USER’S GUIDE GUÍA DEL USUARIO - zZounds

PX500L-ES-1

ES

USER’S GUIDEGUÍA DEL USUARIOPlease keep all information for future reference.Guarde toda información para tener como referencia futura.

Safety Precautions Before trying to use the piano, be sure to read the separate “Safety Precautions”.

Precauciones de seguridadAntes de intentar usar el piano, asegúrese de leer las “Precauciones de seguridad” separadas.

NOTICEThis equipment has been tested and found to comply with the limits for a Class B digital device, pursuant toPart 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmfulinterference in a residential installation. This equipment generates, uses and can radiate radio frequencyenergy and, if not installed and used in accordance with the instructions, may cause harmful interference toradio communications. However, there is no guarantee that interference will not occur in a particularinstallation. If this equipment does cause harmful interference to radio or television reception, which can bedetermined by turning the equipment off and on, the user is encouraged to try to correct the interference byone or more of the following measures:

• Reorient or relocate the receiving antenna.• Increase the separation between the equipment and receiver.• Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.• Consult the dealer or an experienced radio/TV technician for help.

FCC WARNINGChanges or modifications not expressly approved by the party responsible for compliance could void theuser’s authority to operate the equipment.

TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, REFER SERVICING TO QUALIFIED SERVICEPERSONNEL.

CASIO ELECTRONICS CO., LTD.Unit 6, 1000North Circular RoadLondon NW2 7JD, U.K.

This mark is valid in the EU countries only.Please keep all information for future reference.

Important!Please note the following important information before using this product.

• Before using the optional AD-12 Adaptor to power the unit, be sure to check the AC Adaptor for anydamage first. Carefully check the power cord for breakage, cuts, exposed wire and other serious damage.Never let children use an AC adaptor that is seriously damaged.

• The product is not intended for children under 3 years.• Use only CASIO AD-12 adaptor.• The AC adaptor is not a toy.• Be sure to disconnect the AC adaptor before cleaning the product.

414A-E-002A

E-1

Contents

Company and product names used in thismanual may be registered trademarks of others.

414A-E-003A

General Guide ..........................E-2Attachment of the Score Stand .................. E-2

Playing Back All the Music Library Tunes ... E-3

Power Supply ...........................E-4Using the AC Adaptor ................................. E-4

Connections .............................E-5Connecting Headphones ............................ E-5

Connecting to a PEDAL Jack ..................... E-5

Playing with Different Tones ...E-6Selecting and Playing a Tone ..................... E-6

Selecting Main Tones andVariation Tones ........................................... E-6

Selecting a GM Tone or Drum Set .............. E-6

Using Tone Effects ...................................... E-7

Layering Two Tones .................................... E-8

Assigning Different Tones to theLeft and Right Sides of the Keyboard......... E-9

Using the Piano’s Pedals ............................ E-9

Using the Built-in Metronome ................... E-10

Playing Rhythms .................... E-11Using Auto Accompaniment ...................... E-12

Learning to Play the MusicLibrary Tunes .........................E-16

Playing a Music Library Tune ................... E-16

Practicing with Keyboard Lighting ............ E-16

Recording to and Playing Backfrom Song Memory ................E-19

Recording Your Keyboard Play................. E-20

Playing Back from Song Memory ............. E-21

To Delete Song Memory Data .................. E-21

Other Settings ........................E-22Changing the Keyboard Touch ................. E-22

Changing the Piano Key ........................... E-22

Changing the Pitch of the Piano toMatch Another Instrument ........................ E-22

Turning Off Keyboard Lighting .................. E-23

Using MIDI ................................................ E-23

Expanding the Selections in theMusic Library ............................................ E-24

Troubleshooting.....................E-25

Specifications.........................E-26

Operational Precautions .......E-27

Setting Control Key Chart .....E-27

Appendix ..................................A-1Tone List ..................................................... A-1

Rhythm List ................................................. A-2

Song List ..................................................... A-2

Drum Assignment List ................................. A-3

Fingered Chord Chart ................................. A-5

MIDI Implementation Chart

E-2

General Guide

Back Panel Attachment of the Score StandInsert the score stand into the slot at the top of the digital pianoas shown in the illustration.

Left Side Panel

414A-E-004A

1 2

3

7 8

H

4 5 6

9 0 A B C D E F G

L M

I J K

NOTE• Each chapter of this manual starts with an illustration

of the piano’s console, which shows the buttons andother controllers you need to operate.

CONTROL

REVERBCHORUS

E-3

1 PEDAL DAMPER jack

2 PEDAL SOFT/SOSTENUTO jack

3 POWER button

4 DC 12V jack

5 MIDI OUT/IN terminals

6 PHONES jacks

7 VOLUME knob

8 CONTROL button

9 REVERB CHORUS button

0 EASY, INTRO/ENDING button

A NORMAL, SYNCHRO/FILL-IN button

B PLAY/STOP, START/STOP button

General Guide

C MUSIC LIBRARY, RHYTHM button

D LEFT/TRACK 1 RIGHT/TRACK 2 button

E SONG MEMORY button

F METRONOME button

G Display screen

H TONE buttons

I TEMPO buttons

J SONG/RHYTHM SELECT buttons

K BEAT buttons

L VARIATION button

M SPLIT button

NOTE• Key, button, and other names are indicated in the text of this manual using bold type.

Playing Back All the Music Library TunesThe following procedure plays back the Music Library tunes in sequence.

1 While holding down the MUSIC LIBRARY button, press the START/STOP button at the same time. • This causes the MUSIC LIBRARY indicator lamp to flash, and starts sequential playback of the Music Library

tunes. • You can play along with the Music Library tunes on the keyboard, if you want. Tone assigned to the keyboard is

the one that is preset for the Music Library tune that is playing.

2 Press the START/STOP button again to stop Music Library tune play.

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Power SupplyYou can power this digital piano by plugging it into astandard household power outlet.Be sure you turn off power and unplug the power cordfrom the electrical outlet whenever the digital pianois not in use.

Using the AC AdaptorMake sure that you use only the AC adaptor specifiedfor this digital piano.

Specified AC Adaptor: AD-12

[Left Side Panel]

IMPORTANT!• Make sure that the product is turned off before connecting

or disconnecting the AC adaptor.• Using the AC adaptor for a long time can cause it to

become warm to touch. This is normal and does notindicate malfunction.

414A-E-006A

DC 12V jack

AC adaptor AD-12

AC outlet

C1

C2

C3

C4

C5

C6

C7

C8

Off

On

Power On AlertKeyboard keys light to alert you if you leave poweron and do not perform any operation for about 6minutes. Note that keys light only, and no sound isproduced. When this happens, press any button orkeyboard key to clear the power on alert.

Turning Off Power On Alert

1 While holding down the CONTROLbutton, press one of the keyboard keysshown below.

E-5

Connections

414A-E-007A

IMPORTANT!• Whenever connecting external equipment, first set the

VOLUME knob of the digital piano and the volumecontroller of the external equipment to relatively lowvolume settings. You can later adjust volume to the levelyou want after connections are complete.

Connecting HeadphonesConnect commercially available headphones to thedigital piano’s PHONES jacks. This cuts off the built-in speakers, which means you can practice even lateat night without disturbing others. To protect yourhearing, make sure that you do not set the volumelevel too high when using headphones.

[Left Side Panel]

Connecting to a PEDAL JackDepending on the type of operation you want thepedal (SP-3) to perform, connect the pedal’s cable tothe digital piano’s PEDAL DAMPER jack or PEDALSOFT/SOSTENUTO jack. If you want to use bothjacks at the same time, you need to purchase anotheroptionally available pedal.See “Using the Piano’s Pedals” on page E-9 forinformation about using a pedal.

[Back Panel]

Accessories and OptionsUse only the accessories and options specified for thisdigital piano. Use of non-authorized items creates thedanger of fire, electric shock, and personal injury.

Headphones

PHONES jacks

SP-3

PEDAL jacks

E-6

Playing with Different Tones

Selecting and Playing a ToneYour piano has the following types of tones built in.

Main Tones 15

Variation Tones 15

GM Tones 128

Drum Sets 10

Selecting Main Tones andVariation Tones

1 Press the POWER button.

2 Use the VOLUME knob to adjust thevolume level. • Before playing, it is a good idea to set the

volume to a relatively low level.

3 Press one of the 15 TONE buttons to selectthe tone you want.• The names of the main tones are marked above

the TONE buttons.Example: To select VIBRAPHONE

4 Press the VARIATION button so theindicator lamp above it is lit.• This selects the variation tone assigned to each

TONE button. Example: MARIMBA• For information about variation tone assigned

to each button, see the Tone List on page A-1.

5 To toggle between the main tone(VARIATION indicator lamp off) andvariation tone (VARIATION indicator lampon), press the VARIATION button or theTONE button.

Selecting a GM Tone or Drum SetYou can use the following procedure to assign oneof the piano’s 128 GM tones or 10 drum sets to theGM TONES button. After you assign a GM tone,you can select it by pressing the GM TONES button.In addition, you can also assign a second GM toneor drum set as the variation tone of the GM TONESbutton. See “Selecting the GM TONES ButtonVariation Tone” on page E-7.

1 Press the GM TONES button.• This selects the GM tone that is currently

assigned to the GM TONES button.• The display continues to display the tune or

rhythm number.

2 Use the Tone List on page A-1 to find theGM tone or drum set number you want.Example: 008 (GM CELESTA)

414A-E-008C

VOLUMEREVERB CHORUS

METRONOME

VARIATIONSPLITTONE

GM SELECTCONTROL TEMPO BEAT

GM TONES

POWER button

E-7

3 While holding down the CONTROL button,press the GM TONES button. Remember tokeep the CONTROL button depressed.• This causes the tone number of the GM tone

that is currently assigned to the GM TONESbutton to appear on the display.

Example: 080(GM SQUARE LEAD)

4 While holding down the CONTROLbutton, use the keyboard keys shown belowto input the tone number of the GM toneyou want to assign to the GM TONESbutton.Example: 008 (GM CELESTA)

5 After inputting the tone number you want,release the CONTROL button to exit theGM tone setting screen.


On

Off

On

On

Both on

Both off

Reverb on

Chorus on

NOTE• You can also select a tone by holding down the GM

TONES button as you use the GM SELECT [ ]and [ ] buttons to scroll through tone numberson the display.

• The tone that you assign to the GM TONES buttonis retained until you turn off the keyboard.

• If a drum set is assigned to the GM TONES button,keyboard keys sound drum sounds when you pressthem. See page A-3 for information about the drumsounds that are assigned to each of the keyboardkeys.

Selecting the GM TONES ButtonVariation ToneTo assign a variation tone to the GM TONES button,perform the steps under “Selecting a GM Tone orDrum Set” on page E-6. After step 1, however, pressthe VARIATION button so the indicator lamp aboveit is lit.After you assign a GM tone as the variation tone,you can select it by pressing the GM TONES buttonwhile the indicator lamp above the VARIATIONbutton is lit.

Using Tone EffectsReverb: Makes your notes resonateChorus: Adds more breadth to your notes

1 Press the REVERB CHORUS button to cyclethrough the effect settings as shown below.• You can find out the current reverb/chorus

configuration by looking at the REVERB andCHORUS indicator lamps

414A-E-009C

C1

C2

C3

C4

C5

C6

C7

C8

1 4 6 9

0 2 3 5 7 8

• Be sure to input all three digits.• This displays the number of the assigned tone.

E-8


Other Effect SettingsYou can select from among four reverb effects and fourchorus effects by pressing the keyboard keys shownbelow.

1 While holding down the CONTROLbutton, press one of the keyboard keysshown above.

C1

C2

C3

C4

C5

C6

C7

C8

1: Room 2

0: Room 1 2: Hall 1

3: Hall 2

1: Chorus 2

0: Chorus 1 2: Chorus 3

3: Chorus 4

1 Reverb Effect Keys

2 Chorus Effect Keys

Layering Two TonesUse the following procedure to layer to two tones, sothey sound at the same time.

PREPARATION• If you plan to use a variation tone, perform the procedure

on page E-6 to select the variation tone for the applicableTONE button(s) before starting this procedure.

1 While holding down the TONE button ofone of the tones you want to use (the basetone), press the TONE button of the othertone (the layered tone).Example: Press GRAND PIANO 2 button and

STRINGS button at the same time.

• This causes the indicator lamp of the base toneto light, and the layered tone to flash.

• If the base tone (the one you pressed first) is avariation tone, the indicator lamp above theVARIATION button will light.

• The tones are now layered.

2 After you are finished using the layeredtones, press one of the TONE buttons againto unlayer them.

NOTE• Note that you cannot layer the main tone and

variation tone assigned to the same TONE button.

GRAND PIANO 2STRINGS

414A-E-010A

E-9


414A-E-011A

Split Point

STRINGS GRAND PIANO 2

Adjusting the Volume of Layered Tones

1 While holding down the CONTROLbutton, use the keyboard keys shown belowto adjust the volume of the layered tones.

+ : Raises the volume (0 to 24)– : Lowers the volume (–24 to 0)

Assigning Different Tones to the Leftand Right Sides of the Keyboard

You can assign different tones to keys on the left sideand the right side of the keyboard.

1 Press the TONE button of the tone you wantto select for the high (right) range.Example: GRAND PIANO 2

2 Press the SPLIT button. • This causes the SPLIT indicator lamp to light.

3 Press the TONE button of the tone you wantto select for the low (left) range. • The keyboard is now split between the two

tones.Example: STRINGS

4 After you are finished using the splitkeyboard, press the SPLIT button again tounsplit it.• This causes the SPLIT indicator lamp to go out.

C1

C2

C3

C4

C5

C6

C7

C8

–

+

Specifying the Keyboard Tone Split Point

1 While holding down the SPLIT button,press the keyboard key where you want theleft limit of the high range (right) tone tobe.

• A note does not sound when you press akeyboard key at this time.

NOTE• The split point setting also controls the point where

the keyboard splits between the accompanimentkeyboard (pages E-13, 14) and the melodykeyboard. Moving the split point also affects thesizes of the accompaniment keyboard and themelody keyboard.

Using the Piano’s PedalsThe digital piano is equipped with two pedal jacks,one for a damper pedal and one for a soft/sostenutopedal.

Low range

Left limit of the high range

High range

SP-3

E-10


414A-E-012A

C1

C2

C3

C4

C5

C6

C7

C8

Soft:

Sostenuto:

Pedal functions• Damper pedal

Pressing this pedal causes notes to reverberate andto sustain longer.

• Soft pedalPressing this pedal dampens notes and slightlyreduces their volume. Only notes played after thepedal is depressed are affected, and any notesplayed before the pedal is pressed sound at theirnormal volume.

• Sostenuto pedalLike the damper pedal, this pedal causes notes toreverberate and to sustain longer. The differencebetween the two pedals is the timing when theyare pressed.With the sostenuto pedal, you press the pedal afterdepressing the notes you want to sustain. Only thenotes whose keyboard keys are depressed when thesostenuto pedal is pressed are affected.

Selecting the Pedal FunctionA pedal connected to the piano’s PEDAL jack canoperate as either a soft pedal or a sostenuto pedal.When you turn on the keyboard, the pedal is initiallyconfigured for soft pedal operation. You can performthe following operation to select either soft orsostenuto for the pedal operation.

1 While holding down the CONTROLbutton, use the keyboard keys shown belowto select either soft or sostenuto.

Using the Built-in MetronomeYou can use the metronome to sound a count that helpskeep you in proper time.

1 Press the METRONOME button.• This starts the metronome.

2 While holding down the CONTROLbutton, press the BEAT [ ] or [ ] buttonto specify how many beats there are permeasure.

• The first value of the beat can be set to a valueof 2 through 6. The bell (indicating the first beatof a measure) does not sound while a value of 0is specified. All beats are indicated by a clicksound. This setting lets you practice with asteady beat, without worrying about how manybeats there are in each measure.

3 While holding down the CONTROLbutton, use the TEMPO [ ] and [ ]buttons to change the tempo (speed) of themetronome.

• You can also use keyboard keys to change thetempo setting (See page E-12).

4 Press the METRONOME button again tostop the metronome.

E-11

You can select from among 120 built-in rhythms. Seethe Rhythm List on page A-2 of this manual for moreinformation.

NOTE• Rhythms 110 through 119 consist of chord

accompaniments only, without any drums or otherpercussion instruments. These rhythms do notsound unless CASIO CHORD, FINGERED, orFULL RANGE CHORD is selected as theaccompaniment mode. With such rhythms, makesure that CASIO CHORD, FINGERED, or FULLRANGE CHORD is selected before you try playingchords (see the next page).

1 Press the RHYTHM button so the RHYTHMindicator lamp (below the button) is lit.• Each press of the button toggles between the

upper indicator lamp and lower indicator lamp.

2 While holding down the CONTROLbutton, use the keyboard keys shown belowto input a three-digit rhythm number.

• To select rhythm number 5, for example, pressthe 0 key , the 0 key and then the 5 key.

3 Press the START/STOP button.• This starts the rhythm.

C1

C2

C3

C4

C5

C6

C7

C8

1 4 6 9

0 2 3 5 7 8

Playing Rhythms

4 Press the START/STOP button again to stopthe rhythm.

NOTE• You can also cycle through the available rhythms

in step 2 by holding down the CONTROL buttonand pressing the SONG/RHYTHM SELECT [ ]or [ ] button.

414A-E-013B

SYNCHRO/FILL-IN RHYTHM

METRONOMECONTROL INTRO/ENDING

START/STOP

TEMPO SONG/RHYTHMSELECT

E-12

Using Auto AccompanimentWith auto accompaniment, the keyboardautomatically plays rhythm, bass, and chord parts inaccordance with chords you select using simplifiedkeyboard fingerings, or chords you play. Autoaccompaniment makes it feel like you have your ownprivate backup group with you all the time.

To play with auto accompaniment

PREPARATION• Select the rhythm you want to use and adjust the tempo.

1 While holding down the CONTROLbutton, press one of the keyboard keysshown below to select a chord mode.

• Here we will select the CASIO CHORD mode.• See page E-13 for information about how to use

the chord modes.

2 Press the SYNCHRO/FILL-IN button.• This configures the piano so rhythm and chord

accompaniment will start automatically whenyou press any keys within the accompanimentkeyboard range.

3 Press the INTRO/ENDING button.• This configures the piano so accompaniment

starts with an intro pattern.

To adjust the tempo of the rhythm

1 Press the RHYTHM button so the RHYTHMindicator lamp is lit.• Each press of the button toggles between the


2 While holding down the CONTROLbutton, use the TEMPO [ ] and [ ]buttons to change the tempo (speed) of therhythm.

• To return the rhythm to its standard temposetting, press the TEMPO [ ] and [ ] buttonsat the same time.

NOTE• You can also use keyboard keys to change the tempo

setting.(1) While holding down the CONTROL button,

press the METRONOME button.(2) While keeping the CONTROL button

depressed, use the keyboard keys shown belowto input a three-digit number.

* Tempo Range: 030 to 255

Playing Rhythms

C1

C2

C3

C4

C5

C6

C7

C8

Normal:

CASIO CHORD: Full-Range Chord:

Fingered:

C1

C2

C3

C4

C5

C6

C7

C8

1 4 6 9

0 2 3 5 7 8

414A-E-014A

E-13

Accompanimentkeyboard Melody keyboard

Playing Rhythms

4 Use a CASIO CHORD fingering to play thefirst chord within the accompanimentkeyboard range.• See “How to Play Chords” on this page for

information about how to finger chords withthe various chord modes.

• This will cause the intro pattern for the selectedrhythm to play, followed by the autoaccompaniment rhythm and chord pattern.

5 Use CASIO CHORD fingerings to playother chords.• You can insert a fill-in pattern while an auto

accompaniment is playing by pressing theSYNCHRO/FILL-IN button. A fill-in helps tochange the mood of the auto accompanimentpattern.

6 To stop auto accompaniment play, press theINTRO/ENDING button.• This will play an ending pattern for the selected

rhythm before stopping auto accompanimentplay.

NOTE• You can start or stop auto accompaniment play

without an intro or ending pattern by pressing theSTART/STOP button in steps 3 and 6.

414A-E-015A

How to Play ChordsThe way you finger chords depends on the currentchord mode.

NormalIn this mode there is no auto accompaniment, so youcan play all of piano’s keys for standard-fingeringchords or melody notes.

CASIO CHORDThis method of chord play makes it possible foranyone to easily play chords, regardless of previousmusical knowledge and experience. The followingdescribes the CASIO CHORD “Accompanimentkeyboard” and “Melody keyboard”, and tells you howto play CASIO CHORDs.

CASIO CHORD Accompaniment Keyboard andMelody Keyboard

NOTE• The accompaniment keyboard can be used for

playing chords only. No sound will be produced ifyou try playing single melody notes on theaccompaniment keyboard.

E-14

Playing Rhythms

414A-E-016A

Chord TypesCASIO CHORD accompaniment lets you play fourtypes of chords with minimal fingering.

NOTE• It makes no difference whether you press black or

white keys to the right of a major chord key whenplaying minor and seventh chords.

FINGEREDIn this mode, you specify chords by playing them asyou would on a piano, inside the accompanimentkeyboard range. To specify a C-chord, you would playC-E-G.

FINGERED Accompaniment Keyboard and MelodyKeyboard

NOTE• The accompaniment keyboard can be used for

playing chords only. No sound will be produced ifyou try playing single melody notes on theaccompaniment keyboard.

Chord Types

Major chordsPress one accompaniment key.Note that the chord producedwhen you press anaccompaniment keyboard keydoes not change octave,regardless of which key you useto play it.

Minor chords (m)To play a minor chord, keep themajor chord key depressed andpress any other accompanimentkeyboard key located to the rightof the major chord key.

Seventh chords (7)To play a seventh chord, keep themajor chord key depressed andpress any other twoaccompaniment keyboard keyslocated to the right of the majorchord key.

Minor seventh chords (m7)To play a minor seventh chord,keep the major chord keydepressed and press any otherthree accompaniment keyboardkeys located to the right of themajor chord key.

Example

C Major (C)C C DE F# # E F GAA BB C C DE FE#

C minor (Cm)C C DE F# # E F GAA BB C C DE FE#

C seventh (C7)C C DE F# # E F GAA BB C C DE FE#

C minor seventh(Cm7)

C C DE F# # E F GAA BB C C DE FE#

NOTE• See the “Fingered Chord Chart” on page A-5 for

details on playing chords with other roots.

*1: Inverted fingerings cannot be used. The lowestnote is the root.

*2: The same chord can be played without pressingthe 5th G.

NOTE• Except for the chords specified in note*1 above,

inverted fingerings (i.e. playing E-G-C or G-C-Einstead of C-E-G) will produce the same chords asthe standard fingering.

• Except for the exception specified in note*2 above,all of the keys that make up a chord must bepressed. Failure to press even a single key will notplay the desired FINGERED chord.

Accompanimentkeyboard Melody keyboard

C Cm Cdim

Caug *1 Csus4 C7 *2

Cm7 *2 Cmaj7 *2 Cm7 5

C7 5 *1 C7sus4 Cadd9

Cmadd9 CmM7 *2 Cdim7 *1

E-15

C1

C2

C3

C4

C5

C6

C7

C8

–

+

Playing Rhythms

414A-E-017A

Adjusting Accompaniment VolumePerform the following operation to change the volumelevel of the rhythm and chord accompaniment (settingrange : 000 to 127).

1 While holding down the CONTROLbutton, use the keyboard keys shown belowto raise (+) or lower (–) the accompanimentvolume.

+ : Raises the accompaniment volume– : Lowers the accompaniment volume

FULL RANGE CHORDThis accompaniment method makes it possible to playa total of 38 chord variations: the 15 available withFINGERED plus 23 additional variations. Thekeyboard interprets any input of three or more keysthat matches a FULL RANGE CHORD pattern to be achord. Any multi-key input that is not a FULL RANGECHORD pattern is interpreted as melody play. Becauseof this, there is no need for a separate accompanimentkeyboard, and the entire keyboard from end-to-endcan be used for both melody and chords.

FULL RANGE CHORD Accompaniment Keyboardand Melody Keyboard

Accompaniment keyboard/Melody keyboard

Chords Recognized by This PianoThe following table identifies patterns that arerecognized as chords by FULL RANGE CHORD.

E

E G C

G C

2

1

1 ..... Chord C

2 ..... Chord CCE

Example: To play the chord C major and .

NOTE• If there are more than six semitones between the

lowest note and the next note to the right, the lowestnote is interpreted as a bass note.

CE

Pattern Type

FINGERED

StandardFingerings

Number of Chord Variations

The 15 chord patterns shown under“FINGERED” on page E-14.

23 standard chord fingerings. Thefollowing are examples of the 23chords available with C as the bassnote.

DC

EC

FC

GC

A C

BC

BC

D mC

DmC

FmC

GmC

AmC

BmC

DdimC

A7C

F7

CFm7

CGm7

C Aadd9

C

C6 • Cm6 • C69

• • • • • •

• • • • •

• • • • • •

D C

E-16

Playing a Music Library TuneYour piano comes with 80 Music Library tunes builtin. See the Song List on page A-2 of this manual formore information.

1 Press the MUSIC LIBRARY button soMUSIC LIBRARY indicator lamp (above thebutton) is lit.• Each press of the button toggles between the


2 While holding down the CONTROLbutton, press the keyboard keys shownbelow to input a tune number.

• To select tune number 5, for example, press the0 key and then the 5 key. Always input twodigits for the tune number.

Learning to Play the Music Library Tunes

C1

C2

C3

C4

C5

C6

C7

C8

1 4 6 9

0 2 3 5 7 8

3 Press the PLAY/STOP button.• This starts the playback of the tune.

4 Press the PLAY/STOP button again to stoptune playback.

NOTE • You can also cycle through the available tunes in

step 2 by holding down the CONTROL button andpressing the SONG/RHYTHM SELECT [ ] or[ ] button.

Practicing with Keyboard LightingWith keyboard lighting, you can practice the left handpart, the right hand part, or both hand parts using thetwo steps described below.

Easy Lesson:In this lesson, you learn how to play the correct noteson the keyboard. The parts being played automaticallyby the piano wait until you press the correct keyboardkey, so you can practice at your own pace.

Normal Lesson:In this lesson, the song plays and the keyboard lightswithout stopping to wait for you to press the correctkeys.

414A-E-018A

E-17

Keyboard Lighting During Lesson PlayWhen using an auto-accompaniment tune with the Lesson System, the lights indicate not only the note youshould play, but how long you should play it (how long you should keep the key depressed). The followingdescribes what illumination of keys indicates.

• Note Guide : A lit key indicates the note to be played.• Length Guide : Key remains lit for as long as note should be played.• Next Note Guide : A flashing key indicates the next note to be played.• Consecutive Note Guide : When a key lights, goes out momentarily, and then lights again, it indicates that the

same note should be played in succession.

1 2

Release

Lights

Press

Flashes3 4

Press

Goes outLights

Goes out

Release

Flashes

First note length

Second note length

First Note

Second Note

Note lengths are not indicated by the Lesson System when playing a two-hand tune with Easy Lesson. The litkey goes out as soon as you press the correct keyboard key and the next note’s key flashes.

When playing a two-hand tune with Normal Lesson, the applicable keyboard key remains lit as long as its noteplays. In this case, however, the key for the next note to be played does not flash. Keys light when their notesstart to play.

414A-E-019A


Lights Flashes(Next note to beplayed.)

LightsGoes out

E-18

Easy Lesson

PREPARATION• Select the tune you want to practice and adjust the tempo.

If you are playing a tune for the first time, a slow tempois probably best.

1 Use the LEFT/TRACK 1 RIGHT/TRACK 2button to select the part you want topractice.• The indicator lamps above the button show

which part is selected.• To practice the left hand part, the LEFT/TRACK

1 indicator lamp should be unlit.• To practice the right hand part, the RIGHT/

TRACK 2 indicator lamp should be unlit.• To practice both hand parts, both indicator

lamps should be unlit.

2 Press the EASY button.• After an introductory count (and the

introduction of the tune, if there is one), thepiano stands by and waits for you to play thefirst note.

3 Follow the lighting of the keys to play thepart(s) you selected in step 1.

• The first keyboard key you will need to pressflashes during the introductory count (orintroduction of the tune). The flashing stops andthe key remains lit when the time comes to pressthe key and play the note. Keyboard Lightingcauses each key you need to press next to flash.

• If multiple keyboard keys are lit whenpracticing the parts for both hands, you needto press all of them to advance.

4 When you are finished, press the PLAY/STOP button to end the lesson.

Normal Lesson

PREPARATION• Select the tune you want to practice and adjust the tempo.

If you are playing a tune for the first time, a slow tempois probably best.

1 Use the LEFT/TRACK 1 RIGHT/TRACK 2button to select the part you want topractice.• The indicator lamps above the button show

which part is selected.• To practice the left hand part, the LEFT/TRACK

1 indicator lamp should be unlit.• To practice the right hand part, the RIGHT/

TRACK 2 indicator lamp should be unlit.• To turn off both parts, the RIGHT/TRACK 2

and LEFT/TRACK 1 indicator lamps shouldboth be unlit.

2 Press the NORMAL button.• The song plays and the keyboard lights without

stopping to wait for you to press the correctkeys.

3 Follow the lighting of the keys to play thepart(s) you selected in step 1.

4 When you are finished, press the PLAY/STOP button to end the lesson.

414A-E-020A


E-19

You can store the notes you play in Song Memory forlater playback.

TracksThe song memory of this piano records and plays backnotes much like a standard tape recorder. There aretwo tracks, each of which can be recorded separately.Besides notes, each track can be assigned its own tonenumber. During playback you can adjust the tempoto change the speed of playback.

Song Memory Capacity• You can store a total of up to about 5,200 notes (Track

1 + Track 2) in Song Memory.• Recording stops automatically if the number of

notes in Song Memory exceeds the maximum whileyou are recording. This is indicated by the SONGMEMORY indicator lamp turning on.

Other Song Memory DataThe following data is included when recording to SongMemory: selected tone, tempo and beat settings, pedaloperations, reverb and chorus settings, selectedrhythm (Track 1 only).

Recording to and Playing Back from Song Memory

SYNCHRO/FILL-IN

INTRO/ENDING

SONG MEMORY

START/STOP

METRONOME

LEFT/TRACK 1 RIGHT/TRACK 2

Recorded Data StorageThis digital piano has a lithium battery to supplypower to retain memory contents even while poweris off.* The life of the lithium battery is five years afterthe date of manufacture of the digital piano. Be sureto contact your CASIO service provider about havingthe lithium battery replaced every five years.

* Never turn off piano power while a recordoperation is in progress.

IMPORTANT!• If the data recorded in a single track uses up all the

available Song Memory capacity, you will not be able torecord anything in the other track.

• Recording new data to a track automatically deletes anydata previously stored in that track.

• Turning off power while a record operation is in progressdeletes anything recorded up to that point.

• CASIO shall not be held responsible for any losses by youor any third party due to loss of data caused bymalfunction or repair of this digital piano, or by batteryreplacement.

SONG MEMORY Button OperationEach press of the SONG MEMORY button cyclesthrough the functions shown below.

Track 1

Start End

Track 2

Auto Accompaniment(rhythm, bass, chords), melody

Melody

Data recorded in track

PlaybackStandby

RecordStandby Normal

Lit Flash Unlit

414A-E-021A

E-20


Recording Your Keyboard PlayYou can record to either track with or without playbackof the other track.

To record to one track without playingback the other

1 Press the SONG MEMORY button twice sothe SONG MEMORY indicator lamp isflashing.• At this time the LEFT/TRACK 1 indicator lamp

should also be flashing. This indicates that thepiano is standing by for recording to Track 1.

NOTE• If you want to record to Track 2, press the LEFT/

TRACK 1 RIGHT/TRACK 2 button here. This willcause the RIGHT/TRACK 2 indicator lamp to flash,which indicates that the piano is standing by forrecording to Track 2.

• Select the tone and effects you want to use inyour recording, and configure the tempo andbeat settings.

• If you want to use the metronome duringrecording, press the METRONOME button tostart it.

• If you want to use a rhythm and/or autoaccompaniment during recording (to Track 1only), select the rhythm and chord mode.

2 Start playing something on the keyboard.• This will automatically start recording.• Actually, there are a variety of different ways

to start the record operation. See “Starting theRecord Operation” below for more information.

3 When you are finished, press the START/STOP button to stop recording.• If you are using a rhythm, you can stop

recording with an ending pattern by pressingthe INTRO/ENDING button.

• Stopping recording causes the SONG MEMORYindicator lamp to go out, and indicator lampabove the button of the track to which yourecorded to light.

• To play back the track you just recorded, pressthe START/STOP button again.

4 After you are finished recording andplaying back, press the SONG MEMORYbutton so the SONG MEMORY indicatorlamp is off.

Starting the Record OperationYou can use any of the following methods to start arecord operation in step 2 of the above procedure.

When recording to Track 1 with rhythm or autoaccompaniment• Press the START/STOP button to start recording.• Press the SYNCHRO/FILL-IN button to put the

piano into synchro start standby. Recording willstart when you finger a chord in theaccompaniment range of the keyboard.

• Press the INTRO/ENDING button to put thepiano into synchro start standby. Recording willstart and an intro pattern will play when youfinger a chord in the accompaniment range of thekeyboard.

When recording to Track 1 without rhythm orauto accompaniment• Recording will start as soon as you play anything

on the keyboard.

When recording to Track 2• Press the START/STOP button or play something

on the keyboard to start recording.

414A-E-022A

E-21


To record to a track while playingback from the otherAfter you finish recording, you can play back Track 1and Track 2 at the same time.

Example: To record to Track 2 while playing back thecontents of Track 1

1 Press the SONG MEMORY button once.• This causes the SONG MEMORY indicator

lamp to light.

2 Press the LEFT/TRACK 1 RIGHT/TRACK2 button so LEFT/TRACK 1 indicator is lit.

3 Press the SONG MEMORY button again.• This causes the LEFT/TRACK 1 indicator lamp

to flash. Press the LEFT/TRACK 1 RIGHT/TRACK 2 button again, so it causes the RIGHT/TRACK 2 indicator lamp to flash, whichindicates that the piano is standing by forrecording to Track 2.

• Select the tone and effects you want to use whilerecording.

4 Press the START/STOP button or playsomething on the keyboard to startsimultaneous playback from Track 1 andrecording to Track 2.

5 When you are finished, press the START/STOP button again to stop recording.

Playing Back from Song Memory

1 Press the SONG MEMORY button once.• This causes the SONG MEMORY indicator

lamp to light.

2 Use the LEFT/TRACK 1 RIGHT/TRACK 2button to select the track you want to playback. The indicator lamps above the button show the

currently selected track.• To play back Track 1, the LEFT/TRACK 1

indicator lamp should be lit.• To play back Track 2, the RIGHT/TRACK 2

indicator lamp should be lit.• To play back Track 1 and Track 2, both the

indicator lamps should be lit.

3 Press the START/STOP button.• This starts playback of the track you selected.• You can change the tempo setting as a track is

playing.• As a track is playing, you can turn the

metronome on or off using the METRONOMEbutton.

• You cannot change the tone setting duringplayback.

• Press the START/STOP button again to stopplayback.

To delete song memory data

IMPORTANT!• The procedure below deletes all of the data from the

selected track. Note that the delete operation cannot beundone. Check to make sure you really do not need thedata in Song Memory before you perform the followingsteps.

1 Press the SONG MEMORY button twice.• This causes the SONG MEMORY indicator

lamp to be flashing.

2 Use the LEFT/TRACK 1 RIGHT/TRACK 2button to select the track you want todelete.• The indicator lamps above the button show the

currently selected track.• To delete Track 1, the LEFT/TRACK 1 indicator

lamp should be flashing.• To delete Track 2, the RIGHT/TRACK 2

indicator lamp should be flashing.

3 Hold down the SONG MEMORY buttonuntil its indicator lamp stops flashing andremains lit.

4 Press the LEFT/TRACK 1 RIGHT/TRACK2 button.• This deletes the contents of the track.

414A-E-023A

E-22

Other Settings

Changing the Keyboard Touch1This setting changes the relative touch of the

keyboard keys.

Changing the Piano Key2Use this setting to raise or lower the overall key of

the keyboard in semitone steps.

Changing the Pitch of the Pianoto Match Another Instrument

3Use this setting to raise or lower the overall pitchof the piano. The setting range is plus or minus 50cents (100 cents = 1 semitone) from the standardpitch of A4 = 440.0Hz.

1 While holding down the CONTROLbutton, use the keyboard keys shown belowto select the keyboard setting you want.

1Changing the Keyboard TouchOff: Weak (Strong sound is produced even when

relatively light pressure is applied.) : Normal: Strong (Normal sound is produced even when

relatively strong pressure is applied.) :

2Changing the Piano KeyHigher (C to F)Normal (C)Lower (F to B)

<Keys and their indicators>

3Changing the Pitch of the Piano to MatchAnother Instrument+: Raise– : Lower

* Each press of a key changes the current setting byapproximately 1 cents (1/100 semitone).

NOTE• Holding down the CONTROL button and pressing

keyboard keys “–” and “+” at the same time returnstuning to the standard A4 = 440.0Hz.

C1

C2

C3

C4

C5

C6

C7

C8

Off

Weak Strong

Normal

C4 : Normal

1 3 + : Raise

– : Lower

2Lower Higher

CONTROL

F# G A A B B

F E E D C# C

Key:Display:

414A-E-024A

E-23

OUT INSender Receiver

MIDI cable: MK-5

MIDI musical instrumentMIDI sound moduleMIDI sequencerOther MIDI device

MIDI musical instrumentMIDI sequencerOther MIDI device

IN OUTReceiver Sender

MIDI cable: MK-5

MIDI Settings

1Send ChannelUse this setting to specify one of the MIDI channels(1 through 16) as the Send Channel for sendingMIDI messages to an external device.

2Accomp MIDI OutUse this setting to specify whether or not MIDImessages for the piano’s auto accompanimentshould be sent.

3MIDI IN Chord JudgeSpecifies whether chord judge should be performedon accompaniment range MIDI Note On messagesreceived from an external device.

4Local ControlThis setting controls whether or not power is cutoff internally from the piano’s keyboard and soundsource. Turning off Local Control cuts off power tothe keyboard and source, which means that thepiano does not produce any sound when played.This comes in handy when you want to turn off thepiano’s keyboard and use its auto accompanimentfeature to accompany an external sequencer or otherdevice.

Other Settings

414A-E-025A

Turning Off Keyboard Lighting

1 While holding down the CONTROLbutton, use the keyboard keys shown belowto toggle keyboard lighting on and off.

Using MIDI

What is MIDI?The letters MIDI stand for Musical Instrument DigitalInterface, which is the name of a worldwide standardfor digital signals and connectors that makes itpossible to exchange musical data between musicalinstruments and computers (machines) produced bydifferent manufacturers.

MIDI Connections

Send

Receive

C1

C2

C3

C4

C5

C6

C7

C8

Off On

E-24

Other Settings

Expanding the Selections inthe Music Library

You can transfer song data from your computer to thepiano’s Music Library. You can store up to 10 tunes(about 29,000 note, about 174 kilobytes) as MusicLibrary songs 80 through 89. For SMF data youpurchase or create, you need to use special CASIOconversion to convert it to CASIO format beforetransferring it to the piano.You can obtain a copy of the special CASIO conversionsoftware by downloading it at the Web page shownbelow. After downloading, install the software on yourcomputer.

CASIO MUSIC SITE

http://music.casio.com/

• In addition to the software itself, the CASIO MUSICSITE will also provide you with information aboutits installation and use. You can also find out abouthow to connect your computer and piano, the latestnews about your piano and other CASIO musicalinstruments, and much more.

1 While holding down the CONTROLbutton, press one the keyboard keys shownbelow to configure the setting you want.

1Send Channel– : Decreases value +: Increases value

2Accomp MIDI OutOff On

3MIDI IN Chord JudgeOff On

4Local ControlOff On

5Navigate Channel (Left Hand Part)– : Decreases value +: Increases value

6Navigate Channel (Right Hand Part)– : Decreases value +: Increases value

C1

C2

C3

C4

C5

C6

C7

C8

4 Off

On

5 +

–

6 +

–

2 On

Off

On

– +

1 3

Off

414A-E-026B

E-25

Troubleshooting

Symptom

No sound produced whenkeyboard keys are pressed.

Keyboard keys remain lit.

Keyboard keys light but no soundis produced.

Keyboard out of tune.

No sound produced by demo tuneplay.

Memory contents deleted.

No sound produced by connectedexternal MIDI sound source whenthe digital piano keys are pressed.

Possible Cause

1. VOLUME knob set to MIN.

2. Headphones connected to thedigital piano.

3. Local Control turned off.4. Check the current

accompaniment mode setting.Normally, the accompanimentkeyboard will not produce anynote while CASIO CHORD orFINGERED is selected as theaccompaniment mode.

The piano is standing by forkeyboard play in Easy Lesson.

Power on alert is telling you thatpower is left on.

1. The piano key is set to a valueother than C.

2. Incorrect pitch setting of thepiano.

1. VOLUME knob set to MIN.

2. Headphones connected to thedigital piano.

Lithium battery is dead.

1. The digital piano Send Channeldoes not match the Send Channelof the MIDI sound source.

2. Volume or expression setting ofthe external sound source is setto 0.

Action

1. Move the VOLUME knob moretowards MAX.

2. Disconnect the headphonesfrom the digital piano.

3. Turn on Local control.4. Change the accompaniment

mode to NORMAL.

1. Press the lit keys and continuewith Easy Lesson play.

2. Press the PLAY/STOP button tostop Easy Lesson.

Press any button or keyboard keyto resume normal operation withthe keyboard in its initial power onsetting.

1. Change the piano key setting toC, or turn the digital pianopower off and then back onagain.

2. Correct the pitch setting, or turnthe digital piano power off andthen back on again.

1. Move the VOLUME knob moretowards MAX.

2. Disconnect the headphonesfrom the digital piano.

Contact your CASIO ServiceProvider for replacement of thelithium battery.

1. Change the Send Channelsettings so they are identical.

2. Change the volume orexpression setting of theexternal sound source to anappropriate value.

Reference

Page E-6

Page E-5

Page E-24Page E-12

Page E-18

Page E-4

Page E-22

Page E-22

Page E-6

Page E-5

Page E-27

Page E-24

See thedocumentationthat comes withthe externalsound source.

414A-E-027A

E-26

SpecificationsModels: PX-500L

Keyboard: 88 piano keys (with touch response)

Key Lighting System: Can be turned on and off

Key Lighting Polyphony: 10

Polyphony: 32 notes, maximum

Tones: 15 panel tones + 15 variation tones + 128 GM tones + 10 drum sets; with layer and split

Digital Effects: Reverb (4 types), Chorus (4 types)

Metronome: • Time Signatures: 0, 2, 3, 4, 5, 6

• Tempo Range: 30 to 255

Auto Accompaniment: • Number of Rhythms: 120

• Tempo Range: 30 to 255

• Controllers: START/STOP, INTRO/ENDING, SYNCHRO/FILL-IN

• Modes: Normal; CASIO CHORD; FINGERED; FULL RANGE CHORD

• Accompaniment Volume: Adjustable

Music Library: • Number of Tunes: 80 preset + 10 loaded song data

• Tempo: 30 to 255

• Demo: Sequential looping of all 80 preset tunes

Lesson Function: • 2 types (Easy Lesson, Normal Lesson)

• Lesson Part: Left hand, right hand, both hands

Song Memory: • Operations: Real-time recording, playback

• Capacity: Approximately 5,200 notes (2 tracks)

• Memory Backup: Built-in lithium battery (Battery Life: 5 years)

Pedals: Damper, Soft/Sostenuto (Selectable)

Other Functions: • Touch: 3 types, off

• Transpose: 1 octave (F to C to F)

• Tuning: A4 = 440.0Hz ±50 cents (adjustable)

MIDI: 16 multi-timbre receive, GM Level 1 standard

Input/Output: • Headphones: Stereo mini jacks × 2Output Impedance : 170ΩOutput Voltage : 1.1V (RMS) MAX

• Pedal: Standard jacks × 2

• Power: 12V DC

• MIDI (OUT) (IN)

Speakers: (12cm × 6cm) × 2 (Output: 8.0W + 8.0W)

Power Supply: AC Adaptor: AD-12

Power Consumption: 12V 18W

Dimensions: 132.3× 27.8 × 13.2 cm (52 1/16 × 10 15/16 × 5 3/16 inch)

Weight: Approximately 13.0 kg (28.7 lbs)

• Design and specifications are subject to change without notice.

414A-E-028B

E-27

Operational Precautions

Locating the UnitAvoid the following locations.• Areas exposed to direct sunlight and high humidity• Areas subjected to very low temperatures• Near a radio, TV, video deck, or tuner (unit can cause

interference with audio or video signals)

Care of the Unit• Never use benzene, alcohol, thinner or other such

chemicals to clean the exterior of the unit.• To clean the keyboard, use a soft cloth dampened with a

weak solution of a mild neutral detergent and water.Wring out all excess moisture from the cloth beforewiping.

Lithium BatteryThis unit is equipped with a lithium battery to providepower needed to retain memory contents while unit poweris turned off. Should the lithium battery go dead, all memorycontents will be lost whenever you turn unit power off. Thenormal life of the lithium battery is five years from the timethat the battery was installed. Be sure to periodically contactyour retailer or authorized service provider to have thelithium battery replaced. Note that you will be chargedseparately for lithium battery replacement.

414A-E-029A

• Note that CASIO COMPUTER CO., LTD. shall not beheld liable for any damages or losses or any claims bythird parties arising from corruption or loss of datacaused by malfunction or repair of the unit, or frombattery replacement.

You may notice lines in the finish of the case of thisproduct. These lines are the result of the moldingprocess used to shape the plastic of the case. Theyare not cracks or breaks in the plastic, and are nocause for concern.

NOTE• Unauthorized reproduction of this manual in its

entirety or in part is expressly forbidden. All rightsreserved.

• CASIO COMPUTER CO., LTD. shall not be heldliable for any damages or losses or any claims bythird parties arising from use of this product or thismanual.

• The contents of this manual are subject to changewithout notice.

Setting Control Key ChartWhile the CONTROL button is depressed, the keyboard keys can be used to perform a variety of different settingfunctions. To help you understand which keyboard keys you need to press, it is a good idea to remember wherethe various C notes (C1 through C8) are on the keyboard.

* A value next to a note name indicates the relative position of the note on the keyboard as shown below.

C1

C2

C3

C4

C5

C6

C7

C8

1 2 3 4 5 0 A B C7 8 96

1 Number Input Keys (0 to 9) 2 Keyboard Touch (Off, Weak, Normal, Strong)3 Chord Mode (Normal, CASIO CHORD, Fingered, Full-Range Chord)4 Accompaniment Volume (–, +) 5 Layered Tones Volume (–, +)6 Piano Key (F to C to F) 7 Reverb Effect (1 to 4)8 Chorus Effect (1 to 4) 9 Pitch Setting (–, +)0 Pedal Function (Soft, Sostenuto) A MIDI (see page E-23)B Power on Alert (Off, On) C Key Lighting (Off, On)

414A-E-058A

Appendix/Apéndice

Tone List/Lista de sonidos

Panel Tones/Sonidos de panel

GM Tones/Sonidos GM

11111 No./Nº

22222 Tone Name/Nombre de sonidos

33333 Maximum Polyphony/Polidonía máxima

44444 Program Change/Cambio de programa

55555 Bank Select MSB/MSB de selección de banco

66666 Variation Tones/Sonidos de variación

Drum Sets/Ajustes de batería

11111

000001002003004005006007008009010011012013014

22222

GRAND PIANO 1GRAND PIANO 2HONKY TONKELEC PIANO 1ELEC PIANO 2HARPSICHORDVIBRAPHONEACOUSTIC GUITARPIPE ORGANPERC ORGANSTRINGSCHOIRTENOR SAXFLUTEACOUSTIC BASS

33333

163216321632323232163232323232

44444

003446112519174952667332

55555

212212222222222

66666

BRIGHT PIANOMELLOW PIANOOCTAVE PIANOE.GRAND PIANOFM ELEC PIANOCLAVIMARIMBANYLON STR GUITARDRAWBAR ORGANROCK ORGANSYNTH-STRINGSSYNTH-PADALTO SAXCLARINETRIDE ACO BASS

33333

161616321632323216163216323216

44444

100257

122416185090657132

55555

23

3022222222222

32

11111

000001002003004005006007008009010011012013014015016017018019020021022023024025026027028029030031032033034035036037038039040041042043044045046047048

22222

GM PIANO 1GM PIANO 2GM PIANO 3GM HONKY-TONKGM E.PIANO 1GM E.PIANO 2GM HARPSICHORDGM CLAVIGM CELESTAGM GLOCKENSPIELGM MUSIC BOXGM VIBRAPHONEGM MARIMBAGM XYLOPHONEGM TUBULAR BELLGM DULCIMERGM ORGAN 1GM ORGAN 2GM ORGAN 3GM PIPE ORGANGM REED ORGANGM ACCORDIONGM HARMONICAGM BANDONEONGM NYLON STR.GUITARGM STEEL STR.GUITARGM JAZZ GUITARGM CLEAN GUITARGM MUTE GUITARGM OVERDRIVE GTGM DISTORTION GTGM GT HARMONICSGM ACOUSTIC BASSGM FINGERED BASSGM PICKED BASSGM FRETLESS BASSGM SLAP BASS 1GM SLAP BASS 2GM SYNTH-BASS 1GM SYNTH-BASS 2GM VIOLINGM VIOLAGM CELLOGM CONTRABASSGM TREMOLO STRINGSGM PIZZICATOGM HARPGM TIMPANIGM STRINGS 1

33333

32323216321632323232163232323216161616163216321632323232323232323232323232323232323232323232323232

44444

0123456789

101112131415161718192021222324252627282930313233343536373839404142434445464748

55555

0000000000000000000000000000000000000000000000000

22222

GM STRINGS 2GM SYNTH-STRINGS 1GM SYNTH-STRINGS 2GM CHOIR AAHSGM VOICE DOOGM SYNTH-VOICEGM ORCHESTRA HITGM TRUMPETGM TROMBONEGM TUBAGM MUTE TRUMPETGM FRENCH HORNGM BRASSGM SYNTH-BRASS 1GM SYNTH-BRASS 2GM SOPRANO SAXGM ALTO SAXGM TENOR SAXGM BARITONE SAX GM OBOEGM ENGLISH HORNGM BASSOONGM CLARINETGM PICCOLOGM FLUTEGM RECORDERGM PAN FLUTEGM BOTTLE BLOWGM SHAKUHACHIGM WHISTLEGM OCARINAGM SQUARE LEADGM SAWTOOTH LEADGM CALLIOPEGM CHIFF LEADGM CHARANGGM VOICE LEADGM FIFTH LEADGM BASS+LEADGM FANTASYGM WARM PADGM POLYSYNTHGM SPACE CHOIRGM BOWED GLASSGM METAL PADGM HALO PADGM SWEEP PADGM RAIN DROPGM SOUND TRACK

33333

32323232323216323232321632321632323232323232323232323216163232161616161616161616161616161616161616

44444

49505152535455565758596061626364656667686970717273747576777879808182838485868788899091929394959697

11111

049050051052053054055056057058059060061062063064065066067068069070071072073074075076077078079080081082083084085086087088089090091092093094095096097

55555

0000000000000000000000000000000000000000000000000

22222

GM CRYSTALGM ATMOSPHEREGM BRIGHTNESSGM GOBLINSGM ECHOESGM SFGM SITARGM BANJOGM SHAMISENGM KOTOGM THUMB PIANOGM BAG PIPEGM FIDDLEGM SHANAIGM TINKLE BELLGM AGOGOGM STEEL DRUMSGM WOOD BLOCKGM TAIKOGM MELODIC TOMGM SYNTH-DRUMGM REVERSE CYMBALGM GT FRET NOISEGM BREATH NOISEGM SEASHOREGM BIRDGM TELEPHONEGM HELICOPTERGM APPLAUSEGM GUNSHOT

33333

161616161616163232323216323232321632323232323232161632321632

44444

9899

100101102103104105106107108109110111112113114115116117118119120121122123124125126127

11111

098099100101102103104105106107108109110111112113114115116117118119120121122123124125126127

55555

000000000000000000000000000000

22222

STANDARD SET 1STANDARD SET 2ROOM SETPOWER SETELECTRONIC SETSYNTH SET 1SYNTH SET 2JAZZ SETBRUSH SETORCHESTRA SET

44444

018

16242530324048

11111

128129130131132133134135136137

55555

120120120120120120120120120120

A-1

Rhythm List/Lista de ritmos

Appendix/Apéndice

Song List/Lista de canciones

11111 No./Nº 22222 Rhythm Name/Nombre de ritmo11111

000001002003004005006007008009010011012013014015016017018019020021022023

22222

POP 1WORLD POP8 BEAT POPSOUL BALLAD 1POP SHUFFLE 18 BEAT DANCEPOP BALLAD 1POP BALLAD 2BALLADFUSION SHUFFLESOUL BALLAD 216 BEAT 116 BEAT 28 BEAT 18 BEAT 28 BEAT 3DANCE POP 1POP FUSIONPOP 2POP WALTZDANCEDISCO 1DISCO 2EURO BEAT

11111

024025026027028029030031032033034035036037038039040041042043044045046047

22222

DANCE POP 2GROOVE SOULTECHNOTRANCEHIP-HOPFUNKPOP ROCK 1POP ROCK 2POP ROCK 3FUNKY POPPOP SHUFFLE 2ROCK BALLADSOFT ROCKROCK 1ROCK 2HEAVY METAL60’S SOUL60’S ROCKSLOW ROCKSHUFFLE ROCK50’S ROCKBLUESNEW ORLNS R&RTWIST

11111

048049050051052053054055056057058059060061062063064065066067068069070071

22222

R&BROCK WALTZBIG BAND 1BIG BAND 2BIG BAND 3SWINGSLOW SWINGFOX TROTJAZZ COMBO 1JAZZ VOICESACID JAZZJAZZ WALTZPOLKAPOP POLKAMARCH 1MARCH 2WALTZ 1SLOW WALTZVIENNESE WALTZFRENCH WALTZSERENADETANGOBOSSA NOVA 1BOSSA NOVA 2

11111

072073074075076077078079080081082083084085086087088089090091092093094095

22222

SAMBA 1SAMBA 2MAMBORHUMBACHA-CHA-CHAMERENGUEBOLEROSALSAREGGAEPUNTACUNBIAPASODOBLESKABLUEGRASSDIXIETEX-MIXCOUNTRY 1COUNTRY 2FOLKLOREJIVEFAST GOSPELSLOW GOSPELSIRTAKIHAWAIIAN

11111

096097098099100101102103104105106107108109110111112113114115116117118119

22222

ADANIBALADIENKASTR QUARTETPIANO BALLAD 1PIANO BALLAD 2PIANO BALLAD 3EP BALLAD 1EP BALLAD 2BLUES BALLADMELLOW JAZZJAZZ COMBO 2RAGTIMEBOOGIE-WOOGIEARPEGGIO 1ARPEGGIO 2ARPEGGIO 3PIANO BALLAD 46/8 MARCHMARCH 32 BEATWALTZ 2WALTZ 3WALTZ 4

0001020304050607080910111213141516171819202122232425262728

Over the RainbowWinter GamesPuff The Magic DragonCan You Feel The Love TonightSomeday My Prince Will ComeWaltz For DebbyFly Me To The MoonMoon RiverYesterday Once MoreLet It BeYesterdayHard To Say I’m SorrySaving All My Love For Youenergy flowThe EntertainerMaple Leaf RagFantaisie-Impromptu Op.66Nocturne Op.9-2Etude Op.10-3 “Chanson de l’adieu”Etude Op.25-9Prelude Op.28-7Valse Op.64-1 “Petit Chien”Fröhlicher LöndmannVon fremden Ländern und MenschenTräumereiArabesqueLa ChevaleresqueLa Prière d’une ViergeBlumenlied

11111 No./Nº 22222 Song Name/Nombre de canciones

414A-E-059B A-2

11111 22222

Csikos PostLa Fille aux Cheveux de LinArabesque 1Gymnopédies 1Canon in D MajorMenuet [Klavierbüchlein für AnnaMagdalena Bach]Jesus Bleibet Meine FreudeVariations on “Ah, Vous Dirai-je,Maman” K.265Sonata K.331 3rd Mov. “TurkishMarch”Serenade [Eine Kleine Nachtmusik]Sonatina Op.36-1 1st Mov.Ode To JoySonata Op.13 “Pathétique” 2nd Mov.Sonata Op.27-2 “Moonlight” 1st Mov.Für EliseMoments Musicaux Op.94-3Impromptu Op.142-3 “Thema”Inventio 1Inventio 2Inventio 3Inventio 4Inventio 5Inventio 6Inventio 7Inventio 8Inventio 9

2930313233

34

35

36

37

3839404142434445464748495051525354

11111 22222 11111 22222

Inventio 10Inventio 11Inventio 12Inventio 13Inventio 14Inventio 15Happy Birthday To YouJingle BellsJoy To The WorldSilent NightWe Wish You A Merry ChristmasAuld Lang SyneI’ve Been Working On The RailroadUnder The Spreading Chestnut TreeSippin’ Cider Through A StrawYankee DoodleTurkey In The StrawAmazing GraceGrandfather’s ClockLong Long AgoDanny BoyChopsticksNeko FunjyattaBeautiful DreamerHome On The Range

∗ Auto accompaniment tunes∗ Melodías del acompañamiento

automático

55565758596061626364∗65∗66∗67∗68∗69∗70∗71∗7273747576777879

NOTE• Rhythms 110 through 119 consist of chord accompaniments only, without any drums or other percussion instruments. These rhythms do not

sound unless CASIO CHORD, FINGERED, or FULL RANGE CHORD is selected as the accompaniment mode. With such rhythms, make surethat CASIO CHORD, FINGERED, or FULL RANGE CHORD is selected before you try playing chords.

NOTA• Los ritmos 110 al 119 consisten solamente de acompañamientos de acordes, sin ninguna batería ni otros instrumentos de percusión. Estos

ritmos no suenan a menos que CASIO CHORD, FINGERED o FULL RANGE CHORD sean seleccionados como el modo de acompañamiento.Con tales ritmos, asegúrese de que se selecciona CASIO CHORD, FINGERED o FULL RANGE CHORD, antes de tratar de ejecutar los acordes.

Appendix/Apéndice

Dru

m A

ssig

nm

ent

Lis

t/L

ista

de

son

ido

s d

e b

ater

ía

C1

D1

E1

F1

G1

A1

B1

C0

D0

E0

F0

G0

A0

B0

C1

D1

E1

F1

G1

A1

B1

C2

D2

E2

F2

G2

A2

B2

0 2 4 5 7 9 11 12 14 16 17 19 21 23 24 26 28 29 31 33 35 36 38 40 41 43 45 47

C 1

E 1

F 1

A 1

B 1

C 0

E 0

F 0

A 0

B 0

C 1

E 1

F 1

A 1

B 1

C 2

E 2

F 2

A 2

B 2

1 3 6 8 10 13 15 18 20 22 25 27 30 32 34 37 39 42 44 46

STA

ND

AR

D S

ET

1K

ey/N

ote

Num

ber

STA

ND

AR

D S

ET

2R

OO

M S

ET

PO

WE

R S

ET

ELE

CTR

ON

IC S

ET

SY

NTH

SE

T 1

SY

NTH

SE

T 2

JAZZ

SE

T B

RU

SH

SE

TO

RC

HE

STR

A S

ET

– – – – – – – – – – – – – – – – – – – – – – – – – – – Hig

h Q

Sla

pS

crat

ch P

ush

Scr

atch

Pul

lS

ticks

Squ

are

Clic

kM

etro

nom

e C

lick

Met

rono

me

Bel

lS

tand

ard1

Kic

k 2

Sta

ndar

d1 K

ick

1S

ide

Stic

kS

tand

ard1

Sna

re 1

Han

d C

lap

1S

tand

ard1

Sna

re 2

Low

Tom

2C

lose

d H

i-Hat

Low

Tom

1P

edal

Hi-H

atM

id T

om 2

Ope

n H

i-Hat

Mid

Tom

1

– – – – – – – – – – – – – – – – – – – – – – – – – – – Hig

h Q

Sla

pS

crat

ch P

ush

Scr

atch

Pul

lS

ticks

Squ

are

Clic

kM

etro

nom

e C

lick

Met

rono

me

Bel

lS

tand

ard2

Kic

k 2

Sta

ndar

d2 K

ick

1S

ide

Stic

kS

tand

ard2

Sna

re 1

Han

d C

lap

2S

tand

ard2

Sna

re 2

Low

Tom

2C

lose

d H

i-Hat

Low

Tom

1P

edal

Hi-H

atM

id T

om 2

Ope

n H

i-Hat

Mid

Tom

1

– – – – – – – – – – – – – – – – – – – – – – – – – – – Hig

h Q

Sla

pS

crat

ch P

ush

Scr

atch

Pul

lS

ticks

Squ

are

Clic

kM

etro

nom

e C

lick

Met

rono

me

Bel

lR

oom

Kic

k 2

Roo

m K

ick

1S

ide

Stic

kR

oom

Sna

re 1

Han

d C

lap

1R

oom

Sna

re 2

Roo

m L

ow T

om 2

Clo

sed

Hi-H

atR

oom

Low

Tom

1P

edal

Hi-H

atR

oom

Mid

Tom

2O

pen

Hi-H

atR

oom

Mid

Tom

1

– – – – – – – – – – – – – – – – – – – – – – – – – – – Hig

h Q

Sla

pS

crat

ch P

ush

Scr

atch

Pul

lS

ticks

Squ

are

Clic

kM

etro

nom

e C

lick

Met

rono

me

Bel

lP

ower

Kic

k 2

Pow

er K

ick

1S

ide

Stic

kP

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Sna

re 1

Han

d C

lap

1P

ower

Sna

re 2

Pow

er L

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om 2

Pow

er C

HH

Pow

er L

ow T

om 1

Pow

er P

HH

Pow

er M

id T

om 2

Pow

er O

HH

Pow

er M

id T

om 1

– – – – – – – – – – – – – – – – – – – – – – – – – – – Hig

h Q

Sla

pS

crat

ch P

ush

Scr

atch

Pul

l S

ticks

Squ

are

Clic

kM

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nom

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lick

Met

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Bel

lE

lect

ric K

ick

2E

lect

ric K

ick

1S

ide

Stic

kE

lect

ric S

nare

1H

and

Cla

p 1

Ele

ctric

Sna

re 2

Ele

ctric

Low

Tom

2C

lose

d H

i-Hat

Ele

ctric

Low

Tom

1P

edal

Hi-H

atE

lect

ric M

id T

om 2

Ope

n H

i-Hat

Ele

ctric

Mid

Tom

1

– – – – – – – – – – – – – – – – – – – – – – – – – – – Hig

h Q

Sla

pS

crat

ch P

ush

Scr

atch

Pul

l S

ticks

Squ

are

Clic

kM

etro

nom

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lick

Met

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me

Bel

lS

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1 K

ick

2S

ynth

1 K

ick

1S

ynth

1 R

im S

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Syn

th1

Sna

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Han

d C

lap

2S

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1 S

nare

2S

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1 Lo

w T

om 2

Syn

th1

Clo

sed

HH

1S

ynth

1 Lo

w T

om 1

Syn

th1

Clo

sed

HH

2S

ynth

1 M

id T

om 2

Syn

th1

Ope

n H

HS

ynth

1 M

id T

om 1

– – – – – – – – – – – – – – – – – – – – – – – – – – – Hig

h Q

Sla

pS

crat

ch P

ush

Scr

atch

Pul

lS

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are

Clic

kM

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Kic

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Syn

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Sid

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Sna

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d C

lap

1S

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2 S

nare

2S

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2 Lo

w T

om 2

Syn

th2

Clo

sed

HH

1S

ynth

2 Lo

w T

om 1

Syn

th2

Clo

sed

HH

2S

ynth

2 M

id T

om 2

Syn

th2

Ope

n H

HS

ynth

2 M

id T

om 1

– – – – – – – – – – – – – – – – – – – – – – – – – – – Hig

h Q

Sla

pS

crat

ch P

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Scr

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Pul

lS

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Clic

kM

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nom

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lJa

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ick

2Ja

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ick

1S

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Stic

kJa

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nare

1H

and

Cla

p 1

Jazz

Sna

re 2

Low

Tom

2C

lose

d H

i-Hat

Low

Tom

1P

edal

Hi-H

atM

id T

om 2

Ope

n H

i-Hat

Mid

Tom

1

– – – – – – – – – – – – – – – – – – – – – – – – – – – Hig

h Q

Sla

pS

crat

ch P

ush

Scr

atch

Pul

lS

ticks

Squ

are

Clic

kM

etro

nom

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lick

Met

rono

me

Bel

lJa

zz K

ick

2Ja

zz K

ick

1S

ide

Stic

kB

rush

Sna

re 1

Bru

sh S

lap

Bru

sh S

nare

2B

rush

Low

Tom

2B

rush

Clo

sed

Hi-H

atB

rush

Low

Tom

1P

edal

Hi-H

atB

rush

Mid

Tom

2B

rush

Ope

n H

i-Hat

Bru

sh M

id T

om 1

– – – – – – – – – – – – – – – – – – – – – – – – – – – Clo

sed

Hi-H

atP

edal

Hi-H

atO

pen

Hi-H

atR

ide

Cym

bal 1

Stic

ksS

quar

e C

lick

Met

rono

me

Clic

kM

etro

nom

e B

ell

Jazz

Kic

k 1

Con

cert

BD

1S

ide

Stic

kC

once

rt S

DC

asta

nets

Con

cert

SD

Tim

pani

FTi

mpa

ni F

#Ti

mpa

ni G

Tim

pani

G#

Tim

pani

ATi

mpa

ni A

#Ti

mpa

ni B

A-3 414A-E-060A

Appendix/Apéndice

C3

D3

E3

F3

G3

A3

B3

C4

D4

E4

F4

G4

A4

B4

C5

D5

E5

F5

G5

A5

B5

C6

D6

E6

48 50 52 53 55 57 59 60 62 64 65 67 69 71 72 74 76 77 79 81 83 84 86 88

49 51 54 56 58 61 63 66 68 70 73 75 78 80 82 85 87

Key

/Not

e N

umbe

r

C 3

E 3

F 3

A 3

B 3

C 4

E 4

F 4

A 4

B 4

C 5

E 5

F 5

A 5

B 5

C 6

E 6

STA

ND

AR

D S

ET

1S

TAN

DA

RD

SE

T 2

RO

OM

SE

T P

OW

ER

SE

TE

LEC

TRO

NIC

SE

TS

YN

TH S

ET

1S

YN

TH S

ET

2JA

ZZ S

ET

BR

US

H S

ET

OR

CH

ES

TRA

SE

T

Hig

h To

m 2

Cra

sh C

ymba

l 1H

igh

Tom

1R

ide

Cym

bal 1

Chi

nese

Cym

bal

Rid

e B

ell

Tam

bour

ine

1S

plas

h C

ymba

lC

owbe

llC

rash

Cym

bal 2

Vibr

asla

pR

ide

Cym

bal 2

Hig

h B

ongo

Low

Bon

goM

ute

Hig

h C

onga

Ope

n H

igh

Con

gaO

pen

Low

Con

gaH

igh

Tim

bale

Low

Tim

bale

Hig

h A

gogo

Low

Ago

goC

abas

aM

arac

asS

hort

Hig

h W

hist

leLo

ng L

ow W

hist

leS

hort

Gui

roLo

ng G

uiro

Cla

ves

Hig

h W

ood

Blo

ckLo

w W

ood

Blo

ckM

ute

Cui

caO

pen

Cui

caM

ute

Tria

ngle

Ope

n Tr

iang

leS

hake

rJi

ngle

Bel

lB

ell T

ree

Cas

tane

tsM

ute

Sur

doO

pen

Sur

doA

ppla

use

Hig

h To

m 2

Cra

sh C

ymba

l 1H

igh

Tom

1R

ide

Cym

bal 1

Chi

nese

Cym

bal

Rid

e B

ell

Tam

bour

ine

1S

plas

h C

ymba

lC

owbe

llC

rash

Cym

bal 2

Vibr

asla

pR

ide

Cym

bal 2

Hig

h B

ongo

Low

Bon

goM

ute

Hig

h C

onga

Ope

n H

igh

Con

gaO

pen

Low

Con

gaH

igh

Tim

bale

Low

Tim

bale

Hig

h A

gogo

Low

Ago

goC

abas

aM

arac

asS

hort

Hig

h W

hist

leLo

ng L

ow W

hist

leS

hort

Gui

roLo

ng G

uiro

Cla

ves

Hig

h W

ood

Blo

ckLo

w W

ood

Blo

ckM

ute

Cui

caO

pen

Cui

caM

ute

Tria

ngle

Ope

n Tr

iang

leS

hake

rJi

ngle

Bel

lB

ar C

him

esC

asta

nets

Mut

e S

urdo

Ope

n S

urdo

App

laus

e

Roo

m H

igh

Tom

2C

rash

Cym

bal 1

Roo

m H

igh

Tom

1R

ide

Cym

bal 1

Chi

nese

Cym

bal

Rid

e B

ell

Tam

bour

ine

1S

plas

h C

ymba

lC

owbe

llC

rash

Cym

bal 2

Vibr

asla

pR

ide

Cym

bal 2

Hig

h B

ongo

Low

Bon

goM

ute

Hig

h C

onga

Ope

n H

igh

Con

gaO

pen

Low

Con

gaH

igh

Tim

bale

Low

Tim

bale

Hig

h A

gogo

Low

Ago

goC

abas

aM

arac

asS

hort

Hig

h W

hist

leLo

ng L

ow W

hist

leS

hort

Gui

roLo

ng G

uiro

Cla

ves

Hig

h W

ood

Blo

ckLo

w W

ood

Blo

ckM

ute

Cui

caO

pen

Cui

caM

ute

Tria

ngle

Ope

n Tr

iang

leS

hake

rJi

ngle

Bel

lB

ell T

ree

Cas

tane

tsM

ute

Sur

doO

pen

Sur

doA

ppla

use

Pow

er H

igh

Tom

2C

rash

Cym

bal 1

Pow

er H

igh

Tom

1R

ide

Cym

bal 1

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nese

Cym

bal

Rid

e B

ell

Tam

bour

ine

1S

plas

h C

ymba

lC

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llC

rash

Cym

bal 2

Vibr

asla

pR

ide

Cym

bal 2

Hig

h B

ongo

Low

Bon

goM

ute

Hig

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onga

Ope

n H

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Con

gaO

pen

Low

Con

gaH

igh

Tim

bale

Low

Tim

bale

Hig

h A

gogo

Low

Ago

goC

abas

aM

arac

asS

hort

Hig

h W

hist

leLo

ng L

ow W

hist

leS

hort

Gui

roLo

ng G

uiro

Cla

ves

Hig

h W

ood

Blo

ckLo

w W

ood

Blo

ckM

ute

Cui

caO

pen

Cui

caM

ute

Tria

ngle

Ope

n Tr

iang

leS

hake

rJi

ngle

Bel

lB

ell T

ree

Cas

tane

tsM

ute

Sur

doO

pen

Sur

doA

ppla

use

Ele

ctric

Hig

h To

m 2

Cra

sh C

ymba

l 1E

lect

ric H

igh

Tom

1R

ide

Cym

bal 1

Rev

erse

Cym

bal

Rid

e B

ell

Tam

bour

ine

1S

plas

h C

ymba

lC

owbe

llC

rash

Cym

bal 2

Vibr

asla

pR

ide

Cym

bal 2

Hig

h B

ongo

Low

Bon

goM

ute

Hig

h C

onga

Ope

n H

igh

Con

gaO

pen

Low

Con

gaH

igh

Tim

bale

Low

Tim

bale

Hig

h A

gogo

Low

Ago

goC

abas

aM

arac

asS

hort

Hig

h W

hist

leLo

ng L

ow W

hist

leS

hort

Gui

roLo

ng G

uiro

Cla

ves

Hig

h W

ood

Blo

ckLo

w W

ood

Blo

ckM

ute

Cui

caO

pen

Cui

caM

ute

Tria

ngle

Ope

n Tr

iang

leS

hake

rJi

ngle

Bel

lB

ell T

ree

Cas

tane

tsM

ute

Sur

doO

pen

Sur

doA

ppla

use

Syn

th1

Hig

h To

m 2

Synt

h1 C

rash

Cym

bal

Syn

th1

Hig

h To

m 1

Syn

th2

Rid

e C

ymba

lC

hine

se C

ymba

lR

ide

Bel

lS

ynth

1 Ta

mbo

urin

eS

plas

h C

ymba

lS

ynth

1 C

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llSy

nth2

Cra

sh C

ymba

l 2Vi

bras

lap

Rid

e C

ymba

l Edg

eS

ynth

1 H

igh

Bon

goS

ynth

1 Lo

w B

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Synt

h1 M

ute

Hi C

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Synt

h1 O

pen

Hi C

onga

Synt

h1 O

pen

Low

Cong

aH

igh

Tim

bale

Low

Tim

bale

Hig

h A

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Ago

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abas

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1 M

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Hig

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hist

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hist

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roS

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uiro

Syn

th1

Cla

ves

Hig

h W

ood

Blo

ckLo

w W

ood

Blo

ckH

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Hoo

Low

Hoo

Ele

c. M

ute

Tria

ngle

Ele

c. O

pen

Tria

ngle

Syn

th1

Sha

ker

Jing

le B

ell

Bel

l Tre

eC

asta

nets

Mut

e S

urdo

Ope

n S

urdo

App

laus

e

Syn

th2

Hig

h To

m 2

Synt

h2 C

rash

Cym

bal 1

Syn

th2

Hig

h To

m 1

Syn

th2

Rid

e C

ymba

lC

hine

se C

ymba

lR

ide

Bel

lTa

mbo

urin

e 2

Spl

ash

Cym

bal

Syn

th1

Cow

bell

Cra

sh C

ymba

l 2Vi

bras

lap

Rid

e C

ymba

l Edg

eH

igh

Bon

goLo

w B

ongo

Mut

e H

igh

Con

gaO

pen

Hig

h C

onga

Ope

n Lo

w C

onga

Hig

h Ti

mba

leLo

w T

imba

leH

igh

Ago

goLo

w A

gogo

Cab

asa

Syn

th1

Mar

acas

Sho

rt H

igh

Whi

stle

Long

Low

Whi

stle

Sho

rt G

uiro

Syn

th1

Gui

roS

ynth

1 C

lave

sH

igh

Woo

d B

lock

Low

Woo

d B

lock

Hig

h H

ooLo

w H

ooE

lec.

Mut

e Tr

iang

leE

lec.

Ope

n Tr

iang

leS

ynth

1 S

hake

rJi

ngle

Bel

lB

ell T

ree

Cas

tane

tsM

ute

Sur

doO

pen

Sur

doA

ppla

use

Hig

h To

m 2

Cra

sh C

ymba

l 1H

igh

Tom

1R

ide

Cym

bal I

nner

Chi

nese

Cym

bal

Rid

e B

ell

Tam

bour

ine

1S

plas

h C

ymba

lC

owbe

llC

rash

Cym

bal 2

Vibr

asla

pR

ide

Cym

bal E

dge

Hig

h B

ongo

Low

Bon

goM

ute

Hig

h C

onga

Ope

n H

igh

Con

gaO

pen

Low

Con

gaH

igh

Tim

bale

Low

Tim

bale

Hig

h A

gogo

Low

Ago

goC

abas

aM

arac

asS

hort

Hig

h W

hist

leLo

ng L

ow W

hist

leS

hort

Gui

roLo

ng G

uiro

Cla

ves

Hig

h W

ood

Blo

ckLo

w W

ood

Blo

ckM

ute

Cui

caO

pen

Cui

caM

ute

Tria

ngle

Ope

n Tr

iang

leS

hake

rJi

ngle

Bel

lB

ell T

ree

Cas

tane

tsM

ute

Sur

doO

pen

Sur

doA

ppla

use

Bru

sh H

igh

Tom

2Br

ush

Cras

h Cy

mba

l1B

rush

Hig

h To

m 1

Rid

e C

ymba

l Inn

erC

hine

se C

ymba

lB

rush

Rid

e B

ell

Tam

bour

ine

1S

plas

h C

ymba

lC

owbe

llBr

ush

Cras

h Cy

mba

l2Vi

bras

lap

Rid

e C

ymba

l Edg

eH

igh

Bon

goLo

w B

ongo

Mut

e H

igh

Con

gaO

pen

Hig

h C

onga

Ope

n Lo

w C

onga

Hig

h Ti

mba

leLo

w T

imba

leH

igh

Ago

goLo

w A

gogo

Cab

asa

Mar

acas

Sho

rt H

igh

Whi

stle

Long

Low

Whi

stle

Sho

rt G

uiro

Long

Gui

roC

lave

sH

igh

Woo

d B

lock

Low

Woo

d B

lock

Mut

e C

uica

Ope

n C

uica

Mut

e Tr

iang

leO

pen

Tria

ngle

Sha

ker

Jing

le B

ell

Bel

l Tre

eC

asta

nets

Mut

e S

urdo

Ope

n S

urdo

App

laus

e

Tim

pani

cTi

mpa

ni c

#Ti

mpa

ni d

Tim

pani

d#

Tim

pani

eTi

mpa

ni f

Tam

bour

ine

1S

plas

h C

ymba

lC

owbe

llC

once

rt C

ymba

l 2Vi

bras

lap

Con

cert

Cym

bal 1

Hig

h B

ongo

Low

Bon

goM

ute

Hig

h C

onga

Ope

n H

igh

Con

gaO

pen

Low

Con

gaH

igh

Tim

bale

Low

Tim

bale

Hig

h A

gogo

Low

Ago

goC

abas

aM

arac

asS

hort

Hig

h W

hist

leLo

ng L

ow W

hist

leS

hort

Gui

roLo

ng G

uiro

Cla

ves

Hig

h W

ood

Blo

ckLo

w W

ood

Blo

ckM

ute

Cui

caO

pen

Cui

caM

ute

Tria

ngle

Ope

n Tr

iang

leS

hake

rJi

ngle

Bel

lB

ell T

ree

Cas

tane

tsM

ute

Sur

doO

pen

Sur

doA

ppla

use

A-4414A-E-061A

Appendix/Apéndice

Fin

ger

ed C

ho

rd C

har

t/C

uad

ro d

e ac

ord

es d

igit

ado

s (F

ing

ered

)

dim

m7 5

M7

Mm

7m

7d

im7

Cho

rdTy

peRo

ot C D E F G A B

C /

(D )

(D )

/E

F /(

G )

(G )

/A

(A )

/B

aug

sus4

C D E F G A B

C /

(D )

(D )

/E

F /(

G )

(G )

/A

(A )

/B

m a

dd

97s

us4

mM

77 5

ad

d9

Cho

rdTy

peRo

ot

A-5 414A-E-062A

Model PX-500L MIDI Implementation Chart Version: 1.0

Function ... Transmitted Recognized Remarks

Basic DefaultChannel Changed

DefaultMode Messages

Altered

NoteNumber: True voice

Velocity Note ONNote OFF

After Key’sTouch Ch’s

Pitch Bender

0, 321

Control 6, 38Change 7

10116466679193

100, 101120121

ProgramChange :True #

System Exclusive

System : Song PosCommon : Song Sel

: Tune

System : ClockReal Time : Commands

Aux : Local ON/OFF: All notes OFF

Messages : Active Sense: Reset

Remarks

11-16

Mode 3X

21-108

O 9nH V = 1-127X 8nH V = 64

XX

X

OX

O*1OOOO

O*2 O*2

OOOOO

O 0-127

O*3

XXX

OO

XOXX

** = no relation

Bank selectModulationData entryVolumePanExpressionDamperSostenutoSoftReverb sendChorus sendRPN LSB, MSBAll sound offReset all controller

1-161-16

Mode 3X

0-1270-127

O 9nH V = 1-127X 9nH V = 0, 8nH V = **

XX

O

OO

O*1OOOOOOOOOOO

O 0-127

O*3*4

XXX

XX

XOOX

*1 Fine tune and coarse tune send/receive, RPN Null, and pitch bend sense receives*1 Afinación fina y envío/recepción de afinación gruesa, RPN nulo y recepción de captación de inflexión de altura tonal.*2 In accordance with pedal*2 De acuerdo al pedal.

*3 • Reverb type [F0][7F][7F][04][05][01][01][01][01][01][00][vv][F7]vv=00: Room1, 01: Room2, 02: Hall1, 03: Hall2

• Chorus type [F0][7F][7F][04][05][01][01][01][01][02][00][vv][F7]vv=00: Chorus1, 01: Chorus2, 02: Chorus3, 03: Chorus4

*3 • Tipo de reverberación [F0][7F][7F][04][05][01][01][01][01][01][00][vv][F7]vv=00: Room1, 01: Room2, 02: Hall1, 03: Hall2

• Tipo de chorus [F0][7F][7F][04][05][01][01][01][01][02][00][vv][F7]vv=00: Chorus1, 01: Chorus2, 02: Chorus3, 03: Chorus4

*4 GM on/off GM on = MIDI In Chord Judge offGM off = MIDI In Chord Judge on

*4 Activación/desactivación de GMActivación de GM = Análisis de acordes de entrada MIDI desactivadoDesactivación de GM = Análisis de acordes de entrada MIDI activado

414A-E-063A

Mode 1 : OMNI ON, POLY Mode 2 : OMNI ON, MONO O : YesMode 3 : OMNI OFF, POLY Mode 4 : OMNI OFF, MONO X : No

This recycle mark indicates that the packaging conforms to the environmental protection legislation in Germany.

Esta marca de reciclaje indica que el empaquetado se ajusta a la legislación de protección ambiental en Alemania.

MA0402-C Printed in China PX500L-ES-1

P

CASIO COMPUTER CO.,LTD.6-2, Hon-machi 1-chome

Shibuya-ku, Tokyo 151-8543, Japan

USER’S GUIDE GUÍA DEL USUARIO - zZounds

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