The Crimson Wizar - MSU Librariesarchive.lib.msu.edu/DMC/tribune/trib12041938/trib...behind in the...
Transcript of The Crimson Wizar - MSU Librariesarchive.lib.msu.edu/DMC/tribune/trib12041938/trib...behind in the...
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Crimson WizarTh W Id H P t that every possibility be ob-e 0rea rsee r served and protected against.
Quill as Red Fleet Sails
The
PRINCIPAL CHARACTERS OF THE DRAMAPETER QUILL, a hunchback, In- ERIC LAMBERT,.deel.ner of auper-Yentor of Invlelble 1I.btnin. with battl •• hipe.affinity for e"ploelv •• and capable MAIDA TRAVERS, radio eln.er,of deatroyln. battleehipe. betoved by Lambert.
ALLAN TYLER, chief of eecret IVAN MOLOKOFF, •• eletant en.l-bureau. neer of radio etatlon.
SONYA DANILO, beautiful and PETROVICH, emba •• y attache.myeterloue Apre In plot a.&inet MICHAEL RACLOV, •• eiet&nt ofPeter Quill and hie 1I.htnin.. Sonya.
By SPECIAL AGENT(Copyr!aht: 1938: The Chlcap Tribune.)
SO brief that it cannot be com-puted. So it was this nightwith the Red fleet splitting thewaves of the North sea in itsdrive toward the Atlantic.The whole world stood by.
The world stood by in its radiostations. London's great stationbecame the center of this ethe-real, t his impalpable nerveflber. A hush fell when Londonbegan calling."London is calling all world
radio stations!"This startling announcement
came into millions of ears atprecisely the same moment.And at precisely the same mo-ment every radio station theworld over cut its programs andlistened. Orchestras were sud-denly silenced in the middle of.exquisite phrases tro.n Brahmsor Beethoven or Liszt. Oratorsof universal note were stoppedin the moment of their most elo-quent periods. Dancers in athousand restaurants f 0 u n dthemselves strangely withoutrhythm. Every radio receiverwas hushed, the eyes of millionsfixed upon them as if somethingghastly might leap out.There came a quick succes-
sion of voices out of the night."This is Chicago!""This is Paris! ""This is New York! ""This is Warsaw!"It was the roll call of the
cities of the world. Each city
I.
PETER QUILL sat in thesteel turret of the Red flag-ship. Leningrad was far
behind in the shifting fog ofthe Gulf of Finland. PeterQuill's penetrating gray -blueeyes had never once waveredfrom the icy water of the sea.The shrieking of a polar windfrom of! the Finnish coast didnot disturb his endless vigil.Sometimes the steel door of
the turret would clang behindhim. Peter Quill would swiftlylift his hand and draw a coverover a small cabinet which stoodbefore him. Under this coverno curious eye could see a' glit-tering array of levers. Then aRed naval officer would apolo-gize, deliver some message, andretire. Sometimes it would bea steward with food. When thefood had been set down and thesteward had retired Peter Quillwould unmask his curious cabi-net. But he would always gazeinto the sea ahead.~ Peter Quill ate little. Histray of food would be takenaway. Again he would gaze intothe sea. Peter Quill's face,which was furrowed and pitiful-ly distorted, had become trulya study in horror. The skin waswhite and terribly drawn overcheek and jaw bones. Deepshadows fell away from thenostrils, down' past the thick,repulsive lips, and to his wrin-kled neck. The distorted bodyseemed to have reached the endof its endurance in supportinga head as large as a giant's.The clawlike hands moved in-cessantly over the keyboard asif in a thousand caresses.The cabinet of death!This was the strange invisible
lightning which Peter Quillalone could create and alonedirect. The secret of its crea-tion and of its use lay deep inthat mysterious mind which haddiscovered it. The strange mindof Peter Quill worked its magicwithin that huge, rolling head.Behind the flagship of the
Red fleet there trailed thestraining battleships. This longtrain of steel monsters hadsteamed southwest through theBaltic sea. There was no secretof its mobilization. The eyes ofthe world were upon this fleet,anxious to know its destination.The Red fleet turned northwestthrough the channel under thevery brows of Copenhagen andemerged into the Kattegat.The steel door behind Peter
Quill clanged. An officer ap-peared. Peter Quill hastily drewthe cover over his death cabinet." We shall soon be in the
North sea," said the officer.Peter Quill's eyes never left
the sea. "Will there be a fog?"he asked. "We must have fog.""A fog?"••Yes, fog. There is no sur-
prise in a fog. Watch for a fog."The officer went away. Peter
Quill lifted the covering fromhis cabinet. He stared into thefirst light mists of the Skager-rak. The fieet passed out uponthe North sea and laid a coursefor the north of Scotland.When the officer appeared
again in Peter Quill's steel towerhe said: ••Comrade Petrovichand Sonya are aboard the Amer-ican transport. The transporthas docked at Kirkwall. Kirk-wall is in the Orkney Islands."Peter Quill did not turn. " I
must have the radium tubes,"he said in cold, measured tones."We shall get them," said the
officer. The officer clanged thedoor behind him and walkedstraight to the quarters of theradio telegraph. He wrote abrief message in Russian.
II.Peter Quill was cut of! from
the world in his steel turret. Butthe world was filled with PeterQuill. The radio can do this.The radio waves can bring Paristo Chicago in a space of time
. ct ~
o Cell ,~
III.A heavy fog layover the
North sea. Peter Quill had hiswish. The radio messages be-tween the American transportand the London station werestill in progress when therecame a weird interruption. Itwas music; music in wild, fear-ful rhythm."What's that music?" The
voice of the transport command-er was peremptory:And then that same question
came flying from every remotecrevice of the world. This musthave been so, for every radiotransmitter the world over wasat rest; and every receiver wasopen; and every announcer musthave repeated the startled inter-rogation before he could think.The music swirled eerily over
the air waves; and with it a kindof demon's laughter, an echoing••ha, ha, ha, ha, ha." The musicfaded and there came a voicewith a strong Russian accent:"What is the music?" The tonewas of irony and bitterness andkeen derision. " It is dancemusic Russian dancemusic . which you shalldance to. . . . This is Moscowbroadcasting dance music toh~p you flnd the soviet fleet.
. . The fog hides the fleet,you say? . . . Yes, it is a fog. . . a Red fog .'. . and thisis a Red broadcast . . . a Redbroadcast to tangle and snarlyour international radio . . ."Suddenly the music went off
the air in a crackle of static.Commander Jones of the trans-port was the first to sense this.••This is Jones at Kirkwall," heshouted.••Yes, Jones, this is London."Jones hardly waited for him
to finish. "We're getting some-thing strange here," he said." Some one is speaking Russian.We can't understand it. Wait!I have an idea. I'll have it re-corded by phonograph. It'sprobably in short wave. When
Route of the Russian neet. Mediterranean-bound.
was standing by in that deadsilence to catch word of thatstrangest of beings, Peter Quill,the Crimson Wizard.On went the call of cities. Cal-
cutta, San Francisco, Cap eTown, Hammerfest, Honolulu;ears were straining in the daz-zling heat of India, in the coolbreezes of the Golden Gate, inthe sea mists of South Africa,the freezing ice caps of the Arc-tic circle, and in the lazy sun-down of the South Sea isles.Then there came an unexpect-
ed response. ••This is Kirkwall."From the London radio sta-
tion there came the astonishedquestion: " Kirkwall? WhatKirkwall? "The reply was immediate.
••This is the United States trans-port America. We have justdocked at Kirkwall in the Ork-ney Islands, Scotland."So this was the destination of
the transport with its marines.The London radio was quick torecognize it. ••Welcome, Amer-ica!" it shouted. ••And thankYOUfor a fast voyage. We shallhave four squadrons of pursuitplanes and bombers to help youwithin a half hour. Will youplease keep a lookout againstthe landing of any Russians inthat sector?"The free nations had been
swift in their response to a com-mon need for defense. Therewas little likelihood that Rus-sian soldiers or marines wouldland. But that small likelihoodstood out as a threat. The freenations sent troops to guardevery dangerous coastline. Noone knew the objective of theRed fleet. It was imperative
I have the record finished I'llrepeat it t~ you, London. Thenyou can have it translatedfor me."It was too late. And it is very
simple to explain how this couldbe. Comrade Petrovich hadheard the Russian words. Hewas in the group of officersgathered about the receiver inthe radio room of the transport.This he could easily do. In hisdisguise of Y. M. C. A. workerhe had gone freely about theship and had made many ac-quaintances. When the radiobegan working that night it wasnot many moments before theofficers all knew that affairs ofimportance were at hand. Thosewho were at liberty hurried tothe radio deck. And, listeningthere, Petrovich had caught thefirst transmission of the Russianmessage. It was this:"Petrovich . . . Petrovich
. . . go on land immediately. a plane from the fleet
will pick you up from the land-ing field just south of the har-bor."Petrovich slipped away. The
group about the receiver re-mained as if fascinated. TheRussian message was repeatedover and over, as if by repetitionthe Red flagship hoped to makesure that this order would reachits destination. Petrovich didnot remain to hear CommanderJones determine upon making aphonographic record. Yet it wasthis delay that made it possiblefor Petrovich to move swiftlyto Sonya Danilo's cabin.••Quick, Sonya!" he called.
••We are going ashore."••What, now?" said Sonya.
DeceJII.1Jer 4. 1938
The Red Russian neet steamed into the first liqht mists of the Skagerrak.
••We haven't a split second tolose. Come quickly. I'll explainafterward."Sonya snatched her mantle
and service cap. Together theyhurried down the gangplank.The guard at the dock did notnotice them. They were not inthe military service. They mightpass off the ship without ques-tion. Their return would be an-other matter. The guard woulddemand their passes then. Theyleft the dock.,The snarl of an airplane was
heard overhead."There they come," said Pet-
rovich."Who?".•Never mind. Hurry."Petrovich seized the girl by
the arm and almost swung heroff her feet in his anxiety tomake haste. In a few momentsthey reached the airport. Theplane was just landing. Thepilot slowly swept the fieldwith his searchlight. Petrovichplucked off Sonya's mantle andwaved it. The pilot saw himand held the searchlight at oneside. Petrovich and Sonya gainedthe side of the plane and clam-bered aboard. The motors hadnot been shut of!. The propel-lers were whirling. Petrovichcaught a glimpse of collapsiblepontoons drawn back under thewings. The plane could alightin the sea. The motors wentinto high. The plane took of!,circled the field, and was lostin the north.By this time the translation
of the message had come backto Commander Jones. At thesame moment an attendant L'omthe airport reported the flight.The dock guard reported thedeparture of the Y. M. C. A. sec-
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retary and the Red Cross nurse." Admiralty!" Jones called so
loudly that the microphonetrilled. " We've been fooled.'The delay in translating - . .that strange plane . . ."London became a n x i 0 u s.
"What are you saying about astrange plane?"" Not a strange plane; a Rus-
sian plane."" A Russian plane?""0, what. a blunder! While
we were fooling with that Rus-sian translation a Red Crossnurse and a Y. M. C. A. secre-tary went ashore. Do you knowwho they were?"London replied slowly and
Jones bowed in humiliation ashe listened: "Yes, if the trans-lation is correct you have justlet slip Petrovich and SonyaDanilo, two of the most dan-gerous spies in the service ofthe Red Circle."Then London added, "But it's
good riddance, commander.""No," said Jones. "And I
can tell you why. Sonya andPetrovich took with them theradium tubes for Peter Quill'sinvisible lightning. Peter Quillis with the Red fleet. With hisdeadly machine he is master ofthe oceans. My compliments tothe British navy, but we're lost."
IV.World events crystalize with
amazing rapidity in the airwaves. A century ago the af-fairs of nations could be com-municated 0 n I y b Y tediouscorrespondence transmitted bysailing vessels whose voyagesdragged on endlessly. A halfcentury ago these same messagesstraggled over the newborn andhalting cables. Today the re-
motest mountain cabin is in-stantly alert to events as theyoccur.The world, then, was as close,
as intimate, and as sensitive tothis thing called radio as if allthe world were sitting about thesame table in the same room.Music was playing again. This
was contrary to the agreementof the world broadcast.London instantly came on the
air. "What station is playingmusic?" The question was re-peated over and over.The music faded slightly.
Then a voice: "This is Warsaw. . . we are playing--"
Maida sings to Eric.
London: .•Sorry, we mustask you not to play music. Wehave agreed to stand by in pur-suit of the Red fleet."Warsaw: "Please, London,
everyone will want to hear thismusic, . . . Calling Paris . . .calling Paris . . ."Paris answered on the instant.
Then came the voice of Warsaw:"Is Mr. Eric Lambert in theParis studio?"
(Tribune Studio photo.)
Sonya Danilo, disguised as a RedCross worker. left the transport with
Petrovich.
And as instantly came thevoice of Eric Lambert: "Yes.
. . Lambert . . . this isLambert ... ""Listen, Mr. Lambert. And
listen, everyone!'There was a moment of tense
silence. Then the music cameup again. And with it came' thevoice of a girl singing. Therecould be no mistake ! Nor couldLambert restrain an astonish-ment which a whole world ofnetted radio was awaiting withstraining ears..•Maida! Maida!" Lambert
shouted the words into the Parismicrophone.The song stopped. In its place
there came a delighted and al-most hysterical laughter. "Eric,Eric! It is I, Maida! "••But Maida, how did you
escape? "" In a parachute, darling .
Five tho usa n d feet downthrough the darkness .Poor, mad Peter QUill . . .. "Warsaw was fading out. There
was a last excited call fromEric Lambert: "Listen, Maida!Wait there for me. I'll have anairplane in an hour. Do youhear me? I'll get a' plane . "
V.There was no more music. In
its place there came the angrysnarl of airplane propellers.Against this rising roar therewas the voice of a flight com-mander:"This is X-35 patroling Scapa
Flow, Orkney Islands. Fog stillheavy. Red fleet not in sight."To the listening world this was
the curtain drawn aside. Thestage was the North sea. Radiohas taught the ear to see. Allthe world fixed this seeing earupon that one spot of all theearth's surface. The scene wasa vague tumult of fog andof rocky shores and tumblingwaves and moaning airplanesand of a Red fleet creeping mys-teriously through the vast blan-ket of deepening mist.As the voice of one flight com-
mander faded out with the whirrof his propellers another imme-
(Continued on page nine.)
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