Studio Arts vocab

Brassaï

Staircase, Montmartre, Paris

1935-36gelatin-silver print

Gradational:

a smooth transition between black and white, one colour and another, or colour and the lack of it.

Man Ray

Fingers

1930gelatin-silver print11 1/2 x 8 3/4 in.

delineated edges:

object or imagewith the outlines shown

Piet Mondrian

Composition A

1920oil on canvas36 x 36 1/4 in.

colour scheme:

The colours an artist uses and the way they are combined in an artwork

Kurt Kranz

Eye Series

1930-3116 Gelatin-silver prints mounted on board13 7/8 x 19 3/4 in. overall

Crop/cropping/cropped : To trim one or more of a picture’s edges, or to place one or more of the edges of an image so that only part of a subject can be seen within the image.

Barbara Kruger

Untitled

1981

The use of text...

Text can be used explicitly or conceptually to enhance your image, or give it another dimension or message

André Kertész

Distortion No. 40

1933gelatin-silver print

Distorted /contorted: twist and manipulate out of shape

Ellsworth Kelly

Red Blue Green

1963oil on canvas83 5/8 x 135 7/8 in.

geometric shapes describing shapes and forms such as squares, circles, cubes, and spheres.

Piet Mondrian

Broadway Boogie Woogie

1943oil on canvas50 x 50 in.

Composition : The plan, placement or arrangement of the elements of art in a work, usually according to the principles of design.

Carefully arranged composition

Jean-Michel Basquiat

Hollywood Africans

1983synthetic polymer and mixed media on canvas84 x 84 in.

Hue : The name of any colour as found in its pure state in the spectrum, or that aspect of any colour.

James Rosenquist

I Love You with My Ford

1961oil on canvas 6 ft. 10 3/4 in. x 7 ft. 9 1/2 in.

There is a sense of balance in the image, created by…

Roy Lichtenstein

Whaam!

1963oil and magna on canvas 5 ft. 8 in. x 13 ft. 4 in.

flat blocks of colour

Robert Smithson

Spiral Jetty (Great Salt Lake, Utah)

1970black basalt and limestone rocks and earth1,500 ft.

carefully arranged

Roy Lichtenstein

Little Big Painting

1965oil and synthetic polymer paint on canvas 68 x 80 in.

alludes to: To refer to something indirectly or by suggestion

El Lissitsky

Prouenraum (Proun Room)

1923wood, metal, paint

Construction : A term referring to a sculpture made by joining together various components of various materials or of the same substance.

Laurie Simmons

Pink Bathroom

1984Cibachrome print20 x 16 in.

Vivid:

Intensity of colour; having the highest saturation; "vivid green"; "intense blue"

Alberto Giacometti

Man Pointing

1947bronze70 1/2 in. high

Elongated: extensive in length; stretched

Alberto Giacometti

Figure from Venice II

1956painted bronze47 1/2 in. high

Tactile: A texture you can feel with your hands

Claes Oldenburg

Clothes Pin

Philadelphia, Pennsylvania

1976Cor-ten steel 45 ft. x 12 ft. 3 in. x 4 ft. 6 in.

Monumentality: an artwork or object which islarger than life, an exaggerated form ... this can give everyday objects a statusthey do not enjoy in reality

Man Ray, Yves Tanguy, Joan Miró, Max Morise

Exquisite Corpse

1928ink on paper

Collaboration : Two or more artists working together in a joint effort to produce an artwork or artworks.

Francis Bacon

Study After Valasquez’s Portrait of Pope Innocent X

1953oil on canvas

The artist has … to imbue the image with...

Robert Doisneau

Hell


tactile

Robert Doisneau

Hell


… is dominated by…

Morris Louis

Saraband

1959acrylic on unprimed canvas257 x 378 cm

contemplative

Henry Moore

Tube Shelter Perspective

1941chalk, pen and watercolor8 1/2 x 6 1/2 in.

directional lines

Henry Moore

King and Queen

1952bronze

reductive / stylised

Lucio Fontana

Spatial Concept: The End of God


punctured surface

Alberto Giacometti

Annette

1961oil on canvas21 5/8 x 18 1/8 in.

intensity

Henri Cartier-Bresson

Seville


delineated edges

Roy Lichtenstein

Hopeless

1963oil on canvas 3 ft. 8 in. x 3 ft. 8 in.

delineated edges:

object or imagewith the outlines shown

Eadweard Muybridge

Walking and Throwing a Handkerchief


sequence:

arrangement in whichthings follow in logical order or a recurrent pattern

Kenneth Noland

Magus

1967acrylic on canvas225 x 686 cm

Non-objective Art / Non- representational Art : Art works having no recognisable subject matter such as houses, trees or people.


Behind the Gare Saint-Lazare


tonal contrast

Yves Klein

Anthropometry

1960

Organic / organic shapes - A word describing shapes and forms similar to those in nature and the opposite of geometric.

Giorgio De Chirico

The Melancholy and Mystery of a Street

1914oil on canvas34 1/4 x 28 1/4 in.

Deep shadows

Claes Oldenburg

Floor Cake

1962synthetic polymer paint and latex on canvas filled with foam rubber and cardboard boxes58 3/8 in. x 9 ft. 6 1/4 in. x 58 3/8 in.

Form : Form refers to an element of art that is three-dimensional (height, width and depth) and encloses volume.

Exaggerated form

Antoni Tàpies

Ochre Relief with Rose

1965mixed media on plywood5 ft. 3 1/8 x 3 ft. 8 1/2 in.

muted

David Hockney

Ian Washing His Hair

1983collage of chromogenic-development prints30 x 33 in.

A palette of… is employed to…

Mark Tansey

A Short History of Modernist Painting

1982oil on canvasthree panels, each 4 ft. 10 in. x 3 ft. 4 in.

Monochrome/Monochromatic : A painting, drawing or print in one colour, including that colour’s shades and tints.

Carl Andre

Stone Field Sculpture

1977thirty-six glacial bouldersHartford, Connecticut

Earth Art / Documentation / Environmental sculpture

David Hockney

Ian Washing His Hair

1983collage of chromogenic-development prints30 x 33 in.

fragmentation

Francis Bacon

Three Studies for Figures at the Base of a Crucifixion

c. 1944oil and pastel on hardboardeach panel 145 x 128 cm.

unsettling: puts the viewer in an uncomfortable space

Francis Bacon

Study from the Human Body

1949oil on canvas57 7/8 x 51 1/2 in.

Highlights – Areas of direct light (or implied light) on an object.

Balthus

Therese

1938oil on canvas

Asymmetry/ Asymmetrical : The parts of an image organised so that one side differs from the other without destroying the overall harmony in the composition.

Andy Warhol

Ambulance Disaster

1963silkscreen ink and synthetic polymer paint on canvas 9 ft.11 1/4 in. x 6 ft. 8 in.

Converging lines


Rue Mouffetard, Paris


Background : The part of a picture or scene that appears to be farthest away from the viewer, usually nearest the horizon.

Richard Prince

Untitled (Three Women Looking in the Same Direction)

19803 Ektacolor prints40 x 60 in. each

The use of repetition produces the effect of...

Karel Appel

Exploded Head

1958oil on canvas

Warm colours- The family of colours that includes reds, yellows, and oranges.

Robert Doisneau

From the series The Sideway Glance


Foreground : The area of a picture or field of vision, often at the bottom, that appears to be closest to the viewer.

Roy Lichtenstein

Drowning Girl

1963oil and synthetic polymer paint on canvas 67 5/8 x 66 3/4 in.

meandering line

Richard Hamilton

Just what is it that makes today’s homes so different, so appealing?

1956collage on paper10 1/4 x 9 3/4 in.

A theme that emerges...

Balthus

The Mountain


Figurative : Describes artwork representing the form of a human, an animal or a thing.

Cindy Sherman

Untitled #35

1979gelatin-silver print10 x 8 in.

The low vantage point...

Karel Appel

Angry Landscape

1967oil on canvas51 1/4 x 76 3/4 in.

...use of brilliant colours...

Words to include

• Luminous• Linear Perspective : A system of drawing or

painting in which the artist attempts to create the illusion of depth on a flat surface.

Barbara Kruger

We Won’t Play Nature to Your Culture


Barbara Kruger

You Rule By Pathetic Display


John Baldessari

Some Rooms

1986gelatin-silver prints and gouache96 1/2 x 109 1/2 in.

Christian Boltanski

Les Suisses morts (The Dead Swiss)

1990mixed media installation

Mike and Doug Starn

Blue Hands

1987toned silver prints and tape64 x 76 in.

Andy Warhol

Grace Jones

1984-869 gelatin-silver prints and thread40 x 33 in.

William Wegman

Family Combinations

1972six gelatin silver printsedition of 10each 12 3/8 x 10 3/16 in.

Jean Dubuffet

Group of Four Trees

1972epoxy paint on polyurethane over metal structure38 x 40 x 34 ft.


Alberto Giacometti


Robert Doisneau

The Accordianist


Robert Doisneau

Picasso


Henry Moore

Reclining Figure

1945bronze

Barbara Hepworth

Group III

1952marble9 in. high

Alberto Burri

Composition

1953oil, gold paint and glue on canvas and burlap34 x 39 3/8 in.

Lucio Fontana

Spatial Concept

1962watercolor on canvas9 x 13 3/4 in.

Yves Klein

Untitled Blue Monochrome

1960IKB pigment on canvas199 x 153 cm

Yves Klein

Anthropometry

1960pigment in synthetic resin on paper on canvas145 x 248 cm

Arman

Le Plein

at galerie Iris ClertOctober 1960

Eduardo Paolozzi

It’s a Psychological Fact Pleasure Helps Your Disposition

1948collage on paper14 1/2 x 9 1/2 in.

Jasper Johns

Flag

1954-55encaustic, oil and collage on fabric mounted on plywood3 ft. 6 1/4 in. x 5 ft. 5/8 in.

Jasper Johns

Three Flags

1958encaustic on canvas 78.4 x 115.6 x 12.7 cm

Jasper Johns

Painted Bronze

1960painted bronze5 1/2 x 8 x 4 3/4 in.

Robert Rauschenberg

Bed

1955oil and pencil on pillow, quilt, and sheet on wood 6 ft. 3 1/4 in. x 31 1/2 in. x 8 in.

Robert Rauschenberg

Estate

1963oil and silkscreen ink on canvas 8 ft. x 70 in.

Andy Warhol

Water Heater

1960synthetic polymer paint on canvas 44 3/4 x 40 in.

Andy Warhol

Turquoise Marilyn

1962silkscreen ink and synthetic polymer paint on canvas40 x 40 in.

Andy Warhol

Marilyns

1965nine silkscreen prints on paper from a portfolio of ten36 x 36 in. each

Andy Warhol

Marilyn Diptych

1962silkscreen ink and synthetic polymer paint on canvas6 ft. 10 in. x 6 ft. 9 ft..

Andy Warhol

Double Elvis

1963silkscreen ink and synthetic polymer paint on canvas 7 x 7 ft.

Andy Warhol

210 Coca-Cola Bottles

1962silkscreen ink, synthetic polymer paint and pencil on linen 6 ft. 10 1/2 x 8 ft. 9 in.

Andy Warhol

Green Coca-Cola Bottles

1962silkscreen ink, synthetic polymer paint and pencil on linen 6 ft. 10 1/2 x 4 ft. 9 in.

Andy Warhol

Brillo Box

1968silkscreen ink and synthetic polymer paint on wood 17 1/8 x 17 x 14 in.

Andy Warhol

White Burning Car III

1963silkscreen ink and synthetic polymer paint on canvas 8 ft.4 1/2 in. x 6 ft. 6 3/4 in.

Andy Warhol

Lavender Disaster

1963silkscreen ink and synthetic polymer paint on canvas 8 ft. 10 in. x 6 ft. 9 7/8 in.

Andy Warhol

Empire

196416mm film, silentshot at 24 fps, projected at 16 fps8 hours, 5 minutes

Andy Warhol

Shadows

1979silkscreen ink and synthetic polymer paint on canvas 102 canvases, each 6 ft. 4 in. x 52 in.

James Rosenquist

President Elect

1960-61oil on masonite 63 3/4 x 51 1/8 in.

James Rosenquist

F-111

1964-65oil on canvas and aluminum10 x 86 ft.

Roy Lichtenstein

Girl with Ball

1961oil on canvas 153.7 x 92.7 cm

Roy Lichtenstein

Mirror #1

1969oil and magna on canvas 63 x 48 in.

Tom Wesselmann

Still Life No. 12

1962mixed media and collage on board 48 x 48 in.

Claes Oldenburg

Pastry Case

1961-62enamel paint on nine plaster sculptures in glass showcase20 3/4 x 30 1/8 x 14 3/4 in.

Claes Oldenburg

Installation at Greene Gallery

1962

Claes Oldenburg

Giant Soft Fan

1966-67construction of vinyl filled with foam rubber, wood, metal, and plastic tubing10 ft. x 58 7/8 in. x 61 7/8 in.

Claes Oldenburg

Lipstick (Ascending) on Caterpillar Tracks

Yale University, Beinecke PlazaNew Haven, Connecticut

1969Cor-ten steel, aluminum, cast resin, polyurethane enamel 23 ft. 6 in. x 24 ft. 11 in. x 10 ft. 11 in.

Claes Oldenburg and Coosje van Bruggen

Spoonbridge and Cherry

Minneapolis, Minnesota

1985-88Aluminum, stainless steel and paint29 ft. 6 in. x 51 ft. 6 in. x 13 ft. 6 in.

George Segal

The Diner

1964-66plaster, wood, chrome, masonite and formica8 ft. 6 in. x 9 ft. x 7 ft. 3 in.

George Segal

Parking Garage

1968installation

Helen Frankenthaler

Mountains and Sea

1952oil on unprimed canvas7 ft. 2 7/8 in. x 9 ft. 9 1/4 in.

Helen Frankenthaler

Sun Shapes

1963acrylic on unprimed canvas81 1/2 x 56 1/2 in.

Helen Frankenthaler

Bayside

1967acrylic on unprimed canvas6 ft. 2 in x 6 ft. 9 in.

Morris Louis

Kaf

1959-60acrylic on canvas8 ft. 4 in. x 12 ft.

Morris Louis

Moving In

1961acrylic on unprimed canvas7 ft. 3 1/2 in. x 41 1/2 in.

Frank Stella

Die Fahne Hoch

1959oil on canvas

Bridget Riley

Loss

1964oil on canvas

Bridget Riley

Cataract

1967oil on canvas

Carl Andre

Lever

1966137 firebricks4 1/2 in. x 8 7/8 in. x 29 ft. 5 in. overall

Donald Judd

Untitled

1966galvanized iron and blue lacquer on aluminum40 in. x 190 in. x 40 in. overall

Donald Judd

Stack

1969laminated plastic and stainless steel

Robert Morris

Installation at Green Gallery

1964painted plywood

Dan Flavin

Untitled

1963green fluorescent light8 ft. high

Dan Flavin

Monument for V Tatlin

1968cool white fluorescent light8 ft. high

Dan Flavin

Untitled

1971yellow, blue and rose colored fluorescent lights290 x 240 cm

Tony Smith

Die

1971steel6 x 6 x 6 ft.

Richard Serra

Titled Arc

1981Cor-ten steel12 ft. x 120 ft. x 2 1/2 ft.

Sol LeWitt

Serial Project No. 1 (ABCD)

1966-67baked enamel on aluminum51 x 39 x 399 cm

Sol LeWitt

Wall Drawing #811

1996acrylic paint on gallery wall

Douglas Huebler

Site Sculpture Project—Air Marker Piece, The Contrails from Three Jet Airplanes (Flying Simultaneously) Will Mark the Space between Vancouver, B.C. and St. Johns, Newfoundland, Portland Ore., and Halifax, N.S., Eureka, Calif., and New York City. (All Planes Will Leave at the Same Time from the West Coast)

1968felt tip pen and colored pencil on photocopy on paper8 1/2 x 11 in.

Lawrence Weiner

A 36” x 36” removal of the lathing or support wall of plaster or wallboard from a wall

1969

Lawrence Weiner

from Statements

1968

Robert Barry

Closed Gallery

1969announcement card13 3/4 x 13 3/4

Robert Barry

88 mc Carrier Wave (FM)

and 1600 kc Carrier Wave (AM)

1968

Robert Barry

Radiation Piece, Cesium 137

1969

Robert Barry

Inert Gas Series (Krypton)

March 5, 19693 color photographs and typewritten text11 3/4 x 15 3/4 in. overall

Joseph Kosuth

One and Three Chairs

1965folding chair, photograph of chair and photostat of the definition of a chair

Joseph Kosuth

One and Three Hammers

1965hammer, photograph of hammer and photostat of the definition of a hammer24 x 53 3/8 in. overall

Joseph Kosuth

Art as Idea as Idea (water)

1967photostat on paper mounted on wood47 x 47 in.

Vito Acconci

Step Piece

19705 black and white photographs type on 4 sheets of bond paper, mounted on paperboard with felt-tip annotations30 x 40 in.

Vito Acconci

Following Piece

1969black and white photographs with text and chalk, text on index cards, mounted on cardboard30 1/4 x 40 1/4 in.

Gordon Matta-Clark

Splitting Exterior

1974six black and white photographs

Gordon Matta-Clark

Splitting

1974black and white photo collage40 x 30 in.

Gordon Matta-Clark

Splitting: Four Corners

1974four building fragments

Richard Long

A Line Made by Walking

December 1967

Michael Heizer

Displaced-Replaced Mass #3/3 (Silver Springs, Nevada)

1969granite and concrete in playa surface100 x 800 x 9 ft. 6 in.

Robert Smithson

Spiral Jetty (Great Salt Lake, Utah)

1970black basalt and limestone rocks and earth1,500 ft.

Walter De Maria

Lightening Field (Quemado, New Mexico)

1977stainless steel polesoverall 5,280 x 3,300 ft.

Christo and Jeanne-Claude

The Gates

Central Park, New York, New York

2004pencil, charcoal, pastel, way crayon, fabric sample, aerial photograph, tape and hand-drawn technical dataIn two parts: 15x96 in. and 42x96 in.

Christo and Jeanne-Claude

The Gates

Central Park, New York, New York

1979-2005 (on view February 12-28, 2005)steel, aluminum, vinyl, nylon

Titian

Venus of Urbino

1538oil on canvas4 ft. x 5 ft. 6 in.

Édouard Manet

Olympia


Claude Monet

Gare St. Lazare


Camille Pissarro

Snow Effect at Eragny, Road to Gisors

1885oil on canvas33 x 41cm

Edgar Degas

L’absinthe

1876oil on canvas36 1/4 x 26 3/4 in.

Félix Nadar

Sarah Barnhardt


Etienne Jules Marey

Chronophotograph


Gertrude Käsebier

Blessed Art Thou among Women

ca. 1900platinum print on Japanese tissue9 3/8 x 5 1/2 in.

Paul Gauguin

The Vision after the Sermon

1888oil on canvas2 ft. 4 3/4 in. x 3 ft. 1/2 in.

Vincent van Gogh

The Night Café

1888oil on canvas2 ft. 4 1/2 in. x 3 ft.

Paul Cézanne

Mount Sainte Victoire

1885oil on canvas

Paul Cézanne

Mount Sainte Victoire

1897oil on canvas

Paul Cézanne

Mount Sainte-Victoire

1902-1904oil on canvas2 ft. 3 1/2 in. x 2 ft. 11 1/4 in.

Georges Braque

Houses of L’Estaque

1908oil on canvas28 3/4 x 23 5/8 in.

Pablo Picasso

Les Demoiselles d’Avignon


Pablo Picasso

Still Life with Chair Caning

1912oil and oilcloth on canvas with rope frame10 5/8 x 13 3/4 in.

Arnold Böcklin

Self-Portrait with Death Playing the Violin

1872oil on canvas

Edvard Munch

The Scream

1893oil, pastel and casein on cardboard2 ft. 11 3/4 in. x 2 ft. 5 in.

Gustav Klimt

Death and Life

1908-11oil on canvas70 1/8 x 78 in.

André Derain

Turning Road, L’Estaque


Henri Matisse

Harmony in Red

1908oil on canvas70 7/8 x 86 5/8 in.

Henri Matisse

Dance II

1909-10oil on canvas8 ft. 5 5/8 in. x 12 ft. 9 1/2 in.

Ernst Ludwig Kirchner

Nudes in the Forest

1908oil on canvas

Vassily Kandinsky

Sketch for Composition Number 2


Pablo Picasso

Ma Jolie

1911oil on canvas

39 3/8 x 25 3/4 in.

Pablo Picasso

maquette for Guitar

1912cardboard, string and wire2 ft. 1 1/4 in. x 1 ft. 7 1/2 in.

Aleksandr Archipenko

Woman Combing Her Hair

1915bronzeapproximately 1 ft. 1 3/4 in. high

Giacomo Balla

Dynamism of a Dog on a Leash

1912oil on canvas2 ft. 11 3/8 in. x 3 ft. 7 1/4 in.

Umberto Boccioni

Unique Forms of Continuity in Space

1913bronze3 ft. 7 7/8 in. x 2 ft. 10 7/8 in. x 1 ft. 3 3/4 in.

Kasimir Malevich

Tea Service

1923porcelain

Vladimir Tatlin

Counter Relief


Vladimir Tatlin

Corner-Counter Reliefs


Vladimir Tatlin

Monument to the 3rd International

1919-20wood, iron and glass

El Lissitsky

Beat the Whites with the Red Wedge

1919oil on canvas

El Lissitsky

The Constructor (Self-Portrait)


Alexander Rodchenko

Lili Brik


Alexander Rodchenko

Poster for Leningrad Publishing House

1924gouache and photomontage on paper27 1/2 x 33 7/8

Alexander Rodchenko

Poster for Leningrad Publishing House

1924ink on paper

Dziga Vertov

The Man with the Movie Camera

192968 minute black and white film

Alexander Rodchenko

Assembling for a Demonstration


Alexander Rodchenko

Pioneer Girl


Alexander Rodchenko

Marching Column of the Dynamo Sporting Club


László Moholy-Nagy

Untitled

ca. 1940photogram, silver-bromide print20 x 16 in.

László Moholy-Nagy

Untitled (looking down from the Radio Tower, Berlin)

ca. 1928gelatin-silver print14 1/4 x 10 in.

Paul Klee

In the Current Six Thresholds

1929oil and tempera on canvas17 1/8 x 17 1/8 in.

Paul Klee

Ad Parnassum

1932oil and casein on canvas39 3/8 x 49 5/8 in.

Piet Mondrian

Ocean 5

1915charcoal and gouache on paper34 1/2 x 47 3/8 in.

Piet Mondrian

Composition No. 2: Composition in Line and Color

1913oil on canvas34 5/8 x 45 1/4 in.

Piet Mondrian

Composition with Gray & Light Brown

1918oil on canvas31 9/16 x 19 5/8 in.

Piet Mondrian

Rhythm of Black Lines

ca. 1935oil on canvas72.2 x 69.5 cm

Piet Mondrian

New York City

1941-42oil on canvas46 7/8 x 44 7/8 in.

Kasimir Malevich

Supresmus No. 56

1916oil on canvas31 3/4 x 28 in.

Giorgio De Chirico

The Great Metaphysician

1917oil on canvas41 1/8 x 27 1/2 in.

André Breton

Performing Far-Sighted Manifesto

Translation of sign: “In order for you to like something it is necessary for you to have seen and understood it a long time ago, you bunch of idiots.”

1920

André Breton

Self-portrait

1925photomontage

Max Ernst

The Robing of the Bride

1940oil on canvas129.6 x 96.3 cm

Max Ernst

Europe After the Rain

1940-42oil on canvas21 1/2 x 58 1/8 in.

Salvador Dali

The Persistence of Memory

1931oil on canvas9 1/2 x 13 in.

Salvador Dali

The Metamorphosis of Narcissus

1937oil on canvas51.2 x 78.5 cm

Salvador Dali and Louis Buñuel

Un Chien Andalou

1929motion picture

Salvador Dali, Joan Miró, Max Ernst, Oscar Domenguez

International Surrealist Exhibition Mannequins

1938installation

René Magritte

The False Mirror

1928oil on canvas21 1/4 x 21 7/8 in.

Frida Kahlo

The Broken Column

1944oil on canvas

Frida Kahlo

Henry Ford Hospital

1932oil on metal12 1/4 x 15 1/2 in.

Brassaï

Bijou


Brassaï

Lesbian Couple at Le Monocle, Paris


Man Ray

Le Violin d’Ingres


Man Ray

Larmes (Tears)


Man Ray

Yves Tanguy


Joan Miró

Ciphers and Constellations in Love with a Woman

1941oil on canvas

Oscar Dominguez

Untitled

1936gouache transfer on paper14 1/8 x 11 1/2 in.

Meret Oppenheim

Object

1936fur-Covered cup, saucer and spoon2 7/8 in. high

Feminist CalArts Program

Womanhouse (Womanhouse (Bridal Staircase, Nurturant Kitchen, Sheet Closet)

Los Angeles, California

1971installation

Eleanor Antin

Carving: A Traditional Sculpture

1972148 gelatin-silver photographs and text paneleach photograph 7 x 5 in.

Ana Mendieta

Flowers on Body

1973earth/body work with flowers, executed at El Yaagul, Oaxaca, Mexico

Barbara Kruger

Untitled

1981

Barbara Kruger

Untitled

1983photostat and red painted frame6 ft. 1 in x 4 ft. 1 in.

Annegret Soltau

transgenerativ 79

1998photo collage with thread52 x 98.5 cm

Guerrilla Girls

The Advantages of Being a Woman Artist

1988poster

Romare Bearden

The Block

1971mixed-media48 x 216 in.

Romare Bearden

Jazz II

1980serigraph31 x 41 1.2 in.

David Hammons

Higher Goals

1982wooden poles, basketball hoops, bottle caps40 ft. high

Lorna Simpson

Stereo Styles

198810 black-and-white Polaroid prints and 10 engraved plastic plaques5 ft. 4 in. x 9 ft. 8 in. overall

Lorna Simpson

Guarded Conditions

198918 color Polaroid prints, 21 engraved plastic plaques, 17 plastic letters91 x 131 in.

Lorna Simpson

Untitled (Two Necklines)

19892 gelatin-silver prints and 11 engraved plastic plaques

Renee Cox

The Yo Mama and Yo Mama at Home

1993gelatin-silver printseach 82 x 47 in.

Renee Cox

Taxi

1998Cibachrome print152.4 x 101.6 cm

Anselm Kiefer

Occupations

1969silver-gelatin prints

Anselm Kiefer

Nigredo

1984oil paint on photosensitized fabric, acrylic emulsion, straw, shellac, relief paint on paper pulled from painted wood11 x 18 ft.

David Wojnarowicz

“When I Put My Hands on Your Body”

1990gelatin-silver print and silkscreened text in museum board 2 ft. 2 in. x 3 ft. 2 in.


Grillo

1984oil on wood with nails8 ft. x 17 ft. 6 1/2 in.


Charles the First

1982synthetic polymer and oilstick on canvas6 ft. 6 in. x 5 ft. 2 1/4 in.

Chuck Close

Linda

1975-76acrylic on linen9 x 7 ft.

Chuck Close

Study for Self-portrait

1968silver-gelatin print, ink, pencil, and pressure-sensitive tape on board18 5/8 x 13 3/8 in.

Chuck Close

Big Self-portrait

1968acrylic on canvas107 1/2 x 83 1/2 in.

Chuck Close

Phil III

1982cast handmade paper68 7/8 x 52 5/8 in.

Duane Hanson

Tourists

1970 polychromed fiberglass and polyesterapproximately life-sized

Duane Hanson

Supermarket Shopper

1970 polyester resin and fiberglass polychromed in oil with clothing, steel cart and groceriesapproximately life-sized

Sherrie Levine

Untitled (After Walker Evans)


William Wegman

Fay Ray

1988gelatin silver print6 x 6 in.

William Wegman

Front Faade

1993color Polaroid24 x 20 in.

Jeff Koons

Rabbit

1986stainless steel41 x 19 x 12 in.

Jeff Koons

Vacuum Cleaners: New Hoover Deluxe Shampoo Polishers

1980polishers in Plexiglas boxes with fluorescent lights56 x 22 x 14 in.

Studio Arts vocab

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