Traditional Home 2014-02-03

SOME QUANTITIES ARE LIMITED.

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©2013 ETHAN ALLEN GLOBAL, INC.

A L L K I N D S O F

F A B U L O U S S T Y L E S

A V A I L A B L E

F O R I M M E D I A T E

S H I P P I N G .

I N - S T O C K A T

E T H A N A L L E N .

I T ’ S R E A D Y

W H E N Y O U A R E .


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Co-host Norah O’Donnell from CBS This Morning

2013 Classic Woman honorees Nan Elsasser, Working Classroom; Yvonne

Pointer, Positive Plus; Marie Wolbach, AAUW Tech Trek Science & Math

Camp for Girls; Sandy Escobar-Schmidt, Women of Worth; and Miki Farris,

Infant Crisis Services with Ann Maine at the awards luncheon.

And every year at our Classic Woman Awards we bring on the smiles

as we share the accomplishments of the phenomenal women we

recognize. Approaching its 10th year, the Classic Woman program

honors some of the nation’s most amazing volunteers and shares

the heartwarming before-and-after stories of how they’re chang-

ing their corner of the world. These are women who share a legacy

of compassion, commitment, and caring as they make a dif erence

in the lives of others. They saw someone hurting and said, “Some-

body should do something.” Then they became that somebody.

At our annual awards presentation, held late last year in New York

City, I was touched not only by the stories of these individuals whose

organizations range from supporting babies in need to education pro-

grams—but also by the generosity of those who support CWA and the

enthusiasm of our many friends in the design community who join us

to celebrate. Months of preparation go into the event, and there’s no

possible way I could pull it of without executive editor Marsha

Raisch (a big thanks and hug to her—she makes me happy).

Already it’s time to start planning for our 2014 awards that

will be a special part of Traditional Home magazine’s 25th

anniversary celebration. Now’s the opportunity for you

to make a nomination (turn the page for details)

and create an even happier ending for some-

one you know who is doing good.

Everyone loves the before-and-after story with a happy ending.

Jewelry designer Michael Galmer,

TH’s Marsha Raisch & Michael

Barlerin of Silver Promotion Service

Designer Amanda Nisbet & Kravet’s Beth Greene

Designers Robert Passal & Katie Leede

Meredith’s Steve Lacy & honoree Yvonne Pointer

Ann Omvig Maine, Editor in Chief

[email protected]

Repoussé Jewelry by Galmer

“Tenley” chair

from Arhaus

Awards from Lenox

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2 Th February+March 2014

FROM THE EDITOR


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TH’s Clara Haneberg

& Amy Elbert

TH’s Kari Costas,

designer Jennifer

Flanders & publicist

Carolyn Sollis

Designers

Patrik Lönn &

Bryant Keller

with TH’s

Jill Esterman

Designer Anne

Maxwell Foster

TO SEE A VIDEO

OF OUR 2013

CLASSIC WOMEN

AND THEIR

CAUSES, snap this

tag. Or, view it at

traditionalhome.com.

NO PURCHASE IS NECESSARY TO SUBMIT A NOMINATION OR BE SELECTED AS AN AWARD RECIPIENT. Subject to Nomination Guidelines available at www.traditionalhome.com/classicentry. The Traditional Home Classic Woman Awards Program, sponsored by Meredith Corporation, begins at 12:00 a.m. E.T. on 1/21/14 and ends at 11:59 p.m. E.T. on 4/4/14. Open to legal residents of the 50 United States and the District of Columbia who are 18 years or older. Online nominations must be received by 11:59 p.m. E.T. on 4/4/14; mail-in nominations must be postmarked by 4/4/14 and received by 4/11/14. Limit one nomination per person.

MAKE YOUR NOMINATION ONLINE OR BY MAIL

For online entries, go to traditionalhome.com/classicentry. For mail entries, please follow this format:■ Your name, address, e-mail address, phone number, and relationship

to nominee■ Nominee’s name, address, e-mail address, and phone number■ Name of volunteer program or personal initiative■ Functions and activities of the program■ Contact name and phone number for the program■ Write 400–800 words about your nominee, telling us what she has

done and detailing the results she has achieved■ Provide at least one example of a specifc individual and how his/her

life has been changed by this nominee■ Include a Web site and/or send news clippings, photographs,

brochures, and any additional informationOnline nominations must be submitted and mailed ones postmarked by 4/4/14. Send to: Traditional Home 2014 Classic Woman Awards, P.O. Box 7290, Des Moines, IA 50309-7290.

Nominate a woman who is making a diference , the deadline is April 4.

CLASSIC WOMANawards

Generosity. Commitment. Passion. These qualities exemplify

America’s volunteers. Do you know a special woman who is making

a diference in her community through her volunteer work or

through her creation of a program or initiative to help others at

home or around the world? Give her the chance to be recognized

for her notable eforts by nominating her as a 2014 Traditional

Home Classic Woman.

From your nominations, our judges will select the outstanding

women who will be treated to a trip for two to New York City, where

they will be honored at our national Classic Woman Awards recep-

tion. Additionally, each honoree’s cause will receive a contribution

from Traditional Home, and each honoree, her story, and her cause

will be featured in our November/December 2014 issue. (For infor-

mation about our 2013 honorees, visit traditionalhome.com.) +

Special thankS to our SponSorS who make Classic Woman Awards possible: Lenox for creating the 2013 CWA awards and contributing dinner and giftware to assist in fund-raising; Silver Promotion Service for recognizing each honoree with a silver cuf from Repoussé Jewelry by Galmer; Arhaus for dressing the stage and presenting each woman with a chair; and NDI for providing event fowers.

Ron Kass of

Hunter Douglas &

TH’s Vicki Hubbard

TH’s Ann Maine &

designer Matthew Smyth

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FrOm the editOr


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monogram.com

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A burner that expands your range of control and your range of signature dishes.


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Surround yourself with the world’s most beautiful, worry-free fabrics for furniture and accessories. sunbrella.com/warm


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74

Features

63 Keep It Simple | A relentless purge—plus a madeover foor plan— gracefully coaxes a 1969 ranch into the new millennium.

74 Surprise Move | An Illinois designer can’t resist buying, updating, and restoring a 1910 Georgian-style beauty.

84 Courtly Manners | In Birmingham, Alabama, a romantic walled garden delights with old-world ambience.

90 Retro Redux | Bright accents inside and a new landscape outside turn a ’70s-era Palm Springs house into a groovy second home.

96 In the Steps of the Master | An Atlanta designer updates a 1918 home by a revered architect while also restoring classic details.

Contents February+March 2014 Volume XXV Issue I

On the cover The loggia leading

to the garden of Judy and Jim Carns;

photographed by Jean Allsopp. See page 84.

➤



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A STATEMENT PIECE FOR YOUR BATHROOM.Just as the right necklace can transform your look, the Weymouth® faucet

can transform your bathroom. See how jewelry designers were inspired by

Moen faucets at moen.com/statementpiece


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28

36

New+Next 17 Trend Feminine chic: sugar—and especially—spice

22 Market New luxurious takes on classic design from fl oor to ceiling

28 Design Scents What does Hollywood Regency smell like?

30 Palette Red—regal and radiant

34 Rising Stars A joyous new fabric line for Duralee from the designers at Tilton Fenwick 36 Inspirations Fringe: back and more fab than ever

38 Art Seen Collectors go wild for animal art

40 Bookcase Hot of the press: great books on design

Departments 42 Great Gatherings An exceptionally pretty spring luncheon

49 Showhouse Tour Don’t miss the season’s fi rst showhouse in sunny West Palm Beach 56 Kitchens An elegantly renovated and lightened kitchen in Atlanta

112 I Am Traditional Actress and singer Hayden Panettiere

Every Issue 642 From the Editor

106 Reader’s Resource

February +March

Special of er: Subscribe to Traditional Home (and other favorite magazines) on your iPad and save BIG! Enjoy the creative solutions, fresh ideas, and rich, vibrant full-color inspiration you love best—right at your fi ngertips. Start today and save: Go to traditionalhome.com/getdigital

17 90

4296



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B E R N H A R D T


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WALLPAMPER.Every wall deserves our single greatest work,

EmeraldTM

paint by Sherwin-Williams.

sherwin-williams.com/emerald

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ANN OMVIG MAINE

EDITOR IN CHIEF

EXECUTIVE EDITOR MARSHA A. RAISCH

ART DIRECTOR MICK SCHNEPF

MANAGING EDITOR MICHAEL DIVER

EDITORIAL

SENIOR DESIGN AND LIFESTYLE EDITOR JENNY BRADLEY

SENIOR STYLE EDITOR KRISSA ROSSBUND

SENIOR DESIGN AND MARKETS EDITOR TORI MELLOTT

SENIOR ARCHITECTURE EDITOR AMY ELBERT

SENIOR ART AND ANTIQUES EDITOR DORIS ATHINEOS

ARTICLES EDITOR REBECCA CHRISTIAN

MARKETS AND SOCIAL MEDIA EDITOR KARI COSTAS

ASSISTANT STYLE EDITOR CLARA HANEBERG

MARKETS ASSISTANT ASHLEY HOTHAM

COPY CHIEF C.R. MITCHELL

RESEARCH EDITOR JANICE CURRIE

OFFICE COORDINATOR KIM CALLAHAN

ART

SENIOR ASSOCIATE ART DIRECTOR BRENDA CORT

SENIOR ASSOCIATE ART DIRECTOR JOE WYSONG

ART AND PHOTOGRAPHY COORDINATOR CINDY MILLS

DESIGN APPRENTICE RACHEL WEEKS

PREPRESS DESKTOP SPECIALIST MICHAEL STURTZ

PHOTO STUDIO MANAGER JEFF ANDERSON

CONSUMER INSIGHTS DIRECTOR MARK BEQUEAITH

TEST KITCHEN DIRECTOR LYNN BLANCHARD

CONTRIBUTORS

DIGITAL LUCY FITZGERALD, JULIANNE HILMES

EDITORS AT LARGE, ANTIQUES LEIGH KENO, LESLIE KENO

EDITOR AT LARGE ELEANOR ROPER

FOOD STEPHEN J. EXEL

ENTERTAINING RACHEL HOLLIS

DESIGN CATHY WHITLOCK

GARDEN ELVIN MCDONALD

TRAVEL JENNIFER WILSON

ILLUSTRATION KATHRYN KUNZ FINNEY, CARSON ODE

GRAPHIC DESIGN WENDY JOHNSON

ATLANTA�LISA MOWRY INDIANAPOLIS�BETSY HARRIS

BALTIMORE�EILEEN A. DEYMIER LOS ANGELES�DARRA BAKER

BOSTON�ESTELLE BOND GURALNICK NEW YORK�BONNIE MAHARAM

CHARLESTON, SC�SANDRA L. MOHLMANN PARIS�LYNN MCBRIDE

CHARLOTTE, NC�ANDREA CAUGHEY PORTLAND, OR�BARBARA MUNDALL

CHICAGO�ELAINE MARKOUTSAS, HILARY ROSE SAN FRANCISCO�HEATHER LOBDELL

CONNECTICUT�STACY KUNSTEL SEATTLE�LINDA HUMPHREY

FLORIDA�SALLY MAUER, ELEANOR LYNN NESMITH ST. LOUIS�MARY ANNE THOMSON

Editorial Offices: Traditional Home, 1716 Locust St., Des Moines, IA 50309-3023; e-mail us at [email protected];

or fax 515/284-2083. Traditional Home assumes no responsibility for the return of unsolicited manuscripts or art materials.

Subscription and Customer Service: For service on your magazine subscription, including renewals or change

of address, e-mail us at [email protected]. You may also write to Traditional Home Customer Service,

P.O. Box 37275, Boone, IA 50037-0275. Please enclose your address label from a recent issue.

Our subscribers list is occasionally made available to carefully selected firms whose products may be of interest to you.

If you prefer not to receive information from these companies by mail or phone, please let us know. Send your request

along with your mailing label to Traditional Home, P.O. Box 37508, Boone, IA 50037-0508.

Copyright Meredith Corporation 2014. All rights reserved. Printed in the U.S.A.

For subscription service: e-mail us at [email protected]

February+March 2014 Th 13

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AMY R. CHURGIN

PUBLISHER

GROUP ASSOCIATE PUBLISHER, MARKETING BETH McDONOUGH

ADVERTISING

SENIOR ACCOUNT MANAGER VICTORIA HUBBARD

LUXURY GOODS DIRECTOR JILL ESTERMAN

DIRECT MEDIA ADVERTISING DIRECTOR GRACE CHUNG

BUSINESS DEVELOPMENT MANAGER STEPHANIE BARREZUETA

NATIONAL TRAVEL DIRECTOR JODIE BURLOG SCHAFER

ADVERTISING BUSINESS MANAGER EDWARD HAYES

ASSISTANT TO THE PUBLISHER SOPHIA THID

ADVERTISING SALES ASSISTANT CHERYL CORBIN

ATLANTA, SOUTHEAST SUZANNE COOPER, SCOOP MEDIA

CHICAGO, MIDWEST AND CANADA DENISE KAISER

CHICAGO, MIDWEST AND TEXAS TRACY SZAFARZ

DETROIT GERRY GOLINSKE

LOS ANGELES, WEST COAST KIMBERLY ALLEN

SAN FRANCISCO, NORTHWEST MEGHAN TUOHEY, POPPY MEDIA

NEW YORK 212/557-6600

ATLANTA 770/998-0996 CHICAG0 312/580-1619

DALLAS 312/580-1618 DETROIT 248/205-2570

LOS ANGELES 310/689-1695 SAN FRANCISCO 415/990-2825

TRAVEL 212/499-6704 DIRECT MEDIA 212/499-6778

MARKETING

CREATIVE DIRECTOR MAUREEN GILLESPIE

PROMOTION DIRECTOR AMY SOULE

MARKETING MANAGER SARA ROSSI

ASSOCIATE ART DIRECTOR PAUL PEREIRA

RESEARCH MANAGER MARY CROW

NEWSSTAND MANAGER JESS LIDDLE

CONSUMER MARKETING DIRECTOR SHERI STEGER

PRODUCTION DIRECTOR JOHN BEARD

SENIOR PRODUCTION MANAGER MICHAELA LESTER

ADVERTISING OPERATIONS MANAGER MARCIA PERSON

BUSINESS MANAGER TRISH SCHRODER

MEREDITH NATIONAL MEDIA GROUP

PRESIDENT TOM HARTY

EXECUTIVE VICE PRESIDENTS

PRESIDENT, MEDIA SALES RICHARD PORTER

PRESIDENT, BETTER HOMES AND GARDENS JAMES CARR

PRESIDENT, PARENTS NETWORK CAREY WITMER

PRESIDENT, WOMEN’S LIFESTYLE THOMAS WITSCHI

PRESIDENT, MEREDITH DIGITAL JON WERTHER

CREATIVE CONTENT LEADER GAYLE GOODSON BUTLER

CHIEF MARKETING OFFICER NANCY WEBER

CHIEF REVENUE OFFICER MICHAEL BROWNSTEIN

CHIEF INNOVATION OFFICER JEANNINE SHAO COLLINS

GENERAL MANAGER MIKE RIGGS

DIRECTOR, OPERATIONS & BUSINESS DEVELOPMENT DOUG OLSON

SENIOR VICE PRESIDENTS

CHIEF TECHNOLOGY OFFICER JACK GOLDENBERG

CHIEF DIGITAL OFFICER ANDY WILSON

DIGITAL SALES CAROLYN BEKKEDAHL

RESEARCH SOLUTIONS BRITTA CLEVELAND

VICE PRESIDENTS

BUSINESS PLANNING AND ANALYSIS ROB SILVERSTONE

CONSUMER MARKETING JANET DONNELLY

CORPORATE MARKETING STEPHANIE CONNOLLY

CORPORATE SALES BRIAN KIGHTLINGER

DIRECT MEDIA PATTI FOLLO

BRAND LICENSING ELISE CONTARSY

COMMUNICATIONS PATRICK TAYLOR

NEWSSTAND MARK PETERSON

CHAIRMAN AND CHIEF EXECUTIVE OFFICER STEPHEN M. LACY

PRESIDENT, MEREDITH LOCAL MEDIA GROUP PAUL KARPOWICZ

VICE CHAIRMAN MELL MEREDITH FRAZIER

IN MEMORIAM — E. T. MEREDITH III (1933–2003)


(504) 522- 485

521 Conti • 318 Royal

French Quarter • New Orleans

www.bevolo.com

Jewelry... For Your Home


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WINDOW CHAIR HANDCRAFTED IN AMERICA WWW.HANCOCKANDMOORE.COM


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22 28 30 34 36 38 40MARKET DESIGN

SCENTS

PALETTE RISING

STARS

INSPIRATIONS ART

SEEN

BOOKCASE

P E O P L E , P L AC E S & P R O D U C T S YO U S H O U L D K N OW A B O U T BY TORI MELLOTT

Girlie & GlamWhat are girls made of? Sugar and spice and everything nice … but especially spice! The new feminine chic trades in fussy, bashful details for slick fi nishes, sensual shapes, edgy details, and brazen colors.

I Black & White

Graphic black and

white add an

edginess to this

otherwise angelic

embroidered dress of

white tulle and daisy

guipure, $3,990.

(oscardelarenta.com)

I Shimmer & Shine

The “Mia” pendant

by John Rosselli

adds just the right

pizzazz to any

room, $5,250.

(circalighting.com)

“Wide Studded Resin Cuf ,” $350, and “Metal Split Sphere Ring,” $85,

by Kara Ross (henribendel.com)

“Hulotte” pendant light by Paola Navone for Saint-Louis$6,000 (855/240-9740)

“Trèfl e Accent Table” in white gold by Jacques Garcia

$2,750 (bakerfurniture.com)

“Larabee Dot” glasses by Kate Spade$50 for set of 4 (katespade.com)

“Sunday” pump by Jimmy Choo $695 (jimmychoo.com)



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“Lipstick Red” Lips Clutch$465 (luluguinness.com)

“Large Lipstick” sculpture by Åsa Jungnelius, $150

large, $65 mini (kostaboda.us)

I Eye Spy

An updated frame

suits the “sexy

librarian” look.

Bamboo wood

temples tame

these sassy specs,

$85. (eyebobs.com)

I Twist & Shout

This “Barleytwist” mirror in a

high-gloss black fi nish recalls the

look of a Bakelite bracelet, $1,155.

(jonathancharlesfurniture.com)

I My Chair Lady

Looking like a

pencil skirt turned

chair, the “Too Sexy

Sadie Chair” has

good form in all the

right places, $675.

(mgbwhome.com)

I Classic Woman Rose

This reblooming shrub rose with

clusters of fragrant blossoms honors

the phenomenal women we celebrate

annually for their outstanding

volunteerism; $29.95 plus shipping.

To order, call 800/420-2852, or

visit thgardenstore.com. Specify

GM066661 and source code THG10.

Bare-root roses ship mid-March to

June with instructions for planting

and care. Recommended for

hardiness Zones 5–9S/10W.

I She’s Got Legs

Celerie Kemble’s

red-hot “Caroline

Console” allures

with a sensuous shape

and brass hardware

to boot, $3,285.

(henredon.com)

I Curves Ahead

A sweet scalloped

edge lends a

feminine feel to the

“Belles Rives” bar

table by Rita Konig

for The Lacquer

Company, $3,500.

(mecoxgardens.com)


NEW+NEXT GIRLIE & GLAM


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“Hemisphere” jewelry box by De Nacre et

d’Orient, $2,400 (bergdorfgoodman.com)

“Smooches” by York Wallcoverings

$80 per roll (yorkwall.com)

Jacquard Polk-A-Dot Bag by Miu Miu

$1,790 (bloomingdales.com)

I Pencil Me In

Burberry makes

mixing patterns

look ef ortless by

pairing this fi erce

horizontal-striped

pencil skirt, $650,

and bold polka dot

button-down, $595.

(burberry.com)

I Sensual Seating

The sultry curves

of John Robshaw’s

“Luxor Settee” lend

a little movement

to the tailored

bench seat, $3,315.

(ciscohome.net)

I Cherry Bomb

Add a jolt of color

to any room with

the fl irty “Geordi

Large Sculpture”

that smacks of

pop art and fun

times, $360.

(arteriors home.com)

Whether it’s a chic runway fashion, a

stunning powder room, or the ideal home

accessory—we always gravitate to a classic

feminine take on style.

Our defi nition of womanly charm

continues to evolve, however. While we

still adore voluminous ruf es, elaborate

ruching, delicate needlepoint, intricate

embroidery, fl orals, and chintz galore,

we’ve expanded our canon of girlie style to

include pared-down shapes and cleaner

colors. We still get goosebumps when we

spy gilding or a ladylike curve, but we’re

delighted that today’s most beguiling

fi nishes and silhouettes have been cleaned

up, toned down, and tailored.

Crisper patterns and more daring colors

are the details that make our hearts go

pitter-patter in a newer take that has more

sass and less sugar.

While there are still roles for pinks

and soft pastels, rich tones like bordeaux,

lipstick red, and shocking pink—along

with a host of eye-catching metallic

fi nishes—are taking center stage, more

brassy sidekick than blushing ingenue.

West Hollywood, California-based

designer Mary McDonald agrees, and

observes: “One very girlie French bureau

plate or dressmaker detail can go a long,


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I Belle of the Ball

Ruf es get a face-

lift with beading

and a luscious pink

hue. “Lucky Strike”

skirt, $5,955; and

top, $6,945, by

Mary Katrantzou.

(net-a-porter.com)

I Book Club

Fairy tales do come true. This charming

set of 10 “Puf n Classics for Young

Readers” includes some of the oldies

but goodies, $145. (onekingslane.com)

I Mirror, Mirror

Covered in natural

linen with brass

studs, the “Large

Versailles” mirror

makes a come-hither

statement, $1,375.

(jamieyoung.com)

I Pretty in Pink

“Nocturne” duvet cover,

$799 (king); fl at sheet,

cases, and shams in

peony. (matouk.com)

I Fancy Feast

Anna Weatherley’s

demure china that

mimics the look

of Swiss-dot

embroidery gets

zapped with a

dose of orchid pink,

$75–$150.

(devinecorp.net)

long way, so pair an intensely femme element

with a few simple, straight, masculine lines.

The balance will be divine.”

This spring, watch for edgy details like

brass studs and exotic materials juxtaposed

with delicate colors and fl owing lines. While

our approach to the classics continues to

evolve, we will always embrace feminine

chic—like this season’s bold polka dots

and shimmering pendants.

“Bubbles II” vase by Moser

$5,000 (moserusa.com)

“Feline Pillow” by Dransfi eld & Ross

$300 (dransfi eldandross.com)

“Wafer Notebook” by Smythson

$60 (smythson.com)

“Chelsea Ottoman” by Mis en Demeure

$3,290 (800/322-3911, x333)


NEW+NEXT GIRLIE & GLAM


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c a l i f o r n i a c l o s e t s . c o m | 8 6 6 . 4 8 8 . 2 7 5 5


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Klaus Haapaniemi The Finnish illustrator’s design portfolio

boasts projects with Marimekko and

Christian Louboutin, and his own

textile collection is equally impressive.

Drawing from fantasy and folklore,

these “Crane” cushions use

traditional weaving techniques

to create a whimsical pattern that

is utterly sophisticated. Available

at klaush.com. —Kari Costas

Daring DiningThe “Tissage” dining table is based on a 1940s crystal-

encrusted Bagues chandelier (Bagues is the venerable

French lighting manufacturer famous for silver- and

gold-leafi ng iron and bronze and hand-applying intricate

crystal designs.) With a woven metal base and a distressed

gold-leaf fi nish, it is reminiscent of a dress corset. This

glass-topped table falls somewhere between ladylike

and utterly glam. (niermannweeks.com)

Crystal-Clear Persuasion

A visual symphony of fl oating textured

glass balls that are functional and beautiful?

Yes, please! The “Atomos” pendant is one of

seven new designs that hip lighting manufacturer

Baroncelli has added to its signature collection. Groovy

fl oor lamps and additional pendant lights round out the mix.

Baroncelli NYC Showroom: 212/255-2005.

Let’s Celebrate! A 25th anniversary is a major

milestone, and at Traditional Home,

we invite you to help us celebrate

ours by making this award-winning

fl oribunda rose your own.

A prolifi c bloomer, its buds open

to luxurious blooms packed with

layers of creamy white petals

enriched by warm peach highlights

and an apricot center. The rose’s habit

is to be bushy and upright with dense,

matte green foliage.

Our commemorative rose is not

only beautiful but carefree, with

proven disease resistance to blackspot

and mildew. A good cutting rose for

bouquets, it will also bring very full

fl owers and a light, fruity fragrance to

a sunny spot in the garden of your own

traditional home.—Rebecca Christian

To order, call 800/420-2852 and refer to code THG11, or order online at thgardenstore.com, item MM066673; $36.50, plus shipping. Order early as quantities are limited and are reserved on a fi rst-come, fi rst-served basis. Recommended for Zones 5–9 S/W. Bareroot roses ship mid-March to June. Sorry, we are unable to ship to Alaska, Hawaii, Puerto Rico, the Virgin Islands, APO/FPO addresses, or addresses outside the continental United States.

Look for refi ned—and redefi ned—luxury designs for your home this spring BY TORI MELLOTT

Baroncelli

Niermann Weeks



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Sitting PrettyDesigner Windsor Smith has always been a big fan

of Savonarola chairs, but she regrets to inform us

the antique models “weren’t practical for anything

except adorning a stone-clad foyer!” So what’s a

gal to do? Design her own version, of course. Smith

describes her updated interpretation with mixed

metals, glossy black leather, and a “lovely” fi rm

padded seat as “a fantastic dining, desk, or

armchair you can sit in for hours on end!”

(windsorsmithhome.com)

Feast for the EyesTwo legendary French design houses—

wallpaper manufactuer Zuber et Cie and

porcelain maker Haviland—have partnered on

an exquisite china pattern, “Le Bresil.”

First introduced in 1829, Zuber’s “Les

Vues du Brésil” panoramic wallpaper was

printed in 247 colors from 1,693 blocks. The rich

patterns have been

translated into tableware

that will be cherished for

another 200 years.

(haviland.fr)

Everlasting Jardin If these walls could talk, they’d say it all—and

with a bit of a French accent. Reminiscent of

18th-century Parisian gardens, “D’Uberville”

design from Watts’ Tuileries wallpaper collection

captures the ideal of a natural escape into the

countryside. With softly muted tones,

climbing vines of wild roses act as

the framework for pastoral vignettes.

Available in nine colors, these everlasting

perennials will keep your garden growing

in any room. (watts1874.co.uk)

—Ashley Hotham

l Safavieh

Becoming a centenarian is a

momentous event. This year

Safavieh celebrates that milestone

by introducing the Luxor

Collection, among many others.

Hand-knotted from velvety

smooth yarns that conjure images

of the rich textiles brought back

to Europe on the Silk Road, these

rugs in bold tribal patterns pack

a punch. (safavieh.com)

l Karen Robertson

Look again. Shell artist Karen

Robertson has reinvented herself

into a horticulturist … or has she? In

her new Shellatier Collection, she’s

meticulously used the ocean’s

jewels to sculpt hard-to-tell-they-

aren’t-real fl owers. The replicas

range from delicate hydrangeas

and lilies of the valley to hardy

succulents—all potted in rustic

terra-cotta. (karenrobertson.com)

—Krissa Rossbund

Windsor Smith

Haviland

Watts


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c i r c a l i g h t i n g . c o m

A t l A n t A C h A r l e s t o n C h i C A g o h o u s t o n s A v A n n A h 8 7 7 . 7 6 2 . 2 3 2 3

C h l o e t A b l e l A m p i n C l e A r g l A s s b y s u z A n n e k A s l e r


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All Aboard!Transport yourself to the romantic age of travel. Imagine

steamer trunks, vanity cases, hatboxes, full sets of the

most elegant personalized luggage you’ve ever laid eyes

on. Now take that aesthetic and apply it to furniture.

Voila! You have the Mogambo Collection. Roche Bobois’s

newest collection of occasional pieces was inspired by

its namesake John Ford movie, set in that adventuresome

era. (roche-bobois.com)

Material WorldStephanie Odegard’s collection of marble,

stone, and wood jali tables, inspired by

Mughal-period Indian screens, was a huge

hit when fi rst introduced. Now she’s

expanded the functionality of the tables by

marrying a 21st-century material, medium-

density fi berboard, with traditional patterns and

designs. Available in lacquer, stain, gilt, or paint

in many colors and applications, the tables can

double as stools. (stephanieodegard.com)

l Lladro

Porcelain never shone so brightly!

“Belle de Nuit,” Lladro’s newest

lighting collection, is a colorful

of ering of ceiling, tabletop, and wall

lamps. Taking a traditional crystal

chandelier and swapping out crystal

for porcelain—with jaw-dropping

colors—makes these updated

classics cast a glow of a dif erent

color. (lladro.com)

l Michael S Smith

Detail-oriented designer

Michael S Smith considers

mirrors the fi nishing touches

in his rooms, so what better

way to achieve perfect

punctuation than to design a

line himself? Smith partnered

with Mirror Image Home to

create a collection of 17 pieces

that embody the revered

decorator’s classic taste and

style. (michaelsmithinc.com)

Tap Your Creativity Functional, yes, but faucets are the jewelry of the bath and, like jewelry, should refl ect your personal style. Fancy Paris? Collection O (left) by Studio Putman is a collaboration of two luxury French brands, Christofl e and THG-Paris (thgusa.com).Or curate your own Edwardian-inspired faucet with Kohler’s “Artifacts” (top and right). The collection allows you to select from spout and handle styles and from fi ve fi nishes (kohler.com). —Amy Elbert

Roche Bobois

Stephanie Odegard


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n e w yo r k l o s a n g e l e s c h i c a g o l o n d o n d a l l a s p o r t l a n d s a n f r a n c i s c o

az ScottSdale: david e. adler

ca menlo park: the oriental carpet

ca San diego: outrageouS rugS

ca San FranciSco: Floor deSign

co denver: Floor coveringS by cpa

ct coS cob: apadana Fine rugS

id boiSe: artiSan carpetS

il chicago: oScar iSberian

ma hanover/natick: dover rug & home

mi birmingham/novi: hagopian world oF rugS

oh columbuS: k.a. menendian

ok oklahoma city: deSigner rugS

tx houSton: poStmodern traditionS

t u f e n k i a n s h o w r o o m s a n d d e a l e r s :

~ T I M E L E S S A N D T I M E LY ~

h u n d r e d s o f d e s i g n s i n s t o c k f o r i m m e d i at e d e l i v e ry s p e c i a l o r d e r s a n d c u s t o m c a r p et s d e l i v e r e d i n 3 1/2 m o n t h s

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Style: Hollywood Regency, Mod Baroque

Current epicenter: Los Angeles

Superstars: Elsie de Wolfe, William “Billy”

Haines, Tony Duquette

Design details: Sunburst mirrors, tufting,

chandeliers, lacquer and shell fi nishes,

glossy surfaces (walls included),

black-and-white fl oors (marble or faux)

Favorite fabrics and prints: Trellis and animal

prints, velvet, faux fur, and patent leather

Trick-of-the-trade: Painted or padded doors

Secret sources: L.A.’s Dragonette (dragonette

ltd.com and Downtown (downtown20.net)

Where to live it: Viceroy Hotel Santa Monica

and the Greenbrier, White Sulphur Springs,

West Virginia

Vintage fi nds: Loop chair (Francis Elkins);

jewelry (Tony Duquette)

Best reissue: Prism vase by Billy Haines

Designers who get the look: Carleton Varney,

Kelly Wearstler, and Miles Redd

Ultimate accessory: Quirky creations by

Anthony Redmile (classical busts) and

Baccarat tumblers

Style bible: Tony Duquette by Wendy

Goodman and Hutton Wilkinson (Abrams)

Pedigree furnishings: Dealers Todd Merrill

(toddmerrillstudio.com) and Liz O’Brien

(lizobrien.com)

No-name fi nds: Rose Bowl fl ea market in

Pasadena and vintage shops along the

Dixie Highway in West Palm Beach, Florida

Pamela’s Liquid Gold Chanel’s Chanel No 5 (“Marilyn Monroe’s favorite”); Frédéric Malle’s Portrait of a Lady (“mystical and intense”); Killian’s Rose Oud (“deep, plummy sweetness”); Serge Luten’s Ambre Sultan (“smoking hot and arousing”); Jean Patou’s Joy (“rich, rosy blooms”); and Guerlain’s Shalimar (“bold and exotic vanilla-ish amber”)

I Proudly Preening

A peacock brooch

by the imperial

French jeweler

Gustave Baugrand

(bonhams.com)

I Sparkling Reissue

Vase by iconic

decorator William

Haines (1914–1999)

(williamhaines.com)

Cool-looking cut glass bookends by Billy Haines(williamhaines.com)

“Regatta” capiz-shell chandelier(corbettlighting.com)

Eye-popping pink velvet sofa and signature

canopy chairs by interior designer Kelly Wearstler

Everyone knows the revved-up, glossy style known as Hollywood Regency,

but how do you bottle the visual drama made famous by actor/decorator

William “Billy” Haines and reimagined by designer Kelly

Wearstler? Fragrance expert Pamela Vaile translates

the ultra-glam aesthetic into fi ve scents that “seduce

as surely as lush velvets and burnished gold.” Chanel

No. 5 tops the list, endorsed by Hollywood bombshell

Marilyn Monroe, who said it was all she wore to bed.

If you’re a lacquer lover with a thing for sensuous

surfaces and sparkly baubles,

Pamela (left) suggests

“sexy fragrances with

powerful personalities.”

Regency Glam

Dorothy Draper’s

“Monte Carlo Chest”

(kindelfurniture.com)

PH

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Va-va-voom perfumes that channel the glittery Hollywood vibe BY DORIS ATHINEOS


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Distinctly American. Uniquely Crossville.

Questions: 931-456-3136

CrossvilleInc.com

From the heart of our industrial past comes the

foundation for your next inspired design.

Capturing the untarnished spirit and concrete

resilience of a cityscape reborn, the Reclamation

porcelain tile collection is eternally versatile,

elementally refined.

Rediscover America. Reclaim the beauty of history.

Made in the U.S.A., Green Squared Certified

and containing at least 4% recycled content,

Reclamation is a beautifully responsible selection

for your next design project.


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I Tray Chic

“Modern Artefacts

Broome Tray Table”

(thomasville.com)

I A-MAZE-ing

“Large Garden

Plans” in red

(soicher-marin.com)

| Our inspiration Rome-born

designer Alessandra Branca

(branca.com) is known for her

exceptional use of color. She

has a penchant for saucy red

because, as she puts it, “Red

is alive and passionate. It is

universal. It is life.”

| Where to use it Branca

suggests using it in libraries,

entry halls, and dining rooms

but confesses she’s also used it

in a few bedrooms—and they

looked fantastic.

| How to use it Aside from her

own library, Diana Vreeland’s

living room is one of Branca’s

favorite red rooms. Everything

was swathed in red—the walls,

the carpet, the upholstery.

Additionally, Branca counts

Albert Hadley’s legendary

red library for socialite Brooke

Astor as a classic example of

red done right.

| Why it works Red looks

regal, expensive, and loaded

with old-world charm. It can

instantly make a quiet space

pulse with life.

| What it goes with According

to Branca, it depends upon the

tonality. She believes reds

work well with Prussian

blue, chocolate brown,

and pale blue. For a feminine

twist, pair bold lipstick red with

soft ballet-slipper pink.

| Pitfalls Because red has

personality to spare, Branca

advises moderation. She

explains that one must “measure

and be aware of when to stop.

Pay attention to the tonality

of the color when you use

it. Sometimes a softer, more

antique tone is better because

red is a strong color.”

Wrapped In Rouge

“Dressage Red”ralphlaurenhome.com

“Orient Red”fi nepaintsofeurope.com

“Vintage Claret”prattandlambert.com

I Chair-y Red

“206 Scooter Chair”

in “Rhythm Cherry”

fabric (crlaine.com)

I Red Door

“Karl Door Cabinet”

from Lillian August

for Hickory White

(lillianaugust.com)

I Stripe It Rich

Alessandra Branca

primarily uses antiques

in her projects, but for

a similar look try:

■ “Medevi Chest” at

countryswedish.com

■ “Louis XVI Square

Back Armchair” at

ballarddesigns.com

■ “Collection Laurelton

Stripe” wallcovering

in vermilion at

ralph laurenhome.com

I Full Circle

“Ohm” mirror in red

lacquer (bunnywilliams

home.com)

I Light Bright

Ceramic “Bella” lamp

in oxblood (frederick

cooper.com)

Whether your favorite shade is bright and cheery or rich and decadent, red keeps home fi res burning BY TORI MELLOTT

➤

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F A B R I C S | T R I M M I N G S | H A R D W A R E | W A L L C O V E R I N G S | D E S I G N E R C O L L E C T I O N S

AVAILABLE EXCLUSIVELY THROUGH SHOWROOMS AND DESIGNERS WORLDWIDE. 800.999.8200 FABRICUT.COM

polished


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Rich Threads

For her fi rst line of fabrics with

F. Schumacher (fschumacher.com),

Alessandra Branca included a hefty

dose of her signature red hue.

“Corallina” in rouge

“Melograno” in rouge/grey

“Continenti” in rouge/Prussian blue

“Dudley” in rouge

1 | “On Key” in red by

Waverly (joann.com)

2 | “Marwood Stripe”

in cranberry by GP & J

Baker through Lee Jofa

(leejofa.com)

3 | “Amara” linen/cotton in

red by Jane Churchill through

Cowtan & Tout (cowtan.com)

7 | “Wynyard” linen/cotton in

red from the Kathryn M. Ireland

Collection (scalamandre.com)

8 | “Leandre” linen in garance

(rouge) from Braquenié by

Pierre Frey (pierrefrey.com)

9 | “Greek Fret” embroidered

border in crimson (samueland

sons.com)

4 | “Mizoram” linen/cotton

in red from Thibaut’s Cypress

Collection (thibautdesign.com)

5 | “Love Bird” silk damask

in ruby from Scalamandré

(scalamandre.com)

6 | “Soleo” in red by Jane

Churchill through Cowtan

& Tout (cowtan.com)

Red tones range from soft to sultry. If mixing patterns, be sure to maintain the same vibe throughout the space.

TO SEE A VIDEO OF MORE FRESH IDEAS on how designers use this palette, scan this tag. Or, view it at traditional home.com.

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“Haute” in Cactus

Perfect PairingThe women of Tilton Fenwick pair traditional patterns with unexpected colors for their fi rst foray into fabric with Duralee BY TORI MELLOTT PHOTOGRAPHY BY FRANCESCO LAGNESE

Interior designers often fantasize about

creating their own fabrics—expressing

their unique creative vision through

designs, patterns, and colorations.

Nearly two years ago, that dream

started to come true for Suysel dePedro

Cunningham and Anne Maxwell Foster, the

duo who make up the NYC design fi rm

Tilton Fenwick. After spying the work of

the two budding designers in the fi rst issue

of TRADhomemag.com, fabric house

Duralee of ered them the opportunity to

design their very own fabric line.

Already recognized for their clever use

of color, the pair’s starting point was

obvious. “We pulled inspiration from fl orals,

fashion, rugs, and any sort of textile we

liked,” explains Cunningham. “Then with a

Pantone book that literally shows thousands

of colors, we started concocting color

combinations. We went nuts with that!”

Duralee’s design team guided them

through the steps. “This was our fi rst time at

the rodeo, so it was hard to imagine the end

result,” says Foster. Duralee’s team let us do

our own thing, but helped us focus and edit.”

The process was personal. Many fabrics

are named for individuals the designers want

to thank for supporting their careers. Among

the patterns is “Quintessence”—for blogger


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“Rocat” in Lapis

“Quintessence” in Sapphire

“Sissy” in Cactus

“Chilvers” in Mint/Red

“Cecilia” in Coral

“Geniesse” in Cactus

Stacey Bewkes. There’s even a “Maine” in

the mix (for Traditional Home editor Ann).

The fi nal collection features 36 prints and

wovens in functional colors with a few twists.

“Some patterns have 10 or 12 colorways,” says

Cunningham. “We threw in one or two

unexpected colors to make the fabrics sing.”

The tremendous range of colors, patterns,

and scales these two have harmonized might

just have you humming along yourself.

For more information, see sources on page 106

I Room with a View

To celebrate the debut

of Tilton Fenwick

for Duralee, Suysel

dePedro Cunningham

decorated her own

bedroom in a pleasing

mix of the collection’s

stripes, solids, fl orals,

and prints. “Armstrong,”

a woven stripe, adorns

the walls. “Scout”

playfully accents the

bed canopy, the lamp

shades, and a vintage

chair. All fabrics from

Duralee (duralee.com).


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I Dramatic Jewels

Drop jaws with

these “Tassel Seed

Pearl and Diamond

Earrings,” $12,500.

(ivankatrump

collection.com)

Altuzarra’s spring/summer 2014 line showcased this “Chrysanthemum” navy leather fringe dress; price and availability on request. (altuzarra.com)

It isn’t just for suede jackets and Jazz Age-inspired dresses.

Today’s fringe—tiered beading, strands of pearls, adornments

on pumps, purse straps, and pillows—is far from predictable.

N ote Laura Kirar’s laced-up lounge chair for McGuire Furniture,

below. The tassel trend also took over spring runways, appearing

in the collections of Calvin Klein, Derek Lam, Altuzarra, Marc

Jacobs, and more. Whether it’s fl apper-inspired threads,

cowboy-style cut leather, or soft, free-falling strips on the

ends of a throw, fringe adds a fabulous element to our

outfi ts and interiors.

I Bold Beading

This “Modern Classics

Dancing Gold Decorative

Pillow” by Donna Karan

Home will bring a bit of

bling to the bedroom, $188.

(bloomingdales.com)

I Warm & Fuzzy

Get cozy with one of

Yves Delorme’s new

“Triomphe” throws made

from 100 percent baby

alpaca wool, $375.

(yvesdelorme.com)

I Textured Perch

Laura Kirar’s “Guernica

Lounge Chair” sports

knotted leather laces in

varying lengths, $19,440.

(mcguirefurniture.com)

I Regal in Red

The shoulder strap

on Sara Battaglia’s

“Teresa” bag boasts

gutsy fringe, $1,084.

(sarabattaglia.com)

Two tiers of antique brass-plated iron beads give Arteriors’ “Maxim Pendant” timeless texture, $4,410. (arteriorshome.com)Update your pillows with “Boucher Fine Bullion Fringe” from Samuel & Sons. (samuelandsons.com)

Take a walk on the wild side in Giuseppe Zanotti’s “Open-Toe

Crystal Suede Fringe Booties,” $1,750.

(neimanmarcus.com)

The edgy embellishment with Western ties has taken a turn from the typical BY CLARA HANEBERG

Fringe Twist


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The art world goes to the dogs February 9 when

canine-crazy art lovers take their dogs to Bonhams

auction house in Manhattan for Barkfest, a charity

Sunday brunch. It’s a great place to break bread

(and biscuits) with show dogs and their handlers—

in town for the Westminster Kennel Club Dog

Show (February 10–14)—as well as preview the

annual dogs-only-art sale, Dogs in Show & Field,

set for February 12. Proceeds from Barkfest at

Bonhams benefi t the American Kennel Club

humane fund.

Interestingly, some animal lovers tend to

focus on specifi c breeds and judge a painting as

they would a show dog in the ring. “They’ll study

the muzzle and dif erent details of the anatomy

to see that it’s all done correctly,” explains

Bonhams’ director of fi ne art Alan Fausel, who

has immortalized his own brown-and-white

Dog Treats, Then & NowTweedy country squires adored British artist John Emms, especially

his paintings of hunting hounds framed in gold. “Emms’s best work

is painterly, capturing the expression and anatomy with very few

brushstrokes,” says Manhattan dealer William Secord, founder of

Willliam Secord Gallery where Foxhounds and Terrier in a Kennel (top

left) is on display. Posh Brits were sticklers for breeding (in both pets

and people), and Queen Victoria kept 75 purebreds in her kennels.

But the current corgi-loving royal, Her Majesty Queen Elizabeth, may

well commission an American artist, Sheela Marie Padgett, to render the

distinct personalities of her corgis (bottom left) in ink on paper. To

commission Padgett (prices begin at $800), go to dogpainting.com.

springer spaniel, Reagan, in pastels and

black-and-white photography. Fausel cautions

that “breeds have changed over the past 100

years, so dogs look slightly dif erent today.”

While owners of purebreds pay big bucks for the

best-looking dogs, the country-house set gives

top grades to hunters. “That’s pointers, setters,

and foxhounds in the fi eld,” explains Fausel.

The auction takes place in Manhattan, but

there’s a big contingent of canine collectors in

Atlanta, where Bonhams displays a selection of

paintings and paraphernalia that Fausel calls

“dogiana” (reverse-glass intaglio jewelry, terrier

hat pins, boxer bookends, dachshund bronzes,

Victorian dog collars).

Note: Many of the paintings by lesser-known

artists begin at $800, and dogiana starts at $500.

Tap into bonhams.com.

Drawing inspiration from animalsBY DORIS ATHINEOS

Best in Show for Pedigreed Pooches Jungle Gems Big-game hunters in search of wildlife art head for the BADA (British Antique Dealers’ Association) Antiques & Fine Art Fair in London, set for March 19–25.

Take aim at the lions, tigers, and bears on display in dealer Jonathan Cooper’s booth. “You won’t fi nd a better tiger painter in the world than Gary Stinton,” says Cooper. “His large-scale pastels are just the tops.” Ditto for drawings by Vicky White.

To fi nd artists that lead the pack, visit Cooper’s booth at the London fair or check jonathancooper.co.uk or bada-antiques-fair.co.uk.

Chase down a pair of killer antique cuf inks showing a lion snacking on a diamond (above), of ered by London dealer Sandra Cronan (sandracronan.com).

Stateside, animal lovers can head west to Wyoming’s National Museum of Wildlife Art, where pioneers of the genre are always on view (including Friedrich Kuhnert’s majestic Resting Tiger).

Those interested in wildlife art can also visit wildlifeart.org.


NEW+NEXT ART SEEN


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Steven StolmanScalamandré Haute DécorLegendary textile design house Scalamandré is celebrating 84 years of creating fabrics and trims for some of the world’s most prestigious homes, from the White House to San Simeon. Company president Stolman takes a playful romp through the business’s history, with photos, quips, and quotes from notable names in the design world. (Gibbs Smith, $75) —A.E.

Jenifer Jordan & Hilary Rose Been There Shot That: Interior Design Peared DownFrom photographer Jenifer Jordan and stylist Hilary Rose—whose work has graced our pages—comes a volume of varied interiors with clever advice on everything from symmetry to excess (“One bleu cheese olive is fi ne, thank you.”) (beenthereshotthat.net, $29.95) —Rebecca Christian

Jennifer BolesIn With The Old: Classic Décor from A to ZBlogger extraordinaire Jennifer Boles (check out peakofchic.com) delves into the origins and endearing traits of classic home furnishings from andirons to portieres (draperies for doorways) to murals to zebra prints. For each of the 100 featured items, Boles has hints for incorporating it into your home today. (Potter Style, $35) —A.E.

Brian J. McCarthyLuminous InteriorsWorking by the motto that no two homes are alike, designer Brian J. McCarthy brings together a rich mélange of styles, textures, and colors, as well as a passion for art and architecture to create rooms as distinctive as their owners. In this book, McCarthy takes us to nine homes, including his own, giving helpful insights into his design processes. (Abrams, $60) —A.E.

Rhonda Eleish & Edie van BreemsRefl ections on Swedish InteriorsSimple, graceful forms, whitewashed and painted fi nishes, and an ethereal quality of light are the hallmarks of Swedish- inspired spaces, whether they are in an urban loft or country cabin. Authors Eleish and Van Breems refl ect on the timeless and enduring elements of Swedish style. (Gibbs Smith, $50) —Amy Elbert

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Breath of Spring

Greet tHe SeaSon WitH a Formal lUnCHeon

FeatUrinG SPrinG-FreSH ColorS

W r i t t e n b y r e b e c c a c h r i s t i a n

P h o t o g r a P h y b y P e t e r K r u m h a r d t

P r o d u c e d b y K r i s s a r o s s b u n d

pring is the time to fall in love. So when Traditional Home

senior style editor Krissa Rossbund took a tumble for the

gorgeous Limoges porcelain dinnerware she spotted at

market, her immediate inclination was to devise a table

setting that balanced formality with a fresh look appropriate for a

spring luncheon. Her afection for the dinnerware’s soft turquoise

rim—beautifully embellished with gold—became the basis for an

S➤

“melrose” wineglass

and “Palais Versailles”

goblet; both by tifn

through replacements

(replacements.com).


Great GatHerinGS


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Complete collection and sale prices online at charlesprogers.com and at our showrooms.

New York showroom: 26 West 17 Street (5-6 Aves) in Manhattan. New Jersey factory store: 300 Rte 17 North, East Rutherford.

Phone 866-845-5953 • Web/phone orders welcome. • We ship anywhere.

Beautiful beds. Oh-so comfortable mattresses.

©2014 CHARLES P. ROGERS & CO.

Pictured: Mahogany sleigh platform

bed, queen size $2799, Now $1999.

Luxury pillow top mattresses designed

specifically for platform beds from $599.

400 thread count Prima cotton sheet set,

Now $99 any size.


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Touches of GoldGolden accents on the table—on almost every item, from the fl atware to the votive candles—are echoed in the distinctive fl ower-fi lled gold vases of varying heights from L’Objet (l-objet.com). Glass vases are from Rosenthal (rosenthalusa.com).

Seashell ArtA fl oral touch brings surprise to each setting, with colorful ranunculus made of dyed shells by artist Karen Robertson (karenrobertson.com). Linen napkins by Nuko Creations are edged with crochet-and-pearl trim for a “touched by hand” sensibility (nukocreations.com).

Dreamy & DelicateThe delicately detailed and scalloped “Eden Turquoise” Limoges porcelain soup bowl from Bernardaud (212/371-4300) inspired the dining room’s soft palette. It’s beautifully paired with a bone china “Lismore Lace” service plate from Waterford (wwrd.com).

Tastefully Textured“Golden Winslow” sterling fl atware with braided gold edges through Replacements (replacements.com) glows atop peach linen placemats from Sferra (sferra.com), which peek through an ivory overlay made of crochet-like “Cosmino Sheer” fabric from fschumacher.com.

Bill of Fare A distinctively printed menu from Anna Grif n (annagrif n.com) adds a certain element to any event, connoting that not only is the meal thoroughly and thoughtfully planned—but that it’s bound to taste absolutely wonderful!

Proustian DelightSend guests home with Grapefruit Madeleines, brushed with a grapefruit glaze and a dipping sauce of grapefruit-infused syrup. These petite sponge cakes have not only inspired the writings of Marcel Proustbut also lyrics by the Pet Shop Boys. ➤


GREAT GATHERINGS


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unexpected palette of peach, orange, ivory, yellow, and blue—the

colors, Krissa says, that bring to mind cloudless skies, fragrant rose

blossoms, and captivating sunsets. “I wanted a soft palette that sug-

gests the lightness of spring and a look that is unapologetically femi-

nine but not overly sweet,” she explains.

The airy tablescape is anchored by a silk runner and peach linen

placemats topped by rectangles of ivory crocheted lace she snipped

from a length of fabric. Above the table hangs a pair of chandeliers

whose transparent dangling orbs catch the light like the shimmering

bubbles a child might blow on spring’s first warm day. Adept at

repeating motifs that may only be noticed unconsciously but none-

theless contribute to a pleasing whole, Krissa chose draperies with

an abstract scroll pattern that echoes the more literal scroll pattern

on the backs of the dining chairs.

To decorate the table, glass vases hold cheery orange ranunculus

and gently nodding tulips in pale yellow. Filled with blue hydran-

geas, heftier glass vases in shimmering gold are simple in form yet

twisted and fluted to catch the eye. Likewise, the menu is sophisti-

cated but fresh—from the first sip of a light, cool White Negroni

cocktail (the breezier sister of the brassy martini) to the last irresist-

ible dollop of panna cotta with rhubarb preserves. +

Menu

■ White Negroni Cocktail

■ Steamed Mussels with Vermouth

■ Butter-Poached Lobster with Spring Peas and Wild Mushrooms

■ Chèvre with Lavender-infused Honey

■ Buttermilk-Vanilla Panna Cotta

■ Grapefruit Madeleines with Grapefruit Syrup

A runner made of “Bellini” silk lightens the table, while

panels fashioned from “Rosegate” embroidered linen

add subtle pattern to the windows; both fabrics are

from Schumacher (fschumacher.com). The “Gentry”

chairs and “Northwest Passage” table are from Drexel

Heritage (drexelheritage.com); “Allusion” chandeliers

are from Currey & Company (curreyandcompany.com);

candlesticks are by Rosanna Inc. (rosannainc.com).

Buttermilk-Vanilla

Panna Cotta


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Buttermilk-Vanilla Panna Cotta Recipes by Chef Robert Marzinsky

of Philadelphia’s Fitler Dining Room

(fitlerdiningroom.com)

Nonstick cooking spray

3½ teaspoons unflavored gelatin

⅓ cup water

2 cups whipping cream

1⅓ cups sugar

1 vanilla bean, split lengthwise and

seeds scraped and reserved

2⅔ cups buttermilk

½ to 1 cup good-quality rhubarb or

strawberry preserves

Good-quality balsamic vinegar, such as

an aged Aceto Balsamico di Modena

Lightly coat eight 6-ounce custard cups

or ramekins with nonstick spray. Place

in shallow baking pan; set aside. In

small bowl sprinkle gelatin over water.

Do not stir. Let stand 5 minutes.

Meanwhile, in medium saucepan

combine whipping cream, sugar, vanilla

bean and vanilla seeds. Heat over

medium heat until hot but not boiling.

Add gelatin mixture; stir until gelatin

dissolves. Remove from heat. Remove

vanilla bean; discard. Whisk in buttermilk.

Divide mixture among custard cups

or ramekins. Cover; chill completely,

4 to 24 hours or until set.

To unmold, if using custard cups, run

thin knife along inside edges of mold. If

necessary, dip bottom of ramekins in hot

water for 3 seconds. Turn custards over

onto serving plates, and spoon 1 to 2

tablespoons rhubarb preserves over

each custard; drizzle with balsamic

vinegar. Makes 8 servings.

Make Ahead Tip: Panna cottas can easily

be made up to 24 hours before a meal

and chilled until ready to serve.

WANT TO RE-CREATE

THIS MENU AT HOME?

For recipes, a complete

shopping list, and

preparation instructions,

scan this tag. Or, go to

traditionalhome.com.

FOR RECIPES AND COOKING TIPS, GO TO TRADITIONALHOME.COM/LUNCHEON


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T H E M I M E C O L L ECT I O N F RO M :

Explore Fredrick Ramond, Hinkley’s luxury line.

AVA I L A B L E I N F I N E L I G H T I N G S H OW RO O M S

H I N K L E Y L I G H T I N G .C O M


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hile envisioning your tropical dream house—we

all do this, right?—nubby linens, sheer cottons, grass

cloth, sisal, wicker, and driftwood undoubtedly

come to mind. Add some bright color, geometric

patterns, comfortable seating, and underwater accents, and you have

the makings of a home worthy of Florida’s beautiful beaches.

All this and more was on display during the 2013 American Red

Cross Designers’ Showhouse in West Palm Beach, Florida. Now in its

38th year—the 2014 edition is open February 20 through March 22—

the design event continues to kick-start our calendar year as the frst

showhouse stop. Join us as we whisk you away to a Key West-style

retreat on a tour of last year’s sea-inspired spaces.

W

W r i t t e n b y C l a r a H a n e b e r g P H o t o g r a P H y b y r o b e r t b r a n t l e y

This Florida showhouse FlaunTs bold color and Fabulous design

Warm Front


showhouse Tour


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Lisa Erdmann & Eden Tepper Study “It honors the striking style for

which Palm Beach is known,” says

Lisa Erdmann of this chic space.

Grass-cloth wallcovering injects a

pop of pattern, as does the sofa’s

subtle trellis-print upholstery

and the colorful dragon print on

the draperies. Neutral linen and

nailhead trim enhance the study’s

low ceiling, while a cofee table

with a faux-snakeskin top anchors

the sitting area. The tropical look

of wood-and-cane chairs suits the

room perfectly, and a herringbone-

patterned sisal rug incorporates

stylish texture underfoot.

Stephen Mooney Foyer

The foyer isn’t just this home’s

entry, it also acts as an art gallery

and an alternative dining area. “It’s

truly the spine of the frst foor,”

says Stephen Mooney. Serving as

the design’s jumping-of point

is the drapery fabric with aqua

and silver undertones. The wall-to-

wall sea-grass rug concealing

polished marble foors instantly

warms the room. A round antique

rosewood table plays host to

chilled champagne and decadent

desserts. Overhead, a bell-jar

lantern makes a clear statement.

Daryl McCann for Gregory Lombardi Design Pool Area A living wall of fowering perennials

is the brilliant backdrop for the

pool area (preceding page).

Shaped by Daryl McCann on behalf

of Gregory Lombardi Design, the

dynamic outdoor space features

lush greenery and prime pool

views. Rattan sofas and side tables

from Gloster, plush pillows, and

blossoming orchids complete

the cozy conversation spot.


ShowhouSe Tour


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Jennifer Garrigues & Diana El-Daher

Living Room All-white walls and a coordinating

sofa achieve a light and airy look in

this room ideal for socializing.

Natural fabrics and materials—note

the linen pillows, sisal area rug,

and reclaimed-wood cofee and

console tables—support the “island

living” theme. The large silver globe

lantern is the designers’ favorite.

“When lit, it projects just the

right amount of inviting light,”

says Jennifer Garrigues. Faux-

animal prints on the ottoman and

rug contribute to the exotic aura.

Joseph Cortes & Kevin Marnell Guest Suite Aiming to create a calm retreat

encouraging rest and relaxation,

Joseph Cortes and Kevin Marnell

of HomeLife Interiors used pops of

terra-cotta on the bed linens and

patterned wallpaper rimming the

ceiling to energize the otherwise

neutral room. “The border lent

a feminine feel but didn’t make

men squirm,” says Joseph Cortes.

The brass-fnished bed with woven

leather straps and crocodile bedside

tables are by Drexel Heritage.

A sculptural lounge chair and an

antique bench with curved legs

sit poised and pretty atop the tribal

area rug and sisal carpet.


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Noe & Melissa Z. Guerra Kitchen NXG Studio’s Melissa and Noe Guerra

set out to design a gourmet kitchen

with high function and minimal

clutter. Echoing the home’s arched

doorways is the hood area over the

stove. “We wanted to frame the

cooking space as its own special

place,” Melissa Guerra explains.

The room’s gray-beige cabinetry

is accented with glass mosaic tile

backsplashes by Crossville. Up close,

the concrete countertops reveal

grains of sand—a nod to the beautiful

beaches nearby. A succulent

centerpiece brings texture to the

table surrounded by white-painted

chairs with polka-dot upholstery

from CR Laine. Stainless-steel

appliances are by Electrolux.

Allison Paladino HallwayAllison Paladino decided to treat

the narrow upstairs hall as the

home’s secondary foyer. “I like

taking nondescript spaces and

transforming them with glamorous,

jewel-like treatments,” she explains.

The pale blue wall paint from

Benjamin Moore reminded her of

the Palm Beach water on a clear

day. Flanking the console table are

mahogany screens with cream

relief panels, all from Palladino’s

collection for E.J. Victor. Four

framed prints crown a demilune

bench against the end wall.

TO SEE A VIDEO

SHOWING MORE

OF THESE ROOMS

PLUS ADDITIONAL

SPACES, scan this tag. Or, view it at traditional home.com.


ShowhouSe Tour


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Mimi Masri Dining Room

Designer Mimi Masri transformed the

dining area into a stylish underwater

sanctuary. The light-to-dark

treatment of the walls delivers a

sense of direction and depth, while

whimsical hand-painted jellyfsh and

overhead LED lighting bring the sea

scene to life. Masri redesigned the

hand-blown bubble chandelier to

hang just above the dining table. “It

resembles true bubbles that would

escape from a diver’s regulator,”

she says. Mirrors embellish the

ceiling’s timbered grid, which looks as

if it’s foating on the water’s surface.

Joseph Pubillones Writer’s Studio “It shows the sophisticated side

of coastal living,” says Joseph

Pubillones of the studio he

designed. Despite its small (12x15

feet) proportions, the room ofers

plenty of seating without feeling

stufy. Polka-dot fabric panels

instantly soften the wooden blinds

on the windows. Patterns play a

big role, appearing on the pillows,

zebra-print chairs, paneled chests,

and area rug. An antique loveseat

and cozy club chairs form a sitting

area around the two-tiered cofee

table. Ceramic turtle shells enhance

the tropical atmosphere. ➤


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Gary McBournie Master Bedroom Vintage Palm Beach during the

1950s and ’60s inspired Gary

McBournie’s vibrant master

bedroom. “This conjured up visions

of white furniture, simple yet

sophisticated graphic prints, and

carpet woven from natural island

fibers,” he says. Choosing an

orange-and-green fabric from his

own collection for the chairs, bench,

and window treatment, the designer

paper-backed the material for use

on the walls. Squares of grass-mat

carpet were sewn together to

custom-fit the room. The bath boasts

custom aquamarine walls with a

Venetian-plaster finish. An orange

wire chair with a Caribbean-toile

cushion brings a bit of whimsy.

For more information on showhouse rooms,

see sources on page 106

2014 American Red Cross Designers’ Showhouse Don’t miss the 2014 American Red Cross Designers’ Showhouse

in West Palm Beach, Florida. Located at 124 Churchill Road,

the showhouse features interpretations of tropical island living

by more than 15 designers. It is open daily February 20 through

March 22. For more information, call 561/833-7711 or visit

american.redcross.org/2014designersshowhouse.

Special thanks to our 2013 Sponsors We’d like to extend our

gratitude to Benjamin Moore, CR Laine, Crossville, Drexel Heritage,

Gloster, and Electrolux for their sponsorship of the 2013 American

Red Cross Designers’ Showhouse.


SHOWHOUSE TOUR

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tlanta real estate agent Suzy Smith knows where to put

her home-improvement dollars: in the kitchen. With a

teenaged daughter soon heading to college, she also

anticipates that she and husband Ed will be ready to

downsize and sell their home sometime in the next fi ve years. “I told

my husband that either we spend the money now and get some

enjoyment out of a pretty new kitchen for the next few years or we

take a hit when we sell the house,” Suzy explains.

While the kitchen in their eight-year-old home was satisfactory,

it wasn’t going to win any beauty contests—or woo would-be buyers.

It was dark, and knots in the wood cabinets were beginning to bleed

through the cream-colored glaze. The fl oor plan had drawbacks, too.

Access to the food pantry required walking through the adjacent

A

➤

Range wall Moving the

laundry room upstairs

and eliminating a wall

captured space for a

larger kitchen with a

focal-point wall that

includes a Wolf range

and a François & Co.

hood set between

original windows.

Hidden BeautyHIGH-TECH GADGETS AND CLEVER STORAGE OPTIONS BOOST

EFFICIENCY IN THIS ELEGANTLY RENOVATED KITCHEN

W R I T T E N B Y A M Y E L B E R T

P H O T O G R A P H Y B Y E M I L Y J E N K I N S F O L L O W I L L P R O D U C E D B Y L I S A M O W R Y

BEFORE


KITCHENS


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Made in North America

Maple, Nordic and Sambuca from the Herringbone CollectionMinimum quantity applies.

Learn more!


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laundry room, which—oddly—enjoyed prime real estate at the front

of the house. When Atlanta kitchen designer Matthew Quinn walked

into the kitchen, his fi rst thought was, Where are the windows?

“It was very dark and just didn’t look like the Smiths,” says the

designer, who did the couple’s kitchen in a previous house when they

were newlyweds. Quinn sized up the space and presented two design

options. They could update the kitchen without removing walls or—as

Quinn preferred—move the laundry elsewhere, take down the wall

dividing the two rooms, and push the kitchen to the front of the house.

The latter approach would capture more space, light, and views.

Suzy agreed the wall and laundry room needed to go, which

gained nearly 80 square feet for the new kitchen and a stunning

focal-point wall that includes a new range, a stone-and-copper hood,

and a tile backsplash set between the arched windows. “Those

arched windows are fabulous,” Quinn says, adding that the wall is

“the most architecturally important element in the room.” The hood

is handmade with a mixture of ground limestone, marble, and resins

that are pressed into a mold, he explains. The copper surface was

created by lining the mold with copper dust and then pressing the

stone mixture into it. Suzy notes that the hood has the look of sheet

metal without the noise of vibrations or the maintenance issues.

While the kitchen space was enlarged from 232 square feet to

about 312 square feet, Quinn kept the layout similar because it had

worked well for Suzy. A 9-foot-long island topped with black wal-

nut and curved on one side provides eating and work surfaces, and

houses a microwave, two refrigerator drawers, a pellet ice maker

1. A cof ee machine tucks into a niche

on the countertop to the left of the sink.

The food processor and small appliances

are kept inside the mirrored cabinet.

2. Rustic metal lanterns with burlap-

like tops add texture and a casual, warm

vibe and provide soft illumination.

3. The range hood is handcrafted with

a mixture of ground stone pressed into

a mold lined with copper dust.

4. Charging stations for each member

of the family are concealed in velvet-

lined drawers wired with multiple outlets.

BEFORE

1 2 3 4

The island has a walnut top

and perimeter countertops are

Borneo marble with a matte

“leather” fi nish. Subway tiles by

the sink are from Walker Zanger.

Faucet is from Kohler. The Smiths

were able to keep an existing

window valance above the sink.

➤


KITCHENS


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DW

DW

cofee

KITCHENPANTRY

R

WD

LAUNDRY

PANTRY

R

OKITCHEN

(a must-have for Ed), and a fold-back door that conceals a lift-up

shelf for the heavy stand mixer.

Nearly all the appliances are integrated into the cabinetry—a

Quinn signature. “I prefer something other than a stainless-steel

appliance to attract my eye,” he says. To the left of the range, a warm-

ing drawer looks like a standard cabinet drawer. The refrigerator, a

tall dish cabinet, and the pantry door are camoufl aged behind custom

mirrored panels with curving lead mullions. “No one can tell the pan-

try is there. It’s a fun surprise,” Quinn says. The mullion design was

inspired by a tiny detail in gates outside the home, he points out.

Three “charging station” drawers, one for each family member,

are tucked under the countertop near the pantry. Outlets in the

back of each velvet-lined drawer allow for charging multiple

devices—laptops, phones, and tablets—which keeps the tangle of

cords out of sight. Even the television in the dining area is hidden,

inset in the wall behind a painting that rises at the touch of a button.

Custom wall cabinets made with salvaged heart-pine wood and

antiqued glass hold the Smiths’ delicate wineglasses. “When you

open the doors, there’s this fabulous wood smell that goes so well

with wine,” Quinn says.

The Smiths frequently entertain, and Suzy enjoys working at the

island while guests sit on the stools or in the adjoining dining area.

“Having a kitchen that is truly the heart of the home, a place where

people feel comfortable hanging out, is everything,” she says happily. +

Kitchen designer: Matthew Quinn


AFTERBEFORE

FL

OO

R P

LA

NS

: C

AR

SO

N O

DE

BEFORE

Custom-made

heart-pine cabinets

hang on walls

painted Benjamin

Moore’s “Brandon

Beige.” White

lacquered cabinetry

is from Downsview

Kitchens.

Pantry door Mirrored

panels and faux

drawers mask the

pantry’s entrance

Family dining area An

oil painting lifts via a

motorized system to

reveal a fl at-panel TV

mounted in the wall.

The pine table was

painted to match the

RH dining chairs.


KITCHENS


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ONEKINGSLANE.COM

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January 228am pt / 11am et

W E A R E T H R I L L E D T O PA R T N E R W I T H

Grace Home Furnishings & Traditional Home

O N T H E B E F O R E & A F T E R


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W r i t t e n b y l i s a c r e g a n

p h o t o g r a p h y b y J o h n g r a n e n

p r o d u c e d b y l i n d a h u m p h r e y W i t h e l e a n o r r o p e r

An extreme purge gives A 1960s rAnch A fresh stArt



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here’s no rule that says spring cleaning has to last

only one spring. Cheryl and Danny Hansford

spent a full 18 months spif ng up the 1960s

architecture of their longtime home overlooking

a golf course in Pleasanton, California—and swept away a lifetime

of tchotchkes, oversized furniture, and outdated accessories in the

process. That kind of dramatic change would terrify many people,

but the Hansfords fearlessly embraced their big purge and in

return got the home of their dreams.

Rethinking your life with such confi dence takes encourage-

ment. Luckily, Cheryl and husband Danny, a steel company execu-

tive and avid golfer, got that in spades when they hired interior

T

BEFORE


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Dining room The ebony

fnish of a steel glassware

cabinet was meticulously

matched to Kevin Reilly’s

“Altar” hanging light for

continuity. To keep the

mood relaxed, Hickory

Chair dining chairs,

upholstered in a neutral

Moore & Giles leather, rest

on a woven seagrass rug.

Living room The existing

concrete freplace was

sheathed in Venetian

plaster. A sofa by Maison

Luxe and two tufted

chairs from Milling Road

provide abundant comfort.

Exterior The 1969 ranch

was clad in shingles,

giving the house a

stylized Craftsman look.

Preceding page In the

entry, a ceiling lantern

from Visual Comfort and

table lamp from Circa

Lighting illuminate

framed family photos.



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BEFORE

Great room Madeline

Weinrib’s “Gemma” rug

and Barclay Butera’s

zebra-print “Newport”

lounge chair with ottoman

add a big impact to this

neutral palette. Artwork

from Natural Curiosities

and an Hermès throw

maintain the color scheme.



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Then: Oriental carpets in dark colors like rusty red, navy blue, and hunter green. “They evoke the 1980s for me,” says designer Kelie Grosso.

NOW: Big exotic-patterned rugs “are new classics,” says Grosso “But only in simple neutrals. Purple or bright red gets dated fast.” Natural wools, sisals, and seagrass rugs are also high on Grosso’s list these days. “But I might take a sisal and bind it with a Kelly green leather edge to elevate it a bit.” As for tried-and-true Orientals? Grosso still loves them, but not in deep colors. “Orientals with softer palettes feel right today.”


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BEFORE

Breakfast room A pre-

renovation exterior

window became a

pass-through from the

kitchen to the new

breakfast room; it’s

fl anked by built-ins that

keep everyday dishes and

linens at hand. Covered

in a casual print from

Raoul Textiles, a window

seat in the new addition

overlooks the garden

and golf course. Conrad

shades fi lter the sunlight.


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passing a new breakfast room and a much-expanded great room,

with unobstructed views of Danny’s beloved golf course.

The next major task was cleaning up the seemingly random

French country feel of the place. For instance, the old family room

had a cavernous cathedral ceiling, 16 feet at its peak, but the adja-

cent open kitchen’s ceiling was only 8 feet high. Splitting the difer-

ence, they took the expansive new great room’s ceiling down and

brought the kitchen’s up to meet it.

“It’s amazing. Even though it’s a much larger space, it feels

cozier than before,” says Cheryl. Indeed, on a cool Northern Cali-

fornia evening, the great room, with its freplace radiating warmth

throughout, is clearly the new soul of the home.

designer Kelie Grosso. For two years, the couple had been staring

at blueprints for a makeover of the one-story ranch they’d pur-

chased in 1999. But until their daughter Anne Marie introduced

them to Grosso, owner of Seattle’s Maison Luxe, they hadn’t been

able to pull the trigger.

“We knew we needed more room for our two married daughters

and four grandchildren,” says Cheryl, a confessed serial enter-

tainer, “and I really wanted a bigger party space!” But Grosso says

Cheryl still “needed a little push.”

First, the Hansfords tore of an old porch that Cheryl recalls as

“dark, dark, dark,” which also blocked light into the house. In its

place they added 500 sun-drenched square feet of space encom-



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BEFORE

DECKDECK

DECK

ENTRY LIVINGROOM

R

BEDROOMBEDROOM

W/D

UTILITYHALL

DN

CLOSET

DININGROOM

KITCHENFAMILYROOM

MASTERBEDROOM

CLOSET

CLOSET

CLOSET

SITTINGROOM

COVERED PORCH

BATH

BATH

DECKDECK

DECK

ENTRY LIVINGROOM

R

BEDROOMBEDROOM

W/D

UTILITYHALL

DN

CLOSET

OFFICE

DININGAREA

KITCHEN

MASTERBEDROOM

CLOSET CLOSET

BATH

BATH

O

GREATROOM

BREAKFAST

Before

After

Kitchen Original cabinets

were given new doors,

while a Viking stove and

hood replaced outdated

appliances. Calcutta Tia

marble sheathes the

backsplash and counters.

An antique display

cabinet from France holds

treasured serving pieces.

Garden Landscape designer Martha

Criswell created the expansive

two-tier terrace furnished with an

“Azimuth” table and “Vitali” chairs

by Janus et Cie. Blue batik pillows

from Ralph Lauren accent seating

pieces, including a white Janus et

Cie “Azimuth” settee and white

barrel tables from Wisteria. Custom

iron fences suggest a feeling of

walls for the outdoor room.


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Cheryl was ready to do it!” The pair walked around the house with

a roll of blue tape, tagging anything tired or dated, and shipped it all

of to auction or donated it to a charity. “The house’s contents are

probably 80 percent new,” admits Grosso, “and it was a tough tran-

sition for the Hansfords because they had all these collections. So I

said, ‘We’ll put some of it in storage and get back to it later,’ but

Cheryl said, ‘No, let’s be honest; we’re never going back.’ ”

Cheryl can laugh about it now. “I realized that even though I

loved my things, I was living in a ‘grandma’ house. I even got rid of

the plaster hood over the stove that I thought was so chic back in

the day—suddenly it seemed huge and ugly! Now I’m all about

things that are clean and simple.”

The whole place went through that kind of recalibration and

repurposing. “What’s now the ofce used to be the dining room,” says

Cheryl, adding that the dining room now occupies the window side of

the great room, just steps from French doors to the terrace.

“Before, we’d have to cram the whole family in the old dining

room, and it didn’t even have a window,” says Cheryl. “It was just a

closed-in hovel! Kelie made it into an ofce and suggested adding a

window with a view of the valley. It’s perfect.”

Perfect now, but when Grosso frst saw the drawings for the

house’s radical new plan, she knew the Hansfords’ furnishings

were a match for the “before” house, not the “after.” “I said to

myself, Oh, no; so many of her things have got to go. But luckily, Fl

oo

r p

la

ns

: C

ar

so

n o

de



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Master bath Inspired by

the designer’s love for

French style, a vintage

19th-century Louis

Philippe gilt mirror hangs

from antiqued mirror

panels accented with

rosettes. Illumination is

provided by rock crystal

sconces from Kallista and

a sparkling ceiling light

from Matthew Studios.


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able. “Kelie made this house so much more comfortable,” says

Cheryl. “I can see now how much easier it is to live in a house with

less visual noise and more open space.

“I keep saying, ‘Why didn’t we do this before?’ The house just

fows into the outdoors.” And what is Danny’s view of the renova-

tion? “He fnally gets to look at the golf course—and Danny always

wants to look at the golf course!” +

Interior designer: Kelie Grosso Landscape designer: Martha Criswell


And what could be simpler than a life lived in just three colors?

One way Grosso freshened the style here was by limiting the pal-

ette to camel, black, and white, using those colors over and over

again throughout the house. “It creates a clear-your-mind kind of

house, a fresh, crisp way to live,” she explains.

While there may be very little color, there is a host of textures to

tease the eye—a cowhide rug in the entry, burlap grass-cloth walls

in the ofce, a gloriously worn farm table in the breakfast area, and

nubby linen slipcovers in the living room. Pattern also adds inter-

est—like the exotic ikat that upholsters the master bed and the eye-

catching zebra-print chair in the great room. The collective impact

of the home’s three signature colors is serene and supremely liv-

Master bedroom The shade of gray in the Kravet fabric enveloping the bed

harmonizes with terrace walls outside. A Baker chaise covered in silk mohair

provides a spot to relax. An antique Oushak carpet warms the foor.



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SurpriSe

W r i t t e n b y K r i s s a r o s s b u n d

p h o t o g r a p h y b y W e r n e r s t r a u b e

p r o d u c e d b y M a r a b o o W i t h h i l a r y r o s e

Move


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When a home she had long admired Went on the market, designer suzanne kipp lost no time in making it hers



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uzanne and Dan Kipp had no plans to move. There was

no real reason to. The couple was perfectly content in

their Winnetka, Illinois, home. It had provided many

memories for the two of them and their three children

since they moved to the village just north of Chicago in 1995.

The Kipps weren’t looking at real estate listings or touring open

houses. But as they walked their dog and drove through one par-

ticular neighborhood, a classic example of Georgian architecture

situated on an arresting corner lot always cast a spell on them.

“Design is my passion,” explains Suzanne. “It’s what I studied in

school and what I have practiced throughout my career for the past

27 years. This house spoke to me every time I passed it. It was invit-

ing me to come in and take a look. When I saw that it was for sale

and that an open house was scheduled, I knew that Dan and I were

destined to visit it.”

To someone without a design sixth sense, the house and its

dated aesthetics (think millwork painted bright turquoise!) would

have of ered only a pleasant way to while away a Sunday afternoon.

Built in 1910, it had been home to four owners, all with their own

S

BEFORE

Entry hall To add substance to

the generously sized foyer,

Suzanne Kipp added a round

center table and a secretary.

Exterior The Kipps’ century-

old Georgian-style brick home.



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BEFORE

Dining room A graceful crystal

chandelier adds dazzle to an

Edward Ferrell+Lewis Mittman

settee and an antique dining

ensemble. Dining chairs have

been reupholstered in fabric

from Manuel Canovas.

Preceding pages Above an armless

sofa from Hickory Chair, the

Richmond Afternoon oil by artist

David Gordon adds a landscape

of cypress trees. Suzanne found

the pair of metal cof ee tables at

One Kings Lane.


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Sun porch A retreat used

primarily by Suzanne and

Dan, the porch is reached

through French doors in the

dining room, making it an

ideal spot for pre-dinner

drinks with friends.

Kitchen Updated architecture,

a large working island, and

bookcases installed in the

breakfast nook were all parts

of the renovation.

Homeowner/designer

Suzanne Kipp

InSteAD oF gettIng rID oF thIS home AnD ItS clASSIc elementS, we broUght It bAcK to lIFe. —homeowner/designer Suzanne Kipp


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visions and revisions. But Suzanne, who had ventured through the

renovation process many times professionally, recognized the

beauty that lay within. She and Dan agreed to devote their time and

energy to returning the house to its glory.

The Kipps’ new purchase had its limitations. Zoning laws pre-

vented adding square footage to the brick house. But given its spa-

cious rooms, which merely needed a visual facelift, the couple was

glad to keep structural alterations to a minimum and to retain the

home’s architectural integrity. They called on Elissa Morgante and

Fred Wilson of Morgante-Wilson Architects, with whom they had

worked on a previous home. The pair drew plans to bump out the

kitchen slightly, which created space for a mudroom, half bath-

room, and den. Transformed from a 1970s update that included

columns and laminate cabinets, the kitchen now refl ects the fami-

ly’s contemporary lifestyle and is the heart of the home.

“The layout and the original moldings of the house were per-

fect,” Wilson says. “You wouldn’t have wanted to change them.

Within the kitchen, we enhanced ef ciency by creating a butler’s

pantry and the other utilitarian spaces.”

BEFORE



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Library/Dan’s ofce Two substantial

pieces of furniture—a desk featuring a

feathery grain from Jonathan Charles

Fine Furniture and a Hancock & Moore

ottoman covered in a houndstooth

hair-on-hide—command attention in the

room painted in a shade of black from

Farrow & Ball. Leather armchairs are

from Pottery Barn, and the three-tier

occasional table is from Baker.


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BEFORE



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BEFORE

Enhanced by a pair of elegant crystal chandeliers, the all-white

kitchen exudes glamour. The color scheme is evidence of Suzanne’s

commitment to making a neutral palette fl ow throughout the

home’s formal and grand public spaces.

“When I was young and had my fi rst house, I wanted to do

everything,” explains Suzanne. “I didn’t think about the fl ow of the

house, so there wasn’t one set scheme. I did navy in the dining

room, and green and red in other places.

“The house we were coming from was also fi lled with color. My

kitchen was French country in style with painted fl oors and pine

cabinetry. I was ready for change, and since we were making this

unexpected move, I thought we should start with a clean slate.”

The spacious living room begged for multiple conversation

areas instead of one central arrangement. To tie the groupings

together, Suzanne selected furniture that of ers easy segues. In

front of the fi replace—painted black to draw attention—a settee

faces a versatile backless bench, allowing an unobstructed view to

the grand piano and a banquette-style sofa. At the opposite end of

the room, a pair of slipper chairs repeats the symmetry of the two


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front windows dressed with champagne-colored silk drapery pan-

els. An antique console table rests between the windows.

The square proportions of the dining room suited the Kipps’ exist-

ing antique round table, but Suzanne also wanted to soften the room’s

stately architecture, which includes a pair of French doors leading to

the sun porch. She removed the patterned wallpaper, pulled pale blue

from the rug and applied it to the ceiling, added extra seating with a

settee covered in linen, and reupholstered the dining chairs in a steel-

blue velvet. A fnal fllip is a traditional crystal chandelier descending

from the ceiling in front of a gold-framed mirror.

While the palette of the Kipp home consistently follows a neu-

tral path, it’s not all in pale colors. Dan’s ofce and library, formerly

the sunroom, was stripped down to the studs and rebuilt with new

windows, doors, and millwork. With so much natural light fooding

the room, Suzanne was confdent that it could handle a dark hue.

So she painted the room’s perimeters a handsome, masculine black

that is balanced by ivory-colored wall-to-wall carpet. The room is

appointed with dark furniture, too. An oval mahogany desk sets the

tone for brown leather club chairs. Punctuating the space is a

large-scale ottoman covered with houndstooth hair-on-hide in

chocolate brown and white.

On the second foor, Suzanne designed the master bedroom and

bath as a peaceful retreat where she could relax at the end of the

day, both mentally and visually. A four-poster in dark mahogany

anchors the pale gray walls warmed by a patterned, tone-on-tone

carpet and sheer drapery panels.

The goal of any residential design includes creating a pleasant

backdrop for daily family life and special gatherings. But to

Suzanne and Dan, it was important that this project preserve a

snapshot of architectural history, too.

“This renovation was about so much more than providing a

beautiful and functional environment for our family,” says

Suzanne. “We take great pride in reviving something that already

existed. When teardowns happen in old neighborhoods, art and

craftsmanship are lost. Instead of getting rid of this home and all of

its classic elements, we brought it back to life.” +

Architects: Elissa Morgante and Fred Wilson


Master bedroom The stately bed from Hickory Chair

wears a Pratesi coverlet and a skirt made in fabric

from Kravet. A comfortable chair and ottoman rest

in front of the freplace.

Master bath A mirrored panel installation sparks allure

in the master bath. “We designed the bathroom to

be glamorous and to speak to the architecture of the

house,” says architect Fred Wilson. Tile and marble

fooring are from Waterworks.



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BEFORE

BIG IDEAS BRING ENCHANTMENT TO SMALL COURTYARD GARDENS AT A BIRMINGHAM, ALABAMA, HOME

MannersCourtly


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W R I T T E N B Y C A T H Y S T I L L M c G O W I N

P H O T O G R A P H Y B Y J E A N A L L S O P P

P R O D U C E D B Y R E B E C C A C H R I S T I A N



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BEFORE

ownsizing from a family home on a large suburban

lot to a garden home means less maintenance. But it

can also mean less privacy. Birmingham, Alabama,

residents Judy and Jim Carns didn’t let narrow lot lines infringe on

their planned lifestyle change. Instead, they built a home with a

walled garden that of ers plenty of seclusion as well as an enchant-

ing setting that never fails to delight guests.

When the couple moved in, they had little more to work with

than a brick patio and Birmingham’s red clay soil. Enlisting garden

designers Max Garcia and David Swindal, Judy asked for privacy,

sanctuary, and a garden that looked as if it had always been there.

“Even though our house is new, it has an old-world ambience that

sets the tone for the gardens,” she says.

The designers set about adding structure to the existing 10-foot-

high garden walls that surround the 3,000-square-foot area. “We

didn’t want the walls to look like a fortress,” says Garcia, “so we

varied their treatments, adding brick, fountains, planters, niches,

and tall foundation plants.”

At the home’s entrance, a loggia opens onto the front garden. A

row of ‘Emerald Green’ arborvitae blocks the street view. Another

wall covered in creeping fi g ivy overlaid with a crisscross trellis of

‘Confederate Jasmine’ separates the courtyard from the neighbors.

A burbling fountain drowns out street noise.

Back loggia Extending from the home’s dining room, the sheltered indoor/outdoor room of ers cushy rattan seating with Sunbrella-fabric cushions.Fountain A lion’s head set into a brick arch spouts water into a small pool that features aquatic plants. The brick helps break up the expanse of the stucco walls. Preceding pages Arches frame the front loggia. ‘New Dawn’ roses over the center arch and an urn fountain set a serene tone. Patio garden Although the garden is only fi ve years old, mature plantings, climbing vines, and hanging baskets combine in clever arrangements to give a timeless feeling. Alleyway An antique iron gate opens onto a beautifully landscaped sandstone path that leads to the rear garden.

d



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BEFORE

Judy Carns and

Buddy, her cavapoo

A lotus bloom in the

lion’s-head fountain


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BEFORE

Surrounding the fountain, hedges of clipped ‘Winter Gem’ box-

wood frame beds fi lled with Judy’s favorite hues of purple, pink, and

lime green. A spray of ‘New Dawn’ roses cascades from the center

arch of the loggia. “The blooms are magnifi cent,” says Swindal.

“Even when they fall, they create the most exquisite pale pink car-

pet. You have to cherish them to the very last petal.”

An antique iron gate accesses a 5-foot-wide alley that leads to the

rear loggia and garden. Dense with ferns, hostas, and impatiens, the

border of the sandstone path brims with blooms and texture. “This is

my favorite part of the garden,” says Judy. “It reminds me of a narrow

alleyway in Charleston, South Carolina. The front garden reminds me

of Tuscany—though I have never been there,” she adds with a laugh.

“The back garden recalls New Orleans and Savannah.”

Much like these old cities, the garden evolved without any strict

plan. “Judy would see something in a book, or we would have an idea

and we would make it happen from there,” Swindal says. “I’m the

Chock-full of diverse fl ora, including

boxwood hedges framing seasonal

blooms, dwarf fruit trees, and ‘Little

Gem’ magnolias, the Carns garden

provides a constant fl ow of colors and

fragrances that change with the

seasons. Antique French chairs mix

with new iron seating throughout and

contribute to convivial gatherings.

Potted asparagus

ferns and geraniums

in the front courtyard


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WELCOMING

PATIO OUTSIDE

THE BEDROOM

CANNA LILIES

BRIGHTEN THE POND

GARDEN GATE

HOUSE

dreamer, and Max is the one with the skill to make things happen.”

So Garcia and Swindal worked to fi ll the back courtyard with South-

ern ambience. “Because of the tight constraints of the lot and the

height of the walls, interior windows looked straight out to the bare

stucco walls, so we also had to create a view,” notes Garcia.

Filling the void, water splashes into an aquatic garden brimming

with lotus and lilies. An arbor of ers a shady spot along the back

wall. “My garden is a mix of formal and casual,” explains Judy. “I

love the casualness of black-eyed Susans and sunfl owers combined

with elegant and dazzling tropicals like orchids and mandevillas.”

From every vantage, there is something to behold. Judy enjoys the

comfort of the loggia, and the front garden’s stone bench is “my little

private place where I enjoy meditating and just being still and quiet.”

Sometimes, she steps out onto the roof of her second story just to take

it all in. “You can see the whole garden from up there,” she says. +

Garden designers: Max Garcia and David Swindal (gartenfestllc.com)

URN FOUNTAIN

WHERE Birmingham,

Alabama

CONDITIONS The red

clay was replaced with

fi ll dirt and topsoil

CLIMATE Humid and

subtropical with

hot summers and

mild winters

HIGHLIGHTS Walled

courtyard gardens

connected by a

narrow alley, plus

two fountains and

a wide variety of

plantings and

ornaments that of er

year-round interest.

A multitude of

containers—big and

small—allows the

owner to experiment

with dif erent plant

combinations and

change out seasonal

color on a whim.

Details

ILL

US

TR

AT

ION

: K

AT

HR

YN

KU

NZ

FIN

NE

Y



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W R I T T E N A N D P R O D U C E D B Y D A R R A B A K E R P H O T O G R A P H Y B Y M I C H A E L G A R L A N D

A PAIR OF LOS ANGELES DESIGNERS REVIVES A DRIED-OUT PALM SPRINGS HOUSE, BRINGING IT

BEFORE

ouses are like puppies to me,” muses designer

Roger Stoker. “It’s hard for me to turn away

from one that needs help—and this house

was calling out for us to bring it back to life.”

Both Roger and his partner, Michael Ostrow, were intrigued by this

house in particular. It needed serious design assistance, but it was

ideally located in the Indian Canyons neighborhood of Palm Springs,

where the two were searching for the right second home. Like much

of the Los Angeles design and entertainment community, Roger and

Michael—both designers and co-owners of Grace Home Furnishings

in Brentwood—had developed an appreciation for the desert city’s

easy proximity to L.A. (Appropriately, their shop’s mascot is a choco-

late Lab pup named Grace.)

With its pristine midcentury architectural specimens and a cul-

ture that attracts design lovers and preservationists, the Springs

already felt like home. “We thought about where we wanted to be

when we retire, and since many of our friends already have second

homes here, it felt like the right place,” explains Roger.

After successfully securing ownership of the “Brady-Bunch-

turned-half-baked-Mediterranean” property, as Roger describes

it, Roger and Michael immediately refreshed the down-at-the-

heels garden by implementing proper irrigation systems, rolling

h

Retro Redux



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prings house, bringing its 1970s groove back to life


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Sitting area A pair of brown-and-orange velvet wing chairs fank a fully

functioning bar cabinet and stand opposite a 1970s-era Mediterranean

settee upholstered in the Brunschwig & Fils hot-pink-and-orange fabric

that inspired the palette and playful decor for the entire house.

Preceding pages In the pool area, the new owners shook up the natural-

toned oasis with pops of yellow and orange on the furniture and

accessories, including shocking pink towels and beach balls. They also

revived palm trees, giving the grounds of their home a rescue treatment,

too. In the entry hall, vanilla white walls with dark chocolate trim and

Mission-style furniture ofer crisp contrast to the couple’s freewheeling

fabric and accessories. The orange Mission-style doors—a welcome update

of the previously dried-out wooden ones—hint at the home’s cheer.

out a fresh new green lawn, reviving the 21 neglected shaggy palms

with a proper arborist trim, and resurfacing the plaster pool in a

chic and durable pebble finish. “No one had lived on the property

for more than two years, and everything but the bougainvillea and

palms had died,” recalls Roger.

The design duo took a practical approach as they tackled the

dark and dated interior of the 2,400-square-foot house. First, they

updated the electrical system, adding light fixtures in bolder,

brighter colors—including some rewired vintage finds—in every

room. They also addressed decoration, replacing all of the dirty,

incongruous wall and ceiling colors with repeat coats of fresh

vanilla paint tastefully accented with slim lines of dark chocolate

at the baseboards and around windows. Then they painted the

exterior in the same vanilla and chocolate combination to bring

the house’s Spanish references forward in a modern way. “We

touched every surface on this house, inside and out, except for the

Spanish tile roof and foors,” Roger notes.

To tie into the crisp contrast of the new ivory-and-espresso

background palette, Roger and Michael also made sure to choose

or re-color most mid-toned wood surfaces in the furniture to an

updated, almost-black shade. “It looks more modern,” says Roger.

The same high-contrast approach applies to the custom foor-

to-ceiling cream linen curtains bordered with a dark brown band

along the hem. The simple curtain design is used throughout the

house to create a seamless wall-into-window covering with the

bonus of the dark brown “baseboard” hems camoufaging any up-

swept dirt bound to trail in through open doors.

“Every choice we made was with the thought of ease, durability,

and second-home living,” Roger points out. The wall-into-curtain

backdrop also allows the wilder tangerine and fuchsia colors and

exotic patterns to take center stage in the living and dining areas.

Durable pieces upholstered in bathing-suit friendly fabrics plus

just enough tongue-in-cheek vintage lamps and accessories can

induce an I Dream of Jeannie or The Brady Bunch chuckle.

Says Michael of the classic ’70s hot-pink-and-orange palette of

most of the fabrics, “I’ve always loved this old Brunschwig & Fils

pink-and-orange fabric, but it wasn’t right for any of the projects I



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Dining area The Spanish colonial-style space

ofers sturdy cane-back dining chairs from

Noir upholstered in Kravet fabric. The

heavy-duty yet elegant “Casteli” round

dining table from Dovetail holds bright

orange “Chalice Gourds” vases from

Emissary. The designers updated the plain

linen lamp shades with stock velvet ribbon

in bright orange, making the store-bought

“Stelle” chandelier from Feiss look more

custom with minimal fuss.


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Michael Ostrow, left, and Roger Stoker

with Grace, their chocolate Lab

was doing. When we got this house, I was so excited because I could

fi nally use this fabric. It became the inspiration for the whole house.”

The orange spice-and-mocha “Zenobia Linen” fabric by Brunschwig

& Fils has a place of pride in the center sitting area of the house,

upholstering a vintage 1970s Mediterranean-style settee paired

with a midcentury Moroccan brass-topped table. The fl amboyant

pieces hint at the playful exotic notes found throughout the house in

Suzani textiles, old matador and fl amenco dancer oil paintings, and

jewel-toned genie-bottle decanters.

The designers culled vintage pieces from local haunts, online

sources such as Etsy, eBay, One Kings Lane, and First Dibs, and

combined them with trusted new pieces from their usual vendors.

“We have a lot of resources at our fi ngertips,” admits Roger. Their

tireless work ethic, passion for preservation, and ingenuity in

making vintage fi nds work in new ways to keep a second-house

budget in mind were all factors in their warp-speed three-month

realization of the major renovation.

“Our mission was to enhance the house’s two key design ele-

ments—the ’70s and the Spanish architecture—and use the best of

both worlds. We like to call it Modern Montecito with a ’70s Groove,”

he laughs. By the look and feel of the party-ready atmosphere—the

revived palms swaying, saline pool beckoning, and icy refreshments

within arm’s reach—mission is accomplished and rescue complete. +


Living room Vintage 1970s fake-fl amed lamps, rescued and rewired to full

functioning glory, stand at either side of the faux suede sofa and loveseat

from Grace Home Furnishings. The bright velvets and trims of pillows made

from old Suzani textiles were found on Etsy and bring color and comfort to

the open-plan living space. A paisley rug from Oriental Weavers provides

swirls of color and a springboard for the room’s color direction.

Casual breakfast area A 1960s faux-rattan fl ip-top piece from McGuire serves

as the casual kitchen dining and game table. Vintage Savonarola iron-and-

brass chairs are re-covered in orange faux suede. The house is accented

with soulful fi nds like a hand-painted chess set from the 1940s.

BEFORE



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(Almost) Everything Goes Old-house afcionados who love a good before-and-after project,

Michael and Roger recently purchased another Palm Springs

house they deem even more ideal than the one featured here.

That’s good news for us, too, because many of the decorative

items shown on these pages are up for grabs as Michael and Roger

prepare to move. A special Before & After Tastemaker Tag Sale

begins January 22 on One Kings Lane. To see more photos of the

house and to start shopping, visit onekingslane.com.

Bedroom The

“Montecito Bed,”

upholstered in

vintage Suzani,

lends vivid turquoise,

terra-cotta, and

fuchsia to the

otherwise peaceful

master bedroom.


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http://onekingslane.com



W r i t t e n b y A m y e l b e r t

p h o t o g r A p h y b y e m i l y j e n k i n s F o l l o W i l l

p r o d u c e d b y l i s A m o W r y



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atlanta designers immerse themselves in the works of

an iconic southern architect to update a classic home


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BEFORE

ay the name Neel Reid in Atlanta circles—or at least

among people who have a passion for home design—

and there will likely be solemn nods of appreciation.

Reid was not just an architect, he was the architect in

Atlanta, Macon, and other Georgia cities in the early part of the

20th century. Although he died in 1926, the homes he designed—

many in Atlanta’s prestigious Buckhead neighborhood—are still

coveted and revered for their traditional style, graceful propor-

tions, and classic details. Today’s Southern architects respectfully

tread carefully when renovating a Neel Reid home.

In 2006, Nicole and Neil Metzheiser fell in love with a 1918

Reid-designed home in Atlanta and moved in with their three pre-

school-age boys. “I grew up in an old house in Michigan, and I’ve

always appreciated their charms,” Nicole says. “This house was

such a great family home, with a nice fl ow, great old windows with

wavy glass, and wonderful natural light,” she adds.

“We didn’t do a whole lot in the beginning because we wanted to

live there fi rst to see what we liked and what needed to be changed,”

explains Nicole, who is a professional interior designer.

S

Homeowner/designer Nicole Metzheiser sits with

George, a Portuguese water dog, on the stone

patio outside of the family room. The French

doors with a fan transom replaced ones that had

been added years ago. “We wanted doors that

looked more original to the house,” Nicole says.

Carriage house/garage The garage (of a later

vintage) was replaced with a structure inspired

by the house’s classic architecture.

Preceding page Cream sofa and chairs from

Waterfall Charles of London set a relaxed mood

in the glassed-in porch next to the living room.

The ceiling is painted “Bird’s Egg” by Benjamin

Moore. An ottoman topped by a silver tray

anchors the living room seating area.



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BEFORE

Family room Ceiling beams and wood paneling

add character to the once nondescript room.

Exterior The 1918 Atlanta home with clapboard

siding was designed by the late Neel Reid.


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BEFORE

CREATING WORK

ZONES ALLOWS

A WHOLE FAMILY

TO BE IN THE

KITCHEN AND

NOT BE FIGHTING

OVER SPACE. —architect Tim Adams

Breakfast room A wall was bumped out 3 feet to create

space for a family dining area with a bank of windows.

Pantry sink Tucked behind the range wall is a pantry

with a square Whitehaus Collection sink and a Rohl

faucet. A walk-in food pantry is to the right of the sink.

Wet bar A mirrored wall lining a dramatic barrel-arch niche

creates a focal point and an attractive spot for guests to

gather for drinks when the family entertains.


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BAR

R

VESTI-

BULELDRY

W

D

P

P

KITCHEN

BREAKFAST

MUDROOM

VESTI-

BULE

Three years later, the Metzheisers were ready to roll. First up:

Redoing the family room (a lack of insulation made it too cold to

use in the winter) and building a new garage with a guest suite.

Additions and changes had to be in keeping with the architectural

character of the original house, the Metzheisers insisted, and they

found a willing partner in architect Tim Adams.

Adams studied books about Reid and his designs, and looked at

Reid’s original drawings of the Metzheiser house. “I referenced

back to those plans and got into what Neel Reid had done. I then

worked to pull details [from the plans] and design a carriage house

in keeping with his architecture,” Adams says. Those included

wide overhangs with cutouts on the rafter tails and an arbor above

the garage doors, a detail included on Reid’s original drawings.

In the family room, Nicole and Adams focused on adding charm

and warmth to the formerly nondescript room. “We completely

gutted it. The proportions were great, but it needed detail,” Adams

says. Insulation, butt-joint wood walls, and a new foor made with

salvaged wood were installed. Adams designed a paneled walnut

freplace surround and built-in shelves incorporating brackets and

BAR

R

VESTI-

BULE LDRY

W D

P

KITCHEN

BREAKFAST

MUD-

ROOM

VESTI-

BULE

F

STORAGE

SITTING

AREA

BP

KitchenBefore

KitchenAfter

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BEFORE

other details found in the original plans. A plastered ceiling with

reclaimed wood beams was added to give the space character and

boost its cozy factor.

While the room’s old windows were not energy-ef cient, Adams

and the Metzheisers agreed they shouldn’t be replaced. “They

were so gorgeous,” the architect says. “Our goal was to maintain

the character of the old home, so we kept the wavy-glass windows

and maximized the insulation in other ways —in the walls and

fl oors, and reworking the HVAC system.”

Nicole warmed the room with plush furnishings and an Oushak

rug. “With three boys in the family, we want the room to feel

relaxed, not fussy. It’s where we can sit around and watch football

games, have hors d’oeuvres, and not worry about spills,” she says.

The kitchen was the next project, and although it had been

remodeled over the years, it was dark and dreary. There were also a

few dated features, such as an ominous copper hood over a center

island and a stacked stone fi replace. “They had to go,” Adams says.

“One of Nicole’s biggest desires was to get light into the kitchen,”

the architect adds. To do that, he bumped out a 15-foot stretch of



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BEFORE

Kitchen sitting area A pair of swivel

chairs covered in a Kravet fabric

fl anks the redesigned raised-

hearth fi replace. French doors on

each side of the fi replace lead to

a screened porch.

Kitchen work zone The oak island

is topped with Alabama White

marble and illuminated by hanging

lanterns from Circa Lighting.

Screened porch Antique wicker

chairs surround a cof ee table

on the Safavieh area rug.


WorldMags.net



an exterior wall by about 3 feet, gaining space for a family dining

area with a bank of windows. Adams reconfgured the 16x12-foot

kitchen by function: A primary work zone includes the island,

range, refrigerator, and sink; a small pantry with a sink works as a

breakfast bar with a cofeepot and toaster oven; and a wet bar ofers

an ideal spot for guests to gather. There’s also a walk-in food pantry

and a foor-to-ceiling china closet.

“I’m big into protecting the work space,” Adams says. “We cre-

ated a fow so people naturally congregate outside the island.”

“When I cook, everyone else can be in the kitchen with me and

be comfortable,” Nicole says. “I love to entertain at home. It’s so

much more fun to have people over here than to go to a restaurant.

It’s easier to talk and is just more intimate.”

The Metzheisers kept the gas freplace and sitting area because

Neil enjoys chatting with Nicole in the evenings as she fxes dinner.

But the stacked-stone freplace hearth and surround were torn out

and replaced with a simple wood-and-marble surround.

A pair of swivel armchairs fank the freplace. “Those swivel

chairs are the best,” Nicole says. “They really allow for conversa-

tion because you can turn to talk to someone.” The sitting spot is

good for catching the nightly news, too, because a television is

housed in an upper cabinet to the right of the range.

French doors to the screened porch were installed on each side

of the freplace. “We often have those doors open so the kitchen

and porch feel like one big space,” Nicole says. A stone freplace on

the porch backs the kitchen freplace, and the Metzheisers often

retreat there to relax after dinner.

New butt-joint walls were installed in the kitchen and painted a

soft cream tone. “I’m a real fan of butt-joint painted walls,” Adams

explains. “They give a comfortable, warm feeling to a room. You

can retain the neutral palette, like you can with Sheetrock, but the

wood has an inherent texture to it.

“I loved everything about this project. Nicole had a clear vision

of what she wanted,” Adams continues. “I’m particularly proud of

the kitchen and how seamless it is with the house’s architecture.

We were able to tie things back together so it does feel like part of

the original house.” We’re betting Neel Reid would approve. +

Architect: Tim Adams For more information, see sources on page 106

Master bedroom A painting

by Amy Dixon hangs above

the raised lattice-front chest

from Hooker Furniture.



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For more inFormation about the stories shown in this issue, contact the proFessionals and sources listed here. contact inFormation has been veriFied, but we cannot guarantee the availability oF items or services. no inFormation is available about items not listed.

Reader’s Resource

Pages 34–35New + Next RisiNg staRs: peRfect paiRs

Interior designers: Anne Maxwell Foster and Suysel dePedro Cunningham, Tilton Fenwick, 15 W. 18th St., Suite 201, New York, NY 10011; 212/524-0010, tiltonfenwick.com. Pages 34–35. Bedroom—Wall fabric (“Armstrong”/Sea Green): Tilton Fenwick for Duralee, duralee.com. Ceiling and trim paint (“Ivory White” #925): Benjamin Moore & Co., benjaminmoore.com. Bed (custom headboard): Luther Quintana Upholstery, lqupholstery.com. Headboard fabric and bed-drap-ery trim (“Rocat”/Cactus); bed-skirt and bed-drap-ery fabric (“Buhrmaster”/Aqua Green); interior bed drapery and lamp shades (“Scout”/Aqua Green): Tilton Fenwick for Duralee, duralee.com. Bed linens (“Webster Border”); monogrammed pillows (“Molly Appliqué”/Autumn Green): Leontine Linens, leontinelinens.com. Small bed pillow (“Jax”/Olive, with side border in “Rocat”/Cactus): Tilton Fenwick for Duralee, duralee.com. Chest of drawers (by Paul Frankl): vintage. Lamps on bedside chests (“Garni-ture”/Prussian Blue): Christopher Spitziller, christopherspitzmiller.com. Agate slices: fea market fnd. Art to left of bed (King of Clubs); art to right of bed (Queen of Hearts): Liza Sherman Antiques, lizasher-manantiques.com. Chair to right of bed (vintage): Arlene Angard Designs, arleneangard.com. Chair-seat fabric, top (“Scout”/Aqua Green); chair-seat fabric, sides (“Armstrong”/Sea Green): Tilton Fenwick for Duralee, duralee.com. Area rug (“Jaipur Matisse”/Mint): Studio Four NYC, sudiofournyc.com. Wall sconces (“Rico Espinet Churchill Wall Sconce”/Aged Brass): Robert Abbey Inc., robertabbey.biz. Pair of settees (custom): Luther Quintana Upholstery, lqupholstery.com. Settee fabric (“Rocat”/Cactus); blue pillow on settee (“Buhrmaster”/Aqua Green, with trim in “Rocat”/Cactus): Tilton Fenwick for Duralee, duralee.com. Chest between slipper chairs (antique Chinese): Antiques by Zaar, antiquesbyzaar.com. Lamp on chest: fea market fnd. Photograph over chest (by Markham Roberts): James Sansum Fine & Decorative Art, jamessansum.com. Agate slice on chest; urn on chest: fea market fnd. Tortoise shell on chest: The Antique & Artisan Center, stamfordantiques.com. Brass bowl (by Tommi Parzinger): vintage. Lizard art (drawing by Markham Roberts): designers’ collection.

Pages 49–54showhouse touR: waRm fRoNt

American Red Cross Designers’ Showhouse West Palm Beach, FloridaInterior designer: Daryl McCann for Gregory Lombardi, Gregory Lombardi Design Inc., 44 Cocoanut Row, Suite T-6, Palm Beach, FL 33480; 561/228-1467, lombardidesign.com. Page 49. Pool area—Sofas (“Eclipse Relaxer” #356J); tables (“Eclipse Side Table” #358J); white sofa cushions (“Canvas”); blue sofa pillows (“Aqua Rural”); green sofa pillows (“Macaw”); striped sofa pillows (“Capri Pinstripe”): Gloster, gloster.com. Living wall: Gregory Lombardi Design, lombardi design.com. Landscape installation: Parterre Garden Services, parterregarden.com. Pavers: Artistic Paver Mfg., artisticpavers.com. Interior designers: Lisa E. Erdmann and Eden C. Tepper, Lisa Erdmann & Assoc., P.O. Box 3126, Palm Beach, FL 33480; 561/833-9009, lisaerdmann.com. Page 50. The study—Wall grass cloth (“Feather Bloom”/Emerald & Ore #5006072); ceiling grass cloth (“Onna Sisal”/Ivory #5002197); ceiling tape (“Whitfeld Braid”/Oyster #63161): Schumacher, fschumacher.com. Trim paint (“Cotton Balls” #OC-122): Benjamin Moore & Co., benjaminmoore.com. Sisal rug (“Arrowhead”/Natural & Green #15): Patterson, Flynn & Martin, pattersonfynnmartin.com. Sofa; table between lounge chairs: designer’s

collection. Lounge chairs (“Windsor Chair”): Marshall Edward Designs, marshalledward.com. Pair of wood chairs (“Lawson Chair”): Redford House, redford house.com. Drapery and pillow fabric (“Chiang Mai Dragon”/Alabaster #173273); sofa fabric (“Imperial Trellis II”/Sand & Ivory #174412); blue/green pillows (“Betwixt”/Peacock & Seaglass #62613); fabric on lounge chairs and seat cushions on wood chairs (“Beckton Weave”/Greige #64640); border on lounge chairs (“Aimee Linen Lipcord”/Blanc #65430): Schumacher, fschumacher.com. Pembroke table left of sofa (antique American, c. 1850); table lamps; round table right of sofa (antique English, c. 1780); scales on table between lounge chairs: The Elephant’s Foot, 561/832-0170. Co�ee table (custom, “Edgartown Cocktail Table” with lizard top): Oomph, oomphonline.com. Green end table (“Windsor Table”): Forssberg, forssberg.com. Through Mary Mahoney Palm Beach, marymahoney.com. Art behind lounge chairs (Space Fruit Series, 1979, by Andy Warhol): Adelaide Fine Art, adelaidefneart.com.

Interior designer: Stephen Mooney, Stephen Mooney Interiors, 6 Via Parigi, Palm Beach, FL 33480; 561/659-1862, stephenmooneyinteriors.com. Page 50. Foyer—Pedestal table: Stephen Mooney Interiors, stephenmooneyinteriors.com. Hanging light (“Glass Bell Jar Lantern” #F-LN16): Formations, formationsusa.com. Chair to right of window: Lars Bolander, larsbolander.com. Chair-seat fabric (“Diamonds”/Blue Grass #3288/08); wallcovering (“New Khmer”/Oyster #W01004/02); drapery (Menam”/Light Grey #1058/02): Jim Thompson Fabrics, jimthompsonfabrics.com. Ceiling and trim paint (“White Dove” #OC-17): Benjamin Moore & Co., benjaminmoore.com. Drapery hardware: Gonsman Custom Draperies, gonsmancustomdraperies.com. Sisal rug: Carpet Source Inc., 954/925-1303. Art over chair (Paivi in Profle, by Paula Rubino): Mary Woerner Fine Arts, marywoernerfnearts.com. Dinnerware; cake plate (“Scalamandré Toile Tale”): Lenox, lenox.com. Bowl holding orchids; champagne bucket: designer’s collection. Stemware: William Yeoward Crystal, williamyeowardcrystal.com. Flatware: Christofe, christofe.com/us. Napkins: Pioneer Linens, pioneerlinens.com.

Interior designers: Jennifer Garrigues and Diana El-Daher, Jennifer Garrigues Inc., 308 Peruvian Ave., Palm Beach, FL 33480; 561/659-7085, jennifer garrigues.com. Page 51. Living room—Furnishings; accessories: Jennifer Garrigues Inc, jennifergarrigues.com. Art over cabinet: Ancient World by Dora Frost. Paint (“Cloud White” #967): Benjamin Moore & Co., benjaminmoore.com. Rug (“Field Straw”/Natural with tan cotton binding): Stark, starkcarpet.com. Table lamps (“Villamare” #6862); pendant light (“Sahara Pendant” #9105): Currey & Co., curreycodealers.com. Animal-print pillow (“Zanzibar”): Martyn Lawrence Bullard, martynlawrencebullard.com. Trees: Plant Masters Interiorscapes, plantmastersinteriorscapes.com. Interior designers: Joseph Cortes and Kevin Marnell, HomeLife Interiors, 3506 S. Dixie Hwy., West Palm Beach, FL 33405; 561/659-2404, hlinteriors.com. Page 51. Guest suite—Wall paint (“Bennington Gray” #HC-82); ceiling paint (“Lancaster Whitewash” #HC-174); trim paint (“Milkyway” #OC-110): Benjamin Moore & Co., benjaminmoore.com. Wallcovering (“Fiorentina”/Terracotta on White #2490W-07, by China Seas): Quadrille, quadrillefabrics.com. Bed (“Dimension Woven Bed”); bedside tables (“McCall End Table”/Embossed Croc Leather #L20063-ET): Drexel Heritage, drexelheritage.com. Bed linens; herringbone bed cover (by Frette): Pioneer Linens, pioneerlinens.com. Bolster pillow (#73025-231 in Apricot): Suburban Home from

Duralee, duralee.com. Lamp on bedside tables (vintage shagreen); boxes in bedside table; upholstered bench at end of bed (antique): Jack Fhillips Design, jfillipsdesign.com. Paintings behind bed; trio of paintings on wall: Chisholm Art Studio/Gallery, 561/267-7720. Lounge chair (“Roger Chair”): Thayer Coggin, thayercoggin.com. Chair fabric (“Waterside”/Nutmeg #25830.616): Kravet, kravet.com. Magazine rack; tray on bed: HomeLife Interiors, hlinteriors.com. Area rug (by Tamarian); sisal carpet: Jack Walsh Carpets & Rugs, 561/659-4846.

Interior designers: Noe and Melissa Z. Guerra, NXG Studio, 725 N. Hwy. A1A, Suite E207, Jupiter, FL 33477; 561/337-8786, nxgstudio.com. Page 52. Kitchen toward range—Cabinetry and table: Wood-Mode Fine Custom Cabinetry, wood-mode.com. Cabinetry fnish: custom. Cabinetry hardware: ProSource of Palm Beach, 561/848-2221. Rafa wall covering on ceiling (“Heavy Madagascar”): by Chelsea Lane & Co, installed by Wallpaper by Wendy, wallpaperbywendy.com. Flooring; recessed lighting: existing. Countertops (sanded concrete): Miano Design Co., mianodesignco.com. Ranges; warming drawer; refrigerator; wine cooler: Electrolux, electroluxappliances.com. Pot-fller faucet (“Modern Pot Filler” #S665CSL): Moen, moen.com. Sink in island (“Allia” #6307); faucet in island: Rohl, rohlhome.com. Hanging light over island: discontin-ued. Bowl on island; bowl on table: Jack Fhillips Design, jfillipsdesign.com. Chairs (“Betty Side Chair” #9156); chair-seat fabric (“Matrix Wheat”): CR Laine, crlaine.com. Chair fnish (“Decorators White”): Benjamin Moore & Co., benjaminmoore.com. Dinnerware: discontinued. Placemats and napkins: Pioneer Linens, pioneerlinens.com.

Interior designer: Allison Paladino, Allison Paladino Interior Design, 6671 W. Indiantown Road, Suite 50-435, Jupiter, FL 33458; 561/741-0165, apinteriors.com. Page 52. Hallway—Console (“Sooz Console” #5000-44-523); mirror (“Billy Mirror” #5003-04); screens (“Billy Screen,” with ribbon stripe mahogany solids and cream relief panels #5003-80): Allison Paladino Collection, EJ Victor, ejvictor.com. Bench (“Boreal Bench”): Ironies, ironies.com. Bench fabric (“Oceana Aqua” #J590F-02, by Jane Churchill): Cowtan & Tout, cowtan.com. Sconces (“Pendolino Wall Sconce”): Porta Romana, portaromana.co.uk. Bowl on console (“China Bowl” #PH029, by Thomas Pheasant): Baker, bakerfurniture.com. Orchids: Extra Touch Flowers, extratouchfowers.com. Demilune bench (custom): Dicembrino Upholstery Inc., dicembrinoup holstery.com. Bench fabric: Cowtan & Tout, cowtan.com. Artwork (Karma, by Allison Paladino, Footprints From Around the Globe Collection): Rosenbaum Fine Art, rosenbaumfneart.com. Wall paint (“Buxton Blue” #HC-149); ceiling and trim paint (“Sugar Cookie” #OC-93): Benjamin Moore &Co., benjaminmoore.com. Interior designer: Mimi Masri, MM Designs, LLC, P.O. Box 3167, Palm Beach, FL 33480; 561/671-1958, mmdesignsllc.com. Page 53. Dining room—Walls (faux fnished): Tropical Tortuga, tropicaltortuga.com. Wallpaper panels (“Jellyfsh on Paper” #SRC1006): Robinson Finishes, robinsonfnishes.com. Trim paint: custom. LED lighting: Boat Light Store, boatlightstore.com. Table (“Hexagonal Dining Table in Black Bamboo” #BA-17); chairs (a McGuire “classic” design, now retired): McGuire, mcguirefurniture.com. Chair-seat fabric (“Symbol”/Ivory #202); welt (“Boaz”/Eggshell #0014): Norbar Fabrics, norbarfabrics.com. Chandelier components (by Patrick Jouin): Y Lighting, ylighting.com. Chandelier construction: MM Designs, LLC, mmdesignsllc.com. Drapery (“Bonbori”/Cornfower #V3043/04, by VillaNova): Romo, romo.com. Drapery trim (“Tao”/Midnight): Steven Harsey Textiles, harsey.



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com. Window shades (“Yangton Heather” #1370) Solar Shading Systems, solarshadingsystems.com. Window-shade trim (3-inch tassel in Indigo, #78067H-193, Saratoga Trimmings Collection): Highland Court by Duralee, duralee.com. Area rug (seagrass with cotton binding): Crystal Tree Carpets & Flooring, crystaltreecarpets.com. Blue crystal stemware (“Celeste”): William Yeoward Crystal, williamyeowardcrystal.com. White china (“Aegean”): L’Objet, l-objet.com. Blue-and-white salad plates (“Cristobal Marine”): Raynaud, raynaud.fr. Stainless steel fatware (“Capri”): Ricci Argentieri, ricciargent ieri.com. Crystal, china and fatware: all available from Mary Mahoney Palm Beach, marymahoney.com. Placemats; napkins (custom, “Shells”): Kassatly’s Palm Beach, 561/655-5655. Interior designer: Joseph Pubillones, Joseph Pubillones Interiors Inc., 44 Cocoanut Row, Suite T-14, Palm Beach, FL 33480; 561/655-1717, josephpubillones.com. Page 53. Writer’s studio—Wallcovering (grass cloth): Phillip Jefries, phillipjefries.com. Ceiling and trim paint (“Pure White” #SW 7005): Sherwin-Williams, sherwin-williams.com. Drapery (“Stella Bead”/Ivory); loveseat fabric (“Hampton Stripe”/Natural); lumbar pillow on loveseat (“Maroc Anchor”/Natural); fabric on lounge chairs by sofa (“Madison Solid”/Tusk); pillows on lounge chairs by sofa (“Sedona Ikat”/Java); chaise fabric (“Crosby”/Ivory); fabric on lounge chairs fanking desk (“Abstract Zebra”/Java): Beacon Hill, beaconhilldesign.com. Blinds (“Lindmon Venetian”): Ikea, ikea.com. Flooring: Travertine. Area rug (vintage Morrocan): Madeline Weinrib, madeline weinrib.com. Loveseat (antique, camelback): Hillcrest Collections, 561/833-1980. Brown pillow on loveseat (custom cowhide); cofee table; chests fanking loveseat (custom patchwork chests); ceramic lamp on chest (vintage); chaise (vintage Paco Rabanne chaise); lamp on desk (vintage Fornasetti lamp); lounge chairs fanking desk (vintage Jay Spectre Steamer Chairs); desk chair (1950s Italian solid brass chair in the style of Chiavari): Joseph Pubillones Interiors, josephpubil lones.com. Sculpture on chest (by Armando Martinez); sculpture on desk; letter “H” behind desk (vintage Hermès sign): designer’s collection. Turtle shell art behind loveseat: Nate Berkus for Target, target.com. Lounge chairs by sofa (by John Fowler): vintage. Table beside lounge chair (“Perspex Tray Top Table”); desk (Art Deco): Decorations of Palm Beach, decorationspb.com.

Interior designer: Gary McBournie, Gary McBournie Inc., 71 Newbury St., Suite 300, Boston, MA 02116; 617/542-5700, gmcbinc.com. Page 54. Master bedroom, bed area—Fabric on walls, bench, and drapery (“Banana Bird”/Sunset Orange #BNB-03); striped pillow on bed (“Tangy Stripe” #TGY-01): Gary McBournie for Antilles Designs, antillesdesigns.com. Through Dering Hall, deringhall.com. Paper backing for wall fabric (by Schneider-Banks Inc.): SBI Fine Fabric Finishing, sbifnishing.com. Trim paint (“Super White”); ceiling paint (“White”): Benjamin Moore & Co., benjaminmoore.com. Area rug (woven grass matting): Bamboo & Rattan, vintagebam boorattan.com. Bed (“C. Bell Palm Bed”): C. Bell Furnishing Inc., cbellfurnishing.com. Bed drapery (“Marsden”/White, Laundered): Norbar Fabrics, norbarfabrics.com. Bed linens with blue trim (“Lowell”/Aquamarine): Matouk, matouk.com. Bedside tables: Gary McBournie Home, garymcbourniehome.com. Lamps on bedside tables (vintage): Mecox Gardens West Palm Beach, 561/805-8611. Bench at end of bed (“Hocker Cross” #0200900042): Flamant, famant.com. Through Copper Strawberry, copperstrawberry.com. Ottoman by doors: custom. Ottoman fabric (custom, with “Tangy Stripe” #TGY-01 and “Solid Strié”/Green #SST-03): Gary McBournie for Antilles Designs, antillesdesigns.com. Through Dering Hall, deringhall.com. Bedroom, toward corner dressing table—Dressing table (“Corner Dressing Table”): Gary McBournie Home, garymcbourniehome.com. Lamps on dressing table: antique. Lamp shades: Blanche Field, blanche feld.com. Watercolor over dressing table (by Diane Dicker): Robert Foster Fine Art, robertfosterfneart.com. Master bathroom—Wall fnish (custom Venetian plaster): Gedas Paskauskas Studios Inc., gpstudiosinc.com. Trim paint (“Super White); ceiling paint (“White”): Benjamin Moore & Co., benjaminmoore.com. Bathtub (“Vintage” freestanding bath): Kohler, kohler.com. Bath fxtures: existing. Coral pieces fanking window: Mecox Gardens West Palm Beach, 561/805-

8611. Plantation shutter: Accent Shutter, accentshut ter.com. Photographs behind tub (Deloris Del Rio and Deloris Del Rio II, by Slim Aarons): Jacki Mallick Designs, jackimallickdesigns.com. Red wire chair (vintage): C. Bell Furnishing Inc., cbellfurnishing.com. Chair-seat fabric (“Townhouse”/Orange on White #TOH-07): Gary McBournie for Antilles Designs, antillesdesigns.com. Through Dering Hall, deringhall.com. Towels (Guest Towel Collection): Matouk, matouk.com.

Pages 56–60kitchens: hidden beauty

Interior and kitchen designer: Matthew Quinn, Design Galleria Kitchen & Bath Studio, 351 Peachtree Hills Ave. N.E., Suite 234, Atlanta, GA 30305; 404/261-0111, designgalleria.net. Pages 56–60. Kitchen—Wall paint (“Brandon Beige” #977); ceiling and trim paint (“Opaline” #OC-33): Benjamin Moore & Co., benjaminmoore.com. Cabinetry (“Amalf” door style in custom lacquer): Downsview Kitchens, downsviewkitchens.com. Decorative hardware (Polished White Bronze Collection): Matthew Quinn Collection, matthew quinncollection.com. Stone countertops (“Leathered Borneo Marble”); backsplash tile (Vibe Collection, color, Suede): Walker Zanger, walkerzanger.com. Wood countertops (Black Walnut): Craft Art Elegant Surfaces, craft-art.com. Scagliola hood (“Toulouse”): Francois & Co., francoisandco.com. Hood liner: Vent-a-Hood, ventahood.com. Refrigerator and refrigerator drawers (by Sub-Zero); range and warming drawer (by Wolf ): Sub-Zero/Wolf, subzero-wolf.com. Ice maker: Scotsman, scotsman-ice.com. Microwave: Dacor, dacor.com. Dishwasher: Miele, mieleusa.com. Sink (“Avado”): Elkay, elkayusa.com. Faucet (“Vinnata”): Kohler, kohler.co. Sconces (“Darien Wall Sconce”/Distressed Bronze #9901-DB): Hudson Valley Lighting, hudsonvalleylighting.com. Island pendants: Design Galleria, designgalleria.net. Bar stools (Vintage French Collection): RH, rh.com. Walnut display cabinets (designed by Design Galleria): fabricated by Nottingham Antiques, nottinghamantiques.com. Art between walnut cabinets (by Amy Dixon): Huf Harrington, hufarrington.com. Window shades (by Forsyth Fabrics): owner’s collection. Rug runner: Moattar, moattar.com. Dining room—Wall paint (“Brandon Beige” #977); ceiling and trim paint (“Opaline” #OC-33): Benjamin Moore & Co., benjaminmoore.com. Table: owner’s collection. Side chairs (Vintage French Collection); host chair (Vintage French Collection): RH, rh.com. Chandelier (one-of-a-kind); display cabinet (fea market fnd): owner’s collection. Area rug (outdoor rug collection): Ballard Designs, ballarddesigns.com. Art (by Melissa Payne Baker): Huf Harrington, hufarrington.com. Pages 63–73keep it simple

Interior designer: Kelie Grosso, Maison Luxe, 2806 E. Madison St., Seattle, WA 98112; 206/405-2828, maisonluxe.net. Landscape designer: Martha Criswell, Martha Criswell Home & Garden Design, Sacramento, CA; 916/719-1906. Page 63. Entry—Settee; cowhide rug; family photos; cabinet; pottery on cabinet: owner’s collection. Settee fabric (“Lamba” #F6090-17): Osborne & Little, osborneandlittle.com. Throw on settee (“Avalon Blanket”): Hermès, usa.hermes.com. Pedestal table (antique); mirror behind cabinet (antique): Maison Luxe, maisonluxe.net. Table lamp (“Carthage Mini Lamp” #RL3805): Circa Lighting, circalighting.com. Hanging light (“Chart House Medium EFC Hall Lantern” #CHC3430, by Visual Comfort): Visual Comfort Lighting Lights, visualcomfortlightinglights.com. Pages 64–65. Living room—Wallcovering (#W3036.116): Kravet, kravet.com. Ceiling and trim paint (“Simply White” #OC-117): Benjamin Moore & Co., benjaminmoore.com. Sofa (custom); cofee table (custom); art (antique botanical prints); area rug (antique, silk): Maison Luxe, maisonluxe.net. Sofa fabric (“Stonewash”/Loomstate #1211/01, by Great Plains): Holly Hunt, hollyhunt.com. Faux zebra pillows: Oly, olystudio.com. Table to right of sofa (“Twig Table”/Nickel #8977): Global Views, global views.com. Lounge chairs (“Tufted English Chair” #577-39-9, Milling Road Collection): Baker, baker furniture.com. Chair fabric (“Divine”/Pewter #ED85063.935, by Threads): Lee Jofa, leejofa.com. Pillows in lounge chair (Tibetan lamb): Maison Luxe, maisonluxe.net. Throw: Williams-Sonoma Home, williams-sonoma.com. Mantel: existing. Circle

sculpture (“Large Circle Sculpture,” discontinued): Arteriors Home, arteriorshome.com. Brushes on mantel: Wisteria, wisteria.com. Blinds (“Nimbus” #254, Conrad Original Sunshades): Conrad Shades, conradshades.com. Alabaster lamp (vintage); end table under lamp; basket beside mantel: owner’s collection. Exterior—Landscaping: Martha Criswell, 916/719-1906. Exterior furnishings: Maison Luxe, maisonluxe.net. Dining room—Wall paint (“Pale Oak” #OC-20); ceiling and trim paint (“Simply White” #OC-117): Benjamin Moore & Co., benjaminmoore.com. Table: (custom): Maison Luxe, maisonluxe.net. Chairs (“Linwood Side Chair” #1551-02, by Suzanne Kasler): Hickory Chair, hickorychair.com. Chair fabric (“Moccasin Point Leather”/Cream Platinum, Metallic Collection): Moore & Giles, mooreandgiles.com. Rug (“Woven Sea Grass”/Linen): owner’s collection. Leather rug binding: Moore & Giles, mooreandgiles.com. Bar stone: Calcutta Gold marble. Light fxture (“Altar Hanging Light” #ALT0-HL, by Kevin Reilly): Holly Hunt, hollyhunt.com. Bar cabinet (custom): John Hewitt, Cabinet Crafters, cabinetcraftersshow case.com. Cabinetry hardware (#38907-12PN): Chown Hardware, chown.com. Window shades (“Nimbus” #254, Conrad Original Sunshades): Conrad Shades, conradshades.com. Pages 66–67. Great room—Area rug (“Gemma”): Madeline Weinrib, madelineweinrib.com. Zebra chair and ottoman (“Newport Chair and Ottoman”); fabric (faux zebra hide leather): Barclay Butera Home, barclaybuterahome.com. Mantel (custom); bookcases (custom): designed by Maison Luxe, maisonluxe.net. Bookcase hardware (#38907-12PN): Chown Hardware, chown.com. Cocktail table (bone over hardwood frame): vintage. Boxes on cofee table: Maison Luxe, maisonluxe.net. Sectional sofa (custom): Maison Luxe, maisonluxe.net. Sofa fabric (“Versatility Jute”/Beige #28261.16): Kravet, kravet.com. Black pillow on sofa (“Austyn Cashmere Wool”/Charcoal #LFY40399F): Ralph Lauren Home, ralph laurenhome.com. Blanket (“Avalon”): Hermès, usa.hermes.com. Celestial map (“Dorali Celestial Map”); photo of horse (Blonde): Natural Curiosities, naturalcuriosities.com. Console (antique, French); horse on console: owner’s collection. Sofa end tables (“French Moderne Side Table”/Nickel & Mirror #8.80508): Global Views, globalviews.com. Table lamp (discontinued): Circa Lighting, circalighting.com. Wall paint (“Pale Oak” #OC-20); ceiling and trim paint (“Simply White” #OC-117): Benjamin Moore & Co., benjaminmoore.com. Pages 68–69. Breakfast room—Wall, ceiling and trim paint (“Simply White” #OC-117): Benjamin Moore & Co., benjaminmoore.com. Cabinetry (custom): John Hewitt, Cabinet Crafters, cabinetcraftersshowcase.com. Cabinetry hardware (#38907-12PN): Chown Hardware, chown.com. Farm table (vintage): Big Daddy’s Antiques, bdantiques.com. Windsor chairs (“Fox Point Windsor Arm Chairs”): O & G Studio, oandgstudio.com. Pendant light (“Gwenwood” #DC2100-HL): Urban Electric Co., urbanelectricco.com. Shades (“Nimbus” #254, Conrad Original Sunshades): Conrad Shades, conradshades.com. Vase; bowl on table: Astier De Villatte, astierdevillatte.com. Banquette fabric and pillows (“Suriname”/Camel #823B32): Raoul Textiles, raoultextiles.com. Pages 70–71. Kitchen—Wall paint (“Pale Oak” #OC-20); ceiling and trim paint (“Simply White” #OC-117); cabinet fnish, upper cabinets (“White Dove” #OC-17); cabinet fnish, lower cabinets (“Revere Pewter” #HC-172): Benjamin Moore & Co., benjaminmoore.com. Cabinetry (custom): John Hewitt, Cabinet Crafters, cabinetcraftersshowcase.com. Cabinetry hardware (#38907-12PN): Chown Hardware, chown.com. Dining bench at island (custom design by Maison Luxe): Cisco Brothers, ciscobrothers.com. Bench fabric (“Ice House Stripe”): Ralph Lauren Home, ralphlaurenhome.com. Pendant lights (“Montauk XL Pendant” #RL16002PN, by Ralph Lauren Home); wall sconce by farm sink (“Alton Pivoting Sconce” #TOB2081, by Thomas O’Brien): Circa Lighting, circalighting.com. Striped rug (“Cabana Stripe”/Midnight): Madeline Weinrib, madelineweinrib.com. Range: Viking, vikingrange.com. Range hood (custom): designed by Maison Luxe, maisonluxe.net. Marble countertop and backsplash: Calcutta Tia marble. Farm sink (“Single Bowl Farmhouse Sink”): Franke, franke.com. Faucet for farm sink (“Bridge Faucet” #U.4791L, by Perrin & Rowe): Rohl, rohlhome.com. Island countertop: soapstone. Island sink (“Cisterna” CCK-110-19): Franke, franke.


WorldMags.net

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http://target.com

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http://deringhall.com


http://sbifinishing.com


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http://blanchefield.com

http://robertfosterfineart.com

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http://kohler.com

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http://downsviewkitchens.com

http://matthewquinncollection.com

http://walkerzanger.com

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http://www.huffharrington.com

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http://rh.com

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http://huffharrington.com

http://maisonluxe.net

http://www.osborneandlittle.com

http://usa.hermes.com


http://circalighting.com

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http://hollyhunt.com

http://olystudio.com

http://globalviews.com


http://leejofa.com


http://arteriorshome.com

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http://conradshades.com





http://hickorychair.com

http://mooreandgiles.com




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http://chown.com



http://barclaybuterahome.com


http://chown.com



http://kravet.com

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http://usa.hermes.com

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http://scotsman-ice.com

http://scotsman-ice.com

http://subzero-wolf.com

http://craft-art.com

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http://l-objet.com

http://kohler.co

http://raynaud.fr



com. Island faucets (“Single Lever Mixer” #U.4700, by Perrin & Rowe): Rohl, rohlhome.com. Wall oven; wall microwave: existing. Display cabinet (vintage); blue-and-white urns on cabinet (antique): Maison Luxe, maisonluxe.net. Patio—Sofas (“Azimuth Cross Settee”); chaise (“Azimuth Cross Chaise”); sofa cushions (“Spinnaker”/Pebble, colorway discontin-ued); table (“Azimuth Dining Table”/White); chairs (“Vitali Dining Chair”/Earth Brown); seat cushions on dining chairs (“Spinnaker”/Tonal Beige #06-00): Janus et Cie, janusetcie.com. Garden stools (diamond patterned stools): Wisteria, wisteria.com. Navy pillows (“Robbins Hill Paisley-Batik” #LCF64815F): Ralph Lauren Home, ralphlaurenhome.com. Patio heaters (Ferrara Heaters): existing. Horse heads: Big Daddy Antiques, bdantiques.com. Urns (“English Village Urn”); topiary: Elegant Earth, elegantearth.com. Patio stone: bluestone. Sectional sofa (Pacifc Collection); sofa fabric (“Spinnaker Pebble”): Janus et Cie, janus etcie.com. Pages 72–73. Master bathroom—Wallcovering (#W3036.106): Kravet, kravet.com. Vanity (custom): John Hewitt, Cabinet Crafters, cabinetcraftersshowcase.com. Vanity paint (“Edgecomb Gray” #HC-173): Benjamin Moore & Co., benjaminmoore.com. Countertop: Calcutta Tia marble. Flooring: Calcutta Tia herringbone marble. Chair (custom): Maison Luxe, maisonluxe.net. Chair fabric (“Divine”/Cream #ED85063.120, by Threads): Lee Jofa, leejofa.com. Large mirror: antiqued mirror panels and rosettes. Gilt mirror (antique): Maison Luxe, maisonluxe.net. Vanity sconces (“Rock Crystal Wall Sconce” #P33221, Counterpoint by Barbara Barry): Kallista, kallista.com. Ceiling light (“Angela” #ANL119-PC): Matthew Studios, matthewstudiosny.com. Master bedroom—Wall paint (Edgecomb Gray” #HC-173): ceiling and trim paint (“Pale Oak” #OC-20): Benjamin Moore & Co., benjaminmoore.com. Headboard (custom); area rug (antique silk): MaisonLuxe, maisonluxe.net. Bed fabric (“Bansuri Slate”): Kravet, kravet.com. Coverlet (“Channel Coverlet” by Kelly Wearstler, discontinued): owner’s collection. Eurosham, back (“Laundered Winter” #29906.1, by Calvin Klein); eurosham, front (“Bordered Gilt,” by Barclay Butera); drapery (“Mitsumata Chalk” #9561.1, by Calvin Klein): Kravet, kravet.com. Duvet (“Belgian Linen”/Ivory): RH, rh.com. Nightstand (“Meade,” discontinued): Williams-Sonoma Home, williams-sonoma.com. Lamp: owner’s collection. Lampshade: Maison Luxe, maisonluxe.net. Chaise (“Dapha Juliette Chaise,” discontinued): Baker, baker furniture.com. Chaise fabric (“Glant Silk Mohair”/Mocha #9725-2): Glant, glant.com. Pillow on chaise: owner’s collection. Throw on chaise: owner’s colleciton. Blinds (“Starfsh” #M13C): Conrad, conradshades.com. Ceiling fan (“Highpointe”/Brushed Steel #CF205BS): Emerson Ceiling Fans, emersonfans.com.

Pages 74–83surprise move

Architects: Elissa Morgante and Fred Wilson, Morgante-Wilson Architects, 2834 Central St., Evanston, IL 60201; 847/332-1001, morgantewilson.com. Interior designer: Suzanne Kipp, Suzanne Kipp Interiors, 800 Humboldt Ave., Winnetka, IL 60093; 847/254-2048, suzannekipp.com. Builder: Rob Wickenkamp, Elmshire Builders, 3510 Chapel Hill Road, Johnsburg, IL 60051; 847/748-2048, elmshire.com. Pages 74–75. Living room—Wall paint (“Dove Wing” #960); trim paint (“White Dove” #OC-17): Benjamin Moore & Co., benjaminmoore.com. Painting behind sofa (Richmond Afternoon, by David E. Gordon): Gordon Fine Arts, gordonfnearts.org. Sofa (“Leigh Made To Measure Sofa” #1504-51, by Suzanne Kasler); sofa fabric (#2377-16); sofa trim (#GK 29): Hickory Chair, hickorychair.com. Sofa pillows: discontinued. Chest to left of sofa: antique: Lamps on chest (discontinued): Crate & Barrel, crateandbarrel.com. Cofee tables: One Kings Lane, onekingslane.com. Floor lamp to right of sofa (discontinued: for similar, “French Column Glass Floor Lamp”): RH, rh.com. Backless bench (“Wood-ward Bench”/Silver Leaf #1511-30, by Suzanne Kasler): Hickory Chair, hickorychair.com. Bench fabric (“Soiree”/Bailey’s Cream #3901/05, by Great Plains): Holly Hunt, hollyhunt.com. Rug (“Astute”/Institution Gray #4009): Design Materials Inc., dmikc.com. Pages 76–77. Entry hall—Chandelier (“Jasmine”): Schonbek Worldwide Lighting, schonbek.com. Table: owner’s collection. Secretary: Anna’s Mostly Mahogany, annasmostlymahogany.com. Rug (Pakistani Peshawar): Rouzati Oriental Rugs, rouzatirugs.com. Wall paint (“White Down” #970); trim paint (“White

Dove” #OC-17): Benjamin Moore & Co., benjamin moore.com. Mosaic foor tile by door (mosaic tile “1910”, custom): Maestro Mosaics by Granite & Marble Resources, maestromosaics.com. Installation: Mad Mosaics Tile Co., mad-mosaics.com. Dining room—Table; host chair; side chairs: antique. Chair-seat fabric: Pindler & Pindler, pindler.com. Chair-back fabric on side chair (discontinued): Lee Allison Co., leeallison.com. Chandelier (#162/CI-2T 113/6, discontinued): New Metal Crafts, newmetalcrafts.com. Mirror (antique): Anna’s Mostly Mahogany, annasmostlymahogany.com. Settee (“Clermont Loveseat” #SF9933): Edward Ferrell+Lewis Mittman, ef-lm.com. Settee fabric (“Maroquin”/Ecru #4300-97, by Manuel Canovas): Cowtan & Tout, cowtan.com. Wall paint (“Soft Chamois” #969); trim paint (“White Dove” #OC-17): Benjamin Moore & Co., benjamin moore.com. Ceiling paint (“Skylight” #205): Farrow & Ball, farrow-ball.com. Rug (Aubusson): Minasian Rug Co., minasian.com. Pages 78–79. Screened porch—Dining table: Gloster, gloster.com. Dining chairs: Pier 1 Imports, pier1.com. Rug (discontinued): for similar, Frontgate, frontgate.com. Wall-mounted lantern (discontinued); sofa end table: Pottery Barn, potterybarn.com. Ceiling fan (“Bayview” #54098): Hunter Fan, hunterfan.com. Sofa and chairs (“Chandler Bay”): Lane Venture, laneventure.com. Chair and sofa pillows: owner’s collection. Cofee table (discontinued): Baker Furniture, bakerfurniture.com. Kitchen—Wall paint (“Dune White” #968); trim paint (“White Dove” #OC-17): Benjamin Moore & Co., benjaminmoore.com. Cabinetry (custom): Lambright Woodworking, 260/593-2997. Cabinet hardware: Clark & Barlow, clarkandbarlow.com. Perimeter countertop: honed Carrara marble. Island countertop: honed Black Abso-lute granite. Perimeter sink: Rohl, rohlhome.com. Island sink (by Blanco): Chicago Brass, chicagobrass.com. Light fxtures over island (“6-Arm Clear Chandelier” #CZ-1006): Crowder Designs, crowder designs.com. Bar stools (“Aaron”): Pottery Barn, potterybarn.com. Microwave: Dacor, dacor.com. Warming drawer: Thermador, thermador.com. Breakfast area—Chandelier (“6-Arm Clear Chande-lier” #CZ-1006): Crowder Designs, crowderdesigns.com. Dining table (custom): Vintage Pine, vintagepine.com. Dining chairs (“Aaron Wood Seat Chair”): Pottery Barn, potterybarn.com. Window-seat cushions: owner’s collection. Pages 80–81. Library—Paint (“Of Black” #57): Farrow & Ball, farrow-ball.com. Rug (“Sarahe”/Cream): Stark Carpet, starkcarpet.com. Leather chairs (Manhattan Collection): Pottery Barn, potterybarn.com. Side table next to leather chair: Baker, bakerfurniture.com. Desk (“Mahogany Kidney Pedestal Desk” #493063): Jonathan Charles Fine Furniture, jonathancharles furniture.com. Ottoman (custom, “Abbey Ottoman” #037); ottoman fabric (“Houndstooth Chocolate Leather”): Hancock & Moore, hancockandmoore.com. Window fabric (“Oscura” #F5830-09): Osborne & Little, osborneandlittle.com. Trim: Highland Court by Duralee, duralee.com. Pages 82–83. Master bathroom—Paint (“White Dove” #OC-17): Benjamin Moore & Co., benjaminmoore.com. Hanging light (#2713-PN, discontinued); wall sconces (“Lombard”/Polished Nickel #2701-PN): Hudson Valley Lighting, hudsonvalleylighting.com. Window shades fabric: Calico Corners, calicocorners.com. Window shade fabricator: Prairie Interiors, prairieinteriors.org. Bathtub: Bains Oceania Baths, bainsoceania.com. Tub fxtures (“Victorian,” polished): Mico Designs, micodesigns.com. Monogrammed towel: Pottery Barn, potterybarn.com. Chair: antique. Flooring: Water-works, waterworks.com. Bathroom toward vanity—Van-ity (custom): Lambright Woodworking, 260/593-2997. Countertop: honed Carrara marble. Plumbing hardware (“Victorian,” polished): Mico Designs, micodesigns.com. Vanity stool (“Newbury Bath Stool”): RH, rh.com. Flooring: Waterworks, waterworks.com. Master bedroom toward mantel—Framed silhouettes on mantel: RJA Design, rja-design.com. Candelabra on mantel; armoire; chair; ottoman: owner’s collection. Chair and ottoman fabric (“Howlett Flax” #30968.106, by Thom Filicia); chair pillow, left (“Easy Silk Mist” #29671.11): Kravet, kravet.com. Chair pillow, right (“Paisley Linen”/Buf #2007141.136): Lee Jofa, leejofa.com. Master bedroom—Wall paint (“Seapearl” #961); trim paint (“White Dove” #OC-17): Benjamin Moore & Co., benjaminmoore.com. Drapery and bed skirt (“Easy Silk Mist” #29671.11): Kravet, kravet.com. Drapery trim: Brimar, brimarinc.com. Bed (“Planter’s

Bed” #5250-70, by Mark Hampton): Hickory Chair, hickorychair.com. Bed linens: Pratesi, 312/943-8422. Euro pillow (“Paisley Linen”/Buf #2007141.136): Lee Jofa, leejofa.com. Bed skirt (“Easy Silk Mist” #29671.11): Kravet, kravet.com. Mirror behind bed (“Suzanne Kasler Sunburst Mirror #3” #WM774): Ballard Designs, ballarddesigns.com. Side table: antique. Carpet (“Gramercy” #9404, discontinued): Masland Carpets & Rugs, maslandcarpets.com.

Pages 84–89courtly manners

Garden designers: Max Garcia and David Swindal, GartenFest, LLC, 205/414-6740, gartenfestllc.com. Interior designer: Kitty Rochester, 205/902-6243.

Pages 90–95retro redux

Interior designers: Michael Ostrow and Roger Stoker, Grace Home Furnishings, 11632 Barrington Court, Los Angeles, CA 90049; 310/476-7176, gracehomefurnish ings.com. Contractor: Vandijk Bros., 1380 E. Luna Way, Palm Springs, CA 92262; 760/409-6645. Pages 90–91. Entry hall—Area rug (“Hamilton Rug”/Paprika #71034): Uttermost, uttermost.com. Three-seat bench; sconces; chair (wood with rush seat): vintage. Bench fabric (“Kalani Spice” #P1313): Pindler & Pindler, pindler.com. Pillows at either end of bench (“Mimi”/Pink): Lee Industries, leeindustries.com. Pink pillow (#36120-670 in Bubblegum, from Duralee); orange pillow (“Baycrest Velvet”/Clementine #15375-652, from Duralee): Grace Home Furnishings, gracehomefurnishings.com. Trim on pink pillow: LesBonRibbon, etsy.com. Red pillow (1970s): vintage. Mirror above bench (“Fiona Mirror”): Made Goods, madegoods.com. Console table (“Spanish Console”): Noir, noirfurniturela.com. Paint (“Swiss Cofee” #DEW341): Dunn-Edwards Paints, dunn edwards.com. Pool area—Wall lanterns (Mallorca Collection): Minka-Lavery, minkagroup.net. Orange lanterns: Stein Mart, Palm Springs. Chairs and chaise (Alohaa Collection): Plummers, plummers.com. Pages 92–93. Sitting area—Settee (1970s Mediterranean settee); chandelier (1970s): vintage. Settee fabric (“Zenobia Linen Print”/Orange Spice and Mocha #BR-700018.642): Brunschwig &Fils, brunschwig.com. Round accent table (“X Record Table”/Antique Brass, fnish discontinued): Barbara Cosgrove, barbara cosgrovelamps.com. Tub chairs (“Dutch Club Chair”): Orient Express Furniture, orientexpressfurniture.com. Club-chair fabric (“Bora Bora”/Clementine #180976H-652, Marakesh Collection): Highland Court by Duralee, duralee.com. Cofee table: vintage. Leather wing chairs (#L1603-01): Lee Industries, leeindustries.com. Seat fabric on leather chairs (“Electrify Tulip,” color 712): Kravet, kravet.com. Pillow on leather chairs (“Gainsborough Velvet”/Teak #42809): Schumacher, fschumacher.com. Pillow trim: LesBonRibbon, etsy.com. Floor lamp (“Quatrefoil Floor Lamp” #SK1500 AI-L): Circa Lighting, circalighting.com. Wine cabinet (“Traditions Wine Bar”): Schnadig, schnadig.com. Area rug (“Bermuda Rug”/Ivory and Charcoal): Uttermost, uttermost.com. Drapery (“Barnegat Snow” #24573.1101); drapery trim (“Barnegat Java” #24573.6666): Kravet, kravet.com. Drapery fabrica-tion; drapery hardware (custom): Grace Home Furnishings, gracehomefurnishings.com. Wall paint (“Swiss Cofee” #DEW341); ceiling paint (“White” #DEW380): Dunn-Edwards Paints, dunnedwards.com. Dining area—Chandelier (Stelle Collection 9-light Multi-tier Chandelier): Feiss, feiss.com. Table (“Casteli Dining Table,” by Dovetail Furniture): available through Good’s Home Furnishings, goodshomefurnishings.com, or Shop Candelabra, shopcandelabra.com. Vases on table (“Chalice Gourds”/Bright Orange): Emissary Home & Garden, emissaryusa.com. Candlesticks; table runner: vintage. Glassware: Cost Plus World Market, worldmarket.com. Cane-back dining chairs (“Colonial Caning Chair”/Distressed Brown #GCHA110D): Noir, noirfurniturela.com. Chair fabric (“Suzani”/Sorbet): owner’s collection. Mirror (“Mirror”#MR-2012, by Milling Road): Baker, bakerfurniture.com. Bufet (“Coastal Living Resort Palisades Sofa Table” #062-25-05): Stanley Furniture, stanleyfurniture.com. Hurricanes (“Pajaro Electrifed Hurricane” #548098): Interlude Home, interludehome.com. Toreador prints; carved accent chairs: vintage. Pages 94–95. Living room—Paint (“Swiss Cofee” #DEW341): Dunn-Edwards Paints, dunnedwards.com. Sofa and loveseat (“Fernando”); patterned pillows on sofa and loveseat (custom pillow in vintage ➤



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PROMOTION

OUR FAVORITE EVENTS, PRODUCTS + PROMOTIONS

DESIGN FILE

Secret in the Craft The Dr. White’s Chest, part of the Thos. Moser bedroom collection, celebrates clean simple lines and the natural essence of the wood. With seven drawers, two cupboards, and a secret compartment for storing valuables, the Dr. White’s can store a full wardrobe of clothes and sweaters.

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See Yourself in SideviewBe dazzled by multi-faceted metallics that turn heads in radiant shades of gold, silver, copper, and tungsten. A modern take on art deco grandeur, Sideview is equally brilliant in a posh Manhattan lobby or a luxuriously private powder room. In polished or matte, Sideview shines as a stunning showpiece or sparkling accent.

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Main image: A Thermador Kitchen

Inset: Designers and Bloggers cook at the Thermador Experience and Design Center

Traditional Home kicks off the 2014 tour with two showhouses in the Southeast this Spring. For more information and tickets, visit traditionalhome.com/showhousetour.

O’More Designer ShowhouseApril 4-27, 2014Franklin, Tennessee

Atlanta Symphony Decorators Showhouse and GardensApril 26–May 14, 2014Atlanta, Georgia

Showhouse Tour 2014

Great Kitchens In July, Traditional Home and Thermador marked the launch of the Great Kitchens digital edition—the magazine’s first single-subject digital-only issue, sponsored exclusively by Thermador—with a celebratory event at the Thermador Experience and Design Center in Irvine, California.

Ten featured designers and bloggers were treated to two days of cooking, shopping, dining, and design conversation alongside Thermador chefs and Traditional Home editors. Plus one lucky sweepstakes winner traveled to California to join in the fun.

Check out the Great Kitchens issue at traditionalhome.com/greatkitchens, and learn more about Thermador and its products at thermador.com.

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Suzani): Grace Home Furnishings, gracehomefurnish ings.com. Cofee table (“Oval Stone Cofee Table with Metal” #GTAB128ST): Noir, noirfurniturela.com. Ginger jars on cofee table (“Tall Imperial Yellow Temple Jars”): Tozai Home, tozaihome.com. Pink pillow on sofa (#36120-670 in Bubblegum, from Duralee): Grace Home Furnishings, gracehomefurnish ings.com. Pillow trim; turquoise pillow: LesBonRib-bon, etsy.com. Art above sofa (Sakura Blossoms

I,#4864, and Sakura Blossom II, #4865): Shadow Catchers, shadowcatchersart.com. Paisley rug (“Eden” #87103): Oriental Weavers, owrugs.com. Spool chair (1970s Mediterranean); side table (Arts and Crafts); lamp tables (1970s); lamps: vintage. Chair fabric (“Maze Avenue”/Fuchsia): Robert Allen, robertallen design.com. Spool-handle bench (1800s): antique. Chandelier (Pickering Lane Collection/Heritage Bronze): Feiss, feiss.com. Casual breakfast area—Table (McGuire flip-top table, 1960s); chairs (“Savonarola Chairs”); chess set: vintage. Chandelier (“Nanti” #1494-357): Minka-Lavery, minkagroup.net. Lamp (“Astrid Lamp”): Wildwood Lamps & Accents, wildwoodlamps.com. Prints above table: owner’s collection. Master bedroom—Bed (“Montecito Bed”); bed fabric (vintage Suzani); blue pillow (“Gainsbor-ough Velvet”/Pool #64538, from Schumacher); Suzani pillow (custom, vintage Suzani): Grace Home furnishings, gracehomefurnishings.com. Trim on blue pillow: LesBonRibbon, etsy.com. Bedspread (“Diamond Stitch Quilt”/Natural); terra-cotta bed cover (“Emerson Quilt”/Brick): Villa Home Collection, villahomecollection.com. Mirrored night chest (“Jayne Accent Chest” #24086): Uttermost, uttermost.com. Turquoise lamps (“Raindrop Ceramic Lamp”): Lamp Works, 847/367-2500. Paint (“Swiss Cofee” #DEW341): Dunn-Edwards Paints, dunnedwards.com.

Pages 96–104IN THE STEPS OF THE MASTER

Architect: Tim Adams, T.S. Adams Studio Architects Inc., 2969 Hardman Court N.E., Atlanta, GA 30305-3424; 877/283-3499, tsadamsstudio.com. Interior designer: Nicole Metzheiser, Bella Jupe Designs, [email protected] 96–97. Living room—Ottoman: custom. Ottoman fabric; silver tray (antique); celadon vase; flower vase; cream-colored bowl: owner’s collection. Porch—Windows: original to house. Wall paint (“Marble White” #OC-34); blue ceiling paint (“Bird’s Egg” #2051-60): Benjamin Moore & Co., benjaminmoore.com. Hanging lantern (“Bell Jar Chandelier”): Lamp Arts Inc., lampartsinc.com. Wooden-back chairs: antique. Chair-seat and tablecloth fabric (#31876-665, discontinued): Duralee, duralee.com. Area rug (Soumak); cofee table (by Martha Stewart); vase on cofee table (Italian beverage jug by Murero & Co.): owner’s collection. Pair of lounge chairs (“Waterfall” Charles of London chair); sofa (“Waterfall” Charles of London sofa): TCS Designs, tcsdesignsfurniture.com. Lounge-chair and sofa fabric (“Bamboo Luxe Blanc” #29505.1): Kravet, kravet.com. Pillows on lounge chairs (by Manuel Canovas); pillows on sofa (by Manuel Canovas): Cowtan & Tout, cowtan.com. Botanical prints: Trowbridge Gallery, trowbridge gallery.com. Bench: antique. Pages 98–99. Patio—Paint: original to house. Table and chairs: Abora Teak, aboraenterprise.com. Pillows on chairs: Sunbrella, sunbrella.com. Wall lanterns (“Oxford Lantern” #B8930CI); lantern by garage entrance (“Oxford Hanging Lantern” #F8932CI): Troy Lighting, troy-lighting.com. Carriage house/garage—Wall paint; shutters; standing lantern; lantern at front door: original to house. Lantern at entry by garage (“Oxford Hanging Lantern” #F8932CI): Troy Lighting, troy-lighting.com. Family room—Paneled mantel and over-mantel: Cherry. Sconces on mantel (“Windsor Iron Twist Wall Sconce” #CHD1450): Circa Lighting, circalighting.com. Art over mantel (by Lorraine Christie): Huf Harrington, hufarrington.com. Green urns on mantel (#63906, discontinued): Three Hands Corp., threehands.com. Fire screen: owner’s collection. Drapery (#30171.16, discontinued): Kravet, kravet.com. Drapery hardware (Custom Expressions): United Supply Co., unitedsupplyco.com. Chandelier (antique): B.D. Jefries, bdjefries.com. Area rug (Indian Oushak reproduction/Cocoa): Moattar, moattar.com. Lounge chairs in front of mantel (“Charles of London”); pair of ottomans (Square Skirted Ottoman”); sofa in foreground (“Charles of London Sofa”); sofa by window (“London Sofa”): TCS Designs, tcsdesignsfurniture.com.

Lounge-chair fabric (#1459/08, by Grey Watkins, discontinued): Stark, starkcarpet.com. Ottoman fabric (“Chenille Leopardskin” #7684-7): Bassett McNab, 267/508-0001. Fabric on sofa in foreground (“Waltrand Cashew”#1273): Pindler & Pindler, pindler.com. Fabric on sofa by window (“Concord”/Flax #10995-03, discontinued); patterned pillow on sofa (“Bellamy Stripe” #10910-02, discontinued): Cowtan & Tout, cowtan.com. Brass floor lamp: Circa Lighting, circalighting.com. Bench in front of mantel; cofee table: Halo Styles, gjstyles.com. Small round table by sofa: antique. Pages 100–101. Breakfast area—Table: custom. Chairs (“Arch Back Side Chairs”): TCS Designs, tcsdesigns furniture.com. Chair fabric (“Queenswood Stripe”/Dove #190094H-159, Philip Gorrivan II Collection): Highland Court by Duralee, duralee.com. Sconce (“French Deco Horn Sconce” #S2020): Circa Lighting, circalighting.com. Butler’s pantry—Farm sink: Whitehaus Collection, whitehauscollection.com. Faucet (“Single Hole Kitchen Faucet with Sidespray” #U.4710, by Perrin & Rowe): Rohl, rohlhome.com. Wall oven; microwave (#DMW2420S, Distinctive Collection): Dacor, dacor.com. Wet bar—Cabinetry (custom): Morgan Creek Cabinets, morgancreek cabinets.com. Wall, cabinet, and ceiling paint: custom color. Cabinetry hardware: Matthew Quinn Collection, matthewquinncollection.com. Flooring: oak with custom finish. Countertops (“Constellation Granite”): Bottega by Stones Int’l., bottegastone.com. Bar sink: Linkasink, linkasink.com. Faucet (“Single Hole Bar Faucet” #4.4759, by Perrin & Rowe): Rohl, rohlhome.com. Mirror: antique. Pages 102–103. Kitchen work area—Cabinetry (custom); island (custom): Morgan Creek Cabinets, morgancreekcabinets.com. Wall and cabinet paint: custom color. Cabinetry hardware: Matthew Quinn Collection, matthewquinncollection.com. Countertops and backsplash (Alabama White Marble): Bottega by Stones Int’l., bottegastone.com. Range; microwave; ovens: Dacor, dacor.com. Range hood (custom): Vent-a-Hood, ventahood.com. Dishwasher: Bosch, bosch-home.com. Island farm sink (“Shaw’s Original Farm Sink”); island faucet (“Contemporary Bridge Kitchen Faucet with Sidespray” #U.4273LS, by Perrin & Rowe): Rohl, rohlhome.com. Hanging lanterns over island (“Greggory”/Antique Brass): Circa Lighting, circalighting.com. Bar stools (#9673): Lorts, lorts.com. Bar-stool fabric (“Skin”/Beige #F2762002): Pierre Frey, pierrefrey.com. Screened porch—Fireplace stone: stack stone. Fireplace (“Real Fyre Premium Gas Logs”): Gas Logs Etc., Inc., gaslogsetcinc.com. Art over fireplace (by Steven Litvak): owner’s collection. Area rug (#CY7987-65A5, Courtyard Collection): Safavieh, safavieh.com. Wing-style chair; wicker chair; chairs in foreground: antique. Chair-seat fabric (#15425-352 in Smoke, Pavilion Indoor/Outdoor Collection); pillow fabric (#15961-298, discontinued): Duralee, duralee.com. Kitchen seating area—Chairs (“Ava Lounge Chair with Swivel”); table between chairs (custom): TCS Designs, tcsdesignsfurniture.com. Chair fabric (#30780.106): Kravet, kravet.com. Orange pillows and table fabric (“Georgian Strié” #7304-3, colorway discontinued): Jane Shelton, janeshelton.com. Small stool: antique. Area rug: cow hide. Fireplace (“Real Fyre”): Gas Logs Etc. Inc., gaslogsetc.com. Paddle over fireplace (antique French baker’s paddle): B.D. Jefries, bdjefries.com. Page 104. Bedroom—Wallcovering: Romo, romo.com. Ceiling and trim paint (“White Dove” #OC-17): Benjamin Moore & Co., benjaminmoore.com. Drapery (Irish linen): M&A Linens Inc., 212/869-5078. Drapery hardware (custom select drapery hardware): United Supply Co., unitedsupplyco.com. Area rug (“French Wreath,” wool): Myers Carpet, myerscarpet.com. Bed (custom): TCS Designs, tcsdesignsfurniture.com. Headboard fabric (#31776.11): Kravet, kravet.com. White bedcover (“Far East”/Natural, by The Purists): S.D.H., sdhonline.com. Pillow shams (“Sandhurst”/Grigio #SH30, cotton): Peter Fasano, peterfasano.com. Gray throw: custom. Bedside chests (“Raised Lattice Front Chest” #638-85017): Hooker Furniture, hookerfurniture.com. Table lamp: owner’s collection. Art behind chest (by Amy Dixon): Huf Harrington, hufarrington.com. +

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P R O D U C E D B Y J E N N Y B R A D L E Y P H O T O G R A P H B Y C L I F F W A T T S

Name Hayden Panettiere

Hometown Palisades, New York

Occupation Actress and singer. She currently stars

in ABC’s Nashville and is known for her role as

cheerleader Claire Bennet on the series Heroes.

Her most prized possession? “I live in my friend’s

attic, so it would probably be the portable air

conditioning unit I installed. You try living

through a Nashville summer without one!”

Comfort is key “My style can be all over the place,

depending on my mood. The one thing that has

become more important to me is comfort. As

much as I love fashion, it’s rarely worth it to be

uncomfortable and have to think too hard about

what you’re wearing all night. Or what body part

might fall out!”

When times allows “My ideal weekend would

include holing up in bed with my girlfriends and

having a movie marathon. The hours I work can

be crazy, so when I fi nally get a second to breathe

it’s nice to really turn my brain of . I could be

tempted by a fun and spontaneous trip, though!”

She’s a Paul Simon fan “Growing up, my favorite

tradition was when my dad would play Call Me

Al, and the whole family would dance around

the living room.”

Her wardrobe essential “I think every woman

should own a great black dress jacket. I love my

Helmut Lang and wear it with everything and

anything! It can dress up jeans and T-shirts or

dress down a cocktail dress.”

I am traditional She scrapbooks, loves chicken

noodle soup, and has a thing for classic Shirley

Temple movies. +



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Traditional Home 2014-02-03

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