Textiles and textile conservation Zenzie Tinker Zenzie ... · for free. • Many will give free...
Transcript of Textiles and textile conservation Zenzie Tinker Zenzie ... · for free. • Many will give free...
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Textiles and textile conservation Zenzie Tinker Conservation
Brighton www.zenzietinker.co.uk
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Textiles are one of the most vulnerable materials in collections.
Light damage typically causes dye fading
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Light damage also causes breakdown of fibres – seen here as
brown discolouration and splitting of weave structure
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We often see light damage combined with other factors such as mechanical damage
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Light damage combined with over handling on the leading edge of this curtain and this damask covered bed post
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View of chair damaged by visitor handling and light Full view before and detail after conservation
Monks House, The National Trust
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Silk and silk dyes are particularly vulnerable to light damage causing fibre breakdown and differential dye fading
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Dust is damaging due to its acidity and gritty, cutting nature
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The lustre of the silk satin of this counterpane has also been obscured by dust A poorly framed sampler has acted as a dust filter of the air ingressing the frame
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Chemical damage can be caused by sweat which is both wet and acidic under the arms of historic costume.
Sweat often reacts with underarm protectors stitched inside historic costume
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During manufacture, silk was often treated with metal salts to add weight and body to the fabric
The metal salts gradually breakdown and cause the silk to split and fracture
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Typical damage caused by iron mordants used in dyes; these weaken and breakdown black and dark brown colours
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Other chemical damage: - Tarnish of metal thread brocade in areas exposed to airborne pollution on Sikh armour breeches - Tannins used in the fur collar and edging of this robe have weakened and stained the silk lining
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Damp or wet environments can cause water staining and colour runs
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Water damaged curtain before and after treatment Drawing room curtains, Belmont House, Kent
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Uncontrolled environments can result in mould growth on textiles and corrosion of metals
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There are many types/colours of mould Mould spores are minute and can cause permanent bleaching
of the textile beneath
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Typical webbing moth debris on military trousers and typical damage including frass and moth casings on
military water bottle cover Bulgarian Infantryman’s WWI uniform, Imperial War Museum
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Typical moth damage to wool sides of chair and wool quilted petticoat lining
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Moth larvae have carefully avoided eating threads and areas of wool painted with metallic paint
Hem of Diaghilev Ballet Russes costume, Ivor and Olga Mazure Collection
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Textiles and costume needs to be carefully padded to avoid creasing which can cause permanent damage
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Poor storage of a large painted banner has caused severe creasing and paint loss along folds
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Typical damage caused by poor framing methods
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Inappropriate mounting method for a textile
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Inert materials are used for conservation mount boards and display fabric is carefully aligned before being attached
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Views of finished board and mounted textile: an Ascher scarf designed by Scottie Wilson
Private collection
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Unsuitable hanging mechanism
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Soft side of Velcro stitched along the top edge of a textile evenly distributes the weight of even very heavy textiles
The hook side is adhered and stapled to a batten attached to the wall
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Many textiles can be safely laid over furniture or displayed flat or on sloping boards.
However you need to add padding to support folds and lie the textile on an isolating layer to such as Melinex
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Costumes displayed on unsuitable hangers are very vulnerable to damage caused by their own weight pulling downwards
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Simple purpose built padded hangers for storage and display
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Padded hangers can have lightweight supports added to provide additional internal padding for costume
Child’s Van Dyke fancy dress costume by CF Worth, Southside House, Wimbledon
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Quite heavy costumes can be supported on more complex padded hangers
19th C theatrical costumes from Smallhythe, The National Trust
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Mounting can make all the difference - this bodice had no conservation just careful mounting
Bodice by CF Worth, Southside House, Wimbledon
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Costume often needs complex underpinning to achieve correct historic profile and adequate support for display
18th C open fronted silk brocade robe, Worthing Museum
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Examples of costume conserved and mounted Two late 19th C gowns by CF Worth, Southside House
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Shoes need support for storage and display Guildford and Farnham Museums
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Purpose made conservator support for 18th C shoe Farnham Musuem
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Typical damage to family christening robe Careful wet cleaning is successful in reducing the staining and
discolouration
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19th C christening robe after conservation cleaning Private collection
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Example of complex conservation treatment
Fragment of Chesapeake flag before and after conservation National Maritime Museum
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Example of simpler conservation treatment
19th C sampler before and after treatment Ightham Mote, The National Trust
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Textile conservators at work – dyeing support fabrics and delicate vacuum cleaning
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Wet cleaning After careful colour testing some textiles and costume can be safely wet cleaned flat
using conservation detergents and softened or deionised water
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Weak textiles are supported using both stitching and adhesive techniques, as appropriate
All techniques and materials are tested carefully for reversibility
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Surface cleaning using delicate, controlled vacuum suction
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Surface cleaning using a combination of stronger vacuum suction and smoke sponge cleaning
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3 dimensional textiles can be challenging to conserve; they need particularly careful handling, storage and display
Hargraves box kite model before and after conservation Royal Aeronautical Society Collection
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3 dimensional textiles need to be packed carefully to avoid damaging creases and to provide adequate support
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Storage alternatives for costume need not be expensive.
The work in both these stores, Gunnersbury Museum and Southside House, has been undertaken by volunteers following training sessions by a conservator
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A great variety of flat textiles can be safely stored rolled
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Rolling can be the only way of safely moving and storing very large textiles
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Rolling techniques can be useful for handling large or weak textiles
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Specific training sessions for non specialist museum staff and volunteers
Padded hanger training session, NADFAS team at Belmont and Freezing training of NT team at Smallhythe
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When to seek the advice of a textile conservator
• In the event of any disaster ! • Pest infestation • Mould • Mounting or storing costume for the first time • When you are unsure of what to do! • Most conservators are happy to give phone or email advice
for free. • Many will give free advice if you can bring the textile to them • Please feel free to contact us on 01273 685222 or
[email protected] • Or consult the ICON Conservation Register for other
conservators