Let's put it all together.AFRO-CUBAN 6/8 FEEL, FT.]LL DRUMSET

Exercise L0

IDEAS:

ricle ct.r-nbal for tt juz.z. or fLtston fccl,

Tn. leavilg ()Ltt the first note on t[e sltall tom. Non., the first notc that vou pla,v on the torn lalis on the clavc pattern. llakirlg ii-,

Y u can r-tse bass clrum

Exercise 10b

Opcning thc hi-iret n'ith ytlltr firot cln llcatanchor lirr the 6'8 pattcrn.

Exercise 10c

Let's herar the Afro-Cr-iban 6,'8 fcel playc'cl atrhc fee1, 'fhis 6,,'8 fccl has a clif'fbrent "sn'ing'

3

fignre 2 u.ith

SECTION 7MOZAMBIQUE\clrrptecl from the cr()nEa.l ritt.thrtr. mozambique r.as rn:rcle pop--ilrLr lr' I)e11. el Afr.kan in CrLba. a,cl latcr popula.izecl in Nc*-\1tlk Citl' b1. Eclclic P:.rhlieri (u.ith N1annl, C)quenclo on tin.t_

,\{OZAMBTQUE ON TTMBALESThc first crarnple of mozanrbiclne is the 1>asic n.urz:rmbiqtre timbaletom) plays palt of the bombo clrum lhr,lhnr. The chl-ch:l bell figr-Lr.e

Exercise 1 Mozambique, basic timbale pattern

bales). The rhythm has no specific relationship ro rhe Afri(nation of Mozambique, and the name was probably coined acatch-word associating the music with Africa.

lhtthnr. plar,ccl on clrurnset.ls sirlilar t() the snare (lrunl

Notice hou' the lolr- tin-rbale ( or nt r..,part piay.ecl for conga.

2 3llr,rrlba Clave

Cha-(lha Ilell

\{T

X = rrrnfflecl note o = opcrr r-urte

\IOZAMBIQUE ON DRUMSET.t s tr-\' :rciepting thc rrrozantltiquc lteltern to fr,r11 rlrLr1ltsel

Exercise 2 Mozafirblque patter* ondrumset

2-3 Rumba Clave

RC Bell ..ST_--SD --I-'T:llD "

:on can use differcnt bass clrum figures to set up the "ancl" of ",i', on the snare drr-rm.Exercise: X\ ariation 1I 3 Rr-rrnb:r Clave