Catch Up Year11 Studio Arts

8/12/2019 Catch Up Year11 Studio Arts

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STUDIO ARTS

1UNIT


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STUDIO ARTS

Pop Art


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Pop Art Movement 1953 onwards

Prior to the Pop Art movement,

Art was considered to be something

serious and was concerned withserious subject matter such as

portraits of important people, theexpression of serious ideas,

landscapes, classical scenes.


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Artists had previously, always depicted important occasions, religious stories, portraits

of important or wealthy people or scenes depicting images of the daily life of people.Images that were recognizable to the viewers of the time.


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The aim of the Pop Artists was to focusattention on, and tell everyone about,

everyday things they looked at the values ofordinary people and commented onconsumerism, mass production, newspapers,television, movies, comics, signs and celebrity.

They wanted to show people that thesesubjects (everyday things) were suitable,important subjects for artworks.


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Pop artists took their inspiration

from comic books, advertising, foodlabels, even food itself! Big

advertisements, bill boards, famousname brand logos, TV, movies.

They often actually depicted these

items in their works.


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Pop Artists used large areas of flat colours,bright Primary Colours like those in

cartoons and comic books.

Roy Lichtenstein


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Coca Cola Bottles (210)

Andy Warhol

1962

The coke bottles are depicted as if they were displayed in a supermarket.

The Coke bottle is a symbol of contemporary society.

Andy Warhol said there is only one Coke, and everybody from presidents and

film stars to the poorest in society all drink exactly the same the sameproduct.


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Roll of Bills

1962

Pencil, crayon and felt tip on

paper

When deciding what to paint, a friend of

Andy Warhols asked him what he loved most

and he said Money. The dollar bill is a

significant symbol of material success.


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Many Pop Artists worked ascommercial artists at the time:

designing advertising, windowdisplays, comic books, paintingbillboards etc. Commercial art had

been looked down upon by fineartists of the time but the PopArtists used these processes to

make fine art rather thanadvertising.

Andy Warhol


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Pop artists began to use the properties ofcommercial art as inspiration: mechanical sourcesof reproduction such as the silk screen printing

process, newspaper printing process, airbrush etcto produce the look of mass produced imagerysuch as comic books, newspaper images etc.

These things were familiar to everyone, part of

the mass media environment.


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Andy Warhol


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Andy Warhol


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Tunafish Disaster

1963

Andy Warhol

Multiple frames adds to the

tension.

The repeating of the imagesforces viewers to concentrate

on what is going in the work the

two women died from botulism

as a result of eating from thetuna fish can

depicted.

The images were originally in a

newspaper article.


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Andy Warhol


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Andy Warhol


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Animation TaskThis task is designed to utilise both computer skills and drawing skills. Either using

a computer, or drawing using another medium, create 4 drawings to form an

animation. Each frame should have a part that is different so that movement willhappen when you animate them together. Once your drawings are done, scan or

photograph the images and open in photoshop.

When you photograph your images (if not using a computer) ensure that you

photograph them all from the exact same distance.

Animated Gif Instructions1 Open Photoshop and create a newimage file measuring 100 by 100 pixels.

Set the resolution to 72 pixels per inch

and the mode to RGB color.

2 Choose Show Layers from the Windowmenu. This will bring up the Layers

floating palette.


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David Hockney


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De Longpre Ave. Hollywood, 1976coloredcrayon and pencil on paper, 17x14 in

Cyclamen, Mayflower Hotel, New York 2002watercolor and crayon on paper, 20x14 in.


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In a 2011 poll of more than 1,000 British artists, Hockney was voted the most influential British artist

of all time.


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Known for his photo collages and paintings of Los Angeles swimming pools, DavidHockney is considered one of the most influential British artists of the 20th century.


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Piscine Avec Trois Bleus,1978pressed paper pulp, 72x85 1/2 in.

Nichols Canyon 1980


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OCCUPATION:Painter, PhotographerBIRTH DATE:July 09, 1937EDUCATION:Bradford College of Art, Royal College of Art, London

PLACE OF BIRTH:Bradford, England

Nichols Canyon, 1980acrylic on canvas, 84x60 in.

Garrowby Hill, 1998 oil on canvas, 60x76 in.
http://www.biography.com/people/groups/artists/painters/http://www.biography.com/people/groups/artists/photographers/http://www.biography.com/people/groups/born-on-july-09/http://www.biography.com/people/groups/born-1937/http://www.biography.com/people/groups/born-1937/http://www.biography.com/people/groups/born-on-july-09/http://www.biography.com/people/groups/artists/photographers/http://www.biography.com/people/groups/artists/painters/


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The Gate, 2000oil on canvas, 60x76 in


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In addition to pools, Hockney

painted the interiors and

exteriors of California

homes. In 1970, this led to

the creation of his first

joiner, an assemblage of

Polaroid photos laid out in a

grid. Although this medium

would become one his claims

to fame, he stumbled upon itby accident. While working

on a painting of a Los

Angeles living room, he took

a series of photos for his own

reference, and fixed them

together so he could paint

from the image. When he

finished, however, he

recognized the collage as an

art form unto itself, and

began to create more.


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Still Life Blue Guitar 4th April 1982

composite polaroid, 24 1/2x 30 in.


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Sun On The Pool Los Angeles April 13th 1982

composite polaroid, 34 3/4x 36 1/4in.


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Prehistoric Museum Near Palm Springs, 1982photographic collage, 84 1/2x 56 1/2in.


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He also began incorporating

technology in his art, creating his first

homemade prints on a photocopier in

1986. The marriage of art and

technology became an ongoingfascinationhe used laser fax

machines and laser printers in 1990,

and in 2009 he started using the

Brushes app on iPhones and iPads to

create paintings.


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8 iPhone Drawings, 2009


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iPhone Drawings, 2009


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Summer Road Near Kilham , 2008 Edition: 25inkjet printed computer drawing on paper 48 1/4 X 37in.

Dr. Elizabeth Barton , 2008 Edition: 12inkjet printed computer drawing on paper 49 X 33 1/2in.


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Tujfjord Nordkapp II, 2002

watercolor on paper (6 sheets), 36x72 in.


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Bigger Trees Near Warter or/ou Peinture sur le Motif pour le Nouvel Age Post-Photographique, 2007

oil on 50 canvases, 180 x 480 in. overall


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Woldgate Woods III , May 20 & 21 2006Oil on 6 canvases 72in x 144in


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Portrait of an Artist (Pool with two figures), 1972acrylic on canvas, 84x120 in.

Portrait of Nick Wilder, 1966


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Portrait of Nick Wilder, 1966acrylic on canvas, 72x72 in.


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Task:Create a self portraitor landscape image in the style of

David Hockney.

You can utilise any of his techniques and explore his style

from any time period.

Think about what medium you prefer to use - collage,

computer, iPad drawings, painting, photo collage etc.

You will do at least one double page of practice drawings

etc in your book - stick at least 3 images by Hockney in

your book and try to copy them to explore the techniques.

You will create one A3 size final piece.

udioArt


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Digital

and Mixed

MediaUnit1

StudioArt:


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What is New MediaArt?New media art, as defined by the Australia Council, is a process

where new technologies are used by artists to create works that

explore new modes of artistic expression. These new technologies

include computers, information and communications technology,

virtual or immersive environments, or sound engineering. They are

the brushes and pens of a new generation of artists.

http://australia.gov.au/about-australia/australian-story/new-media-art

Chris Henschke, Synchrotron Residency
http://www.australiacouncil.gov.au/http://australia.gov.au/about-australia/australian-story/new-media-arthttp://australia.gov.au/about-australia/australian-story/new-media-arthttp://www.australiacouncil.gov.au/


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New Media

New media artis a genre that encompasses artworks createdwith new mediatechnologies, including digital art, computergraphics, computer animation, virtual art, Internet art,

interactive art, video games, computerrobotics, and art asbiotechnology.

New Media concerns are often derived from thetelecommunications, mass mediaand digital electronicmodes of delivering the artworks involve, with practicesranging from conceptualto virtual art, performancetoinstallation.
http://en.wikipedia.org/wiki/Computer_graphicshttp://en.wikipedia.org/wiki/Computer_graphicshttp://en.wikipedia.org/wiki/Computer_graphicshttp://en.wikipedia.org/wiki/Computer_graphicshttp://en.wikipedia.org/wiki/Computer_graphicshttp://en.wikipedia.org/wiki/Computer_graphicshttp://en.wikipedia.org/wiki/Computer_graphicshttp://en.wikipedia.org/wiki/Computer_graphicshttp://en.wikipedia.org/wiki/Computer_graphicshttp://en.wikipedia.org/wiki/Computer_graphicshttp://en.wikipedia.org/wiki/Computer_animationhttp://en.wikipedia.org/wiki/Computer_graphicshttp://en.wikipedia.org/wiki/Virtual_arthttp://en.wikipedia.org/wiki/Computer_graphicshttp://en.wikipedia.org/wiki/Internet_arthttp://en.wikipedia.org/wiki/Computer_graphicshttp://en.wikipedia.org/wiki/Interactive_arthttp://en.wikipedia.org/wiki/Video_gameshttp://en.wikipedia.org/wiki/Computerhttp://en.wikipedia.org/wiki/Roboticshttp://en.wikipedia.org/wiki/Biotechnologyhttp://en.wikipedia.org/wiki/Telecommunicationshttp://en.wikipedia.org/wiki/Mass_mediahttp://en.wikipedia.org/wiki/Digital_electronicshttp://en.wikipedia.org/wiki/Conceptual_arthttp://en.wikipedia.org/wiki/Internet_Arthttp://en.wikipedia.org/wiki/Performancehttp://en.wikipedia.org/wiki/Installation_arthttp://en.wikipedia.org/wiki/Installation_arthttp://en.wikipedia.org/wiki/Performancehttp://en.wikipedia.org/wiki/Internet_Arthttp://en.wikipedia.org/wiki/Conceptual_arthttp://en.wikipedia.org/wiki/Digital_electronicshttp://en.wikipedia.org/wiki/Mass_mediahttp://en.wikipedia.org/wiki/Telecommunicationshttp://en.wikipedia.org/wiki/Biotechnologyhttp://en.wikipedia.org/wiki/Roboticshttp://en.wikipedia.org/wiki/Computerhttp://en.wikipedia.org/wiki/Video_gameshttp://en.wikipedia.org/wiki/Interactive_arthttp://en.wikipedia.org/wiki/Internet_arthttp://en.wikipedia.org/wiki/Virtual_arthttp://en.wikipedia.org/wiki/Computer_animationhttp://en.wikipedia.org/wiki/Computer_graphicshttp://en.wikipedia.org/wiki/Digital_arthttp://en.wikipedia.org/wiki/Technologyhttp://en.wikipedia.org/wiki/New_media


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George Poonkhin Khut, Australia b. 1969 | Distillery: Waveforming (Portrait of Estee)2012 | Stillfrom video portraits of sitters interacting with heart rate controlled composition software for iPad |Photograph: Julia Pendrill Charles | Courtesy: The artist

http://www.ekac.org/gfpbunny.html
http://www.ekac.org/gfpbunny.htmlhttp://www.ekac.org/gfpbunny.html


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"Alba", the green fluorescent bunny, is an albino rabbit. This means that, since she has no skin pigment, under ordinary environmentalconditions she is completely white with pink eyes. Alba is not green all the time. She only glows when illuminated with the correct light. When (and only

when) illuminated with blue light (maximum excitation at 488 nm), she glows with a bright green light (maximum emission at 509 nm). She was created

with EGFP, an enhanced version (i.e., a synthetic mutation) of the original wild-type green fluorescent gene found in the jellyfish Aequorea Victoria.

EGFP gives about two orders of magnitude greater fluorescence in mammalian cells (including human cells) than the original jellyfish gene [2]. The first phase of the "GFP Bunny" project was completed in February 2000 with the birth of "Alba" in Jouy-en-Josas, France. This was accomplishedwith the invaluable assistance of zoosystemician Louis Bec [3] and scientists Louis-Marie Houdebine and Patrick Prunet [4]. Alba's name was chosen by

consensus between my wife Ruth, my daughter Miriam, and myself. The second phase is the ongoing debate, which started with the first public

announcement of Alba's birth, in the context of the Planet Work conference, in San Francisco, on May 14, 2000. The third phase will take place when the

bunny comes home to Chicago, becoming part of my family and living with us from this point on.

"Newskool" style Keyboard Art


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Digital Mixed Media


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Alberto Seveso


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Karen Casey

Karen Casey, Australia b. 1956 | Dream zone2012 | Technicalcollaborator & software interface designer: Harry Sokol | 3 channelprojection exhibited from computer, audio-visual data rendered in real-time (production still, detail) | Courtesy: The artist

Karen Caseys Dream zone2012 emerges from the artistsfascination with the relationship between humanconsciousness and our experience of the world.

Featuring a kaleidoscopic celebration of symmetry, colourand pattern, the work is projected on multiple walls in aseries of duplicated, tiled animation squares. Casey creates

an immersive space of hypnotic lines and intersecting pointsreflecting the geometry found in nature. Specialist softwaredeveloped by the artists technical collaborator uses Caseysrecorded meditating brainwaves to create the hypnoticrhythm of the work. Visually it dissects and reconfiguresimagery by Caseys to generate, in real-time, ever-changinggeometric patterns.

An interdisciplinary artist with a broad and varied creativepractice, Casey has challenged perceived notions of reality,time and space and our understanding of the physical andthe spiritual. Since the 2000s her work has further exploredscientific and psychological themes relating to our place in

the universe and the interconnectivity of humanconsciousness.

Karen Casey, Australia b. 1956 | Dream zone2012 | Technical collaborator & software interface designer: Harry Sokol | 3 channelprojection exhibited from computer, audio-visual data rendered in real-time (production still, detail) | Courtesy: The artist


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Glitch Art

Glitch ArtGlitch artis the aestheticization of digital or analog errors, such as artifacts

and other "bugs", by either corrupting digital code/data or by physically

manipulating electronic devices (for example by circuit bending).
http://en.wikipedia.org/wiki/Compression_artifacthttp://en.wikipedia.org/wiki/Circuit_bendinghttp://en.wikipedia.org/wiki/Circuit_bendinghttp://en.wikipedia.org/wiki/Compression_artifact


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http://www.michaelbetancourt.com/index.html

Animated Gifs and Cinemagraphs

http://en.wikipedia.org/wiki/File:Kodak_Moment_(2013)_sample_animation.gif

http://www.thisiscolossal.com/2013/07/hypnotic-animated-gifs-from-mat-lucas/

http://cinemagraphs.com/nyfw/


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Stelarc


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Time lapse videos,

Hrisey test work, Georgina Campbell, 2013

Scanner Camera

Scanner Self Portrait, 2008Big Butt, 2010Georgina Campbell,

Some stuff I have

done recently.


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Websites to visit

http://yearoftheglitch.tumblr.com

http://www.anu.edu.au/digitalmedia

http://www.flickr.com/

http://blog.qag.qld.gov.au/tag/national-new-media-art-award
http://yearoftheglitch.tumblr.com/http://www.anu.edu.au/digitalmediahttp://www.flickr.com/http://blog.qag.qld.gov.au/tag/national-new-media-art-awardhttp://blog.qag.qld.gov.au/tag/national-new-media-art-awardhttp://www.flickr.com/http://www.anu.edu.au/digitalmediahttp://yearoftheglitch.tumblr.com/


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Apps to try

Snapseed FlixelGlitcheStop MotionPhoto editing time lapse video digital glitch cinema graphs

http://glitche.com/g/RMfzn3wXLsYE
http://glitche.com/g/RMfzn3wXLsYEhttp://glitche.com/g/RMfzn3wXLsYE


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Pop Art & Andy

Warhol

1. List some of the key influences of Pop

Artists and Andy Warhol in particular.

Where did they get their ideas from?

2. What made Pop Art works different from

the works of earlier artists? Think about

their choice of subject matter and howthey made their works.

3. What were some of the materials and

techniques Pop Artists used in makingtheir works?

4. Look at One Hundred Campbell Soup Cans,

(below) by Andy Warhol. Write about

Warhols use of repeated shape, patternand color. Evaluate it. Why do you think it

was made? What is your response to thispiece of work - is it art?


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Pouncinginvolves pricking tiny holes into an image so that charcoal

can be pushed through to create a dot-to-dot copy on another sheet of

paper or canvas.The original pricked drawing was laid over a new surface ready for the

original to be transferred. The artist filled a small muslin bag with

powdered charcoal, and this was patted over the holes in the drawing.

The tiny holes in the original drawing would leave behind small dots on

the new surface, and this provided a guide which could then be worked

up into a finished painting.

Outcome 3:


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Research an Artist

Presentationwritten response and presentation

Discuss how artists from

di!erent times and

cultures have interpreted

sources of inspirationand used materials and

techniques in the

production of artworks


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Things to include:Brief biography of the artist when did they live, where did they live, include key

autobiographical information that is relevant to their lives as artists.

What kind of art did they do? Why is it important? How is this artist relevant to your own

work - what made you pick this artist to report on?

Select one or two particular images that epitomise this artists work to discuss in greater

detail.

You need to present the information assuming your audience has never heard of this

artist before (we might not have!)

Use the library, internet and journal articles etc to inform your presentation.Be prepared to answer questions during your presentation about what materials your

artist used, style of photography, subject matter and the ideas behind their works.

Your research should be about 1000 words (equivalent to one A4 page typed but can beincluded in powerpoint slides).


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Year 11 Studio Art Unit 1 30 January 2014

STUDIO ART: DIGITAL & MIXED MEDIA

UNIT 1: Artistic Inspiration and techniques


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notes, gallery visits, and photographs

all go in your visual diary. Keep all

your images and test drawings etc. If

you work on the computer you must

do screen grabs as you go showing

each stage of your process. These,

printed out, will go in your visual diary.

Saving your work

If you plan to work using the

computers in anyway - I suggest you

set yourself up a Google Drive. It is

free and very easy to set up. This

means that you can save your work to

a spot on the internet and you can

access it on any computer anywhere.

this is handy if you need to work at

school and at home and means you

don't have to worry about remember

USB drives, or only working on one

computer. It is also a good way to

keep a backup copy of any of yourfiles. It is private and only you will

have access to your information - it is not visible to anyone else If

The Good Vibrations

storage unit by


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works you particularly find interesting. What is it about their work that piqued your

interest: subject matter, size of work, photography, drawing, sculpture etc? The

following venues are a provided as a starting point. At a minimum you

should visit these galleries Heide Museum of Modern Art

7 Templestowe Rd, Bulleen VIC 3105

Centre for Contemporary Photography

404 George St, Fitzroy, Vic, 3065 www.ccp.org.au

Monash Gallery of Art

860 Ferntree Gully Road Wheelers Hill Victoria

3150 www.mga.org.auNational Gallery of Victoria

Federation Square and St Kilda Road

Suggested Reading and

Interneting:

Art Almanac, (www.art-almanac.com.au)Journal of Photography (http://www.bjp-

online.com),

Photofile (http://www.acp.org.au/photofile)

Artist Profile (http://www.artistprofile.com.au)

http://www.foam.org

tate.org.ukaperture.org

blindspot com

http://www.liquidarchitecture.org.au

www.moma.org

www.pinterest.com

Awesome Apps:

Flixel- makes cinemagraphs, basic version is

free.

Glitche- makes photos into giltch art with

various filter options, makes animated glitchygifs you can upload and email etc. basic

version is free.


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TasksThis is what you will be doing in Unit 1.

There will be specific instructions and

demonstrations as we get to each stage.Use this list to ensure all tasks are

completed and included in your visual

diary by the end of the Unit.

1. Visual Diary front cover: ensure it has

your name clearly visible on it and

identifies your book as Unit 1 Studio

Art: Digital & Mixed Media. !2. Mind Map: your initial brainstorming session to help you start

thinking about future themes. !3. Drawing from observation using pencil, ink, watercolour, pastel etc

4 double pages of Visual Diary!4. Self Portraiture themed Collage / Glitch Task: create a self portrait

using paper collage or using digital methods create a self portrait

Wooden Mirror -

1999

830 square pieces

of wood, 830 servomotors, control

electronics, video

camera, computer,

wood frame.

This piece explores

the line between

digital and physical,

using a warm andnatural material

such as wood to


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11. Self Portrait without a face project!12.Personal Project - you will get further instructions, project will be broken down

into smaller tasks !Ideas can come from all sorts of resources

Books

Magazines

Newspapers

Artworks

Poetry

Television

MusicRadio

Dreams

Fashion

Novels

Personal photos

Feelings and emotions

Cultures and societies PoliticsObjects around you

The Environment

InternetYour Diary Videos/films/DVD

Galleries

Artists Name


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Your Test work goes here Your Test work goes here

Artists Name

Your Test work goes here

Annotate your work here Annotate your work here

Annotation about your final version goes here.


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Annotation about your final version goes here.

Take a photo of the final and stick it here, or print

out an A4 Version to stick here.


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Artists Name


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Your Test work goes here Example of artists work goes here

Artist s Name

Example of artists work goes here

Information about the work goes here Information about the work goes here


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Self Portraits

Self Portraits


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Create a series of works based on the theme of identity and

self portraiture using different mediums.

1) in the style of Alberto Sevesousing either photoshop ortraditional watercolour and ink

Take a photo using the webcam


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Take a photo using the webcam

print out the image a4 size, black and white

using the light box, trace the main lines of

your image not he back of the print out

using the pouncing technique, poke holes inyour image along the lines at evenly space

intervals

using charcoal, carefully rub over the holes

so that a mark is made on the new paper

underneath.

connect the dots on your new image!

Mike and Doug Starn


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Create a mixed media self portrait / identity themed work based on the style of

Mike and Doug Starn. You need to use at least one photographic method (digital

photograph, scanner, sun print, etc.) and at least one method of adding texture

to your work. Think about using different types of paper to print on, painting,mixed media or about changing the structure of your paper.

In your visual diary you need to have:


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In your visual diary you need to have:1. your original self portrait image

2. examples of different versions and ideas explored3. screen grabs of various trials on the computer

4. examples of mini trials using paint etc

5. annotate everything: explain what you did, what

materials did you use, what will you do next etc.

You should have at least 2 final works done (A3size approx.) with all the backup material in your

visual diary.

The final works don't go in your visual diary - theywill be loose.


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Your visual diary is like a journal for your art making

process. You will use the ideas you explore in it to

develop your final pieces of artwork. You should

include written comments and reflections on the work

your produce, images of works in progress, test prints,

screen shots. Also include images and notes about other

artists whom inform your own work and notes on any

galleries / museums you visit.

Do ensure that your visual diary is legible and easy for

the reader to understand. Think about what visually

inspires you: movies, video clips, TV shows, magazines,

designers etc. Your inspiration could come from

anywhere! Take photographs as often as possible!

The visual diary is designed to demonstrate to the

viewer your growth as an artist. We want to be able to

see where your ideas have evolved from, what your

inspirations are, how you feel about your own work

and the ways in which you have experimented with

various materials and techniques before you arrived at

your final product.

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You could make your visual diary online as a blog - try Blogger or Wordpress. You

could use powerpoint, one note or word etc and not print anything out. You do need

to be able to present your pages though.

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Generating IdeasSunday, 5 May 13


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Sunday, 5 May 13
http://www.goodreads.com/author/show/12115.Ansel_Adamshttp://www.goodreads.com/author/show/12115.Ansel_Adams


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- Dont worry about being neat, just get the ideas out.

- Write down anything that comes to mind - use pencil if you wish tochange stuff later.- Draw pictures or diagrams if you need to- Come back to ideas later, something you think of now might becomeanother body of work later on!

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Mood Boards

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Mood Boards

Sunday, 5 May 13

AddAdd AboutAbout GeorginaGeorgina

pinterest.

com


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Photography I LovePhotography I Love Like 0

Georgina CampbellGeorgina Campbell 4040 followersfollowers,, 010pinspinsEdit Board

1 repin

Jessica Eaton

iheartphotograph.blogspot.com

3 likes 7 repins

Wolfgang Tilmans

iheartphotograph.blogspot.com

"Photography is a weird process. You

approach aspects of reality and you

alienate at the same time. Things

become something else. It is a

metamorphosis. I am like a

transmuter," introduces Camillo

Bchelmeier.

satellitevoices.com

Camillo Buchelmeier

satellitevoices.com

Jefferson Hayman

martincooperphoto.blogspot.co

m

1 repin

Jefferson Hayman


m

Jefferson Hayman


m

3 likes 8 repins

Francesca Woodman

google.co.uk

1 like 14 repins

Vivian Maier

vivianmaier.blogspot.comVivian Maier

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Sunday, 5 May 13


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Histograms help to give digital camera users a quick summary

of the tonal range present in any given image.

It graphs the tones in your image from black (on the left) to

white (on the right). The higher the graph at any given point

the more pixels of that tone that are present in an image.

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Different images will produce different results. Taking a shot ofsomeone at the snow will obviously have a histogram with

significant peaks on the right hand side. Most well exposed shotstend to peak somewhere in the middle and taper off towards theedges.

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