st. john- client

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historical museumS A V I N G M E M O R I E S

ST. JOHN

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GOALS & MISSION STATEMENT PROJECT OVERVIEWGENERAL MUSEUM GUIDELINESDESIGN DEVELOPMENTEXISTING SPACEBUILDING CODESUNIVERSAL DESIGNFIELD STUDIES RESEARCHSCHEMATIC DESIGN SPACE PLANNING AS BUILT PLANFLOOR PLANFINISHED FURNITURE FLOOR PLANMATERIALS SELECTIONCEILING PLANLIGHTING SELECTIONSTOREFRONTMAIN GALLERYSMALL GALLERYAPPENDIX

4-56-910-11121314-1516-1718-2324-3940-4142-434445464748495051-5758-6061-63

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“To create a rural museum that embodies the community’s history and spirit of St. John”

MISSION STATEMENT

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1. Enhance the community’s pride, independence, and spirit.

2. Engage the community through the preservation of the monumental history of St. John.

3. Create an educational environment which encourages all ages to interact with the past.

4. Honor the historical events that have taken place in St. John.

Goalsof museum

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Senior Interior Design students at Washington State University working with the RCDI will propose a design for a historical museum in the rural town of St. John, Washington. The community wishes to adapt an existing space on the historic main street for the preservation of St. John’s history and proud community spirit.

The designated building for the museum was a historic pharmacy from the turn of the centry that is between the modern city hall and historic insurance company. The museum space has an unfinished interior that is in the process of renovation for the purpose of installing a museum. The community has been generously giving their time and resources to complete the museum.

PROJECT OVERVIEW

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The design team will interpret the needs of the community through co-design and regularly meetings with the clients. This design will take into consideration: museum design guidelines, the existing space’s condition, adaptive reuse of the building, building codes, and how people will interact and experience the space. Further, it shall give creative options for space layouts, materials, and experiences for each viewer.

This museum will have a small gallery with rotating exhibits as well as engaging static installations. The main gallery entrance invites vistors to explore the space, beginning with an engaging timeline of St. John’s history and early families. The timeline of St. John’s history incorporates world events and local artifacts beginning with the first inhabitants to modern day. The timeline will provide a significant resource planning inspiring new funds, and energies to the completion, including fund raisers and volunteer labor of the completion.

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A Veterans corner allows for quiet relflection on the courageous pilots from St. John who fought in WWII and the Vietnam War. A gift of three large paintings on the subject of Steptoe battles from the artist Nona Hengen will be displayed in a cozy corner at the end of the contemporary period of the timeline. A genealogy corner allows people to research their ancestors on the internet or in old books at a desk or on a comfortable couch. The historic character and materials are important in the preservation of this building and the finished museum. Original brick on the East wall is to be left exposed, the historic storefront adapted and kept, and glass block sidelights and front door all kept in their original state. The museum will have a modern rustic design aesthetic. The design should respect and carefully include these things and the buildings character.

The final presentation includes physical space plans that include a design for a gallery space, storage, and archival space. Consideration is given to layout, flexible exhibition spaces, traffic flow, viewing experience, ADA/universal design, ceiling systems, lighting, finishes. Also taken into the design considerations is the main access to the museum through the city hall, and monitoring security from here.

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Communities requirements of the space :To be for families and visitors Functional and flexibleEducational Historical Interactive

GENERAL MUSEUM GUIDELINES

Security/Insurance:Security brackets on all hanging and fixed displaysPerimeter alarmsEnclosed Items

These are general design considerations and important information to consider:

UV protection on all windows

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Lighting:Average of 10 foot candles per hanging display LED track lighting Adjustable fixturesFlood lightingSpot lightingHalogensBroad spectrum lightingUV protective glass on art

Temperature:70 degrees Average 30% humidity

Display:Center view of the piece, Hang at 5’-5” to 60” Description is hung at 4’-6”

Way finding:Used through color and graphics Inferred flow (IGS, 2004, pg. 356)Unstructured flow (IGS, 2004, pg. 356)Structure flow (IGS, 2004, pg. 356)

ADA access3’ door waysMinimum 3’ width aisle through entire space 5’ turn around space required

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DESIGN DEVELOPMENT

Design Goals & Design Concept1. Fixed elements within a flexible space2. To create an interactive educational space for a multi sensory experience3. Meetsthe communities desire to celebrate St. John’s history through design

Site analysis

Total SQ FT (with stairs): 1,780 Stairs total SQ FT: 84.4 sq ftTotal SQ FT (without stairs): 1,695’-6” Storage area needed: 416 sq ft

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EXISTING SPACE

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Total SQ FT (with stairs): 1,780 Stairs total SQ FT: 84.4 sq ftTotal SQ FT (without stairs): 1,695’-6” Storage area needed: 416 sq ft Occupancy Classification: A-3, [pg. 54 2009, IBC] Floor area in sq ft per occupant: 5 net Load Factor= 15 net, un-concentrated tables and chairsA-3=1279.5/15 = 85.3 peopleOccupant Load: 86 people [Table 104.1.1 Maximum Floor Area Allowance per Occupant, pg 89]Plumbing calculations: 2 Unisex Water closetsNumber of exits: 2Exit access travel distance: 300’ with sprinklers

BUILDING CODES

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Bathroom5’ turn around3’ to side of toiletToilet height: 17”-19”Toilet paper height: 15”-48”Flush control height: 44” MAX AFFHorizontal grab bars height: 33”-36” AFFVertical grab bars height: 39”-41” AFFSink height: 27”-34” AFFSink depth: 17”-25”Knee space: 8” AFFToe space: 6” AFF

Drinking fountains:Toe space: 6” AFFBottom of fountain 9” AFFKnee space: 8” AFFBottom of fountain bowl: 27” AFFFountain width: 17”-25” Standing height: 38”-43” Wheel chair height: 36” MAX AFF

Mirrors:Bottom of mirror: 35”-40” AFFFinishes:If sprinklers are in stalled less restrictive finishes can be used. Assembly-Existing Under less than or equal to 300 OL. Exits A Other spaces need to be A or B; C on low partitions Interior wall and ceiling finish: A: Flame spread 0-25, new applica-tions, smoke developed 0-450.

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UNIVERSAL DESIGNDoor handles as levers opposed to knobsEntry ways that are flat and wide Linear building layouts with clear lines of sightSurfaces that are stable, firm and slick resistant Multi sensory experiencesSpecial requirements specific to St. John museum: Locking the front door and entering through city hall Monitored by personnel in the city hall Main street presentation from store front window Store front windows-needing UV protectionAccess to both possible patios Street parking and parking in the back of the building

Spaces requirements: Address the floor load bearing weightADA accessExhibit spaceArchive storage spaceStorage space

Project requirements:Designing a flexible exhibition spaceStorage/archival space Quantitative requirements/space requirements:Exhibition space: 80% Storage space: 20% Furniture Filing Cabinets Seating Archive Station Display Cases Prep and Cleaning

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Spatial requirements: Break up the space at the entrance, force them to navigate and invest gateBiography:• Maketheareacome alive through the Historians eyes• Interactionthatinvolves all ages• Wroteinpresenttense to engage viewers• Balanceofoversized items/animals Design:• Thinkofthevisitorfirst• Objects&visuals• Lesswords• Poseaquestion• Don’ttellthewhole story Exhibits:• Muststandalone• Don’ttrytotellpeople what to look at first • Evokesociallearning

“ The museum needs to explain itself, protect itself, hold up itself ”

FIELD STUDIES - MAC

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How to set up exhibits:•Communitybasedvolunteer

set ups

•Combinephotoswithoral

history clips

Funding:

•Membershipbringsinmoney

•Donations

•Taxdeductiondoublesfor

education

•Fund-raisers(HarvestDinner)

•Commissioner

support

FIELD STUDIES - McConnell Mansion

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FIELD STUDIES - WSU Museum of ArtMeeting with WSU Art Director Anna Marie:

o 70 degrees is the perfect temp. o 30% humidity average• Dryerfortextiles• Museumgradeglasshasabluehue• Light:standardmuseumuselightso Broad spectrumo Cannes can change spotlight spectrum through a time period

Insurance:o Perimeter alarmso Enclosedo Security brackets • Wallrepair Burlapandpaint

Light:o Full spectrumo UV protective glass on arto Foot candles per piece: 10 FC • Colorabsorbslight• Floorplanisbuiltinatriangletobalancethecolor/eyearound• Don’thavepiecesfightforviewersattention• 5’-5”-60”sightlineforcenterofartpiece

o White walls allow viewer to soak it in • Cornerskeepimagesfromdivingintocorner.Add4”moretooneside• Traffic-haveartwork&partitionsguideyouthroughthespace• Storage:o Vaults for storageo Large pieces to store in slots

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RESEARCH

1. Motivate Visitors:Target an audience — the general public and/or specific communities (1)2. Focus Content:Filter content so visitors are not bombarded with information overload (1)3. Immersion:Engage visitors within a “story” (1)4. Modularity:Present smaller themes instead of one larger complex topic (1)5. Skimmability:Information should be easy to take in because visitors are often standing and/or have different levels of education (1)

6. Patterns:Incorporate traffic/circulation patterns, exhibit sequence patterns and pre-existing framework patterns (architectural elements) (1)7. Capture Curiosity:Use storytelling techniques to engage visitors (1)8. Interaction:Give visitors a “fun” experience by tapping into their emotion (1)9. Integrate Technology:Technology should enhance visitor’s experience, not detract from it (1)10. Layer Content:Present information in a hierarchical manner (1)“By taking a closer look at museum exhibit design — you will

Sensing Architecture “Top ten tips to great museum exhibit design” http://sensingarchitecture.com/1713/top-10-tips-to-great-museum-exhibit-design/

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Sensing Architecture “Top ten tips to great museum exhibit design” http://sensingarchitecture.com/1713/top-10-tips-to-great-museum-exhibit-design/

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RESEARCH

Interactive Display: Text displayed all around-displayed on the floor was engaging Giving the users something to look at every where, not just the wallsBug Exhibit. Up close and personal A way to make the design visible to allManchester United’s lLocker Room: Setting the room up like an actual space Making it look REAL/AuthenticVintage Fashion: Making it look authentic

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RESEARCH

PHOTO BOOTH:Seattle Art Museum: Vintage photo booth, I like that the people visiting can leave behind their picture if they chose

Not so literally the photo booth, but to take a picture in front of a historic backdrop with photo props.Display Design:SCAD Museum: I like the spatial layout of this museum; the guests have to weave in and out to see the art. They are guided though the space. The wall color is interesting too Chihuly Makes a play on light, rising and setting sun

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RESEARCHElizabeth Gay Hunt . “STUDY OF MUSEUM LIGHTING AND DESIGN” May 2009https://digital.library.txstate.edu/bitstream/handle/10877/3203/fulltext.pdf

“For a museum, the role of light is an essential part of creating an atmosphere prime for discovery, while also preserving artifacts. This can be a very difficult balancing act between meeting preservation needs and forming interactive experiences that achieve the goal of the museum–a place to discover, explore and learn”(p. 6)

“Illumination Engineering Society of North America (IESNA) provides parameters and standards for lighting design in a museum to ensure safety, preserve artifacts, and create an interactive experience for guests of all ages”(p.6)

“Museum designs incorporate daylight because humans relate to nature”(p.6).“Factors such as reflection, glare, acclimation and delineation in the space should be analyzed closely” (7).“Natural light has a high light output and contains very high concentra-tions of Ultraviolet rays. These UV rays are known to damage textiles and artifacts” (p. 8).“IESNA standards range from five to 30 foot-candles depending on the type of artifact (RP-30-96, 14, 1996).” (8).

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RESEARCH Tourism and heritage are not strangers:A study of opportunities for rural heritage museums to maximize tourism visitation

• “ZeppelandHall(1992)defineheritagetourismasasubsetofcultural tourism that is based on nostalgia for the past and the desire to experience diverse cultural landscapes and forms.”

• Museumsshouldconsideradoptingatieredapproachtopromotion based on brochure distribution points commencing at least 1 day’s drive from the museums, erection of roadside billboards (if al-lowed by state laws) well before the museums, and erection of clear locational and directional signage in the towns and in the immediate vicinities of the sites.

• Ifmuseumswishtomaximizetherevenuepotentialofferedby the tourism industry, then they need to give more attention to the importance of providing tourists with detailed current information on the locations of their facilities.

• Pearce(1988)statedthatvisitorsaremorelikelytofindamuseum visit satisfying if they are aware of what to expect prior to arrival.

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RESEARCH

Museum Graphic Design

“Communication is at the heart of any museum design, and the museum graphic design is the means for transmitting your message.”

1 Create hierarchy in information images type information objects2 Three levels of hierarchy

3. people love looking at images

4. have something that bring your

eye around the room

5. use color and text for easy way

finding

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A cable-based solution deployed from commercial strength open-faced track. Use either transparent nylon, or stronger steel cables. The cable hanging system is the perfect picture hanging solu-tion for art displays, and particularly in galleries and museums, since these rails can support 300 lbs per track length.

The use of cables for hanging pictures is less obtrusive than rods, which are also compatible with these tracks. The open face track design makes this system more convenient than our more discreet systems when used in rapidly changing decors. Either nylon or steel cables may be used with this system of wire hanging pictures.

CABLE SYSTEMS

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CABLE SYSTEMS

Price for 4 Suspended Posters in Main Gallery:

$25/track x 1 track = $25.00

$7.65/cables x 8 cables = $61.20

$4.85/hooks x 8 hooks = $38.80

Total = ~ $124

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NYLON BARN DOOR HARDWARE

Nylon Modern Style Barn Door Hardware system will fit any of your roll-ing door hardware needs. This is a contemporary, yet rustic style of barn door hardware. Comes with a lifetime warranty, this modern barn door hardware is made to last.

Made from a premium Nylon material and brushed steel, our door hanger system slides smoother and quieter than any other system out there. The hardware is available in standard or stainless steel withseveral finishes to choose from.

FITS MOST STANDARD AND LARGE DOORSHOLDS UP TO 300 LBSLIFETIME GUARANTEE ON ROLLERS- ROLLERS WILL NOT WEAR DOWN

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NYLON BARN DOOR HARDWARE

TRACK FINISHES OFFERED:Raw Steel Barn Door HardwareRaw Stainless Steel Barn Door HardwareBrushed Stainless Steel Barn Door HardwareBrushed Steel Barn Door HardwareBlack Barn Door Hardware

TRACK DESIGNER FINISHES:Red Barn Door HardwareWarehouse BronzeGreen PatinaCopper PatinaOil Rubbed Bronze Barn Door Hardware

Price: ~ $500 (with additional track length needed)

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SCHEMATIC DESIGN

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SPACE PLANNING

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AS BUILT PLAN, NTS

79' -

5"

25' - 2"

EXISTING WINDOW

EXISTING WINDOW

EXISTING DOOR

EXISTING DOORS

EXISTING DOOR

9' - 6" 3' - 0" 2' - 6" 7' - 2" 3' - 0"

7' - 10" 7' - 2 1/2" 7' - 10"

EXSTINGFURRED WALL

EXPOSEDBRICK WALL

9' - 11" 3' - 3 1/2" 9' - 8"

22' -

1 1

/2"

20' -

4 1

/2"

11' -

4 1

/2"

3' -

2"22

' - 5

"

25' -

11

1/2"

2' -

10"

5' -

7 1/

2"2'

- 10

"5'

- 2

1/2"

20' -

5 1

/2"

16' -

6"

EXISTINGFURRED WALL

PRODUCED BY AN AUTODESK STUDENT PRODUCT

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FLOOR PLAN, NTS

ARCHIVAL STATIONWITH COMPUTER

TOOL DISPLAY

STORAGE

CLEANING SINK

ROTATING DISPLAYS

180 DEGREE SWINGDOOR

ROTATING BENCH

WOOD SLATS

TRANSPARENTARTIFACTS CASE

TITLE WALL

1900'S STYLE KITCHEN

GENEALOGY CORNER

MAIN GALLERY

REFINISHED BARN DOOR

READING SPACE BELOWSTEPTOE PAINTINGS

TIMELINE ENDS:CONTEMPORARY ST. JOHN

TIMELINE: FAMILESCAME TO ST. JOHN

TITLE WALL

TIMELINE BEGINS:EARLY SETTLERS

FAMILIES

MILITARY ARTIFACTS

FOUNDER EDWARD ST. JOHN

EXISTING STAIRS

TV FOR HOME VIDEOS

TV FOR MILITARY VIDEOS

VETERANS EXHIBIT

BOOKCASE

TIMELINE: ST. JOHN INCORPORATED

SMALL GALLERY

SUSPENDED POSTERS

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STORAGE

MAIN GALLERYPT-3

VW-1

BR-1

PT-2

PT-4

BR-1

SMALL GALLERY

BR-1

PT-1

PT-1

PT-1

PT-1PT-2

PT-1

PT-1

PT-3

PT-3

PT-4

CD-1CD-2

CD-2

PT-1

PT-1

BR-1

PT-1

BR-1

PT-1

PT-1

PT-3

PT-1

PT-1

PT-2


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FINISHED FURNITURE FLOOR PLAN, NTS

FINISH LEGEND

VW-1 VINYL WOOD PLANK FLOORING SPAAF-435

PAINT LEGEND

PT-1 BENJAMIN MOORE SAFARI AF-335PAINT FOR WALLS

PT-2 BENJAMIN MOORE LAPLAND AF-410PAINT FOR 1ST TITLE WALL

PT-3 BENJAMIN MOORE SPA AF-525PAINT FOR 2ND TITLE WALL

PT-4 BENJAMIN MOORE FIJI AF-435PAINT FOR MODULAR

PT-5 BENJAMIN MOORE FRENCH PRESSAF-170 CEILING COLOR

BR-1 EXPOSED BRICK

CUSTOM DECAL TIME LINECD-1

CUSTOM DECAL MAIN GALLERYCD-2


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MATERIALS SELECTION

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CEILING PLAN, NTSPRODUCED BY AN AUTODESK STUDENT PRODUCT

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CEILING LEGEND

DOWNLIGHT FLUORESCENTCAN-277V

PENDANT LIGHT DISK-100W-120V

GENERAL TRACK LIGHTING 3FIXTURE

TROFFER LIGHT 2X4 PARABOLIC-120V


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LIGHTING SELECTION

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STOREFRONT

Storefront - Of the St. John Historical Museum

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Main Gallery - Of the title wall and the beginning of the main gallery

MAIN GALLERY

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Timeline - of the East Wall

MAIN GALLURY

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Vietnam Veterans - View of the artifacts and old videos

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MAIN GALLURY

Five Pilots - View with the flag

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Genealogy Corner - Of the bookcase and the desk

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MAIN GALLERY

East Elevation - Of the reading area, Steptoe paintings & timeline

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Small Gallery - View of the entrance and built-in-cases

SMALL GALLERY

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West Elevation - Small Gallery & Information Center with television

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SMALL GALLERY

East Elevation - Tool display & stage set kitchen

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Stage Set 1900s Kitchen - Interactive place for kids

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APPENDIX APPENDIX-A

CONTACT LIST :Contact: Daniel Crandall Lata County Historical Society Phone: 208-882-1004 [email protected]

Contact: Marsha Rooney MAC- Senior Curator of History 509-363-5309 [email protected]: Jerry Perception Plastics, on 2nd Avenue in Spokane, WA

Contact: Scott BP Color, on 2nd Spokane, WAUse for printing mounting/cutting

Contact: Ryan Hardesty Lighting, MAC Museum Exhibit Designer e-mail [email protected]

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Citations::1. MET Studio. (2012, Spring). Multimedia exhibit design and interactive museum. Retrieved from http://www.metstudio.com/exhibition_designers/ interior_architects_news.html

2. Center Art LLC. (2012). Chihuly garden and glass. Retrieved from http:// www.chihulygardenandglass.com

3. Seattle Art Museum. (2012). Sam. Retrieved from http://www.seattleart museum.org/exhibit/interactives/andy/default.asp

4. About.com. (2012). About.com southwest travel. Retrieved from http://gosw. about.com/od/route66/ig/Route-66-to-Oatman/Oatman-Wagon.htm

5. SCAD Art Educators. (2012). Scad art educator’s fo rum 2012. Retrieved from https://www.facebook.com/media/set/?set=a.101510406168 86450.460817.26513851449&type=3a. (SCAD Art Educators, 2012)

6. Lehman, M. (2012). Top 10 tips to great museum exhibit design. Retrieved from http:// sensingarchitecture.com/1713/top-10-tips-to-great-museum-exhibit-design/

7. Gay Hunt , E. (2009). Study of museum lighting and design . (Master ’s thesis, Texas State University-San Marcos)Retrieved from https://digital.library.txstate.edu/bitstream/ handle/10877/3203/fulltext.pdf

8. Prideaux, P. R., & Kininmont, L. (1999). Tourism and heritage are not strangers: A study of opportunities for rural heritage museums to maximize tourism visitation . Journal of ravel Research, 37(10), 299-303. doi: 0.1177/004728759903700312

9. Museum Graphic Design. http://www.museum-graphic-design.com/

10.. CABLE SYSTEMS AS Hanging Systems at http://www.ashanging.com/en/cable-system

11. NYLON BARN DOOR HARDWARE Rustica Hardware at http://rusticahardware.com/ nylon-barn-door-hardware/

APPENDIX-B

REFERENCES

SAVING MEMORIES

st. john- client

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