Armon í aTraining Days Remo Orsoni Application Engineer remo.orsoni@powersoft.it

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Armon í aTraining Days Remo Orsoni Application Engineer remo.orsoni@powersoft.it. Advanced training. SUMMARY Armonia - WIFI connection to amplifiers and controlling via Armonia - Special cabling for connecting AES3 inputs to the amplifiers - PowerPoint PPT Presentation

Transcript of Armon í aTraining Days Remo Orsoni Application Engineer remo.orsoni@powersoft.it

ArmoníaTraining Days

Remo OrsoniApplication Engineer

remo.orsoni@powersoft.it

Advanced training

SUMMARY

• Armonia - WIFI connection to amplifiers and controlling via Armonia- Special cabling for connecting AES3 inputs to the amplifiers

- Measuring and creating presets for loudspeakers a) Limiter functions and settingsb) FIR/ IIR X-oversc) Smaart?d) Creating a preset.

- Creating a cardioid subwoofer pattern with Armonia

Advanced trainingLIVE! WI-FI connection to amplifiers and controlling via Armonia

KAESOP Network Wiring

AES3-A stream, ch 1-2

AES3-B stream, ch

3-4

100BaseT LAN

PORT 1/PORT 2 (IDENTICAL)

1: 100BaseT AutoMDI RX/TX+2: 100BaseT AutoMDI RX/TX-3: 100BaseT AutoMDI TX/RX+4: AES3-A RX/TX+5: AES3-A RX/TX-6: 100BaseT AutoMDI TX/RX-7: AES3-B RX/TX+8: AES3-B RX/TX-

KAESOP Network WiringConnecting AES3 inputs to the amplifiers.

a) Thru the rear IN2 XLR(must be push the selector)

AES EBU / ANALOG input selector

From digital AES3 source

Input routingConnecting AES3 inputs to the amplifiers.

a) Thru the rear IN2 XLR(must be push the selector)

From digital AES3 source

KAESOP Network Wiring

AES3-A stream AES3-B stream

From Armonia network

Connecting AES3 inputs to the amplifiers.

AND \ ORb) Thru the RJ45 port(patch panel or Y cable needed)

100BaseT LAN

From digital AES3 source

Input routing b) Thru the RJ45 port(patch panel or Y cable needed)

Measuring and creating presets for loudspeakers.

a) Very expensive and advance measurement system and logistic (anechoic chamber) is necessary

for make a presets.b) Factory presets is the basics for any custom

preset design and warranty.c) …. With a good equipment, growing up

experience and lucky we can make a preset from the scratch.

Limiter functions and setting.

Power limiter

Peak limiter

Real time monitor

Power Limiter setting.

Enable Power limiter

Soft-knee

Enable cross limit mode(link the GR)

Link Attack & Release time with X

Power sensing Power vs Volt orTruePower-Power vs I (only special transducer)

Peak Limiter setting.

Link Attack & Release time with X

Enable Peak limiter

Displayed information.

Gain reduction history Gain reduction meter

Limiter LED

Headroom

Output power

*Display calibrated downwards.

…about loudspeaker PowerElectromechanical transducers transform a significant amount of power into heat.They can accept different power level according to the time and dynamic of the signal apply.

long term > 2 h (AES), better know as RMS CF < 6 dBProgram – Music > 2 h (Recommended amplifier) CF > 6 dBshort term < 2 s (peak / IEC268-5) CF > 12 dB

Eg. Long term power 500 W AES Program, Music (Recommended amplifier) 1000 W RMS Short term power IEC 268-5 2000 W PEAK

Typical subwoofer specification

Typical loudspeaker specification

Typical bi-amp loudspeaker connection pannel

Typical bi-amp loudspeaker connection diagram

Power Limiter Threshold W• TruePower is the preferred setting to choose when the

number of speakers connected to the amplifier channel is known.

Powersoft suggest a threshold of 1\3 of the power specification of the loudspeakerEg. 750 W AES = 250 W

• Equivalent power @ 8 Ohm setting all power calculations being based on an arbitrary 8 ohm load (RMS voltage limiter), unknow speaker number.

Peak limiter Threshold V• Powersoft supply a excel file for calculate it

(DesignersTool_1.2.5_a.xlsx) or you can use the formula

• Eg. 2000 W AES @4 ohm = 152 VNOTE: For very heavy use (24\7 - CF < 3 dB) I suggest a 1,4 multiplier• Eg. 2000 W AES @4 ohm = 125 V

Peak limiter Attack & Release time

Power limiterAttack & Release time

Measurement

Smaart ?

Two ways loudspeakerImpulse response IIR X-overs

Two ways loudspeakerImpulse response FIR X-overs

Two ways loudspeakerFrrequency response FIR X-overs

Crossover frequency 1630 Hz.

Two ways loudspeaker3D polar response IIR v\s FIR X-overs

Crossover frequency 1630 Hz.

IIR v\s FIR X-overs

ProFull rangeHigher x-over area and «musicality»Easy to find

Cons Minimum speaker protectionPhase distortion

ProHigher speaker protectionLinear Phase response

Cons Latency (only up then 1Khz)Reduced x-over area and «musicality»Not Easy to find

Creating a cardioid subwoofer pattern

ProFull rangeHigher x-over area and «musicality»Easy to find

Cons Minimum speaker protectionPhase distortion

ProHigher speaker protectionLinear Phase response

Cons Latency (only up then 1Khz)Reduced x-over area and «musicality»Not Easy to find