Armon í aTraining Days Remo Orsoni Application Engineer [email protected]

29
ArmoníaTraining Days Remo Orsoni Application Engineer remo.orsoni@powersoft .it

description

Armon í aTraining Days Remo Orsoni Application Engineer [email protected]. Advanced training. SUMMARY Armonia - WIFI connection to amplifiers and controlling via Armonia - Special cabling for connecting AES3 inputs to the amplifiers - PowerPoint PPT Presentation

Transcript of Armon í aTraining Days Remo Orsoni Application Engineer [email protected]

Page 1: Armon í aTraining  Days Remo Orsoni Application  Engineer remo.orsoni@powersoft.it

ArmoníaTraining Days

Remo OrsoniApplication Engineer

[email protected]

Page 2: Armon í aTraining  Days Remo Orsoni Application  Engineer remo.orsoni@powersoft.it

Advanced training

SUMMARY

• Armonia - WIFI connection to amplifiers and controlling via Armonia- Special cabling for connecting AES3 inputs to the amplifiers

- Measuring and creating presets for loudspeakers a) Limiter functions and settingsb) FIR/ IIR X-oversc) Smaart?d) Creating a preset.

- Creating a cardioid subwoofer pattern with Armonia

Page 3: Armon í aTraining  Days Remo Orsoni Application  Engineer remo.orsoni@powersoft.it

Advanced trainingLIVE! WI-FI connection to amplifiers and controlling via Armonia

Page 4: Armon í aTraining  Days Remo Orsoni Application  Engineer remo.orsoni@powersoft.it

KAESOP Network Wiring

AES3-A stream, ch 1-2

AES3-B stream, ch

3-4

100BaseT LAN

PORT 1/PORT 2 (IDENTICAL)

1: 100BaseT AutoMDI RX/TX+2: 100BaseT AutoMDI RX/TX-3: 100BaseT AutoMDI TX/RX+4: AES3-A RX/TX+5: AES3-A RX/TX-6: 100BaseT AutoMDI TX/RX-7: AES3-B RX/TX+8: AES3-B RX/TX-

Page 5: Armon í aTraining  Days Remo Orsoni Application  Engineer remo.orsoni@powersoft.it

KAESOP Network WiringConnecting AES3 inputs to the amplifiers.

a) Thru the rear IN2 XLR(must be push the selector)

AES EBU / ANALOG input selector

From digital AES3 source

Page 6: Armon í aTraining  Days Remo Orsoni Application  Engineer remo.orsoni@powersoft.it

Input routingConnecting AES3 inputs to the amplifiers.

a) Thru the rear IN2 XLR(must be push the selector)

From digital AES3 source

Page 7: Armon í aTraining  Days Remo Orsoni Application  Engineer remo.orsoni@powersoft.it

KAESOP Network Wiring

AES3-A stream AES3-B stream

From Armonia network

Connecting AES3 inputs to the amplifiers.

AND \ ORb) Thru the RJ45 port(patch panel or Y cable needed)

100BaseT LAN

From digital AES3 source

Page 8: Armon í aTraining  Days Remo Orsoni Application  Engineer remo.orsoni@powersoft.it

Input routing b) Thru the RJ45 port(patch panel or Y cable needed)

Page 9: Armon í aTraining  Days Remo Orsoni Application  Engineer remo.orsoni@powersoft.it

Measuring and creating presets for loudspeakers.

a) Very expensive and advance measurement system and logistic (anechoic chamber) is necessary

for make a presets.b) Factory presets is the basics for any custom

preset design and warranty.c) …. With a good equipment, growing up

experience and lucky we can make a preset from the scratch.

Page 10: Armon í aTraining  Days Remo Orsoni Application  Engineer remo.orsoni@powersoft.it

Limiter functions and setting.

Power limiter

Peak limiter

Real time monitor

Page 11: Armon í aTraining  Days Remo Orsoni Application  Engineer remo.orsoni@powersoft.it

Power Limiter setting.

Enable Power limiter

Soft-knee

Enable cross limit mode(link the GR)

Link Attack & Release time with X

Power sensing Power vs Volt orTruePower-Power vs I (only special transducer)

Page 12: Armon í aTraining  Days Remo Orsoni Application  Engineer remo.orsoni@powersoft.it

Peak Limiter setting.

Link Attack & Release time with X

Enable Peak limiter

Page 13: Armon í aTraining  Days Remo Orsoni Application  Engineer remo.orsoni@powersoft.it

Displayed information.

Gain reduction history Gain reduction meter

Limiter LED

Headroom

Output power

*Display calibrated downwards.

Page 14: Armon í aTraining  Days Remo Orsoni Application  Engineer remo.orsoni@powersoft.it

…about loudspeaker PowerElectromechanical transducers transform a significant amount of power into heat.They can accept different power level according to the time and dynamic of the signal apply.

long term > 2 h (AES), better know as RMS CF < 6 dBProgram – Music > 2 h (Recommended amplifier) CF > 6 dBshort term < 2 s (peak / IEC268-5) CF > 12 dB

Eg. Long term power 500 W AES Program, Music (Recommended amplifier) 1000 W RMS Short term power IEC 268-5 2000 W PEAK

Page 15: Armon í aTraining  Days Remo Orsoni Application  Engineer remo.orsoni@powersoft.it

Typical subwoofer specification

Page 16: Armon í aTraining  Days Remo Orsoni Application  Engineer remo.orsoni@powersoft.it

Typical loudspeaker specification

Page 17: Armon í aTraining  Days Remo Orsoni Application  Engineer remo.orsoni@powersoft.it

Typical bi-amp loudspeaker connection pannel

Page 18: Armon í aTraining  Days Remo Orsoni Application  Engineer remo.orsoni@powersoft.it

Typical bi-amp loudspeaker connection diagram

Page 19: Armon í aTraining  Days Remo Orsoni Application  Engineer remo.orsoni@powersoft.it

Power Limiter Threshold W• TruePower is the preferred setting to choose when the

number of speakers connected to the amplifier channel is known.

Powersoft suggest a threshold of 1\3 of the power specification of the loudspeakerEg. 750 W AES = 250 W

• Equivalent power @ 8 Ohm setting all power calculations being based on an arbitrary 8 ohm load (RMS voltage limiter), unknow speaker number.

Page 20: Armon í aTraining  Days Remo Orsoni Application  Engineer remo.orsoni@powersoft.it

Peak limiter Threshold V• Powersoft supply a excel file for calculate it

(DesignersTool_1.2.5_a.xlsx) or you can use the formula

• Eg. 2000 W AES @4 ohm = 152 VNOTE: For very heavy use (24\7 - CF < 3 dB) I suggest a 1,4 multiplier• Eg. 2000 W AES @4 ohm = 125 V

Page 21: Armon í aTraining  Days Remo Orsoni Application  Engineer remo.orsoni@powersoft.it

Peak limiter Attack & Release time

Page 22: Armon í aTraining  Days Remo Orsoni Application  Engineer remo.orsoni@powersoft.it

Power limiterAttack & Release time

Page 23: Armon í aTraining  Days Remo Orsoni Application  Engineer remo.orsoni@powersoft.it

Measurement

Smaart ?

Page 24: Armon í aTraining  Days Remo Orsoni Application  Engineer remo.orsoni@powersoft.it

Two ways loudspeakerImpulse response IIR X-overs

Page 25: Armon í aTraining  Days Remo Orsoni Application  Engineer remo.orsoni@powersoft.it

Two ways loudspeakerImpulse response FIR X-overs

Page 26: Armon í aTraining  Days Remo Orsoni Application  Engineer remo.orsoni@powersoft.it

Two ways loudspeakerFrrequency response FIR X-overs

Crossover frequency 1630 Hz.

Page 27: Armon í aTraining  Days Remo Orsoni Application  Engineer remo.orsoni@powersoft.it

Two ways loudspeaker3D polar response IIR v\s FIR X-overs

Crossover frequency 1630 Hz.

Page 28: Armon í aTraining  Days Remo Orsoni Application  Engineer remo.orsoni@powersoft.it

IIR v\s FIR X-overs

ProFull rangeHigher x-over area and «musicality»Easy to find

Cons Minimum speaker protectionPhase distortion

ProHigher speaker protectionLinear Phase response

Cons Latency (only up then 1Khz)Reduced x-over area and «musicality»Not Easy to find

Page 29: Armon í aTraining  Days Remo Orsoni Application  Engineer remo.orsoni@powersoft.it

Creating a cardioid subwoofer pattern

ProFull rangeHigher x-over area and «musicality»Easy to find

Cons Minimum speaker protectionPhase distortion

ProHigher speaker protectionLinear Phase response

Cons Latency (only up then 1Khz)Reduced x-over area and «musicality»Not Easy to find