Visual Order 2
-
Upload
tessa-canon -
Category
Documents
-
view
220 -
download
1
description
Transcript of Visual Order 2
![Page 1: Visual Order 2](https://reader033.fdocuments.net/reader033/viewer/2022051317/568bd6b31a28ab20349d089f/html5/thumbnails/1.jpg)
![Page 2: Visual Order 2](https://reader033.fdocuments.net/reader033/viewer/2022051317/568bd6b31a28ab20349d089f/html5/thumbnails/2.jpg)
![Page 3: Visual Order 2](https://reader033.fdocuments.net/reader033/viewer/2022051317/568bd6b31a28ab20349d089f/html5/thumbnails/3.jpg)
figure/ground
similarity
proximity
closure
continuance
translation
rotation
reflection
glide/reflection
dilation
structured space
symmetric balance
asymmetric balance
ambiguous balance
neutral balance
![Page 4: Visual Order 2](https://reader033.fdocuments.net/reader033/viewer/2022051317/568bd6b31a28ab20349d089f/html5/thumbnails/4.jpg)
FIGURE/GROUNDseparating elements based on their contrast
![Page 5: Visual Order 2](https://reader033.fdocuments.net/reader033/viewer/2022051317/568bd6b31a28ab20349d089f/html5/thumbnails/5.jpg)
![Page 6: Visual Order 2](https://reader033.fdocuments.net/reader033/viewer/2022051317/568bd6b31a28ab20349d089f/html5/thumbnails/6.jpg)
SIMILARITYsimilar objects/forms are viewed as a group
![Page 7: Visual Order 2](https://reader033.fdocuments.net/reader033/viewer/2022051317/568bd6b31a28ab20349d089f/html5/thumbnails/7.jpg)
![Page 8: Visual Order 2](https://reader033.fdocuments.net/reader033/viewer/2022051317/568bd6b31a28ab20349d089f/html5/thumbnails/8.jpg)
PROXIMITYforms in close proximity (near one another) are
viewed as groups and favored over parts farther away
from one another
![Page 9: Visual Order 2](https://reader033.fdocuments.net/reader033/viewer/2022051317/568bd6b31a28ab20349d089f/html5/thumbnails/9.jpg)
![Page 10: Visual Order 2](https://reader033.fdocuments.net/reader033/viewer/2022051317/568bd6b31a28ab20349d089f/html5/thumbnails/10.jpg)
CLOSUREour minds naturally tend to close gaps in forms, making them
stable, whole images
![Page 11: Visual Order 2](https://reader033.fdocuments.net/reader033/viewer/2022051317/568bd6b31a28ab20349d089f/html5/thumbnails/11.jpg)
![Page 12: Visual Order 2](https://reader033.fdocuments.net/reader033/viewer/2022051317/568bd6b31a28ab20349d089f/html5/thumbnails/12.jpg)
CONT
INUA
NCE
visu
al g
uida
nce
lead
ing
the
eye
to c
ontin
ue a
long
a p
ath
![Page 13: Visual Order 2](https://reader033.fdocuments.net/reader033/viewer/2022051317/568bd6b31a28ab20349d089f/html5/thumbnails/13.jpg)
![Page 14: Visual Order 2](https://reader033.fdocuments.net/reader033/viewer/2022051317/568bd6b31a28ab20349d089f/html5/thumbnails/14.jpg)
TRANSLATIONsliding the same form to a new location, keeping
the same orientation
![Page 15: Visual Order 2](https://reader033.fdocuments.net/reader033/viewer/2022051317/568bd6b31a28ab20349d089f/html5/thumbnails/15.jpg)
![Page 16: Visual Order 2](https://reader033.fdocuments.net/reader033/viewer/2022051317/568bd6b31a28ab20349d089f/html5/thumbnails/16.jpg)
ROTATIONturning forms around an axis or center
![Page 17: Visual Order 2](https://reader033.fdocuments.net/reader033/viewer/2022051317/568bd6b31a28ab20349d089f/html5/thumbnails/17.jpg)
![Page 18: Visual Order 2](https://reader033.fdocuments.net/reader033/viewer/2022051317/568bd6b31a28ab20349d089f/html5/thumbnails/18.jpg)
REFLECTIONflipping a form exactly across an invisible line
![Page 19: Visual Order 2](https://reader033.fdocuments.net/reader033/viewer/2022051317/568bd6b31a28ab20349d089f/html5/thumbnails/19.jpg)
![Page 20: Visual Order 2](https://reader033.fdocuments.net/reader033/viewer/2022051317/568bd6b31a28ab20349d089f/html5/thumbnails/20.jpg)
GLID
E/RE
FLEC
TION
com
bina
tion
of re
flect
ion
in a
line
and
a tr
ansl
atio
n al
ong
that
line
![Page 21: Visual Order 2](https://reader033.fdocuments.net/reader033/viewer/2022051317/568bd6b31a28ab20349d089f/html5/thumbnails/21.jpg)
![Page 22: Visual Order 2](https://reader033.fdocuments.net/reader033/viewer/2022051317/568bd6b31a28ab20349d089f/html5/thumbnails/22.jpg)
![Page 23: Visual Order 2](https://reader033.fdocuments.net/reader033/viewer/2022051317/568bd6b31a28ab20349d089f/html5/thumbnails/23.jpg)
![Page 24: Visual Order 2](https://reader033.fdocuments.net/reader033/viewer/2022051317/568bd6b31a28ab20349d089f/html5/thumbnails/24.jpg)
DILATIONthe gradual and proportional enlarging of a form; expanding
![Page 25: Visual Order 2](https://reader033.fdocuments.net/reader033/viewer/2022051317/568bd6b31a28ab20349d089f/html5/thumbnails/25.jpg)
![Page 26: Visual Order 2](https://reader033.fdocuments.net/reader033/viewer/2022051317/568bd6b31a28ab20349d089f/html5/thumbnails/26.jpg)
STRUCTURE [ONE]
![Page 27: Visual Order 2](https://reader033.fdocuments.net/reader033/viewer/2022051317/568bd6b31a28ab20349d089f/html5/thumbnails/27.jpg)
![Page 28: Visual Order 2](https://reader033.fdocuments.net/reader033/viewer/2022051317/568bd6b31a28ab20349d089f/html5/thumbnails/28.jpg)
STRU
CTUR
E [T
WO]
![Page 29: Visual Order 2](https://reader033.fdocuments.net/reader033/viewer/2022051317/568bd6b31a28ab20349d089f/html5/thumbnails/29.jpg)
![Page 30: Visual Order 2](https://reader033.fdocuments.net/reader033/viewer/2022051317/568bd6b31a28ab20349d089f/html5/thumbnails/30.jpg)
STRUCTURE [THREE]
![Page 31: Visual Order 2](https://reader033.fdocuments.net/reader033/viewer/2022051317/568bd6b31a28ab20349d089f/html5/thumbnails/31.jpg)
![Page 32: Visual Order 2](https://reader033.fdocuments.net/reader033/viewer/2022051317/568bd6b31a28ab20349d089f/html5/thumbnails/32.jpg)
STRUCTURE [FOUR]
![Page 33: Visual Order 2](https://reader033.fdocuments.net/reader033/viewer/2022051317/568bd6b31a28ab20349d089f/html5/thumbnails/33.jpg)
![Page 34: Visual Order 2](https://reader033.fdocuments.net/reader033/viewer/2022051317/568bd6b31a28ab20349d089f/html5/thumbnails/34.jpg)
STRUCTURE [FIVE]
![Page 35: Visual Order 2](https://reader033.fdocuments.net/reader033/viewer/2022051317/568bd6b31a28ab20349d089f/html5/thumbnails/35.jpg)
![Page 36: Visual Order 2](https://reader033.fdocuments.net/reader033/viewer/2022051317/568bd6b31a28ab20349d089f/html5/thumbnails/36.jpg)
STRUCTURE [SIX]
![Page 37: Visual Order 2](https://reader033.fdocuments.net/reader033/viewer/2022051317/568bd6b31a28ab20349d089f/html5/thumbnails/37.jpg)
![Page 38: Visual Order 2](https://reader033.fdocuments.net/reader033/viewer/2022051317/568bd6b31a28ab20349d089f/html5/thumbnails/38.jpg)
![Page 39: Visual Order 2](https://reader033.fdocuments.net/reader033/viewer/2022051317/568bd6b31a28ab20349d089f/html5/thumbnails/39.jpg)
SYMMETRICAL BALANCEcentered compositions or those with equal balance and mirror images
![Page 40: Visual Order 2](https://reader033.fdocuments.net/reader033/viewer/2022051317/568bd6b31a28ab20349d089f/html5/thumbnails/40.jpg)
![Page 41: Visual Order 2](https://reader033.fdocuments.net/reader033/viewer/2022051317/568bd6b31a28ab20349d089f/html5/thumbnails/41.jpg)
ASYMMETRICAL BALANCEbalanced compostion that has equal weight on each side, but not identical forms on each side
![Page 42: Visual Order 2](https://reader033.fdocuments.net/reader033/viewer/2022051317/568bd6b31a28ab20349d089f/html5/thumbnails/42.jpg)
![Page 43: Visual Order 2](https://reader033.fdocuments.net/reader033/viewer/2022051317/568bd6b31a28ab20349d089f/html5/thumbnails/43.jpg)
AMBIGUOUS BALANCEit is not immediately clear whether the composition is balanced on both sides
![Page 44: Visual Order 2](https://reader033.fdocuments.net/reader033/viewer/2022051317/568bd6b31a28ab20349d089f/html5/thumbnails/44.jpg)
![Page 45: Visual Order 2](https://reader033.fdocuments.net/reader033/viewer/2022051317/568bd6b31a28ab20349d089f/html5/thumbnails/45.jpg)
NEUTRAL BALANCEbalance is reached by arbitrary placement of forms
![Page 46: Visual Order 2](https://reader033.fdocuments.net/reader033/viewer/2022051317/568bd6b31a28ab20349d089f/html5/thumbnails/46.jpg)
![Page 47: Visual Order 2](https://reader033.fdocuments.net/reader033/viewer/2022051317/568bd6b31a28ab20349d089f/html5/thumbnails/47.jpg)
![Page 48: Visual Order 2](https://reader033.fdocuments.net/reader033/viewer/2022051317/568bd6b31a28ab20349d089f/html5/thumbnails/48.jpg)
© tessa canon, 2012
completed as a requirement for visual communication in the
graphic design department at the kansas city art institute.
michael kidwell, assistant professor.