The Stateof Content
Feb 2017By Tom Critchlow
Outsourced SEO to India in 2006, joined Distilled in 2008, moved to NYC in 2011 and went all-in on content strategy.
Joined Google in 2012 and ran innovation projects, TV ad campaigns and content campaigns at Google scale.
Quit Google in 2014 to build an independent consulting practice advising content companies on digital strategy.
Who is this guy anyway?
Intro
In 2012 I realized content marketing was about to take off...
“
Tom Critchlow - The Time for Content Marketing is Now
As some are lamenting the death of the publishing industry, publishing for brands is undergoing a revolution.
And I said this:
But, I forgot to ask what kind of publishers brands would become?
Would it look more likeThe New York Times or more like
Buzzfeed ?
“
The Atlantic - What the Death of Homepages Means For The Future of News
The New York Times lost 80 million homepage visitors—half the traffic to the nytimes.com page—in two years
BuzzFeed Distributed, which it described as a team of 20 staffers who would “make original content solely for platforms like Tumblr, Imgur, Instagram, Snapchat, Vine and messaging apps.” In other words, a team of people producing content that will never even appear on buzzfeed.com.
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NiemanLab - A wave of distributed content is coming — will publishers sink or swim?
Of which 94% are on Facebook - looks like the Buzzfeed distributed strategy is scaling well. Buzzfeed Tasty, launched in 2015 received 1.6 billion video views in January 2017.
Each video averaged 15mm views 30 days after publishing.
Source: Tubular Labs
Buzzfeed Tasty had 1.6 Billion video views… in January 2017
All told, a series of three sponsored clips reached 369 million people with 310 million views and 1.8 million shares. Newell paid in the mid six-figures for the flight.
Source
And they’re selling cross-platform native ads that work
tastybook.com
Oh and by the way, they created one of the best selling recipe books ever
1. Who is making content?
Where does content come from?
BloggersIndependent voices, niche sites, passion projects and of course classic bloggers
Content is made by...
BrandsBrands like GE, Redbull, Nike, IBM and more generate large volumes of content
PublishersThe media industry still dominates the narrative online for the most part.
PlatformsConsumers posting content on platforms (not just Facebook) faster than we’ve ever seen.
247 personal finance blogs started in 2016 - source
Blogging (like SEO) is not dead. It’s changed but still alive and kicking
Brands are launching into content marketing like no tomorrow
2017 B2B content marketing trends
89% 86%Percentage of B2B marketers
using content marketingPercentage of B2C marketers
using content marketing
2017 B2C content marketing trends
And the media is “having a moment” as it scales up...
The Atlantic - How Many Stories Do Newspapers Publish Per Day?
Consumers produce content in staggering quantities
And this content is starting to get harnessed by brands & platforms
Source: Olapic
2. How is content made?
The business models of content are changing faster than ever
Content gets made because there’s a business model to support it.
And the ways to monetize content are shifting dramatically
And so the ways to monetize content are changing too...
source
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Gabe Leydon - CEO Machine Zone - source
[media] buyers are going to get more sophisticated and everything is going to get repriced
Importantly, almost no one thinks display ads are the future...
So we’re going to see new forms of advertising, including native ads, explode
Native advertising is estimated to reach around 75 percent of The Atlantic’s ad revenue this year
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Digiday - How sponsored content drives 60% of the Atlantic’s ad revenue
In Dec. Gawker founder and Chief Executive Nick Denton told the WSJ that in 2014 Gawker’s e-commerce business generated $150 million in sales, and about $10 million of revenue for Gawker -- just under a quarter of the company’s $44.3 million total revenue.
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WSJ - Vox to join other media companies in ecommerce push
Commercial editor is the brand new oldest digital job around
Expect this space to heat up - the NYT acquired the Wirecutter to double down
And new kinds of people good at making content selling content.
source
(psst you’ve all read their content marketing handbook too right?)
What modern marketers need from content today is not one-off tactics. They need to find agencies who can layer on strategy and communications planning to create larger platforms that are integrated into a cohesive strategic go-to-market plan.
While the traditional ad world is mulling the concept of a content AOR
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Lindsey Slaby - It’s time to get a content agency of record
A sweeping wave of acquisitions has decimated the ranks of independent agencies and formed two clashing clans. On the one side are the giants of advertising and marketing and on the other the titans of management consultancy. Meanwhile the market over which they are fighting is in the midst of a multi-faceted existential crisis.
Management consultants are disrupting the ad agency world.
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Jules Ehrhardt - State of the digital nation 2016
Partly because buying power is shifting in organizations as technology matures
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Avi Dan - Consultants are eating the ad agencies three martini lunch
It is not difficult to understand what is attracting management consultants into marketing services: By 2017, Gartner, the technology research company, estimates that the largest portion of a company's IT spend will be controlled by the CMO instead of the CIO, from data and analytics to front and back-end IT spend. The management consultancies see the future of technology spend coming from the CMO. This is what they are after.
The “Creative content” that the SEO industry creates has evolved...
And the gold standards of interactive data viz is on par with the best
source
Meanwhile a single talented interactive creator can light the internet on fire
source
But it took the New York Times 5+ years to integrate interactive into the newsroom
2007
The NYT interactive team is founded
2012
The iconic interactive story Snowfall is
produced
2013
The interactive team starts to integrate into stories
that follow the news cycle
And so much content on the web is still an awful homogeneity
Thankfully we’re seeing exciting CSS progress towards art directed articles
source
The size of what we’re making is unknown until we know what we’re putting there. So, it’s better to come up with an arrangement of elements and assign them to a size, rather than the other way around. We need to start drawing, then put the box around it.
And the real exciting work is seeing the web as it’s own fabric
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Frank Chimero - The web’s grain
3. How does content get distributed?
How is content consumed?
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Ev Williams - CEO Medium - source
There’s going to be a convergence of distribution points for media
That’s true, but new distribution channels are emerging all the time
Digg Apple Spotlight iOS Google Now
“Refreshing the verge” - source
And it’s only going to get more fragmented
“But traditional web analytics are fundamentally unable to capture what actually happens on the social web today; they obliterate its inherent tree structure.[...] In fact, clicks from Twitter represent only a quarter of the total downstream visits rooted in the BuzzFeed Twitter account!”
Introducing Pound: Process for Optimizing and Understanding Network Diffusion
Existing analytics is unprepared to cope with influence in this new world...
This world rewards the ends of the smiling curve
source
Content aggregators are growing and aggregating profits
Content aggregators & platforms (think Google, Facebook, YouTube) provide smaller value exchanges with huge audiences.
While independent & niche focused sites are thriving
Independent content producers and niche focused publications (like Stratechery) can provide a high value exchange with a focused audience.
But it’s not looking so good for those in the middle...
While “traditional” publishers are stuck in the middle with small value exchanges and mid-size audiences struggling for revenue and audience at the same time.
So to compete, maybe publishers need to think more like platforms
Influencer marketing saw explosive growth in 2016, with 86% of marketers having used the tactic, 94% of whom found it effective.
And, influencer marketing is still new but about to explode...
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Linqia - The State of Influencer Marketing 2017
4. What about SEO?
A few trends I’m seeing
We’re seeing the domination of search by aggregators
source
The reasonable surfer model is increasingly less reasonable
Facebook and Twitter first grew on the web but exploded on smartphones, their endless scrolling feeds positioned fortuitously for touchscreens. Snapchat, Instagram and Vine, which grew later, were designed first with phones in mind. On those services, activity is fueled exclusively by things people are typing, shooting or recording themselves. They owe very little to the web, in both senses of the word
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The Awl - Upload complete
In short, it’s very possible that Google reacts almost instantly to big traffic increases coming to your pages.
Which is why links are starting to matter less. So what signal does Google use?
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CodeinWP - Transparency report
No one knows where the knowledge graph ends
And how long before Google gives AI-content the head nod?
(psst - check out this fun demo of writing with a neural net - writing with the machine by Robin Sloan)
I think they have already actually. So long as the quality is good they don’t care.
In November 2016, Heliograf created more than 500 articles, with little human intervention, that drew more than 500,000 clicks
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Wired - What News-Writing Bots Mean for the Future of Journalism
Meanwhile, for media orgs the truth is everything is always trending
Or, maybe they need to double down on niches?
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Dan Gillmor - Google is going to speed up the web. Is this good?
AMP wouldn’t be necessary — assuming it is in the first place — if the news industry hadn’t so thoroughly poisoned its own nest.
Some very large publishers are seeing almost 50% AMP traffic
AMP
Non-AMP
Sure, the poisoned nest - but really it’s all just a crutch to progressive web apps
source
5. How to win
Some winning strategies & theories
Social media technologies collapse multiple audiences into single contexts, making it difficult for people to use the same techniques online that they do to handle multiplicity in face-to-face conversation.
“Alice E. Marwick & Danah Boyd - source
Context Collapse explains why content is hard on the modern web
The problem is not lack of context. It is context collapse: an infinite number of contexts collapsing upon one another into that single moment of recording. The images, actions, and words captured by the lens at any moment can be transported to anywhere on the planet and preserved (the performer must assume) for all time. The little glass lens becomes the gateway to a blackhole sucking all of time and space – virtually all possible contexts – in upon itself.
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Mike Wesch - source
An infinite number of contexts collapsing into one audience
Forget your generalized audience. In the first place, the nameless, faceless audience will scare you to death and in the second place, unlike the theater, it doesn’t exist. In writing, your audience is one single reader. I have found that sometimes it helps to pick out one person—a real person you know, or an imagined person and write to that one.
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John Steinbeck - source
Steinbeck said this in 1962...
“ Compelling voices and stories, real and raw talent, new ideas that actually serve or delight an audience, brands that have meaning and ballast; these are things that matter in the next age of media.[...]
We’ll have to learn a thousand hard lessons, most of them centered around the idea that if you want to make something really great, you can’t think about making it great for everyone. You have to make it great for someone. A lot of people, but not every person.
Joshua Topolsky - Your Media Business Will Not Be Saved
Joshua Topolsky said this in 2016...
Attention has become aggregated through narrow channels (i.e. FB)
Ben Thompson - The Great Unbundling
I do believe that brands with reader and audience connection and loyalty are the evolutionarily fit cockroaches
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Steven Kotok (Bauer Media Group CEO) - peak content
So what’s the winning strategy? This is my favorite quote:
The NYT believes this too - a mission & vision for your content
Our most successful forays into digital journalism [...] have depended on distinct visions established by their leaders — visions supported and shaped by the masthead, and enthusiastically shared by the members of the department. [...] These departments with clear, widely understood missions remain unusual. Most Times journalists cannot describe the vision or mission of their desks.
Journalism That Stands Apart
Most messaging (and most brands are built on messages) suffers from an acute form of narrative deficiency: for no reason, nothing happens to no one.
Narrative deficiency cripples almost all messaging campaigns
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Brian Dell, Director Quartz Creative
The businesses that stress a storytelling approach that prioritizes delivery through credible, authentic and proximate peer faces vs faceless brands will be more successful. [...]
Franchises are reignited over and over again through prequels, sequels and "requels." [...] it seems our attention-starved world favors narrative continuity over clutter.[...] As more businesses begin to invest in creating their own content assets, they will also need to embrace a similar long-term approach. Feed fragmentation is real and they will need to adapt by investing in consistent signature content assets.
We can build audience connection through “faces & franchises”
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AdAge - Why Brands Need Faces And Franchises in the Platform Age
Whether your employer is a publisher, a brand, or an agency. If you’re making garbage, help them do better. The good ones will listen to you and incorporate your expertise. In my experience, most of them really do want to do it right.
And believe it or not, super engaged communities often want to hear from the brands who serve them. And super engaged brands want to provide communities with things other than just “content”.
So if you find yourself writing pablum, narrow the audience to a core group of smart people who care about what the brand has to say. And then convince the brand to say something meaningful to that small, smart audience. Godspeed.
How do you create better content for engaged audiences?
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Kyle Monson, partner Codeword Agency - twitter rant
Hire someone with real editorial experience - an editor in chief.
Thanks!
Twitter@tomcritchlow
Webtomcritchlow.com
CoffeeBrooklyn, NY
Appendix
Random slides that didn’t make the cut
For example, a New York Times food article may be published as a medium-to-long-form piece on the website, as a headline with bullet points on the NYT Now app, as a one-sentence story on the Apple Watch, and as a standalone recipe on Cooking, not to mention the various formats required for platforms like Facebook or Pinterest or Twitter.
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NYT Labs - The future of news is not an article
New CMSs might enable new experiences
The point was that a great idea, now, is boundless. Things are made -- some big, some small, some made by the public, some privately, some are liked, responded to, shared, edited, re-edited, appropriated, stolen, emboldened or bought.Achieving this requires a change in agency mindset.
Great ideas must manifest. We can't stop at catalyzing this. We must participate in the complete journey of our ideas, embracing a mentality that refuses to recognize a boundary in what we provide, in both making and cultivation.
I call this the new world of "infinite production."
Infinite production is part of the answer but not in ad agencies DNA
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David Rolfe, Welcome to the new world of ‘Infinite Production’
Offline/online is the future. From a network of monolithic destinations...
source
You may already know that Foursquare location data powers Twitter, Uber, Apple, Pinterest and 100,000 other services. Today, we’re adding yet another technology juggernaut to that list with the announcement that Snap is partnering with Foursquare to utilize our location intelligence data.
And watch for Foursquare to bring this dream into reality
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Source: Oh snap
Prediction: buzzfeed microgames studio will be the next media format to take off
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