Let's FEEL, FT.]LL - Carl Georg Drums · Let's put it all together. AFRO-CUBAN 6/8 FEEL, FT.]LL...

2
Let's put it all together. AFRO-CUBAN 6/8 FEEL, FT.]LL DRUMSET Exercise L0 IDEAS: ricle ct.r-nbal for tt juz.z. or fLtston fccl, Tn. leavilg ()Ltt the first note on t[e sltall tom. Non., the first notc that vou pla,v on the torn lalis on the clavc pattern. llakirlg ii-, Y u can r-tse bass clrum Exercise 10b Opcning thc hi-iret n'ith ytlltr firot cln llcat anchor lirr the 6'8 pattcrn. Exercise 10c Let's herar the Afro-Cr-iban 6,'8 fcel playc'cl at rhc fee1, 'fhis 6,,'8 fccl has a clif'fbrent "sn'ing' 3 fignre 2 u.ith <.rptional pick up notes, t() cre.rte a "2 fce'}." clividing the tleasr-Lre in l-ralf. 3 1 of cach nre:lsLlre rr,il1 create a 3 stronger feeling of clou'nbeat. :t f:rslcI l( tt)l){ ). Li\l(r. 1, ) it :lt ;t l':t.lt t lctlllrr r. li.hich is an lmport',Lr to hou'the r-ari:itions in bass drttm and sn'rall tom parts chans Once vou re lealneci t1-ie b:rsic pilttern. trY it i1t clifferent ter-npr r-l.r;-thr-r-r 1rc)re syncoparcd. At fnster tcnrpos this u,orks u-ell. it's less clLrttereci encl s*-ings llarder. Exercise 1-0a ancl r-rotic'e thc clif-fbrcnces. 1

Transcript of Let's FEEL, FT.]LL - Carl Georg Drums · Let's put it all together. AFRO-CUBAN 6/8 FEEL, FT.]LL...

  • Let's put it all together.AFRO-CUBAN 6/8 FEEL, FT.]LL DRUMSET

    Exercise L0

    IDEAS:

    ricle ct.r-nbal for tt juz.z. or fLtston fccl,

    Tn. leavilg ()Ltt the first note on t[e sltall tom. Non., the first notc that vou pla,v on the torn lalis on the clavc pattern. llakirlg ii-,

    Y u can r-tse bass clrum

    Exercise 10b

    Opcning thc hi-iret n'ith ytlltr firot cln llcatanchor lirr the 6'8 pattcrn.

    Exercise 10c

    Let's herar the Afro-Cr-iban 6,'8 fcel playc'cl atrhc fee1, 'fhis 6,,'8 fccl has a clif'fbrent "sn'ing'

    3

    fignre 2 u.ith

  • SECTION 7MOZAMBIQUE\clrrptecl from the cr()nEa.l ritt.thrtr. mozambique r.as rn:rcle pop--ilrLr lr' I)e11. el Afr.kan in CrLba. a,cl latcr popula.izecl in Nc*-\1tlk Citl' b1. Eclclic P:.rhlieri (u.ith N1annl, C)quenclo on tin.t_

    ,\{OZAMBTQUE ON TTMBALESThc first crarnple of mozanrbiclne is the 1>asic n.urz:rmbiqtre timbaletom) plays palt of the bombo clrum lhr,lhnr. The chl-ch:l bell figr-Lr.e

    Exercise 1 Mozambique, basic timbale pattern

    bales). The rhythm has no specific relationship ro rhe Afri(nation of Mozambique, and the name was probably coined acatch-word associating the music with Africa.

    lhtthnr. plar,ccl on clrurnset.ls sirlilar t() the snare (lrunl

    Notice hou' the lolr- tin-rbale ( or nt r..,part piay.ecl for conga.

    2 3llr,rrlba Clave

    Cha-(lha Ilell

    \{T

    X = rrrnfflecl note o = opcrr r-urte

    \IOZAMBIQUE ON DRUMSET.t s tr-\' :rciepting thc rrrozantltiquc lteltern to fr,r11 rlrLr1ltsel

    Exercise 2 Mozafirblque patter* ondrumset

    2-3 Rumba Clave

    RC Bell ..ST_--SD --I-'T:llD "

    :on can use differcnt bass clrum figures to set up the "ancl" of ",i', on the snare drr-rm.Exercise: X\ ariation 1I 3 Rr-rrnb:r Clave