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Talkaboutjazz.com

Special Report

Jazz goes to movies

Top 30 Jazz soundtrack

watch movies, listen to jazz

Art Blakey A Bout De Souffle Arthur Penn Art Ensemble Of Chicago Alfie Bernardo Bertolucci Bud Shank Anatomy Of A Murder

Bill Melendez Dizzy Gillespie Ascenseur Pour L'echafaud Bruce Brown Don Ellis Barefoot Adventure Don Siegel Duke Ellington

Blow-Up Edouard Molinaro Freddie Redd A Boy Named Charlie Brown Hannes Schmidhauser Gato Barbieri Bullitt Jack Starrett

George Gruntz Cleopatra Jones

blaxploitation

Thursday, 08, August, 2013






JAZZ GOES TO MOVIESTop 30 Soundtracks

What has to be names like Duke Ellington, Miles Davis and Herbie Hancock with names like Otto Preminger, Jean-Luc Godard or Michelangelo Antonioni? The passion for cinema by the first, and the jazz passion by the second’s.

The TalkAboutJazz.Com presents this special report with the Top 30 jazz soundtracks that were commissioned by great directors and forgotten filmmakers, to great jazz artists and composers. Discover these happy encounters that gave the world great movies and great soundtracks.

Through these Top 30, will go a little of the history of jazz and its evolution by the different styles that have emerged from the mid-50s to mid-70s, while rediscovering films, some of them obscure. I'm sure you will be surprised.

The criteria for selection was based on the following assumptions: films produced between 1955 and 1975; the soundtrack has been composed for the film or its performance has been to charge a jazz combo; and the artist has to appear in “The Penguin Guide to Jazz on CD" (7th ed.).

Sorry Elmer Bernstein, Bernard Herrmann or Henry Mancini, but they are out. Also not included films whose soundtracks are attributed to "various artists".

The reason for choosing this period (55-75) is simple. From 1950, jazz was the soundtrack of modern world, not only in cinema, but also in lifestyles.

Each film mentioned, is accompanied by the image of the original poster (I try) and the cover art of each album. Find out about the director, actors, genre film, country of origin and classification that makes IMDb.

On the side of the soundtrack, makes mention of the artist, composer, who played and finally a recommendation of other artist's albums. Most of the recommendations were based on "The Penguin Jazz Guide - The History of the Music in the 1001 Best Albums".

Thanks by downloaded the special report “Jazz Goes To Movie - Top 30 Soundtracks”. And now watch the movies and listen to jazz. Welcome to TalkAboutJazz.Com.


http://www.talkaboutjazz.com









JAZZ ON THE SCREENBy David Meeker*

In the 1920s jazz and film both faced the tremendous challenge of the electric recording revolution. They slowly and painfully adapted themselves, eventually growing to freedom, maturity and respectability until finally they were acknowledged to be two of the most important and influential cultural forces in our civilization.

There were certainly plenty of appearances by jazz groups and individuals in silent pictures. The golden days of silent films were the 1920s; not for nothing were those days also known as “The Jazz Age” for, although the word Jazz in that context covered a much wider area than that of the music that we know today, it was a period when the music started to achieve the popularity that was to become so huge later on, when pre-electric jazz recordings became standard display items on record shop counters, when jazz bands became the centre of the evening's entertainment at dances and social occasions.

In the silent days the bands would actually have been playing for the dancers on set, so they were comprised of genuine performing xxxxx

musicians, whereas in all but very early sound films the musicians, more often than not actor-musicians or sideliners, as they were later to become known, would be miming to pre-recorded tracks.

Throughout the first three decades of the 20th century much of the groundwork was laid down by both the film and the recording industries for the eventual marriage of sound with film as a commercial proposition. But by 1930 most studios and, once again, the theater chains, had re-equipped. Now their soundtracks could be recorded and played back on optical film.

With sound an integral component of the moving image, and with music of all kinds in constant demand by the film studios, the jazz musician had an opportunity to extend himself and to earn new money through both performance and composition.

Perhaps the earliest evidence of this being done is to be found in the two short films made by the pioneer sound engineer Lee DeForest in 1922, which featured performances by Eubie Blake and Noble Sissle. It is now clear that the short film units attached to the major Hollywood studios - Universal, Columbia, Warner Bros., MGM, Twentieth Century- Fox, and Paramount - did a great service to the history of jazz.







On account of their work we can still see and hear the wealth of jazz talent active during those halcyon years immediately after Warner Bros. created the Vitaphone Corp. in 1926.

In the early 1930s, once the cinema had learnt to talk properly, producers began to use the talents of jazz men and women to provide lively musical interludes in their feature films, many of which were backstage musicals or show business melodramas.

During the decade it became quite routine for audiences to see the popular bands of the period such as the ones led by Duke Ellington, Louis Armstrong, Jimmie Lunceford, Les Hite, Louis Prima, Paul Whiteman, Cab Calloway, Ted Lewis and Benny Goodman.

It was not long, however, before the cinema was promoting many of its jazz entertainers as movie stars in their own right. During World War II, with audiences desperate for escapist musical entertainment, Hollywood began to build pictures around their new-found musical artists much to the benefit of the likes of Gene Krupa, Glenn Miller, Tommy and Jimmy Dorsey, Jack Teagarden, Hoagy Carmichael, Count Basie, Artie Shaw, Harry James, Woody Herman, Les Brown and Stan Kenton.

Jazz biopics (though mostly more fiction than fact) started to xxxxx

appear with ORCHESTRA WIVES (1942), IS EVERYBODY HAPPY? (1943), THE FABULOUS DORSEYS (1947) and YOUNG MAN WITH A HORN (1949).

JAZZ AND THE ANIMATED FILM

One of the most productive associations of jazz and the moving image is to be found in the area of the animated cartoon. Animators had fallen under the influence of jazz at around the same time as the sound film gained public acceptance.

The animators Max and Dave Fleischer were particularly quick to realize the potential of the popularity of famous jazz personalities and produced some of their finest work around such figures as Cab Calloway in MINNIE THE MOOCHER (1932), SNOW WHITE (1933); Louis Armstrong in I'LL BE GLAD WHEN YOU'RE DEAD YOU RASCAL YOU (1932) and Don Redman in I HEARD (1933).

A further phase began when Hollywood animators produced a memorable series of cartoons caricaturing jazz celebrities such as Paul Whiteman, Louis Armstrong, Fats Waller, the Mills Brothers and Benny Goodman.

The versatility and flexibility of jazz musicians, the abstract and free-form quality of their ideas and their adeptness at







free-form quality of their ideas and their adeptness at improvisation make them eminently qualified to work creatively with animation directors.

JAZZ MOTION PICTURE SCORES

In 1951, once again at Warner Bros., yet another jazz revolution had occurred on a Hollywood recording stage, one which was to have far reaching effects on the music world extending until the very present...and beyond.

Composer Alex North wrote and recorded the first ever jazz-orientated film score for a dramatic picture, A STREETCAR NAMED DESIRE (1951). The score served to color the sound of the film's steamy New Orleans setting. It has become a well-deserved landmark in the history of film music and paved the way for numerous movie jazz scores.

Producers, ever on the lookout for new ways of cutting costs soon tumbled to the sad truth that jazz musicians were relatively cheap to hire and that a small ensemble, an octet, or even a quartet could satisfactorily provide the necessary musical background to a film's action.

Up until that time all the major Hollywood studios had kept their own full-time orchestras; their days were now numbered. The recent demise of the big band era had dumped hundreds of skilled, hardworking jazz instrumentalists in the Los Angeles and New York areas eager for the rewards offered by the film, TV, and recording studios. Jazz scores soon proliferated.

Composer Leith Stevens started the ball rolling with his seminal use of source music jazz cues in THE WILD ONE (1953) arranged and played by Shorty Rogers and his Giants. Elmer Bernstein used rhythmic elements of jazz in his influential scores for THE MAN WITH THE GOLDEN ARM (1955), again performed by Shorty Rogers, and for SWEET SMELL OF SUCCESS (1957) featuring the Chico Hamilton Quintet. Johnny Mandel used the talents of top West Coast musicians for I WANT TO LIVE (1958). Suddenly jazz scores were hip.

Producer Blake Edwards was quick to jump on the bandwagon by adventurously hiring Henry Mancini for what was to become a groundbreaking jazz score to his television series featuring a jazzloving detective, PETER GUNN (1958/61), soon followed by John Cassavetes' STACCATO (1959).

Made-for-television movies gainfully employed Pete Rugolo, Gil Mellé, Quincy Jones, Shorty Rogers, Benny Carter, Oliver Nelson,







Mellé, Quincy Jones, Shorty Rogers, Benny Carter, Oliver Nelson, Benny Golson, Artie Kane, and J. J. Johnson who all worked regularly in the studios during the 1960s and 1970s before the pendulum swung back to embrace symphonic scores or more fashionable styles of music making, isolated jazz and embraced more fashionable styles of music making.

The film industry in Europe too had welcomed the jazz composers'work. In France, jazz enthusiast and filmmaker Louis Malle enticed Miles Davis into the studio to improvise directly to the images in his film L'ASCENSEUR POUR L'ÉCHAFAUD (1957).

Art Blakey and The Jazz Messengers were used on the soundtrack of Edouard Molinaro's DES FEMMES DISPARAISSANT (1958). Roger Vadim then recorded Art Blakey again, in addition to Thelonious Monk, for his film LES LIAISONS DANGEREUSES 1960 (1959).

Many of the stature of André Hodeir, Johnny Dankworth, Henry Crolla, Klaus Doldinger, Claude Bolling, Kenny Graham, Michel Portal, Giorgio Gaslini, Krzysztof Komeda and the jazz-orientated Michel Legrand have contributed between them to literally hundreds of movie scores.

It is interesting to learn the extent to which jazz musicians have contributed to one composer's movie scores.

Today, jazz and the screen in all their manifestations are once again facing an uncertain future together as a result of constantly shifting audience tastes and with a wide range of alternative choices in both music and the visual arts.

They have survived successfully for over a century since before the days when man could fly or listen to the radio or before Don Ameche made that first telephone call. Ultimately, it won't matter what previously undreamed of technological achievements influence our lives as they will have combined to ensure that for many jazz scholars and enthusiasts, the music remains our religion.

*extracts from “JAZZ ON THE SCREEN - A Jazz and Blues Filmography” by David Meeker, Library of Congress, Washington, DC , 2013.







PlayPiano: George Gruntz

Trumpet: Raymond CourtSax Alto & Flute:

Marcel Peeters Sax Soprano & Tenor:

Barney WilenBass: Karl Theodor Geier

Drums: Kenny Clarke

Drama

Hannes Schmidhauser

1963

Seelische Grausamkeit ✭

30WRITING CREDITS

Mario GerteisOtto Ritter

Hannes Schmidhauser

actorsGitty Djamal

Hannes SchmidhauserErwin Strahl

George Gruntz

COMPOSERGeorge Gruntz

Other’s Albums“Global

Excellence”✭ Mental Cruelty

No Image Poster







Action

J.J. Johnson Jack Starrett

1973

Cleopatra Jones

29COMPOSERJay Jay Johnson

WRITING CREDITSMax Julien

Sheldon Keller

actorsTamara Dobson

Bernie CaseyBrenda Sykes

5,6

Other’s Albums“The Eminent

Jay Jay Johnson,Vol. 1 & 2”✪

“Quintergy: Live At Village Vanguard”✪✪ The Penguin Jazz Guide -

The 1001 Best Ever Recordings

PlayVocal: Joe Simon

Vocal: Millie Jackson







Thriller

Edouard Molinaro

1959

Des Femmes Disparaissent ✭

28 WRITING CREDITSG. Morris-Dumoulin

Albert Simonin

actorsRobert Hossein

Magali NoëlEstella Blain

5,7

Art Blakey & The Jazz Messenger

COMPOSERArt Blakey

Other’s Albums“A Night At Birdland,

Vol. 1 & 2”✪✭ The Road To Shame

✪ The Penguin Jazz Guide -The 1001 Best Ever Recordings

PlayDrums: Art Blakey

Trumpet: Lee MorganSax Tenor:

Benny GolsonPiano: Bobby Timmons

Bass: Jymie Merritt







ActionCrimeDrama

Grant Green Oscar Williams

1972

The Final Comedown

27COMPOSER

Wade MarcusArtie ButlerJerry Leiber

George Morton

WRITING CREDITSOscar Williams

actorsBilly Dee WilliamsD'Urville Martin

Celia Kaye

5,7

Other’s Albums“Born To The Blue”✪✪ The Penguin Jazz Guide -


PlayGuitar: Grant Green







Crimedrama

Stan Getz Arthur Penn

1965

Mickey One

26COMPOSEREddie Sauter

WRITING CREDITSAlan M. Surgal

actorsWarren Beatty

Alexandra StewartHurd Hatfield

6,5

Other’s Albums“The Complete

Roost Recordings”✪“Focus”✪✪ The Penguin Jazz Guide -


PlaySax Tenor:Stan Getz

Piano:Roger Kellaway

Bass: Richard DavisDrums: Mel Lewis

& Orchestra







PierreGranier-Deferre

1965

La Métamorphose Des Cloportes

25WRITING CREDITS

Alphonse BoudardAlbert SimoninMichel Audiard

actorsLino Ventura

Charles AznavourIrina Demick

6,6

PlayOrgan: Jimmy Smith

Guitar:Quentin Warren

Drums: Billy Hart

ComedyCrime

Jimmy Smith

COMPOSERJimmy Smith

Other’s Albums“Groovin' at Small's

Paradise”✪✪ The Penguin Jazz Guide -The 1001 Best Ever Recordings







dramaRomance

Art Blakey & The Jazz Messenger Roger Vadim

1959

Les Liaisons Dangereuses 1960

24COMPOSERDuke JordanJack Marray

WRITING CREDITSClaude BruléRoger Vadim

Choderlos de Laclos

actorsJeanne MoreauGérard Philipe

Annette Stroyberg

6,7

Other’s Albums“A Night At Birdland,

Vol. 1 & 2”✪✪ The Penguin Jazz Guide -The 1001 Best Ever Recordings

PlayDrums: Art Blakey

Trumpet: Lee MorganSax Tenor:

Barney WilenPiano: Bobby Timmons

Bass: Jymie MerrittVocal: Charlie Rouse







CrimeDrama

Dizzy Gillespie Shirley Clarke

1964

The Cool World

23COMPOSERMal Waldron

WRITING CREDITSShirley Clarke

Carl Lee Warren MillerRobert Rossen

actorsRony Clanton

Carl LeeYolanda Rodríguez

6,7

Other’s Albums“The Complete RCA

Victor Recordings”✪“Birks Works”✪✪ The Penguin Jazz Guide -


PlayTrumpet:

Dizzy GillespieSax Alto & Tenor & Flute: James Moody

Piano: Kenny BarronBass: Gerd

Drums: Rudy Collins


http://www.imdb.com/name/nm0744035/

http://www.imdb.com/name/nm0744035/

http://www.allmusic.com/artist/kenny-barron-mn0000081181

http://www.allmusic.com/artist/kenny-barron-mn0000081181






drama

Freddie Redd Shirley Clarke

1962

The Connection✪

22COMPOSERFREDDIE REDD

WRITING CREDITSJACK GELBER

Other’s Albums“San Francisco

Suite”

actorsWARREN FINNERTYJEROME RAPHAELGARRY GOODROW

6,8

Play








CrimeDrama

Thriller

Michael Winner

1974

Death Wish

21 WRITING CREDITSMax Julien

Sheldon Keller

actorsTamara Dobson

Bernie CaseyBrenda Sykes

7,0

Herbie Hancock

COMPOSERHerbie Hancock

Other’s Albums“Maiden Voyage”✪“Head Hunters”✪✪ The Penguin Jazz Guide -


Play







CrimeDrama

Romance

Norman Jewison

1968

The Thomas Crown Affair

20 WRITING CREDITSAlan Trustman

actorsSteve McQueenFaye Dunaway

Paul Burke

7,0

PlayVocal: Noel Harrison

Michel Legrand

Other’s Albums“Legrand Jazz”✪✪ The Penguin Jazz Guide -


COMPOSERMichel LegrandAlan Bergman

Marilyn Bergman


http://www.allmusic.com/artist/noel-harrison-mn0000882782

http://www.allmusic.com/artist/noel-harrison-mn0000882782






dramaRomance

Gato Barbieri Bernardo Bertolucci

1972

Le Dernier Tango à Paris ✭

19COMPOSERGato Barbieri

WRITING CREDITSFranco Arcalli

Bernardo Bertolucci

actorsMarlon BrandoMaria Schneider

Maria Michi

7,1

Other’s Albums“Chapter 4: Alive

In New York”✪✭ Last Tango In Paris


Play







AnimationComedyFamily

Vince Guaraldi

1969

A Boy Named Charlie Brown

18COMPOSER

Vince GuaraldiBart Howard

Lee Mendelson

WRITING CREDITSCharles M. Schulz

VoicesPeter Robbins

(Charlie Brown)Pamelyn Ferdin(Lucy Van Pelt)Glenn Gilger

(Linus Van Pelt) 7,1

Other’s Albums“Jazz Impressions

Of Black Orpheus”

Bill Melendez

PlayPiano: Vince GuaraldiBass: Monty BudwigDrums: Colin Bailey







ComedyDrama

Thriller

Krzysztof Komeda Roman Polanski

1966

Cul-de-sac

17COMPOSERKrzysztof Komeda

WRITING CREDITSGérard Brach

Roman Polanski

actorsDonald PleasenceFrançoise Dorléac

Lionel Stander

7,1

Other’s Albums“Volume 5:

Astigmatic”✪✪ The Penguin Jazz Guide -The 1001 Best Ever Recordings

Play


http://rateyourmusic.com/artist/krzysztof_komeda







comedydrama

Sonny Rollins Lewis Gilbert

1966

Alfie

16COMPOSERSonny Rollins

WRITING CREDITSBill Naughton

actorsMichael Caine

Shelley Winters Millicent Martin

7,1

Other’s Albums“Saxophone Colossus”✪

“A Night At The Village Vanguard”✪ “This Is What I Do”✪✪ The Penguin Jazz Guide -


Play







Docu-mentary

Bud Shank Bruce Brown

1960

Barefoot Adventure

15COMPOSERBud Shank

WRITING CREDITSBruce Brown

actorsBruce Brown

Sammy LeePeter Cole

7,3

Other’s Albums“Jazz In

Hollywood”✪“Lost In The Stars”✪✪ The Penguin Jazz Guide -


Playalto & Baritone Sax:

Bud ShankTrumpet: Carmell JonesTenor Sax: Bob CooperGuitar: Dennis Budimir

Bass: Gary PeacockDrums: Shelly Manne







DramaComedy

Art EnsembleOf Chicago Moshé Mizrahi

1971

Les Stancesa Sophie ✭

14COMPOSERArt Ensemble

Of Chicago

WRITING CREDITSMoshé Mizrahi

ChristianeRochefort

actorsBernadette LafontMichel Duchaussoy

Bulle Ogier

7,3

Other’s Albums“A Jackson inYour House”✪✪ The Penguin Jazz Guide -


PlayVocal & Piano:Fontella Bass

Sax & Clarinet & Flute: Roscoe Mitchell

Tenor Sax: Joseph JarmanTrumpet: Lester BowieBass: Malachi Favors

Drums: Don Moye

✭ Sophie's Ways

No Image Poster


http://www.allmusic.com/artist/roscoe-mitchell-mn0000015750

http://www.allmusic.com/artist/roscoe-mitchell-mn0000015750






CrimeDrama

Thriller

The ModernJazz Quartet Robert Wise

1959

Odds Against Tomorrow

13COMPOSERJohn Lewis

WRITING CREDITSWilliam P. McGivernAbraham Polonsky

Nelson Gidding

actorsHarry Belafonte

Robert RyanShelley Winters

7,3

Other’s Albums“dedicated To

Connie”✪“The Complete Last

Concert”✪✪ The Penguin Jazz Guide -The 1001 Best Ever Recordings

PlayPiano: John Lewis

VibEs: Milt JacksonBass: Percy HeathDrums: Connie Kay







ComedyDrama

Musical

Michel Legrand Jacques Demy

1967

Les demoiselles de Rochefort ✭

12COMPOSERMichel Legrand

WRITING CREDITSJacques Demy

actorsCatherine Deneuve

George ChakirisFrançoise Dorléac

7,4

Other’s Albums“Legrand Jazz”✪✪ The Penguin Jazz Guide -

The 1001 Best Ever Recordings ✭ The Young Girls Of Rochefort

Play







Action MysteryThriller

Lalo Schifrin Peter Yates

1968

Bullitt

11COMPOSERLalo Schifrin

WRITING CREDITSAlan TrustmanHarry KleinerRobert L. Fish

actorsSteve McQueen

Jacqueline BissetRobert Vaughn

7,5

Other’s Albums“Piano, Strings &

Bossa Nova”

Play







Drama

Krzysztof Komeda Roman Polanski

1962

Noż w wodzie ✭

10WRITING CREDITSJakub GoldbergRoman Polanski

Jerzy Skolimowski

actorsLeon Niemczyk

Jolanta UmeckaZygmunt Malanowicz

7,6

COMPOSERKrzysztof Komeda

✪ The Penguin Jazz Guide -The 1001 Best Ever Recordings ✭ Knife In The Water

Other’s Albums“Volume 5:

Astigmatic”✪

Play









DramaMyster

Thriller

Herbie Hancock Michelangelo Antonioni

1966

Blow-Up

9COMPOSERHerbie Hancock

WRITING CREDITSMichelangelo

AntonioniTonino Guerra

actorsVanessa Redgrave

Sarah MilesDavid Hemmings

7,6

Other’s Albums“Maiden Voyage”✪“Head Hunters”✪✪ The Penguin Jazz Guide -


Play







ActionCrime

Thriller

Don Siegel

1971

Dirty Harry

8WRITING CREDITS

Harry Julian FinkRita M. Fink

Dean Riesner

actorsClint Eastwood

Andrew RobinsonJohn Vernon

7,8

Play

Lalo Schifrin

COMPOSERLalo Schifrin

Other’s Albums“Piano, Strings &

Bossa Nova”







ActionCrime

Thriller

Don Ellis William Friedkin

1971

The French Connection

7COMPOSERDon Ellis

WRITING CREDITSErnest Tidyman

Robin Moore

actorsGene HackmanFernando ReyRoy Scheider

7,9

Other’s Albums“Electric Bath”✪✪ The Penguin Jazz Guide -


Play







CrimeDrama

Martial Solal Jean-Luc Godard

1960

A Bout DeSouffle ✭

6COMPOSERMartial Solal

WRITING CREDITSJean-Luc Godard

François Truffaut

actorsJean Seberg

Jean-Paul BelmondoDaniel Boulanger

7,9

Other’s Albums“Balade Du10 Mars”✪

“Solitude”✪✪ The Penguin Jazz Guide -The 1001 Best Ever Recordings ✭ Breathless

Play







crimedrama

Thriller

Miles Davis Louis Malle

1958

Ascenseur Pour L'echafaud ✭

5COMPOSERMiles Davis

WRITING CREDITSRoger NimierLouis MalleNoël Calef

actorsJeanne MoreauMaurice Ronet

Georges Poujouly

7,9

Other’s Albums“Miles Ahead”✪

“A Kind Of Blue”✪“In A Silent Way”✪

✭ Elevator To The Gallows

Play








crimedrama

History

Quincy Jones Richard Brooks

1967

In Cold Blood

4COMPOSERQuincy Jones

WRITING CREDITSRichard Brooks Truman Capote

actorsRobert BlakeScott Wilson

John Forsythe

8,0

Other’s Albums“This Is How I Feel

About Jazz”✪✪ The Penguin Jazz Guide -


Playtrumpet: Buddy Childers

trombone: Frank Rosolinoclavinet: Dave Grusin

woodwinds:Gene Cipriano, Bud Shank &

William Greenguitar:

Howard Robertsbass soloists:

Ray Brown & Andy Simpkinsbass:

Carol Kayedrums:

Shelly Manne, Earl Palmerpercussion:

Don Elliott & Emil Richards







Norman Jewison

1967

In the Heatof the Night

3 WRITING CREDITSStirling Silliphant

John Ball

actorsSidney Poitier

Rod SteigerWarren Oates

8,0

crimedrama

Mystery

Quincy Jones

COMPOSERQuincy JonesAlan Bergman

Marilyn Bergman

Other’s Albums“This Is How I Feel

About Jazz”✪✪ The Penguin Jazz Guide -The 1001 Best Ever Recordings

Playtrumpet: Don Elliottreeds: Bud Shankflute: Roland Kirkpiano: Bobby Scottorgan: Billy Prestonguitar & banjo: Glen Campbellbass: Ray Brown & Carol Kayedrums: Earl PalmerPiano & Vocal: Ray Charles







crimedrama

Mystery

Duke Ellington Otto Preminger

1959

Anatomy OfA Murder

2COMPOSER

DUKE ELLINGTONConducted by: Gerald Wilson

WRITING CREDITSWENDELL MAYESJOHN D. VOELKER

actorsJAMES STEWART

LEE REMICKBEN GAZZARA

8,1

Other’s Albums“Never No Lament”✪

“Ellington At Newport 1956”✪

“The Far East Suite”✪

Playpiano: Duke Ellingtontrumpet: Ray Nanceclarinet: Jimmy Hamiltonbass: Jimmy Woodedrums: James Johnson& his Orchestra



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DramaFilm-Noir

Chico Hamilton Alexander Mackendrick

1957

Sweet Smell of Success

95COMPOSERElmer BernsteinChico Hamilton

WRITING CREDITSClifford OdetsErnest Lehman

actorsBurt Lancaster

Tony CurtisSusan Harrison

8,1

Other’s Albums“Live At The Strollers”“Arroyo”







ComedyDrama

Romance

Mark Isham &Charles Lloyd

Alan Rudolph

1997

After Glow

1COMPOSERMark Isham

WRITING CREDITSAlan Rudolph

actorsNick Nolte

Julie ChristieLara Flynn Boyle

6,1

Other’s Lloyd Albums

“Dream Weaver”✪“Voices In The

Night”✪✪ The Penguin Jazz Guide -The 1001 Best Ever Recordings

PlayTrumpet: Mark IshamSax: Charles Lloyd

Piano: Geri AllenBass: Jeff LittletonDrums: Billy HigginsVibEs: Gary Burton

Violin: Sid Page


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Jazz Went to Movies

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Special report teste4

Entertainment & Humor

Transcript of Special report teste4