THE BRUSSELS ANCIENT ART FAIR 2013 - Baaf · THE BRUSSELS ANCIENT ART FAIR 2013 Wolstraat - Rue aux...

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THE BRUSSELS ANCIENT ART FAIR 2013

Transcript of THE BRUSSELS ANCIENT ART FAIR 2013 - Baaf · THE BRUSSELS ANCIENT ART FAIR 2013 Wolstraat - Rue aux...

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THE BRUSSELS ANCIENT ART FAIR 2013

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THE BRUSSELS ANCIENT ART FAIR 2013

FROM WEDNESDAY JUNE 5 TILL SUNDAY JUNE 9

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THE BRUSSELS ANCIENT ART FAIR 2013

Wolstraat - Rue aux Laines

Waterloolaan - Bld de Waterloo

Guldenvlieslaan - Av. de la Toison d'Or

Coudenberg

Gare CentraleCentraal Station

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Rue des Minimes

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Rue de la ChapelleKapellestraat

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ollebeekstr.Rue J. Stevensstraat

Rue Lebeaustraat

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Parc du Palais d’Egmont

Park van het Paleis van Egmont

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Regentschapsstraat Rue de la Régence PlacePoelaert-

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Grote ZavelpleinPlace du Grand Sablon

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Imp. St-JacquesSint-Jacobsgang

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Rue Haute - Hoogstraat

Rue Ernest Allardstraat

Cercle deLorraineClub vanLotharingen

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Akanthos Ancient Art Rue Ernest Allard 5

Antiken-Kabinett Rue Ernest Allard 24

Archea Ancient Art Place du Grand Sablon 3

Arteas Rue Ernest Allard 19

Art Loss Register Rue Sainte-Anne 16

Dr. Robert R. Bigler Asian & Egyptian Art Rue Ernest Allard 33

Cybèle Rue des Minimes 27

Roswitha Eberwein Antike Kunst Rue Ernest Allard 24

David Ghezelbash Archéologie Rue Watteeu 21

Galerie Jürgen Haering Rue Ernest Allard 17

Harmakhis Archeologie Rue des Minimes 17

Special art exhibition L’Égypte dessinée by Bruno Cassiers Rue des Minimes 15

Laboratory Ralf Kotalla Rue Sainte-Anne 16

Galerie Günter Puhze GmbH Rue Ernest Allard 31

Galerie Rhéa Rue des Minimes 14

Royal-Athena Galleries Rue des Minimes 3

Dominique Thirion Rue des Minimes 35

ArtConnoisseurs Lectures on archeology Cercle de Lorraine Place Poelaert 6 www.baaf.be

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Vernissage

Wednesday June 5th 3 pm – 9 pm

Exhibition

Thursday June 6th 11 am – 7 pm

Friday June 7th 11 am – 8 pm

Saturday June 8th 11 am – 7 pm

Sunday June 9th 11 am – 5 pm

FROM WEDNESDAY JUNE 5 TILL SUNDAY JUNE 9

ForewordThe beginning of June 2013 represents an important time for the Sablon quarter of Brussels, with the launch of two new events.The first is Asian Art in Brussels (AAB), the new oriental art fair founded and curated by highly acclaimed Italian antique dealer, Carlo Cristi, and supported by a Board of competent and devoted colleagues.Carlo Cristi and myself are on the exact same wavelength, both being exacting and meticulous in our desire for quality at our fairs.Our exhibitors are hand-picked and their pieces are the subject of close verification by a panel of experts, among the greatest “scholars” in their respective disciplines.Impeccable vetting, which primarily protects the collector, is the sine qua non factor in creating a trusting environment for potential purchasers; it also favours good business for our exhibitors. Nowadays, no fair worthy of its name can overlook this.

With the help of two friends handling the public relations and promotion of AAB et BAAF, Mrs. Olga Polunin, Singaporean artist-painter and Mr. Matthieu Wolmark, Parisian journalist and filmmaker, both based in the capital of Europe, Carlo Cristi and I have put a great deal of thought into giving our respective events an additional dimension.This thought process has gone through various stages and finally ended up with the creation of ArtConnoisseurs, for which the first event will take place in June along-side our fairs.ArtConnoisseurs will offer high level lectures within the fields of archaeology and oriental art. There will also be, in the wings of the fairs, a forum, a place where people can network, exchange ideas and expand their knowledge of the arts within the pleasant setting that is Sablon in the month of June. Each year at these events, this cultural, scientific and friendly “platform” will be a place for exhibitions and an increasing number of lectures put on in collaboration with collectors-patrons, experts, scientists as well as Belgian and foreign museum curators, both public and private.Already this year, there will be some 20 lectures freely accessible to all, and which you will be able to attend from 6-8 June during your stay in Brussels.The oriental art presentations will take place in the superb location of the Musical Instruments Museum (MIM) in Brussels, an Art Nouveau masterpiece. Those relating

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VettingThe Brussels Ancient Art Fair is considered by many to boast one of the best Vetting Committees for antiquities in the world, with an exceptional panel of renowned experts, art historians, archeologists and Egyptologists.

The members of the Vetting Committee have been very carefully selected to guarantee the quality and the authenticity of all exhibits, including the pieces published in the catalogue.

Pieces are systematically rejected where there is the slightest doubt concerning their authenticity.

Genuine, but overly restored objects are not admitted. Authentic, but poor quality items are rejected too as they are considered “not in the interest of the Fair.”

The primary objective of the Brussels Ancient Art Fair has always been to protect its customers, who can buy from us with confidence.

The Members of the Brussels Ancient Art Fair Vetting Committee:

Dr. Corinne Besson

Prof. Em. Dr. Herman A. G. Brijder

Dr. Kirsten Konrad

Prof. Dr. Detlev Kreikenbom

Peter Pamminger

Prof. Dr. Klaus Parlasca

Dr. Cyril Thiaudière

Prof. Dr. Winfred van de Put

Prof. Dr. Rainer Vollkommer

Dr. André Wiese

For further information and to read a short biography of each member, please see the “Vetting” section on our website: www.baaf.be

to archaeology will take place in the former palace of the Princes de Merode, home to the prestigious Cercle de Lorraine. I must take this opportunity to thank the Institut Belge des Hautes Etudes Chinoises, the MIM, the Cercle de Lorraine and the Brussels-Capital Region as well as all the members of the Honorary Committee who put their trust in us and without whom this project would not have come to fruition.The full programme of lectures as well as the list of members of the Honorary Committee is available at: www.artconnoisseurs.euIn addition to promoting our disciplines to a wider audience, as well as what Brussels and Belgium has to offer in terms of ancient and oriental art, one of ArtConnoisseurs’ desired objectives is to strengthen the links between the art market and private collectors with science and museums.The Egyptian exhibition which I had the privilege of organising last year at the Cercle de Lorraine for the 10th anniversary of BAAF–in partnership with the Museum August Kestner in Hannover and Antikensammlung Basel und Sammlung Ludwig of Basel–set the tone: public collections owe a great deal to the major collectors of the past, and it is important that this process continues.At a time when museums are the first victims of budget cuts within States, in Belgium and elsewhere, it is imperative that we rekindle and keep the flame of patronage alive, for sponsorship, long term loans, gifts and legacies to the benefit of museums.

The address, 15 Rue des Minimes will play host to the exhibition organised by BAAF, L’Égypte dessinée [Egypt drawn] by Belgian architect Bruno Cassiers, with original drawings reproduced in the magnificent book of the same name, published by Editions Lycaons. This is a real feat presenting the drawings sketched by 19th century Euro-pean travellers to Egypt with his own work, often of the same sites.Unusually, in this foreword I haven’t covered the subject of BAAF very much. The success of this event speaks for itself and the loyalty shown by our exhibitors and our visitors for this event has been second to none.

Just one final thing: be sure not to miss the tribal art fair BRUNEAF, which is also taking place with AAB and BAAF and its very beautiful exhibition of African ivories (Joyaux Lega - Lega Gems).

Jacques Billen Organising committee for the Brussels Ancient Art Fair (BAAF)

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Exhibiting at Ciel mes BijouxRue Ernest Allard 5 Brussels

Akanthos Ancient ArtKarl Stimm

1 | Roman beaker with a barbotine decoration of a hunt scene with hounds and hind - Germany/Rhineland, 2nd-3rd century AD - Height: 12 cm

Provenance: Private collection JVB, Netherlands, acquired around 1980.

2 | Horse rider, Magna Graecia with original polychrome - 4th century BC Height: 30 cm Provenance: Private collection K. Vissenberg, Netherlands,

acquired around 1985.

3 | Roman Janiform herme. Eastern Mediterranean region, 1st century AD Height: 87 cm Provenance: Private collection Barbier, acquired around 1980.

Akanthos Ancient ArtOever 7 - 2000 Antwerp - BelgiumT +32 (0)3 2481855 - M +32 (0)486282354 [email protected] - www.akanthos.be

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Exhibiting at Galerie SyntheseRue Ernest Allard 24 Brussels

Antiken-KabinettBernd Gackstätter

1 | Roman marble portrait head of young man - 2nd-3th century AD Marble - Height: 10.2 cm

Provenance: English collection, acquired in the 70s.

2 | Mesopotamian stone eye-idol - 4th millenium BC - Stone - Height: 8 cm Provenance: English private collection.

3 | Etruscan stamnos from the Praxias Group - 470-420 BC Terracotta, pseudo-red-figure - Height: 24.4 cm Provenance: Collection Päselt, Karlsruhe, acquired in the 1970s.

Antiken-KabinettGanghoferstrasse 24 - 60320 Frankfurt/Main - GermanyT +49 (0)69 519015 - F +49 (0)69 519026 - M +49 (0)1717124229 [email protected] - www.antiken-kabinett.de

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Exhibiting atGalerie LoreleiPlace du Grand Sablon 3 Brussels

Archea Ancient ArtVincent J. Geerling

Archea Ancient ArtNieuwe Spiegelstraat 37 1 - 1017 DC Amsterdam - The NetherlandsT +31 (0)20 6250552 - F +31 (0) 20 4218768 - [email protected] - www.archea.nl

1 | Terracotta female votive head - Hellenistic, 4th-3rd century BC Height: 16.5 cmThis votive head of a young woman with lively wavy hair and prominent bulbous earrings, has portrait like qualities. Pierced for suspension.Provenance: private collection Belgium, prior to 1993.

2 | Green glass oinochoe with trefoil lip and trailing - Roman, 3rd-4th centuryHeight: 14 cmProvenance: private collection Germany, acquired in the 1970s.

3 | Marble idol - West Anatolia, first half of 3rd millennium BCHeight: 10.7 cmIdol of the Kusura-Beycesultan type with disc-shaped head, elongated neck, the body with stylized arms.Provenance: private collection Germany.

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Exhibiting at Galerie Christine Ritter Rue Ernest Allard 19 Brussels

ArteasLaura Bosc de Ganay

1 | A diorite bust of a dignitary - Egypt, 26th Dynasty - Height: 13.5 cm Former old Belgian collection Mme L.

2 | A basalt vase keg with flat base and lip with two perforated side handles Egypt, Nagada II or Ist Dynasty - Few fillings - Height: 15 cm Former collection D., Belgium.

3 | Idiophone, a musical instrument - Phoenician Art, 8th-6th century BC Bronze, green oxidation - Height: 19.2 cm

Composed of two sounding bars with resonators at each end spiralling outwards; the bars are joined by fourteen bronze pins. Each pin inserted through a coiled strap tube, convex on its outer surface.

Provenance: Old Parisian collection Mr. P.F., prior to 1970.

Arteas315 Trafalgar House - Grenville Place - London NW7 3SA - England T +44 2082114775 - F +44 2082114962 - M +33 607587876 [email protected]

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Exhibiting at Galerie Pierre Hallet Rue Ernest Allard 33 Brussels

Dr. Robert R. Bigler Asian & Egyptian ArtDr. Robert R. Bigler

Dr. Robert R. Bigler Asian & Egyptian ArtSeestrasse 92 - 8803 Rüschlikon/Zürich - Switzerland T/F +41 (0)44 724 27 37 - M +41 (0)793361459 [email protected] - www.bigler-finearts.com

1 | Funerary mask - Egypt, New Kingdom / Post-Amarna period, late 18th Dynasty, ca. 1320 BC - Wood - Height: 17.8 cmThe style of the finely executed facial features suggests a production of this mask during the reigns of either Tutankhamen or Ay.Provenance: French private collection, acquired in 1970.

2 | Large ushabti of Tjenry - Egypt, New Kingdom, 19th Dynasty, ca. 1280 BCGranodiorite with traces of pigment - Height: 30.6 cmAn important example mentioning several names and titles of members of the same family.Provenance: Private collection, France, acquired ca. 1960.

3 | Relief fragment with hieroglyphic signs - Egypt, New Kingdom, early 18th Dynasty, ca. 1500 BC - Width: 20.2 cmThe style and the extremely fine execution of the hieroglyphs is consistent with those found on reliefs made during the reign of Amenhotep I.Provenance: Private collection, France.

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Exhibiting at Centre Yogashram Rue des Minimes 27 Brussels

CybèleJean-Pierre Montesino

1 | Part of a bone box – Egypt, Greco-Roman era - 15 x 9,5 cm Representation of a Naiad with a maritime deity

2 | Mirror – Egypt, 18th Dynasty - Bronze - Height: 15 cm Bronze with green patina, with two falcons on the ends of the handle

3 | Head of a female deity – Rome, 1st-2nd century AD - Height: 25 cm

Cybèle65 bis, Rue Galande - 75005 Paris - France T +33 (0)1 43 54 16 26 - F +33 (0)1 46 33 96 84 - M +33 (0)6 03 03 29 45 [email protected] - www.galerie-cybele.com

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Exhibiting at Galerie SynthèseRue Ernest Allard 24 Brussels

Roswitha Eberwein Antike Kunst GöttingenRoswitha and Antonia Eberwein

1 | Predynastic Jar - Egypt, 1st-2nd Dynasty, ca. 3000–2700 BCDiorit - Diameter: 28 cm, Height: 14.7 cm Former French private collection

Lit.: Ali el-Khouli, Egyptian Stone Vessels, Predynastic Period to Dynasty III, Mainz, 1978

2 | Bloc-statue of Amenemhat - Egypt (Medu), New Kingdom, 19th Dynasty Granodiorit - Height: 18 cm, Width: 10 cmInscription: “May the king give a boon, for the god Montu in Medu, that he may give all good things for the Ka of the follower of the king, Amenemhat, justified”Provenance: Former Swiss private collection

Lit.: Dr. Regine Schulz, R., Die Entwicklung und Bedeutung des kuboiden Statuentypus: Eine Untersuchung zu den sogenannten “Würfelhockern.” Hildesheimer Ägyptologische Beiträge 33/34. Hildesheim, 1992

3 | Pyramidion - Egypt (Abydos), late 25th/early26th Dynasty, ca. 700-525 BC Limestone with incised hieroglyphs and scenes carved in sunk relief.All four sides with scenes representing the rebirth of the deceased associated with the solar cycle.Height: 36.8 cm, Width: 30.5 cmFormer French private collection

Lit.: H. de Meulenaere, Pyramidions d’Abydos in JEOL 20 (1967-68), pp. 1-20

Roswitha Eberwein Antike KunstBismarckstrasse 4 - 37085 Göttingen - Germany T +49 (0)55147083 - F +49 (0)55141543 [email protected] - www.antike-kunst-goettingen.de

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Exhibiting atWim Prové AntiquairRue Watteeu 21 Brussels

David Ghezelbash ArchéologieDavid Ghezelbash

1 | Chariot rein ring with a deer - Anatolia, Hittite, mid 2nd millenium BC Bronze - Height: 17 cm

Former French private collection, acquired from the Serres Gallery.

2 | Zoomorphic rython in the shape of a bull. - Near Eastern, Amlash, 11th-9th century BC - Brown terracotta - Dim.: 23 x 28.5 cm

Provenance: Former private collection of Dr. Paul J. Vignos Jr., Chicago, USA, acquired in the 1960s.

3 | Cycladic head - Cycladic, 2600-2500 BC - White marble -Height: 14 cm Provenance: Former Swiss private collection, acquired ca. 1960.

David Ghezelbash Archéologie12 rue Jacob (fond de cour à gauche) - 75006 Paris - FranceT +33 (0)1 46336481 - M +33 (0)6 88233911 [email protected] - www.davidghezelbash.com

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Exhibiting atGalerie RitterRue Ernest Allard 17 Brussels

Galerie Jürgen Haering Jürgen Haering

1 | Lekythos - Attic red-figure - ca. 460 BC - Fired clay - Height: 28.7 cmScythian archer drawing his bow. He is wearing an elaborately patterned short chiton and a pointed helmet with long ear flaps.Provenance: Collection of the late Dr. Walter Imhoff, Bochum, Germany.In 1971 with Münzen und Medaillen A.G., Basel, Switzerland.

2 | Votive head - Western Greek, late 6th century BC - Terracotta Height: 13.5 cmHead of a goddess with almond-shaped eyes and hair arranged in rows of tightly drilled curls.Provenance: Swiss private collection, acquired in the 1970s.

3 | Low Relief - Sabean, 1st century BC - Limestone - Height: 17.5 cmTwo humans standing side by side with arms around each other’s shoulder. Above their heads a crossbeam of a house or temple.Provenance: French private collection, since the 1980s.

Literature: For a similar piece cf.: Yémen – au pays de la reine de Saba, Institut du monde arabe, Paris 1997, p. 169.

Galerie Jürgen Haering Marienstrasse 13 - 79098 Freiburg - Germany T +49 (0)76125330 - F +49 (0)7612927425 - M +49 (0)1752437489 [email protected]

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Exhibiting at Harmakhis Archeologie Rue des Minimes 17 Brussels

Harmakhis ArcheologieJacques Billen

Harmakhis ArcheologieRue des Minimes 17 - 1000 Brussels - BelgiumT +32 (0)2 511 65 39 - F +32 (0)71 81 31 64 - M +32 (0)475 650 285 [email protected] - www.harmakhis.be

1 | Male head of a statue - Egypt, Old Kingdom, 4th-5th dynasty, ca. 2575-2325 BC - Polychrome limestone - Height: 8 cm

Provenance: Belgian private collection 1 | Large alabastron - Egypt, Late Period, 27th dynasty, 525-404 BC Alabaster - Height: 41 cm Provenance: French art market. 2 | Taweret - Egypt, 26th-30th dynasty, 664-343 BC Vitreous paste, similar to Egyptian blue - Height: 10.1 cm Provenance: Belgian private collection.

4 | Pataikos (Sarpot-mui-sro) - Egypt, Third Intermediate Period, 1070-664 BC Glazed steatite - Height: 8.8 cm Provenance: Belgian private collection.

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Exhibiting atHarold t’Kint de RoodenbekeRue Ernest Allard 31 Brussels

Galerie Günter Puhze GmbHGünter Puhze

Galerie Günter Puhze GmbHStadtstrasse 28 - 79104 Freiburg - GermanyT +49 (0)761 25476 - F +49 (0)761 26459 - M +49 (0)171 201 28 [email protected] - www.galerie-puhze.de

1 | Wooden statuette of a lady - Middle Kingdom, 11th/12th Dynasty Height: 82 cm

Published: Catalogue Holger Termer, Kunst der Antike 1, Hamburg 1978 Nr. 1 C14 analysis confirming the age of the wood (compatible with the date of the statue) and X-ray computed tomography, showing all areas affected by restorations.

2 | Hydria - Attic, ca. 540 BC - Height: 38 cmFrench family collection formed between 1900 and 1920

3 | Aphrodite - Roman, 1st century AD - Height: 26.8 cm - Bronze

Provenance: Collection Louis de Clercq (1836-1901), France

Published: A. de Ridder, Collection de Clercq, Catalogue III: Les Bronzes (1905) no. 17

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Exhibiting atGalerie Mam Muti Rue des Minimes 14 Brussels

Galerie RhéaMichael G. Petropoulos

Galerie RhéaStadelhoferstrasse 38 - 8001 Zürich - Switzerland T +41 (0)44 252 06 20 - F +41 (0)44 252 06 26 - M +41 (0)79 407 38 00 [email protected] - www.rheagallery.com

1 | Rosso antico (marmo mandolato type) bust of young Dionysos Roman, 1st century AD - Height: 17 cm; Width: 10 cm; Depth: 7 cm Provenance: Swiss private collection, bought at Donati, Lugano, ca. 1980.

2 | Accomplished head of a statuette of the “Herakles Farnese” type Hellenistic, ca. 2nd/1st century BC - Height: 6.5 cm

Fine white crystalline marble Provenance: Swiss private collection from the 1980s. 3 | Roman bronze steelyard weight in form of the bust of a wrestler Late 1st/early 2nd century AD - Weight: 1125 g corresponding to exactly

3.5 Roman lb. - Height: 10.85 cm An exceptional portrait of a character, wearing a head cloth and

a phallic necklace. Provenance: Nancy Mallen Collection, London, 1972.

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THE BRUSSELS ANCIENT ART FAIR

Exhibiting at Galerie Arts 4 Rue des Minimes 3Brussels

Royal-Athena Galleries Dr. Jerome M. Eisenberg

1 | Hellenististic Bronze Athena (Minerva) wearing a horned helmet and a long peplos tied under her breasts, her raised left hand once held a scepter or spear and in her right hand is a phiale. Possibly a syncretistic representation of Athena as a genus loci (guardian deity of a particular place).3rd-2nd Century BC - Height: 18.5 cmInlaid silver eyes. Variegated green and reddish-brown patina. Extremely fine style.Provenance: Private Swiss collection, acquired in the 1970s.

Royal-Athena Galleries 153 East 57th Street - New York, NY 10022 - U.S.A. T +1 2123552034 - F +1 2126880412 - M +44 (0)7771787597 [email protected] - www.royalathena.com

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3 | An important Cycladic marble

idol of a reclining female of

the early Spedos type

Early Bronze Age II,

ca. 2600-2500 BC.

Height: 24.6 cm

An elegant stylized nude

figure, her arms are folded

beneath her breasts, her

slender lyre - shaped head

with wedge-shaped nose

and long oval neck; incised

details, with traces of red

pigment and strong root

marks.

Provenance: Collection of

Vivian and David Campbell ,

Toronto, Canada, acquired

in the mid-1980s;

Sotheby’s New York,

7 December 2005, lot 43;

private collection,

Amsterdam, the Netherlands.

Published: Masterpieces of Cycladic Art, New York, 1989, no. 14.

2 | Egyptian Middle Kingdom

large limestone relief of

Senusret standing at left,

as a son, wearing a kilt and

shoulder length wig, before

a larger-scale offering table

from which hang the lolling

head of a throttled water bird

as well as the hoofed foot

from a calf’s leg. The six

hieroglyphs of his name appear

above his extended right arm;

red, black, and faint blue paint

remain.

12th Dynasty, ca. 1991-1778 BC

Height: 83 cm; Width: 36 cm

Provenance: A.A. collection,

Israel; in the U.K. since 1970.

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THE BRUSSELS ANCIENT ART FAIR

Exhibiting atDominique ThirionRue des Minimes 35 Brussels

Dominique Thirion Ars AntiquaDominique Thirion

Dominique ThirionRue des Minimes 35 - 1000 Brussels - BelgiumT +32 (0)2 503 50 21 - F +32 (0)2 503 50 22 - M +32 (0)477 465 907 [email protected] - www.thirion-ancient-art.com

1 | Veliocassi - Gallia Belgica, Vexin region, AV quarter stater, ca. 80-60 BC

Stylized human head left, hair depicted by parallel lines and three locks falling on the neck and cheek gashed by a ribbon tattoo.

Horse led right by a charioteer whose chariot is represented by a wheel under the horse’s tail.

1.74 g. LT 7018 var.; S. Scheers Danicourt 169 var.; S. Scheers, Les monnaies d’or des Aulerci Eburovices, Acta Archeologica Lovaniensa, 19 (1980), pl. II, 12; Moneta V, 138, DT 2393 var.

For the new attribution to the Veliocassi, see Pierre-Marie Guihard, Alliances monétaires et activités fluviales chez les Véliocasses et les Aulerques Eburovices entre les IIe et Ier siècles av. J.-C. Revue Belge de Numismatique, CLVII (2012), pp. 179-206.

2 | Venus pudica - Roman North Africa, beginning of the 3rd century ADTerracotta - Height: 23.5 cm.The goddess stands in the center of a kiosk topped by a scallop-shaped canopy. The base of this sanctuary is engraved with the inscription VENVS SACR.

3 | Pair of eagle fibulae - Merovingian Europe, 6th century AD Bronze - Height: 3 cm

Intact (except for one catch). Beautiful brown patina. Provenance: From the collection K.S. (Cologne).

Cf. Archeologija Franzii, Cat. Leningrad, 1982, 98f, nr. 299.

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THE BRUSSELS ANCIENT ART FAIR

Holding office at JulienRue Sainte-Anne 16 Brussels

The Art Loss RegisterWilliam Webber

The Art Loss RegisterFirst Floor - 63-66 Hatton Garden - London EC1N 8LE - United Kingdom T +44 (0)207841 5780 - F +44 (0)207841 5781 [email protected] - www.artloss.com

Collectors, Museumsand the Art TradeThe Art Loss Register (ALR) has over 382,000 stolen art

and antiques on its database and has returned over £160m

worth of items to their rightful owners.

It aims to identify and recover stolen and missing works of

art,deter art theft, reduce the trade in stolen art and protect

art collections against loss.

Recovered by ALR

Bouilloire et Fruits, Cézanne

Oil on canvas

The ALR provides a research service to buyers and

sellers of art; subject to the results, an ALR certificate

is provided. To set up a search account please visit

www.artloss.com and select ‘Search to see if an item

is lost or stolen’. Stolen and missing works of art and

antiques may be registered via our website, please

select ‘Register a lost or stolen item’. Items will remain

on the Register until such time as they are recovered.

As a deterrent to theft and to avoid unauthorised

sales, large private and public collections may be

registered with the ALR. These items will be checked

against private and public sales worldwide. To register

a collection, please visit our website and select

‘Register a possession’ or contact your nearest office

for further information.

The Art Loss Register

63-66 Hatton Garden, London EC1N 8LE

T:+44 (0)20 7841 5780 E: [email protected]

BRUSSELS ANCIENTART FAIR 2013

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THE BRUSSELS ANCIENT ART FAIRTHE BRUSSELS ANCIENT ART FAIR

Exhibiting at JulienRue Sainte-Anne 16 Brussels

Laboratory Ralf Kotalla Ralf Kotalla

Worldwide oldest private laboratory

specialized for genuine TL analyses

Sampling – scientific evaluation and documentation

Since 1979

Safe, well-founded, precise

Quick and discreet

Only service – no sales

Laboratory Ralf Kotalla

Kätzling 2 - D-72401 Haigerloch - Germany

T 49 (0) 747495360 - F 49 (0) 7474953610 - M 49 (0) 171 622 85 21

[email protected] - www.kotalla.de

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AMONg THE SPEAKERS IN ANCIENT ART AND ARCHAEOLOgYOrganized by Brussels Ancient Art Fair (BAAF)

Claire Derriks (Belgium) Professor at the Royal Institute of History of Art in Brussels,President of the International Committee for Egyptology(CIPEG) of the International Council of Museums, CuratorEmeritus of the Musée Royal de Mariemont.

Dr Mark Merrony (United Kingdom /France) Archaeologist, curator of Musée d’Art Classique de Mouginsand editor-in-chief of Minerva, the international magazine ofAncient art and Archaeology.

Dr Sidney Goldstein (USA) Ancient Glass specialist, Ex-Chief Curator of the CorningMuseum of Glass (USA), Ex-Curator of Ancient and Islamicart at the Saint Louis Art Museum (USA).

Dr Cyril Thiaudière (France)Degree in Ancient History and Archaeology and formerscholar of the Institut Français d’Archéologie Orientale.Associate researcher at the Ecole Pratique des HautesEtudes, Sorbonne, Paris. 

Dr Corinne Besson (France)Specialist in jewelry and Associate researcher at theUniversity of Lattes-Montpellier/CNRS.

Mr Vincent Euverte (France) Egyptologist and founder of the “Projet Rosette”.

Dr Eugène Warmenbol (Belgium) Archaeologist and Egyptologist, he teaches at the UniversitéLibre de Bruxelles and holds the chair in European Protohistory.

Mr Massimo Mosconi (Italy) Numismatist and antiquities collector.

Mr Jan Koek (The Netherlands) Founder of the Egyptological association“Mehen,Studiecentrum voor het Oude Egypte”. 

Maître Alexandre Pintiaux (Belgium) Lawyer, visiting professor at the Université Libre deBruxelles, specialist of art law.

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SART CONNOISSEURSBRUSSELS June 5-9, 2013

A rendezvous with Art,Knowledge and Beauty

ArtConnoisseurs is a cultural andscientific event which consists of a series of expert conferences onArchaeology and Asian Art givenby renowned collectors, scholars and museum curators from Europeand from all over the world, anArtConnoisseurs club to meet andexchange and an art exhibition.

The Conferences for Asian Art willbe held at the Musical Instruments Museum (MIM) and those forArchaeology at the Cercle deLorraine.

Info, Videos, Committee of Honour,Program and more on:

www.artconnoisseurs.eu

Mr Lucien Viola (USA/France/Morocco). Art historian from the Institute of Fine Arts of New YorkUniversity, Dealer and collector. Founder of the Museumof Ancient Moroccan art in Marrakech.

Dr François de Callataÿ (Belgium) Numismatist, Director of the Cabinet des Médailles de laBibliothèque Royale de Belgique.

Mr Guido Creemers (Belgium) Curator of Gallo-Romeins Museum Tongeren.

Dr Lunsingh Scheurleer (The Netherlands)Archaeologist. Former Curator of AllardPierson Museum in Amsterdam.

Dr René Preys (Belgium)Egyptologist. Chairman of Egyptologica a.s.b.l. Visitingprofessor at the Katholieke Universiteit Leuven.

Mr Luc Watrin (France)Archaeologist and Egyptologist.

Mrs Florence Doyen (Belgium)Egyptologist. Managing Director of Egyptologica a.s.b.l.

Dr Annie Verbanck-Piérard (Belgium) Curator of the department of classical archaeology atMusée Royal de Mariemont.

Dr. Marie-Cécile Bruwier (Belgium)Egyptologist and Scientific Curator of Musée Royal deMariemont, Morlanwelz.  

EXHIBITION

L’Egypte dessinée [Egypt drawn] at Rue des Minimes 15, 1000 Brussels

A selection of the  original drawings by the Belgianarchitect Bruno Cassiers, from his book of the samename, a confrontation between drawings by 19th centurytravelers to Egypt and his own work, often of the samesites.

SPEAKERS IN ASIAN ARTOrganized by Asian Art in Brussels (AAB) and Institut des Hautes Etudes Chinoises (IBHEC)

Dr Pratapaditya Pal (USA/India)Former Curator of Boston Museum, Los AngelesCounty Museum of Art, Norton Simon Museum of Art,Art Institute of Chicago and prolific author about the artsof the Indian subcontinent, the Himalayas and SouthEast Asia.  

Mr David Pritzker (USA)Specialist in Tibetan bronzes, researcher on HimalayanArt at the University of Oxford, Curator of  the RubinMuseum exhibition on Nepal “From the Land of the Gods:The Art of the Kathmandu Valley”.

Dr Irka Hajdas (Switzerland)Specialist in radiocarbon dating (14C) and Senior Research Specialist at the laboratory of Ion BeamPhysics at ETH Zurich since 2001.

Mr Max Rutherston (United Kingdom)Expert of Netsuke and Japanese art, he was a specialistat Sotheby's for 10 years, head of department for 5 yearsand is the current President of Asian Art in London.

Prof François Picard (France)Specialist of Music. Researcher and professor in Paris(Sorbonne), Senior Visiting Fellow of the InternationalInstitute of Asian Studies in Leiden, member of IBHECand many diverse scientific associations linked withMusic and Asia.

ARTCONNOISSEURS  is the cultural project of Asian Art in Brussels (AAB) and Brussels Ancient Art Fair (BAAF) developed by Brussels International Art Promotion and Logistics (BIAPAL)

ASIAN ART IN BRUSSELS

double page bis_Mise en page 1 23/04/13 16:59 Page1

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The Brussels Ancient Art Fair 11

Special art exhibitionL’Égypte dessinée by Bruno Cassiers

15, rue des Minimes, 1000 Brussels From Wednesday June 5 till Sunday June 9, 2013The author will present his book (Éditions Lycaons asbl)during the exhibition

www.baaf.be

11

pub expo dessins égypte.indd 1 16/04/13 11:22

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Program of lectures 6 & 7 June at the mIm, rue montagne de la cour 2 - 1000 Brussels

Pratapaditya Pal the story of tibetan thankga painting : from rags to riches.

François Picard la place des temples dans la circulation des musiques en chine.

David Pritzker the royal nomadic court of the tibetan kings.

Max Rutherston how hate turned to love... the powerful impact of netsuke.

Irka Hajdas radiocarbon dating on ”old” and ”young“.

exhIBItors

astamangala

Buddhist art

carlo cristi

gisèle croës

carlos cruanas

duchange & riché

Karim grusenmeyer

nayef homsi

Jacques how-choong

Kitsune Japanese art

Kyoto gallery

galerie lamy

helena markus

farah massart

mingei arts gallery

renaud montméat

John siudmak asian art

Wei asian arts

michael Woerner

June 5 to 9 2013

pub AAB pour cta BAAF-buffle.indd 1 19/04/13 12:39

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Exposition accompagnée d’un catalogue illustré

chez Millon et Petits Papiers

BRUNEAFWorld’s largest Tribal Art Fair

XXIII

Save the dateJanuary 22nd - 26th 2014

www.bruneaf.com

June 5th - 9th 2013

WINTERBSA LON4

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In the autumn 18 top international dealers in classical, Egyptian and Near Eastern antiquities gather again in the elegant setting of the Wenkenhof – a lavish baroque residence in Riehen, on the outskirts of Basel. Quality is the key word, not only in objects and expertise but in context too. Set in a magnificent park, the Reithalle Wenkenhof has proved to provide the perfect ambience for a November fair. All participants are member of the International Association of Dealers in Ancient Art (IADAA) and follow a strict code of ethics concerning the authenticity and provenance of the objects they sell. Lunch or a refreshment at the BAAF Bistro completes the experience.

Please visit our website for more information; www.baaf.chB

AA

F 2013BASEL ANCIENT ART FAIR

the

the ancient art event

10 years

November8–13

ART FAIR25 JAN--02 FEB 2014TOUR&TAXISBRUSSELS

GUEST OF HONOUR: ROYAL MUSEUM FOR CENTRAL AFRICA / TERVUREN

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“MEHEN, STUDIECENTRUM VOOR HET OUDE EGYPTE”

Wie of wat is ‘’Mehen’’? Mehen, Studiecentrum voor het oude Egypte, opgericht door Bep Koek-Overvest en Jan Koek, is een zelfstandige stichting die geen winstoogmerk heeft. Het studiecentrum ontplooit allerlei activiteiten die er met name op gericht zijn om de kennis over het faraonische Egypte te versprei-den aan iedereen die hier belangstelling voor heeft. Uit de opbrengsten van deze activiteiten ondersteunt Mehen de studie over het oude Egypte, o.a. met de Mehen-scriptieprijs voor Egyptologie. Als u deze doelstelling wilt ondersteunen, wordt dan donateur van Mehen voor mini-maal € 25,– per jaar. Echtparen betalen € 35,– per jaar. Donateurs krijgen korting op de meeste activiteiten van Mehen en hebben gratis toegang tot de jaarlijkse Mehen-dag. Het bankrekeningnummer is 67.19.36.387 t.n.v. B.J. Koek-Overvest e/o J.G. Koek te Elst (U).

De activiteiten bestaan uit lezingen, cursussen, studiedagen en reizen. Sinds 1991 hebben Bep en Jan Koek succesvolle (thema)reizen georganiseerd naar Egypte en naar vele egyp-tologische collecties in musea in Europa en de Verenigde Staten van Amerika. Ook verzorgt Mehen al ruim twintig jaar lezingen over het oude Egypte met onderwerpen op allerlei gebied, met als specialisme de religie van de oude Egyptenaren.Wilt u een lezing op maat of een reis naar eigen wens, ook voor kleine groepen, laten organiseren? Neemt u dan eens contact op met ‘’Mehen, Studiecentrum voor het oude Egypte’’.

Wat betekent ‘’Mehen’’?De naam Mehen betekent ‘’De Gekronkelde’’ en is een reusachtige slang. Al vanaf de predynastieke tijd is het Mehenspel bekend (zie foto). Het was niet alleen een spel, maar het Mehenspel was in het Oude Rijk ook een hulp-middel om herboren te worden. Vanaf het 7e uur in het zogenoemde onderwereldboek ‘’het Amdoeat’’ (vanaf het Nieuwe Rijk) kronkelt Mehen om de kajuit van de zonne-bark van Ra (zie het logo). Mehen beschermt de zonnegod tegen allerlei gevaren op zijn tocht door het hiernamaals, het werkgebied van Mehen. Hopelijk strekt Mehen zijn bescherming ook uit over het studiecentrum en allen die deelnemen aan de (studie)reis door het oude Egypte.

Voor meer informatie: www.mehen.nl | [email protected] | 0318 - 47 16 89

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THE BRUSSELS ANCIENT ART FAIR

GALLO-ROMAN MUSEUMKielenstraat 15 • B-3700 Tongeren

www.galloromeinsmuseum.be

K!DSPROOF

Until 25 August 2013, the Gallo-Roman Museum will provideunique insight into the Etruscans. The family-friendly exhibition ‘The Etruscans - Una storia particolare’ tells the story of their more or less forgotten culture in a very accessible way.

High quality Etruscan objects, all from reputable Europeanmuseums, are on display in an atmospheric contemporary setting. Multimedia and workshops make the exhibition particularly suitable for children.

An initiative of theprovince of Limburg

één kleur:

Logo Klasse

UNTIL 25 AUGUST 2013

GRM_Baaf.indd 1 26/03/13 17:09

Volume 24 Number 1

Giuseppe Eskenazi London’s leading Chinese antiquities dealer celebrates 50 years of working in the art market

JANUARY/FEBRUARY 2013

The oldest temples in the world at Göbekli Tepe

Turkish mystery

Exciting discoveries at a site in Russia

Phanagoria

Following in a saint’s footsteps

Sri Lanka’s Buddhist past

On the St Paul Trail

Roman ChesterFortress at the edgeof the empire M

INER

VAM

AGA

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E.CO

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Culturaltriangle

Volume 24 Number 3

What plans does Global Heritage Fund’s new Diretcor Vince Michael have to save the world’s cultural sites?

MAY/JUNE 2013 MINERVAMAGAZINE.COM

100 years of excavating Uruk

City of Gilgamesh

Warriors of the PlainsGeorge Catlin’s stunning portraits

of Native American peoples

Consulting the oracle in

Ancient Greece

Signs and omens

Head caseFlinders Petrie,archaeology and race

Volume 24 Number 2

Internationally acclaimed sculptor Antony Gormley reveals the deep infl uence of ancient art on his work

MARCH/APRIL 2013

The birth of the artistic imagination

Ice Age art

What did Ashurbanipal listen to at his feasts?

Music from Mesopotamia

Shake, rattle and rollA shuddering history

of earthquakes

MINERVAMAGAZINE.COM

Solving Solutré in prehistoric France

Rock of ages

Under theLife and death in Pompeii and Herculaneum

volcano

Min_BAAF_Mar_13.indd 1 28/03/2013 16:49

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ABONNEZ-VOUS gratuitement à notre eNEWSLETTER www.tribalartmagazine.com Ou suivez-nous sur www.FACEBOOK.com/ta.tribalart

Retrouvez-nous chez Vasco Books 48, rue des Minimes pour

découvrir nos offres spéciales!

TribalBruneafETE2013_19x22_TribalBruneafETE2013 29/03/13 17:33 Pagina 1

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AOA (Online 2012) for BAAF.indd 1 2013/3/27 3:23:37 PMBaaf Brussles 2013 catalogue Trim: 190mm x 220mm H)

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Step into the world of Asian Art Newspaper with our new website … some things are familiar, like the four free articles every month, other things

are brand new like our Twitter and Facebook feed. Use our search engine to browse the free content going back to 2006, or discover Asian Contemporary Voices, a new project, where we are publishing interviews

with many of the influential artists who have appeared in the newspaper over the years. In our shop, you can buy print or digital, current or back issues,

get our annual CD of issues, subscribe or renew a subscription. There’s also a link to our apps – New York and London guides.

annual books reviews since 2004.

Print Subscriptions UK £45, Rest of Europe £50, Rest of World £55 (US$90).

A digital only annual subscription is just £30 (US$48).

Asian Art Newspaper, PO Box 22521, London W8 4GT, UK tel +44 (0)207 229 6040, fax +44 (0)20 7084 7713,

[email protected]

Keep up to date with the Asian and Islamic Art Worlds

ASIAN ART

asianartnewspaper.com

Save 25% on a print subscription:email [email protected], quoting Brussels 13.

From the ancient to contemporary, Asian Art Newspaper offers you a snapshot of what’s happening in the world of Asian and Islamic art around the globe.

Each month there’s our news section, an interview with a prominent or emerging artist, special features, as well reviews of major exhibitions, auctions, art and

antiques fairs and events. We also include the performing arts, film and books to link the past with the future.

Tendencias del Mercado del Arte is created for a reader whose passion is acquiring and living with art, antiques and fi ne collectibles 10 times per year you experience everything you need to know about art, from Ancientto Contemporary The authoritative magazine in Spanish for art collectors, publishes the news regarding the important auctions, art and antiques fairs worldwide With intelligent in-depth articles on everything from the visual arts to museums, galleries, photography and design, each issue also carries an exclusive feature.

[email protected]

www.tendenciasdelarte.com

THE ESSENTIAL GUIDE

FOR ART COLLECTORS

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To advertise Call: +44 (0) 20 7961 0105

Published monthly since 1925, Apollo offers you the greatest diversity of any art magazine – covering everything from antiquities to contemporary art.International in scope, every edition brings you authoritative guidance on

collecting, reviews and previews of exhibitions worldwide, plus interviews with major collectors and important personalities from the art world.

Whatever your passion, it’s reflected in Apollo.

To subscribe nowCall: +44 (0)1795 592884 or 1-800-567-5835 (USA)

quoting AGCA13 or visit: www.apollo-magazine.com/AGCA13

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THE INTERNATIONAL ART MAGAZINE

TEFAFSPECIAL

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MARCH 2013 £5.95

Lifting the Lid

on the new-look Rijksmuseum

Plus . Carl Andre Interview . Francis Bacon and Food . Murillo at Dulwich

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ANTIQUITIES

ISSUE

THE INTERNATIONAL ART MAGAZINE

FEBRUARY 2013 £5.95

In Fine Feather Egyptian artefacts from the Gandur

collection

Plus . Etruscan Sarcophagi . Miniature Sculpture . The Art of Swords

Apollo-Feb-cover-FINAL.indd 1 15/1/13 09:57:44

apollo_BAAF_13.indd 1 28/3/13 10:07:37

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The bust of Nefertiti is one of the most famous sculptures in the world, but for many years the ancestry and life of the wife of Akhenaten remained shrouded in mystery.

Hermann A. Schlögl describes what we know today about this shadowy queen. He shows that, as co-regent of Akhenaten having equal rank, she played a decisive role in implementing his religious revolution, and clarifi es the family lineage of Nefertiti on the basis of a new DNA analysis.

Hermann A. Schlögl is an emeritus professor of Egyptology at the University of Fribourg.

Verlag C.H.Beck, Munich, 2012.ISBN 978-3-406-63725-4€ 8,95128 pageswww.beck.de

The bust of Nefertiti is one of the most famous sculptures in the world, but for many years the ancestry and life of the wife of Akhenaten remained shrouded in mystery.

Hermann A. Schlögl describes what we know today about this shadowy queen. He shows that, as co-regent of Akhenaten having equal rank, she played a decisive role in implementing his religious revolution, and clarifi es the family lineage of Nefertiti on the basis of a new DNA analysis.

Hermann A. Schlöglprofessor of Egyptology at the University of Fribourg.

pub Schlögl.indd 1 19/04/13 14:59

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A selection of Belgian museums with archaeological collections

Musées Royaux d’Art et d’Histoire - Koninklijke Musea voor Kunst en GeschiedenisParc du Cinquantenaire - Jubelpark 101000 BrusselsTel: +32 (0)2 741.72.11Website: www.kmkg-mrah.beOpen: Tue-Fri 9.30-17.00Sat-Sun 10.00-17.00

The largest collections of Classical, Egyptian and Near-Eastern archaeology in Belgium.

Musée de Louvain-la-NeuvePlace Blaise Pascal 11348 Louvain-la-NeuveTel: +32 (0)10 47.48.41Website: www.muse.ucl.ac.beOpen: Mon-Fri 10.00-18.00Sun 14.00-18.00

Small but interesting collections of Classical, Egyptian and Near-Eastern archaeology.

Musée Royal de MariemontChaussée de Mariemont 1007140 MorlanwelzTel: +32 (0)64 21.21.93Website: www.musee-mariemont.beOpen: Tue-Fri 10.00-18.00

Very important collections of Classical, Egyptian and Near-Eastern archaeology. Located in a wonderful park.

Gallo-Roman MuseumKielenstraat 15B-3700 TongerenTel.: +32 (0)12 670330E-mail: [email protected] Website: www.galloromeinsmuseum.beOpen: Tue-Fri 9.00-17.00Sat-Sun and public holidays 10.00-18.00

Important collection of Gallo-Roman and Merovingian archaeology, beautifully displayed.

Museum aan de Stroom (MAS)Hanzestedenplaats 12000 AntwerpenTel: +32 (03) 338.44.44E-mail: [email protected]: www.mas.beOpen: Tue-Sun 10.00-17.00

Antwerp and the world through objects from 5 continents, including the Egyptian collections formerly in the Vleeshuis.

THE BRUSSELS ANCIENT ART FAIR

International Association of Dealers in Ancient Art

Code of Ethics – an extract from Article 11 of the Rules of the IADAA

1 The members of IADAA undertake to the best of their ability to make their purchases in good faith.

2 The members of IADAA undertake not to purchase or sell objects until they have established to the best of

their ability that such objects were not stolen from excavations, architectural monuments, public institutions

or private property.

3 The members of IADAA refuse to dismember and sell separately parts of one complete object.

4 The members of IADAA undertake to the best of their ability to keep objects together that were originally meant

to be kept together.

5 The members of IADAA undertake to the best of their ability to keep photographic records prior to repair and

restoration, to be honest and open by describing in writing the amount of repair and restoration undertaken to

a prospective purchaser.

6 Members guarantee the authenticity of all objects they offer for sale.

7 Members of IADAA undertake to the best of their ability to inform the Administrative Board about stolen goods

and thefts. They also undertake to co-operate with international and national agencies involved with the recovery

of stolen goods.

8 It is a condition of membership that all members undertake to check items which are to be sold at a price

of € 5,000 or over (or local currency equivalent) with the Art Loss Register or with a stolen art register which

is recognised by the Board, unless the item has already been checked.

9 IADAA condemns illegal use of metal detectors.

More information about IADAA and its views on collecting antiquities can be found on the IADAA website

www.iadaa.org

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The Brussels Ancient Art Fair

is organised by

BAAF Organisation asbl

Rue des Minimes 17

1000 Brussels - Belgium

[email protected]

www.baaf.be

Board of BAAF Organisation asbl:

Jacques Billen

Dominique Thirion

Coordination:

Bénédicte Duhaut

Graphic design:

Geluck-Suykens, Brussels, Belgium

Make-up:

Raymond Aubry

Printer:

Crousse Graphic s.p.r.l.

With special thanks to:

Transport: Ziegler Expo logistics, Brussels, Belgium

Box heads: Jo Bogaert Perennials, Kampenhout, Belgium

Legal adviser: Marc Matthys, Brussels, Belgium