VOLUME 44

PLAY-A-LONG Book & Recording Set

A New Approach To Jazz Improvisation

aV6* Ue uour AU Shiniofl

TendfJy^Gone MY you th©' you fjio

SK'^. Al' Be At

Thet® or Wea A« rnfty osio Sto P s raft

CONTENTS

Introduction.M

Concert Key Songs & Chord/Scale Progressions ^ .1

Bb Instrument Songs & Chord/Scale Progressions 0 .13

Eb Instrument Songs & Chord/Scale Progressions .25

Bass Clef Instrument Songs & Chord/Scale Progressions 0 .37

Lyrics.48

Discography.49

NOTE: Codas are played only after last chorus.

Published by JAMEY AEBERSOLD 1211 Aebersold Drive Graphics & Engraving by Pete Gearhart

New Albany, IN 47150

Copyright © 1989 By Jamey Aebersold All Copyrights Used By Permission

International Copyright Secured

INTRODUCTION

This volume in the Jamey Aebersold series is further evidence of the durability of the American popular song forms. Although most popular songs are 32 bars long (or a multiple of 32), it is interesting to note that in this collection, it is the oldest {After You’ve Gone, 1918) and the newest {Witchcraft, 1957) that break the 32 bar barrier, but they are like the others in that all the tunes in this collection can be broken down into eight bar phrases.

Perhaps the tune with the most interesting history in this collection is Autumn Leaves. French composer Joseph Kosma set a poem by Jacques Prevert to music in 1947, and it was popularized i n France by Juliette Greco, a singer whom trumpeter Miles Davis was close to for many years beginning in 1949. Although jazz musicians had recorded Autumn Leaves before (notably Erroll Garner), it was the recording Davis made for Blue Note under Cannonball Adderley's name that established the tune as a jazz standard. Incidentally, a track with some interesting depanures from the usual chords of Autumn Leaves is available as Autumn on Aebersold Volume 20.

Harry Warren wrote an incredible number of song successes, mostly for the movies in the 3()s and early 4()s. He's represented here with There Will Never Be Another You, one of the most called tunes when rehearsal time is nil because it is one of the best known tunes around. A much faster version of the changes appears on Aebersold Volume 15 as Another Yew. AllOr Nothing At All was recorded by the Harry James Band with Frank Sinatra in 1940, but it wasn't until it was reissued in 1943 that it caught on, helping to launch Sinatra's career. On this record the arrangement is reminiscent of Horace Silver's Nica’s Dream (Aebersold Volume 18). Of the two Harold Arlen contributions. Stormy Weather is the archetypal torch song (here somewhat truncated from the original to conform to the 32 bar mold, as it is usually performed today), and My Shining Hour has been a vehicle for a number of guitarists, usually taken at breakneck tempo. On this recording the pace is a little more merciful.

^ Walter Gross' Tenderly began life as a waltz, but is now often played in 4/4 time as it is here. 57;os/Visa happy little tune that is often overlooked. After You’ve Gone, penned by the early black songwnting team of Creamer and Layton (they also wrote Way Down Yonder In New Orleans, Dear

Old Southland, and/// Could Be Wtr/i //our T’ow/g/zt), has survived every conceivable kind of arrangement since it was published in 1918. Witchcraft, penned by Broadway composer and sometime jazz pianist Cy Coleman, has a finger snapping quality that belies its ABCDA' form.

About the rhythm section: pianist Niels Lan Doky and his bassist brother Christian are two of Denmark's finest jazz musicians, Niels in particular becoming internationally known. Drummer Billy Hart is one of jazz's most recorded musicians, with a list of recording and playing credits much too long to list here.

Phil Bailey, 1989

SIDE 1 TRACK 1 Autu 11111 LGavcs PLAY 7 CHORUSES J = 174

C- F7 BbA

English Lyric Johnny Mercer French Lyric Jacques Prevert

Music by Joseph Kosma EbA+4

SOLOS

C- F7 BbA EbA+4 A0 D7+9 G- (G7+9)

C- F7 BbA EbA+4 A0 D7+9 G-

A0 D7+9 G- (G7+9) C- F7 BbA EbA(+4)

A0 D7+9 G- C7 F - Bb7 EbA A0 D7+9 G- (G7+9)

©1947. 1950 ENOCH ET CIE, ©Rcr»wcd 1975, 1978 ENOCH ET CIE . c r-- Sole Selling Agent for United States of America (Including Its Territories uid Possessions) and Dominion of Canada: MOR^Y MUSIC CO., by agreement with Enoch Et Cie

All Rights Reserved International Copyright Secured Used by Permission

1

SIDE 1/TRACK 2 PLAY 6 CHORUSES J= 184

My Shining Hour Lyric by Johnny Mercer

Music by Haroid Arien

$

EbA C F7 Bb7

-p..« f , p

EbA

-|2»

EbA

D0 G7+9 C- C- D0 G7+9

Bb-

-a.-

Eb7 -is>-

AbA C- F7

f

AbA Ab- Db7 F- Bb7 EbA

G0

121

C7+9 42-

F- 19- Bb7

121

Eb (F Bb7)

□□E

SOLOS

EbA C- F7 Bb7 EbA EbA D0

.

GV+9 C- C- D0 G7+9 C- F7

F-/Bb Bb7 Bb - Eb7 AbA AbA Ab - Db7

Bb7 EbA F- G0 Cl+9 F-

©1943 HARWnsr MUSIC CO. ©Renewed 1971 HARWIN MUSIC CO.

InlcniaUOTai Copyright Secured All Rights Reserved Used by I^rmissjon

2

SIDE 1/TRACK 3 PLAY 2 CHORUSES J= 108

Tenderly

Db7+4 G- F- Bb7 Eb Ab- Bb7 Ab- D0 G7+9

C- F7 F- Bb7 Eb Ab7+4

Eb- Ab7 F- Db7+4 G- F- Bb7 Eb Ab-

SOLOS Eb Ab7+4 Eb- Ab7 F- Db7+4

G- F-Bb7 Eb Ab - Bb7 Ab- D0 G7+9 C-

F7 F- Bb7 Eb Ab7+4 Eb- Ab7 F-

Db7+4 G- F-Bb7 Eb Ab- D0 G7+9 C-

©1946, 1947 EDWIN H. MORRIS & COMPANY. A Division of MPL Communications. Inc.

©Renewed 1974, 1975 EDWIN H. MORRIS A COMPANY. A Division of MPL Communications, Inc.

International Copyright Secured All Rights Reserved Used by Permission

3

After You've Gone By Creamer & Layton

stormy Weather

1

F- Ab-6 Eb/G C7+9 F- Bb7 Eb C7+9

Eb/Bb Eb7 Ab A° Eb/Bb Eb7 Ab A°

D.S. al 3rd Ending

SOLOS Eb C7b9 F- Bb7 Eb/G C7b9 F- Ab-6 Eb/G C7+9 F- Bb7

1. Eb C7+9 F-

-

Bb7+9 2. Eb Ab -

1 =

Eb

_J-

A7b9 Ab A°

_|j-z:—

Eb/Bb Eb7

z=Tzz===q -:| -;-

Ab A° Eb/Bb Eb7 Ab A° Eb/G C- G- C- F7 Bb7b9 Eb C7b9

F- Bb7 Eb/G C7b9 F- Ab-6 Eb/G C7+9 F- Bb7+ Eb C7+9 F- Bb7+9

©1933 MILLS MUSIC. INC

©Renewed 1961 ARKO MUSIC CORP.

International Copyright Secured All Rights Reserved Used by Permission

5

There Will Never Be Another You SIDE 2/TRACK 2 PLAY 7 CHORUSES J=168

Lyric by Mack Gordon Music by Harry Warren

Eb D0 G7+9 C-

—y n ■_Ai_1 1. . T i .. _

_ □z _ _ _d _M • ^ rr o___ • ^ _s

- m "" _^ _^ "" !

C- Bb- Eb7 Ab Db7+4 Eb C-

[_ N — T— m_ zz ri: tzz rzd Vi — — — — —

p* c> —I n. ^ w / _ _ r _

V a i~d __ Z3P r 1 1 1

w ^ ^

F7(+4) F - Bb7 Eb

— __ 1 -^- — tm A • ZZJ - T ^ m — _'m d L?_J

d

D0 G7+9 C - Bb - Eb7 Ab

— «- -' V ~~"Z V~ ■m

—

I O « ^ 1 A ^ _^ 1

_9Jt_ • _m • _

-^ i 7 i 1

Db7+4 Eb A - D7 Eb Ab7 G - C7+9 . F - Bb7 Eb (Bb7)

L . ... . K _ 5_ Zj 1 2Z - m— w 9 zz J __ •.d zz _^ _J ; ^ m ~ __1

1 1

SOLOS

Eb D0 G7+9 C- Bb - Eb7 Ab

-- . —z -Y—

D0 G7+9 C- Bb- Eb7 Ab Db7+4 Eb

•x

•0'CODA o A-D7 EbAb7 G-C7+^ F-Bb7 Eb (Bb7) F- Bb7 A0D7+9 G-C7+9 F-Bb7 EbA

©1942TWENTIETH CENTURY MUSIC CX)Rl^RATION

©Renewed 1970 'lAVENTlEni CENTURY MUSIC CORPORATION, All Rights Controlled by MORI.EY MUSIC CO.

International Copyright Secured All Rights Reserved Used by Permission

7

SIDE 2/TRACK 3 PLAY 6 CHORUSES J = 164

Witchcraft Lyric by Carolyn Leigh Music by Cy Coieman

© 1957 MORLEY MUSIC CO.

©Renewed 1946 MORLEY MUSIC CO.

Intcmaiional Copyrighl Secured All Ri^hu Reserved Used by Permission

LYRICS AUTUMN LEAVES

The falling leaves drift by my window, The autumn leaves of red ttnd gold; I see your lips, die summer kisses.

The sun-burned hands I used to hold. Since you went away the days grow long.

And soon I'll hear old winter's song. But 1 miss you most of all my darling.

When autumn leaves start to fall.

MY SHINING HOUR This will be my shining hour. Calm and happy and bright.

In my dreams, your face will flower through the darkness of the night. Like the lights of home before me.

Or an angel watching o’er me, This will be my shining hour, Till I'm home with you again.

TENDERLY The evening breeze caressed the trees tenderly.

The trembling trees embraced the breeze tenderly; Then you and I came wandering by.

And lost in a sigh were we. The shore was kissed by sea and mist tenderly, I can't forget how two hearts met breathlessly, Your arms opened wide and closed me inside.

You took my lips, yon took my love so tenderly.

AFTER YOU’VE GONE After you've gone, and left me crying; After you've gone there’s no denying

You'll feel blue, you'll feel sad You'll miss the dearest pal you've ever had. There'll come a time, now don’t forget it. There'll come a time when you’ll regret it.

Someday when you grow lonely. Your heart will break like mine and you'll want me only.

After you’ve gone. After you’ve gone away.

STORMY WEATHER Don't know why there's no sun up in the sky.

Stormy weather, since my (man/gal) and I ain't together, Keeps rainin' all the time.

Life is bare, gloom and misery ev'rywhere, Stonny weather, just can’t get my poor self together.

I'm weary all the time, the lime. So weary all the time. When (he/shc) went away the blues walked in and met me.

If (he/she) stays away old rockin' chair will get me. All I do is pray the Lord above will let me

Walk in the sun once more. Can't go on, cv’rything I had is gone, stormy weather.

Since my (man/gal) and I ain't together, keeps rainin’ all the lime.

S’POSIN’ S'posin’ I should fall in love with you,

Do you think that you could love me loo? S'posin’ I should hold you and caress you.

Would it impress you or distress you? S'posin’ I should say for you I yearn

Would you think I'm speaking out of turn And s'posin' I'd declare il, would you lake my love and share it?

I’m not s'posin’ I'm in love with you.

THERE WILL NEVER BE ANOTHER YOU

There will be many other nights like this, And I'll be standing here with someone new.

There will be other songs to sing, Another fall, another spring,

But there will never be another you. There will be other lips that 1 may kiss.

But they won’t thrill me like yours used to do, Yes, I may dream a million dreams but how can they come true

if there will never, ever, be another you?

WITCHCRAFT Those fingers in my hair, That sly come-hiiher stare

that strips my conscience bare. It's witchcraft. And I’ve got no defense for it. The heat is too intense for it,

What good would common sense for it do? 'Cause it’s witchcraft. Wicked witchcraft. And although I know it’s strictly taboo,

When you arouse the need in me. My heart says, "Yes, indeed" in me,

"Proceed with what you're leadin’ me to." Ifs such an ancient pitch, But one I wouldn't switch,

'Cause tliere's no nicer witch than you.

ALL OR NOTHING AT ALL All or nothing at all.

Half a love never appealed to me. If your heart never could yield to me Then I'd rather have nothing at all.

All or nothing at all. If it’s love there is no in-between,

Why begin then cry for something that might have been? No, I’d rather have nothing at all.

But please don’t bring your lips so close to my cheek, Don’t smile, or I'll be lost beyond recall.

The kiss in your eyes, the touch of your hand makes me weak. And my heart may grow dizzy and fall. And if I fell under the spell of your call,

I would be caught in the under-tow. So, you see. I’ve got to say no, no,

All or nothing at all.

48

DISCOGRAPHY NOTE: If LP & CD versions are both available, the LP number is shown first.

Otherwise (LP) or (CD) is indicated.

After You've Cone (1918) Words and music by Henry Creamer and Turner Layton. First popularized as dance music and as a bluesy lament by A1 Jolson, Sophie Tucker and others. Early jazz versions by Bessie Smith and Fats Waller.

L. Armstrong (DQS LP SW-8450 C. Basie (Pablo LP 2310-923) B. Coleman (DQS LP SW-8402) J. Dodds (MCA LP MCA-1328) L. Donaldson (Blue Note B1-81537/B2-81537) R. Eldridge (Columbia CJ/CK 45275)(MCA LP 1355) H. Ellis (CCJ-6/CCD-^006) E. Fitzgerald/C. Basie (Pablo 2312-110) Four Freshmen (Pausa LP 9040) H. Galper Trio (Concord CCJ-383/CCD-4383) T. Gibbs Big Band (Contemporary CTP/CCD-7647) B. Goodman (Columbia CJ/CK 44158; CJ/CK 44292;

CJ/CK 44437)(RCA LP ANLl-0973; AXM-5505) (RCA Bluebird CD 5631-2)

C. Hayes (Good Time Jazz LP S-10050) F. Henderson (OLR LP 7118) B. Holman Big Band (VSP LP 25/Baybridge 30CP-

20) A. Jolson (MCA LP MCA-27052)(of minimal jazz interes!)

JATP Allstars (Verve 837 142-1/-2) G. Krupa (Roy Eldridge feat.)(Columbia 45 single 3- 33283)(Vervc CD 827 843-2)

A. Most (CMD LP 2582) T. Murphy (Good Time Jazz LP 12027) A. ODay (Emily LP 11279) P. Peterson Big Band (Pausa LP 7191)(CMG CD CMD 8019) F. Sinatra/Q. Jones (Qwest LP 1-25145) B. Smith (Columbia Cassette CGT-31093) S. Smith (FLC LP 9025) S. Stitt (Prestige LP 24044; 7585) A. Tatum (MCA /cassette MCAC2^019)(Pablo LP

2310-862) J. Teagarden (Pausa LP 9026) C. Tjader (Savoy LP 2254) J. Venuti (Rying Fish LP 077) F. Waller (RCA LP AXM2-5518) D. Washington (EnArcy 826 663-1/-2) J. Williams (Delos CD 4004)

All Or Nothing At All (1940) Words and music by Jack Lawrence and Arthur Altman. Best selling record by Harry James and His Orchestra, with vocal by Frank Sinatra. A. Burton (Inner City LP 1094) M. Carvin (Muse LP MR5370) J. Cohrane (MCA/MCAD-5885) E. Fitzgerald (Pablo LP 2310-825) B. Holiday (Verve LP 827 160-1) F. Hubbard (Blue Note BLN/CDP 84040) S. Kcnion/A. Richards (Creative World LP 1067) W. Shorter (Crescendo LP 2-2075) F. Sinatra (Reprise FS/2-1016; FS/2-1017)

(not original James version)

Autumn Leaves (1947) English words by Johnny Mercer. French words by Jacques Prevert, music by Joseph Kosma. From the poem, "Les Feuilles Mortes."

Autumn Leaves (continued) Best selling U.S. record in 1955 by Roger Williams.

C. Adderley (Blue Note BLN 81595/CDP 46338 2) J. Albany (Sea Breeze LP 1004) C. Baker (CBS Associated CD ZK 40804) R. Bryant (Columbia CJ/CK 44058) R. Cole (Muse LP 5245) C. Corea (GRP GR/GRD 9582) P. Desmond (RCA 5778-l/-2)(A&M LP 9-3015) D. Ellington (Columbia /CJ/CK 44444)(Saja CD 91042-2) B. Evans (Milestone M/MCD-9151)(Riversidc LP/CD 018)(Charly CD 25) B. Evans/J. Steig (Verve CD 829 579-2) T. Farlow (Concord LP CCJ-57) E. Gamer (Columbia CJ/CK 40589) M. Garson (Reference Recordings RR 20/20 CD) S. Getz (Who’s Who CD WWCD-21034) V. Guaraldi (Fantasy LP OJC-235;-287) J. Hall (Milestone CD 7229045) A. Jamal (Who’s Who CD PC-51004) JATP Allstars (Pablo LP 2310-748) T. Jones/M. Lewis Quartet (A&M CD-0830) W. Kelly (Vee-Jay LP 3038) W. Marsalis (Columbia FC/CK 40461 )(Columbia PC2/G2K- 40675) J. McDuff (Prestige LP OJC-324) Y. Menuhin/S. Grappelli (Angel CD CDM-69220) J. Moody (RCA/Novus 3026-1/-2) J. Pass (Pablo LP 2640-102) A. Pepper (Contemporary LP 7630) O. Pelerson/D. Gillespie Duo (Pablo 7310-7401-2) O. Peterson (Verve LP 833 772-1) J. Raney (Xanadu CD FDC 5157) Gene Russell (Sea Breeze LP 3001) J. Sample/R. Brown/S. Manne (Inner City 6007) S. Smith (Progressive LP 7002) P. Smith (Outstanding LP 012) B. Summers Quintet (Discovery LP 897) T. Thielemans (Pablo LP 2308-233) C. Tjader (Fantasy LP OJC-271)(Fantasy LP 8059) S. Vaughan (Pablo 2312-1371-2)

My Shining Hour (1943) Words by Johnny Mercer, music by Harold Arlen. Introduced by Fred Astaire in the film ‘The Sky's The Limit." It was an Oscar nominee.

P. Adams (Muse LP 5213) E. Anderson (Concord LP CCJ 147) J. Christy (Sea Breeze LP 2002) R. Clooney (Concord LP CCJ 210) J. Coltrane (Atlantic LP SD2-313; 1354) Concord Allslars (W. Vache feat.)(Concord CCJ-348/CCD-4348) E. Duran (Fantasy LP OJC-120) T. Farlow/R. Norvo Quintet (Concord CCJ-143) E. Fitzgerald (Verve CD 817 527-2) L. Flahive Trio (Sea Breeze LP 2020) T. Flanagan (Inner City LP 1071) B. Henderson (Discovery CD DSCD-932) J. Pass (Pablo LP 2640 102)

S'posin' (1929) Words by Andy Razaf, music by Paul Dcnniker. Popularized by Rudy Vallcc.

C. Barncl Big Baud (RCA LP AXM2-5577) M. Davis Quintet (Prestige LP 006; Prestige 012/012-2; LP 24064) V, Feldman (Contemporary LP OJC-268)

A. Hibbler/H. Jones (OPS LP 3126) B. Short (Atlantic LP 81778-1) J. Stafford (Corinthian LP/CD 108) A. Tatum (Pablo LP 2310 864) R. Vallee (OLR LP 7l28)(of minimal jazz interest) F. Waller (RCA Bluebird LP 5905-1/CD 6288-2)

Stormy Weather (1933) Words by Ted Koehler, music by Harold Arlen. Written for Cab Calloway, but introduced by Leo Reisman and his Orchestra with vocal by Harold Arlcn. Closely identified with Ethel Waters, who sang it in the nightclub revue ’’Cotton Club Parade” and later with Lena Home.

R. Clooney (Concord LP CCJ-210) R. Eldridge (Verve LP 2-2531) D. Ellington (Biograph LP BLPM-2) R. Garland Trio (Prestige LP OJC-193) E. Gamer (ITI CD CDP-72988)(Everest LP 245)(Savoy LP 2207) B. Holiday (Everest LP 310)(Verve LP 823 064-1) L. Home (DNH CD DZS-OlO; 016)(DRG LP 501)(of tangential jazz

interest) E. James (Chess LP CH-9266) C. Laine (DRG LP 502) H. McGhee (Savoy LP 2219) J. McGriff (Milestone LP 9135) C. Mingus/T. Jones (DNH Cassette DZS-022) W. The Lion Smith (Crescendo LP 9011) M. Sullivan (MOF UDCD-JSl) A. Tatum (MCA LP 2^019) B. Wallace (Blue Note Bl/CDP-48014)

Tenderly (1946) Words by Jack Lawrence, music by Walter Gross. First recording by Clark Dennis; best seller by Rosemary Clooney in 1955.

G. Benson (guitar alone) (Warner 25907-1/-2) N. Brignola (Reservoir RSR CD 108) C. Brown/M. Roach (Crescendo LP 18/Vogue CD 600032) E. Dolphy/R. Carter (Prestige LP 24053) H. Ellis (Concord LP CCJ-181) B. Evans (Roverside 018/018-2; OJC-068/068-2) S. Getz/L. Hampton (Verve CD 831 672-2) S. Hamilton (Concord LP CCJ-165) W. Herman (Concord LP CCJ-180) B. Holiday (/verve LP 8232 064-1) J. Jenkins/C. Jordan/B. Timmons (New Jazz LP OJC-251) E. Klugh (Liberty LP LT-1079) C. Laine (Columbia FM/MK-39736) P. Newborn (Contemporary LP 7634) R. Norvo (VSP LP 35) A. O'Day (Verve CD 829 577-2) N. Otter (otter No-1) O. Peterson (Pablo LP 2310-895; 2640-101 )(Verve LP 827 172-1) O. Peterson/J. Pass (Pablo LP 2625-705) B. Powell (Verve CD 827 901-2) A. Tatum (Pablo LP 2310-730) Three Sounds (Blue Note BST-81600/CDP^6531) C. Tjader (Fantasy LP OJC-271) S. Vaughan (Mercury CD 826 320-2; 830 699-2; 832 788-2) E. Cleanhead Vinson (Muse LP 5116) G. Wallington (Prestige LP 7587)

There Will Never Be Another You (1942) Words by Mack Gordon, music by Hairy Warren. Introduced by John Payne in the film ’’Iceland.”

C. Basie (Pablo CD 3112-1) C. Basie/J.Williams (Verve LP 833 774-1) G. Benson et al (ACD LP SN-711 l)(m CD CDP-72980) H. Ellis (Concord LP CCJ-116) B. Enriquez (Crescendo LP 2179)

J. Forrest (Delmark LP 435) Four Freshmen (Pausa LP 9040) G. Geissman (Concord LP CCJ-62) B. Hackett Sextet (STV LP 4059) S. Hamilton/B. Tate (Concord LP CCJ-148) S. Hamilton/et al (Progressive LP 7019) S. Hamilton/W. Vache (Concord LP CCJ-70) H. Hawes (Contemporary LP OJC-165) C. Hawkins (RCA Bluebird 5658-1/5717-2) G. Holmes (Prestige LP 7485) L. Konitz/W. Marsh (Atlantic LP 90050-1) M. Lewis et al (Vee Jay LP VJS-3062) M. McPartland (Savoy LP 2248) H. Mobley/K. Clarke (Savoy LP 1125) G. Mulligan/C. Baker (CBS Associated ZG/ZGK-40689) A. O'Day (Emily LP 13081) B. Powell Trio (RCA Bluebird CD 6267-2) Z. Sims/B. Pizzarelli (CU LP 21) P. Smith (Outstanding LP 003) S. Stitt (Prestige LP 7585) B. Summers Quintet (Discovery LP 897) A. Tatum (Pablo LP 2310-729) C. Tjader fantasy LP 8097) L. Tristano (Atlantic LP 2-7006)(Eleklra cassette 4-60264) J. Venuti et al (Flying Fish LP 035) L. Young (Pablo LP 2308 228) L. Young/O. Peterson Trio (Verve CD 831 670-2)

Witchcraft (1957) Words by Carolyn Leigh, music by Cy Coleman. Introduced by Gerry Matthews in Julius Monk’s revue "Take Five." Best Selling record by Frank Sinatra.

D. Byrd (Blue Note BST/CDP-84019) B. Evans (Milestone LP 47034; Riverside RVS 018/018-2; OJC- 088/-2) B. Hutcherson (Landmark LP-15131-2) Jackie & Roy (Discovery LP 907) F. Phillips (Progressive LP 7063) S. Rogers (Discovery LP 843) F. Sinatra (Capitol CD CDP-91150; LP SN-16109) R. Tomkins (Concord LP CCJ-51)

50