmaler’.

3.AprofessionalphotographofaRFchouswithadancingsatyrandalyre-player(Dionysos?).

4.AsetofmuseumphotographsofacupbyHermonaxintheFainaCollectioninOrvieto,ARV2,492.158,AJA1947,pl.57,2.[ThereisaXeroxofthisplateinthetransparentfolderCbelow].

5. Museumphotographs of a cup sherd in the Louvre, byHermonax, ARV2, 492.151 (C 11948), in anenvelopewiththeletterfromE.R.K.requestingthephotos(foranarticleintendedforthefestschriftforDietrichvonBothmer)(1995).

C.Inatransparentfolderlabelled‘KNAUER/Hermonax/483-492’:

1. MuseumphotographsofasherdbyHermonax inVienna,ARV2491,136,andasherd intheMuseoOliveriano, Pesaro, Inv.3002B, with a letter from D.von Bothmer of 1985, agreeing with E.R.K.’sassignmentofthePesarosherdalsotoHermonax.

2. Alsoof1985, copiesofE.R.K.’s attemptsbylettertogetpermissiontostudytheFainaandPesarosherds,anddetailedhandwrittennotesbyheronthesetwosherdsandontheViennasherdmentionedin1.above,alongwithgoodmuseumphotosofthePesaroandViennasherds.

[NoarticleonHermonaxappearsinE.R.K.’sbibliographyin‘Coats,QueensandCormorants’].

197.Inacreamfolderlabelled‘Tübingen/Vasensymposion/1978’:

1.AcopyoftheproceedingsoftheTübingenmeeting,‘VasenforschungnachBeazley’.

2.Acopyoftheprogrammeforthe‘ColloquiaonGreekVases’heldinLondonandOxfordaspartoftheBeazleyCentenaryin1985.

3.AtypescriptofanarticlebyMartinRobertson,‘Beazleyandafter’,andaXeroxoftheversionpublishedinMünchnerJahrbuch27,1976.

4.CopiesofthreeobituariesofBeazley,twoinGermanandoneinEnglish.

5.Amusingmessages(from1911!)aboutbetswithBeazley,copiedinthe?SCRatChristChurchfromthe‘bettingbook’,byE.R.K.’shusband,Prof.G.N.Knauer,in1969.[RemovedandputwithBeazleymaterial.]

198.AtypescriptofalecturegivenbyE.R.K.tothePrincetonchapteroftheArchaeologicalInstituteofAmerica on March 7th, 1978, and to the Classical Archaeology Graduate Group at the Univ. ofPennsylvania,onSeptember28,1978,on‘FashionsfromtheEast:TowardsahistoryoftheSleevedCoat’.

[E.R.K.publishedanarticleonthissubjectintheperiodicalExpedition(Philadelphia),21,1,1978,18-36].Thisisno.20inherbibliographyin‘Coats.....’.Seealso133ff,153.]

199. The typescriptofa talkon ‘Ancient Jewelry’givenbyE.R.K. to theFacultyTeaClubonMarch3rd1977,andtotheCosmopolitanClubonJanuary31st,1978.[Seealsono.15inherbibliography].

200. AXeroxcopyof ‘NotadelPrincipediCanino’,from‘Catalogodiscelteantichita etruschetrovatenegliscavi1828/29,Viterbo1829’.

201.Inatransparentfolder,materialrelatingtoE.R.K.’sworkontheCartaMarinaofOlausMagnus:

1. ThetypescriptofalecturegivenbyE.R.K.onMay30th1980intheBibliothecaHerzianaoftheMaxPlanck Istitute in Rome: ‘Die Carta Marina des Olaus Magnus von 1539. Beobachtungen zurWirkungsgeschichte,besondersinRom.’

2.Thetypescriptofthearticle‘BeobachtungenzurCartaMarinadesOlausMagnus(ErnstZinnzum70Geburtstag).

3.CorrespondenceaboutgettingE.R.K.’sworkontheCartaMarinapublished.

[SeeNo.23inE.R.K.’sbibliography,andNos.116&117above.Also209,slides.]

44202aandb.MaterialrelevanttoE.R.K.’sresearchontheiconographyofLedaandtheSwan.204b.hasmanygoodphotographsof examples inmanymaterials fromRoman times to the19th century. TheseincludepaintingsofChrist’sPassionbyTiepolo.

203. a-d. Material in three transparent folders and one brown envelope, relating to a course on ‘TheDevelopmentofGreekVase-painting’givenbyE.R.K.tostudentsattheUniv.ofPennsylvaniainthespringtermof1979.Thecoursewas‘agraduateproseminar’withintheDept.oftheHistoryofArt.

Thecontentsofthebrownenvelope,203d,arestudentassignmentsfromthatcourse.

204.Pageproofs(?)ofabookentitled‘DerKunstfreund1’,mainlyaboutRenaissanceart,withE.R.K.’sname,‘VonElfriedeR.Knauer’,andwiththepublisher’snameatthefootofthetitlepage,‘VerlagCarlUeberreuter,Wien–Heidelberg’.Belowthis,inE.R.K.’shand-writing,‘(1966)’.

ThisdoesnotappearinE.R.K.’sbibliographyin‘Coats,QueensandCormorants’.

205.SLIDES.Twoboxesofslideslabelled‘rotfig.Maler1’and‘rotfig.Maler2’:

A. ‘Vaseproduktion’: 10 slides taken from J.V.Noble, ‘Techniques of Painted Attic Pottery’, 2 fromJ.D.Beazley,‘GreekVasesLectures’(Oxford1989),andonecolouredslidetakenbyE.R.K.fromapostcardofaBFcupintheBadischesLandesmuseum,Karlsruhe.Alltheseshowpottersoraspectsofpot-making.

a. KleophradesPainterstamnos.ARV2,187.62.4colouredslidestakeninthemuseumbyE.R.K.b. Berlin Painter. 3 coloured museum slides of ARV2, 197.8 , (Martin von Wagner-Museum,

WürzburgL.500)andonecolouredslideofARV2,198.15,takenbyE.R.K.c. Bologna,Mus.Civ.66.78,RFcolumn-krater,takenbyE.R.K.d. FlyingAngelPainter,detailofpelikefragmentinHeidelberg,ARV2,280.22,anddetailofcolumn-

kraterfr.,Heidelberg,ARV2,281.36(?queryaddedbyE.R.K.).BothslidestakenbyE.R.K.e. Bowdoin Ptr.: 3 identical b&w slides of a lekythos (?taken from J.D.Beazley, Greek Vases in

America,70,fig.43,?nowintheFitzwilliamMuseum,Cambridge,ex.Ricketts-ShannonColl.).f. Terpaulos Ptr. : I coloured slide taken in themuseum (Cerveteri) by E.R.K. Oinochoe shape 2,

ARV2,308.2.g. Bothmercollection,NY:8slides(7colour,1b&w),ofthetondoofafragmentarycup.Labelled

byE.R.K.‘Guy:Tript.[olemosP.];ich:Antiphontic’.h. Bothmercollection,NY:1b&wslideofasherdfromthetondoofacup,labelledbyE.R.K.‘Guy:

BootPtr.’i. Bothmercollection,NY:1b&wslideofasherdfromthetondoofacup,labelledbyE.R.K.‘Guy:

FollowerofBrygos’.j. BrygosPtr.:Icolourslide,takenbyE.R.K.,ofthetondoofacup,TarquiniaRC6846,ARV2,369.4,

(PhoinixandBriseis).k. BrygosPtr.:2museumcolourslidesofthecup,MartinvonWagner-Mus.,WürzburgL479,ARV2,

372.3,Komos.

l. Ptr.ofPhiladelphia2449,ARV2,815,i.FollowerofMakron.About70colouredslidesofthiscup,taken by E.R.K., showing only 7 different views - 1 complete exterior, 1 complete interior, 1completefemaleflute-player,therestdetailsofthisfigure,takenatvariousexposures.

m. Makron:1colourslideofinteriorofacupinCharterhouse,takenbyE.R.K.n. Makron:3colourslides(sameview,differentexposures),ofasherdwithfinebeardedhead,in

coll.ofD.vonBothmer,labelledbyE.R.K.‘ich:Makron’.o. Kopenhagen Ptr. : museum colour slide of stamnos L.515 in the Martin von Wagner-Mus.,

Würzburg,ARV2,256.5.p. AmphitritePtr.:5colourslides(2views)ofthecup-sherd‘Deppert77’inD.vonBothmer’scoll.q. Altamura Ptr.: 7 colour slides, (similar views) of the neck-amphora with twisted handles,

Philadelphia5466,ARV2,593,50.r. Hermonax:2museumcolourslidesoftheneck-amphoraMartinvonWagnerMuseumderUniv.

WurzburgL.504,ARV2,487,55.

s. MethysePtr.:museumcolourslideofavolute-kraterintheMinneapolisInstituteofArts,ARV2,632f.

t. NiobidPtr.:museumcolourslideofadetail(BoreasandAthena)ofthepelikeL.511,MartinvonWagner-Mus.,Würzburg,ARV2,604.47

u. PhialePtr.:museumcolourslideofthestamnosWarsaw142465,ARV2,1019.82v. PolygnotosGroup : 2colour slides takenbyE.R.K.ofdetailsofacalyx-krater ,Tarquinia4197,

ARV21057.96,‘DionysosandBasilinna’.WiththeseisaslidetakenbyE.R.K.ofa‘Gnathiakrater’intheBeneventumMuseum.

w. EretriaPtr.:acolourslidetakenbyE.R.K.ofakantharosinBologna,Mus.Civ.467,ARV2,1251.40.x. TimokratesPtr.:colourslide (poorquality) takenbyE.R.K. in themuseum,ofa lekythosbythis

painter, with a cup by the Penthesilea Ptr. also visible. Elvehjem Museum 734-44, Madison,Wisconsin.

‘rotfig.Maler2’:B.

a. At the front of this box are two colour slides of Black Figure pots taken by E.R.K. in theMetropolitanMuseuminNY.One,unlabelled,isofahydriawithdancingwomenontheshoulderandahorsemanandhopliteinthemainpanel.Thesecondshowstwocups,labelledbyE.R.K.asABV61,12andABV179,8

b. Euergides Ptr. : A b&w slide taken from a book, of a fragmentary cup, Acrop. Coll.166, ARV2,92,64

c. KleophradesPtr.:acolourslidetakenbyE.R.K.ofacalyxkraterintheFoggMus.[probablynowintheSackler],Cambridge,Mass.,1960,236,ARV2,185.3i.

d. BerlinPtr.: ab&wslidetakenfromJ.V.Noble,Techniques....,ofadetail (Kitharoidos-head)fromanamphora in theMMA,NY,56.171.38, and twocolourslides (poorquality) takenbyE.R.K. inMMANY,ofthestamnosARV2,207.141andtheoinochoeARV2,210,186.

e. GettyMus.16.5.79:10colourslides(someduplicates)ofafragmentarypsykterformerlyinthecollectionofDietrichvonBothmer,showingathletes.

f. FlyingAngelPtr.:13colourslides,2showingdetailsfromtheamphoraParis2.6.78,ARV2,279.5;4withdetailsfromtheamphoraMunich8726,ARV2,280.8.Theremaining7slidesshowdetailsfromafragmentaryvase,Athens,Agora3.7.78,ARV2,281.30:satyrsandawine-vat,alsotheheadofayoungman.

g. FoundryPtr., : 11 colour slides (7different views)of the cup,VillaGiulia50407,ARV2,402,24,with cavalrymen andhoplites. ( E.R.K. has labelledoneof the slides of the tondo ‘TriptolemosPtr.’,butalltherestarelabelled‘FoundryPtr.’,sothismustbeaslipofthepen).

h. FoundryPtr.: 16colourslides(someduplicates)ofthecupARV2,403.26, inBoston,MFA,withsatyrsandmaenads.SlidesprobablytakenbyE.R.K.orG.N.K.,mostlygoodquality.

i. FoundryPtr.:6colourslides,goodquality,ofcupfragments,LeipzigT542,ARV2,403.30.j. FoundryPtr.:4goodcolourslides(3views)ofthetondoofthefragmentarycup,ARV2.403,36,in

Boston,showingasatyr.k. FoundryPtr.: 4goodcolour slidesof the cup,Toledo64.126, showingakomos. On the slides,

E.R.K.haswritten‘attributedbyv[on]Bothmer’.l. FoundryPtr.: Intheslide-boxbehindamarkerlabelledbyE.R.K.‘Foundry,Heidelberg,NY’,are

twoslideswithadetailoftheToledocup,andtwoofasherdinHeidelbergshowingasmallpartofamanholdingashield. On theHeidelbergslides,E.R.K.hadwritten ‘FoundryPtr. /Heidelberg’and(inadifferentpen),‘NYDvB’.

m. FoundryPtr.: 1colourslideof theoinochoeLondonD13,ARV2,403,38 (onawhiteground,awomanspinning).

n. Douris: 8 excellent colour slides of the cup Vienna, Kunsthistorisches Museum 3694, ARV2,427.3.

o. Douris:1blackandwhiteslideofthecupLouvreG121,ARV2,434.78.p. PigPtr.:7colourslidestakenbytheKnauersinthemuseum,ofthecolumnkraterLipari15019,

ARV2,562.6,fromTomb2083.Theslidesareratherdark,butusable.q. Leningrad Ptr.: 1 black and white slide taken from J.V.Noble, Techniques.... of a detail of the

hydriawithscenesinapottery,ARV2,571.73.r. ProvidencePtr.: Acolourslide taken in themuseumof theNolanamphoraARV2,638.43,Fogg

Mus.,Cambridge,Mass.[nowprobablyintheSacklerMus.]ThisphotoalsoshowsthecupbytheFoundryPtr.,ARV2,402.16.

s. ProvidencePtr.?: A colour slide taken in themuseumof thebell krater Lipari9622,Tomb991,showingawingedfemalefigurerunningtotheright.

t. GroupofBerlin2415:AblackandwhitephotographoftheoenochoeBerlinF2415,ARV2,776.1,1699,showingAthenamodellingahorse.

u. NeartheTarquiniaPtr.:Arhyton,takenintheKurashikiMuseum,Japan,ARV2,866.73.(2slides).v. AchillesPtr.:1colourslidetakeninthemuseum,ofwhite-groundlekythoi,thetwonearestbeing

bytheAchillesPtr.MMA,NY,ARV2,999.180,181.w. ‘Unascribed’:3colourslidesofthesamesherd(differentexposures),Firenze4.6.76.Redfigure,

withtheheadofayouthanddraperyofawomanbehind.x. Benevento,Museum:3colourslidestakeninthemuseum.OneisofanItalicbellkrater,theother

twoofa4thcent.AtticbellkraterwithApolloandtheMuses.y. AtthebackofthisboxarethreecolourslidesshowingamarblesphinxsteleinMMANY(1),anda

CorinthiancapitalinthegroundsofPoconoManor,Pennsylvania.

205b.EarlyBF/RFslidesfoundseparately.

a. NikosthenesPtr.OneslideofaBFneck-amphorawith2boxers–ABV226,i.b. AndokidesPtr.:2black-and-whiteslidesofthebilingualamphoraBoston99.538,ABV254/ARV2,

4.12,and3colourslidesofthebilingualamphoraBologna,Mus.Civ.6.6.78,ARV2,4.10.c. Euthymides:Oneslideoftheneck-amphoraWarsaw14,2332,ARV2,27.8,and4slidesof187,62,

(allcolour).

d.Euphronios:2slidesofthe(former)NYcalyx-krater,MMA1972.11.10.NowVillaGiulia.

e.KleophradesPtr.:Onecolourslideofadetailfromthecalyx-kraterTarquiniaRC4196,ARV2,185.35

f.Oltos:OnecolourslideofadetailfromthecupTarquiniaRC6848,ARV2,60.66

206.SLIDES.Aboxlabelled‘FoundryPainter’.[Seefolders120&and121above].

a.14excellentcolourslidesofacupwitharmingscenes,inBloomington.Thesearelabelled‘FoundryPtr.(E.R.K.)’and‘(BrygosPtr.)’,ARV275.19.1.

b.4colourslidesofsherdsfromacup,ARV2,401.8.

c.ColourslideofasherdintheLouvre,ARV2,401.8.Labelled(byE.R.K.),‘FoundryPtr.?).[Fromadifferentcupfromprevious?E.R.K.hasfileditseparately].

d.2slidesofthesamesherd,labelled‘NYDvB’and‘Ich:FoundryPtr.’.

e.4colourslides(3views)ofafragmentarycupintheLouvrewithathleticsscenes,ARV2,401.9.

f.17goodcolourslides(15views)ofthecup,BrusselsR322,ARV2402.17.Hoplitesarming.

g. About50colourslides(manyduplicates)ofthecup,ARV2,402.20,showingfightingsceneswithhoplites,anarcherandacentaur.

h.OnecolourslideofasherdlabelledbyE.R.K.‘DvB“CentreIslandNYPrivate”,ARV2,402bis.

i.7colourslidesofthecup,Munich2641,ARV2,402.21(Lapithsandcentaursfighting).

j.9colourslidesofthecup,Munich2640,ARV2,402.22(Lapithsandcentaursfighting).

k. 17colourslides (someduplicates)of thecup,ARV2,402.23 (MFAB). With these isablackandwhiteslidefromabook,ofadifferentcup(nodetailsgivenbyE.R.K.).

l.3colourslides(sameview)ofthetondoofafragmentarycup,labelledbyE.R.K.‘FoundryPainter,afterphotobyDvB’.Abeardedmanpreparingtowashhimself(orjusthavingdoneso).

m. 3 colour slides (sameview)of thecupPhiladelphiaUniv.Mus.2445,ARV2,420.60, ‘Ptr.of theParisgigantomachy’.E.R.K.labelsalso[Dyfri?]‘Williams:FoundryPtr.’

207a.SLIDES.Aboxlabelled‘ISIS’.

This containsabout90 slides relating to Isis,dividedbypaper slipsandelasticbands into3groups.Each group contains slides showing objects relating to Isis in various materials – stone sculpture,bronze,goldandsilver,frescoesandsarcophagi.MostarelateEgyptian,withmanyGreco-RomanorRoman(frescoesfromPompeiiandHerculaneum).Someofthesameobjectsappearinmorethanone

group.Oneofthegroups,ofabout14slides,islabelled‘Verhüllung/2002’,theothertwogroups,ofabout34and43slides,areunlabelled.

See Nos.139,140 and 158 above for related Isis material, and No.43 in the bibliography in ‘Coats,QueensandCormorants’.

207b.Aboxlabelled‘Isis2’.

a. Labelled‘Isis/Schlange’–5slidesofGreco-RomanterracottasfromEgypt.b. ‘SarapisimKranz’–2slidesofGreco-romanterracottasfromEgypt.c. ‘Isisfresco/Herculaneum,Neap[el]–8slidesofthreedifferentfrescoesfromHerculaneum,nowin

Naples,Mus.Naz.d. ‘Hörneraltäre,Necropole’–3slides(1duplicate)ofobjectsintheMuseuminAlexandria.e. ‘BronzePerdrizet’–6slidesofabronzestatuetteofapriestofIsis,takenfromPerdrizet,Bronzes

Grecques’(1911).f. ‘AulaIsiaca’–6slidesoffrescoesfromtheAulaIsiacaonthePalatine,Romeg. ‘Stabiae’–butthe4slidesareoffrescoesfromHerculaneum.h. ‘IseumCampus’–3slidesofreliefsculpturefromtheIseumoftheCampusMartius,Rome.i. ‘TunicSakkara’-2slidesofaculticgarmentfromSakkara,intheCairoMuseum.j. ‘Ras-el-Soda’-3slidesofobjectsfromtheIseumatRas-el-Soda,andoneviewofthesite.k. ‘DenHaag’-1slide,detailfromapapyrusinaMuseuminTheHague,Netherlands.l. ‘Marcianacoin’–detailfromanaureusshowingMarciana,Trajan’ssister.m. ‘Didyme’–3slidesofthesarcophagusofDidymeintheMuseumMinia.n. ‘Teüris–2slideswithdetailsfromthesarcophagusofTeüris,2ndcent.A.D.[manydetailsfrom

thisinthefirst‘Isis’boxalso].o. ‘Vaticanrelief’–2slidesofsameview.p. ‘Sarapismünzen+Füllhorn–4slidesofcoinsand1ofa?terracottawithbustsofSarapis-Ammon

andIsis.q. ‘Brehm’-3slidesofcobras(2fromBrehm,‘Tierleben’).r. ‘Priest’sgarment,Beinlich’–1slidewithdrawingfromH.Beinlich,’Die‘Osirisreliquien’.s. ‘Stelae,priests,Cleopatra’sEgypt’–3slidesofstelae,and2drawingsfromtheTempleofHorusat

Edfu.t. ‘Holzrelief/Isis+2pots’-1slidewithdetailofaboardfromacoffin(Ptolemaic).u. ‘Glienicke’–2slidesofthesamerelief.v. ‘Iseum,Pompeii’–8slideswithviewsandmodelsoftheIseumatPompeii,and2withdrawingsof

thestuccoreliefs.w. ‘Sarapisterracottawithbib’–1slide,terracottainBergamo.x. Silversitula,Pompeii’–2slidesofsilversitulaefrominorneartheTempleofIsis,Pompeii.y. ‘Roscher’-1slideofabronzeofIsisandSarapisashuman-headedsnakes.z. ‘Puteal,marble,formerlyRomanmarket’-7slidesofsameview,fromAA1941,figs.116,117.aa. ‘Egypt.Pendant/Nefer–3slideswithviewsofagoldandjewelledserpentpendantinasaleatthe

GalerieNefer,Zürich,spring1993,lot47.bb. ‘Isisring/Nefer’-1slideofaGreco-RomangoldringengravedwithafigureofIsis,inasaleatthe

GalerieNefer,Zürich,spring1993,lot80a.cc. ‘Isiscanopus[?]/Leiden’-1slideofamarblehydriaintheformofIsis,intheBrooklynMuseum.dd. Museum,inv.nr.8164.ee. ‘Wallptgs.fromTempleofIsis,Pompeii-6slides(2duplicates)ofdetailsoffrescoes(NaplesMus.).

ff. ‘Canopuscoins/CologneUniv.’-3slideswithcoinsofNero,HadrianandAntoninusPius,mintedinAlexandria,nowinCologne.

gg. ‘IsisstatuefromPompeii’-2slides(fromthetempleofIsis).hh. ‘Isisterracotta,Thermoutis,Coll.Fouquet’–1slide.ii. ‘Isis/Sarapisreliefwithcanopus,Leiden’-1slide.jj. ‘Isis/Osiris=Agathodaimonstela,Alexandria’-1slide.kk. ‘Neithascobra,Tutankhamen’–1slide,goldencobra.ll. ‘Pitcher coins, fromWild’ – 1 slide with Alexandrian coin of reign of Augustus (from R.A.Wild,

WaterintheCulticWorshipofIsisandOsiris.)

See207.aforotherreferencestoE.R.K.’smaterialonIsis.

208. SLIDES. A box labelled ‘Marc Aurel u. Verwandtes/ Pferde/ Cartoceto’. About 100 slides,separated as usual by labelled slips of paper. First come about 30 slides for comparisonwith theequestrianstatueofMarcusAureliusontheCapitolandwiththeCartocetogildedbronzes–theheadofMarcusinstonesculptureandoncoins,otherheads,e.g.ofJuliusCaesar,CaiusCaesar,andLivia,representations of horses, e.g. on the Alexander Mosaic from Pompeii and from Persepolis. Theremainder of the slides in this box (about 64, but many duplicates) are of the Cartoceto gildedbronzes.Theyaremostlyincolour,andalltakenfromthepublication‘BronziDoratidaCartoceto,unRestauro’.(See131aboveforreferencestoMarcusAureliusandCartoceto,andE.R.K.’sbibliographyin‘Coats....,nos.34,7,47,and,forCartoceto,no.46).

209.SLIDES.Twocardboardslide-boxeslabelled‘Olaus1’and‘Olaus2’.Thesecontainabout80andabout86slides respectively, relevant toE.R.K.’sworkon theworld-mapofOlausMagnus. See file-folders 116 and 117 above for the reference to E.R.K.’s book onOlausMagnus’map, and also 201above.

210a.SLIDES.Acardboardslide-boxlabelled‘MantelI’.[Seeno.198above.]

Thiscontainsabout70slides(afewduplicates), mainlyincolour,relevanttoE.R.K.’sworkoncoats.Therearemanylabelledslipsofpaperinthebox,butmosthavebecomeseparatedfromtheirslides,whichfallroughlyintothefollowinggroups:

a. Tarimmummies:2slides,takenfromP.Mallory&V.H.Mair‘TheTarimMummies’,London2000.

TwocolourslidesscenesfromtheYunKangcaves.

b. Seventeenslides,mainlyincolour,ofterracottafigurines(mostlyChinese,Tang).Datesrangefromthe6thtothe8thcenturyA.D.

c. TwocolourslidesofpaintingsshowingUighurianprinces,9thcent.A.D.d. FiveslidesofIslamicmanuscriptilluminations(Indian,Syrian,Persian,Ottoman).e. FiveslidesofArmenianreliefsculpture.f. EightslidesofRenaissancewoodcutsofhorsemen.

g. TenslidesofRenaissancepaintings(includingPintoricchio,PierodellaFrancesca,Gozzoli).h. Fourslidesoftunics,twoancientandtwo19thcentury.i. Fourslides(twoduplicates)showingadrawing(woodcut?)ofabattlearoundachurch,withmany

horsemenandfoot-soldiers.Renaissance?LabelledbyE.R.K.‘L.Schönfelin’(?).Almostalltheslidesaretakenfrombooks,andarecarefullyannotatedbyE.R.K.210b.SLIDES.Acardboardslide-boxlabelled‘MantelII.Thiscontainsabout100slides,mainlyofillustrationsshowingmenofthecountriesalongtheSilkRoadwearing coats or kaftans. Most of the slides are B/W, and taken frombooks, and all arecarefullyannotatedbyE.R.K.Asusual,theyareseparatedintogroupsbylabelledslipsofpaper.

a. Agroupof14slides(incolour)takenfromMaxTilke,‘OrientalischeKostümeinSchnittundFarbe’,Berlin, 1923. These illustrate both men’s and women’s coats or dresses, Georgian, Kalmuk,Persian,Indian,Daghestani,ChineseandParsee.

b. 3slides,kaftanandleggingsinMMANY.c. 13slidesillustratingopeningsforventilationinorunderthearmsofcoats.d. Twoslidesofmediaevalillustrationsofcoatswithopeningsforthearmsatthetopofthesleeves.e. Frogs.Sixslidesshowingelaboratefasteningsacrossthechestofcoatsf. OneslideshowingadetailofthecoatofoneoftheTarimmummies.g. Mamluk.Acolourslideofanilluminatedms.intheBM,‘A14thcent.ArabicCavalryManual’h. Maps.TenslidesofmapsoftheSilkRoads.i. Sixslidesofbuttonsorclasps.j. Mittelalterarmopening.AslideofafragmentofacaftanfromagraveatKuban,Ukraine.k. Mosaics.ThreeslidesoflateRomanmosaics.l. Ottoman.ThreeillustrationsofOttomandressandoneslideofanactualOttomancoat.m. Parthian.Oneslideofarock-relieffromShirinow.n. Persian.Twoslidesofilluminatedmss.o. Rus.OneslideofadetailofaniconfromNovgorod.p. Sasanian.Tenslides,mainlyofrock-reliefs.q. Scythian.Tenslidesofgoldcupsandcomb(7takenbyE.R.K.inKievMuseum,poorquality).r. Selcuk.Oneslideofastuccopaintedfigure.s. Sogdian.Twoslides.t. Thrakien.OneslideofaThraciansilvergreave.u. Tibet.Twoslides,ascrollpaintingandaclayfigure.v. ‘Tressen/Renaissance’.Sixslidesofmenwithlonghair,fromtheRenaissancetoBenFranklin.w. Tunisia,ElKef.AslidefromM.Tilke(seea.)ofashirtwithhood.x. Turfan.Twoslideswithdrawingsofmurals(?).

210c.SLIDES.Acardboardslide-boxcontainingapprox.40slides,mostlyB/W,andtakenfrombooks.

This box is labelled ‘Caltem’ [?] lectures / 2000’. The slides are separatedbymany small piecesofpaperandcard,whichdon’talways seemto refer to the slidesbehind them. Apart fromoneclassicalGreekreliefsculptureandafewCopticexamples,theseareallofobjectsfromCentralAsiaandtheSilkRoadarea,andallseemtobelongtothesubjectsof‘Mantel1&2’(210aandbabove).Theyallshowexamplesofdress,especiallycoats,andareperhapsanoverflowfrom210aand210b.

51211.SLIDES.Acardboardslide-boxlabelled‘Am.Ac.Rome’/camels/Glas/Keule/Knemides/Köpfen.

Thiscontainsabout90slides,mostly incolour. Manyare taken frombooks, someareE.R.K.’sown,andalmostallaremeticulouslylabelledbyE.R.K.

a. Camels.Byfarthelargestgroup,about47slides.MostoftheslidesshowterracottaTangcamels,generally justwith burdens, though there are a fewwith riders. There are a few also in othermaterials : apairofgoldornaments (Han,206B.C.-A.D.220); apairofChinesepiercedbronzebelt-plaques,c.2nd–1stcentB.C.; asilverewerwithawingedcamel,7thcent.A.D.; a16thcent.Germanwoodcut; and, lastly, three slides of a plectrum-guard on a lute, with inlaidmother-ofpearlcamelandrider,8thcent.A.D.1. 6 slides of Chinese terracotta horses and riders and an object from Oxus with a horse-

protome.2. AterracottaseatedwomanfromXi’an,aTangperiodsilkcaftan,aslideofskeinsofsilk ina

Chinesesilkfactory;4slidesofawoollentapestrywithaParthianandacentaur.b. 4 slides showing two horsemen of the 15th century, Francis I of France and Bartolomeo

Colleoni;bothholdstaves.Arethesethe‘Keule’listedontheslide-box?c. Amixedgroupofabout11slides,showing:aTang‘leatherpropforhairdo’;aSiberiantiger;

Gandharanterracottaofadeityridingona lion; twoewerswithanimalheadsonthespouts;aChineseterracottaguardiandeity;andtwomodernChineseviews.

d. OneslideofaTitianpainting.e. TwoslidesofgoldvesselsfromtheSilkRoadf. 15slides(someduplicates)ofglassvessels,mostEuropean,lateRomanorFrankish,butthereare

perhaps3showingChinesevessels.g. Heads: four slides showing: a German horseman with a head impaled on his spear (print); a

fragmentoflinen-wooltapestrywithrowsofheads(Coptic);silverfittingsfromahorse’sharnessintheformofheads,froma4thcent.B.C.hoardfromBulgaria.

The camels are relevant to E.R.K.’s book, ‘The Camel’s role in Life andDeath’ (see bibliography in‘Coats,QueensandCormorants’.)

212.SLIDES.Acardboardslide-boxlabelled‘Manship/Maskenschrein/Mills/NikeHelm1’.

a.‘Manship’.Thisisagroupofabout30black-and-whiteslides(severalduplicates).Ofthese,18

showRomansculptures(manycopiesofGreekoriginals)intheCapitolineMuseum.Theyaretakeneither fromH. Stuart Jones, ‘TheSculpturesof theMuseoCapitolino’,Oxford1912,or from ‘Helbig1966, 2’. Several of them include snakes.Most of the rest show three sculptures by theAmericansculptorPaulManship(1885-1966)(manyduplicates)–detailsontheslides.Hissculpture‘Eve’(withserpent)isapparentlyofthemostinteresttoE.R.K.

ThefinalslideisofaKushansculptureofadancingwoman(goddess?)inhighrelief,herposerecallingthatofsomeoftheRomansculptures.

b. ‘Maskenschrein ‘. Asmallgroupofslides (someduplicates) fromthecatalogueof theexhibition‘RediscoveringPompeii’,NewYork1990,cat.163,anoecuswithgardenscenesandmasks(excellentcolourphotographs).

c.Mills.NineslideswithdrawingsofRomanmillsinRomeandtheempire.

d.Nike/Helm.Alargecategory,subdividedasfollows:

i.Twentyslides,colourandblack-and-white,ofthefragmentaryvolute-kraterbythePainteroftheWoollySatyrsintheSanAntonioMuseumofArt,DenmanCollege.

ii. Sixteen black-and white slides (several duplicates) of the volute krater by the Painter of theWoollySatyrsinNewYork,MMA07.286.84.

iii.Agroupof13slidesoftheAthenaintheLiebigHaus,Frankfort(?copyofAthenaandMarsyasbyMyron),withothercopiesofAthena’shead,atPrincetonandinInceBlundellHall,England.

iv.ThreeoriginalGreekhelmetedheads:archerfromeastpedimentofTempleofAphaia,Aegina;‘MourningAthena’stele,Athens,Acropolis;bronzeAthenafromPeiraeus.

v.ACorinthianstaterofc.430BC,withhelmetedAthenahead.

vi.ViewofadinosofthePolygnotosGroup,BM99.7-21.5(ARV2,1052.29).

vii. Two slides of the base of an Attic two-handled mug in Princeton, which has a painting of ahelmetedhorseman,andacolourslideofthecupitself.

viii.ThreedetailsofanApulianvolute-kraterinRuvo.

ix.Fifteenslides(manyduplicates)withdetailsofastelefoundintheTamanPeninsula(helmetedheads),withamapoftheStraitsofKertch.

x.Sixcolourslides(takenbyE.R.K.)oftheCanopusatHadrian’sVilla,Tivoli,withdetailofahelmetedwarrior.relief.

213. SLIDES. Cardboard slide box with approx. 94 slides, labelled ‘Nike Helm 2’ / ‘Nilmosaik’ /‘Satteldecke’.

i.‘NikeHelm2’:39slides,allGreekoftheearly5thtolater4thcenturiesBC.Sculptureintheroundandinrelief,ofhelmetedheads,mainlyofAthena;therestofred-figurevaseswithwarriorscenes.Thevasesincludethe largevolute-kraterinMMANYbythePainteroftheWoollySatyrs(ARV2613.1),andthefragmentaryvolute-kraterinSanAntonio,DenmanCollege(15slides),bythesamepainter.Therearealso4identicalcolour-slidesofafineearlyclassical(?)hydria(kalpis)withasinglefigureofawarrior,withnoannotation.Cf.185above,‘Helm/Athena/Myron’.

ii.Nilmosaik:19slides,colourandB/W,ofthePalestrinaNilemosaic,takenfromG.Gullini,‘IMosaicidiPalestrina’,Rome1956.

53iii.Satteldecke:about36slides,mostB/W(2coloured,oftheAlexandermosaic).Mainlyofsculpturesshowinghorsemen(Persepolis,Alexandersarcophagus,Trajan’scolumn).Therearealsoafewslidesoffragmentsofmaterialfromsaddle-cloths.Noneoftheslidesarelabelled.

214.SLIDES.Cardboardslide-boxlabelled‘Ge–Lo’.[See146-149aboveforotherboxesofalphabetizedslides.]Approx.126slides,B/Wandcoloured,separatedbylabelledslipsofpaper(manyextraslipswithnoslidesbetweenthem).Almostallfrombooks,andfullyannotatedbyE.R.K.

Theheadingsareasfollows:

Gemmen:1slide,gemfromOxusTreasure.

Griech.Grabstele:2slidesofsteleofPhilainBM.

Greek:1slideofachous.

Guirlanden:8slidesofreliefsculpturesofgarlandsorswagswithfigures,onlateRomansarcophagiandonGandharanarchitecturalfragments.

Griech.inChina:2slidesofChinesebronzeinlaidmirrors.

Gupla[?Gupta]:1slideofIndianheaddecoration,inMFAB,verydarkphoto.

Hatra:8slidesofsculpture.

Helm:2slidesofhelmets,onefromAquileia,theotherfromJapan.

Imperialcult:3slidesofpriestsoftheimperialRomancult.

Indian:3slidesofIndianreliefsculpture.

Iran:5slidesofabronzetripodfromHasanlu.

Islam/islamisch:5slidesofilluminatedmss.

Jewellery[?]:5slidesoflateRomanheads,2beingoffemaleheadsfromPalmyra.

JuwelenSäulen:4slidesofByzantineart,withcolumns.

JuwelenThron:5slidesshowingcouches.

Kaftan,Surya:2slides,1Armenian,theotherKashmiri.

Khalchajan:4slidesofartfromKhalchajan.

Kurten/India/SilkRoad/Camel:4slides,2ofaTangcamel,oneofaterracotta[?]figureinMMANY,andthe4thaground-planofasite,?Khiwa.

Kashmir:1slide,abronzeBuddhainMMANY(poorphotograph).

Keltisch:6slidesofcelticart,includingtheGundestrupbowl.

54Keule:2slidesoffiguresholdingclubsorstaffs.

KhirbetTamur,Jordan:2slides.

Kizil,Kaftan:2slides.

Kizil,Perlkreis:4slides.

Köpfen:1slide,reliefsculptureofahorseman.

Koptisch:2colour-slidesofatextilefragmentinNewarkMuseum.

Kushan/Mathura: 8slidesofKushanart, including theKunishkareliquary; 2slidesareof theBimranreliquary,labelled‘Gandhara’.

Kushan: 8goodcolour-slidesofgold coins fromHuvishka; 11other slidesofKushanart,mainlyhigh-reliefsculptureofhumanfigures,somelabelled ‘Kushan’and ‘Gandhara’. Manyofthe illustrationsarefromJ.M.Rosenfield,‘TheDynasticArtsoftheKushans’,Berkeley1967.

LeererThron:5slides,RomanandGandharan.

215.SLIDES.Cardboardslide-boxlabelled‘Pe–Sog’.

Slidesalmostallfrombooks,andfullylabelledbyE.R.K. Categoriesseparatedbyslipsofpaperorcard,headingsasfollows:

Peopledscroll:2slidesofarchitecturalreliefsculpture,1lateRoman,theotherGandharan.

Perspective:5slides,3Roman,1Byzantine,1Chinese(YunKang).

Rom,Toreutik:1slideofdetailofasilverdishfromAquileia.

Romanisch: 1 slide, tympanon of St. Etienne, Beauvais (from R.Ghirshman, ‘ Iran, Parthians andSassanians’,London,1962.).

Sakars:12slides;3fromUrumqiMuseum,therestfromanexhibition[?]called‘L’uomod’oro’.

Saken/Sarmaten/Sarmatisch[2labels]:7slides,includingsilkembroidery,figurine,cookingpot.

KurganIssyk[Kazakhstan]:13slides,manyoftheSakawarrior’sdecorationfromKurganIssyk.

Sasanian:6slides,includingoneseparatelylabelled‘SilberschalemitTänzern’.

Sasan-Stuck:12slides.

SasanianFels-reliefs/Hairstyle:1slideofadetailofarock-reliefofBahramII,and1ofaone-facedlingafromPakistan.

Sasanid/Turfan:slideofawall-painting.

Säulensockel:1slidewithaviewofPalmyra.

55Sarkophage:3slidesofdetailsofaRomansarcophagusintheGettyMus.,72.AA.152

Scythian:1slideofagoldpectoral,and3ofothergoldreliefs.

Seidenstrasse:4slides,including1fromVerginaandonefromKerch.

Shami:2slidesofaParthiannoblefromShami.

Silk:5slideswithillustrationsofsilkfroma9thcent.Gospel.

Sogdian:7slides,someunlabelled.

Sogdischevase,Merv:4slides.

Sogdian/ChineseFunerarycouches/Bostonetc.6slides.

Sogdian/Chinese Funerary couches/Chicago: 7 slides. [ these are difficult to see, and not fullyannotated].

Sogdiansilver:2slides.

Centr.-Asia,Metalware:11slides;mostlysilverdishes/bowls,butalso4slidesofwall-paintings.

Sogdian/Chinesesubao:3slides.

216. SLIDES incardboardslide-box labelled ‘St–Ti’,separatedbyslipsofpaperorcardwithheadings.MostslidesfullyannotatedbyE.R.K.

V. Sarianidi (No identifying slip): 15 colour-slides (6 duplicates) taken from V. Sarianidi,’ The GoldenHoard of Bactria’, NY 1985. Gold objects including crown, hairpin, coin, clasps, shoe buckle, pendant,dagger-handle.[paperslipadded].

Tabo(Ladakh):19slides,mixedb/wandcoloured,takenfromD.Klimburg-Salter,‘Tabo.ALampfortheKingdom’,(Milan,1997,)showingBuddhistfrescoes.

Textiles:(acategorywithseveralsub-headings).

Barber:13colourslidestakenfromE.Barber,‘TheMummiesofÜrümchi’(NY1999).

Cleveland:2examplesofsilkclothingfromChinaandTibetintheClevelandMuseumofArt.

Lyon:1slideofsilkfromAntinoëintheMuséedesTissus.

6slidestakenfrom‘ArchaeologicalTreasuresfromtheSilkRoute’(Shanghai1998).[Paperslipadded].

Amixedgroupofabout18slides,mostlycoloured,showingtextilesandfrescoes fromtheSilkRoad.They are all taken from books, including among others SinkiangMuseum, ‘Silk Road Tour 2’ (1986);‘AlongtheAncientSilkRoads’,(MMA1982);W.F.Volbach,‘EarlyDecorativeTextiles’(London1969).

Mathura:2colourslidesofwallreliefs[exactpositioninboxunknown;paperslipadded].

56Tibet:18slides,almostallcoloured,ofartandviewsofTibet.MostofthemtakenbyE.R.K.Theyincludepainted sculptures, wall-paintings, terracottas and stone sculpture, and 5 slides which show Tibetanwomenandaburialritual.

Tiepolo:1slideofaTiepolopaintingtakenfromChristiansen‘G.B.Tiepolo1696-1996’(NY1996).

Aquileia:1slideofafragmentarymosaic.[Exactpositioninboxunknown,paperslipadded].

(Therearemanyslipsinthisboxnowwithoutslides).

217.SLIDESincardboardslide-boxlabelled‘Tr–Yu’,separatedasinpreviousboxes.

Torques: 2slidesshowingthesamesculptureofamalewearinganelaboratetorc, identifiedasZeus-Haddad, fromKhirbetTannur(fromN.Glueck,’ThestoryoftheNabataeans,DeitiesandDolphins’, (NY1965).

Tripartite Architecture: 9 slides with relief sculptures or architecture with the 3-part division of theheading.LateRoman,Byzantine,Gandharan,andotherEasternexamples,alltakenfrombooks.

SeparatedfromthepreviousgroupbyafoldedstripofpaperwithnotesandsketchbyE.R.K.,14slides,mixedb/wandcoloured,whichmayactuallybelongtothepreviousgrouporbecloselyrelated(onthestrip of paper seems to be the word ‘Triptychon’, which refers to a slide of a travelling shrine).AmixedgroupofslidesrangingfromancientGreekandRomantoGandharanandotherSilkRoadareas.

Turfan:1slideofacolouredleaffromabookfromKocho,TempleK.

Vermeer: 4 slides (twodetails) fromVermeer’s ‘AllegoryofFaith’,with twodetails fromapaintingbyPoussin,‘RebeccaandElieser’,andtwoslidesofprints.

Vogel .....[illegible]: 8 slides, mainly colour, showing objects with decoration including exotic birds[phoenix,orpeacocks?],fromdifferentplacesontheSilkRoads.

Vogel + Vorhang : 9 slides of objects, ancient Greek to c.4th cent. A.D. (Kushan/Gandhara) withdecorationshowingcurtains(andbirds?).

Wunderwesen:Oneslideofagoldvesselwithphoenixesinitsdecoration,2nd-1stcent.B.C.

Westl. Funde inChina: 3objects fromwesternAsiaor theMediterranean found inChineseorKoreangraves.

Wassertreppen:6slidesshowingkilgasandwater-featuresinRome,and1detailofatheatre-seatfromAquileia.

Yingpan: 18 slides, some b/w, some coloured, of Yingpan Man and his clothes, many taken from‘ArchaeologicalTreasuresfromtheSilkRoad’,(Shanghai1998).

Zahnschnitt:1slide,detailofGandharansculptureinUniv.Mus.,U.Penn.

57218Smallplasticboxeswithslides:

a. Orangeboxlabelled‘Maps’:13slides,col.&b/w,withmapsoftheareasoftheSilkRoads.b. Whitebox labelled ‘Carpaccio’: 16colourslides (severalduplicates)ofV.Carpaccio’spainting

withahuntonthelagooninthebackground.(c.1490A.D.).10slidesofpaintingsbyotherartists(e.g.PietroLonghi)ofhuntingonalagoon.9slidesshowingChinesefishermenwithcormorants,threetakenbyE.R.K.Allexceptthelast3takenfrombooks.

c. Small white box with translucent lid (no label): About 55 slides, the majority coloured, withportraitsofItalianRenaissancedate.MostareItalian(FlorentineandVenetian),afewnorthern(e.g.Dürer).Mostarebusts,andalmostallareofwomen,withfinegarments,jewelleryandhair.Artists include Titian, Raphael, Ghirlandaio, Lorenzo Lotto, Jacometto Veneziano, Filippo Lippi.Slidesaretakenfrombooksorexhibitioncatalogues,especially‘VirtueandBeauty’(Washington2001), L.Lawner, Lives of the Courtesans (NY 1987), and ‘Renaissance Venice and the North,CrosscurrentsintheTimeofDürer,iBelliniandTitian’(NY1999).[See210a,sectiong,formoreslidesofRenaissancepaintings.][Labeladded]

d. Awhiteboxlabelled‘ScipioSlides’:25slides,mainlycoloured,ofRenaissancepaintingsshowingScipio. Sometimes he appears as a single figure orwith other heroes, but a number of slidesshowscenesfromtheBattleofZama.[Seeitemno.69inE.R.K.’sbibliographyonp.13of‘Coats,QueensandCormorants’, and 138above formore slides,mainlyof tapestriesbasedonGiulioRomano’s‘BattleofZama’.]

e. Anorangeboxlabelled‘Scipiocontin.’withabout25slides.Thefirst13(someduplicates)againshow Renaissance paintings and also some coins, with Scipio. The remaining slides showelephants,andbattlesotherthanZamawithelephants.

f. Inasmallwhiteboxwithtransparentlid,labelledl‘Queen/Mother’ and ‘Ftsg’[?], about 30 slides,mixed colour andb/w. Mostof these seem toshowgoddesses/women,seatedonathroneorchairoronadragon,inmanydifferentmaterials–stone,brick, tile,wood, fresco,bronze,goldand textile. Thereare examples from2ndcent.Rome (coin), Spain (Phoenician), Phrygia, Palmyra, Dura-Europos and Bactria, butmore fromCentral Asia and China, including among other sites, Panjikant (Uzbekistan), Tun Huang, YünKangandShandong.

g. In awhite boxwith translucent lid, labelled ‘Queen/ Victor / 60’, approx.52 slides taken frombooks,mainly b&w. All show seated female figures, some identifiable as the goddess Cybele.ThereareGreekandWesternAsiaticexamples,theearliestbeingfromCatalHüyük,andBactrian,KushanandChinese, someof the last labelledbyE.R.K. as ‘QueenMotherof theWest’. As in218fabove,therearemanydifferentmaterialsandobjects.[218f&gmayberelatedto145a&b,labelled‘Victor,Festschrift’and‘Victor,Material’.](See145a&babove,anditems66and68inE.R.K.’sbibliographyin‘Coats,QueensandCormorants’p.13.)

h. In a translucent white box, about 13 mixed slides: 2 Egyptian. 3 Graeco-Roman, 4 Buddhist(stupas),and4variousother.[Foundloose.]

219.Threecardboardboxes,approx.22cmx13.5cmx8.5cm,containingE.R.K.’snotesandbibliographyonsmallsheetsofpaper.

58a. Abox,abouthalf-full, labelled ‘Class.Arch./S-Z’. Thishasnotesandbibliographymainly forGreekvases,withcategoriesrangingfrom‘Symposion’to‘Zähne’.TherearequiteanumberofreferencesfortheTriptolemosPainter,‘Tript’.

b.andc.Boxeslabelledrespectively‘O/WAlphabetisch/A-M’and‘O/WAlphabetisch/N-Z’.

Both theseboxes are full of E.R.K.’s small sheets of paperwith notes andbibliography,withmanysmall sketches. The contentsof theboxes refermainly toaspectsof life andart along theSilkRoads;thereareafewreferencestoHellenistic,RomanandByzantineart.Boxchasasecondsetoffile-cards,A-Z.

THETRIPTOLEMOSPAINTER.See253a-n,(slide-boxes),forcolourslidesofmostoftheTriptolemosPtr.potsandsherdslistedinsections220to234and238to240below.

220.File-folder.Atthefrontarefolderswithhand-writtenlistsofpots,aXeroxcopyoftheARV2sectionontheTriptolemosPainter,afewsheetsofcorrespondence,andaXeroxcopyofanarticlebyA-C.Bioulfromthe‘Bulletindel’InstitutHistoriqueBelgedeRome’,fasc.LIII–LIV(1983-84),Uneoenochoéattique

àfiguresrougesdeBruxelles:scènequotidienneourituelle?’[Inv.A3754].

Therestofthecontentsofthisfile-folderconsistoftransparentfoldersdealingwithindividualpotsbytheTriptolemosPainter,withXeroxes,notesbyE.R.K.,andgoodphotographs,mostlyfrommuseums:

220a.ARV2,362.14(Munich2314,Panathenaicamphora.

220b.ARV2,362.14bis(Freiburg?),amphora.

220c.ARV2,362.15,Cambridge37.24,smallneck-amphora.

220d.ARV2,362.16,BrusselsR308,Nolanamphora.

220e.ARV2,362.17,Naples3097,Nolanamphora.

220f.‘Neu’/‘Guy’,Paris,Cab.Med.,fr.385.

220g.ARV2,362.18,Ferrara,Mus.Schifanoia,265,amphoratypeB.

220h.ARV2,362.19,Copenhagen,NYCarlsberg2695,pelike.

220i.ARV2,362.20,Leningrad,NB3425,pelike.

220j.ARV2,362.21,Mykonos,Dugas,DélosXXI,pl.3,7,pelike.

220k.ARV2,262.32,Cracow1320,pelikefr.,attrib.Guy.(ListedundertheSyriskosPtr.)

220l.Paralip.364.21bis,Munich,Bareiss347,pelike.

59221.File-folder.Continuationofthetransparentfoldersof220above:TriptolemosP.continued.

221a.ARV2,362.23Oxford1914.734,hydria.

221b.ARV2,362,24,BerlinF2178,hydria.

221c.ARV2,363.25,Vienna,Liechtenstein,K135,oinochoe’

221d.ARV2,363.25a,LouvreG568,oinochoe.

221e. ARV2,363.25b, London,Spink,oinochoe,attr.R.Guy to lateTriptolemosPtr., listedbyBeazleyunder‘PainteroftheLeningradHerm-mug’,ARV2,311.1.

221f.ARV2,363.26,Geneva,Boehringer,oinochoe.

221g.ARV2,363.26bis,BeverlyHills,SummaGalleries,Cat.1no.17,oinochoe.

221h.ARV2,363.27,Berlin2189,oinochoe.

221i.ARV2,363.27a,Florence,CVAR.Mus.Arch.III.1,pl.14,frr.223,10,15,16,jug?.

221j.ARV2,363.28,Taranto,fr.FmLocri,‘oinochoe’.

221k. ARV2, 363.28a, Leningrad 1898.42, listed by Beazley under ‘Ptr.of the Leningrad Herm-mug’,ARV2,311.2.mug.

221l.ARV2,363.29,LouvreCA2575,white-groundalabastron.

221m.ARV2,363.29bis,Providence,R.I.,25.087,alabastron.

221n.ARV2,363.31,Rome,VillaGiuliafr.

221o.ARV2,363.32,Amsterdam2278,fr.

221p.ARV2,363.32a,LarissaontheHermosB106,LarissaamHermosIIIpl59.2,fr.

222.File-folder.Continuationofthetransparentfoldersabove.TriptolemosP.continued.

222a.ARV2,364.49,Vatican(Mus.Greg.2pl.86,2),cup.

222b.ARV2,364.50,Vienna3692,cup.

222c.ARV2,364.51,Leipziginv.781.03.G.,cup.

222d.ARV2,364.51a,Athens,AgoraP12688,cupfr.(attr.Guy).

222e. ARV2, 364.51bis, Florence , CVA Firenze I, RMA III,I, pl.9 , cup frr. (attr. Guy) (Beazley ARV2,421.80).

222f.ARV2,364.52,BerlinF2298,cup.

222g.ARV2,364.53,Braunschweig534,cupfr.

222h.ARV2,365.54,LouvreG311,cup.

60222i.ARV2,365.55,AdriaB481,cupfr.

222j.ARV2,365.56,FlorencePD478,cupfr.

222k.ARV2,365.57,Heidelberg81,cupfr.

222L.Louvre,ex.D.vonBothmer,NY,1979.517.2cupfr.(attr.Guy?)

222m.ARV2,366.75bis,Brauron,Mus.No.98,cupfr.,attr.Guy.

222n.Brauron,Mus.No.361,cupfr.(unpubl.),attr.Guy.

223a.ARV2,364.49bis,NY?(D.vonBothmer)1976.181.3,cupfrr.attr.Guy.E.R.K.059b

223b.ARV2,365.58,LouvreG250,S1313,cupfrr.

223c. ARV2, 365.59, Berlin F 2286, cup frr. This folder contains notes fromR. Guy, showing joiningsherdsfromothermuseums.

223d.PrincetonUniv.ArtMus.L.1988.55(onlong-termloan),cupfrr.E.R.K.059a.

223e.Getty84AE206B131.,cupfrr.attr.D.vonBothmer.E.R.K.059c.

223f.ARV2,365.58bis,D.vonB.,NY21.2.78,cupfrr.(plussherdexH.Cahn)attr.Guy.E.R.K.059d

223g.Munich,M.Waltz? exAscona,Rosenbaum,plus sherdexD.VonB. , attr.Guy (D.Buitronattr.Douris).E.R.K.059f.

223h.SanAntonio,Texas,DenmanColl.14a&b.cupfrr.,attr.Guy.E.R.K.059g.[Seealso223i].

223i.Cup-sherdSanAntonio14a,notbelongingto14b[?]E.R.K.059h?

223j. ARV2,365.62/3 [?], transparent foldercontainingphotographsofsherds, includingonewiththelowerhalvesof?girlsdancing.[SeeSlideboxTript.9,asLeipzigT531]

224a.ARV2,365.64,Naples2645,cup.

224b.ARV2,365.65,LouvreCp11312,cupfr.,plusNY1980.2.8cupfrr.

224c.ARV2,365.66,LouvreCp11361,cupfr.,plusLouvreCp11313?(ARV”,367.96).E.R.K.059e?

224d.ARV2,365.67,LeipzigT565,cupfr.[Noprofessionalphoto].

224e.ARV2,365.68,AdriaB113,cupfr.

224f.ARV2,365.69,AdriaB576&Bc67,cupfrr.

61224g. Cup, in sale at Sotheby’s, London, 13/14 Dec. 1982, Lot 233, unsold then, and ‘with R. Symes,London’.E.R.K.069a?

224h.Cupfrr.withRobinSymes,[addressinfile],attr.Guy.Colourphotos.E.R.K.069b.

224i.NY.3.12.87(D.vonB.),cupfr.E.R.K.069c.

224j.ARV2,366.70,AdriaB1319,cupfr.

224k.ARV2,366.71,AdriaB692,cupfr.

224L.ARV2,366.72,Freiburg(exTechnau?)cupfr.

224m.ARV2,366.73,BraunschweigAT536.Cupfr.

224n.ARV2,366.74,Cairo26200,fromNaukratis,cupfr.

224o.LeningradB6470,cupfr.,Peredolskaya‘Brygos’,cupfr.Attr.Guy.

224p.ARV2,366.75,Athens,AgoraP19574,cupfr.

224q.ARV2,365.61,LouvreG138.Nophotographs.Afewnotes.

225.File-folder,containingtransparentfolders,asabove.Inthisfile-folder,fewofthepotsarelistedinARV2.TriptolemosP.contd.

225a. ARV2,363.35, LeipzigT504,cup. Goodmuseumphotos. Listsa fewotherTriptolemosPaintercupsforcomparison,andalsoincludesXeroxesofthetondosofcupsbyDouris(forborderpatterns).

225b.ARV2,363.36,Paris,Cab.Méd.657,etc.,cupfrr.LongnotesbyE.R.K.andR.Guy.E.R.K.035conexternalpaperwrapper.

225c.SummaGalleries,BeverlyHills,1stcatalogue,fall1981,thentotheHuntCollection.Cupwithdog-training[?]scenes. Goodgalleryphotos,notesbyE.R.K.withrefs.toR.Guy. E.R.K.035b?Onexternalpaperwrapper.

225d. NYD.vonB., ‘M.Bruno83’, cup frr., colourandmanyb/wphotos.LongnotesbyE.R.K.andanexplanatoryletterfromD.vonB.E.R.K.035donexternalpaperwrapper.

225e.D.vonB.cupfr.withlong-jumper(handonly)andtrainer.Xeroxesonly.LetterfromD.v.B.saysattr.toTriptolemosPainterbyDyfriWilliams.E.R.K.035e?onexternalpaperwrapper.

225f.Boston,Coll.ofE.D.B.Vermeule,plusonesherdfromD.V.B.’scollection,goodphotos,cupfrr.Attr.Guy.

226.File-foldercontainingtransparentfolders,asabove.TriptolemosPaintercontd.

226a.ARV2,363.37bis,Para.364.,Brescia,‘MR372’.Cupfr.Mus.photos.

62226b.ARV2,364.38,FlorencePD301,cupfr.Goodphotos.

226c.ARV2,364.39,Toronto959.17.148,cupfrr.Mus.photos.

226d.ARV2,363.37,Oxford1966.472,cupfrr.Mus.photos.

226e.Athens,Areios3,A5357,cupfrr.E.R.K.037a.

226f.Athens,‘ApothekeAreos3’,A5457,cupfrr.E.R.K.037b.Attr.Guy[?]

226g.DenmanColl.,SanAntonio,TX,cupfrr.Attr.Guy.NotefromGuy.E.R.K.037c?.

226d-g areheld togetherby anexternal paperwrapperwith ‘37a-c’ in pencil, and, in red ink, ‘Schale/Stoppedmaeander/linksläufig/DoppelterStandring’.

226h.NY,D.vonB.,2.78,cupfrr.,‘366.90ter’,attr.Guy.E.R.K.037d(onexternalpaperwrapper).

226i.ARV2,389.26,Acrop.285,cupfrr.Attr.Guy.E.R.K.037f(onexternalpaperwrapper).

226j. A fragmentarycup (restored,andtondoalmost intact), labelledonthebackof thephotographs‘Tchakos/Nefer , Zürich, 31.7.1985’. Women bathing. On the transparent folder, ‘Schale (Badende),Zürich,Nefer(ascr.R.G.).’Manygoodblackandwhitephotographs,onecoloured.AnumberofE.R.K.’snotes, and references to comparisons, andnotes on the exaleiptronheld by thewoman in the tondo.E.R.K.37c(onexternalpaperwrapper).

226k. Cup frr. in Florence, labelled on the photographs ’18.3.85/1/16a, 19a, 20a’. Good photos, andmanynotesbyE.R.K.Attr.Guy.Ontheoutsideofthetransparentfolder,‘Guy,Tript./Florenz12.77.’Ontheexternalpaperwrapper,‘37g’and‘Schalenfr./Steppedmaeanderlinksläufig/Insideonly’.

226l. LouvreG319,cupfrr., inARV2,440.178,asbyDouris,plusfrr.addedfromD.vonBothmer, attr.Triptolemos P. by R. Guy. Good b&wphotos, notes by E.R.K. and R.G. Within this folder is a secondtransparentfolderwithanotherfr.attr.totheTript.P.byGuy,LouvreC11441,ARV2,802.28(‘FollowersofDouris’).Ontheexternalpaperwrapper,‘39c[?],and‘Schalenfrr./Stoppedmaeander(linksläufig)/einStandring’.

227.File-folderasabove.TriptolemosPaintercontd.

227a.ARV2,363.33,LouvreS1410,S1423;ARV2,363.34,LouvreS1411,S1413,S1415,Tript.P.Early.Cupfrr.Mus.photos.Twotransparentfolderswithinonepaperwrapperonwhichiswritten‘032c’and‘früheSchalenfr./Clavicles’.

227b. ARV2, 363.34 bis (D.v. Bothmer, cup frr..). The transparent folder labelled at top right ‘N.Y.D.v.B./Schalenfrr.’B.&.w.photos,somenotesbyE.R.K.Ayellow‘Post-it’noteonthetransparentfolderwith‘ändernin034b–Zen’.

227c.Cupfrr.withhoplites,withphotosfromGuylabelled(byE.R.K)‘SchweizerMarkt’.A‘Post-it’noteonthetransparentfolderwith’362,32a/3y[?]f/(BolognaSchale)[acomparison?].Ontheexternalpaperwrapper,032a?,and‘Schalenfrr/onereservedcircleoutside/onereservedcircleinside’.

63227d. ThistransparentfolderholdsonlytwoXeroxedsheets.Oneshowsacupfr.withayouth’shead,thesheetbeinglabelledbyGuy‘JRG,priv./earliestTriptolemosPainter’.(Theother,wrappedroundthefirst,isanewspaperarticleof1989,‘DerarmenischeHolocaust:politischverharmlost.EinheiklerStreitumeinenGedenktagindenVereinigtenStaaten’).[??]

227e. Atransparentfolder labelled ‘NYD.v.B./Schalenfr. (Guy)–Tript.’ Inside, ‘HAC1977’. AsheetofnotesbyE.R.K.withasketchofasmallcupsherdwithpartofaman’sheadandupraisedarm.

227f. NY,D.v.B.GP81,Tript. (attr.Guy). Acupsherdshowingtheheadandshoulderofayoungmanwearingawreath,withhisheadturnedtohisleft.Goodphoto,verybriefnotes.

227g.NY,D.v.B.(labelled‘Metrop.Mus.’onbackofphotographs),acupsherdshowingtheupperpartsoftwofightingwarriors.Goodphotos,verybriefnotes(incl.fromR.Guy).GuysaysthatapictureofthissherdisintheBeazleyArchiveunder‘unattributed’.Onexternalpaperwrapper,[E.R.K]034b.

227h.Anunlabelledtransparentfoldercontainingtwocolourphotosofafrag.cupwithwarriorsontheoutside; on the back of these E.R.K. haswritten ‘vonD.v.B. 8.93’.On a foldedpaper inside the outerfolder,E.R.K.haswritten‘cf.034b’.

Thereare two loose sheetsofpaperbetween227hand227i,withnotationsbyE.R.K. incl. 364.50and364.51.

227i.‘ARV2,364.41bis’,N.Y.,D.v.B.,attr.GuytoTript.Cupfrr.withathleteand?hoplitodromoi.Goodphotographs,somenotesanddrawings.Ontheexternalpaperwrapper,E.R.K.haswritten’034C?’and‘Schalenfrr./DoppelterStandringoutside,/notclearwhatinside.’

227j.FlorencePD329,cupsherdwithman’sleg.Briefnotes,goodphotos.Attr.Guy.Ontheexternalpaper wrapper, E.R.K. has written ‘034d ?’ and ‘Schalenfrr./ Standlinie (A) nicht durchlaufend/Doppelrei[?]’.

227k.Detroit79.163(formerlyinthegalleryofBruceMcAlpineinLondon).Afinecupwithtondoofayouth sacrificing at an altar. Attr. independently by DyfriWilliams and D.v.B. to Tript. Painter. Goodphotographs (one coloured), andmanynoteswith references toother cups. The transparent folder islabelled‘exMcAlpine/Schale’.OntheexternalpaperwrapperE.R.K.haswritten‘034e’and‘Insideonly/Tworeservedcircles’.

227l.Bologna,Mus.Civ.,Pellegrini437(GiardinoMargherita35).Attr.Guy.Acupwithtondoshowingagirlhelpingareclining?satyr.Goodphotographs,aconsiderablenumberofnotes.Ontheexternalpaperwrapper,E.R.K.haswritten‘034f?’.

228.File-folderasabove.TriptolemosPtr.contd.

228a.ARV2,364.40,AdriaBc.62bis,CVApl.17,5.Cupfrr.withyoungathletes(javelinthrowers).Tript.Painter.Goodb&wphotographs,notesbyE.R.K.withreferencestootherpots.

228b. ARV2, 364.41, Lucernemarket, then Christie’s London, then R.L.Banks Esq., then?? Good b&wphotosfromtheBeazleyArchive,labelled120/2809,120/2810,120/2811.Cupwithhoplitodromoi,and

64in tondo youth holding kantharos over altar. Notes by E.R.K., including refs to other cups. ThetransparentouterfolderalsohasE.R.K.’ssticker‘Versuchsweise/063,35a’.

228c. ARV2, 364.42, Oxford 1947.262. Cup with hoplitodromoi and trainer on both sides, in tondobeardedtrainer.Goodb&wphotographs,onedamaged.E.R.K.’snoteswithrefs.toothercups.Onthetransparentouterfolder,E.R.K.’ssticker‘vorläufig/039a’.

228d.ARV2,364.43,LeipzigT513plusErlangensherd732,365.Cupwith,outside,warriorsfighting,andtondowith youth ‘trying his sword in the scabbard’ (Beazley). Good b&w photos. Detailed notes byE.R.K..Onthetransparentouterfolder,E.R.K.’ssticker‘versuchsweise/034a’.

228e.ARV2,364.44,LeipzigT534a&b.Cupsherdsshowingthelowerpartsoffightingwarriors.Goodb&wphotographs.DetailednotesbyE.R.K.includingrefstoothercups.ThereisalsoaXeroxfromR.Guyofafrag.cupbyDouris,andanotebyE.R.K.witharef.toGuy’sattributioninhisthesis.

228f. ARV2, 364.45, Berlin F 2295. Cup with fighting scenes which include a horseman, a warriorapparently hurling a stone, and, in the tondo, awarrior and a ‘Scythian’ archer side by side. Copiousnotesandrefs.byE.R.K.,includingondressandotherdetailsoficonography.AXeroxofpartofabookbyTonioHölscher,‘III.DiePerserkriegeinderVasenmalerei’.(‘GriechischerHistorienbilderdes5und4Jahrhunderts v.Chr.’).Goodb&wphotographs. Thematerialdividedbetween two transparent folders,oneinsidetheother.Ontheouterfolder,E.R.K.’ssticker‘vorläuf.36336bis,b’.

228g. ARV2, 364.46 , Edinburgh 887.213, and ARV2 364.48, Villa Giulia fr. Cup with fight betweenGreeksandPersians.Manynotesandgoodb&wphotographs.NotefromR.GuyontheVillaGiuliafrr.(only one of two photographed). The folder for 364.48 is enclosed within that for 364.46. On thetransparentouterfolder,E.R.K.’ssticker‘364,46+48/vorl.036bisc.’

228h. ARV2, 364.47, Strasburg 851, cup fr. , upper part of young warrior. Brief notes and a goodmuseumphoto.Ontheouterfolder,E.R.K.’ssticker,‘364.47vorläuf.zuo36bisd’.

228i.AthensA5318,inv.0.167,0.169,0.198.Cupfrr.withayouthleaningonastick.Attr.Guy.SomenotesbyE.R.K.,goodphoto.Onouterfolder,E.R.K.’ssticker‘064,40a’.

228j.AthensA5469y,inv.0.199,cupfr.,partofheadofayoungmanwearingacap.Attr.Guy.Briefnotes,quitegoodphoto.Onouterfolder,E.R.K.’ssticker‘064,40b.

228k. Malibu,Getty90.AE.35. Many frr.ofa cupattrbyR.Guy to theTriptolemosPainter. A fewnotes,andmuseumphotographsofthesherdslaidoutintheirapproximatepositionsbeforerestoration.AnotebyE.R.K.saysthatR.GuywillpublishfortheGetty.SubjectsaidtobethespyDolon.

229.File-folderasabove,TriptolemosPaintercontd.

229a. ARV2 1648 (Add.I), 36 bis, ToledoMus.of Art 1961.26. Cupwith boxers, javelin throwers andtrainers. Detailed notes by E.R.K., and good museum photographs. Some comparisons with otherpainters. On the external paper wrapper, E.R.K. has written: ‘ ~ 036 bis a /schalenfrr./ContinuousMaeander/(linksläufig/1Standlinie/Exergue.’

65229b. NY,MMA1978.347.5. Attr.R.Guy. Cupfrr.withfountain-housescene.Sketchesoffragments,notveryclear,andXeroxofonefr.Nophotographs.Somenotesonthefrr.,andmanynoteswithrefstoother fountain-house scenes. On the transparent folder, E.R.K. has written ‘Schalenfrr., NY D.v.B./Brunnenhaus/(Guy)=Tript.’Ontheexternalpaperwrapper.shehaswritten:‘036bise./Schalenfrr./Tworeservedcirclesoutside./Maeanderinside,notclearwhichtype’.

229c. ARV2, 468.143, Cab. Méd. frr.560 (part), 561, 711, plus 700 (Guy), listed by Beazley as earlyMakron. Goodmuseumphotos, a note from R. Guy, notes and sketches of the frr. by E.R.K. On thetransparentfolderisE.R.K’sstickerwithrefstoARV2andtoGuy.Ontheexternalpaperwrapper,E.R.K.haswritten:‘Continuousmaeander/linksläufig/DoppelterStandring/Exergue’andinpencil‘~036bisf’.

229d.Twogoodcolouredphotographsofafr.cup-tondowithaseatedman,with?spongeandaryballoshangingonthewallbehindhim.PhotossenttoE.R.K.byD.vonBothmer.Nomuseumref.no.Nonotes,buta letterfromE.R.K.toD.v.B.sayingshethinksprobablybyTript.P. (notearlyMakron,aspreviouslythought),andcomparingCab.Méd.560etc.(see229cabove).Ontheexternalpaperwrapper,E.R.K.haswritten:‘~cf.036bisf’[i.e.229c].

229e.ARV2,467.132.Rome,Torlonia148,R.I.1879,34.Acupwithathletes,attr.byBeazleytoMakron.D.vonBothmerthinksbyTript.P.InaseparatetransparentfolderwithintheTorloniafolder,threesherdsinNewYorkwithathletes,RHS81,attr.byDyfriWilliamstotheTript.P.Goodphotographs,alsoE.R.K.’snotesandsketches,anda letter fromD.v.B. GuyandE.R.K. thinkperhapsbyTript.P. On theexternalpaperwrapper,E.R.K.haswritten:‘036bisg?’.

229f.Para.364.36ter(Guy).Cupfrr.inNY,nonumbers,outside,legsofathletes,tondo,youngathletemoving away from altar with strigil in l. hand. [This appears as Para. 364.36 bis]. Brief notes andsketches.E.R.K.’sstickeronthetransparentfolderreads:‘Para364,36ter[biscrossedout]/v.Bothmer’.Ontheexternalpaperwrappershehaswritten:‘Para364,36ter/Guy’.

230.File-folder,asabove.TriptolemosPainterand‘dubitanda’.

230a. ARV2, 788.i, London E99, cup, from Camiros. Youths with lyre, youths andmen. Very goodphotographs,somenotesbyE.R.K.Herlabelsonthetransparentfolderread:‘Ptr.ofLondonE99,788,i‘and‘=TriptolemosPtr.Guy’.

230b. ARV2,788.ii, Paris,PetitPalais330, ‘Ptr.ofLondonE99’,youthsandmen, in tondoboywithwritingandgymnasiumequipment. Fairlygoodphotographs,somenotesbyE.R.K.,alsoaXeroxofthePetitPalaisCVAentry.E.R.K.’slabelsonthetransparentfolderread‘LondonE99/PetitPalais788,2’and‘=TriptolemosPtr.,late,Guy’.

230c. ARV2, 788 ‘Near the Ptr. of London E99’, cup with men and youths, the latter dressed fortravelling.CopyofpartofaletterfromR.Guywithinformationaboutthecup,andsomenotesbyE.R.K.Agoodsetofphotographs,includingofindividualfigures.E.R.K.’slabelsonthetransparentfolderread:’Ptr.ofLondonE99,788,1,2,[3]/Godalming,Charterhouse/Schale(Guy)=Tript.’

Theabovethree,assignedbyBeazleytothePtr.ofLondonE99and‘Nearthese’,areallattributedbyR.GuytotheTriptolemosPainter.

66230d. NewYork,MMA1975.175.3 &Karlsruhe,BadischesLandesmuseum69/35d, 22sherds fromakantharos, attributed by R. Guy and D. von Bothmer to the Triptolemos Ptr. early in his career. Goodphotographsof the individual sherds (with some joins), and two rathergreyplateswithall the sherds.TherearealsoannotatedXeroxesandtracingsofthesherds,andsomedescriptivenotesbyE.R.K.Alsoacopy of the pages of the 1985-1986MMAAnnual Report of the Trusteeswhich record the gift of thesherds,andcopiesofa letterofD.vB.to Prof.M.Maass inKarlsruheandonefromR.GuytoD.vonB.Finally,anotefromDianaBoutrononkantharosshapes.Thetransparentfolderisunlabelled.

230e(1),VirginiaMuseumofFineArts,79.100,a ram’s-headrhyton,withasymposionroundtheneck,including lyre-players and white-haired elders. One of the figures is labelled ‘Theseus’, so this is amythologicalscene.ThereareextensivenotesbyE.R.K.,andlettersfromhertoDr.MargaretEllenMayoof the VirginiaMuseum, one ofwhich especially, of Oct.22, 1979, contains detailed comments on therhyton.TherearealsoXeroxesofdetailsofthefigure-scene,andafinesetofMuseumphotographs.Thetransparentfolderislabelledsimply‘Rhyton,Richmond’.

230e(2). A second transparent folder with additional material relevant to the Virginia rhyton, and,especially,acopyofRobertGuy’spublicationoftherhytonin‘ArtsinVirginia’(AIV),Vol.21,No.2,winter1981.

ThefollowingfiveexamplesareheldtogetherbyapaperwrapperonwhichE.R.K.haswritten‘SchwacheKandidaten/Zuchreibung/....zB.364,44=Duris’:

230f.Princeton85-61.4,cupfrr.attributedbyR.GuytotheTriptolemosPtrThereareXeroxcopiesofthesherds,butnophotographs. AsheetofdescriptionsbyR.Guy,andoneofnotesbyE.R.K. Also,aXerox of an article by Margret Honroth, ‘Eine Frühe Duris-Schale in Stuttgart’ (Festschrift für UlrichHausmann).Nostickeronthetransparentfolder.

230g.Acup-sherdwiththeupperpartofayouth.SaidtobeinGrosseto,butcouldnotbefoundwhenE.R.K.visited. Professionalphoto. Attr.Guy. E.R.K.notes ‘Weakbutpossible’. Astickeronthefolderreads‘Roselle/Grosseto/Guy’.

230h.Rim-fr.fromacup,withpartofabasketandtheheadofayouth.InNY,D.v.Bothmer’scoll.[?]Nomuseumno.,butacircularstickerontheinsideofthecupwith‘75’inpencil.Goodphotographs.Onthe outside of the transparent folder, two stickers, on which E.R.K. has written (top): ‘N.Y. D.v.B./Schalenfr./(Guy)=Tript.’And,(bottom):‘365,56bis/Bothmer,NY(2.78)’.Attr.Guy.

230i.Acupfr.,NY,D.vonBothmer,nonumber.Thisshowsononesidethefeetofapersonseatedonachair.AbriefnotebyE.R.K.,andgoodphotographs.

230j.Cupfrr.showing,inthetondo,abeardedmanwithahimationoverhisleftshoulder,and,outside,thelegsofaclothedmalewithstaffseatedonastool,facingaclothedmanstandingonalowdais.Thenin the Nefer Gallery (Tchacos). Good colour photos from the gallery. A sketch and note by E.R.K.comparesacupfr.inAthensbyDouris;shethinkstheNeferfrr.maybeby‘theveryyoungTript.Ptr.’

AlsointhisgroupisafoldercontainingtwosmallnotesandsketchesbyE.R.K.ofapossiblesatyr’schest.NophotoorXerox.

67230k. ‘Dubitanda’. Cup frr. Showingayouthholdinga strigil and?aryballos,andadog. NY,D.v.B. AtracingfromR.Guysays‘unpublished’[1974].Agoodphotoofthetondo,onthebackofwhichE.R.K.haswritten‘nachD.vonBothmer/“Insideonly,TriptolemosPtr./366,76ff”.

Inthesamefolder,professionalphotographsofsherdsfromapsykterintheGettyMuseum(nonumber),ex-vonBothmer.Noseparatenotes,butonthebacksofthephotosE.R.K.hasnotedthatR.Guyattr.totheTript.Ptr.,Beazley:unattr.,Langlotz:nr.AntiphonPtr.,andE.R.K.‘Antiphon?’.

230l.‘Dubitandum’.N.Y.,D.vonBothmer.Cupfrr.,with,inthetondo,partofaseatedyouth.Ontheoutside,hoplitodromoi?.R.Guyattr.totheTript.Ptr.,butE.R.K.isdubious,andonasmallnote-sheet,E.R.K.writes‘[R.G.]stimmtmitmeinemZweifelnüberein’.Quitegoodphotographs,andsomenotesbyE.R.K.Astickeronthetransparentfolderreads:‘N.Y.D.v.B./(Guy)=Tript./Dubitandum’.

230m.GuariniColl.,Pulsano,Taranto[1985].Lekythoswihscenesoflove-making.B.Fedele&L.Todisco,AntichitàdellaCollezioneGuarini,no.4,p.48,pl.XLIX,fromOria(Brindisi).Goodphotographs,andsomenotesbyE.R.K.

231.File-folderlabelled‘Tript.General’

ARV2,360.1,Leningrad637,calyxkrater,withDanaeandtheshowerofgoldoneside,andthechestwithDanaeandbabyPerseusontheother. Therearemanygoodphotographs,anda largenumberofnotesbyE.R.K.dealingwiththispotanditssubjectmatter.[Wasthisoriginallyin232?]

Alsointhefolder,correspondencebetweenE.R.K.andmuseumcurators,andanoffprintofthepagesinCVABM9whichdealwithLondonE99(Tript.)andsomerelatedcup-pottersandpainters.[See230a-c].

232.File-folder,TriptolemosPtr.contd.Labelled‘360.1–361.3&stamnosfr.Ohly.’

232a.TheTriptolemosPainter’sname-vase.ARV2,361.2,LouvreG187,stamnos.SideA,DemeterandPersephonewithTriptolemos.SideB,D&Pwith?Plouton.SeealsoAdd.1,1648,andPara.364.Goodphotographs, Xeroxes of other potswith the same subject,many notes by E.R.K. on the pot and theiconography.AlsoXeroxesasfollows:relevantpagesoftheLouvreCVA;A.Raubitschek,’TheMissionofTriptolemos’;AgnèsLabrosse-Ducharne,’Lesrepresentationsdel’AuteldanslacéramiqueAttiqueduVIau IV siècle AV.JC.’ (three pages, one with drawings); a review in Gnomon 67.1, 1995, of TetsuhiroHayashi,‘BedeutungundWandeldesTriptolemosbildesvom6.–4.Jh.v.Chr.’

232b.1.ARV2,361.3,LouvreC10834andFlorence19B41,stamnosfrr.Marpessa.(plusARV2,363.30,Louvrefr.C10837).Multiplenotes,Xeroxesandscaledrawingsofthefrr.,with

important contributions from D.von Bothmer andespecially R. Guy. Good b&w and excellent colour photographs. Also a Xerox of a short article byBeazley,‘Marpessa’,intheLanglotzFestschrift,‘Charites’.

232b.2. ARV2,361.3contd.ManymorephotographsoftheLouvreandFlorencefrr.oftheMarpessastamnos,includingphotosoftheFlorencerestoration.AXeroxoftheLIMCentryon‘Marpessa’.

68232b.3.ARV2,363.30,Louvrefr.10837.Fr.withahand,whichGuyassignedto361.3.[See232b.1&2].

232c. Munich, Sammlung Ohly, stamnos fr. with the head of a woman wearing a sakkos. A scaledrawingofthesherd,andbriefnotebyE.R.K.

233.File-folder,Tript.Ptr.contd.,labelled‘361.4–361.7’.

233a. ARV2, 361.4, Heidelberg 124 , Kraiker pl.17,+ 361.12, Villa Giulia, frr. of a column-krater,withupperpartsof a fighting LapithandCentaur (join identifiedbyR.Guy). NotesbyE.R.K., someprofiledrawings,manygoodphotographs,andacopyofpartofaletterfromR.Guyaboutthejoin.

ThefolderalsocontainscorrespondencebetweenE.R.K.andmuseumcuratorsinFlorenceandRome.

233b.ARV2,361.5,LouvreC10835,stamnosfrr.withmenandwomen.NotesanddrawingsbyE.R.K.,Xeroxesandmuseumphotographs.AlsoaletterfromHubertGirouxconcerningthefrr.,andreferringtofrr.ofLouvreC10834[see232babove].

233c. ARV2,361.6,LouvreC10826,stamnosfrr.withmenandwomen.NotesandsketchesbyE.R.K.,Xeroxesandmuseumphotographs.AlsoaphotofromH.Girouxoftwoadditionalfrr.,andanotefromR.Guy.

233d.ARV2,361.7,Basel,Antikenmuseum.Stamnos,sideA,afight,Achilles[?]andHector;sideB,theembassy to Achilles. Xeroxes of the Plates and description of the pot in CVA Basel 3. Xeroxes of twoarticles on the stamnos: Cornelia Isler-Kerenyi, ‘TheWrath ofAchilles Stamnos’, andMargot Schmidt,‘Der Zorn des Achill, ein Stamnos des Triptolemosmalers’ fromOpusNobile, Festschrift Jantzen, 1969.Manygoodb&wphotographs,someprofessional,andseveralXeroxesfromtheBeazleyArchiveofsimilarrepresentationsofthissubject.SomenotesandprofiledrawingsbyE.R.K.

233e. ARV2,1648 (Add.1),6bis, Basel,Cahn42. Stamnos frr.,A.DeathofAegisthus,B.Womenatalaver.NotesanddrawingsbyE.R.K.,Xeroxesandmanyphotographs,afewcoloured(manyoftheb&wphotosverygood). InterestingcorrespondencefromH.Cahn,R.GuyandD.vonBothmer(the lastwithphotosofthesherdtheninhispossession).AlsoacopyofanextractfromA.J.N.W.Prag,‘TheOresteia’.

234.File-folder,Tript.Ptr.contd.,labelled‘361.8–362.13a=Florenz/Midas,+362.13b=NY/Ariadne’

234a. ARV2, 361.8, Leningrad 641 (St.1712). Stamnos,A. Zeus,Hera andNike, B.Nike between twomen. Notes and drawings by E.R.K., many photographs, two from the museum, the rest, of details,probablytakenbyE.R.K.AlsoXeroxesfromtheBeazleyArchiveoftwootherstamnoiwithsimilarscenes(labelledbyE.R.K.‘SyleusPtr.’and‘SyriskosPtr.’).

234b. ARV2, 1648, [361.]8 bis. Basel, Cahn 26, very worn neck-fr. of volute krater, with symposion(recliningmanwith skyphos, and in frontofhim,partof reclining youth). Notesandprofile sketchbyE.R.K.,goodphotographs,andXeroxesfromBeazleyArchiveofcomparativematerial.

234c. Bareiss,Greenwich329,neck-fr.ofvolute-kraterwithsymposion.Recliningmanwithvine-frond(Dionysos?)holdsoutakantharostoayouthwithaphiale. Goodphotos,notesandprofiledrawingby

69E.R.K.andcorrespondencebetweenE.R.K.andW.Bareiss,H.CahnandJ.Frel. IdentifiedbyR.Guy.Onthetransparentfolder,‘VolutenKrater361.8bis,a’and‘BeazleyArchive/(Guy)=Tript/Bareiss–Getty’.

234d.ARV2,361.9,Lund,University,fromCerveteri.Acolumn-krater,restored,withA.TriptolemosandB.Jumperandtrainer.DetailednotesbyE.R.K.andgoodphotographs.

234e. ARV2, 361.10, Oxford 1937.1005. Fragmentary column-krater with A. Athletes and B. komos.SomenotesbyE.R.K.,andXeroxesofcomparativematerial.GoodMuseumphotographs.

234f.ARV2,361.11,Rome,VillaGiulia50532.Column-kraterwithkomosonbothsides.Afewnotes,someXeroxes,includingofcomparativematerial,goodphotographs(oneprofessional).

234g.Column-kraterfr.,Munich,M.Waltz,dealer,[in1985].CopyofaletterfromR.GuysaysthesherdwasboughtinAugust1985byG.M.DenmanofSanAntonio,Texas.Youngwoman’sheadtoleft,raisedrighthandoffigurebehind.BriefnotesbyE.R.K.,goodphotographfromM.Waltz.Attr.R.Guy.

234h.ARV2,361.11b,column-krater?fr.withlowerhalfofsatyrandpartofskirtofawomanfacinghim.Copy of Hesperia Art Bulletin XLIX with photo (no.8). E.R.K. unable to trace its whereabouts afterpurchase.Attr.R.Guy.

234i.ARV2,361.11c,Rome,VillaGiulia,column-kraterfr.withpartsofamaleandafemalefigure.Briefnotesby E.R.K., goodphotographs. Copyof letter fromR.Guywhoattr. it to Tript. Ptr., and thinks itmightbelongwith361.11b.

234j. ARV2, 362.13, Rome, Ruspoli, later in sale catalogue of Christies, NY, June 14th, 1996, no.82. Acolumn-krater,with satyr on one side chasingmaenad on the other. Good professional photographs,longcorrespondencebetweenE.R.K.andowner/dealersasshetriestotrackitdown.CopyofChristiessalecatalogueentry.

234k.Florence,fragmentarycolumn-kraterwithononeside,partofawildlydancingman,ontheother,a bound Silenos. [There is confusion about the accession number: it is PD 420 on the museumphotographs, and appears as this in E.R.K.’s notes, but Beazley lists as Florence PD 420 a frr. column-kraterbytheBoreasPtr.withsatyrandmaenadsonsideA,andyouthsonB–ARV2,538.28].Thefoldercontainsgoodphotographs,notesbyE.R.K.whichincluderefs.tootherexamplesofthissubject(SilenosbeingbroughttoMidas),withXeroxedillustrations.AlsothetypescriptofalecturegivenbyRobertGuy,‘Column-kratersbytheTriptolemosPainter’.(Guyattr.theFlorencefrr.tolateTript.Ptr.,anditislistedinE.R.K.’snotesasARV2,362.13a).

234l. Sotheby’ssale, July8th,1991(listedbyE.R.K.asARV2,362.13b). Column-krater,sideA , trainerbetweentwoyouths,bytheTript.Ptr.,sideB,youthoutsidea?tomb,verypoorlydone,assignedtotheFlyingAngelPtr. Therearegoodphotographs,bothb&wandcolour.BriefnotesbyE.R.K.,butdetaileddescriptionandcommentsbyR.Guy.

235.Abrownfile-folderlabelled‘Tript.Kontaktabzüge’,containingcontact-printsofE.R.K.’sphotographsofpotsandsherdsbytheTriptolemosPainter,withwrittenrecords.Therearealsosomecontact-printsofherSilkRoadsmaterial.Nonegatives,apartfromtwolargenegsofSilkRoadsobjects.Atthebackofthefile,inanenvelope,somenotesbyE.R.K.onSilkRoadmaterial.

236. A faded pinkish brown envelope-folder containing Xeroxed illustrations of pots and frr. by theTriptolemosPainter,intheorderinwhichBeazleyliststheminARV2.Withthemareanumberofprofiledrawings, a small number of brief notes, and a few items of correspondence (R. Guy and MartinRobertson).Thefolderhasalabel‘Tript./versch[iedene?]Material/6.85/Rom’.

237.Asmallgreencard-filebox,containingmanyreferencestobooksandarticlesabouttheTript.Ptr.himselforabouttheiconographyofhisscenesanddetailsofe.g.dress,hair,weapons,etc.inthem.

238.File-folder,Tript.Ptr.contd.,labelled366,75bis–90.....

238a.Transparentfolderlabelled‘365,60/Tarquinia’,andwithstickerssaying‘365,60/366,75’(inpencil),and‘364,39a?’,alsoinpencil. ARV2,365.60,TarquiniaRC1914,cup(atthetopofoneoftheXeroxedsheets,E.R.K.haswritten‘Juni76inVillaGiulia’).NotesandprofiledrawingsbyE.R.K.,someofthenoteswithrefs.tocomparisonsofpotsbyotherpainters.Xeroxes,somefromtheBeazleyArchive,andmanyquitegoodphotographs.Tondo,youthplaying flute.Outside,boybetweenyouths;boybetweenyouthandman.

238b. ARV2, 366.75 bis, & p.1648, Brauron, from the sanctuary. Cup fr., part of tondo with manstringingbow.AfewnotesbyE.R.K.,withrefstootherex.ofsubject,aprofiledrawing,Xeroxes,andagoodphotograph.Transp.folderlabelled‘366,75bis(1648)/Brauron’.

238c. ARV2, 366.76,Athens,Agora P 4688, cup fr.with part of headof a youth. Brief notes, profiledrawing,andgoodphotograph,actualsize.

238d.ARV2,366.77,(Para,Add.I,512),Leningrad6469,cupfr.withseatedyouth.Profiledrawingsandbriefnotes,twogoodphotographs.

238e.ARV2,366.78,TübingenE42,cup,tondowithyoungdiscus-thrower.(Thecupisplainoutside).Xeroxanddescription fromCVATübingen5. BriefnotesbyE.R.K.,hand-writtendescription fromProf.O.vonVacano.Goodphotographs.

238f. ARV2,366.79,Leipzig,cupfrr. Tondowithyouthpouringoilfromaryballosintohishand.BriefnotesbyE.R.K.,correspondencewithE.Paul(mainlygeneral).Onegoodphotograph.

238g.ARV2,1648,79bis,LouvreCP11907(plus3unnumberedfrr.ofmaeanderidentifiedbyR.Guy).Cupfrr.withpartsoftwoathletesintondo.BriefnotesbyE.R.K.,goodmuseumphotograph.

238h. In a transparent folderwith only a sticker ‘079 ter’ in pencil, Xeroxed illustrations of severaltondoswithscenessimilartothaton238g.LetterfromD.vonBothmerreferringtothese.Nophotos.

238i. ARV2,366.80,LouvreCP10913(plusCP12240,identifiedR.Guy),cupfrr.,tondowithstandingfigureinhimationandyoungathletesquattingonground.BriefnotesandprofiledrawingbyE.R.K.andagoodmuseumphotograph.

71238j.ARV2,366.80bis(=ARV2,389.35,ManneroftheBrygosPtr.),LouvreCP11477.Cupfrr.,tondowith lowerpartsof twomen,oneclothed (athleteand trainer?). Attr.R.Guy. BriefnotesandprofiledrawingbyE.R.K.,goodphotograph.TransparentfolderhasE.R.K.’snumber080ainpencil,aswellasARVnos.

238k. ARV2,366.81,NY,MMA (exBothmer)14.105.7. Cup frr, tondowithyouth tyinguphispenis.NotesandprofiledrawingbyE.R.K.,goodphotograph.

238L.ARV2,366.82,Munich8956(130),plus130a,sherdidentifiedbyR.Guy.Cupfrr.,tondo,withupper part of standing youth in himation, holding a staff. Brief notes and profile drawing by E.R.K.,Xeroxesandagoodphotograph.

238m.ARV2,366.83,Boston,MFA13.81.Cup,with,intondo,youthwithstick,movingright,himationoveronearm.BriefnotesandprofiledrawingbyE.R.K.,goodmuseumphotograph.

238n. ARV2,366,84,FlorenceIIB9,CVAFlorenceMus.Arch.1,pl.II150,p.13. Cupfrr.,tondowithflute-playerinhimation.BriefnotesbyE.R.K.,museumphotographandcopies.

238o.ARV2,366.85,TarquiniaRC1916(fromTarquinia).Cup,decoratedintondoonly:youthwithlongstaff, standing by a laver, a pair of boots hanging above it. Two Beazley Archive Xeroxes, goodphotographs.ProfiledrawingandbriefnotesbyE.R.K.

238p. ARV2, 366.86, Louvre G245, cup frr., decorated in tondo only. Young lyre-player standingbetween a herm and a large column-krater. Brief notes and profile drawing by E.R.K. Goodmuseumphotograph.

238q.ARV2,366.87,Athens,Akropolis256,cupffr.Partsofahermandapersoninhimationfacingit.BriefnotesandprofiledrawingbyE.R.K.Goodmuseumphotograph.

238r.ARV2,366.88,TarquiniaRC1918(fromTarquinia).Cup,figure–dec.Intondoonly.Amanholdsakylixoveranaltar.Behindhim,acolumnofabuilding.BriefnotesbyE.R.K.,cupprofilefromG.Pinney’spublication, museum photo (and others). Also a Xerox from the Beazley Archive, of a tondo by theEucharidesPtr.withasimilarscene(ARV2,231.88).

238s. Cup fr. in transparent folderwith E.R.K.’s pencil label ‘088a’. A fine cup fr.with head and leftshoulder of a beardedmanwearing a himation, andwith a garland on head. Brief notes and profiledrawing. Several identicalphotos, labelled ‘NYDvB, ‘’seen inGeneva spring84’’’, andaXerox fromR.Guy,with‘Princeton,private’inhiswriting,receivedSept.1986.

238t. ARV2,366.89,AstaritaColl.574 (ARVsays ‘Naples’,butE.R.K.haswritten ‘JetztRom/Vatican’).Cupfrr.,with,intondo,youthstandingatablockwiththeheadofabulllyingonit.Thelowerpartofhisright arm is lost (Beazley says ‘may have held a chopper’). Brief notes and drawings by E.R.K., goodmuseumphotograph.

238u.ARV2,366.90,Munich2672,cupfrr.,tondo,‘youthtakinghisshielddown’.Briefnotesincludingref.toR.Guy’sthesis,andprofiledrawingbyE.R.K.,Museumphotographs.

238v. Looseinthisfile-folder,aXeroxfrom‘TöpferkunstundMeisterzeichnung’byMatthiasSteinhart(Attic oil and wine vessels from the Sammlung Zimmermann), (1996), pp.108-110, no.23, a cup with

72figure-decorationinthetondoonly,ayoungboyhelpingamantoarmhimself.AscribedtotheTript.Ptr.,andboughtfromH.Cahn(MuMAGAuktion60,21.9.82,Nr.31.

239.File-folder,Tript.Ptr.contd.,labelled366.91–367.97bis.

239a. ARV2, 366.91, ‘Basle Market (M.M.)’(Beazley – then with H. Cahn.) Now in Getty Mus.? SeeE.R.K.’s correspondence in this folder. Cup,decoratedonly in tondo. Youth inhimation,holdingstick.BriefnotesbyE.R.K.(mainlymeasurementsanddescription),onegoodphoto(‘nachOhly’),afewothers.

239b. ARV2, 367.92, ‘Once Munich’. Cup frr., tondo with satyr, wearing a garland, running to left,holdingapeltawithpanther-skin‘apron’.OnesmallsheetwithnotebyE.R.K.,photographfromBeazleyArchive?(‘durchD.Kurtz’).

239c.ARV2,367.93,TarquiniaRC2982,cup,decoratedintondoonly.Manandwomanmakingloveona couch. Letter and typed sheet from G. Pinney. Copious notes by E.R.K., cup-profile, and manyphotographs, including 2museum ones. Also 2 small but good photographs of cupfrr. [Same cup?].Tondowithvomitingmalereveller,andoutside,lovemaking.Nomuseumnumber,butinpencilonback,‘v.Bareiss,April‘76’.

239d.ARV2,367.94,TarquiniaRC2983,cup,decoratedintondoonly.Manandwomanmakingloveonacouch.Thetopoftheman’sheadisbald.ManynotesbyE.R.K.,profile,notesfromG.Pinneyasin239c.Severalphotographs,includingtwomuseumones.

239e. Cupfr.thenwithRobinSymes(Londondealer). Thetondo–fr.showstheheadofamanfacingleft.Hewearsagarland,andthetopofhisheadisbald.Briefnotes,goodphotographsincludingcolouronesapparentlyactualsize.Attr.R.Guy.Alabelonthefoldersays‘Cupfr.London/RobinSymesLtd./(Guy):Tript.’AsecondlabelhasE.R.K.’snumber‘094a’.

239f.ARV2,367.95,MerseysideCountyMuseums,Liverpool(formerlyNorwich).Cupfr,tondo,withayouth’shead,garlanded,lookingleft.Briefnotes,profiledrawing,museumphotograph.

239g. Berlin 1970.9 – the skyphos published by E.R.K., ‘Ein Skyphos des Triptolemosmalers’, 125.WinckelmannsprogrammderArchäologischenGesellschaftzuBerlin,publ.Berlin1973.Manysmallnotes,andmanygoodprofessionalphotographs.AlsoacolourphotoofsherdsfromthepotwhichweretheninthepossessionofthedealerRobinSymes(sentfromD.v.Bothmerwiththeinjunction‘Don’ttalkaboutthis!’).OnthefolderisE.R.K.’slabel‘367,96a’.ThereisacopyofE.R.K.’spublicationlooseinthisbox.[Forslidesofthispot,seeSlideboxTript.11,andSlideboxTript.12.]

239h.ARV2,367.97,Paris,Cab.Med.839.Skyphos,typeA:sideA,herm,sideB,youthataltar.Copiousnotes,profiledrawing,goodphotographs.

239i. ARV2, 367.97 bis, Para.365, Riehen, Basel, Dr.H.Hoek. Skyphos type A. On each side, a youngwarriorinambush,A.witheagleshield-device,B.withshield-deviceofcentaurwithboulder.SomenotesbyE.R.K.,profiledrawing,2professionalphotographs,severalcopies.

240.File-folder,Tript.Ptr.contd.,labelled‘367,98–Para.(endofp.)[andotherdetails]

73240a.ARV2,367.98,AdriaB454&B63,fromAdria.[E.R.K.‘BeazleyArchive00’].Skyphosfrr.fromrim.Upperpartofherm,withhead facing right. Verybriefnotes,profiledrawing,manyphotographs (oneprofessional).

240b. ARV2,367.99,AdriaB556,fromAdria. Skyphosfr.withrim. Upperpartofayouth inhimation,facingright.Briefnotes,profiledrawing,oneprofessionalphoto,severalcopies.

240c.ARV2,367.99a.[E.R.K.’saddition].Grosseto,fromRoselle,Inv.R.35897..Skyphos[?}fr.withrim,upper part of youth wearing himation, facing left. Brief notes, profile drawing, one professionalphotograph. Attr,R.Guy (copyofa letter fromhim in folder). Labelat topof folder reads ‘Grosseto,fromRoselle/(Guy)-Tript.’

240d.ARV2,367.99b,[E.R.K.’saddition],skyphosfrr.withrim,upperpartofmaninhimation,leaningonstick,facingleft.IncollectionofD.v.B.?Attr.DyfriWilliams.Briefnotes,profiledrawings.Manyidenticalphotographs.

240e. ARV2, 367.100, Adria B495, from Adria. Skyphos fr. with part of foot. Lower part of man inhimation,withstick,facingleft.Briefnotes,profiledrawings,oneprofessionalphoto,somecopies.

240f.ARV2,367.100a,[E.R.K.’saddition]AthensA5366&A5391.Skyphosfrr.includingcompletebase.Ononeside,lowerpartofamaninhimationwalkingright;ontheother,tracesofanotherhimation-cladman,andpartofa largecolumn-kraterwith first two lettersofa ‘kalos’ inscription.Briefnotes,profiledrawings, several good photographs, and copy of a letter from Prof. J.-J. Maffre with a copy of therelevant page of his publication of unedited skyphoi frr. in ‘Ancient Greek and Related Pottery’(Amsterdam1984).

240g.ARV2,367.101,Eleusis1593.Skyphosfrr.withrim.Upperpartofahermfacingleft.Briefnotes,profiledrawings,oneprofessionalphotographand2others.

240h. ARV2,367.102,and1648. J.V.NobleColl.,Maplewood,fromVulci(Withsaleshistoryfrommid-19thcentury).SkyphosTypeB(glaux).Ononeside,seatedyoungathlete,ontheother,anotherusingapicktoloosentheearth.Briefnotes,profiledrawings,twogoodphotographs.

240i. ARV2, 367.102bis.[E.R.K.’s addition]. Princeton, ArtMus. (promised anonymous gift), L.1993.55.Later,JohnB.ElliottCollection,1998.412.SkyphostypeB(glaux).Ononeside,youngathletebeginninghis jump,holding jumpingweights; on theother,he is actually jumping. SomenotesbyE.R.K., profiledrawings,twomuseumphotographs.

240j.ARV2,367.103,Salerno1131,fromFratte.SkyphostypeB(glaux).Ononeside,youthwithsponge,on the other, youngmanwithwalking-stick,wearing himation.Notes, onemuseumphotograph (bothsides),manyothers.E.R.K.‘BeazleyArchive00’;photonowinarchive(Sept.2015).

240k.ARV2,367.104,BerlinF2594,fromNola.SkyphostypeB(glaux).Oneachside,ahermbeforeanaltar[?].Somenotes,profiledrawing,photographs.See240sbelow.

240L,ARV2,367.105,Munich2551,fromSicily.SkyphostypeB(glaux).SideA,satyrthreatening,B,satyrretreating.Somenotes,profiledrawing,goodphotographs(3professional).

240m. ARV2, 109 & 110, p.1648 ‘fragments of two cups are not far from his earlier work’:1.Oslo,BlindheimColln.Cupfrr.(2),tondo,headofseatedyouthwithlyre;A.(youthseated)withlyre,and

74youthwithstickfacinghim,righthandraised.2.Copenhageninv.1213,Para.365,cupfr.,upperpartsofayouth leaningonhis stick, andof a youthplaying the flute. Beazley adds ‘the fragments go together,appear to be by one hand, andmight even be from one cup.’ E.R.K. has a number of notes, profiledrawings,andmanyphotographs.

240n.ARV2,367bottom,‘recalltheTriptolemosPainter’,LouvreCP11314,cupfr.,tondo,barelegsandtheendofacloak.Briefnotes,profiledrawing,museumphotograph.

240o. ARV2, 367 bottom, ‘recall the Triptolemos Painter’, Palermo V 693, inv.2149, lekythos, womanspinning.CVApl.22,4-5.Afewnotes,2goodphotographs.

240p. ARV2,1648, Beazley‘nearhisearlierwork’,LouvreG241,oinochoe(shape5),youthholdinganapple,andmonkeyreachingouttowardsit.Afewnotes,onegoodphotograph.[Cf.240tbelow.]

240q.Beazley,Para.365top,cupfrr.fromVari,Arch.Delt.20,1965,Xr.115.Tondo,upperpartofyouthmoving quickly to his left; outside, lower body of naked youthmoving quickly to his right, holding abasketinhislefthandandapsykter(?)inhisright.NotesandprofiledrawingbyE.R.K.,andacopyfromArch. Delt. of a photo of both sides of the frr. One good photograph of the outside. ( And muchcorrespondenceaboutgettingpermissiontoviewthesherds!)

240r. Beazley,Para.365top,frr.fromDelos.BCH1963,865.Inv.A62.787. Cup(orrhyton?). Partofasymposion– twomen recliningon cushions, chatting. Copies of notes fromR.Guy. Several notesbyE.R.K.,andrefs. torhyta,withcopiesofsomepages fromH.Hoffmann,AtticRed-figuredRhyta (Mainz1962).(Attr.torhytonD.v.B–seeletterfromE.R.K.).

240s. A transparent folder headed ‘Skyphos/Tript. D.v.B./31.III.98’. The folder containsonly someofE.R.K.’s notes (mainly measurements), and a sheet for profile drawing, but no photograph. Thedescriptionsoundsverylike240k.above(ARV2,367.104,BerlinF2594),ahermoneachside.

240t.AtransparentfoldercontainingverygoodcolourphotographsofamuginthecollectionofDr.TomGuensburginRockford,Illinois[2003].Ayouthstands,leaningonastone?table,stretchingouthisrighthandtowardsa?monkeywhichiswalkingonitshands.[Forthemonkey,see240pabove].Attr.MichaelPadgett, confirmedR.Guy. SomecorrespondencebetweenE.R.K.,M.Padgett andT.Guensburg,withcommentsonthe?monkeybyE.R.K.

241. A file-folder labelled ‘Material zu Bln. Skyphos + allg.’ This contains a large number of E.R.K.’snotes, handwrittenand inGerman,onmanyaspectsof theTriptolemosPainter’swork.One section isdevotedmainlytotheBerlinskyphos1970.9,publishedbyE.R.K..Othernotesrefertootherworksbythepainter,andtoiconographicdetails,withreferencestorelevantpublications.

242.Afile-folderwithoutlabel.ThiscontainsthreetransparentfolderswithXeroxcopiesofarticlesorextractsfrombookswhichE.R.K.needed.Thefullestfolder,whichhasthelabel‘Tript.allgem.’(aswellasan older label which seems no longer relevant), contains type-written extracts from work by E.R.K.

75(headed‘Appendix’),andR.Guy,andacopyofaletterfromD.vonBothmertotheBeazleyArchivewithcorrectionstoARV2Addenda,aswellascopiesofpublishedworkbyothers.

243. Afile-folderwithout label. Thiscontainsonlyonetransparentfolder ,witha label inside‘Maffre,Marathon Street / Korrespondenz’. In this folder is the correspondence between E.R.K. and Prof. J-J.Maffre referred to on the label, aswell as letters to and from other scholars,mainly about obtainingpermissiontoseeandstudysherdsbytheTriptolemosPainterinAthens.

244.AreprintofE.R.K.’spublication,‘FragmentsofacupbytheTriptolemosPainter’(Greek,RomanandByzantine Studies, Vol.17, Autumn 1976, No.1, publ. Duke Univ.), which combines frr. in Freiburg andBrynMawr(ARV2,365.62&63).Alsoacollectionoffoldersandloosesheetsrelatingtothispublicationand to E.R.K.’s publicationof theBerlin skyphos 1970.3. There aremanypoor-quality Xerox copies ofillustrations among thismaterial, but there are also folderswithmany excellent b&wphotographs ofthese pots and related others, including a few (then) unpublished. [See 239g for the Berlin skyphos1970.3].

Thetransparentfoldersnowunderthenumbers245–249werelooseinthestoragebox,andhavebeenplacedfairlyarbitrarilyinthecolouredenvelopesforeaseofreference.

245.Acollectionoftransparentfolderswithsherdsby,orpossiblyby,theTriptolemosPainter.

245a. ARV2, 367.108 (1648),Astarita 750, nowVatican. Cup fr. Somenotes, profiledrawing,museumphotograph.

245b.ARV2,367.112(Para.365),Astarita752,nowVatican.Cupfr.Somenotes,profiledrawing,butnophotograph.

245c.BrynMawrP930(Para.364).Cupfr.Nonotes.Museumphotograph.

245d.Boston,collectionofE.D.B.Vermeule.Cupfrr.oftondoshowingyouthwithhare.Somenotesandsketches,twogoodphotographs(Guy?).

245e. Getty, Malibu, Inv. 78 A E 249A. Hydria frr. Notes, profile drawings, two rather muddyphotographs.

Theremainingsherdsare,orhavebeen,inthecollectionofDietrichvonBothmer.

245f. Folderlabelled‘Cupfrr.(3)/Malibu,D.v.B./19.8.1982.’ Cupfrr.,athyrsus?Visibleononesherd.Twophotographs(fromDr.J.Frel).

245g. Folder labelled ‘Cup fr. Tript./Malibu, DvB/ 19.8.82.’ Cup frr. On the outside, lower parts ofseveral peoplewearing ? chitons and himatia. At the front of this folder is a piece of paper bearing aquestionmark.Twophotographs(asprevious,fromDr.J.Frel.

76245h. Unlabelled folder containing a note by E.R.K. headed ‘D.v.B. NY ...D. Williams?’ and goodphotographsofacup-sherdwiththenakedlegofayouthorman.Dated‘4.XII.85’.

245i. Unlabelled folder containing a note by E.R.K. headed ‘D.v.B. NY “BM1979”. There are goodphotographsofasmallsherdwithpartoftheheadofabeardedman.Dated‘4.XII.85’.

245j.UnlabelledfoldercontainingnotesandprofiledrawingbyE.R.K.,andagoodphotographofafr.ofacup(withrim)showingthehead,shouldersandchestofayouthstretchingouthisarmsinfrontofhim(long-jumper?).Dated‘D.v.B.26.X.85’.

245k.UnlabelledfolderwithnotebyE,R,K,headed‘D.v.B.NY4.XII.85’and‘Summa83’[ref.toSummaGallery].Goodphotoofcup-fr.(withrim)withthearmofajavelin-thrower.

245L. Unlabelled folder containing note with sketches by E.R.K. and headed ‘D.v.B. NY 5.12.85’ and“Jan.72”ref.toalabelontheoutsideofthecup-sherdshownintwogoodphotographs.

245m.UnlabelledfolderwithnoteandsketchesbyE.R.K.,headed‘D.v.B.....26.X.1985’.andref.toalabelon thecup-sherdshown ingoodphotographs.The tondo(?)appears toshowaclothedmalebesideanaltar.

245n.UnlabelledfolderwithnoteandsketchesbyE.R.K.headed‘D.v.B....26.X.1985’andref.toalabelonthecup-sherd.Goodphotographsshowingfeet,onefrontalandoneoblique.

245o.UnlabelledfolderwithnoteandsketchesbyE.R.K.headed‘D.v.B.NY5.12.85’.Goodphotographsshowacup-sherd(withrim),withtheheadandrightarmofayoungjavelin-thrower.

245p.UnlabelledfolderwithnotesandsketchesbyE.R.K.Themainsheetisheaded‘D.v.B.NYSchalen-fr.,3.4.1984+26.X.85’,andaref.toalabelonthesherd.Thecup-sherd(withrim)showstheupperparttothehipsofanakedgirlflute-playerandthearmofanotherfigureshakingcastanets.

Remainingfoldersinthisgroup:

245q. This foldercontainsa letter toE.R.K. fromMichaelPadgettof thePrincetonUniv.ArtMuseum,listinganumberofvaseswhichhethinksmaybebytheTriptolemosPtr.,andenclosingXeroxesofacupwithLapithsandCentaursfighting,whichwasinthe‘SwissMarket1991’.

245r. A folder labelled ‘6.89/ Im Tript. Mat. unterbringen’, containing notes by E.R.K. about Louvrefragments,withalistofsomeTript.P.examples,andabriefnoteheaded‘Guy12.3.78’aboutParisfrag.G319.

245s.CopiesofcommunicationsfromR.Guyof1975and1982.

245t.Afolderlabelled‘General’,containingacopyofH.Giroux’srevueof‘Paralipomena’,ashortletterfromGiroux,andanextractfromM.Robertson’sOxfordinaugurallecture‘BetweenArchaeologyandArtHistory’,referringtotheTriptolemosPtr.(1962).

245u. This folder contains a copyof the lectureby E.R.K. to theColumbiaUniv. Seminar onClassicalCivilization inOctober1963,(withsomecorrectionstoE.R.K.sEnglish),withacovering letterfromMrs.Frances Lloyd-Jones. Also a Xerox copyof L.Rebillard’s article ‘Exékias apprendà écrire’ :Diffusiondel’écriturechezlesartisansducéramiqueauVIs.av.J-C.’

77245v.Amixedbagofnotesandreferences,including:aXeroxcopyoftherecordofcertainvasesintheBeazleyArchive;aletterfromR.CromeywithE.R.K.’snotesattached;lettersfromJohnBoardman(brief)andDyfriWilliams(detailed)withE.R.K.’sreplytoDW; a letterfromMaryMoorewithaprint-outofacatalogueentry for the frr.Calyx-krater P 18279 fromtheAthenianAgora;a loosepageofnotesbyE.R.K.andafewotherloosesheets.Alsoaphotographofkrater-sherdsofrunninggirls,L.Kahil,Ant.KunstXX (1977), pl.18, 1,3, ‘L’Artémis de Brauron, rites et Mystère’ pp.86-98. [See 248 below for detaileddiscussion of Louvre G138 – especially the names, with a copy of the introduction to R.Cromey’s‘ProsopographyofAthenianVases’.]

245w.AfawnopenfolderwithXeroxcopies,somegood,somepoor,ofphotosofpotsbytheTriptolemosPainter.

245x. A transparent folder labelled ‘ Hampe Ismene Theorie’, with material related to R. Hampe’salternativeinterpretationofthesubjectoftheBerlinskyphospublishedbyE.R.K.(Berlin1970,3)includingthetextofHampe’sarticleinAntikeKunst1975,1.[SeeSlideboxTript.11fortheBerlinskyphos.]

245y.AtransparentfolderwithphotographsofsherdssentbyD.vB.,andalettertohimdiscussingthestyleofthesherds,whichE.R.K.thinksprobablynotbytheTriptolemosPtr.

Loose at the endof this collection of folders are two large professional photographs of a cup labelledMMA53.11.4,ARV2406,7[BriseisPtr.],withscenesofTheseusvisitingAmphitrite(tondo)andreturningtoAthens.

246.FolderswithpotsandsherdsdefinitelyorprobablybytheTriptolemosPainter.

246a. Acup,plainoutside,andwithasceneinthetondoofayoungwarriorarming,helpedbyaboy.Thetransparentfolderholdingtheinformationislabelled‘schaleexBorowski’and‘BorowskiV71–244’.Notes and correspondence indicate that it was in an auction held byH. Cahn in June 1982, and thenenteredtheSammlungZimmermanninLahr/Baden.It isnot listedinARV. DetailednotesandaprofiledrawingbyE.R.K.,andexcellentprofessionalphotographs.[See246Lbelow].

246b.Atransparentfolderwith‘todo’notesandcorrespondenceaboutmuseumvisits.

246c. The transparent folder holds professional photographs, both colour and b&w, of a cup, plainoutside,andwithatondoshowingayouthfularcherstringinghisbow.ThecupappearedinanauctionbyH.Cahn in1997(auction leaflet). A letter toE.R.K. fromPeterConradtyofVillaGrünthal,Röthenbach,datedFeb.1997,perhapsindicatesthathehadboughtthecup.ItdoesnotappearinARV,butseeARV2,p.1648,forafragmentwiththesamesubjectinBrauron.[Ref.in246Lbelow].

246d. This folder, confusingly, contains information on two pots. A. It is labelled [ARV2] 363.29ter,(E.R.K.’snumber], whichperhaps refers to the fragmentBrauron641,ofwhich there isaXerox.AndB.TherearephotosfromH.CahnofacupattributedbyR.GuytotheTriptolemosPtr.,withrunningandjumpingwarriors(hoplitodromoi?)ontheoutside,andinthetondoarunningyouthholdingashieldandahelmet.The letter fromCahn indicates that thiscupwasboughtbyPeterConradtyofNürnberg.[See246cabove].

78246e. In a folder labelled ‘Fragm. Alabastron/ BrauronMuseum’, Xeroxes and amuseum photo of afragmentwithayoungwomanfacingtoherleft.Itisnumbered628(andaXeroxofitalsoappearsonthesamesheetasBrauron641.[See246daboveand247abelow]

Thenext fewfoldersareheld togetherbyasheetofpaper labelledbyE.R.K. ‘Schalenfrr./ Insideonly/Stoppedmaeander/linksläufig’.[246f-k].

246f. In a folder labelled ‘D.V.B. NY/ REH Jr/ Triptolemos Ptr./ Jan.95’, two cup frr. with youth inhimationmovingtohisleft,andaperson(onlyshortcloak’sfoldsvisible)leaningonastaff.SketchesandbriefnotesbyE.R.K,andgoodcolourphotofromvonBothmer.

246g.Folderlabelled‘403,33Adria’:twolargesherds(fittingtogether)fromacup-tondowiththeupperpartofabeardedmanwearingahimationononesherd,andontheother,atalowerlevel,thetopoftheheadofanotherfigure.Acrossthejoinappearsaknottedrope[?]hangingonthe‘wall’.ThisisattributedbyBeazley inARVtotheFoundryPtr. ,butanotebyE.R.K.says ‘Dyfri [Williams](viaPadgett,/15.4.94briefl.)/ Tript./ Cf. Toledo, [ARV2] 363.36bis’. Beazley describes the subject as ‘Athlete seated on thegroundandtrainer.’

246h.Thisfoldercontainsonlyacolourphotoofacup-fr.(of2or3sherds),withtheheadofabeardedmanwearingagarland,lookingtohisright.Onthebackofthephotoiswritten‘Almagia(12/93)–J.Orr,Toledo’,and,atthebottominE.R.K.’swriting,‘fromPadget,v.94’.

246i. Afoldercontainingonesheet inR.Guy’swritingwithdrawingsandnotesonsherds intheGettyMuseumfromtheBareisscollection.

246j. A blue transparent folder holds Xeroxes and photos of two cup-sherds in Princeton, 85-61.4,attributedtotheTript.Ptr.alongwithothersherdsdonatedtotheArtMuseumin1985.

246k.ThiscontainsonlyaletterfromMichaelPadgetttoE.R.K.andanotebyE.R.K.‘WhereiscentaurcupbyTript.(Padgett/v.94)’.

246L.AfolderwithsomenotesbyE.R.K.andXeroxesincludingcopiesofcatalogueswithentriesfor4potsbytheTriptolemosPtr.:3cupsandaPanathenaicamphora.

Looseinthebox:1.Acolouredpostcardofafrag.cupattributedtoMakroninthePrincetonUniv.ArtMuseum,withsomenotesbyE.R.K.attached.2.Awhiteenvelopewith6goodb&wmuseumphotographsofthefragmentaryrestored?stamnosFlorenceInv.151620.3.AsmallorangeenvelopewithmuseumphotographsoftwocupsherdsintheSacklerMuseumofHarvardUniv.,attr.totheTript.Ptr.,inv.nos.1995.18.103and1995.18.168.,withheadsofayouthandabearded,garlandedman.

247.Morerathermixedmaterial,mainlyabouttheTriptolemosPtr.

247a.Xeroxes,b&wmuseumphotosand2colourslidesofthefragmentarycup,Brauron689.Thewhite-groundinteriorhasayoungwomanholdinga?garland,atanaltar.ThereisalsoacolourslideoftheRFalabastronfr.Brauron628,andasmallcolourphoto,unlabelled,ofafinesherdofa?calyxkraterwithasymposiastintheupperzone.[ForBrauron628,see246eabove].

79247b.Xeroxesofafragmentarycup-tondoinwhichawarriorwithdrawnswordleansoverahairyanimal[aram?].AlsoapageofnotesbyE.R.K.,and,paper-clippedtotherest,theaddressofaDr.StephanGottetinBremgarten,andaref.toR.Guy.

247c.Goodprofessionalphotographs,andXeroxes,ofacupwith?hoplitodromoioutside,andinthetondo,ahurryingyouthcarryingashieldandhelmet.See246daboveforinformationaboutthiscup.TherearealsolettersfromDr.CarinaWeissandD.v.Bothmer,andacolourphotofromthelatterofcup-frr.withastridingarmedwarrior.

247d.ThistransparentfolderholdsaletterfromD.vonBothmer,somebriefnotesbyE.R.K.,andb&wphotographsofthetondoofacupwithan?eroticsceneoftwoyoungathletes.D.v.B.saysthatitbelongs[in1991]toacollector-friendofhis.

247e.A.AnoteofJuly1995fromMichaelPadgetttoE.R.K.withaXeroxandtwocolourphotosofalargefragment(madeupofseveralsherds)ofayoungathleteapparentlyscrapingoilfromhisstrigil,watchedbyhistrainer.PadgettsaysthatitbelongstoaSwisscollectorwhowishestoremainanonymous.E.R.K.,inareplytoM.P.,saysthatshethinksthatitisfromahydria,orpossiblyastamnos,andonthetransparentfoldershehasplacedasticker‘362.24a’,referringittoARV2,ahydriainBerlin.

247e.B.InthisfolderareXeroxesofacolumn-krater,ontheSwissmarketin2001.Thesceneonthemainsidelooksidenticaltothatonthesherd247e.A.above.E.R.K.’sstickeronthetransparentfolderreads‘TriptolemosPtr./ascr.Padgett/Guy/Swissprivate’.[Thesamevase,nowcomplete/restored.]

247f.AfoldercontaininglettersfromDyfriWilliamsandEberhardPaul.

247g.MorelettersfromD.vonBothmer,andaXeroxoftheGetty’sacquisitions1990,withno.23,126frr.ofakylixwithscenesfromtheTrojanWar,attr.GuytotheTript.Ptr.[nopictures].

247h.Heldtogetherbyaclip,asheafoflettersdatingbetween1973and1996,labelledbyE.R.K.‘MostlyTriptolemosPtr.’ThelargestvolumeofcorrespondenceisbetweenE.R.K.andD.vonBothmer,buttherearealsoseveralletterstoandfromH.Cahn.andafewletterstoandfromotherscholars.

247i.Agreennote-padwithmanynotesbyE.R.K.[nowplacedinabrownenvelope].

248.Aconsiderableamountofmaterialonthecup,LouvreG138(ARV2,365.61)andalittleonLouvreG148.ManyXeroxes,anddetaileddiscussionofthenamesappearingonthecup(muchofthisisfromR.[Bob]Cromey,ofVirginiaCommonwealthUniversity,whowasworkingonprosopography).AnumberofnotesbyE.R.K.

249.OddsandEnds!

249a.Colourphotographsofsherdsfrom4?cups,senttoE.R.K.byD.vonBothmerinJune1997.TheyareinasmallwhiteenvelopewithpencilnotebyE.R.K.‘v.D.v.B./Juni97’.[Nowplacedinsideabrownenvelope].

80249b.Blackandwhitephotographsof6sherds(multiplecopiesofsomeofthem),inasmallwhiteenvelopewithpencilnotebyE.R.K.:‘Duplicatesofkantharos,TriptolemosPtr..MetropolitanMus.ofArt1986.99.1a-p(joins1973.175.3&KarlsruheL.1986.53a-e)’.[Nowplacedinabrownenvelope].

249c.Inanorange-brownenvelopelabelledbyE.R.K.‘Dokimasiaptr.?’colourphotosofanumberofcup-sherds,‘OnceEuropeanMarket’,withanotefromMichaelPadgettaskingE.R.K.’sopinion.Onthebackofthesheetwiththephotos,E.R.K.haswritten‘Ich,23.I.78,notTriptolemos,perhapsDokimasia,butI’mnotsure.’

249d.Inatransparentfolder,aletterfromHerbertCahnwithXeroxesofalargeamphora-fragment.Thisshowsawoman[goddess?]withstaffinlefthandandrightarmoutstretched.

249e.InatransparentfolderlabelledbyE.R.K.‘Tript.?(Beazley)/LeipzigT509,ARV21647’,Xeroxofcup-frr.Inthetondo,mostofayouthwith‘fire-fanorbrush’(Beazley),outside,legsofseveralyouths.OntheXerox,E.R.K.haswritten‘viell.früh.Tript.’

Theremainingfolders,249f-i,containXeroxessenttoE.R.K.byA.Lezzi-Hafter.

249f.AtransparentfolderlabelledbyE.R.K.‘CahnvonA.Lezzi-Hafter,3.99’containsaXeroxofseverallargesherds,withpartsofawingedgoddessandanaltar.Atthetopofthesheetiswritten‘HC635/d.113’.

249g.AnunlabelledtransparentfolderwithaletterfromA.Lezzi-Hafterdated21.7.99andtwob&wphotographsofpartofacupinseveralfrr.Thetondohasa?youngmanwithawine-skinbendingovera?pithos,andontheoutsidethereremainseveralfeetandpartofashield.A.Lezzi-Hafterincludestwodrawingsthatshehasmade.

249h.AnunlabelledtransparentfoldercontainingaXeroxofalargesherdwithabeardedmalehead.E.R.K.haswritten‘rec.19.vii.01viaemailfromA.Lezzi-Hafterfromphotosdated19.vi.1995./OnceofferedtoS.Gottet,notpurchased,presentwhereaboutsunknown.Notefaxedon19.vii.01byR.Guy./A.–Herm,B-Dionysos(?)’

249i.AtransparentfolderlabelledbyE.R.K.‘Scyphosfrr./whereaboutsunknown’.Thisisapparentlyfromthesamepotas249h,andshowstheupperpartofaherm.OntheXerox,E.R.K.haswritten‘rec.19.vii.01viaemailfromA.Lezzi-Hafter,ascr.byR.Guy./B-Dionysos(?)[249h],-A-Herm.’

249j.Thefollowing,foundloose,havebeenplacedinagreenfolder:2packetsofphotographs,ayellowone,‘Fototec’,labelledbyE.R.K.‘Tript.’,withphotosfromA.lezzi-Hafter,theother,abuffenvelope,fromtheSoprintendenzaArcheologicadellaToscana;somelooseXeroxesofcupsandaTript.Ptr.Panathenaicamphora;andanarticlefromtheHarvardU.ArtMuseumsReview,Fall1995.

250.Aboxofb&wnegatives,dating1973-1978.Therearelargenumbersofsherds,andagreatmanydetailsofthescenesonvases.(Thepacketslistedbelowareheldtogetherbyelasticbands.)

250a.1973-1976.Onmostofthesepackets,E.R.K.haswrittenaref.totheTriptolemosPtr.:1975/1-4,8,-Bothmer&Bareiss.1976/3-10:No.3–Adria;No.4–Adria,Ferrara,Volterra,Florence;No.5–Florence,Arezzo,Salerno;No.6–Salerno,Naples;No.7–Vatican,VillaGiulia;No.8–VillaGiulia,Tarquinia;No.9–Basel;No.10–Tübingen&??.

81250b.1977/1-32.Mostofthesepackets,thoughnotlabelled‘TriptolemosPtr.’byE.R.K.,clearlyholdnegativesofhiswork.No.1–D.vonBothmer,‘Tript.’;Nos.5-6–Louvre;No.7–Louvre,Bibl.Nat,PetitPalais;No.8–Brussels,Amsterdam,Leningrad;Nos.9-12–Leningrad;No.12–Leningrad,Vienna;Nos.13-14–VillaGiulia,Tarquinia;No.15–VillaGiulia,Florence.No.16–Basel,‘Borowski,Cahn’;No.18–Basel,Strasburg,London;No.19–London,Godalming;No.20–Godalming,Oxford;No.21-Oxford,Cambridge,Edinburgh;No.22-Edinburgh,Oslo,Lund;No.23-Copenhagen;No.24-Copenhagen,Dresden,Leipzig;No.25–Leipzig;No.26–Leipzig,Munich;No.27–Munich;No.28–Munich,Toronto,ToledoOH;No.29–ToledoOH;No.30–ToledoOH,BloomingtonIN;No.31–Bloomington,NYMMA;No.32–NYMMA.

250c.1978/1-37.Someofthesearemarked‘TriptolemosPtr.’.No.1–Philadelphia,NYMMA;Nos.2-3–NYMMA;Nos.11–18–Paris,Louvre;No.19–Louvre,Milan,Bologna;Nos.20-31areallmarked‘beschädigt’[‘damaged’]byE.R.K.Nos.20-21–Rome,Vatican;No.23–Athens,Agora;No.24–Athens,Agora,Nat.Mus.;No.25–Athens,?,Benaki,Delos;No.26–Delos;No.27–MykonosMus.No.28-Athens,Nat.Mus.,Eleusis,Brauron,‘TriptolemosPtr.’;No.29–Brauron,Munich,‘Triptolemos’;Nos.30-31–Berlin;No.33–Heidelberg;Nos.34-37–NYMMA,36-37Triptolemos’.

251.Alargeblackfile-bookcontainingcorrespondencebetweenE.R.K.andvariousscholarsandmuseumsmainlybetween1973and1978,withafewitemsinthe1980’s.Mostoftheselettersdealsimplywithrequestsformuseumvisitsandphotographs,butmanyalsocontainpersonalconversation.Somealsocontaindiscussionofindividualvasesandsherds.Thelongestgroup,andperhapsthemostinteresting,isbetweenE.R.K.andDietrichvonBothmer.

252.Inashoe-box,alargenumberofsmallblack&whitephotographs(12.5x9cm),ofverymanyoftheTriptolemosPtr.’svases,arrangedintheorderofBeazley,ARV2,plusanumberof‘post-Beazley’attributions,manybyR.Guy.Formostentries,therearemanyphotographs,ofdetailsaswellasofcompletepots.

253.TriptolemosPainter,slidesandphotographs.TheslidesareintheorderofARV2.Theyareincolourunlessotherwisenoted.Thereissomeduplication,andsomeslideslookamateur,someprofessional.AllarecarefullylabelledbyE.R.K.

253a,(slideboxTript.1),ARV2:

360.1–26slides.Calyxkrater,Leningrad637,fromCerveteri.Danae:A.thegoldenrain;B.thechest.

361.2–27slides.Stamnos,LouvreG187,fromVulci.A.TriptolemoswihDemeterandPersephone;B.Plouton(?)withDemeterandPersephone.

361.3–16(Louvre),12(Florence).LouvreC10834,Florence19B41.A.Marpessa.B.Menandyouths.

361.4–5slides.Heidelberg124,fr.(Dionysos,Ares).

361.5–11slides.LouvreC10835,frr.(Menandwomen).

253b,(SlideboxTript.2),ARV2:

361.5contd.–6slides.LouvreC10835(seeabove).

1648.6bis–22slides.Basel,Cahn,42.Stamnosfrr.A.DeathofAegisthus.B.3womenatalaver.

361.8–17slides.Leningrad641.Stamnos.A.Zeus,HeraandNike.B.Nikeandtwomen.

1648.8bis–8slides.Basel,Cahn,26,volute-kraterfr.Onneck,symposion.

361.9–11slides.Lund,fromCerveteri,Column-krater.A.Triptolemos,DemeterandPersephone.B.Jumperandtrainer.‘Restored’.

361.10–13slides.Oxford1937.1005,fromSicily.Column-krater.A.athletes.B.komos.

361.11–6slides.VillaGiulia50532.Column-krater.A.komos(2menandanakedwoman).B.komos(youthsdancing).

253c,(SlideboxTript.3),ARV2:

361.12–4slides.VillaGiulia,fr.column-krater.A.Centauromachy(headsofaLapithandacentaur).

362.13–13slides.Rome,Ruspoli,fromCerveteri.Column-krater.A.maenad.B.satyr.

362.14–5slides.Munich2314,fromVulci.Panathenaicamphora.A.Athenawithstylusandtablets.B.acontist.

362.15–5slides.Cambridge37.24.Neck-amphora(small).A.womanspinning.B.youth.

362.16–12slides.BrusselsR308,fromOrvieto.Neck-amphora(small).A.warriorandwoman.B.youth.

362.17-7slides.Naples3097,fromNola.Neck-amphora(small).A.warriorarming.B.youth.

362.18–7slides.Ferrara,MuseoSchifanoia,265.Amphora,typeB.A.Dionysos,B.satyr.‘Verymuchrestored’.

362.19–5slides.Copenhagen,NyCarlsberg,2695,fromOrvieto.Pelike.A.Triptolemos.B.TheseusandPoseidon.

362.20–4slides.Leningradinv.NB3425.Pelikefrr.,fromSouthRussia.‘Uncertainsubjects’:A.godwithgoddess(Nike?)andoneseated.B.(youngheroandwoman).

362.21–16slides.Mykonos,fromRheneia(originallyfromDelos).Pelike,sideA,9slides,mancourtingboy.Tript.Ptr.,SideB,7slides,FlyingAngelPtr.,komos.

362.21bis,Paralip.364–21slides.

83253d.(SlideboxTript.4),ARV2:

362,22–6slides.VillaGiulia48339,fromCerveteri.Pelike,A.man,B.youth.‘Wretched’.

362,23–4slides.Oxford1914.734.Hydria.(Pictureonshoulder).Musiclesson(teacherandyouth,seated,withlyres.

362,24–14slides.Berlin2178,fromVulci.Hydria.(Pictureonshoulder).Athleteandyouth.

363,26bis,16slides(manyduplicates).MexicoCity,SammlungSa????(exSumma[Gall.]).Oinochoe,twosatyrsfacingeachother,onewithpointedamphoraanddrinking-horn.Attr.Guy?[E.R.K.haswritten‘Guy’oneachslide,aswellas‘exSumma’andtheref.toaMexicoCitycollection].

363,29–6slides.LouvreCA2575.Whitegroundalabastron.A.womanwithalabastron;B.womanwithbox.

363,32–4slides(oneview).Amsterdaminv.2278,fr.,headandshouldersofayouth.‘PerhapsfromaNolanamphora’.

363,33–4slides.LouvreS1423,S1410,plus,twofrr.Cup(early).I.Discus-throwers.A.athletewithakontionandjumper.B.twoathletes.

363,34–2slides.LouvreS1413,S1415,andS1411,twofrr.Cup(early).I.athletescrapinghisleg.A.athletewithakontion,jumper,trainer.B.athletes(feetofoneremain).

363,34bis?–8slides.NewYork,vonBothmer.Cupfrr.Attr.Guy?

363,35-5slides.LeipzigT504.Cup.I.Hoplitodromos.A.hoplitodromosandtrainer.B.jumperandtrainer.

363,36bis(1648,Toledo)–32slides.Toledo,Ohio.Cup(early).I.boxerkneeling,bindinghishands.A.boxers,B.akontists.

363,36ter(Para.364)–24slides,(6views).NewYork,vonBothmer.Cupfrr.I.Youthmovingawayfrom?altar.A-B.athletes(legsandfeetremain).

253e.(SlideboxTript.5),ARV2:

363,37–3slides.Oxford,Beazley,twofrr.(cup).I.Athlete,A.Boxers.

Para.364,37bis–6slides(2views).Brescia,cupfrr.

364,39–14slides(3views).Toronto(exCurtius).Cupfr.A.(trainer).

364,40–2slides.AdriaBc62bis,fr.,fromAdria.A.(akontists),

364,41bis–5slides.NewYork,vonBothmer,cupfrr.,hoplitodromoi?Otherathletes?Attr.Guy.

364,42–16slides.Oxford1947.262.Cup.I.Trainer.A-B.hoplitodromoi.

84364,43–4slides.LeipzigT513,fromOrvieto.Cup(early).I.Youthtryinghisswordinthescabbard.A-B.fight.

364,44–3slides.LeipzigT534,fromOrvieto.Cup(early).A.fight.B.(warriors,horse).

364,45–34slides(someduplicates).Berlin2295,fromOrvieto.Cup(‘stillearly’).I.Hopliteandarcher.A-B.fight.

364,46-12slides.Edinburgh1887.213,fromItaly.Cup(‘stillearly’).Fights:I.GreekandPersian.A-B.GreeksandPersians.

253f.(SlideboxTript.6),ARV2:

364,47–2slides.Strasburg851,cupfr.A.fight.

364,48–1slide.VillaGiulia,cupfr.A.fight(?hoplite,archer).

364,49–16slides,and,withtag364,49Ffsg[?]–33slides.Vatican,fromCerveteri.Cup.Warriorsleavinghome:I.Warriorandseatedman.A-B.warriorsandmen.

364,49bis–35slides(someduplicates),and,withtag364,49bisFfsg[?]–9slides.NewYork,vonBothmer.Cupfrr.I.Womanataltar.A-B.womenandmen.Attr.Guy.5468

253g.(SlideboxTript.7),ARV2:

364,50–7slides.Vienna3692,fromCerveteri.Cup(early).I.Youthwithhelmetandshield.A.HeraklesandAntaios.B.Theseusandthebull.

364,51/52bis–3slides.Florence,ARV2,420,69(ptr.ofParisGigantomachy)–Guyattr.TriptolemosPtr.Cupfrr.Symposion.

364,52-53slides(26incardboardmounts,27inplastic).Berlin2298,fromVulci.Cup.I.Portercarryingsackpastaherm.A-B.Symposion.(andbandwithdrinkingvesselsinsilhouettebelowscene)

365,54–21slides.LouvreG311.Cup(early).I.Boydancingandyouthplayingflute.A-B.komos.

365,55–6slides.AdriaB481,fr.,fromAdria.I.Komast.A-B.komos.

253h.(SlideboxTript.8),ARV2:

365,55(contd.)–2slides.Seeabove.

365,56–7slides(2views).FlorencePD478,cupfr.I.Man.A-B.komos?

365,56bis–4slides(1view).NewYork,vonBothmer,cupfr.AorB.headofyouthandbasket.Attr.Guy.

85365,57–4slides(3?Views).Heidelberg81,cupfr.I.(male),A.komos?

365,58–17slides.LouvreG250.Cup.I.Satyrandmaenad.A-B.Dionysosandmaenads.

365,58(contd.)4slidesoffrr.inVillaGiulia,attr.R.Guy.(womanandman–komos?).

365,58bis–11slides,ex.D.v.Bothmer,attr.R.Guy.Cupfrr.(komos).

365,60–14slides.TarquiniaRC1914,fromTarquinia.Cup(early).I.Komast(youthplayingflute).A.boybetween2youths,oneofferinghimahare.B.boybetweenyouthandman.

365,61–16colourslides,10b&w.LouvreG138.Cup.I.Dionysosandaboy(Oinopion).A.Processionofyouthsandmen.B.Marshalandspectators(amanandyouths).

253i.(SlideboxTript.9),ARV2:

365,61(contd.)–9slides.Seeabove.

365,61,Flsg.[?]–13slides.Seeabove.

365,62/63–1b&wslide,ascr.D.Williams.LeipzigT531.Cupfrr.Lowerhalvesofthreegirls(?)inshortchitons,dancing.

365,64–11slides(somedupl.).Naples2645.Cupwithschoolscenes.

365,64bis,+1648foot,Para.365–6slides(sherds,OsloandCopenhagen).Youthseatedwithlyre,youthfacinghimwithstick,righthandupraised(upperpartsonly)(Oslo,Blindheim);upperpartsonlyofyouthleaningonstick,andyouthplayingflute(Copenhagen,Inv.1913,fromTarquinia).

365,65-1slide(sherd,Paris).LouvreC11312,cupfr.,legsoftwomalesinhimatia.

365,65(contd.)–22slides(afewdupl.),(sherdsinNewYork,MMA,1980.ii.8).Cupfrr.,relatedtoLouvreC11312.

365,66–4slides(sherds,2views).Louvre,fr.I.Maeander.A.thighsofonepersoninhimation.

365,67–sherd,1slide.LeipzigT565.Cupfr.A.Headoffluteplayer.

365,68–sherds,4slides,(2views).AdriaB113bis,cupfr.fromAdria.I.columns.A.fr.male,onleft.

365,69-sherd,2slides(1view).AdriaB576&Bc67,cupfr.,fromAdria.A.(nakedyouth,seatedyouth.)

366,70-sherd,1slide.AdriaB1319,cupfr.,fromAdria.A.(male).

366,71-sherd,2slides(1view).AdriaB692,cupfr.,fromAdria.A.(middleofnakedmalebendingtoright).

366,73–sherd,3slides(2views).Brunswick536,cupfr.A(youth).

366,74–sherd,3slides(1view).Cairo,fr.(lippedcup).A.(headandshouldersofboyinhimation).

86366,75–sherds,3slides(2views).Athens,AgoraP19574,fromAthens.Cupfrr.(lippedcup),A.(youth).

366,75ter–sherd,1slide,attr.R.Guy.Brauron,cupfr.,outside,upperpartofrecliningmalesymposiastwithoutstretchedrightarmandskyphosinlefthand.

366,76–sherd,1slide.Athens,AgoraP4688,cupfr.,I.(armofonestandingtoright,headofyouthinhimationseatedtoleft).

366,77–sherd,2slides(1view).LeningradInv.6469,fromBerezan,cupfr.I.seatedyouth.

‘zu366,77’,Leningrad6470,Peredolskaya72,sherd,1slide,attr.R.Guy.(seeabove).Lippedcupfr.,outside,upperpartofsatyrlookingtohisleft,withoutstretchedleftarm,rightarmraised.

253J.(SlideboxTript.10),ARV2:

366,78–8slides,(2dupl.).TübingenE42.Cup(early).I.discusthrower.

366,79bis(1648)–Louvre,cupfrr.,decoratedoninsideonly.Twoathletes.Beazleysaysverycloseto36bis(cup,Toledo,Ohio).SeeSlideboxTript.4,363,36bis.

366,80–3slides(2views).LouvreC10913,cup,I.athleteandyouth.

366,80bis–1slide,attr.R.Guy.Louvre.I.lowerpartsoftwofigures.

366,81–6slides(2dupl.).NewYork,MMA,14.105.7,cupfr.,I.youthtyinguphispenis.

366,82-sherds,2slides.Munich,cupfr.,I.youthinhimation.

366,83–2slides.Boston,MFAB,13.81,cup,I.youthfulkomast.

366,84–4slides(1view).FlorenceIIB9,cup,I.Youthplayingtheflute.

366,85-4slides(1dupl.).TarquiniaRC1916,fromTarquinia.Cup,I.Youthleaningonstick,lookingtowardsalaveratright.Bathequipmentandapairofshoes‘hanging’atleftandright.

366,86–2slides.LouvreG245.Cupfr.,I.youthfulkomastwithlyre.2otherfrr.join.

366,87–2slides(1view).Athens,Acr.256,fromAthens.Cupfr.,I.maleatherm.

366,88–4slides(1dupl.).TarquiniaRC1918,fromTarquinia.I.manwithcupprayingataltar.

366,89–3slides.Naples,Astarita574.Cupfr.,I.Youthstandingatablockwiththeseveredheadofabulllyingonit.

366,90–2slides.Munich2672,cupfrr.I.Youthtakinghisshielddown.

366,90bis–8slides(5views).Basel,Borowskiv71-244[in1977],Cup.I.boybringingyouthhisarmour.

366,90ter–sherds,3colourslides,2b&w,(2views),attr.R.Guy.NewYork,Bothmer[in1978].Cupfr.,I.lowerhalfoffigureinhimationfacingtotheleft.

87366,91–1slide(+3spoiled).Basel,market.[NowGetty,Malibu?].Cup,I.youthinhimation,holdinghookedstick.Table?atleft.

366,93–4slides(1dupl.).Tarquinia,fromTarquinia.Cup.I.love-making(manandwomanoncouch).

367,94–2slides.Tarquinia,fromTarquinia.Cup.I.love-making(womanandbaldman,onacouch).

367,95–sherd,2slides.Norwich,cupfr.I.(headofyouthtoleft).

367,97–5slides(1dupl.).Paris,Cab.Med.839,fromNola.Skyphos.A.herm.B.youthataltar.

367,97bis–4slides(1dupl.).Skyphos.A.crouchingwarrior.

367,98–sherds,3slides(1view).AdriaB454&B63,fromAdria.Skyphosfrr.Herm(upperpart.)

253k.:(SlideboxTript.11):ARV2:

367,99–sherd,3slides(2views).AdriaB556,fromAdria.Skyphosfr.headandshouldersofyouthinhimation.

367,100–sherds,3slides(2views).AdriaB,fromAdria.Skyphosfr.,base,andaboveit,lowerlegsofmaleinhimation,withstick.

367,101–sherds,5slides(2views).Eleusis593,fromEleusis.Skyphosfr.,herm(upperpart).

367,102–15slides(6views).NYCityMus.,Noblecolln.(Beazley–Maplewood).Skyphos,A.athleteusingthepickaxe,B.athleteseatedonthegroundwatchinghim.

367,103–5slides(3views).Salerno1131,fromFratte.Skyphos.A.athlete.B.youthinhimation.

367,104–12slides(6views).Berlin2594,fromNola.Skyphos.A.Herm.B.Herm.

367,105–2slides.Munich2551,fromSicily.Skyphos.A.satyrwithdrinkinghornandwineskin,(Beazley–‘threatening’).B.satyrwithwineskin,retreating.

1648,2bottom,Copenhagen1913–6slides(4views).Cupfrr.,upperpartsofyouthleaningonstickandyouthplayingflute.(SeeSlideboxTript.9,365,64bis&1648foot.)

367bottom,LouvreC11314–1slide,‘recallsTript.Ptr.’Cupfr.,early.I.male(barelegsandendofacloak.)

1648,LouvreG241–4slides,‘Nr.earlyTript.Ptr.’Oinochoe.Youthholdinganapple,andamonkey.

1647middle,LeipzigT509(?),2slides.Cupfrr.I.Youthrunningwithfire-fanorbrush.Outside,feetandlowerlegsofmales.[E.R.K.writes‘TriptolemosPtr.?onslides.]

Para.365,Delos-13slides(7views).Cupfrr.I.?symposiastrecliningoncouchandturningtolookbehindhim,whereanoutstretchedhandcanbeseen.

Berlin1970.9–31slides,(23views).Publ.E.R.K.Skyphos.MenelausandHelen.[See239g.]

253L.(SlideboxTript.12):

Berlin1970.9(contd.)–1colour,12b&wslides(7views).(Seeabove).

München,Waltz–10slides–cupfrr.,outside,warriorsfighting,tondo,womanholdinghelmet&shield.

D.v.B.,NY,(Rosenbaum/Waltz)[?]–8slides(2views),onesmallcup-sherd.Attr.Guy?

LondonE99,ARV2,788.1–2slides.Cupwithlyre-playersandstandingmen.Beazley‘Ptr.ofLondonE99’,Guy‘Tript.Ptr.’.

Paris,PetitPalais330,ARV2,788.2-4slides,cup,youthsandmen.Beazley‘Ptr.ofLondonE99’,Guy‘Tript.Ptr.’

‘Incertum’,Basel,Cahn632–2slides,(1view),pyxislid,youngwarriorrunning.

Athens,unascr.–1slide,cupsherdwithheadandshouldersofayouth.Attr.Guy.

ARV2,83,LouvreC11389,(Douris)–1slide,cupsherd.Guyattr.toTript.Ptr.

ARV2,389,26,Athens,Acrop.285(Brygos)–5slides(3views),cupsherd(tondo),komast.Guyattr.toTript.Ptr.

ARV2,364,41bis,DietrichvonBothmerorNY,MMA[?],cupfr.withpartoftondo.Footandpartofleg(?)visible.5slides(2views).Attr.Guy.

FlorencePD420,col.Kraterfrr.,satyrsandwoman–5slides(3views).Attr.Guy.

VirginiaMuseum,Richmond,79.100,-4slides.Ram’sheadrhyton,symposiononneck.[See230e(1)and(2)aboveformoreinformationonthisrhyton].

Brauron98+361,-11slides(4views).Cupfrr.,symposion.Attr.Guy,’ARV2,366.75ter’.[1slideinBox9]

ARV2,366,75bis,1648,Brauron–8slides(3views).Cupfr.,intondoarcherstringinghisbow.

Bologna,Mus.Civ.,Pellegrini437–cup,intondogirlandsymposiast.Attr.Guy.

Athens,fromMarathonSt.,Areios3.Prof.Maffre.A9457or5457–8poorqualityslides,2views.Cupfr.,feet.Attr.Guy.[ForbriefcorrespondencewithProf.Maffre,see243above.]

Athens,fromMarathonSt.,Areios3.Maffre.A54698.5poorslidesofaworncupfr.withpartofahead(face)lookingright.Attr.Guy.

Athens,fromMarathonSt.,Areios3.Maffre.‘0.119no.1+0.118’–6poorslides(2views).Cupfrr.,feet,apparentlyof1standingandonefigurelyingdown.Attr.Guy.

Grosseto–2slides(1view).Cupfr.,headandshoulderofyouthinhimation.Attr.Guy.

SEESlidebox14formoresherdsfromMarathonSt.

89253m.(SlideboxTript.13):

NewYork,MMA[?](SeenbyE.R.K.on‘5/10/87’).*4slides,cupfrr.,outside,standingyouths;intondo,amalefigureonacouch.

NewYork,DietrichvonBothmer(seenbyE.R.K.on‘5/10/78’).*20slides,7views,cupfrr.withapairofyouthsboxing,2otheryouthfulheads,andpartofapaintedinscr.‘opai...’.[*Possiblyadateconfusionhere–E.R.K.haswrittenthedatesontheslides;thesecondisveryclear,thefirstscrawled.]

Boston,E.Vermeule,cupfrr.,slidesdated’14.5.79’byE.R.K.11slides(7views),outside,hoplitesfighting,intondoayouth,abouttowash[?}.

NewYork,D.vonBothmer,twosmallcupsherds(3slides),onesherdwithastickerwithno.75.Onthecardboarddividingcard,E.R.K.haswritteninpencil‘zuVermeule?’,andononeoftheslides,’21.2.78NY’,‘Guy:TriptolemosPtr.’and‘DvBunattr.,zucupVermeule,Boston’.Theotherslides(identical)havethedate‘5.10.78’.

NewYork,slidedated21.2.78.Onesmallcupsherdwithmaeander.Alsoontheslide,E.R.K.haswritten‘DvBunattr.’and,atthetop,‘Guy:TriptolemosPtr.’Onthedividingcard,shehaswritten‘Guy,Tript.NY’and‘Vermeule?’.

NewYork,MMA,18slides(1dupl.)dated’15.12.78’and‘Brunnenhaus’.17sherds,cupfrr.,withscenesfromafountain-house.Youngmenandwomen.Inthetondo,ayoungwomanstandinginfrontofalion’sheadspout,holdinga?mirror,avessel(?hydria)onthegroundunderthespout.

NewYork,D.vonBothmer.17slides(9views);severalslideswiththeprinteddate‘1986JANUARY’.E.R.K.haswrittenoneachslide‘NYDvB.‘’M.Bruno83’’,or‘TriptolemosPtr.,ascr./D.v.B.‘’M.Bruno1983’’/N.Y.Cupfrr.,inthetondoamalefigurefromshoulderstocalves,wearingahimationandholdingastickorswitch(trainer?).Infrontofhimaspongeand?aryballos(hemaybeholdingthesebyacord).Ontheoutside,onlyfeetandthehemofahimationarepreserved:perhapsanathleticsscene?

GettyMuseum(onthedividingcard,E.R.K.haswritteninpencil‘GettyMus/Mal[ibu]Cal[ifornia]/7/25/83’).11slides(9views),cupfrr.Ofthetondo,agoodsectionofmaeanderborder,twohumanfeetandpossiblythelegofapieceoffurniture.Outside,thelowerpartofseveralfiguresinlongrobes,afragmentwithpartoftheheadofabeardedman,andanotherwithpartofathyrsus.

Bologna,Mus.Civ.,Pellegrini437.1slide.Arestoredcup,inwhosetondoisaservinggirlhelpingasickmanwhoreclinesonacouch.Ontheslide,E.R.K.haswritten‘Guy:TriptolemosPtr.’.

Paris,LouvreG319,Cupfrr.,3slides,outsideonly(seeARV2440,178,Douris).Lowerpartsof2seatedmalefigures,withasmallerfigurestandingbetweenthem.Ascr.Guy.

Paris,LouvreC11441,ARV2802,28.1slide.Cupfr.with,outside,theupperpartofayouthinahimation,armsextendedtoleftandright.Ascr.Guy.

NewYork,Bothmer/MMA.4slides(2views).Cupfr.with,outside,theupperpartsofapairoffightingwarriors,onefallingtotheground.Ascr.Guy‘1981/82’.

90NewYork,D.v.Bothmer.GP81.4slides(1view).Cupfr.with,outside,theheadandshoulderofayouthinahimation.Hehasared/purplegarlandroundhishead.OntheslidesE.R.K.haswritten‘TriptolemosPtr.(Guy)’andontwoofthem,‘7/4/82’.

Withaseparatedividingcard,5slidesidenticaltothoseinthepreviousentry,GP81.Onthecardandontheslides,E.R.K.haswritten‘Schalenfr.D.v.B.,N.Y./Guy:Tript.Ptr.[Thetwosetsofslideswerenottogether,butitseemedsensibletoplacethemnexttoeachother.]

‘Summa’and‘Richmond’(twodividingcards).7slides,stamped‘Aug.81’;oneach,E.R.K.haswritten‘Summa,private’.[SummawasanartgalleryinBeverleyHills,California.].Cup,with,inthetondo,anakedyouthbeingbittenonthethighbyadog.Theoutsidehasnakedyouthswithwalkingsticks,andone(friendly!)dog.Oneoftheyouthscarriesastrigil,andthereisaspongeandaryballos‘hanging’inthebackground.Oneachslide,E.R.K.haswritten‘Tript.,ex’.[?]

NewYork,D.vonBothmer.2slides(1view).Stamnosfr.withtheupperpartofagarlandedmalehead.E.R.K.hasdatedtheslides12/12/82,and‘’TriptolemosPtr.’’(herinvertedcommas).

NewYork,D.vonBothmer.4slides.Cupfrr.Outside,upperpartsofyouthsinthepalaistra–oneholdsajumpingweight,anotheraimsajavelin.E.R.K.hasdatedtheslides12/12/82,andoneachhaswritten‘D[yfri]Williams:Tript./ich?/Guy?’.

Pulsano,Taranto.Coll.Guarini,lekythosinv.154.8slides.Acouplemakingloveonacouch.E.R.K.datestheslides19.4.85.

SwissMarket(1987).9slides(7views),takenfromacolourphotograph.Cupfrr.,withoutside,fightingscenes,andinthetondo,asatyrrunningtohisright,lookingleft,andcarryingalargewineskin.Ascr.Guy.

253n.(SlideboxTript.14):Berlin1970.9.4slides,professionalquality.Skyphos,MenelausandHelen.

LondonE99,ARV2,788,1.‘Ptr.ofLondonE99’.5slides.Cup:tondo,youthatlaver;oneachside,threefigures,youthsandmen,thecentralyouthwithlyre.Guyattr.TriptolemosPtr.

Godalming,Charterhouse[in1985].ARV2,788,‘Nr.Ptr.ofLondonE99’.8slides.Cup:tondo,youthandman;outside,oneachside,youthsandmen,youthsleavinghome.Guyattr.TriptolemosPtr.

NewYork,D.vonBothmer[in1985].2slides(1view).Cupsherdwithheadandshoulderofabeardedmaninhimation,wearingagarland.D.v.B.attr.TriptolemosPtr.E.R.K.writes‘Oct.1985’.

Zürich,NeferGallery[1984].7slides,(5views).Cup:tondo,nakedwomanpreparingtowashherselfatalowbowl;outside,nakedwomenpreparingtowashatalargelaver.Attr.toTriptolemosPtr.

London,RobinSymes[1985].3slides(1view).Cupfr.,tondo,nakedyouthcrouching,standingyouthinhimation.

London,R.Symes[1985].4slides(1view).Cup,tondo,fr.Headofareveller,abalding,beardedmanwearingagarland.

91Rome,VillaGiulia,4slides(1view).Kraterfr.,with?partsofanakedfigureandaclothedfigure,andsomelocksofhair?.TriptolemosPtr.,attr.R.Guy.

Athens,fromMarathonSt.,Areios3.(Prof.Maffre).A9318or5318.12slides,4fairlygoodones(2views),ayouthinhimation,leaningonastick,aribbonroundhishead.Tript.Ptr.,attr.Guy.

Athens,fromMarathonSt.,Maffre.A5366+A5341.3slides.Skyphosfrr.,base,andoutside,afigurewalkingtoright,onlyhemofrobeandfeetsurviving,andthelowerpartofa?columnkraterstandingontheground.?Attr.Guy.

Athens,fromMarathonSt.A5357.3slides(2views).Cupfrr.,onehandleandpartoftondo.?Afigurestandingbeforeaherm.

GettyMus.,Malibu.‘DolonCup’.15verypoorslidesfromphotosbyD.vonBothmer,ofaveryfragmentarycup.[1987]

NewYork,D.vonBothmer(1987).4verypoorslidesfromphotosbyD.v.B.Cupfrr.LabelledTriptolemosPtr.

?Hecht?3slides.Cupfr.,partoftondowithafigureleaningonastickstandingbeforeaseatedyouthwithhimationdrapedoverhishead.LabelledTriptolemosPtr.and‘Dourisnähe’.

NewYork,MMA1986.99.1a-b(joins1973.175.3andKarlsruheL.1986.53a-e).Afewkantharossherds.LabelledTriptolemosPtr.

NewYork,D.vonBothmer.7slides(1view).Skyphosfrr.,beardedman(fromheadtowaist)withhimationdrapedoverhishead,leaningforward.DyfriWilliamsattr.toTriptolemosPtr.OneachslideE.R.K.hasalsowritten‘REHAug.1973’.

254a&b:

Twobrowncardboardboxeswithstrengthenedcorners,c.22x15cm(8.5x6”).Oneislabelled‘Beasley’(sic),theother‘Tript.Gross’and‘Tript.Grossform.’Bothcontainlargenumbersofblack-and-whiteprints,mostly18x12.5cm9(7x5”),ofvasesandsherdsmainlybytheTriptolemosPainter.TheyarealllabelledbyE.R.K.,andaredividedbyslipsofpaperwiththeirARV2references.Mostofthephotographsareofgoodquality.

254c:AredcardboardAgfaenvelopelabelledbyE.R.K.‘TRIPTOLEMOS/ADRIA/79/17,79/18’.Photographsofthesamesizeasthepreviousones,mainlyofsherdsfromAdria.

254d.:AredcardboardAgfabox-envelope,unlabelled,containingphotographsofmixedsizes(thesmalleronesc.12.5x9cm.(5x3.5”)).ThelargeronesarefromtheRuspolicollection,someoftherestarebytheFlyingAngelPainter.Allhaverefs.byE.R.K.ontheback.

254e.:Amixedgroupofprints(notallofpots)inabrownpaperenvelopelabelled‘eremitageu.a.’

254f.:Amixedgroupofprints(notallofpots),inabrownpaperenvelopelabelled‘Tript./nicht?/nachRom’.

92254g.:TwoAgfacolorredfolderswithafewprintsofsherds.Oneislabelled‘D.v.B.ScherbenNY’/5.9.82/7/Re...?’,theother‘NYMetrop/17.10.

255:Abrowncardboardboxwithstrengthenedcorners,smallerthan254a&b(c.22x14cm,c.5.5x8.5”).Thisislabelled‘Class.Arch./A-S’byE.R.K.,andcontainsawealthofsmallindex-cardsizesheetsofpaperwithreferencestomanyaspectsofClassicalart,mostlyrelevanttoGreekvasesandtheirsubject–matter.Thisboxcontainsheadingsfrom‘Altare’to‘Stil’.

Lastedit28April,2017

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