Spring 2016 Continuing Education Programs Catalog

CONTINUING EDUCATION PROGRAMSART CLASSES FOR ADULTS AND HIGH SCHOOL STUDENTS

Spring 2016

WEMAKEARTISTSpafa.edu

WATERCOLOR WORKSHOP WITH SUSAN VAN CAMPENApril 30 & May 1 | See page 7

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Interested in taking a class or trying something new, but don’tknow where to start? Then join us on Saturday, April 16, and find out what PAFA CE has to offer! Meet our friendly faculty and staff; view demonstrations on painting, drawing, printmaking and sculpture and tour PAFA’s historic Cast Hall, drawing and painting studios and state-of-the-art print and sculpture shop facilities. Refreshments will be served!

CONTINUING EDUCATION OPEN HOUSESaturday, April 1610 a.m. – 1 p.m.

FREE BY RSVP!215-972-7632 or [email protected]

Founded in 1805 as the nation’s first school and museum of fine arts, the Pennsylvania Academy of the Fine Arts (PAFA) promotes thetransformative power of art and art making. For over 200 years, our close-knit community offaculty, critics, scholars, curators, museum professionals, and alumni have created a homefor contemporary artists to reinvent tradition andmake their own mark on the future.

As part of this mission, PAFA Continuing Education (CE) programs offer a diverse array ofstudio art courses, workshops and programs foradults and high school students, open to all levels

of ability, from absolute beginner through advanced artist. Whether you’ve never taken an art class before, are returning after a long absence, or are preparing a portfolio for artschool, PAFA CE has something for you!

Pennsylvania Academy of the Fine Arts

CONTINUING EDUCATION PROGRAMSJoin our community of dedicated artists of all ages and skill levels

CONTINUING EDUCATION PROGRAMS128 North Broad StreetPhiladelphia, PA 19102t 215-972-7632 f 215-569-0153 e [email protected] www.pafa.edu/ce

WE’RE HERE TO HELP! Call 215-972-7632 or email [email protected] for more information or assistance in course selection.

Photo: Tom Crane

TABLE OF CONTENTSMaster Classes .............................................4

Pre-College Programs ..............................8

Evening Courses .......................................10

Weekday Courses .....................................14

Morris Arboretum & PAFA..................16

Weekend Courses ....................................24

Workshops, Lecturesand Seminars ........................................28

Registration Information ....................34

Academic Programs ................................38

Coming this Summer .............................39

BENEFITS OF PAFA CE� A stellar faculty of practicing, professional artists who

enthusiastically encourage and support their students. Check pafa.edu for complete faculty biographies.

� A thriving downtown Philadelphia location, only a few blocks away from the Barnes Foundation, Philadelphia Museum of Art and Rodin Museum on the city’s beautiful “museum mile.”

� Convenient connections to mass transit with plenty ofdiscounted parking nearby.

� Access to the many amenities on PAFA’s campus, including the breathtaking and historic Cast Hall, Arcadia Fine Arts Library and on-site Blick Art Materials store.

� Free admission to the PAFA museum, featuring a renowned permanent collection of American art and special exhibitions. Visit pafa.org for more information.

On the cover: Susan Van Campen, Summer Bouquet in Green Bowl, watercolor, 30 x 40 in.

VISIT PAFA.EDU/MASTERCLASSESfor more information on these and other upcoming classes

Don’t miss the opportunity to work with Dan Miller, a member of the PAFA faculty forover 50 years and a master of woodblock printing.This two-day workshop will be held in PAFA’sstate-of-the art Print Shop and begin with aprinting demonstration and a slide lecture illustrating the vast historical variety within thewoodcut experience. Studio activity will focus on designing an image, cutting the woodblock,and printing in black-and-white and color. Attention will be given to equipment usage and to paper selection and employment, with an emphasis on hand-printing.Saturday and Sunday, March 5 & 6(Snow dates: March 12 & 13)9 a.m. – 5 p.m.Tuition: $395 + $20 lab feeRegister by: February 19

MASTER CLASSES AND WORKSHOPSIN 609SP THE FIGURE IN PASTEL WITH SCOTT NOELPASTEL DRAWING & PAINTINGBasic Drawing Experience Required

The immediate subtlety that can be achievedthrough soft and hard pastel is particularly suitedfor figure study. Join PAFA instructor Scott Noel,master figurative pastelist, for this two-day immersion. Working from figure models againstthe breathtaking backdrop of PAFA’s Cast Hall,develop well-composed drawings with initialfocus on mass, gesture and planar organizationusing sculptural and structural principles. Pastel instruction will emphasize color, atmosphere,and the defining of form through reflected light, along with techniques of hatching, blending, layering and color mixing with the pastel work ofEdgar Degas as a guide.Saturday and Sunday, April 2 & 39 a.m. – 5 p.m.Tuition: $395Register by: March 18

IN 609DM WOODCUT WORKSHOP WITH DAN MILLERPRINTMAKINGOpen to All Levels

IN 609NG PAINTING IN THE DARK WITH NEYSA GRASSIMIxED MEDIA ON PAPERAll Levels

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Paint your way through the mystery and uncertainty of the art-making process throughthis intuitive, practical and empowering workshop with acclaimed artist and PAFA graduate faculty member, Neysa Grassi. Dispelthe voices of criticism in your head, and learn toperceive doubt as a valid means of investigationrather than a destructive force. Work in gouacheand mixed media on paper to discover the freedom that comes from making imagery without preconceived outcomes. Discussion ofpainting practices and critiques of students’ previous work will supplement studio activity.All instruction is presented on an artist-to-artistbasis, whether participants are beginners or seasoned artists. References will include PhillipGuston, Alberto Giacometti, Outsider Art andother artists/movements.Saturday and Sunday, March 19 & 209 a.m. – 5 p.m.Tuition: $395Register by: March 4

Dan Miller, Rare One, color woodcut, 11 x 13 in.

Scott Noel, Portrait of Lauren as Primavera, pastel, 40 x 32 in., courtesy of Gross McCleafGallery, Philadelphia

CE classes and studio time at PAFA have contributed greatly to my continued development as an artist.

I have been able to progress to more technically complex work;get valuable guidance, instruction and criticism; and work in a

community of intelligent and creative women and men. MONICA KANE

Artist and educator, CE student since 2002

COMING THIS SUMMERSIX-WEEK STUDIO CRITIQUE PROGRAMDesigned for artists and educators who desire constructive feedback on their artwork as well as the support and interaction of an artistic community. Includes a private studio in the Samuel M.V.Hamilton Building and weekly critiques from noted artists and art world professionals. Six weeks, July 11 – August 19

For more information and to pre-register, visit pafa.edu/StudioCritiqueProgram

Neysa Grassi, Untitled, Main Summer 029, 2009,gouache and gum Arabic on paper, 5 5/8 x 4 in., courtesy of Locks Gallery, Philadelphia

PAFA is pleased to present a new hybridstudio/online intensive with acclaimed artistStuart Shils, combining dynamic studio work on location at PAFA and online tutorial and critiques pre- and post-workshop.

Designed for intermediate/advanced artists, designers and architects, the focus of this workshop will be the visual concerns fundamental to making, perceiving and thinkingabout art, and understanding that the graphiclanguage of abstraction is the source of all visual power. Themes will include examination ofwith interiority of the “visual moment,” graphicresponse as improvisational yet analytical commentary, the role of the camera/phoneviewfinder as a tool for cultivating closer visualawareness and graphic coherence, and an in-depth exploration of various drawing languages.

Through sustained studio work using drawing/painting media on paper, students will learn torecognize the intimate relationship between observation and abstract structure.

Projects will include working from the life modelwith a focus on graphic abstraction rather than

anatomy; outdoor drawing with pencil and camera to consider questions of seeing; and engaging with master paintings for purposes of interpretation, rather than copying. The final dayof the workshop will consist of open studio time with extended one-on-one discussion and critique.

In advance of the workshop, Stuart will conductonline meetings with each student via Skype todiscuss their background and interests, and toprepare them for the studio experience. Following the workshop, monthly follow-up conversations via Skype will serve to sustain andexpand the work done in the workshop. Studentswill be encouraged to maintain community byway of group online conversation and discussion.Thursday – Sunday, April 14 – 179 a.m. – 5 p.m.Tuition: $1,500Register by: April 1 (space is limited)

IN 609SS MASTER CLASS WITH STUART SHILS: THE STRUCTURE OF PERCEPTION AND THE PERCEPTION OF STRUCTUREMIxED MEDIAHybrid Studio/Online WorkshopIntermediate/Advanced/Registration by Application

IN 610EV WATERCOLOR WORKSHOP WITH SUSAN VAN CAMPENOpen to all levels

Celebrate spring with renowned watercoloristSusan Van Campen. Van Campen is both artistand naturalist, drawing inspiration from theworld out of doors to create her luminous watercolor still lifes. Van Campen’s paintingsdemonstrate a virtuoso combination of painterlycolor washes and crisp contours, capturing thefleeting beauty of nature’s delicate forms. Herbold, uncluttered compositions present a carefulbalance of painted subject and negative space.PAFA is pleased to present this rare opportunity to work along with the artist and learn her distinctive watercolor techniques.

Master Classes and Workshops6 7

PUbLIC LECTURE:Building a Beachhead of Dream Space

Join PAFA faculty Joe Sweeney and James Toogood for an engaging plein air painting expedition to the beautiful island of Bermuda.Learn to paint efficiently out-of-doors with tipson choosing a prime location, capturing theweather and light, and setting up a seascapepalette. Instruction includes demonstrations and lectures on painting surfaces, materials,mediums, compositional drawing and color studies. All media are welcome, including oil,acrylic, pastel, and watercolor. The course features a visit to the Masterworks Museum ofBermuda Art in Paget to view works by master

artists who made the Bermuda pilgrimage, as well as the opportunity to paint alongside theBermuda Plein Air Painters on their regular Sunday morning excursion and to enjoy theBermuda Day festivities on May 24. Daily painting times broken up to utilize morning andevening light will allow students ample time toexplore the picturesque town of St. George’s andother areas, or to relax on the beach! Thursday – Wednesday, May 19 – 25Times variableTuition: $650Register by: April 15Students are responsible for their own airfare and accommodation. Discounted accommodation is available. For more information, visit: joesweeneyart.com orwrite: [email protected]

Susan Van Campen, Morning Glories and Sunflowers,Late August, watercolor, 41 x 29 in.

Stuart Shils, View From Jason's Third Floor, Near Indiana and 15th Sts, 2015, archival digital print

IN609JS PLEIN AIR PAINTING IN BERMUDA WITH JAMES TOOGOOD AND JOE SWEENEYALL MEDIAOpen to all levels

Saturday and Sunday, April 30 & May 19 a.m. – 5 p.m.Tuition: $495Register by: April 8

Wednesday, April 13, 6 - 7:30 p.m. Hamilton Auditorium/Historic Landmark BuildingFREE by RSVP to the CE office: 215-972-7632

Photo: Joe Sweeney

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PRE-COLLEGE PROGRAMSFOR HIGH SCHOOL STUDENTS

� Rigorous courses in drawing, painting, sculpture, and printmaking taught by PAFA’s exceptional faculty

� Field trips to the museums and galleries of Philadelphia, New York and Washington, D.C.

� A culminating student exhibition in PAFA’s museum, including a reception and awards ceremony

� A head start on preparing your portfolio for applying to art school

� The opportunity to earn four college level credits

� The option for an Admissions portfolio review for pre-approval for your PAFA college application (additional materials required)

� A $5,000 Next Step Scholarship issued to all Summer Academy alums who enroll in PAFA’s Certificate or BFA programs.

FOR MORE INFORMATION,visit pafa.edu/summeracademy

SUMMER ACADEMY FOR HIGH SCHOOL STUDENTS 2016July 5 – August 5, 2016

PAFA’s Summer Academy is the definitive program for talented and motivated high school students: a five-week, college-level art making experience in the nation’s first and premier school of fine art.

DR 710PP HIGH SCHOOL PORTFOLIOPREPARATION: DRAWINGClarissa ShanahanRoom 1010/Samuel M.V. Hamilton BuildingIdeal for teens who want to further their drawingskills and develop a strong body of work for their portfolios. Students will work in drawingmedia from the still life, PAFA’s historic cast collection and the human figure/portrait tolearn principles of composition, value, perspective, and drawing techniques. Note: This class will utilize nude figure models.10 weeks, February 6 – April 9 10 a.m. – 1 p.m.Tuition: $415 for 1.0 undergraduate credit or non-creditRegister by: January 29

DR 710PT HIGH SCHOOL PORTFOLIOPREPARATION: PAINTINGRoger ChavezRoom 1023/Samuel M.V. Hamilton BuildingAdd color and variety to your portfolio by developing your painting skills in oil or acrylic.Students will work from direct observation usingthe still life and human figure/portrait to explorethe fundamentals of painting including the selection and care of materials, painting techniques, and color mixing. Instruction will emphasize principles of composition, the modeling of forms through values and color relationships. The study of paintings throughout history will be supplemented by visits to the PAFA museum and the Philadelphia Museum of Art. Note: This class will utilize nude figure models.10 weeks, February 6 – April 9 10 a.m. – 1 p.m.Tuition: $415 for 1.0 undergraduate credit or non-creditRegister by: January 29

SATURDAY CLASSES Saturday classes offer teens a valuable opportunity to develop and hone their skills under the guidanceof PAFA faculty. All levels welcome. Classes include a visit by PAFA Admissions representatives to provide advice on selecting and documenting work for a portfolio and an optional portfolio review.

SCHOLARSHIPS AVAILABLE!Visit pafa.edu/highschool for more information and to download an application. Application Deadline: Friday, January 15

MONDAY EVENINGS

January 25 – April 18 Register by: January 15

6 – 9 p.m.

PT701EF THE FIGURE AS A POINT OF DEPARTURE – NEW!James DupreeRoom 461/Samuel M.V Hamilton BuildingDevelop a personal response to drawing andpainting the human figure with renowned artist,James Dupree. Students may work in themedium of their choice including oil, acrylic watercolor, pastel, oil sticks, and wet/dry drawingmedia and collage. Students will benefit from individual demonstrations and instruction whileexperimenting with materials and techniques including under-painting, glazing and directpainting. Figure models will assume extendedposes to allow for developed works. Artiststhrough history using the figure in an abstracted manner from Marcel Duchamp toJacob Lawrence will be discussed. Group and individual critique will be ongoing. All levels welcome.

DR619EG DRAWING IN COLOR WITH GOUACHE – NEW!SHORT COURSEAllison SyvertsenRoom 610/Samuel M.V. Hamilton BuildingLearn the fundamentals of observational drawingand color application by working from appealingstill life arrangements. Students will first exploremethods of depicting objects with a focus on linequality, value and shading, and composition.Building on sound drawing practices, the classwill progress to adding tone and color withgouache: an easy-to-handle water-based paint favored by artists for its versatility, beauty, andease of clean-up (just wash out your brushes with soap and water, and go – perfect for the endof the day). An excellent choice for students of alllevels interested in infusing their drawings withthe beauty of color!10 weeks, February 8 – April 11 (runs through Spring Break)6 – 9 p.m.Tuition: $395 non-credit; $525 for 1.0 undergraduate creditRegister by: January 29

EVENING COURSESSCHEDULE*� 3 hours once a week for 12 weeks� No classes held during Spring Break,

March 7 – 13*

TUITION*� $625 for 1.0 undergraduate credit� $495 for non-credit � Additional lab and materials fees

where indicated

*Unless otherwise indicated

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TUESDAY EVENINGS

January 26 – April 19Register by: January 15

6 – 9 p.m.

PT 608E ACRYLIC PAINTING – NEW!Hiro SakaguchiRoom 461/Samuel M.V Hamilton BuildingAcrylic paint is increasingly popular with contemporary artists, allowing for both hard-edge abstraction and blended realism. It haspractical advantages as well: it is quick drying,emits low odor, does not require solvents, andcleans up easily with water. This class will introduce the materials and techniques of working with acrylic through demonstration and weekly focused topics. Painting subjects will include the still life, human figure, photographic reference, and abstraction. Instruction will accommodate beginningpainters and those with experience.

SC 614E SCULPTURE FROM THE MASTERS – NEW!Morgan DummitCast Hall/Historic Landmark BuildingThis sculpture class utilizes the incredible resource of the PAFA Cast Hall. The casts are excellent learning tools for copying or startingpoints for personal expression as they are exemplars of sculptural simplification and organization of form. Instruction will focus on the accurate understanding of proportion, gesture, and anatomy as well as tools and techniques of clay modeling. Students will complete portraits, relief studies, and figures in the round using terra cotta clay, which does not require casting. Lab fee of $20.

PR 620EB SCREENPRINT BASICS – NEW!Lisa Hamilton6th Floor Print Shop/Samuel M.V. Hamilton Building Learn the basics of screenprinting, a quick and easy process to make multi-colored printsusing water-based, acrylic inks. Print your owndrawings and designs onto paper, note cards, t-shirts, fabric and more. Students will be closely guided through image development, color mixing, and printing techniques. Ideal for all levels.7 weeks, March 15 – April 26 6 – 9 p.m.Tuition: $325 + $20 lab feeRegister by: March 4

WEDNESDAY EVENINGS


6 – 9 p.m.

DR 600EB DRAWING FUNDAMENTALSPhyllis LaverRoom 465/Samuel M.V. Hamilton BuildingIf you’ve never drawn before, or your skills are alittle rusty, then this class is for you. Acquiregrounding in the basics so you can draw what yousee with confidence. Study the still life, interiorspaces, and human figure to master the drawingelements – shape, contour line, composition, lightand shadow, texture and perspective. The classwill also spend time in the historic PAFA CastHall with its collection of plaster casts of antiqueand Renaissance sculpture.

Denotes courses that meet Core Curriculumfirst-level requirements. See page 15.

PAFA Members at the Friend level and above receive a 10% tuition discounton CE courses, workshops and Master Classes! See page 21

James Dupree

Allison Syvertsen, Bathroom Landscape, 2015, gouache on watercolor board, 10 1/8 x 10 1/2 in.

WEDNESDAY EVENINGS (continued)

SC 715EI SCULPTURE: INDEPENDENT STUDYSteve NocellaRoom 760/Samuel M.V. Hamilton BuildingExplore sculpture from a personal point of departure. Students will design a project with theguidance of the instructor based on their ownideas and expression. Students will work with theinstructor to select an appropriate medium andinstruction will be focused accordingly. Mediumsinclude, but are not limited to, clay, steel andother metals, stone, wood, plaster, cement, concrete, and mixed media. Lab fee of $25.

IN601SL THE SECRET LIFE OF PAINTINGSSEMINARAnthony CiambellaRoom 420/Samuel M.V. Hamilton BuildingPracticing artists, collectors and art lovers alikewill appreciate this fascinating overview of thelifespan of paintings: how they are constructedand why they fall apart. Slide lectures, hands-onstudio demonstrations, and museum visits willreveal how paintings react to the effects of time,ill- treatment and environmental conditions.Topics will span the use and conservation issuesof paper, wood panels, canvas, non-traditionalsurfaces, watercolors, egg tempera, oil, acrylic,painting mediums and varnishes; as well as framing, hanging and storage issues. The classwill visit the PAFA Museum and vaults, thePhiladelphia Museum of Art, and the UniversityMuseum of Archaeology at Penn to view and discuss examples of the materials and conservation issues presented in the course.8 weeks, March 16 – May 46 – 8 p.m.Tuition: $250Register by: March 4

DR 621EL THE LANGUAGE OF DRAWINGSHORT COURSEMichael RossmanStudio 4/Historic Landmark BuildingWhat we see is most frequently determined by what we tell ourselves we are seeing. Our experience of the visual world, its diversity andits complexity, is often constrained by the nameswe have given the objects we encounter and theplaces we inhabit. This course proposes thatthere is a silent but coherent and uniquely visuallanguage that frees the human gaze from theseconstraints. Through shared examples, discussions and drawing from florals, figures and unfamiliar finds, students will learn about this language and how to convey theirreawakened gaze using traditional drawingmedia. Basic drawing experience required.6 weeks, March 16 – April 206 – 9 p.m.Tuition: $295Register by: March 4

THURSDAY EVENINGS


6 – 9 p.m.

SC 711E FOUNDRY: AN INTRODUCTIONPavel EfremoffRoom 781/Samuel M.V. Hamilton BuildingThis course will cover all aspects of the foundryprocess. Demonstrations and hands-on instruction will be given in wax modeling andcasting, ceramic shell techniques, bronze pouring, metal chasing, TIG welding and patination. All levels welcome. Lab fee of $65.

PR 604EM ETCHING, MONOPRINT AND MORETony Rosati6th Floor Print Shop/Samuel M.V. Hamilton BuildingThis course presents intaglio and monotype techniques for both introductory and advancedlevels. Monotype, monoprint, drypoint, etching,aquatint and collagraph methods will be presented as well as various ways to print inblack-and-white and color. Image printingembellishments will include embossing, chinecollé, collage, paper plates (moveable plates), and mixed media techniques. All levels of experience are welcome; experienced studentsmay continue independent work. Individual attention and group reviews will be featuredthroughout the course. Lab fee of $20.Note: This class will meet 5:30 – 8:30 p.m.

PT 616EF BEGINNING OIL PAINTING: PORTRAIT AND FIGUREJill A. RupinskiRoom 1021/Samuel M.V. Hamilton BuildingThis course is designed for those who have abasic knowledge of oil painting or figure/portraitdrawing experience and are ready to take it to thenext level. Learn to compose a painting from anoil sketch, develop an underpainting, and paintwith direct and indirect methods including glazing and scumbling. Extended poses will allowfor ample demonstration of the painting processby the instructor, and for students to bring theirpaintings to a resolved state. Lectures on materials, palette arrangement, and color mixingwill be presented throughout the course.

Evening Courses12 13

HELP US SERVE YOU BETTER!

TAKE THE CE SURVEY!We want to hear from you! We want to know

what you like, what you don’t and what you

want. In advance of summer 2016, the CE

survey is designed to provide the courses,

workshops and schedule you want!

Enter a drawing to win a

free CE course!

For more information visit,

PAFA.EDU/CE

ART IN PROCESSIn conjunction with PAFA’s new Wednesday evening hours, Art in Processfeatures programming that gives you an in-depth look at PAFA and the creativeprocess. Each Wednesday night from 5 to 9 p.m., PAFA features a diverse selection of programming, including artist talks, hands-on art-making, demonstrations, performances, special tours, and much more! Visit pafa.org/artinprocess for the complete schedule.

Photo: Jeff Fusco

MONDAYS


12:30 – 3:30 p.m.

PT 712EE OIL PAINTING: STILL LIFE & PORTRAITErnie NorciaRoom 1010/Samuel M.V. Hamilton BuildingWork from the still life and figure/portrait models to learn methods of layering and glazingpaint so that you can master the depiction of glass, metal, drapery, skin and more. Demonstrations and historically-based lectures will support studio activities. Open to all levels, this course is an excellent option forthose seeking to develop a greater sense of realism in their oil painting. Drawing experience recommended.

DR 618ED DRAWING IN WET MEDIA SHORT COURSEEmily BrownRoom 610/Samuel M.V. Hamilton BuildingExplore the interactive nature of drawing withbrush and pen on paper with various media including ink, acrylic, charcoal and graphite inorder to create a wide range of mark-making andtonal effects. Subject matter will include still life,interior spaces, memory and the non-objective.Instruction features in-class demonstrations, critiques, and references to works in history.Drawing experience required.7 weeks, Mondays, March 14 – April 251 – 4 p.m.Tuition: $325Register by: March 4

TUESDAYSJanuary 26 – April 19Register by: January 9

9 a.m. – 12 p.m.

DR 600EB BEGINNING DRAWINGJill RupinskiRoom 1010/Samuel M.V. Hamilton BuildingIf you’ve never drawn before, or your skills are alittle rusty, then this class is for you. Acquiregrounding in the basics so you can draw what you see with confidence. Study the still life,cityscape, human figure, and other subjects tomaster the drawing elements – shape, contourline, composition, light and shadow, texture and perspective.

WEEKDAY COURSESSCHEDULE*� 3 hours once a week for 12 weeks� No classes held during Spring Break,

March 7 – 13*

TUITION*� $625 for 1.0 undergraduate credits� $495 for non-credit� Additional lab and materials fees

where indicated


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Denotes courses that meet Core Curriculumfirst-level requirements. See page 15.


TUESDAYS 9 a.m. – 12 p.m. (continued)

PT 600E LIFE PAINTING AND DRAWINGDouglas MartensonStudio 6/Historic Landmark BuildingExplore contemporary and traditional realism in drawing and oil painting. Learn fundamentalelements of figure drawing including anatomy,quality of line, tone, composition, design, proportion and space. Students will work fromnude models, starting with short poses and continuing to extended poses to develop finishedpaintings. Open to all levels.

12:30 – 3:30 p.m.

DR 603ED PASTEL DRAWING AND PAINTINGJoseph SweeneyRoom 610/Samuel M.V. Hamilton BuildingLearn everything you need to know about softpastels. Basic and advanced techniques will becovered while you work from still life set-ups, figure models, and cityscape views. Lecture anddemonstration will focus on technique, use oflight and its effect on color, types of pastels available, use of different papers to create variouseffects, fixing and transporting finished drawings,and important safety issues.

If you are new to art, taking classes but unsure of your direction, or returning to art after a long absence, the CE Core Curriculum Program is for you. Designed to help you achieve yourartistic goals, the program provides a structured curriculum of classes in logical sequence to build your basic skills and the confidence necessary to move forward in any artistic direction.

Look for the icon next to courses thatmeet the first-level requirements.

Visit pafa.edu/ce for more information and call the Continuing Education office at 215-972-7632 to discuss what the Core Curriculum Program can do for you.

CE CORE CURRICULUM PROGRAM For years I’d been taking art classeswhenever I was able. I chose coursesbased on external criteria like location, availability or the reputation of the instructor. Over time I realized that I needed to study art-making more purposefully to address my intrinsic deficits, build skills in a

logical sequence, and develop a deeper understanding of the relationships among the four major disciplines. The CE Core Curriculum provided just the right structure and support. The guidance and feedback of theCE staff and PAFA faculty made a real impact. I highlyrecommend the CE Core for all who want to build a solidgrounding for future development.

CHERYL BAKERCE student since 2012

Emily Brown

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WEDNESDAYSJanuary 27 – April 20Register by: January 15

9 a.m. – 12 p.m.

DR 609E2 PORTRAIT AND FIGURE DRAWING – NEW!Phyllis LaverStudio 6/Historic Landmark BuildingThis course is designed to further develop yourportrait drawing skills, while questioning existing notions and definitions of portraiture.Work from costumed and life models with emphasis on composition, expression, rhythmand mark-making in a range of dry materials aswell as ink to create richness and clarity. One-on-one and group critiques will be heldthroughout, as well as discussions of masterdrawings, past and present. Basic drawing experience recommended.

IN 660DI DIGITAL IMAGING FOR THE ARTISTJoe SweeneySHORT COURSERoom 514, Digital Lab/Samuel M.V. Hamilton BuildingIn today’s art world, it is essential to know basicdigital imaging in order for your work to be seen.This workshop will give you the essentials including photographing your work with digital cameras, smart phones and tablets; the basics of Photoshop for image editing, uploading images to the internet, social media,and email, making prints, protecting your images and much more.6 weeks, March 16 – April 209 a.m. – 12 p.m.Tuition: $295Register by: March 4

12:30 – 3:30 p.m.

SC 605EA TERRA COTTA SCULPTUREColleen O’DonnellRoom 740/Samuel M.V. Hamilton BuildingExplore the versatility of terra cotta clay sculpture, which requires neither an armaturenor casting. Learn various techniques and toolsthrough demonstration and hands-on sculptingfrom the life model or imagination. Anatomy,proportion, design, and personal growth will beemphasized, as well as both representational andabstract approaches to subject matter. Sculptureswill be fired at the end of the course. All levels.Lab fee of $10.

IN 604PP COLOR THEORY FOR PRACTICAL PAINTING – NEW!SHORT COURSELisa SylvesterRoom 1021/Samuel M.V. Hamilton BuildingA practical investigation of color theory and howit actually applies to the paint on your palette andbrush. Learn about the dimensions of color (hue, value, chroma), different color systems(Itten and Munsell), and a variety of topics connected to color relationships and phenomena.Oil painting projects will address specific aspectsof color theory, and range from abstraction and invention to direct observation of traditional subject matter. Painting experience is not required, but prior drawing experience is highlyrecommended.7 weeks, March 16 – April 27Tuition: $325Register by: March 4

Morris Arboretum and the Pennsylvania Academy of the Fine Arts are collaborating to provide themembers of both institutions more choices for a quality experience. Morris Arboretum members receive a 10% discount on one PAFA class, workshop or Master Class. PAFA members will receive a 10% discount on all Morris Arboretum Continuing Education classes for adults and Growing Minds classes for youth. Learn more and register at online.morrisarboretum.org/classes,or call 215-247-5777 ext. 125

• LANDSCAPE DESIGN• CULINARY ADVENTURES

• HORTICULTURE AND BOTANY• WELLNESS

• CREATIVE EXPRESSIONS• BIRDING & NATURAL HISTORY

The Morris Arboretum of the University of Pennsylvania is a historic public garden and educational institution. It promotes an understanding ofthe relationship between plants, people and place through programs thatintegrate science, art and the humanities. Located in Chestnut Hill, MorrisArboretum offers more than 150 classes annually on subjects including:

PT 605MS LANDSCAPE AT MORRIS ARBORETUMSHORT COURSEJill A. RupinskiMorris ArboretumEnjoy painting the diversity found in this extraordinary 92-acre public garden. Picturesque subject matter includes foliage andflowers in a garden setting, tree specimens, andoutdoor sculpture. Lessons in painting will be accompanied by demonstration and lecture. 5 weeks, Tuesdays, April 26 – May 24 10:30 a.m. – 3:30 p.m.Tuition: $395(Includes a membership voucher, free parking and use of the facilities)Register by: April 15

IN 650MA BEHIND THE SCENES AT MORRIS ARBORETUMCelebrate spring among the colorful gardens, romantic landscape, diverse living collections,sculpture and award-winning architecture of thisinternationally known botanical garden. Yourguide will be plantsman, naturalist and historianBob Gutowski, Director of Public Programs. Includes all-day admission to the public gardenand an invitation to return and paint, photographor sketch as a guest of the Arboretum on a futureday. Dress for the weather and wear walkingshoes. Plenty of free parking.Saturday, May 1410 a.m. – 11:30 p.m.Free by RSVP to the CE office, 215-972-7632Register by: April 29 (space is limited)

18 19

WEDNESDAYS (continued)

PT 605EB THE PENNSYLVANIA LANDSCAPE TRADITIONCONDENSED COURSEJoseph SweeneyNew Hope, PennsylvaniaMaster the essentials of landscape painting in the area made famous by the Pennsylvania Impressionists, including Daniel Garber’s homestead. The New Hope countryside will inspire you with its views of the Delaware River,as it did Garber, Edward Redfield, FernCoppedge, and other American Masters. Topics include effective color mixing to achieve a sense of light and air, capturing time of day,compositional fundamentals, and sound painting practices.6 weeks, April 6 – May 1110 a.m. – 4 p.m.Tuition: $495 non-credit; $625 for 1.0 undergraduate creditRegister by: March 25

THURSDAYS


9 a.m. – 12 p.m.

SC 615E ÉCORCHÉ John HornRoom 740/Samuel M.V. Hamilton BuildingÉcorché (“flayed figure”) is the three-dimensionalstudy of human form by developing the bone andmuscle structures beneath the skin – a method ofstudy dating back to the Renaissance and a stapleof classical art training today. Students will workin clay on an armature from the skeleton for theaccurate development of the body’s proportionsand the detailed study of its parts. This is an excellent way for draftspersons and sculptorsalike to gain a more concrete understanding ofhuman anatomy.

PR 600ELWOODCUT AND RELIEF PRINTMAKINGRonald Wyffels6th Floor Print Shop/Samuel M.V. Hamilton BuildingPrinting from a drawing carved into wood or a linoleum block is the oldest and most straightforward form of printmaking. Its beautyand expressive power can be seen in the work ofAlbrecht Dürer and the German Expressionists.All aspects of the process will be covered, including drawing on the block, carving your design and printing techniques for making black-and-white and color prints. Open to alllevels, and an excellent introduction to printmaking for beginners. Lab fee of $20.

IN 751EE ARTZ IN THE STUDIODona DuncanRoom TBA/Samuel M.V. Hamilton BuildingThis new program is designed for people livingwith memory loss. Students will experience theways in which art-making can become a creativeform of self-expression, while enriching theirlives through a new sense of community with others. Students will be free to expressthemselves through whatever drawing or painting means they choose in order to unlocktheir creativity, create new memories, strengthen relationships, and restore hope. Care partners welcome.6 weeks, Fridays, April 8 – May 1310 – 11:30 a.m.Tuition: Free with $50 materials feeFor more information and to register call 215-972-7632

IN 751EG ARTZ IN THE GALLERIESPAFA Galleries/Historic Landmark Building This inclusive and interactive program in thePAFA museum is designed for visitors with dementia and their care partners. Conversationsabout art in the galleries are facilitated by Dr. Susan Shifrin, Director of ARTZ Philadelphia.Space is limited to ensure an intimate and comfortable experience, enjoyable for all. 4 sessions, Mondays, February 15, March 21, April 18 and May 1611 a.m. – 12 p.m. This program is free with pre-registration. To register, contact Susan Shifrin [email protected] or 610-721-1606.

PAFA is proud to partner with ARTZ Philadelphia to offer programming for those living with dementia and their care partners, friends and family.

Learn more about ARTZ Philadelphia at www.artzphilly.org.

Registered Art Therapist Dona Duncan creates a safe, comfortable environment with humor when appropriate and without pressure. She holds a degree in Art Therapy from Hahnemann Medical College withextensive study of psychology as well as art studies at PAFA. She has been on staff and started art therapyprograms at hospitals in the Philadelphia area, and has worked with clients at New York University Hospital.Now a PAFA docent, she currently works privately with clients.

Susan Shifrin is the founding director of ARTZ Philadelphia. She is a teaching art historian, museum educator and curator, and arts accessibility advocate. She received her PhD from Bryn Mawr College and hasworked on the curatorial and education staffs of a number of large and small museums along the East Coast.Her mother was diagnosed with dementia in 2002.

Dona Duncan Susan Shifrin

Photo: Joe Sweeney

THURSDAYS (continued)

9 a.m. – 12 p.m.

PT 603EI INTERIOR DRAWING AND PAINTINGBACK BY POPULAR DEMAND!Peter Van DyckStudios 2 & 3/Historic Landmark BuildingUsing the interior spaces of PAFA as subject matter, discover engaging and originalcompositions. Learn to organize values and colors to simplify the complex appearance of subject matter and develop a sense of light andspace. Drawing, perspective, composition andstrategies for working on location will be covered.Suggested media: oil, pastel or charcoal. Open to all levels.

IN 750E ART AS THERAPY: FIND YOUR VOICESHORT COURSEDona DuncanRoom TBA/Samuel M.V. Hamilton BuildingArt therapy creates a relaxed environment where members can express their feelings withpaint on canvas. Art-making has been shown to reduce stress, improve communication skills, and unlock creative blocks. It is used totreat memory loss, depression and PTSD, and can benefit anyone dealing with frustrations or difficulty in their life. Open to all levels, this is NOT a class to learn how to draw or be critiqued, but rather a supportive environment to express yourself with whatever creative means feels right. Members benefit from individual attention as well as their interactionwithin a compassionate group environment. Join Dona Duncan, registered Art Therapist,make new friends, and discover a renewed appreciation for life’s beauty through creativity.10 weeks, Fridays, February 19 – April 22(runs through Spring Break)12:30 – 3:30 p.m.Non-credit tuition: $395Register by: February 12

12:30 – 3:30 p.m.

PT 602E PORTRAIT PAINTINGTheodore XarasRoom 461/Samuel M.V. Hamilton BuildingThis class covers all aspects of painting a traditional portrait. Topics include achieving alikeness, modeling light and shade, mixing flesh tones and applying paint. Includes demonstrations, insights into the history of portraiture and tips on painting children’s portraits. Valuable information for all levels.Drawing experience required.

PT 703EL PAINTING OVER THE LINEKassem AmoudiRoom 465/Samuel M.V. Hamilton BuildingAdvance beyond confined lines and hard edges to a more liberated way of painting. Paint frompersonal subject matter to find your own visual language. Work more intuitively and viewunforeseen occurrences as opportunities to discover new possibilities. Examples from contemporary and modern art will broadenyour understanding of innovative painting.Painting experience recommended.

20 21Weekday Courses

YOUNG COLLECTORS: THE ANNUAL STUDENT EXHIBITIONThis fun and informative series for young collectors will address topics of aesthetics, taste, and trends in contemporary art, while providing an opportunity to mix and mingle with other young collectors, artists, gallerists, and industry experts.

The first session in this on-going series will focus on PAFA’s Annual Student Exhibition (ASE), the culminating exhibition for PAFA undergraduate and graduate students. Each year the ASE provides an opportunity for new and seasoned collectors alike, to purchase work by talented artists on the cusp of theirartistic careers. In this session, Clint Jukkala, Dean of the School of Fine Arts, will highlight artists to watchand help participants navigate the process of purchasing work during this exciting annual exhibition. Wednesday, May 18, 7 – 8 pm$20. Free for PAFA members.

For details about member programs or to register visit pafa.org/membernews or call 215-972-2077.

Join PAFA today and support our mission. Your membership will help us strengthen PAFA’s collections and special exhibitions,expand programming, and promote greater arts education outreach to the Philadelphia community. PAFA Members at the Friend level and above receive a 10% tuition discount on CE courses, workshops and Master Classes.

For more information and to join, call 215-972-2077 or email: [email protected].

MEMBERSHIP AT PAFA

MEMbERS WORKSHOP: WATERCOLOR WITH JAMES TOOGOODArtist, author and CE faculty member James Toogood will present a hands-on demonstration on the basics of watercolor painting including the selection of papers,brushes, and pigments, as well as transparent and opaquepainting methods. Saturday, March 510 a.m. – 1 p.m.$10 materials feeOpen to new and existing PAFA Members of all levels. Register by February 19

JOIN US AND FIND YOUR VOICE

James Toogood

22 23

PAFA Alumni Gallery Presents

BROWN AND BROWNFebruary 11 – April 24, 2016

PHOTOGRAPHS bY WILL bROWN AND WORKS ON PAPER bY EMILY bROWN

GALLERY TALKWednesday, March 166 – 7:30 p.m.Free by RSVP to the CE office, 215-972-7632

For information about events and programming visit: PAFA.ORG/ALUMNI-GALLERY

OPENING RECEPTION Wednesday, February 105:30 - 7:30 p.m.: Preview for artists’ guests, members and alumni7:30 - 9 p.m.: Open to the public

Emily BrownBrown branches, 2006, ink on paper, 31 1/2 x 23 in.

Will Brown, Searsmont Gable, 2014, inkjet print onarchival paper, 12 x 8 in.

FRIDAYS


9 a.m. – 12 p.m.

PR 620E2 SCREENPRINTING AND BEYOND – NEW!Lisa Hamilton Print Shop/Samuel M.V. Hamilton Building The versatile nature of screenprinting lends itself to printing on paper, fabric and other surfaces. For the beginner, this course will coverall aspects of the process including screen preparation, image development, and printingtechniques. Printmakers with experience maypropose independent projects. The instructorwill demonstrate the versatility of the medium by using screenprinting to create a collographplate, soft ground etching, and a relief print. This course is an accessible survey in printmaking techniques for the beginner, as well as an exploration into the possibilities of mixed medium processes for those with experience. Lab fee of $20.

DR 605E LIFE DRAWINGCONDENSED COURSENeil di SabatoRoom 461/Samuel M.V. Hamilton BuildingLearn to draw the human figure through study of anatomical, planar, and muscular structure as well as through movement and gesture. Instruction will progress from academic drawing emphasizing accuracy and detail to more expressive interpretations of the figure in a variety of drawing media and a range of sizes.Gain a thorough grasp of the practice of figuredrawing and of drawing concepts overall. Useful handouts, helpful critiques, and discussion of master figure drawings through history will enhance instruction and promotediscovery and confidence.6 weeks, March 18 – April 229 a.m. – 3:30 p.m. (includes a half-hour lunch break)Tuition: $495 non-credit or $625 for 1.0 undergraduate creditRegister by: March 4

VISIT PAfA.EDU/CEfor faculty biographies and course materials lists.

PT 604ED IN-DEPTH WATERCOLOR CONDENSED COURSEJames Toogood Room 610/Samuel M.V. Hamilton Building This course is designed for students seeking to enrich their overall knowledge of painting with an in-depth look at watercolor. Topics willinclude a thorough investigation of watercolormaterials and a wide range of techniques, withsubjects ranging from landscape and still life toportrait and figure poses. Open to dedicated watercolorists of all levels, and to acrylic/oilpainters looking to broaden their skills. 10 weeks, February 5 – April 8(runs through Spring Break)9 a.m. – 1:30 p.m.Tuition: $595 non-credit; $950 for1.5 undergraduate creditsRegister by: January 30

IN 715ES INSIDE THE ARTIST’S STUDIO – NEW!Lisa SylvesterRoom 420/Samuel M.V. Hamilton BuildingGet a behind-the-scenes view into the work environments of select Philadelphia-area artists.Learn about their studio practice and how theymake their work, in addition to the challenges,demands, and rewards of building and sustaininga career as a visual artist.5 weeks, April 1 - 291 – 3 p.m.Tuition: $250Register by: March 18

Lisa Hamilton

See page 20 forART AS THERAPY: FIND YOUR VOICEwith Dona Duncan on Fridays, 12:30 – 3:30 p.m.

SATURDAYS


9 a.m. – 12 p.m.

SC 602E STONE CARVINGSteve NocellaRoom 760/Samuel M.V. Hamilton BuildingExplore the possibilities of stone carving by using traditional and nontraditional methods. All processes from rough carving to polishing will be covered, and various tools and techniqueswill be demonstrated. Lab fee of $25.

PT 616ES BEGINNING PAINTINGAllison SyvertsenRoom 461/Samuel M.V. Hamilton BuildingA practical, accessible introduction to the materials and basic techniques of oil painting.Learn palette layout, color mixing, methods ofpaint application, and the selection, handling and clean-up of materials. Subject matter will include interesting still life arrangements, andthe portrait to investigate color and composition.Suitable for absolute beginners and those withlimited painting experience seeking further instruction and practice.

DR 605EL LARGE-SCALE FIGURE DRAWING – NEW!John HornRoom 1021/Samuel M.V. Hamilton BuildingDesigned to advance the skills of students whohave studied drawing previously and would liketo make drawings on a larger scale. Learn to create detailed and expressive figure drawingsfour-feet or larger using sketches and enlargingwith a grid. Drawing demonstrations on scale,proportions, skeletal framework, surface form,and movement of the figure will help students develop the human form on a larger scale withspatial accuracy. Instruction will focus on charcoal and pencil; however, all media are welcome.

WEEKEND COURSESSCHEDULE*� 3 hours once a week for 12 weeks� No classes held during Spring Break,

March 7 – 13*

TUITION*� $625 for 1.0 undergraduate credits� $495 for non-credit� Additional lab and materials fees

where indicated


24 25

PR 602E LITHOGRAPHYCONDENSED COURSERonald Wyffels6th Floor Print Shop/Samuel M.V. Hamilton BuildingLithography is the printmaking technique mostclosely associated with traditional drawing methods, capable of capturing great range of subtlety and expression. Design and draw yourchoice of image with a variety of lithographicdrawing materials on lightweight, easily printable aluminum plates as well as traditionalstone drawing surfaces. Learn black-and-whiteand color printing techniques to create editionsof prints. All aspects of the process will bedemonstrated. An accessible foray into printmaking or exciting next-step for anyonewho loves to draw. All levels welcome.8 weeks, February 13 – April 9 9 a.m. – 1:30 p.m.Tuition: $495 non-credit or $625 for 1.0 undergraduate credit + $20 lab feeRegister by: February 5

12:30 – 3:30 p.m.

SC 600E FIGURE AND PORTRAIT MODELINGJohn HornRoom 740/Samuel M.V. Hamilton BuildingThis sculpture course introduces the conceptualand practical aspects of modeling the figure inclay on an armature from direct observation. Experienced students will model a 24-inch figurebased on volume, proportion, architectonic construction, and spatial displacement of form.Beginning students will sculpt a life-size portrait first. Technical procedures discussedwill include armature construction, orientationof the armature to the model, clay-modeling(methodology), the specific use of tools, and basic elements of plaster casting. All levels welcome. Lab fee of $10.

IN 614EM FOSTERING SELF-AWARENESSTHROUGH ART – NEW!SHORT COURSEElizabeth HillRoom 610/Samuel M.V. Hamilton BuildingThis course is designed to foster self-awareness,wellness, and enhanced consciousness throughcreating art. Students will be encouraged to writedaily entries of dreams, thoughts, and feelings ina journal, as well as make visual entries in asketch book. These entries, along with weeklygroup discussion sessions, will be the basis forclass work in a variety of materials and media including drawing, painting, collage and sculpture. Students will be encouraged to experiment and bring in materials that they use at home including those not necessarily considered “fine art”including crafting, knitting,tying fishing lures – all forms of expression arewelcome! For artists and non-artists of all levels of experience with enthusiasm the only prerequisite!10 weeks, February 13 – April 16(runs through Spring Break)12:30 – 3:30 p.m.Tuition: $395 non-credit or $525 for 1.0 creditRegister by: February 5

Denotes courses that meet Core Curriculumfirst-level requirements. See page 15


26 27

SATURDAYS 12:30 – 3:30 p.m. (continued)

PT 725EI DRAWING AND PAINTING:OPEN STUDIO – NEW!Robert WaddingtonStudio 4 & Cast Hall/Historic Landmark BuildingThis studio session affords students the opportunity to work on individual painting anddrawing projects of their choice at their ownpace. The instructor will provide individual, custom-tailored guidance to each student. Group discussions and question-and-answer periods, as well as painting, drawing, color theory and other demonstrations, will be offeredappropriate to each student's needs. Still lifearrangements, the PAFA Cast Hall, and modelsfor figure/portrait work will be available asneeded. Students at all levels are welcome. This class provides a communal space and a relaxed, non-judgmental atmosphere in which to paint and draw at one’s own pace.

SUNDAYS

PT 612IC ICON PAINTING – NEW!Robert WaddingtonRoom 610/Samuel M.V. Hamilton BuildingRussian and Byzantine icon painting is a distinctive art form that has played a key role inreligious ceremonies for centuries. When viewed, an icon is considered a path to spiritualenlightenment. In this unique class, learn the history and spiritual significance of iconographyas practiced in the 10th century while you createyour own icon. All steps of the process will bethoroughly explained and demonstrated, including wooden panel construction and preparation, design transfer, gilding with metalleaf, and painting with egg tempera medium.Open to all, with no prior drawing/painting experience required. 6 weeks, January 31 – March 6Time: 9 a.m. – 2 p.m.Tuition: $395 (includes most materials)Register by: January 15

DR 605EL CLASSICAL PORTRAIT PAINTING– NEW!Ernie NorciaRoom 1021/Samuel M.V. Hamilton BuildingCreate luminous portraits using time-tested materials and traditional painting procedures established during the Renaissance. Step-by-step instruction will demonstrate how to beginand develop a portrait painting. Emphasis will be placed on the relationship of facial parts tothe whole of the head, and the development ofvolume by painting the model from multiple vantage points.6 weeks, January 31 – March 69 a.m. – 1 p.m.Tuition: $375 Register by: January 22

Weekend Courses

PT 605BG PLEIN AIR PAINTING AT BARTRAM’S GARDENSHORT COURSELarry FrancisBartram’s Garden, 54th Street & Lindbergh Boulevardbartramsgarden.org

This class will be held at historic Bartram’s Garden, home of America’s first botanist, JohnBartram. Work en plein air in the medium of yourchoice to capture light and shadow, and to create aconvincing sense of space and form, including avariety of trees, flowers and buildings. Drawingand painting techniques will be demonstrated for oil and gouache. Plenty of free parking and restrooms available on site.

6 weeks, Sundays, April 17 – May 2212:30 – 3:30 p.m.Tuition: $295(Bartram’s Garden Members receive a 10% discount)Register by: April 8

PT 600E FIGURE PAINTINGCONDENSED COURSEFrederic KaplanRoom 1021/Samuel M.V Hamilton BuildingPaint in oil from the life model to make full-figure,head and torso studies. Anatomy, composition,proportion, light and shadow, color, paintingtechnique and history will be addressed. Basic drawing experience recommended.6 weeks, March 13 – April 24 (no class on Easter Sunday, March 27)9:30 a.m. – 4 p.m.Tuition: $495 non-credit or $625 for 1.0 undergraduate creditRegister by: March 4

IN 615BB BOOKMAKING WORKSHOPSHORT COURSERobert WaddingtonRoom 610/Samuel M.V. Hamilton BuildingA handmade book is a work of art that can be used as journal, sketchbook, photo albumor scrapbook – not to mention a great gift. Learn basic and advanced binding methods,page layout and construction, decoration and final assembly. Come away with one-of-a-kind soft and hardcover books! 6 weeks, March 13 – April 24 (no class on Easter Sunday, March 27)10 a.m. – 2 p.m.Tuition: $395 (includes initial materials) Register by: March 4

Ernie Norcia, Miranda @ 9, Oil on linen, 16 x 12 in.

FEBRUARY

PT 702EW PLEIN AIR PAINTING FROM PHOTOGRAPHS – NEW!Mike ManleyRoom 465/Samuel M.V. Hamilton BuildingInterested in painting landscapes, but can’t paintoutdoors (plein air), for whatever reason? In thisworkshop, learn to use photographs as an aid forlandscape painting. While working from your own photographs, refine your ideas and techniques through thumbnail sketches and studies. Then execute a painting in oil that is ultimately free from the photographic source, expressing the essence of “en plein air.” Saturday and Sunday, February 13 & 14(Snow dates: February 20 & 21)9 a.m. – 5 p.m.Tuition: $205Register by: February 5

PT 604WW WATERCOLOR WORKSHOPJames Toogood Room 610/Samuel M.V. Hamilton BuildingDesigned for those who wish to acquire orimprove their basic skills in watercolor painting.A variety of materials and techniques will be discussed, including the selection of papers,brushes, and pigments, as well as transparent and opaque painting methods. Students will work from still-life, portrait models or their ownsource material. All levels welcome. Saturday and Sunday, February 20 & 21(Snow dates: February 27 & 28)9 a.m. – 5 p.m.Tuition: $205Register by: February 12

IN 636IW PHOTO ILLUSTRATION WORKSHOP – NEW!Ryan MuldowneyRoom 514, Digital Lab/Samuel M.V. Hamilton BuildingThis course examines the use of photographicmethods, materials, and reference in the creationof unique digital illustrations. Students will learnbasic image manipulation skills in Photoshop as

well as how to use a Wacom tablet to draw and paint digitally. Students will sketch concepts and acquire specific photographic reference fortheir illustrations, which they will combine andalter for the greatest pictorial impact in rich, textural, high-information images. The techniques discussed in this course form an ideal foundation for making work suitable forbook covers, posters, and editorial illustrations.The workshop will meet over a three month period, with assignments to work on betweenclass dates.3 Saturdays, February 20, March 19 & April 169 a.m. – 5 p.m.Tuition: $325Register by: February 12

PT 711EP IMPASTO PAINTING WORKSHOP Charles MuldowneyRoom 465/Samuel M.V. Hamilton Building Rembrandt, Vincent Van Gogh, Chaim Soutine,Lucian Freud and Gerhard Richter represent along tradition of painters who applied their paint with thick, bold and gestural strokes. Using direct and indirect painting techniquesthis workshop will explore the methods and aesthetic of working with impasto paint layers to achieve a rich textured surface.Saturday, February 279 a.m. – 5 p.m.Tuition: $115Register by: February 19

28 29

WORKSHOPS, LECTURES AND SEMINARS

FRAMING AND MATTING WORKSHOPSThe way you frame and mat makes all the difference in how your artwork is seen. Learn to mat andframe your own drawings and paintings, and keep creative control, not to mention save money! A great opportunity to prepare your artwork for submission to the Continuing Education ProgramsAnnual Juried Student Exhibition. (See below)

Students enrolled in CE classes during theSpring 2015 through Spring 2016 semestersare eligible to enter. Watch for a detailedprospectus available on our website in January: pafa.edu/ce. Our Framing and Mat-ting Workshops will help you prepare yourartwork for submission!

Be sure to submit your artwork to the

CONTINUING EDUCATION PROGRAMS ANNUAL JURIED STUDENT EXHIBITIONApril 1 – 21, 2016

IN 605EC FRAMING PAINTINGS ON CANVAS AND PANEL Roger Chavez7th Floor Wood Shop/Samuel M.V. Hamilton Building Learn step-by-step methods of constructingwooden frames for paintings on canvas and panel,including the safe and easy use of the miter saw tocut wood to size and the router to create profiles,as well as frame assembly, artwork mounting, andthe selection of a frame color and finish to best enhance your work. Students are encouraged tobring an artwork to frame. Saturday and Sunday, January 30 & 31(Snow dates: February 13 & 14)9 a.m. – 4 p.m.Tuition: $250 (includes most materials)Register by: January 22 (8 students maximum)

IN 605EM MATTING AND FRAMING WORKS ON PAPER James ToogoodRoom 611/Samuel M.V. Hamilton BuildingView a complete demonstration of all the procedures required to properly prepare your work for framing, from cutting and hinging mats, to fitting and final assembly including glazing. Employ these procedures on your own framingproject under the supervision of the instructor.Saturday, February 6(Snow date: February 20)9 a.m. – 5 p.m.Tuition: $125Register by: January 29

Ryan Muldowney, The Approved Inter-Universal, Pan-Dimensional, Omni-Galactic, Alpha Guide to the Cosmos for Beginning Space Explorers. Illustrated by theauthor. Brazen Fleece Press, 2014.

Workshops, Lectures and Seminars30 31

APRIL

PR 615EW SOLAR ETCHING Lesa Chittenden-Lim6th Floor Print Shop/Samuel M.V. Hamilton BuildingCelebrate spring with this versatile, simple andenvironmentally friendly way to make painterlyprints without using chemicals or acid. Theprocess involves transferring your drawings,paintings and/or computer generated images to a light sensitized plate which then can be developed with water and printed. The printedeffects are equivalent to those of hard/softground etchings and aquatints as well as traditional lithograph and relief prints. A safe and direct way to make images!2 Saturdays, April 2 & 99 a.m. – 5 p.m.Tuition: $205Register by: March 25

PT 705EW SPONTANEOUS ABSTRACTIONKassem AmoudiRoom 465/Samuel M.V. Hamilton Building Many artists can feel frustrated in front of a blank canvas, unsure of how to start and whatto paint. This workshop will focus on differenttechniques that will enable you to start paintingwith confidence by tapping into your intuitiveprocess and finding inspiration more easily.Demonstration and critique will enhance yourknowledge of the process of painting.Saturday and Sunday, April 9 & 109 a.m. – 5 p.m.Tuition: $205Register by: April 1

PR 604EH HAND-PRINTED MONOTYPEShushana Rucker6th Floor Print Shop/Samuel M.V. Hamilton BuildingThis workshop will introduce students to quickand easy monotype printmaking methods thatdo not require a press or fully-equipped shop.These techniques are easily transportable for useoutside for plein air work, or at home on a desk orkitchen table. Techniques covered will include:oil based, dark field, water based and Gauguinmonotype. An inspiring class for those interestedin pursuing art-making at home or for teacherslooking for projects that can be adapted for the classroom.Saturday, April 169 a.m. – 5 p.m.Tuition: $150 (includes basic materials)Register by: April 8

THE FIGURE IN PASTEL WITH SCOTT NOELApril 2 & 3. See page 5.

MARCH

PT 604MM WATERCOLOR MIXED MEDIA Sherif HabashiRoom 610/Samuel M.V. Hamilton BuildingWorking from still life and natural forms, learn tocombine watercolor, colored inks and gouache withbrush and steel-point pen to achieve a greater illusionof depth of field, texture, detail, and a volume throughtransparent and opaque techniques. Demonstrationsand visual presentations of historical examples will complement instruction. While this workshop is intended for those who have had previous experiencepainting in watercolor, it is open to all who wish explore the medium’s potential.Saturday and Sunday, March 12 & 139 a.m. – 5 p.m.Tuition: $205Register by: March 4

PAFA offers a vibrant community of faculty-artists and students who can stimulate your art-makingwith advice and new perspectives. A group critique is an excellent means of both dispelling feelings ofartistic isolation or uncertainty and finding inspiration in the ideas and artwork of others. The atmosphere is always supportive, never judgmental or confrontational. Saturday, March 26Starts at 9 a.m. Tuition: $75 (space is limited)

IN 747BJ CRITIQUE WITH JAN BALTZELL AND BRUCE SAMUELSONRoom 463/Samuel M.V. Hamilton Building

Jan Baltzell is a faculty member of PAFA’s Certificate and Graduate Programs, andthe Interim Graduate Program Chair. Her painterly abstractions display a master'scontrol of contrasting mark-making that transcends the viewer’s conventional vocabulary. Her work is included in the Philadelphia Museum of Art and the NationalMuseum of Women in the Arts, Washington, D.C. She is represented by Schmidt DeanGallery in Philadelphia.

Bruce Samuelson is a faculty member of PAFA’s Certificate and Graduate Programs.Informed by the principles of Old Master draftsmanship, Samuelson’s drawings andpaintings expand beyond traditional methods of representation to arrive at elegantmeditations on the human form. Samuelson is represented by Rosenfeld Gallery inPhiladelphia, and J. Cacciola galleries, New York.

PAFA MEMBERS WORKSHOP WITH JAMES TOOGOODMarch 5. See page 21.

WOODCUT WORKSHOP WITH DAN MILLERMarch 5 & 6. See page 4.

GALLERY TALK WITH EMILY AND WILL BROWNMarch 16, 6 – 7:30 p.m. See page 23.

PAINTING IN THE DARK WITH NEYSA GRASSIMarch 19 & 20. See page 4.

CONTINUING EDUCATION OPEN HOUSEFREE BY RSVP!Saturday, April 16 • 10 a.m. – 1 p.m.See page 3.

32

DR 609EW PORTRAIT DRAWING WORKSHOPJohn HornRoom 1021/Samuel M.V. Hamilton BuildingLearn to create a finished portrait in pencil andcharcoal that captures likeness and conveys expressive effect. The workshop will begin with a structural approach to the head and its features and progress to the study of anatomy,composition and value. Excellent for all levels.Saturday and Sunday, May 7 & 89 a.m. – 5 p.m.Tuition: $205Register by: April 29

PT 717EW ALLA PRIMA STILL LIFE PAINTINGRoger ChavezRoom 1010/Samuel M.V. Hamilton BuildingEmbrace the immediacy of painting in the allaprima technique, the method in which paint isapplied directly wet-on-wet to the canvas. Explore the fluidity of paint application and theimportance of the brush mark using the still life.Oil painting materials, supports, and techniqueswill be demonstrated and discussed. Studentswill be further challenged through the study ofhistorical and contemporary artists so as to enrich their understanding of visual language inpainting. Basic painting experience required.Saturday & Sunday, May 14 & 159 a.m. – 5 p.m.Tuition: $205Register by: May 6

DR 620EW SKETCH ON THE GOFrederic KaplanCenter City LocationsCapture the active life of the city and its rich architecture. This is an excellent workshop foranyone who wants to learn to sketch on the busor train, in cafés and public parks whiletraveling abroad. Topics discussed and demonstrated include perspective, gauging proportions by eye, gesture figure drawing, and methods for simplifying shape and form. Use your favorite drawing media: pencil, ink,crayon, or watercolor. All levels welcome.Saturday, May 219 a.m. – 5 p.m.Tuition: $115Register by: May 13

DR 605FF DRAWING THE FIGURE FOR FASHION – NEW!Dori SpectorRoom 465/Samuel M.V. Hamilton BuildingThis workshop is designed to give the aspiringfashion designer or fashion enthusiast essentialinformation for drawing the human figure forfashion purposes. Topics include the special proportions of the fashion figure, how fabricdrapes on the human form, key anatomical landmarks, and ways of making your drawingcome alive with movement and gesture. Studentswill draw from models in a range of materials, including pencil, pastels, markers, ink and mixedmedia. The class will also address how to conveythe texture and pattern of fabric and the practiceof drawing from photographs in relation tolife drawing.Saturday and Sunday, April 23 & 249 a.m. – 5 p.m.Tuition: $205Register by: April 15

Dori Spector is an accomplished painter andprintmaker. A graduate of Moore College of Art,she has studied at PAFA and privately with BurtonSilverman, Nelson Shanks and Robert Liberace.She has worked in advertising and illustration,serving as art director of The Clothes Garden inWynnewood, PA and as a courtroom artist fortelevision news.

SC 605EW TERRA COTTA FIGURE SCULPTURE Colleen O’Donnell Room 740/Samuel M.V. Hamilton BuildingExplore the versatility of terra cotta clay, whichrequires neither an armature nor casting.Learn various techniques and tools throughdemonstration and hands-on sculpting from thelife model. Sculptures will be fired at the end ofthe workshop.Saturday and Sunday, April 30 & May 19 a.m. – 5 p.m.Tuition: $205 + $10 lab feeRegister by: April 22

MAY

DR 606EW LANDSCAPE DRAWING& PAINTINGEmily BrownHorticulture Center, Fairmount ParkDrawing and painting out-of-doors presentsunique surprises and pleasures as well as particular challenges. Working at the Horticulture Center in Fairmount Park, learntactics to efficiently set up on location, select acomposition and capture the light, color andshapes of the surrounding landscape. Studentsmay work in the drawing/painting media of their choice. Free parking and restroom facilities available.Tuesday, Wednesday and Thursday, May 3, 4 & 5 11 a.m. – 2 p.m.Tuition: $150Register by: April 22

Dori Spector, Philly Style, 2015, oil on panel, 24 x 24 in.

WATERCOLOR WORKSHOP WITH SUSAN VAN CAMPENApril 30 & May 1. See page 7

PLEIN AIR PAINTING IN BERMUDA WITHJAMES TOOGOOD AND JOE SWEENEYMay 19 – 25. See page 7

IN 650MA BEHIND THE SCENES AT MORRIS ARBORETUMCelebrate spring among the colorful gardens, romantic landscape, diverse living collections,sculpture and award-winning architecture of this internationally known botanical garden.Your guide will be plantsman, naturalist and historian Bob Gutowski, Director of Public Programs. Includes all-day admission to thepublic garden and an invitation to return andpaint, photograph or sketch as a guest of the Arboretum on a future day. Dress for theweather and wear walking shoes. Plenty of free parking.Saturday, May 1410 a.m. – 11:30 p.m.Free by RSVP to the CE office, 215-972-7632Register by: April 29 (space is limited)

REGISTRATION BEGINS DECEMBER 7Register early to guarantee enrollment and prevent course cancellations.

1. ONLINE: www.pafa.edu/ce

2. PHONE: 215-972-7632

3. MAIL*: Continuing Education ProgramsPennsylvania Academy of the Fine Arts128 North Broad StreetPhiladelphia, PA 19102

4. IN PERSON: Visit the Continuing Education office on the 3rd Floor of the Samuel M.V. Hamilton Building

* Please mail a completed registration form withcheck, money order, or credit card information.We accept VISA, MasterCard, American Expressand Discover Card. Make checks or money orderspayable to “PAFA.”

We are here to help! For assistance in course selection or to make an appointment, call 215-972-7632 or email [email protected].

Continuing Education Programs Office HoursMonday – Thursday ..............9 a.m. – 6:30 p.m.Friday ................................................9 a.m. – 4 p.m.Saturday...............................8:30 a.m. – 1:30 p.m.During school vacations and when evening/weekend classes are not in session, the office will be open Monday through Friday, 9 a.m. – 5 p.m.

PAFA is accredited through the National Association of Schools of Art and Design(NASAD) and the Middle States Commission on Higher Education (MSCHE). PAFA is a member of the Association of Independent Colleges of Art and Design (AICAD).

Undergraduate CreditMost courses are available for 1.0 undergraduatecredit (unless otherwise indicated). If taken forcredit, you may incur additional coursework, andwill receive a course grade and appropriate creditthat will appear on an official PAFA transcript, if requested. To request an official transcript,visit CE Registration and Policy Information at pafa.edu/ce to download a transcript requestform. Changes in credit status must be arrangedthrough the CE office prior to the third class. No refunds can be issued for changes from credit to non-credit.

FOR PENNSYLVANIA AND NEW JERSEY K-12 EDUCATORSPAFA is approved to offer Pennsylvania Act 48hours and New Jersey Department of EducationProfessional Development Credit for all of itscourses and workshops as follows:1.0 undergraduate credit CE courses are availablefor 30 or 36 Act 48 hours or NJ credits accordingto each course’s accumulative contact hours.Short/Condensed Courses, Workshops, Lecturesand Seminars are eligible for the number of hoursfor which they meet (excluding lunch breaks).Educators electing to receive PA Act 48 or NJProfessional Development Credit should notifythe Continuing Education Programs office when registering.

Spring 2016

REGISTRATION INfORMATION� January 15 for courses beginning

January 25 - 31� Registration deadlines vary for Short and

Condensed Courses, Workshops, Lectures, Seminars and Master Classes. Please refer to individual course descriptions.

� For 12-week, 1.0 credit courses: $625 for credit or $495 non-credit

� Tuition varies for Short and Condensed Courses, Workshops, Lectures, Seminars and Master Classes. Please refer to individual course descriptions.

� Full payment is due at the time of registration.� For Master Classes, a non-refundable deposit

of $200 may be made to reserve a space, with balance due by the registration deadline.

Lab and Material Fees Please consult individual course descriptions for any applicable lab or materials fees.

Late FeeRegistrations received after 5 p.m. on their deadline date may be assessed a late fee of $25.

Locker RentalLockers are available on a first-come, first-served basis for $25.

Membership DiscountPAFA Members at the Friend level and above receive a 10% tuition discount on all CE courses,workshops and Master Classes.

Referral DiscountIf you are a current CE student and your refer afirst-time Continuing Education student, both willreceive a 10% tuition discount on one (1) course orworkshop within the current semester (excluding Master Classes).

Morris Arboretum & PAFA� Morris Arboretum members receive a

10% discount on one Spring 2016 PAFA class, workshop or Master Class.

� PAFA members receive a 10% discount on all Spring 2016 Morris Arboretum Continuing Education classes for adults and Growing Minds classes for youth. Learn more and register at online.morrisarboretum.org/classes, or call 215-247-5777 ext. 125.

*Lab, materials and locker fees are not eligible for discount. Some restrictions apply. Call 215-972-7632 for more information.

CE Community ScholarshipPAFA Continuing Education is pleased to present the “CE Community Scholarship” to assist students who demonstrate dedication to their art. Requirements:� Completed application form� Completed CE registration form� Personal statement (one page)Application deadline: Friday, January 8Application will be available to download from pafa.edu/ce by December 7. Please call 215-972-7632 for more information. The CE Community Scholarship is made possible in part by a generous contribution from the Dry FamilyFoundation. For information about making a gift to support the CE Community Scholarship, please contactthe Development Department at 215-972-2077.

High School Student ScholarshipVisit pafa.edu/highschool for more information and to download an application. Application Deadline: Friday, January 15

4 WAYS TO REGISTER!

REGISTRATION DEADLINES

COURSE TUITION AND FEES

CREDIT

SCHOLARSHIPS

STUDENT ADVISING

34 35

DISCOUNTS*

Registration Information

A GIFT CERTIFICATE FOR ACOURSE OR WORKSHOP MAKES A GREAT GIFT!Call 215-972-7632 for more details.

REFUND POLICY

COURSE CANCELLATIONS

WEATHER/EMERGENCY CLOSING

TRANSPORTATION AND PARKING

36

Withdrawals must be made in writing via letter or email to the Continuing EducationPrograms office. A $30 administrative fee willbe assessed per dropped course, $50 per masterclass and $15 per workshop. Tuition refundswill be adjusted according to the followingschedule (less the administrative fee), unless otherwise indicated:

12-week CoursesPrior to one week before the 1st class ......100%After the above, prior to the 2nd class ......75%After the above, prior to 3rd class ..............50%After the above ....................................................0%

Condensed/Short Courses Prior to one week before the 1st class ......100%After the above, prior to the 2nd class ......50%After the above......................................................0%

WorkshopsPrior to one week before the 1st day ........100%After the above, prior to the 1st day ..........50%After the above ....................................................0%

Master Classes and WorkshopsNo refunds after registration deadline.

Critique with Jan Baltzell and Bruce SamuelsonNo refunds.

If minimum enrollment is not met, a class will be canceled on or shortly after its registrationdeadline date. Students will be notified by phoneand may choose to transfer into another class orreceive a full tuition and fee refund. Please register early to help prevent course cancellation.Travel insurance is recommended for those attending from a distance.

The closing, delayed opening, or early dismissalof PAFA will be determined jointly by the Dean of the School and the Museum Director, with approval of the President. Such closing or delay would include the school, galleries and administrative offices. Decisions regarding thecancellation of special events and evening classes may be made later in the day. To find out if PAFA is closed or delayed you should check one of the following:

� Our website – messages will be updated on the PAFA homepage, pafa.edu

� PAFA’s main number, 215-972-7600 – An outgoing message advising of a close or delay will be recorded by 6:30 a.m.

� KYW (1060AM) – Listen for PAFA’s code 150(Continuing Education’s code is 2150)

� WPVI-TV 6ABC – Lists the school by name� NBC 10 – Lists the school by name

PAFA is conveniently located near the SEPTAMarket East and Suburban train stations, bus and trolley stops and PATCO Hi-Speed Line station stops. For SEPTA information, call 215-580-7800 or visit septa.org.For PATCO information, visit ridepatco.org. Discounted parking is available at adjacent Parkway Corporation parking lots. Tickets mustbe validated by Security staff.

REGISTRATION FORM Spring 2016

For Office Use: Class Book ___________________ Materials___________________ Database____________________

� REGISTRATION BEGINS DECEMBER 7� See page 35 for registration deadlines� Late registrations may incur a $25 late fee

Have you taken a class here before? � Yes � No

How did you find out about us?� Internet (What site?) ________________________� Radio (What station?) ________________________� Newspaper/magazine ________________________� Other (Please specify)________________________How did you receive this catalogue?� Mailed to me � Picked it up at:________________Are you an PAFA member? � Yes � No PAFA Membership Level ____________________________

Expiration Date ____________________________________

Please check if you would like more information about PAFA academic programs:� Certificate � Bachelor of Fine Arts� Master of Fine Arts � Post-Baccalaureate

� I wish to enroll in the CE Core Curriculum Program See page 5 or visit pafa.edu/ce.

For K-12 educators� I am taking a course for Act 48 credit or New Jersey Dept of Ed Professional Development Credit. See page 34

PA Professional Educator I.D.# ____________________

Course # Title Day/Time Instructor Tuition Lab/Mat Fee Total

Tuition Total

Locker

Sub Total

Discount*

CE CommunityScholarshipDonation**

T O T A L

METHOD OF PAYMENT

� VISA � Mastercard � AmEx � Discover � Check* #_______ � Cash

Name on Credit Card

Credit Card Number Expiration Date

Signature

Date Date of Birth

Last Name First Name Middle Initial

Address City State Zip

Phone – home/primary Phone – other Email

* PAFA Members at the Friends level and above receive a 10% tuition discount

**See page 35 for details

I agree to abide by the policies and regulations in printed materials and on the website of Continuing Education Programs at PAFA. I have read and understand policies regarding credits, withdrawals, refunds and course cancellations (pages 34 – 36)

Signature (required) Date

CERTIFICATE PROGRAMAt the heart of the PAFA’s educational programs is the Certificate Program, a four-year curriculum of intense studio education that offers five majors: Painting, Drawing, Printmaking, Sculpture, and Illustration.

BACHELOR OF FINE ARTS PAFA offers two choices for students wishing to pursue an undergraduate degree program:the Academy BFA and the Coordinated BFAprogram with the University of Pennsylvania.Academy BFA students study exclusively at PAFA, taking both studio arts and the liberal arts component offered by the Academy.Students also have the choice of enrolling in the Certificate Program and earning a Bachelor of Fine Arts degree from the University of Pennsylvania.

FOR CONTINUING EDUCATION STUDENTSCONSIDERING MATRICULATION INTO THECERTIFICATE PROGRAMSelect courses taken in the Continuing EducationProgram may be evaluated for transfer into theCertificate Program, based on satisfactory completion of coursework and a review of thestudent’s portfolio. If approved, a maximum of 15 credits may be accepted as transfer credits.For more information, contact the Office ofAdmissions at 215-972-7625 or via email at [email protected].

POST-BACCALAUREATE CERTIFICATE IN GRADUATE STUDIESThis is an individually designed, one-year program of study for those who wish to developtheir artistic skills, further their formal education, and be competitive for admission tograduate degree programs. This studio-basedprogram offers formal drawing and seminarclasses as well as private and group critiques with an excellent faculty.

MASTER OF FINE ARTS PROGRAM This two-year, studio-based program allows fine artists to realize their creative potentialwhile providing a solid intellectual and practicalfoundation for artistic expression. Students are encouraged to achieve independent aesthetic development through abroad variety of desired approaches.

LOW-RESIDENCY MASTER OF FINE ARTS PROGRAMSimilar to the traditional MFA, the Low-Residency program focuses on independentstudio work and is interdisciplinary in nature,however it does so with a combination of bothon-site and off-site learning. The core of theprogram is three summer terms completed onthe PAFA campus. These intensive, eight-weeksessions include studio and seminar courses,regular studio visits, group critiques, and anoutstanding roster of visiting artists. During thefall and spring terms, students are off-site andengage in a vital online community with virtualstudios, critic meetings, and courses in art history, contemporary art, theory, writing andprofessional practices.

ACADEMIC PROGRAMS COMING THIS SUMMER!PAFA offers a variety of programs to help you meet your artistic goals. For more information,

please contact the Office of Admissions at [email protected] or 215-972-7625.

SUMMER ACADEMY FOR TEACHERS

Designed to invigorate your artistic practiceand provide a reserve of project ideas for the new school year.

Visit pafa.edu/SummerAcademyForTeachers

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PORTRAIT PAINTING IN PASTEL WITH ELLEN EAGLE

Monday – Friday, June 6 – 10 Ellen Eagle, noted author of Pastel Painting Atelier, and instructor at the Art Students League in New York, presents a master class intensive on the materials and techniques of pastel portraiture. Students will benefit from Eagle’s passion for the medium, bolsteredby her extensive knowledge of its history and applications. Ellen Eagle, Nude With Eyes Lowered, pastel on paper, 16 1/2 x 15 in.

STILL LIFE WORKSHOP WITH CHRISTINE LAFUENTE

Monday – Friday, June 20 – 24 Brooklyn-based painter and PAFA alum Christine Lafuenteconsiders her paintings “poetic responses to visual experience.” Responding to the still life motif, learn how tobuild an oil painting directly, with the emphasis on colorChristine Lafuente, Peonies and Green Shutter, oil on linen, 14 x 18 in.

MASTER CLASS WITH ELIZABETH OSBORNESaturday and Sunday, June 25 & 26Don’t miss this opportunity to study with one of America’s premier painters and esteemed PAFA faculty member Elizabeth Osborne. Work on paper in the medium of your choice, from a visually rich still-life and life modelarrangement, and learn to create form and articulate space.

Elizabeth Osborne, Portrait of Audrey, 2014. Oil on canvas, 48 x 48 in.

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Spring 2016 Continuing Education Programs Catalog

Documents

Transcript of Spring 2016 Continuing Education Programs Catalog