SK760_880SE_UK

A 4 8 I n d e x

A48 Index

S t y l e s 5 . 1

S t y l e s , s e l e c t i o n a n d p l a y 1 . 2 4

S w i t c h a c t i o n p e d a l s 3 . 1 5

S w i t c h s o u n d s 2 . 8

S y s t e m E x c l u s i v e , E d i t P r e s e t 3 . 7

S y s t e m E x c l u s i v e I m p o l m e n t a t i o n A . 2 8

T

T a b e l l e S t y l e s A . 2 1

T a p T e m p o 1 . 2 8

T e m p o L o c k 5 . 2

T i m e S i g n a t u r e , S o n g 6 . 4

T i m e S i g n a t u r e , S o n g r e c o r d i n g 6 . 1 2

T o u c h S e n s i t i v i t y , E d i t P r e s e t 3 . 1 9

T r a c k 1 . 6

T r a c k c o n f i g u r a t i o n , E d i t P r e s e t 3 . 5

T r a c k I c o n s 1 . 7

T r a c k i n g e n v e l o p e , p r o g r a m m i n g e x a m p l e 2 . 2 2

T r a c k s / S p l i t s , E d i t P r e s e t 3 . 1 9

T r a n s p o s e , E d i t P r e s e t 3 . 1 9

T r a n s p o s e e v e n t s , E d i t S o n g 6 . 2 6

T r a n s p o s e e v e n t s , E d i t S t y l e 5 . 2 1

T r a n s p o s i n g t r a c k s b y o c t a v e s 1 . 3 6

T u n i n g / S c a l e , G e n e r a l 8 . 2

U

U n d o 5 . 1 3 , 6 . 1 4

U n i s o n m o d e , V o c a l P r o c e s s o r 7 . 4

U p - d a t e a b l e o p e r a t i n g s y s t e m i v

U s e r p r o g r a m m a b l e S c a l e s 8 . 2

U s e r S t y l e s , p r o g r a m m i n g 5 . 5

U s i n g t h e K e y p a d t o S e l e c t a S o u n d 1 . 1 6

U t i l i t y , D i s k 4 . 2 2

V

V a r i a t i o n s t y l e 1 . 2 6

V e l o c i t y , E d i t S o n g 6 . 2 5

V e l o c i t y , E d i t S t y l e 5 . 2 0

V e l o c i t y r a n g e , E d i t P r e s e t 3 . 2 0

V i d e o c o n t r o l s , S c o r e 6 . 3 4

V o c a l O n / O f f , G e n e r a l 8 . 7

V o c a l P r o c e s s o r 7 . 1

V o c a l P r o c e s s o r , a c t i v a t i o n 7 . 2

V o c a l P r o c e s s o r E d i t 7 . 4

V o c o d e r m o d e , V o c a l P r o c e s s o r 7 . 3

V o i c e S e t , V o c a l P r o c e s s o r 7 . 5

V o l u m e ( E d i t S o u n d ) 2 . 1 9

V o l u m e e B a l a n c e ( E d i t S o u n d ) 2 . 1 9

V o l u m e T r a c k i n g 2 . 2 0

W

W A I T ( h a n d s h a k e m e s s a g e ) : A . 2 8

W a r n i n g s 1 . 8

W a v e L i b r a r y , S a m p l e T r a n s l a t o r 2 . 4 4

W h e e l s 1 . 1 1 , 3 . 1 5

Z

Z I P 1 0 0 / 2 5 0 F O R M A T 4 . 2 8

Styles 5. 1Styles, selection and play 1. 24Switch action pedals 3. 15Switch sounds 2. 8System Exclusive, Edit Preset 3. 7System Exclusive Impolmentation A. 28TTabelle Styles A. 21Tap Tempo 1. 28Tempo Lock 5. 2Time Signature, Song 6. 4Time Signature, Song recording 6. 12Touch Sensitivity, Edit Preset 3. 19Track 1. 6Track configuration, Edit Preset 3. 5Track Icons 1. 7Tracking envelope, programming example 2. 22Tracks/Splits, Edit Preset 3. 19Transpose, Edit Preset 3. 19Transpose events, Edit Song 6. 26Transpose events, Edit Style 5. 21Transposing tracks by octaves 1. 36Tuning/Scale, General 8. 2UUndo 5. 13,6. 14Unison mode, Vocal Processor 7. 4Up-dateable operating system ivUser programmable Scales 8. 2User Styles, programming 5. 5Using the Keypad to Select a Sound 1. 16Utility, Disk 4. 22VVariation style 1. 26Velocity, Edit Song 6. 25Velocity, Edit Style 5. 20Velocity range, Edit Preset 3. 20Video controls, Score 6. 34Vocal On/Off, General 8. 7Vocal Processor 7. 1Vocal Processor, activation 7. 2Vocal Processor Edit 7. 4Vocoder mode, Vocal Processor 7. 3Voice Set, Vocal Processor 7. 5Volume (Edit Sound) 2. 19Volume e Balance (Edit Sound) 2. 19Volume Tracking 2. 20WWAIT (handshake message): A. 28Warnings 1. 8Wave Library, Sample Translator 2. 44Wheels 1. 11,3. 15ZZIP 100/250 FORMAT 4. 28

I M P O R T A N T

R e a d B e f o r e U s i n g K e y b o a r d !

C o n g r a t u l a t i o n s o n y o u r p u r c h a s e o f t h e n e w G E M S K 7 6 0 / S K 8 8 0 S p e c i a l E d i t i o n W o r l d K e y -

b o a r d b y G e n e r a l m u s i c . T h i s i n s t r u m e n t i s e q u i p p e d w i t h c u t t i n g e d g e F l a s h R O M m e m o r y , s o

t h a t y o u r n e w k e y b o a r d c a n b e p e r m a n e n t l y u p d a t e d b y d i s k w i t h t h e l a t e s t o p e r a t i o n a l a d v a n -

t a g e s a n d n e w f e a t u r e s . I t i s i m p o r t a n t t h a t y o u f o l l o w t h e p r o c e d u r e b e l o w b e f o r e u s i n g y o u r

i n s t r u m e n t f o r t h e f i r s t t i m e t o e n s u r e t h a t t h e i n s t r u m e n t f u n c t i o n s p r o p e r l y . C h e c k w i t h y o u r

a u t h o r i s e d G e n e r a l m u s i c d e a l e r f o r e x c i t i n g n e w f e a t u r e s t o l o a d i n y o u r F l a s h R O M i n t h e f u -

t u r e .

S T E P 1 W i t h t h e i n s t r u m e n t t u r n e d O F F , i n s e r t t h e S K S E O p e r a t i n g S y s t e m D i s k

( O S - D i s k ) i n c l u d e d i n y o u r m a t e r i a l s p a c k e t i n t o t h e d i s k d r i v e . A f t e r

y o u h a v e i n s e r t e d t h e d i s k , t u r n t h e i n s t r u m e n t O N .

S T E P 2 Y o u w i l l s e e a m e s s a g e i n t h e i n s t r u m e n t d i s p l a y s c r e e n t h a t s a y s :

L o a d i n g O S - D I S K c l e a r s A L L M E M O R Y ! ! < E n t e r t o L o a d / E s c a p e t o

a b o r t >

P r e s s E N T E R a n d w a i t a b o u t 3 m i n u t e s f o r t h e n e w O p e r a t i n g S y s t e m

t o l o a d . W h e n t h e n e w s y s t e m h a s f i n i s h e d l o a d i n g , y o u w i l l s e e t h e

f o l l o w i n g m e s s a g e i n t h e i n s t r u m e n t d i s p l a y s c r e e n :

L o a d i n g S u c c e s s f u l ! ! < E n t e r t o c o n t i n u e > .

A t t h i s t i m e , P r e s s E N T E R a g a i n a n d t h e i n s t r u m e n t w i l l p r o c e e d

t h r o u g h t h e n o r m a l o p e r a t i n g d i s p l a y s c r e e n s . Yo u c a n n o w T u r n O F F

t h e i n s t r u m e n t i n p r e p a r a t i o n f o r t h e f i n a l s t e p l i s t e d b e l o w .

I M P O R T A N T : R E M O V E T H E O P E R A T I N G S Y S T E M D I S K B E F O R E

P R O C E E D I N G T O T H E F I N A L S T E P !

F I N A L S T E P A s y o u t u r n t h e i n s t r u m e n t O N , K E E P R O T A T I N G T H E D I A L u n t i l

t h e f o l l o w i n g m e s s a g e a p p e a r s i n y o u r d i s p l a y s c r e e n :

! ! W A R N I N G ! ! D i a l o n P o w e r - U p R e q u e s t s M e m o r y C l e a r ! !

< E n t e r t o c l e a r / E s c a p e t o a b o r t >

P r e s s E N T E R . Y o u h a v e n o w c o m p l e t e d t h e u p d a t e p r o c e s s , a n d y o u r

S K 7 6 0 / 8 8 0 S E W o r l d K e y b o a r d h a s b e e n p e r m a n e n t l y u p g r a d e d .

D i a l L o c a t i o n o f D i a l , E n t e r & E s c a p e c o n t r o l s .

N o t e : T h e r e m a y b e a B a t t e r y W a r n i n g m e s s a g e w h e n y o u i n i t i a l l y t u r n o n t h e i n s t r u m e n t .

T h i s m e s s a g e w i l l n o t a p p e a r a f t e r t h e i n s t r u m e n t h a s b e e n p l u g g e d i n a n d t u r n e d O N f o r a

f e w h o u r s . D u r i n g t h i s t i m e , t h e i n t e r n a l b a t t e r y t h a t h o l d s n e w i n f o r m a t i o n i n m e m o r y w i l l

r e c h a r g e . F o r n o w , j u s t p r e s s E N T E R o r E S C A P E t o c o n t i n u e o n i f t h e m e s s a g e a p p e a r s w h e n

y o u p o w e r - u p t h e i n s t r u m e n t .

2 7 1 3 2 9

IMPORTANTRead Before Using Keyboard!

Congratulations on your purchase of the new GEM SK760/SK880 Special Edition World Key-board by Generalmusic. This instrument is equipped with cutting edge Flash ROM memory, sothat your new keyboard can be permanently updated by disk with the latest operational advan-tages and new features. It is important that you follow the procedure below before using yourinstrument for the first time to ensure that the instrument functions properly. Check with yourauthorised Generalmusic dealer for exciting new features to load in your Flash ROM in the fu-ture.

STEP 1With the instrument turned OFF, insert the SK SE Operating System Disk(OS-Disk) included in your materials packet into the disk drive. Afteryou have inserted the disk, turn the instrument ON.

STEP 2You will see a message in the instrument display screen that says:Loading OS-DISK clears ALL MEMORY!!

Press ENTER and wait about 3 minutes for the new Operating Systemto load. When the new system has finished loading, you will see thefollowing message in the instrument display screen:Loading Successful!! .

At this time, Press ENTER again and the instrument will proceedthrough the normal operating display screens. You can now Turn OFFthe instrument in preparation for the final step listed below.IMPORTANT: REMOVE THE OPERATING SYSTEM DISK BEFOREPROCEEDING TO THE FINAL STEP!

FINAL STEPAs you turn the instrument ON, KEEP ROTATING THE DIAL untilthe following message appears in your display screen:!!WARNING!! Dial on Power-Up Requests Memory Clear!!

Press ENTER. You have now completed the update process, and yourSK760/880 SE World Keyboard has been permanently upgraded.

DialLocation of Dial, Enter & Escape controls.

Note: There may be a Battery Warning message when you initially turn on the instrument.This message will not appear after the instrument has been plugged in and turned ON for afew hours. During this time, the internal battery that holds new information in memory willrecharge. For now, just press ENTER or ESCAPE to continue on if the message appears whenyou power-up the instrument.

271329

Index A47

I n d e x A 4 7

PC1 (Computer) 8. 5PC2 (Computer) 8. 5Ped./Pad 3. 18Pedalbass 8. 4Pedalboard 8. 4Pedalchord 8. 4Pedals programming 3. 15Performance 1. 6Performance tables A. 22Pitch Envelope 2. 32Pitch Envelope Control 2. 32Pitch Envelope Tracking 2. 33PitchBend 3. 15Play (Preload) 6. 7Play along with a Song 1. 44Play button, Song 6. 2Playback all the songs or MIDI files on disk 6. 5Preload 6. 5Preload functions 6. 6Presets 3. 1Priority, Edit Preset 3. 20Programmable Pads 1. 11Programming Presets 3. 3QQuantize events, Edit Song 6. 21Quantize events, Edit Style 5. 18Quantize, Song recording 6. 13Quick Rec Song record method 6. 9RRAM reset viRAM Waveforms, Sample Translator 2. 44Random pitch, Edit Preset 3. 19Range(H) A. 32Rear Panel 1. 2Rechargeable battery vRecognized Control Change messages A. 25Record a Song, (Quick Rec method) 1. 42Record Song method 6. 10Recording a Song 6. 9Recording a User Style 5. 6Release, Edit Preset sound 2. 6Reset list 6. 6Resetting at Power Up ivResonance, Edit Preset sound 2. 6Resonance, Edit Sound 2. 29Restore All, General 8. 9Restore all tracks, Edit Preset sound 2. 7Restore Preset, General 8. 9Restore Songs, General 8. 9Restore Sounds, General 8. 9Restore Style-Preset, General 8. 9Restore Styles, General 8. 9Restore track, Edit Preset sound 2. 7Restoring the Songs memory 6. 13Reverbs 3. 12Rewind

A 4 6 I n d e x

A46 Index

F o r m a t H a r d D i s k 4 . 2 3

F o r m a t M S - D O S d i s k 4 . 2 2

F o r m a t t i n g F l o p p y d i s k s 4 . 2 2

F o r w a r d > > b u t t o n , S o n g 6 . 2

F r o n t P a n e l 1 . 1

F u l l k e y b o a r d p l a y i n g 1 . 1 4

G

G e n e r a l E d i t 8 . 1

G l o b a l P r e s e t s , s e l e c t i o n 3 . 1

G l o b a l P r e s e t s , s e l e c t i o n & p l a y 1 . 3 1

G r a n d P i a n o P r e s e t 1 . 9

H

H a r d d i s k 4 . 1

H a r d d i s k ( P r e l o a d ) 6 . 6

H a r d D i s k B a c k u p 4 . 2 4

H a r d D i s k C h e c k / R e c o v e r y 4 . 2 3

H a r d D i s k P r o t e c t i o n 4 . 2 4

H a r d D i s k R e s t o r e 4 . 2 5

H a r d D i s k s l e e p t i m e 4 . 2 4

H a r d D i s k U t i l i t y 4 . 2 3

H a r d c o p y ( P a d s ) 3 . 1 8

H a r m o n y 3 . 2 1

H a r m o n y O n / O f f 5 . 2

H a r m o n y T y p e 5 . 2

H a r m o n y t y p e 3 . 2 1

H e a d p h o n e s 1 . 1 0

H e l p 9 . 1

H o w t o u s e H E L P 9 . 1

I

I m p o r t a n t P r e l i m i n a r y N o t e s i v

I n s e r t m e a s u r e s , E d i t S o n g 6 . 2 3

I n s e r t M e a s u r e s , E d i t S t y l e 5 . 1 9

I n s e r t i n g a s c o r e ( n o t e s a n d c h o r d s ) 6 . 3 3

I n s e r t i n g c h o r d s y m b o l s , E d i t S c o r e 6 . 3 5

I n s e r t i n g l y r i c s , E d i t S c o r e 6 . 3 6

I n s e r t i n g n o t e s , E d i t S c o r e 6 . 3 5

I s o l a t e a s i n g l e s o u n d 1 . 1 8

J

J A Z 1 G / 2 G F O R M A T 4 . 2 8

J u k e b o x 6 . 4

K

K e y A s s i g n 3 . 1 8

K e y O n / K e y O f f A m p . E n v e l o p e s 2 . 2 4

K e y O n / K e y O f f B a l a n c e e n v e l o p e 2 . 2 7

K e y O n / K e y O f f E n v e l o p e p r o g r a m m i n g e x a m p l e 2 . 2 5

K e y O n / K e y O f f F i l t e r E n v e l o p e 2 . 3 1

K e y O n / K e y O f f P a n E n v e l o p e 2 . 3 7

K e y O n / K e y O f f P i t c h E n v e l o p e 2 . 3 3

K e y r a n g e , E d i t P r e s e t 3 . 2 2

K e y S t a r t 1 . 2 7

K e y b o a r d S c a l e , G e n e r a l 8 . 2

K e y b o a r d s e n s i t i v i t y , G e n e r a l 8 . 2

L

L a s t S e l e c t i o n M e m o r y 8 . 6

L a y e r d y n a m i c r a n g e , E d i t S o u n d 2 . 3 8

L a y e r k e y r a n g e , E d i t S o u n d 2 . 3 8

L a y e r s , E d i t S o u n d 2 . 1 5

L F O , E d i t P r e s e t s o u n d 2 . 6

L F O , E d i t S o u n d 2 . 3 4

L o a d A l l , D i s k 4 . 9

L o a d G r o u p , D i s k 4 . 7

L o a d G r o u p U s e r S t y l e , e x a m p l e 4 . 8

L o a d O p e r a t i o n s , D i s k 4 . 5

L o a d S i n g l e , D i s k 4 . 5

L o a d S i n g l e S o u n d , e x a m p l e 4 . 6

L o a d s o n g s t o m e m o r y 6 . 1

L o a d W X / S X S o n g s & S t y l e s 4 . 1 0

L o a d i n g d a t a i n t o R A M 1 . 4 0

L o a d i n g s a m p l e s , S a m p l e T r a n s l a t o r 2 . 4 6

L o c a l O N , L o c a l O f f , E d i t P r e s e t 3 . 1 0

L o c a t o r , S o n g 6 . 3

L o w F r e q u e n c y O s c i l l a t o r 2 . 3 4

L o w e r M e m o r y , S t y l e s 5 . 1

L y r i c s o n a n e x t e r n a l m o n i t o r 1 . 2 3

L y r i c s o n d i s p l a y 1 . 2 1

M

M a c i n t o s h 8 . 5

M a s k , E d i t S t y l e 5 . 2 4

M a s t e r P i t c h , G e n e r a l 8 . 2

M a s t e r T r a c k e v e n t e d i t , E d i t S o n g 6 . 3 0

M e l o d y O f f 6 . 8

M e m o r y , S t y l e s 5 . 1

M i c / L i n e O n / O f f , G e n e r a l 8 . 7

M i c r o s c o p e e v e n t e d i t , E d i t S o n g 6 . 2 7

M i c r o s c o p e e v e n t e d i t i n g , E d i t S t y l e 5 . 2 1

M I D I c h a n n e l c o n f i g u r a t i o n , E d i t P r e s e t 3 . 5

M I D I C h a n n e l s 3 . 5

M i d i C l o c k , E d i t P r e s e t 3 . 6

M I D I D u m p , E d i t P r e s e t 3 . 9

M I D I , E d i t P r e s e t 3 . 5

M i d i F i l e P l a y e r 1 . 3 8 , 6 . 7

M I D I F i l e , s a v i n g 4 . 1 2

M I D I f i l t e r s , E d i t P r e s e t 3 . 6

M I D I I m p l e m e n t a t i o n C h a r t A . 2 7

M I D I L o c k , E d i t P r e s e t 3 . 1 0

M I D I M e r g e , E d i t P r e s e t 3 . 6

M i d i P a n i c 9 . 2

M I D I S a m p l e D u m p S t a n d a r d 2 . 5 4

M i x e r , E d i t P r e s e t 3 . 1 0

M i x e r L o c k 5 . 2

M o d e ( F 8 ) f o r P e d a l b o a r d o p t i o n s 8 . 4

M o d e l s w i t h O p t i o n a l H a r d D i s k I n s t a l l e d i v

M o d u l a t i o n 3 . 1 5

M o n o p h o n i c m o d e , E d i t P r e s e t 3 . 2 0

M o v e e v e n t s , E d i t S o n g 6 . 1 8

M o v e e v e n t s , E d i t S t y l e 5 . 1 6

M o v e o p e r a t i o n s , D i s k 4 . 2 0

M o v e S i n g l e S o u n d 4 . 2 0

M u l t i T r a c k L i s t 3 . 3

M u l t i c o p y H . D i s k t o S C S I 4 . 2 6

M u l t i c o p y o p t i o n s 4 . 2 7

M u l t i c o p y S C S I t o H . D i s k 4 . 2 7

M u l t i f u n c t i o n 8 . 4

M u l t i m e d i a 1 . 2 1

O

O v e r l a p p i n g s a m p l e s , S a m p l e T r a n s l a t o r 2 . 4 9

P

P a d s 1 . 1 1 , 3 . 1 8

P a n , E d i t S o u n d 2 . 3 6

P a n E n v e l o p e C o n t r o l 2 . 3 6

P a n E n v e l o p e T r a c k i n g 2 . 3 7

Format Hard Disk 4. 23Format MS-DOS disk 4. 22Formatting Floppy disks 4. 22Forward >> button, Song 6. 2Front Panel 1. 1Full keyboard playing 1. 14GGeneral Edit 8. 1Global Presets, selection 3. 1Global Presets, selection & play 1. 31Grand Piano Preset 1. 9HHard disk 4. 1Hard disk (Preload) 6. 6Hard Disk Backup 4. 24Hard Disk Check/Recovery 4. 23Hard Disk Protection 4. 24Hard Disk Restore 4. 25Hard Disk sleep time 4. 24Hard Disk Utility 4. 23Hardcopy (Pads) 3. 18Harmony 3. 21Harmony On/Off 5. 2Harmony Type 5. 2Harmony type 3. 21Headphones 1. 10Help 9. 1How to use HELP 9. 1IImportant Preliminary Notes ivInsert measures, Edit Song 6. 23Insert Measures, Edit Style 5. 19Inserting a score (notes and chords) 6. 33Inserting chord symbols, Edit Score 6. 35Inserting lyrics, Edit Score 6. 36Inserting notes, Edit Score 6. 35Isolate a single sound 1. 18JJAZ 1G/2G FORMAT 4. 28Jukebox 6. 4KKey Assign 3. 18Key On/Key Off Amp. Envelopes 2. 24Key On/Key Off Balance envelope 2. 27Key On/Key Off Envelope programming example 2. 25Key On/Key Off Filter Envelope 2. 31Key On/Key Off Pan Envelope 2. 37Key On/Key Off Pitch Envelope 2. 33Key range, Edit Preset 3. 22Key Start 1. 27Keyboard Scale, General 8. 2Keyboard sensitivity, General 8. 2LLast Selection Memory 8. 6Layer dynamic range, Edit Sound 2. 38Layer key range, Edit Sound 2. 38Layers, Edit Sound 2. 15LFO, Edit Preset sound 2. 6LFO, Edit Sound 2. 34

Load All, Disk 4. 9Load Group, Disk 4. 7Load Group User Style, example 4. 8Load Operations, Disk 4. 5Load Single, Disk 4. 5Load Single Sound, example 4. 6Load songs to memory 6. 1Load WX/SX Songs & Styles 4. 10Loading data into RAM 1. 40Loading samples, Sample Translator 2. 46Local ON, Local Off, Edit Preset 3. 10Locator, Song 6. 3Low Frequency Oscillator 2. 34Lower Memory, Styles 5. 1Lyrics on an external monitor 1. 23Lyrics on display 1. 21MMacintosh 8. 5Mask, Edit Style 5. 24Master Pitch, General 8. 2Master Track event edit, Edit Song 6. 30Melody Off 6. 8Memory, Styles 5. 1Mic/Line On/Off, General 8. 7Microscope event edit, Edit Song 6. 27Microscope event editing, Edit Style 5. 21MIDI channel configuration, Edit Preset 3. 5MIDI Channels 3. 5Midi Clock, Edit Preset 3. 6MIDI Dump, Edit Preset 3. 9MIDI, Edit Preset 3. 5Midi File Player 1. 38,6. 7MIDI File, saving 4. 12MIDI filters, Edit Preset 3. 6MIDI Implementation Chart A. 27MIDI Lock, Edit Preset 3. 10MIDI Merge, Edit Preset 3. 6Midi Panic 9. 2MIDI Sample Dump Standard 2. 54Mixer, Edit Preset 3. 10Mixer Lock 5. 2Mode (F8) for Pedalboard options 8. 4Models with Optional Hard Disk Installed ivModulation 3. 15Monophonic mode, Edit Preset 3. 20Move events, Edit Song 6. 18Move events, Edit Style 5. 16Move operations, Disk 4. 20Move Single Sound 4. 20Multi Track List 3. 3Multicopy H.Disk to SCSI 4. 26Multicopy options 4. 27Multicopy SCSI to H.Disk 4. 27Multifunction 8. 4Multimedia 1. 21OOverlapping samples, Sample Translator 2. 49PPads 1. 11,3. 18Pan, Edit Sound 2. 36Pan Envelope Control 2. 36Pan Envelope Tracking 2. 37

C o d . 2 7 1 3 2 9

E n g l i s h

O w n e r s m a n u a l

Cod. 271329English

Owners manual

CAUTIONRISK OF ELECTRIC SHOCK

DO NOT OPEN

The lightning flash with arrowhead symbol, within anequilateral triangle, is intended to alert the user to thepresence of uninsulated dangerous voltage within theproducts enclosure that may be of sufficient magnitudeto constitute a risk of electric shock to persons.

The exclamation mark within an equilateral triangle isintended to alert the user to the presence of importantoperating and maintenance (servicing) instructions in theliterature accompanying the product.

C A U T I O N

R I S K O F E L E C T R I C S H O C K

D O N O T O P E N

T h e l i g h t n i n g f l a s h w i t h a r r o w h e a d s y m b o l , w i t h i n a n

e q u i l a t e r a l t r i a n g l e , i s i n t e n d e d t o a l e r t t h e u s e r t o t h e

p r e s e n c e o f u n i n s u l a t e d d a n g e r o u s v o l t a g e w i t h i n t h e

p r o d u c t s e n c l o s u r e t h a t m a y b e o f s u f f i c i e n t m a g n i t u d e

t o c o n s t i t u t e a r i s k o f e l e c t r i c s h o c k t o p e r s o n s .

T h e e x c l a m a t i o n m a r k w i t h i n a n e q u i l a t e r a l t r i a n g l e i s

i n t e n d e d t o a l e r t t h e u s e r t o t h e p r e s e n c e o f i m p o r t a n t

o p e r a t i n g a n d m a i n t e n a n c e ( s e r v i c i n g ) i n s t r u c t i o n s i n t h e

l i t e r a t u r e a c c o m p a n y i n g t h e p r o d u c t .

C A U T I O N : T O R E D U C E T H E R I S K O F E L E C T R I C

S H O C K , D O N O T R E M O V E C O V E R ( O R B A C K ) . N O

U S E R - S E R V I C E A B L E P A R T S I N S I D E . R E F E R

S E R V I C I N G T O Q U A L I F I E D S E R V I C E P E R S O N N E L .

I M P O R T A N T S A F E T Y I N S T R U C T I O N S

I N S T R U C T I O N S P E R T A I N I N G T O A R I S K O F F I R E , E L E C T R I C S H O C K O R I N J U R Y T O P E R S O N S

1 . R e a d a l l t h e i n s t r u c t i o n s ( S a f e t y , I n s t a l l a t i o n a n d F C C i f a p p l i c a b l e ) b e f o r e u s i n g t h e p r o d u c t .

2 . D o n o t u s e t h i s p r o d u c t n e a r w a t e r ( e x a m p l e , n e a r a s w i m m i n g p o o l , s p a , t u b , s i n k o r w e t b a s e m e n t ) a n d d o n o t e x p o s e t o

r a i n .

3 . T h i s p r o d u c t s h o u l d b e u s e d o n l y w i t h a c a r t o r s t a n d t h a t i s r e c o m m e n d e d b y t h e m a n u f a c t u r e r , o r s h o u l d b e u s e d w i t h t h e

c o m p o n e n t s s u p p l i e d . I f t h i s p r o d u c t r e q u i r e s a s s e m b l y b e f o r e b e i n g p l a y e d , t a k e s p e c i a l c a r e t o f o l l o w t h e a s s e m b l y

i n s t r u c t i o n s f o u n d a t t h e b a c k o f t h e m a n u a l .

4 . T h i s p r o d u c t , w h e t h e r a l o n e o r i n c o m b i n a t i o n w i t h a n a m p l i f i e r a n d h e a d p h o n e s o r s p e a k e r s , m a y b e c a p a b l e o f p r o d u c i n g

s o u n d l e v e l s t h a t c o u l d c a u s e p e r m a n e n t h e a r i n g l o s s . D o n o t o p e r a t e f o r l o n g p e r i o d s o f t i m e a t a h i g h v o l u m e l e v e l o r a t a

l e v e l t h a t i s u n c o m f o r t a b l e . I f y o u e x p e r i e n c e a n y h e a r i n g l o s s o r r i n g i n g i n t h e e a r s , y o u s h o u l d c o n s u l t a n a u d i o l o g i s t .

5 . W A R N I N G : D o n o t p l a c e t h i s p r o d u c t o r a n y o t h e r o b j e c t s o n t h e p o w e r c o r d , o r p l a c e i t i n a p o s i t i o n w h e r e o n e c o u l d w a l k

o n , t r i p o v e r o r r o l l a n y t h i n g o v e r p o w e r o r c o n n e c t i n g c o r d s o f a n y k i n d .

6 . T h i s p r o d u c t s h o u l d b e l o c a t e d s o t h a t i t s l o c a t i o n d o e s n o t i n t e r f e r e w i t h i t s p r o p e r v e n t i l a t i o n .

7 . T h i s p r o d u c t s h o u l d b e l o c a t e d a w a y f r o m h e a t s o u r c e s s u c h a s r a d i a t o r s , h e a t r e g i s t e r s , o r o t h e r p r o d u c t s t h a t p r o d u c e h e a t .

8 . T h i s p r o d u c t s h o u l d b e c o n n e c t e d t o a p o w e r s u p p l y o n l y o f t h e t y p e d e s c r i b e d i n t h e o p e r a t i n g i n s t r u c t i o n s o r a s m a r k e d o n

t h e p r o d u c t .

9 . T h i s p r o d u c t m a y b e e q u i p p e d w i t h a p o l a r i s e d l i n e p l u g ( o n e b l a d e w i d e r t h a n t h e o t h e r ) . T h i s i s a s a f e t y f e a t u r e . I f y o u a r e

u n a b l e t o i n s e r t t h e p l u g i n t o t h e w a l l o u t l e t , c o n t a c t a n e l e c t r i c i a n t o r e p l a c e y o u r o b s o l e t e o u t l e t . D o n o t d e f e a t t h e s a f e t y

p u r p o s e o f t h e p l u g .

1 0 . T h e p o w e r s u p p l y c o r d o f t h e p r o d u c t s h o u l d b e u n p l u g g e d f r o m t h e o u t l e t w h e n l e f t u n u s e d f o r l o n g p e r i o d s o f t i m e .

1 1 . C a r e s h o u l d b e t a k e n s o t h a t o b j e c t s d o n o t f a l l a n d l i q u i d s a r e n o t s p i l l e d i n t o t h e e n c l o s u r e t h r o u g h o p e n i n g s .

1 2 . T h i s p r o d u c t s h o u l d b e s e r v i c e d b y q u a l i f i e d s e r v i c e p e r s o n n e l w h e n :

a ) t h e p o w e r s u p p l y c o r d o r t h e p l u g h a s b e e n d a m a g e d ; o r

b ) o b j e c t s h a v e f a l l e n , o r l i q u i d h a s b e e n s p i l l e d i n t o t h e p r o d u c t ; o r

c ) t h e p r o d u c t h a s b e e n e x p o s e d t o r a i n ; o r

d ) t h e p r o d u c t d o e s n o t a p p e a r t o o p e r a t e n o r m a l l y o r e x h i b i t s m a r k e d c h a n g e s i n p e r f o r m a n c e ; o r

e ) t h e p r o d u c t h a s b e e n d r o p p e d , o r t h e e n c l o s u r e d a m a g e d .

1 3 . D o n o t a t t e m p t t o s e r v i c e t h e p r o d u c t b e y o n d t h a t d e s c r i b e d i n t h e u s e r - m a i n t e n a n c e i n s t r u c t i o n s . A l l s e r v i c i n g s h o u l d b e

r e f e r r e d t o q u a l i f i e d s e r v i c e p e r s o n n e l .

1 4 . S o m e p r o d u c t s m a y h a v e b e n c h e s a n d / o r a c c e s s o r y m o u n t i n g f i x t u r e s t h a t a r e e i t h e r s u p p l i e d a s p a r t o f t h e p r o d u c t o r a s

o p t i o n a l a c c e s s o r i e s . P l e a s e e n s u r e t h a t b e n c h e s a r e c o r r e c t l y a s s e m b l e d a n d s t a b l e a n d a n y o p t i o n a l f i x t u r e s ( w h e r e

a p p l i c a b l e ) a r e w e l l s e c u r e d b e f o r e u s e .

1 5 . E l e c t r o m a g n e t i c I n t e r f e r e n c e ( R F I ) T h i s e l e c t r o n i c p r o d u c t u t i l i s e s d i g i t a l s a m p l e w a v e p r o c e s s i n g t e c h n o l o g y ( S . W . P . ) t h a t

m a y a d v e r s e l y a f f e c t r a d i o / T V r e c e p t i o n . R e a d t h e F C C n o t e o n t h e i n s i d e b a c k c o v e r o f t h e o w n e r s m a n u a l f o r a d d i t i o n a l

i n f o r m a t i o n .

S A V E T H E S E I N S T R U C T I O N S

T h e i n f o r m a t i o n i n t h i s p u b l i c a t i o n h a s b e e n c a r e f u l l y p r e p a r e d a n d c h e c k e d . T h e m a n u f a c t u r e r s h o w e v e r d e c l i n e a l l l i a b i l i t y f o r

e v e n t u a l e r r o r s . A l l r i g h t s a r e r e s e r v e d . T h i s p u b l i c a t i o n m a y n o t b e c o p i e d , p h o t o c o p i e d o r r e p r o d u c e d i n p a r t o r i n w h o l e w i t h o u t p r i o r

w r i t t e n c o n s e n t f r o m G e n e r a l m u s i c S . p . A . G e n e r a l m u s i c r e s e r v e s t h e r i g h t t o a p p l y a n y a e s t h e t i c , d e s i g n o r f u n c t i o n m o d i f i c a t i o n s

i t c o n s i d e r s n e c e s s a r y t o a n y o f i t s p r o d u c t s w i t h o u t p r i o r n o t i c e . G e n e r a l m u s i c d e c l i n e s a l l l i a b i l i t y f o r d a m a g e t o p r o p e r t y o r p e r s o n s

r e s u l t i n g f r o m i m p r o p e r u s e o f t h e i n s t r u m e n t .

M a k e s u r e t h a t a l l i n t e r n a l e l e c t r o n i c o p t i o n s a r e i n s t a l l e d b y a n a u t h o r i z e d G e n e r a l m u s i c s e r v i c e t e c h n i c i a n . C h e c k w i t h a n a u t h o r i z e d

G e n e r a l m u s i c d e a l e r f o r i n f o r m a t i o n o n t h e c l o s e s t s e r v i c e c e n t e r .

C o p y r i g h t G e n e r a l m u s i c 2 0 0 0 . A l l r i g h t s r e s e r v e d .

P r o d u c t s a n d b r a n d n a m e s t h a t a r e r e f e r r e d t o i n t h i s p u b l i c a t i o n ( A K A I , A p p l e , I B M , J a z , K u r z w e i l , M a c i n t o s h , M i c r o s o f t , M S - D O S ,

S a m p l e V i s i o n , W i n d o w s , Z i p ) m a y e i t h e r b e t r a d e m a r k s a n d / o r r e g i s t e r e d t r a d e m a r k s o f t h e i r r e s p e c t i v e o w n e r s . T h e P u b l i s h e r / s a n d

A u t h o r / s m a k e n o c l a i m t o t h e s e t r a d e m a r k s .

Index A45

I n d e x A 4 5

IndexAAdjust the sound volumes separately 1. 17Advanced Edit Sound 2. 13Algorithms, Edit Sound 2. 16Alphanumeric entry 1. 4Amplitude Envelope 2. 23Amplitude Envelope Tracking 2. 26Arrange Mode 5. 1Arrange Mode functions 5. 3Arrange On/Off 1. 24,5. 1Arrange On/Off, Global Presets 3. 2Assigning samples, Sample Translator 2. 48Attack, Edit Preset sound 2. 5Auto Chord mode 5. 3Auto Preload 6. 6Autobacking, Styles 5. 4Autoload 1. 22BBalance (Edit Sound) 2. 21Balance Envelope 2. 23Balance Envelope, Edit Sound 2. 26Balance Envelope Tracking 2. 28Balance, S.M.F. Player 6. 8Balance Tracking 2. 21Balancing 1. 17Bass Sustain 8. 4Bass to Lowest 5. 2Battery & Release 8. 8CCancelling assignments, Sample Translator 2. 50Cancelling samples, Sample Translator 2. 50Catch note, Edit Sound Patch 2. 10CC#0 (ControlChange) 3. 18CC#32 (ControlChange) 3. 18Change disk name 4. 22Channel A effects 3. 12Channel B effects 3. 12Chord mode, Vocal Processor 7. 2Chord Recognition 5. 3Common Channel, Edit Preset 3. 5Common channel, Edit Preset 3. 8Compare, Edit Sound Patch 2. 11Computer 8. 4Computer, General 8. 4Continuous Control Pedals 3. 15Controllers, Edit Preset 3. 15Copy events, Edit Song 6. 19Copy events, Edit Style 5. 16Copy operations, Disk 4. 18Copy Single Sound 4. 18Copy track, Edit Preset 3. 22Create track, Edit Preset 3. 22Cutoff Frequency, Edit Sound 2. 29DDecay, Edit Preset sound 2. 5Delay, Edit Preset 3. 22Delay/Modulation 3. 12

Delete measures, Edit Song 6. 24Delete measures, Edit Style 5. 19Detune, Edit Preset 3. 19Dialog windows 1. 8Disk 4. 1Disk procedure 4. 3Display Hold 1. 12,1. 31,2. 2,9. 2Drum Kit editing 2. 8Drum Kits 2. 1Drum mask, Edit Style 5. 24Drumkits A. 10Dynamic Arrange, Styles 5. 4Dynamic layer, Edit Sound Patch 2. 8Dynamic switch 2. 9EEdit Menu, Presets programming 3. 3Edit Preset Sound 2. 5Edit Score 6. 33,6. 35Edit Song 6. 14Edit Sound 2. 13Edit Sound menu 2. 14Edit Sound Patch 2. 8Edit Sound/Sound Patch 2. 4Edit Style 5. 13Edit Style procedure 5. 14,6. 15Effect Send 3. 13Effects, Edit Preset 3. 12Effects, enable/disable 1. 37Effects Programming 3. 13Entring the Vocal Processor 7. 2Equalizer, General 8. 7Equalizer, Vocal Processor 7. 6Erase, Edit Style 5. 15Erase events, Edit Song 6. 16Erase operations, Disk 4. 17Erase Single Song 4. 17Erase track, Edit Preset 3. 23Escape Edit Sound, temoprary 2. 14Exclude, Edit Sound Patch 2. 9Exit Edit Sound 2. 14Expand, Edit Sound Patch 2. 10Export sample, Sample Translator 2. 53External monotor viewing options 6. 34FFade In/Out 1. 28FAST JAZ 1G/2G format 4. 28FAST zip 100/250 format 4. 28File selector, Disk 4. 2Fill In 1. 26Filter Control, Edit Sound 2. 29Filter Cutoff, Edit Preset sound 2. 6Filter Cutoff Tracking 2. 30Filter, Edit Sound 2. 29Filter Envelope Tracking 2. 31Filters connected in parallel 2. 29Filters connected in series 2. 29Fixed Chord mode 5. 3Flash Styles 1. 29,5. 1Floppy disk 4. 1Floppy disk (Preload) 6. 6Floppy disk utility 4. 22Footswitch polarity 8. 2

I n d e x

A

A d j u s t t h e s o u n d v o l u m e s s e p a r a t e l y 1 . 1 7

A d v a n c e d E d i t S o u n d 2 . 1 3

A l g o r i t h m s , E d i t S o u n d 2 . 1 6

A l p h a n u m e r i c e n t r y 1 . 4

A m p l i t u d e E n v e l o p e 2 . 2 3

A m p l i t u d e E n v e l o p e T r a c k i n g 2 . 2 6

A r r a n g e M o d e 5 . 1

A r r a n g e M o d e f u n c t i o n s 5 . 3

A r r a n g e O n / O f f 1 . 2 4 , 5 . 1

A r r a n g e O n / O f f , G l o b a l P r e s e t s 3 . 2

A s s i g n i n g s a m p l e s , S a m p l e T r a n s l a t o r 2 . 4 8

A t t a c k , E d i t P r e s e t s o u n d 2 . 5

A u t o C h o r d m o d e 5 . 3

A u t o P r e l o a d 6 . 6

A u t o b a c k i n g , S t y l e s 5 . 4

A u t o l o a d 1 . 2 2

B

B a l a n c e ( E d i t S o u n d ) 2 . 2 1

B a l a n c e E n v e l o p e 2 . 2 3

B a l a n c e E n v e l o p e , E d i t S o u n d 2 . 2 6

B a l a n c e E n v e l o p e T r a c k i n g 2 . 2 8

B a l a n c e , S . M . F . P l a y e r 6 . 8

B a l a n c e T r a c k i n g 2 . 2 1

B a l a n c i n g 1 . 1 7

B a s s S u s t a i n 8 . 4

B a s s t o L o w e s t 5 . 2

B a t t e r y & R e l e a s e 8 . 8

C

C a n c e l l i n g a s s i g n m e n t s , S a m p l e T r a n s l a t o r 2 . 5 0

C a n c e l l i n g s a m p l e s , S a m p l e T r a n s l a t o r 2 . 5 0

C a t c h n o t e , E d i t S o u n d P a t c h 2 . 1 0

C C # 0 ( C o n t r o l C h a n g e ) 3 . 1 8

C C # 3 2 ( C o n t r o l C h a n g e ) 3 . 1 8

C h a n g e d i s k n a m e 4 . 2 2

C h a n n e l A e f f e c t s 3 . 1 2

C h a n n e l B e f f e c t s 3 . 1 2

C h o r d m o d e , V o c a l P r o c e s s o r 7 . 2

C h o r d R e c o g n i t i o n 5 . 3

C o m m o n C h a n n e l , E d i t P r e s e t 3 . 5

C o m m o n c h a n n e l , E d i t P r e s e t 3 . 8

C o m p a r e , E d i t S o u n d P a t c h 2 . 1 1

C o m p u t e r 8 . 4

C o m p u t e r , G e n e r a l 8 . 4

C o n t i n u o u s C o n t r o l P e d a l s 3 . 1 5

C o n t r o l l e r s , E d i t P r e s e t 3 . 1 5

C o p y e v e n t s , E d i t S o n g 6 . 1 9

C o p y e v e n t s , E d i t S t y l e 5 . 1 6

C o p y o p e r a t i o n s , D i s k 4 . 1 8

C o p y S i n g l e S o u n d 4 . 1 8

C o p y t r a c k , E d i t P r e s e t 3 . 2 2

C r e a t e t r a c k , E d i t P r e s e t 3 . 2 2

C u t o f f F r e q u e n c y , E d i t S o u n d 2 . 2 9

D

D e c a y , E d i t P r e s e t s o u n d 2 . 5

D e l a y , E d i t P r e s e t 3 . 2 2

D e l a y / M o d u l a t i o n 3 . 1 2

D e l e t e m e a s u r e s , E d i t S o n g 6 . 2 4

D e l e t e m e a s u r e s , E d i t S t y l e 5 . 1 9

D e t u n e , E d i t P r e s e t 3 . 1 9

D i a l o g w i n d o w s 1 . 8

D i s k 4 . 1

D i s k p r o c e d u r e 4 . 3

D i s p l a y H o l d 1 . 1 2 , 1 . 3 1 , 2 . 2 , 9 . 2

D r u m K i t e d i t i n g 2 . 8

D r u m K i t s 2 . 1

D r u m m a s k , E d i t S t y l e 5 . 2 4

D r u m k i t s A . 1 0

D y n a m i c A r r a n g e , S t y l e s 5 . 4

D y n a m i c l a y e r , E d i t S o u n d P a t c h 2 . 8

D y n a m i c s w i t c h 2 . 9

E

E d i t M e n u , P r e s e t s p r o g r a m m i n g 3 . 3

E d i t P r e s e t S o u n d 2 . 5

E d i t S c o r e 6 . 3 3 , 6 . 3 5

E d i t S o n g 6 . 1 4

E d i t S o u n d 2 . 1 3

E d i t S o u n d m e n u 2 . 1 4

E d i t S o u n d P a t c h 2 . 8

E d i t S o u n d / S o u n d P a t c h 2 . 4

E d i t S t y l e 5 . 1 3

E d i t S t y l e p r o c e d u r e 5 . 1 4 , 6 . 1 5

E f f e c t S e n d 3 . 1 3

E f f e c t s , E d i t P r e s e t 3 . 1 2

E f f e c t s , e n a b l e / d i s a b l e 1 . 3 7

E f f e c t s P r o g r a m m i n g 3 . 1 3

E n t r i n g t h e V o c a l P r o c e s s o r 7 . 2

E q u a l i z e r , G e n e r a l 8 . 7

E q u a l i z e r , V o c a l P r o c e s s o r 7 . 6

E r a s e , E d i t S t y l e 5 . 1 5

E r a s e e v e n t s , E d i t S o n g 6 . 1 6

E r a s e o p e r a t i o n s , D i s k 4 . 1 7

E r a s e S i n g l e S o n g 4 . 1 7

E r a s e t r a c k , E d i t P r e s e t 3 . 2 3

E s c a p e E d i t S o u n d , t e m o p r a r y 2 . 1 4

E x c l u d e , E d i t S o u n d P a t c h 2 . 9

E x i t E d i t S o u n d 2 . 1 4

E x p a n d , E d i t S o u n d P a t c h 2 . 1 0

E x p o r t s a m p l e , S a m p l e T r a n s l a t o r 2 . 5 3

E x t e r n a l m o n o t o r v i e w i n g o p t i o n s 6 . 3 4

F

F a d e I n / O u t 1 . 2 8

F A S T J A Z 1 G / 2 G f o r m a t 4 . 2 8

F A S T z i p 1 0 0 / 2 5 0 f o r m a t 4 . 2 8

F i l e s e l e c t o r , D i s k 4 . 2

F i l l I n 1 . 2 6

F i l t e r C o n t r o l , E d i t S o u n d 2 . 2 9

F i l t e r C u t o f f , E d i t P r e s e t s o u n d 2 . 6

F i l t e r C u t o f f T r a c k i n g 2 . 3 0

F i l t e r , E d i t S o u n d 2 . 2 9

F i l t e r E n v e l o p e T r a c k i n g 2 . 3 1

F i l t e r s c o n n e c t e d i n p a r a l l e l 2 . 2 9

F i l t e r s c o n n e c t e d i n s e r i e s 2 . 2 9

F i x e d C h o r d m o d e 5 . 3

F l a s h S t y l e s 1 . 2 9 , 5 . 1

F l o p p y d i s k 4 . 1

F l o p p y d i s k ( P r e l o a d ) 6 . 6

F l o p p y d i s k u t i l i t y 4 . 2 2

F o o t s w i t c h p o l a r i t y 8 . 2

A 4 4 A p p e n d i x

A44 Appendix

F E D E R A L C O M M U N I C A T I O N S C O M M I S S I O N

N o t e : T h i s e q u i p m e n t h a s b e e n t e s t e d a n d f o u n d t o c o m p l y w i t h t h e l i m i t s f o r a C l a s s B d i g i t a l d e v i c e , p u r s u a n t

t o P a r t 1 5 o f F C C R u l e s . T h e s e l i m i t s a r e d e s i g n e d t o p r o v i d e r e a s o n a b l e p r o t e c t i o n a g a i n s t h a r m f u l i n t e r f e r e n c e

i n a r e s i d e n t i a l i n s t a l l a t i o n . T h i s e q u i p m e n t g e n e r a t e s , u s e s , a n d c a n r a d i a t e r a d i o f r e q u e n c y e n e r g y a n d , i f n o t

i n s t a l l e d a n d u s e d i n a c c o r d a n c e w i t h t h e i n s t r u c t i o n s , m a y c a u s e h a r m f u l i n t e r f e r e n c e t o r a d i o c o m m u n i c a t i o n s .

H o w e v e r , t h e r e i s n o g u a r a n t e e t h a t i n t e r f e r e n c e w i l l n o t o c c u r i n a p a r t i c u l a r i n s t a l l a t i o n . I f t h i s i n s t r u m e n t d o e s

c a u s e h a r m f u l i n t e r f e r e n c e t o r a d i o o r t e l e v i s i o n r e c e p t i o n , w h i c h c a n b e d e t e r m i n e d b y t u r n i n g t h e i n s t r u m e n t

o f f a n d o n , t h e u s e r i s e n c o u r a g e d t o t r y t o c o r r e c t t h e i n t e r f e r e n c e b y o n e o r m o r e o f t h e f o l l o w i n g m e a s u r e s :

- R e o r i e n t o r r e l o c a t e t h e r e c e i v i n g a n t e n n a .

- I n c r e a s e t h e s e p a r a t i o n b e t w e e n t h e e q u i p m e n t a n d t h e r e c e i v e r .

- C o n n e c t t h e e q u i p m e n t i n t o a n o u t l e t o n a c i r c u i t d i f f e r e n t f r o m t h a t t o w h i c h t h e r e c e i v e r i s c o n n e c t e d .

- C o n s u l t t h e d e a l e r o r a n e x p e r i e n c e d r a d i o / T V t e c h n i c i a n f o r h e l p .

C A U T I O N : C h a n g e s o r m o d i f i c a t i o n s t o t h i s p r o d u c t n o t e x p r e s s l y a p p r o v e d b y t h e m a n u f a c t u r e r c o u l d v o i d

t h e u s e r s a u t h o r i t y t o o p e r a t e t h i s p r o d u c t .

FEDERAL COMMUNICATIONS COMMISSION

Note: This equipment has been tested and found to comply with the limits for a Class B digital device, pursuantto Part 15 of FCC Rules. These limits are designed to provide reasonable protection against harmful interferencein a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if notinstalled and used in accordance with the instructions, may cause harmful interference to radio communications.However, there is no guarantee that interference will not occur in a particular installation. If this instrument doescause harmful interference to radio or television reception, which can be determined by turning the instrumentoff and on, the user is encouraged to try to correct the interference by one or more of the following measures:

-Reorient or relocate the receiving antenna.-Increase the separation between the equipment and the receiver.-Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.-Consult the dealer or an experienced radio/TV technician for help.

CAUTION:Changes or modifications to this product not expressly approved by the manufacturer could voidthe users authority to operate this product.

Stock Code 271329

PRINTED IN ITALY

Specifications are subject to change without prior notice.

Sales Division: I -47848 S.Giovanni in Marignano (RN) - Italy Via delle Rose, 12Tel. +39 541 959511 fax +39 541 957404 tlx 550555 GMUSIC IInternet: http://www.generalmusic.com

S t o c k C o d e 2 7 1 3 2 9

P R I N T E D I N I T A L Y

S p e c i f i c a t i o n s a r e s u b j e c t t o c h a n g e w i t h o u t p r i o r n o t i c e .

S a l e s D i v i s i o n : I - 4 7 8 4 8 S . G i o v a n n i i n M a r i g n a n o ( R N ) - I t a l y V i a d e l l e R o s e , 1 2

T e l . + 3 9 5 4 1 9 5 9 5 1 1 f a x + 3 9 5 4 1 9 5 7 4 0 4 t l x 5 5 0 5 5 5 G M U S I C I

I n t e r n e t : h t t p : / / w w w . g e n e r a l m u s i c . c o m

System Exclusive A43

S y s t e m E x c l u s i v e A 4 3

APPENDIX CMIDI FILTERS conversion tableN.DescriptionN.Description0Filter off5077 S.C. (Undef.)1Prg. change5178 S.C. (Undef.)2Pitch5279 S.C. (Undef.)3Mono touch5380 Gen. purp. c.54Poly touch5481 Gen. purp. c.650 Bank sel5582 Gen. purp. c.761 Modulation5683 Gen. purp. c.872 Breath cnt.5784 Portam. cnt.83 Undef. cnt.5885 Undef. cnt.94 Foot cnt.5986 Undef. cnt.105 Portamento time6087 Undef. cnt.116 Data en. MSB6188 Undef. cnt.127 Main vol.6289 Undef. cnt.138 Balance6390 Undef. cnt.149 Undef. cnt.6491 Eff. 1 (Rev.)1510 Panorama6592 Eff. 21611 Expression6693 Eff. 3 (Chor.)1712 Control 16794 Eff. 41813 Control 26895 Eff. 51914 Undef. cnt.6996 Data incr.2015 Undef. cnt.7097 Data decr.2116 Gen. purp. c.17198 NRPN LSB2217 Gen. purp. c.27299 NRPN MSB2318 Gen. purp. c.373100 RPN LSB2419 Gen. purp. c.474101 RPN MSB2520 Undef. cnt.75103 Undef. cnt.2621 Undef. cnt.76104 Undef. cnt.2722 Undef. cnt.77105 Undef. cnt.2823 Undef. cnt.78106 Undef. cnt.2924 Undef. cnt.79107 Undef. cnt.3025 Undef. cnt.80108 Undef. cnt.3126 Undef. cnt.81109 Undef. cnt.3227 Undef. cnt.82110 Undef. cnt.3328 Undef. cnt.83111 Undef. cnt.3429 Undef. cnt.84112 Undef. cnt.3530 Undef. cnt.85113 Undef. cnt.3631 Undef. cnt.86114 Undef. cnt.3764 Damper ped.87115 Undef. cnt.3865 Portamento88116 Undef. cnt.3966 Sostenuto89117 Undef. cnt.4067 Soft pedal90118 Undef. cnt.4168 Legato foot91119 Undef. cnt.4269 Hold 292119 Undef. cnt.4370 S.C. (Sn.v.)93120 All snd. off4471 S.C. (Res.)94121 Reset all c.4572 S.C. (Rel.)95122 Local cnt.4673 S.C. (Att.)96123 All note off4774 S.C. (Cut.)97124 Omni m. off4875 S.C. (Undef.)98125 Omni m. on4976 S.C. (Undef.)99126 Mono m. on

100127 Poly m. on

1 see Appendix A on Data Format2 0=Echo LCD, 1=All, 2=All on 2 lines, 3=Lyric only, 4=Chord only3 The values 00H-0FH relatve to the Midi Port-A and 10H-1FH to Port-B4 00=No Midi, No Keyboard, 1=only Keyboard, 2=only Midi, 3=Midi & Keyboard5 00=N0 Midi, No Generation, 1=only Generation, 2=only Midi, 3=Midi & Generation6 see Appendix A on Data Format7 see paragraph Device Parameter Access8 Infact the Resource File Header is composed of 21 byte (see Appendix B)9 See Appendix B regarding the composition of the various resources available10 28 + byte data number

A P P E N D I X C

M I D I F I L T E R S c o n v e r s i o n t a b l e

N . D e s c r i p t i o n N . D e s c r i p t i o n

0 F i l t e r o f f 5 0 7 7 S . C . ( U n d e f . )

1 P r g . c h a n g e 5 1 7 8 S . C . ( U n d e f . )

2 P i t c h 5 2 7 9 S . C . ( U n d e f . )

3 M o n o t o u c h 5 3 8 0 G e n . p u r p . c . 5

4 P o l y t o u c h 5 4 8 1 G e n . p u r p . c . 6

5 0 B a n k s e l 5 5 8 2 G e n . p u r p . c . 7

6 1 M o d u l a t i o n 5 6 8 3 G e n . p u r p . c . 8

7 2 B r e a t h c n t . 5 7 8 4 P o r t a m . c n t .

8 3 U n d e f . c n t . 5 8 8 5 U n d e f . c n t .

9 4 F o o t c n t . 5 9 8 6 U n d e f . c n t .

1 0 5 P o r t a m e n t o t i m e 6 0 8 7 U n d e f . c n t .

1 1 6 D a t a e n . M S B 6 1 8 8 U n d e f . c n t .

1 2 7 M a i n v o l . 6 2 8 9 U n d e f . c n t .

1 3 8 B a l a n c e 6 3 9 0 U n d e f . c n t .

1 4 9 U n d e f . c n t . 6 4 9 1 E f f . 1 ( R e v . )

1 5 1 0 P a n o r a m a 6 5 9 2 E f f . 2

1 6 1 1 E x p r e s s i o n 6 6 9 3 E f f . 3 ( C h o r . )

1 7 1 2 C o n t r o l 1 6 7 9 4 E f f . 4

1 8 1 3 C o n t r o l 2 6 8 9 5 E f f . 5

1 9 1 4 U n d e f . c n t . 6 9 9 6 D a t a i n c r .

2 0 1 5 U n d e f . c n t . 7 0 9 7 D a t a d e c r .

2 1 1 6 G e n . p u r p . c . 1 7 1 9 8 N R P N L S B

2 2 1 7 G e n . p u r p . c . 2 7 2 9 9 N R P N M S B

2 3 1 8 G e n . p u r p . c . 3 7 3 1 0 0 R P N L S B

2 4 1 9 G e n . p u r p . c . 4 7 4 1 0 1 R P N M S B

2 5 2 0 U n d e f . c n t . 7 5 1 0 3 U n d e f . c n t .












3 7 6 4 D a m p e r p e d . 8 7 1 1 5 U n d e f . c n t .

3 8 6 5 P o r t a m e n t o 8 8 1 1 6 U n d e f . c n t .

3 9 6 6 S o s t e n u t o 8 9 1 1 7 U n d e f . c n t .

4 0 6 7 S o f t p e d a l 9 0 1 1 8 U n d e f . c n t .

4 1 6 8 L e g a t o f o o t 9 1 1 1 9 U n d e f . c n t .

4 2 6 9 H o l d 2 9 2 1 1 9 U n d e f . c n t .

4 3 7 0 S . C . ( S n . v . ) 9 3 1 2 0 A l l s n d . o f f

4 4 7 1 S . C . ( R e s . ) 9 4 1 2 1 R e s e t a l l c .

4 5 7 2 S . C . ( R e l . ) 9 5 1 2 2 L o c a l c n t .

4 6 7 3 S . C . ( A t t . ) 9 6 1 2 3 A l l n o t e o f f

4 7 7 4 S . C . ( C u t . ) 9 7 1 2 4 O m n i m . o f f

4 8 7 5 S . C . ( U n d e f . ) 9 8 1 2 5 O m n i m . o n

4 9 7 6 S . C . ( U n d e f . ) 9 9 1 2 6 M o n o m . o n

1 0 0 1 2 7 P o l y m . o n

1

s e e A p p e n d i x A o n D a t a F o r m a t

2

0 = E c h o L C D , 1 = A l l , 2 = A l l o n 2 l i n e s , 3 = L y r i c o n l y , 4 = C h o r d o n l y

3

T h e v a l u e s 0 0 H - 0 F H r e l a t v e t o t h e M i d i P o r t - A a n d 1 0 H - 1 F H t o P o r t - B

4

0 0 = N o M i d i , N o K e y b o a r d , 1 = o n l y K e y b o a r d , 2 = o n l y M i d i , 3 = M i d i & K e y b o a r d

5

0 0 = N 0 M i d i , N o G e n e r a t i o n , 1 = o n l y G e n e r a t i o n , 2 = o n l y M i d i , 3 = M i d i & G e n e r a t i o n

6

s e e A p p e n d i x A o n D a t a F o r m a t

7

s e e p a r a g r a p h D e v i c e P a r a m e t e r A c c e s s

8

I n f a c t t h e R e s o u r c e F i l e H e a d e r i s c o m p o s e d o f 2 1 b y t e ( s e e A p p e n d i x B )

9

S e e A p p e n d i x B r e g a r d i n g t h e c o m p o s i t i o n o f t h e v a r i o u s r e s o u r c e s a v a i l a b l e

1 0

2 8 + b y t e d a t a n u m b e r


A42 Appendix

} ;

u s h o r t d a t e ;

} ; / / t o t a l 2 b y t e s

s t r u c t F _ H E A D {

u n s i g n e d c h a r n a m e [ 8 ] , e x t [ 3 ] , f l a g s ; / / 1 2

T I M E _ I N F t i m e ; / / 2

D A T E _ I N F d a t e ; / / 2

l o n g l e n g t h ; / / 4

} ; / / t o t a l 2 0 b y t e s

F o r c o m p l e t i o n , t h e d e s c r i p t i o n o f t h e f i l e i n s i d e t h e H E A D E R . h d r r e f e r s i n s t e a d t o a m o r e c o m p l e x s t u c t u r e :

s t r u c t F _ H E A D E R {

F _ H E A D f ;

c h a r n a m e [ 1 6 ] ;

l o n g o f f s e t ;

} ;

C r e a t i o n o f t h e R e s o u r c e H e a d e r

B e f o r e s e n d i n g t h e R e s o u r c e F i l e , a R e s o u r c e H e a d e r i s s e n t w h i c h d e s c r i b e s t h e e n t i r e D a t a F i l e w h i c h i s t h e n s e n t . T h e F o r m a t o f t h e f i l e i s t h e

f o l l o w i n g :

b y t e s r e l . a d d r . n a m e d e s c r i p t i o n

1 0 r e s o u r c e t y p e R e s o u r c e I D

1 1 n f i l e n u m b e r o f f i l e

4 2 l e n t o t a l l e n g t h o f t h e e f f e c t i v e b i n a r y r e s o u r c e f i l e

1 5 6 n a m e n a m e o f t h e c o m p l e t e s t r u c t u r e a s s o c i a t e d t o t h e f i l e

f o r a t o t a l l e n g t h o f f i l e s e q u a l t o 2 1 b y t e s .

};ushort date;} ;// total 2 bytes

struct F_HEAD {unsigned char name[8],ext[3],flags;// 12TIME_INFtime;// 2DATE_INFdate;// 2longlength;// 4};// total 20 bytes

For completion, the description of the file inside the HEADER.hdr refers instead to a more complex stucture:struct F_HEADER {

F_HEADf;charname[16];longoffset;};

Creation of the Resource HeaderBefore sending the Resource File, a Resource Header is sent which describes the entire Data File which is then sent. The Format of the file is thefollowing:bytesrel.addr.namedescription10resource typeResource ID11nfilenumber of file42lentotal length of the effective binary resource file156namename of the complete structure associated to the file

for a total length of files equal to 21 bytes.

C o n t e n t s i

Contents i

C o n t e n t s

I n t r o d u c t i o n i

Q U I C K G U I D E

C h a p t e r 1 L a y o u t & D i s p l a y 1 . 1

F r o n t l a y o u t 1 . 1

R e a r p a n e l c o n n e c t i o n s 1 . 2

T h e d i s p l a y 1 . 3

N a v i g a t i o n , D a t a E n t r y , C o n f i r m a t i o n / c a n c e l l a t i o n 1 . 3

A l p h a n u m e r i c e n t r y 1 . 4

G e t t i n g t o k n o w y o u r i n s t r u m e n t 1 . 9

A d j u s t t h e g e n e r a l v o l u m e 1 . 9

P o w e r u p 1 . 9

P l a y w i t h h e a d p h o n e s 1 . 1 0

P l a y w i t h t h e p e d a l s 1 . 1 0

P l a y w i t h t h e w h e e l s 1 . 1 1

P l a y t h e P r o g r a m m a b l e P a d s 1 . 1 1

S e l e c t s o u n d s 1 . 1 2

C h a n g e S o u n d B a n k 1 . 1 3

P l a y o n a s p l i t k e y b o a r d 1 . 1 3

R e t u r n t o f u l l k e y b o a r d p l a y i n g 1 . 1 4

P l a y u p t o 8 s o u n d s a t t h e s a m e t i m e ( M u l t i ) 1 . 1 5

U s i n g t h e K e y p a d t o S e l e c t S o u n d s 1 . 1 6

A d j u s t t h e s o u n d v o l u m e s s e p a r a t e l y ( b a l a n c i n g ) 1 . 1 7

T h e S O L O b u t t o n - I s o l a t e a s i n g l e s o u n d f r o m t h e r e s t 1 . 1 8

L i s t e n t o t h e D e m o S o n g s 1 . 1 9

M u l t i m e d i a 1 . 2 1

A u t o m a t i c l o a d i n g o f S o n g s a t p o w e r u p 1 . 2 2

T o d i s p l a y l y r i c s o n a n e x t e r n a l m o n i t o r 1 . 2 3

P l a y w i t h A u t o A c c o m p a n i m e n t S t y l e s 1 . 2 4

S t a r t a S t y l e w i t h K e y S t a r t 1 . 2 7

S t a r t a S t y l e w i t h T a p T e m p o 1 . 2 8

S t a r t a n d s t o p a S t y l e w i t h F a d e I n / O u t 1 . 2 8

S e l e c t a S t y l e w i t h o u t c h a n g i n g t h e k e y b o a r d s o u n d s 1 . 2 8

S e l e c t a n d p l a y t h e F l a s h m e m o r y U s e r S t y l e s 1 . 2 9

S e l e c t a S t y l e P e r f o r m a n c e 1 . 3 0

S e l e c t t h e P e r f o r m a n c e s 1 . 3 1

S a v i n g t o t h e s a m e P e r f o r m a n c e 1 . 3 3

S t o r e P e r f o r m a n c e 1 . 3 3

S a v i n g t o a d i f f e r e n t P e r f o r m a n c e 1 . 3 4

T r a n s p o s e t h e i n s t r u m e n t u p o r d o w n 1 . 3 5

T o c l e a r t h e k e y b o a r d t r a n s p o s e s e t t i n g 1 . 3 5

T r a n s p o s i t i o n 1 . 3 5

T r a n s p o s i n g t r a c k s b y o c t a v e s 1 . 3 6

T o c l e a r t h e T r a c k O c t a v e s e t t i n g 1 . 3 6

B y p a s s t h e e f f e c t s 1 . 3 7

T o a c t i v a t e t h e e f f e c t s 1 . 3 7

P l a y w i t h E f f e c t s o r b y p a s s t h e m 1 . 3 7

U s i n g t h e M i d i F i l e P l a y e r 1 . 3 8

L o a d i n g d a t a i n t o R A M m e m o r y 1 . 4 0

Q u i c k R e c R e c o r d i n g 1 . 4 2

R e c o r d a S o n g ( Q u i c k r e c . ) 1 . 4 2

P l a y a l o n g w i t h y o u r r e c o r d e d S o n g 1 . 4 4

S a v e y o u r p r o g r a m m e d d a t a t o d i s k o r H a r d D i s k 1 . 4 5

ContentsIntroduction i

QUICK GUIDEChapter 1 Layout & Display 1. 1

Front layout 1. 1Rear panel connections 1. 2The display 1. 3Navigation, Data Entry, Confirmation/cancellation 1. 3Alphanumeric entry 1. 4

Getting to know your instrument 1. 9Adjust the general volume 1. 9Power up 1. 9Play with headphones 1. 10Play with the pedals 1. 10Play with the wheels 1. 11Play the Programmable Pads 1. 11Select sounds 1. 12Change Sound Bank 1. 13Play on a split keyboard 1. 13Return to full keyboard playing 1. 14Play up to 8 sounds at the same time (Multi) 1. 15Using the Keypad to Select Sounds 1. 16Adjust the sound volumes separately (balancing) 1. 17The SOLO button - Isolate a single sound from the rest 1. 18Listen to the Demo Songs 1. 19Multimedia 1. 21Automatic loading of Songs at power up 1. 22To display lyrics on an external monitor 1. 23Play with Auto Accompaniment Styles 1. 24Start a Style with Key Start 1. 27Start a Style with Tap Tempo 1. 28Start and stop a Style with Fade In/Out 1. 28Select a Style without changing the keyboard sounds 1. 28Select and play the Flash memory User Styles 1. 29Select a Style Performance 1. 30Select the Performances 1. 31Saving to the same Performance 1. 33Store Performance 1. 33Saving to a different Performance 1. 34Transpose the instrument up or down 1. 35To clear the keyboard transpose setting 1. 35Transposition 1. 35Transposing tracks by octaves 1. 36To clear the Track Octave setting 1. 36Bypass the effects 1. 37To activate the effects 1. 37Play with Effects or bypass them 1. 37Using the Midi File Player 1. 38Loading data into RAM memory 1. 40Quick Rec Recording 1. 42Record a Song (Quick rec.) 1. 42Play along with your recorded Song 1. 44Save your programmed data to disk or Hard Disk 1. 45

ii Contents

i i C o n t e n t s

REFERENCE GUIDESounds 2. 1

GMX Banks 1, 2 and 3 2. 1Banks 4 - 16 2. 1Drum Kits and Drum Sounds 2. 1Selecting Sounds 2. 2Moving Between Families 2. 2The sound group families 2. 3

Edit Perf Sound/Sound Patch 2. 4Edit Performance Sound 2. 5Edit Sound Patch 2. 8Save the modifications to a Performance 2. 12

Advanced Edit Sound 2. 13Entering EDIT SOUND 2. 13Procedure 2. 13Temporary escape from Edit Sound 2. 14Permanent escape without saving 2. 14The Edit Sound main Menu 2. 14Layers 2. 15The Algorithms 2. 16Waveform 2. 17Volume e Balance 2. 19Volume 2. 19Volume Tracking (F2) 2. 20Balance 2. 21Balance Tracking (F2) 2. 21Programming a tracking envelope 2. 22Amplitude Envelope & Balance Envelope 2. 23Amplitude Key On and Key Off Envelopes 2. 24Programming Key On and Key Off Envelopes 2. 25Amplitude Envelope Tracking 2. 26Balance Envelope 2. 26Balance Envelope Key On & Key Off 2. 27Balance Envelope Tracking 2. 28Filter 2. 29Filter Cutoff Tracking 2. 30Filter Envelope Key On & Key Off 2. 31Filter Envelope Tracking 2. 31Pitch Envelope 2. 32Pitch Envelope Key On & Key Off 2. 33Pitch Envelope Tracking 2. 33LFO (Low Frequency Oscillator) 2. 34Pan 2. 36Pan Envelope Key On & Key Off 2. 37Pan Envelope Tracking 2. 37Storing Sounds 2. 40

Sample Translator 2. 44Sample loading methods 2. 44Entering Sample Translator 2. 44Selecting Samples from the waveform display 2. 45Loading samples 2. 46Loading samples from disk or SCSI device 2. 46Loading Samples and Programs 2. 47Receiving Samples via a Dump 2. 48Assigning samples 2. 48Cancelling samples 2. 50Sample Editing 2. 51General notes on Sample editing 2. 52Sample MIDI Dump 2. 54

R E F E R E N C E G U I D E

S o u n d s 2 . 1

G M X B a n k s 1 , 2 a n d 3 2 . 1

B a n k s 4 - 1 6 2 . 1

D r u m K i t s a n d D r u m S o u n d s 2 . 1

S e l e c t i n g S o u n d s 2 . 2

M o v i n g B e t w e e n F a m i l i e s 2 . 2

T h e s o u n d g r o u p f a m i l i e s 2 . 3

E d i t P e r f S o u n d / S o u n d P a t c h 2 . 4

E d i t P e r f o r m a n c e S o u n d 2 . 5

E d i t S o u n d P a t c h 2 . 8

S a v e t h e m o d i f i c a t i o n s t o a P e r f o r m a n c e 2 . 1 2

A d v a n c e d E d i t S o u n d 2 . 1 3

E n t e r i n g E D I T S O U N D 2 . 1 3

P r o c e d u r e 2 . 1 3

T e m p o r a r y e s c a p e f r o m E d i t S o u n d 2 . 1 4

P e r m a n e n t e s c a p e w i t h o u t s a v i n g 2 . 1 4

T h e E d i t S o u n d m a i n M e n u 2 . 1 4

L a y e r s 2 . 1 5

T h e A l g o r i t h m s 2 . 1 6

W a v e f o r m 2 . 1 7

V o l u m e e B a l a n c e 2 . 1 9

V o l u m e 2 . 1 9

V o l u m e T r a c k i n g ( F 2 ) 2 . 2 0

B a l a n c e 2 . 2 1

B a l a n c e T r a c k i n g ( F 2 ) 2 . 2 1

P r o g r a m m i n g a t r a c k i n g e n v e l o p e 2 . 2 2

A m p l i t u d e E n v e l o p e & B a l a n c e E n v e l o p e 2 . 2 3

A m p l i t u d e K e y O n a n d K e y O f f E n v e l o p e s 2 . 2 4

P r o g r a m m i n g K e y O n a n d K e y O f f E n v e l o p e s 2 . 2 5

A m p l i t u d e E n v e l o p e T r a c k i n g 2 . 2 6

B a l a n c e E n v e l o p e 2 . 2 6

B a l a n c e E n v e l o p e K e y O n & K e y O f f 2 . 2 7

B a l a n c e E n v e l o p e T r a c k i n g 2 . 2 8

F i l t e r 2 . 2 9

F i l t e r C u t o f f T r a c k i n g 2 . 3 0

F i l t e r E n v e l o p e K e y O n & K e y O f f 2 . 3 1

F i l t e r E n v e l o p e T r a c k i n g 2 . 3 1

P i t c h E n v e l o p e 2 . 3 2

P i t c h E n v e l o p e K e y O n & K e y O f f 2 . 3 3

P i t c h E n v e l o p e T r a c k i n g 2 . 3 3

L F O ( L o w F r e q u e n c y O s c i l l a t o r ) 2 . 3 4

P a n 2 . 3 6

P a n E n v e l o p e K e y O n & K e y O f f 2 . 3 7

P a n E n v e l o p e T r a c k i n g 2 . 3 7

S t o r i n g S o u n d s 2 . 4 0

S a m p l e T r a n s l a t o r 2 . 4 4

S a m p l e l o a d i n g m e t h o d s 2 . 4 4

E n t e r i n g S a m p l e T r a n s l a t o r 2 . 4 4

S e l e c t i n g S a m p l e s f r o m t h e w a v e f o r m d i s p l a y 2 . 4 5

L o a d i n g s a m p l e s 2 . 4 6

L o a d i n g s a m p l e s f r o m d i s k o r S C S I d e v i c e 2 . 4 6

L o a d i n g S a m p l e s a n d P r o g r a m s 2 . 4 7

R e c e i v i n g S a m p l e s v i a a D u m p 2 . 4 8

A s s i g n i n g s a m p l e s 2 . 4 8

C a n c e l l i n g s a m p l e s 2 . 5 0

S a m p l e E d i t i n g 2 . 5 1

G e n e r a l n o t e s o n S a m p l e e d i t i n g 2 . 5 2

S a m p l e M I D I D u m p 2 . 5 4

System Exclusive A41

S y s t e m E x c l u s i v e A 4 1

Types of ResourcesThe resources can be classified as follows:

Resource ID:system SETUP0SOUNDS1GLOBAL PRESETS2STYLE PRESETS3USER STYLES4SONGS5

for each of which concern various files

For each of the resourcces available, it is possible to send a command requesting all the resources which make up the part of that groups (all theSOUNDS, all the SONGS, ...), or, it is possible to refer to a single resource of the currently selected group (send the selected SONG, the selectedSTYLE, ...).Referring to the Resource Request Message command detailed above, setting the value of 0 in the field ss we will obtain all the resources, whilespecifying a number greater than 0 we will obtain the transmission of the single resource required.for each group of rerouces the possible selection values are the following:

Resourse IDMax Select Number

SOUNDS16GLOBAL PRESETS8STYLE PRESETS96USER STYLES32SONGS16

Creation of the Resource FileTo create the Resource File it is necessary to write for each single file of a chunk consisting of a desription of the file and of the data that consistutesthe file; the format of each chunk is the following:bytesrel.addr.namedescription40chunck iddata44chunck lenes.: 301018file type19file bank110file perf111not used2012F_HEADvedi sottolen-2832< data >byte data

therefore the Resource File can be represented as:

data len0 ... < data > for FILE.000data len1 = len0+4 ... < data > for FILE.001data len2= len0+len1+8 ... < data > for FILE.002data len3= len0+len1+len2+12 ... < data > for FILE.003data len_n = S[len(i)] + 4*n ... < data > for FILE.00nTo calculate the totale length of the Resource File it is sufficient sum of the lengths of each file (Li) with the length of each single header chunk (32bytes):

Resource File Length = S[Li] + n*32;

The variable F_HEADER present refers to the internal structure of how the file is effectively memorized within the system; to identify it we referdirectly to the stuctures C used internally:

union TIME_INF {struct part {

unsigned short hour : 5;unsigned short min : 6;unsigned short sec : 5;};

ushort time;};// total 2 bytes

union DATE_INF{struct part {

unsigned short year : 7;unsigned short month : 4;unsigned short day : 5;

T y p e s o f R e s o u r c e s

T h e r e s o u r c e s c a n b e c l a s s i f i e d a s f o l l o w s :

R e s o u r c e I D : s y s t e m S E T U P 0

S O U N D S 1

G L O B A L P R E S E T S 2

S T Y L E P R E S E T S 3

U S E R S T Y L E S 4

S O N G S 5

f o r e a c h o f w h i c h c o n c e r n v a r i o u s f i l e s

F o r e a c h o f t h e r e s o u r c c e s a v a i l a b l e , i t i s p o s s i b l e t o s e n d a c o m m a n d r e q u e s t i n g a l l t h e r e s o u r c e s w h i c h m a k e u p t h e p a r t o f t h a t g r o u p s ( a l l t h e

S O U N D S , a l l t h e S O N G S , . . . ) , o r , i t i s p o s s i b l e t o r e f e r t o a s i n g l e r e s o u r c e o f t h e c u r r e n t l y s e l e c t e d g r o u p ( s e n d t h e s e l e c t e d S O N G , t h e s e l e c t e d

S T Y L E , . . . ) .

R e f e r r i n g t o t h e R e s o u r c e R e q u e s t M e s s a g e c o m m a n d d e t a i l e d a b o v e , s e t t i n g t h e v a l u e o f 0 i n t h e f i e l d s s w e w i l l o b t a i n a l l t h e r e s o u r c e s , w h i l e

s p e c i f y i n g a n u m b e r g r e a t e r t h a n 0 w e w i l l o b t a i n t h e t r a n s m i s s i o n o f t h e s i n g l e r e s o u r c e r e q u i r e d .

f o r e a c h g r o u p o f r e r o u c e s t h e p o s s i b l e s e l e c t i o n v a l u e s a r e t h e f o l l o w i n g :

R e s o u r s e I D M a x S e l e c t N u m b e r

S O U N D S 1 6

G L O B A L P R E S E T S 8

S T Y L E P R E S E T S 9 6

U S E R S T Y L E S 3 2

S O N G S 1 6

C r e a t i o n o f t h e R e s o u r c e F i l e

T o c r e a t e t h e R e s o u r c e F i l e i t i s n e c e s s a r y t o w r i t e f o r e a c h s i n g l e f i l e o f a c h u n k c o n s i s t i n g o f a d e s r i p t i o n o f t h e f i l e a n d o f t h e d a t a t h a t c o n s i s t u t e s

t h e f i l e ; t h e f o r m a t o f e a c h c h u n k i s t h e f o l l o w i n g :

b y t e s r e l . a d d r . n a m e d e s c r i p t i o n

4 0 c h u n c k i d d a t a

4 4 c h u n c k l e n e s . : 3 0

1 0

1 8 f i l e t y p e

1 9 f i l e b a n k

1 1 0 f i l e p e r f

1 1 1 n o t u s e d

2 0 1 2 F _ H E A D v e d i s o t t o

l e n - 2 8 3 2 < d a t a > b y t e d a t a

t h e r e f o r e t h e R e s o u r c e F i l e c a n b e r e p r e s e n t e d a s :

d a t a l e n 0 . . . < d a t a > f o r F I L E . 0 0 0

d a t a l e n 1 = l e n 0 + 4 . . . < d a t a > f o r F I L E . 0 0 1

d a t a l e n 2 = l e n 0 + l e n 1 + 8 . . . < d a t a > f o r F I L E . 0 0 2

d a t a l e n 3 = l e n 0 + l e n 1 + l e n 2 + 1 2 . . . < d a t a > f o r F I L E . 0 0 3

d a t a l e n _ n = S [ l e n ( i ) ] + 4 * n . . . < d a t a > f o r F I L E . 0 0 n

T o c a l c u l a t e t h e t o t a l e l e n g t h o f t h e R e s o u r c e F i l e i t i s s u f f i c i e n t s u m o f t h e l e n g t h s o f e a c h f i l e ( L i ) w i t h t h e l e n g t h o f e a c h s i n g l e h e a d e r c h u n k ( 3 2

b y t e s ) :

R e s o u r c e F i l e L e n g t h = S [ L i ] + n * 3 2 ;

T h e v a r i a b l e F _ H E A D E R p r e s e n t r e f e r s t o t h e i n t e r n a l s t r u c t u r e o f h o w t h e f i l e i s e f f e c t i v e l y m e m o r i z e d w i t h i n t h e s y s t e m ; t o i d e n t i f y i t w e r e f e r

d i r e c t l y t o t h e s t u c t u r e s C u s e d i n t e r n a l l y :

u n i o n T I M E _ I N F {

s t r u c t p a r t {

u n s i g n e d s h o r t h o u r : 5 ;

u n s i g n e d s h o r t m i n : 6 ;

u n s i g n e d s h o r t s e c : 5 ;

} ;

u s h o r t t i m e ;

} ; / / t o t a l 2 b y t e s

u n i o n D A T E _ I N F {

s t r u c t p a r t {

u n s i g n e d s h o r t y e a r : 7 ;

u n s i g n e d s h o r t m o n t h : 4 ;

u n s i g n e d s h o r t d a y : 5 ;


A40 Appendix

T h e p r o c e d u r e i s a s f o l l o w s : f r o m e a c h b y t e s o f t h e 7 i n s e q u e n c e , t h e l e a s t s i g n i f i c a n b i t i s e x t r a c t e d a n d s a v e d i n a n e i g h t h b y t e , t h e r e f o r e t h e s a m e

b y t e i s s h i f t e d t o t h e r i g h t ; f i n a l l y a l l i s t r a n s m i t t e d i n t h e o r d e r . F o r e x a m p l e :

7 r e a l b y t e s = 0 x 1 1 0 x 2 2 0 x 3 3 0 x 4 4 0 x 5 5 0 x 6 6 0 x 7 7

t h e n s h i f t i n g t o t h e r i g h t a n d m e m o r i z i n g i n a b y t e t h e e x t r a c t e d b i t s :

0 x 1 1 = 0 x 0 9 + 1 ( b 0 ) 8 b y t e : 0 x 0 1

0 x 2 2 = 0 x 1 1 + 0 ( b 1 ) 0 x 0 1

0 x 3 3 = 0 x 1 A + 1 ( b 2 ) 0 x 0 5

0 x 4 4 = 0 x 2 2 + 0 ( b 3 ) 0 x 0 5

0 x 5 5 = 0 x 2 B + 1 ( b 4 ) 0 x 1 5

0 x 6 6 = 0 x 3 3 + 0 ( b 5 ) 0 x 1 5

0 x 7 7 = 0 x 3 C + 1 ( b 6 ) 0 x 5 5

8 b y t e M i d i = 0 x 0 9 0 x 1 1 0 x 1 A 0 x 2 2 0 x 2 B 0 x 3 3 0 x 3 C 0 x 5 5 .

f o r m a t = 4 ( n i b b l e d a t a d u m p ) : t h e s i n g l e b y t e s c o n t a i n i n g o n l y 4 s i g n i f i c a n t b i t s t o b e a b l e t o r e p r e s e n t a n y d a t a s t r e a m . F o r e x a m p l e , t h e s t r e a m

c i a o c o r r e s p o n d s t o t h e A S C I I d a t a 0 x 6 3 0 x 6 9 0 x 6 1 0 x 6 f a n d w i l l , t h e r e f o r e , b e r e p r e s e n t e d b y t h e f o l l o w i n g b y t e s : 0 x 0 6 0 x 0 3 0 x 0 6 0 x 0 9 0 x 0 6 0 x 0 1

0 x 0 6 0 x 0 f .

f o r m a t = 5 ( B C D d a t a d u m p ) : t h e s i n g l e b y t e s a r e s u b d i v i d e d i n t w o n i b b l e s a n d s u b s e q u e n t l y c o n v e r t e d i n B C D ; t h i s i s a f o r m a t p a r t i c u l a r l y u s e f u l

w i t h n u m e r i c a l d a t a w h i c h d o e s n o t p e r m i t d i r e c t v i s u a l i z a t i o n . F o r e x a m p l e , t h e n u m b e r 0 x 1 2 3 4 5 6 7 8 c o r r e s p o n d s t o t h e A S C I I d a t a 0 x 1 2 0 x 3 4

0 x 5 6 0 x 7 8 w h i c h s u b d e v i d e d i n n i b b l e s g i v e :

0 x 0 1 0 x 0 2 0 x 0 3 0 x 0 4 0 x 0 5 0 x 0 6 0 x 0 7 0 x 0 8

w h i c h w h e n c o n v e r t e d i n B C D g i v e :

0 x 3 1 0 x 3 2 0 x 3 3 0 x 3 4 0 x 3 5 0 x 3 6 0 x 3 7 0 x 3 8

w h i c h w h e n s h o w n o n t h e t e r m i n a l g i v e s t h e s t r e a m 1 2 3 4 5 6 7 8 , r e p r e s e n t i n g t h e i n i t i a l d a t a .

O b s e r v a t i o n s :

T h e S e t f u n c t i o n o f t h e S y s t e m E x c l u s i v e i s a b l e t o a u t o m a t i c a l l y i d e n t i f y t h e a m o u n t o f t h e f i e l d t o u p d a t e , r e g a r d l e s s o f t h e f o r m a t w i t h w h i c h t h e

d a t a i s s e n t w i t h t h e f o l l o w i n g e x c e p t i o n s :

t h e f o r m a t 0 a l w a y s m o d i f i e s a b y t e s r e l a t i n g t o t h e a d d r e s o f t h e v a r i a b l e t o u p d a t e , t h e r e f o r e , i f f o r e x a m p l e , w e w a n t t o m o d i f y w i t h f o r m a t 0

a v a r i a b l e o f 3 2 b i t s o f t h e c u r r e n t v a l u e e q u a l l i n g 0 x 1 2 3 4 5 6 7 8 ( h e x a d e c i m a l v a l u e ) , a f t e r s e n d i n g t h e d a t a 0 x 7 F w e w i l l o b t a i n t h e v a r i a b l e u p d a t e d

t o t h e v a l u e 0 x 7 F 3 4 5 6 7 8 . T h e c o r r e c t m e t h o d t o u p d a t e a v a r i a b l e w i t h a v a l u e g r e a t e t h a n 7 b i t ( c o r r e s p n d i n g t o t h e d e c i m a l v a l u e 1 2 7 ) i s t o u s e

t h e f o r m a t 1 o r 2 ; i n t h e w a y , t o u p d a t e a 1 6 b i t v a r i a b l e t o t h e h e x a d e c i m a l v a l u e 0 x 1 2 3 4 y o u c a n s e n d :

f o r m a t 1 : 0 x 2 4 0 x 3 4 ( 2 d a t a b y t e s )

f o r m a t 2 : 0 x 0 1 0 x 0 2 0 x 0 3 0 x 0 4 ( 4 d a t a b y t e s ) .

t h e f o r m a t s 4 a n d 5 d o n o t c o n s i d e r t h e l i m i t s a c c e p t e d b y t h e f i l e d i n m e m o r y f o r w h i c h c a s e s h o u l d b e t a k e n n o t t o s e n d a n u m d e r o f d a t a

h i g h e r t h a n t h e a c c e p t e d l i m i t .

A P P E N D I X B

C r e a t i o n o f R E S O U R C E A C C E S S f i l e s .

T o c o n t r o l t h e r e s o u r c e s v i a s y s t e m e x c l u s i v e ( R E S O U R C E A C C E S S ) m a k e s u s e o f t h e s o l u t i o n o f p a c k a g i n g t h e v a r i o u s f i l e s w h i c h c o n s t i t u t e t h e

s a m e r e s o u r c e i n t o a s i n g l e b u f f e r .

G e n e r a l l y , t h e r e f r e , w e w o u l d h a v e t h e f o l l o w i n g s i t u a t i o n :

R e s o u r c e F i l e = F I L E . 0 0 0

F I L E . 0 0 1

F I L E . 0 0 2

. . .

F I L E . 0 0 n

f o r a t o t a l o f ( n + 2 ) f i l e s ( w i t h n w h i c h c a n a l s o b e 0 ) .

E a c h f i l e c a n b e i d e n t i f i e d b y a s e t o f t h r e e n u m b e r s w h i c h r e p r e s e n t e t h e i r o w n d e s c r i p t i o n :

F i l e I D = t y p e ( R e s o u r c e I D )

b a n k ( 0 x F F i f n o t e x i s t )

p e r f ( 0 x F F i f n o t e x i s t )

T h i s d o c u m e n t w a n t s t o i n d i c a t e h o w t o i d e n t i f y t h e f i l e s c o n c e r n e d f o r e a c h r e s o u r c e t o b e a c c e s s e d , h o w t o o p e r a t e t o m a n i p u l a t e t h e s e f i l e s a n d ,

f i n a l l y , t h e e f f e c t i v e t r a n s m i s s i o n m o d e .

The procedure is as follows: from each bytes of the 7 in sequence, the least significan bit is extracted and saved in an eighth byte, therefore the samebyte is shifted to the right; finally all is transmitted in the order. For example:

7 real bytes = 0x11 0x22 0x33 0x44 0x55 0x66 0x77

then shifting to the right and memorizing in a byte the extracted bits:0x11 = 0x09 + 1 (b0)8byte:0x010x22 = 0x11 + 0 (b1)0x010x33 = 0x1A + 1 (b2)0x050x44 = 0x22 + 0 (b3)0x050x55 = 0x2B + 1 (b4)0x150x66 = 0x33 + 0 (b5)0x150x77 = 0x3C + 1 (b6)0x558 byte Midi = 0x09 0x11 0x1A 0x22 0x2B 0x33 0x3C 0x55.

format =4 (nibble data dump): the single bytes containing only 4 significant bits to be able to represent any data stream. For example, the streamciao corresponds to the ASCII data 0x63 0x69 0x61 0x6f and will, therefore, be represented by the following bytes: 0x06 0x03 0x06 0x09 0x06 0x010x06 0x0f.

format =5 (BCD data dump): the single bytes are subdivided in two nibbles and subsequently converted in BCD; this is a format particularly usefulwith numerical data which does not permit direct visualization. For example, the number 0x12345678 corresponds to the ASCII data 0x12 0x340x56 0x78 which subdevided in nibbles give:

0x01 0x02 0x03 0x04 0x05 0x06 0x07 0x08

which when conve rted in BCD give:0x31 0x32 0x33 0x34 0x35 0x36 0x37 0x38

which when shown on the terminal gives the stream 12345678, representing the initial data.Observations:The Set function of the System Exclusive is able to automatically identify the amount of the field to update, regardless of the format with which thedata is sent with the following exceptions:

the format 0 always modifies a bytes relating to the addres of the variable to update, therefore, if for example, we want to modify with format 0a variable of 32 bits of the current value equalling 0x12345678 (hexadecimal value), after sending the data 0x7F we will obtain the variable updatedto the value 0x7F345678. The correct method to update a variable with a value greate than 7 bit (correspnding to the decimal value 127) is to usethe format 1 or 2; in the way, to update a 16 bit variable to the hexadecimal value 0x1234 you can send:

format 1:0x24 0x34(2 data bytes)format 2:0x01 0x02 0x03 0x04(4 data bytes).

the formats 4 and 5 do not consider the limits accepted by the filed in memory for which case should be taken not to send a numder of datahigher than the accepted limit.

APPENDIX B

Creation of RESOURCE ACCESS files.To control the resources via system exclusive (RESOURCE ACCESS) makes use of the solution of packaging the various files which constitute thesame resource into a single buffer.Generally, therefre, we would have the following situation:

Resource File =FILE.000FILE.001FILE.002...

FILE.00n

for a total of (n+2) files (with n which can also be 0).Each file can be identified by a set of three numbers which represente their own description:

File ID=type (Resource ID)bank (0xFF if not exist)perf (0xFF if not exist)

This document wants to indicate how to identify the files concerned for each resource to be accessed, how to operate to manipulate these files and,finally, the effective transmission mode.

C o n t e n t s i i i

Contents iii

S e n d S a m p l e / S a m p l e R e q u e s t ( F 7 ) 2 . 5 4

S t o r i n g S a m p l e s 2 . 5 5

P e r f o r m a n c e s 3 . 1

S e l e c t i n g t h e P e r f o r m a n c e s 3 . 1

R e a l T i m e p a n e l o p e r a t i o n s 3 . 1

A r r a n g e O n / O f f 3 . 2

S t y l e L o c k 3 . 2

M u l t i T r a c k L i s t 3 . 3

P r o g r a m m i n g t h e P e r f o r m a n c e s 3 . 3

M I D I 3 . 5

M I D I C h a n n e l s 3 . 5

C o n f i g u r a t i o n 3 . 5

M I D I f i l t e r s 3 . 6

G e n e r a l s e t t i n g s 3 . 6

C o m m o n C h a n n e l / A r r a n g e m e n t 3 . 8

M I D I D u m p . . . 3 . 9

T r a n s m i s s i o n o f d a t a t o a s e q u e n c e r 3 . 9

R e c e p t i o n o f D u m p d a t a f r o m a s e q u e n c e r 3 . 1 0

L o c a l O N , L o c a l O f f 3 . 1 0

M I D I L o c k 3 . 1 0

M i x e r 3 . 1 0

V o l u m e 3 . 1 0

P a n 3 . 1 0

R a n d o m p a n 3 . 1 1

A u d i o O u t 3 . 1 1

3 D E f f e c t 3 . 1 1

E f f e c t s 3 . 1 2

E f f e c t s t y p e 3 . 1 2

G r o u p A 3 . 1 2

G r o u p B 3 . 1 3

S e n d L e v e l 3 . 1 3

G e n e r a l E f f 1 B a l a n c e 3 . 1 3

E f f e c t s P r o g r a m m i n g 3 . 1 3

C o n t r o l l e r s / P a d s 3 . 1 5

W h e e l s 3 . 1 5

P e d a l s p r o g r a m m i n g 3 . 1 5

P e d a l s a s s i g n m e n t 3 . 1 6

T h e c o n t i n u o u s p e d a l F u n c t i o n s 3 . 1 6

T h e s w i t c h p e d a l F u n c t i o n s 3 . 1 7

P a d s 3 . 1 8

P e d . / P a d L o c k 3 . 1 8

T r a c k s / S p l i t 3 . 1 9

T r a n s p o s e 3 . 1 9

M a s t e r t r a n s p o s e e n a b l e / d i s a b l e 3 . 1 9

D e t u n e 3 . 1 9

R a n d o m p i t c h 3 . 1 9

T o u c h S e n s i t i v i t y 3 . 1 9

M o d e / P r i o r i t y 3 . 2 0

V e l o c i t y c u r v e 3 . 2 0

V e l o c i t y r a n g e 3 . 2 0

H a r m o n y 3 . 2 1

H a r m o n y t y p e 3 . 2 1

D e l a y 3 . 2 2

K e y r a n g e 3 . 2 2

C r e a t e t r a c k 3 . 2 2

C o p y t r a c k 3 . 2 2

E r a s e t r a c k 3 . 2 3

Send Sample / Sample Request (F7) 2. 54Storing Samples 2. 55

Performances 3. 1Selecting the Performances 3. 1Real Time panel operations 3. 1Arrange On/Off 3. 2Style Lock 3. 2Multi Track List 3. 3Programming the Performances 3. 3

MIDI 3. 5MIDI Channels 3. 5Configuration 3. 5MIDI filters 3. 6General settings 3. 6Common Channel/Arrangement 3. 8MIDI Dump... 3. 9Transmission of data to a sequencer 3. 9Reception of Dump data from a sequencer 3. 10Local ON, Local Off 3. 10MIDI Lock 3. 10

Mixer 3. 10Volume 3. 10Pan 3. 10Random pan 3. 11Audio Out 3. 113D Effect 3. 11

Effects 3. 12Effects type 3. 12Group A 3. 12Group B 3. 13Send Level 3. 13General Eff1 Balance 3. 13Effects Programming 3. 13

Controllers/Pads 3. 15Wheels 3. 15Pedals programming 3. 15Pedals assignment 3. 16The continuous pedal Functions 3. 16The switch pedal Functions 3. 17Pads 3. 18Ped./Pad Lock 3. 18

Tracks/Split 3. 19Transpose 3. 19Master transpose enable/disable 3. 19Detune 3. 19Random pitch 3. 19Touch Sensitivity 3. 19Mode/Priority 3. 20Velocity curve 3. 20Velocity range 3. 20Harmony 3. 21Harmony type 3. 21Delay 3. 22Key range 3. 22Create track 3. 22Copy track 3. 22Erase track 3. 23

iv Contents

i v C o n t e n t s

Store Performance 3. 23Saving to the current Performance 3. 23To save to a different Performance 3. 24

Disk - Hard disk - SCSI 4. 1Selecting the storage device 4. 1Choose the desired Disk command 4. 1The file selector 4. 2The general Disk procedure 4. 3Load Operations 4. 5Load WX/SX Songs and Styles 4. 10Save operations 4. 11Erase operations 4. 17Copy operations 4. 18Move operations 4. 20Utility 4. 22Floppy disk utility 4. 22Hard Disk Utility 4. 23Multicopy H.Disk to SCSI 4. 26Multicopy SCSI to H.Disk 4. 27SCSI utility 4. 28FAST zip 100/250 format 4. 28ZIP 100/250 FORMAT 4. 28FAST JAZ 1G/2G format 4. 28JAZ 1G/2G FORMAT 4. 28Additional Disk functions 4. 29Disk handling information 4. 31

Styles 5. 1About the SK760/880SE ROM Styles 5. 1Flash Styles 5. 1Selecting and playing the Styles 5. 1The functions which control the Styles 5. 1Arrange On/Off 5. 1Arrange Mode 5. 1Memory 5. 1Lower Memory 5. 1Tempo Lock 5. 2Mixer Lock 5. 2Bass to Lowest 5. 2Harmony On/Off 5. 2Style Lock 5. 2Single Touch Play 5. 2Style Performance 5. 2Arrange Mode options 5. 3Auto Chord and Fixed Chord modes 5. 3Chord Recognition modes 5. 3Dynamic Arrange 5. 4Autobacking 5. 4Changing the split point 5. 4

User Styles 5. 5The basic structure of a Style 5. 5What is a Riff? 5. 5Recording 5. 6Restoring the User Styles memory 5. 7Time Signature 5. 9Scale Conversion 5. 9Quantize 5. 9Scale Conversion tables 5. 11

Edit Style 5. 13Entering Edit Style 5. 13

S t o r e P e r f o r m a n c e 3 . 2 3

S a v i n g t o t h e c u r r e n t P e r f o r m a n c e 3 . 2 3

T o s a v e t o a d i f f e r e n t P e r f o r m a n c e 3 . 2 4

D i s k - H a r d d i s k - S C S I 4 . 1

S e l e c t i n g t h e s t o r a g e d e v i c e 4 . 1

C h o o s e t h e d e s i r e d D i s k c o m m a n d 4 . 1

T h e f i l e s e l e c t o r 4 . 2

T h e g e n e r a l D i s k p r o c e d u r e 4 . 3

L o a d O p e r a t i o n s 4 . 5

L o a d W X / S X S o n g s a n d S t y l e s 4 . 1 0

S a v e o p e r a t i o n s 4 . 1 1

E r a s e o p e r a t i o n s 4 . 1 7

C o p y o p e r a t i o n s 4 . 1 8

M o v e o

SK760_880SE_UK

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