Roman medallions / by Jocelyn M.C. Toynbee
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Transcript of Roman medallions / by Jocelyn M.C. Toynbee
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I O NS
TO Y N B E E
D . H I L . O X O N . , . S. A.
I E S
NNU M SMAT CSO C E T
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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1 944
NNU M SMAT CSO C E T
N C R R I N T N GCO .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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NA
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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mplies R omanmedallionsareessentiallyabranch
etasspecialpieces struckprimarily notforc irc ulation
tationasgifts theystand uitedistinc tlyapartf romthe
veseparatetreatmentontheirownmerits. ftheir
rt ofthedie-cutter theyarealsonearlyrelatedto the
thesculptorandthepainter andiftheirinterest ismainly
ewotherfields ofclassicalarchaeologyforwhichtheyare
R omanmedallionsconstitutedinthemselvesanew
w categoryofhistoricaldocuments offeringintheir
bothinstyleandincontent beyondtherangeofthecurrent
mthe attention notonlyofnumismatistsandarchae-
ofallstudents ofthelife thoughtandhistoryofimperial
estudy ofR omanmedallionssometwentyyearsago
generalproblemsofHadrianic art foritwasinHadrian s
ontinuousseriesofbron emedallionsproperwasreally
wseemstoberipe foranewinvestigationofthe sub ect.
tcontributionstoperiodicliteratureandencyclopaedias
part atleast ofsomeofthegreatpublic andprivate
d booksspeciallydevotedtomedallionshavebeenfew.
s m ed a il l on s d e V e m pi r e ro m ai n P a r is 1 7 ) h a s n e e d le s s to s a y
. Gnec chi smonumentalwork medaglioniromani
owhichallstudentsinthisf ieldoweadebtof thedeepestgratitude
rpus splendidly illustrated of thematerialavailabletohimat
onissomewhatslightandunsatisfactory andheleaves
hatofdef iningwhataRomanmedallionis unsolved. Muc h
udesin hisfirstandthird volumesdoesnot inthelight
fallw ithinthesc opeof thesub ec tatall. A gain sinc e
assof newmaterialhascometolightand ithasbeenpos-
nsofmanymedallionswhichhelisted butdidnotillus-
I X of thispresentwork representanattemptataphoto-
bulkof medalliontypesandvariants sofaraccessible
nownto ornotreproducedby Gnecc hi. amwellaware
tionsarepooror imperfect largelyasaresult oftheout-
studies hadreachedtheirclose.B utinthesetimes
icalmonumentshavebeenlostordestroyed theinterests
mandthesubordinationofaestheticconsiderationsto
ortheobvious butunavoidable gapsinmystudyof the
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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ereadertothelistattheendof thebook . latesX L -X L I X
stratedinGnecchi splates.Theyaresupplementaryto
dtoprovideachronologicalvisualsurveyoftheiconographic
ofR omanmedallions anditis hopedthattheymaymake
etothe generalstudent.R eferencestotheplatesaregener-
and suchreferenceshavebeenemphasi ed forconven-
ofboldfacetype.
havetriedtoe amineafreshtheoutstandingproblems
theirdef inition theirrelationtothenormalc oinage their
theoccasionsforwhichtheywereissuedand thenature
vealsoattemptedadiscussionofthevaryingcharacter-
thethreemain phasesoftheirhistoryanda surveyof
ntsknowntome uptothepresent classifiedaccording
ented. inally haveaddedsomesuggestionsastothe
nthe political religiousandartisticlifeofthe R oman
tobeof ageneralandpreliminarycharacteronly. t
inabookof thissi etoworkoutthee ac tdate andeluci-
nce ofeachindividualtype.Thereversetypesofthe fourth
uiremoredetaileddiscussionandclassificationthanspace
havenotattackedthefascinatingtaskofattempting
rticularartistsandtoclassifymedalliontypesonthose
eservedforthe ne tundertakingwhich alreadyhave
hisbook is inpart meanttobeintroduc tory namelythe
nologicalcorpusofallknownmedalliontypesandtheir
orhelpandencouragementinproducingthisbookare
ow ledgedinfulldetail. B ut shouldliketoe pressmy
llow ing:—tothelate rofessor erc yGardnerofO x ford
stperusedthepagesofGnec c hi toMr. HaroldMattingly
epartmentofCoinsandMedals B ritishMuseum who
andmade manyimportantsuggestions tothelateMrs.
hergreatk indnessandinvaluableassistancetomewhile was
dtothekeepersandownersof thepublicandprivatecollec-
sfor studyandforfurnishingcasts inparticulartoMr.
rofCoinsandMedals B ritishMuseum M. eanB abelonof the
ibliothe ueNationale aris D r. iegleof the aiser-
e r l i n D r . . i n k of t h e u n st h is t or i sc h es M u se u m V i e n n a
oftheGabinettoNumismatico BibliotecaApostolica
S. . Cesanoof theMuseoNa ionaleR omanodelleTerme
cialpersonalfacilitiesforstudyingthe twogreatcollec-
omeonSeptember16 1943whilethis refacewasbeingwritten. shouldliketo
ytotheuni ueservicewhichherinspiration learninganddevotionhaverendered
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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vecare Mr. S. . Noeof theMuseumoftheA meric an
ew ork whosuppliedmewithdetails photographsand
eintheU nitedStates MissA nneS. Robertsonof the
G l as g ow U n i v e rs i ty M r . H . . H a l l o f e n tr e he y li n H a l l
e s M . R . a m es o n of a r is a n d Si g no r G . Ma z i n i of T u ri n .
ueto theU niversityofCambridgeandtoNewnham
forgrantingmeleaveofabsencefrommy dutiesduringthe
, thusenablingmetotraveland studyontheContinentand
ternationalfriendshipandco-operationintheworldof
y interrupt butc annotdestroy to adyMargaretH all
gmetotheSusetteTaylorTravelling ellowshipfor1937-193 ; to
erhulmeResearch ellowshipsforawardingmearesearc h
od toNewnhamCollegeforelectingmeMaryB ateson
93 -1941 toMr. RaleighRadford Direc torof theB ritish
rofessorA lfoldiofB udapest andtoMissGraceB riggsof
mbridge andUniversityCollege ondon forvaluableas-
ibliography.
sthegreatestofall istothe AmericanNumismatic
foritsk indnessandgenerosity inundertak ing inthese
blic ationof thisbook which ow ingtowarc onditionsin
erwisehavehadlongtowait beforeitcouldseethelight of
rindeedthat shouldhavesharedinforgingonesmall
rshipwhichbindstheO ldW orldtotheNew.
inallhumilityandwith deepaffection tothebirth-
ons—theC ityofRome.
TO Y N B E E
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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L I O NS AND M E R I A I F E
and olitic s193
nsandR eligion202
lionsandA rt212
eadMedallions231
ivateCollec tionsofR omanMedallions237
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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E V I AT O NS
eiger.
urnal.
chenarchaologischen nstituts:AthenischeAbteilung.
mmission arc heologic ac omunalediR oma.
dtter.
MuseumCatalogueofCoinsof theRoman mpire.
eumCatalogueofGreekCoins.
n f r eu n de .
mQ uarterly .
onhistori uedesmonnaiesf rappeessousV empireromain ed. 2.
istory.
pt i on u m a t in a ru m .
e i tu n g.
gl i on i r om a ni 1 9 12 .
onsintheB ritishMuseum 1 74 .
nscriptiones atinaeSelectae.
esdeutsc henarc haologisc hen nstituts.
l e ni c S tu d ie s .
rnationald arc heologienumismati ue.
furpraehistorischeundethnographische unst.
m a n St u di e s.
terdmisc heMedaillonsderkaiserlic henMiin sammlunginWien 1909 .
c on s ta n li n ie n ne 1 9 0 ) , I 1 9 1 1 , I I 1 9 1 2 .
.
ony.
ndMonographs.
itschrift.
heB ritishSc hoolatRome.
wa R eal- nc yclopadiederc lassischenA ltertumsvnssenschaf t NeueB ear-
ue.
denham TheRoman mperialCoinage.
dinumismatica.
utschenarchaologischen nstituts:R dmischeAbteilung.
mati ue.
U ntersuc hungen urrSmisc henReic hspragungdes weiten ahrhunderts :
e i t d es T r ai a n I : R e i c h sp r ag u ng u r Z e i t d es H a d r i an I I : R e i c h s-
A n to n in u s i u s 1 9 31 1 9 3 3 1 93 ) .
kH rvatskogaarheo kogdruitvauZ agrebu.
mismatik.
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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SAND CO I N S
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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T O NO F TH E T R M R OMAN M D A L I O N
ryofancientR omecontainednoseparatewords
ernterms medal anditsaugmentative medallion. A s
of abookonR omanmedallions thisfactmightappear
ting. B utitc anbereadilye plained. nsofarasourterm
memorialpiec e struck toc ommemorateaneventoridea the
perialcoinagemaybedescribedasessentiallymedallicin
kofmoderncointypes conspicuousfortheirlackof
e ecution devoidofvitaltopicalinterestandrepeated
yoverlongconsecutiveperiodsoftime thecointypesof
esentacontrastwhichisno lessstrikingforbeingobvious
ghly familiar. romthemiddleof thef irstc enturyonwardsthe
appreciated asfewgovernmentshavedonebeforeorsince
nageas amirrorofcontemporarylife ofthepolitical
artistic aspirationsof theage butalsoitsimmenseanduni ue
nginstrumentofpropaganda.Modernmethodsofdis-
ernvehiclesofpropaganda frompostage-stampstobroad-
avetheircounterpartintheimperialcoinage whereyearly
ostsaydailynoveltiesandvariationsin typesrecordthese-
andreflecttheaimsand ideologiesofthosewhocontrolledthe
omanimperialcoinswhichcouldnot inthissenseof the
medals andfromthepurelyc ommemorativepointofv iew
oinandmedalwouldbeoneof degreeratherthanofkind.A
notmerelyc ommemorative. tisalsodonative intendedtoreac h
e communityandhencedeliberatelylimitedinthescopeof
ods forallitssuperf ic ialresemblanc etoac oin theprimary
circulationascurrencybutdistributionasa gift.B ut
ofR ome thereistheinf luenc eofdonativec oinstoberec k -
econgiariaandliberalitates distributionsofcoinsbythe
tothepoorofRome andthemilitary issueswhic h f rom
nturyonwards playedaroleso importantastoimprint
eneralcurrencyoftheR omanstate.1Suchissuesmay
asi ethemedallicfunctionsoftheR omancoinageasa
retheneedfor someseparatetermbywhichtodifferentiate
llyasindividualgiftsfromdonativecoinsissuedenmasse
dtroopsalike.Themore medallicthecoinage theless
ali edfunctionsof themedal. nthethirdplac e amodern
nguishablefromacoinbyits e ternalcharacteristics.
u i te c l as s i u e M a y 19 3 , p p . 15 f . C A H x i i p p . 2 21 f .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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ortraituredoesnotbelonge clusivelytothestate:follow-
esub ectsandideascommemoratedarenotconfinedto
r officialinterest andsofaras concernsthechoiceof
ofweightandsi e thereisnonec essaryc onnec tionor
alsandthecurrentcoinage.B utthroughoutthewhole
lissuessuchcompleteindependenceoftheordinaryofficial
msisaphenomenon uiteunknown.TheR omanworld
uaintedw iththemedalormedallioninthestric tmodernsenseof
ense then arewe ustifiedinusingtheterm R oman
hattheRomanmedal unlikeitsmodernc ounterpart
hard-and-fastsingledefinition.Thefrontierbetweencoin
edrawnwithabsoluteprecision andtherewillalways
fborder- linepiec eswhic hcan w ithalmoste ual ustice
e utthereare amongthevariedproduc tsof theRoman
uspieces fallingintocertainwell-definedcategories which
ernallytomanyofthegeneralrules governingtheordinary
standaboveandapartfromtheregularcurrencies pieces
ayade uatelyc overedbytheterm c oin andwhic h in
genciesfrommodernmedals filleda uitespecialand
e.TotheseR omanappro imationstothemodernmedal
ggeneraldef inition: theyare monetiform or c oin-
evercorrespondcompletelytoanyofthecoindenominations
heevidence e ternalandinternal provestohavebeen
orspecialorsolemncommemorationandtohavebeen
ntendedforpresentationordistributionasindividual
aoftheircirculationascurrencybeingeitherwhollyabsent
itesecondaryandsubordinate. A satisfactory label forsuch
eby. Medal isbestavoidedasc onveyingafalseim-
emoderncounterpart.Thetraditionalterm medallion
mas beingitselfsuggestiveofthemodernmedal whileas
ationitfails instrictlogic todo usticetothosesmaller
cterofwhichdoesnotdependonsi e.B utthereare
tionstouprootingatermwhichhas beenconsecratedby
aticworld:asingle wordwhichcouldbeusedasa con-
tuteisstill toseek andwhilewefranklyadmititto be
ntional wec anatleast ustify theretentionof theterm
yapplic abletothevery largepiec es whetherofgold silver
piec espare c ellenc e inwhichdif ferentiationf romthec urrent
yandconsciouslystressed.2
omanmedallionsoutlinedbyB . auminhisV berdasWesendesMun geldes 1930 ,
aum medallion wasincludedin moneta. B uttheterm moneta didnotin
mplysuitabilityforcirculation anditisunsuitabilityforcirculationwhichdis-
mcoins.
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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CAT O NO F R O MANM D A L I O NS
efinitionanda commonnametocoverourvarious
nowproceedtotheirclassification.R omanmedallions
fallintothreemaincategories:—I .Medallionsproper
s I I . s e ud o m ed a ll i on s .
enseof thetermarethosebron epieceswhichare
mtheregularcurrencybycertainwell-definedfeaturesof
ntent.Mostimportantandcharacteristicarethelarge
yrecogni ablease c eedingtheordinarybron ec oinsof
hesestertii downtoGallienus—insi eofdiameter thic k-
ccasionallythespecificallymedalliccharacterofsucha
yapparenttotheeyeby theadditionofabroad rimor
esign.Suchrimsaredecoratedwithconcentricgrooves
ntalbordersofvaryingdegreesof elaboration. nsome
onesingle flan inotherstherim wasaddedtothecentral
ramed medallionsf irstocc urunderH adrian bec ome
Antoninus iusandcontinueundertheAntonineand
othereignofA le anderSeverus. 1Somepiec es again are
bevelledrims. 2 nthec aseofotherpiec es struckon
c eedinginareathespacere uiredfortheac tualtypes a
misformedroundthedesignsoneitherside.3 romA ntoninus
anandMa imiananotherfavouritedeviceforstressing
characterwasthatofstrikingapieceona disccomposedoftwo
ysisof f ramed medallionsknowntothepresentwriter inc ludingafewdoubtful
1 H a d r i an : 2 0 S a bi n a: 1 A el i us V e r u s : 1 A nt o ni n us i u s: 2 6 F a u st i na : 3 M a rc u s Au r el i us :
s an d u c iu s V e r u s: 1 a u st i na I : 2 u c iu s V e r u s: 6 u c il l a: 1 v e ry d o ub t fu l p r o b ab l y
7 A lbinus:1 SeptimiusSeverus:2 uliaDomna:1 Geta:3 lagabalus:1 lagabalusand
e anderSeverusand uliaMamaea:1. A few laterandmostly uiteabnormalpiec es
I I :2 1= profec tioavg:obverseandreverseareformedofthinplatesofsilver
eflan.2= victoriaavgandroundtemple:theobverseis madeofathinsilver
e nt r al b r on e f l an , h i li p , O t a c il i a an d h i li p I : 1 = e o r ac vl o a po l li n is a n d
dreverseareformedofthin silverplatesappliedtothe centralbron eflan theobverse
TrebonianusGallusandV otusianus:1 = si -horsec hariot:obverseandreverseare
sappliedtothec entralbron ef lan theobverseplatehav ingnowgone V alerian
dventvsavgg:normalpiece .
w. 39 n o. ; 4 2 n o . ; I I , t a w. 14 6 n os .3 ; 1 4 7 n o. 7 1 49 n o. 7.
w. 39 n os .7 9 4 0 n o. 3 5 2 n o .4 5 7 n o .4 6 1 n o .4 6 5 n o .6 6 7 n o .2 7 1 n o. 1 7 2
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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Medallions
ya consciouslyfi edstandard:werethisso weshould
manypiec es atbothendsof thesc ale failingthusc on-
t. enner ssystemofmultiplesistooelaborate and
tiustheoryistoo simple tofitthefactsof theactualweights
c ontrary ac ompleteabsenc eofanyf i edsc hemeorstandard.
eriod w iththeinc reasingdisparity notinstruc tureonly
ent betweenthelargebron emedallionsandthelargest
ultipletheory isobv iouslyevenlesstenable.
aturesofthe largebron emedallionsproper—si e
tremevariabilityofweightinthecaseof allpiecesand
ndbi-metallicstrikinginspecialcases— combinetoestablish
ereneveroriginallyintendedtocirculateas coinofthe
onsmay ofcourse havecirculatedlaterascurrency
andthismight accountforthepoorconditioninwhich
downtous.B utcausesotherthancirculationcanob-
ear:even framed medallions wherec irc ulationwas
ion arenotwhollye emptf romit.
tructuretothesty leofourlargebron epiec eswe
ibitessentiallymedalliccharacteristics.Theobversedies
e q uisitefinish provideauni ueseriesof imperialpor-
storyof R omaniconography whilethereversedesigns
andbeautywhichisnormally uiteunparalleledonthe
emedallionsare beforeanythingelse worksofart and
encoinandmedallionispatentlynot oneofdegreeonly
o theartisticaspectofmedallionsisthe uestionof
choutstandingandoftensuperb productsofthe
oturnedoutinthemass. B ron emedallionsarec omparatively
hafewe c eptions rareindiv idually . tis uiteusualfora
yonee ample or atthemost byaveryfewe amples
erieshaveconfirmedtheopinione pressedbyGnecchiin
wmedallionf indtheoddsareinfavourofnewtypes oratany
nationsoftypes beingbroughttolight.9W hencon-
ecesdisplayingidenticalobverseor reversetypes itis
rlyperiod tofindthattheywerestruckfromidenticaldies.
eneralidentityoftypeisoften accompaniedbysmalldie
eceanditsfellows andindeed inviewofthehardblows
n suchhighrelief thenumberofspecimensobtainable
erhavebeengreat.Again thesamereversedieis often
oedif ferentobverses andv iceversa norisitraretof ind
mbinedwithobversesof twoormore mperorsor mpresses.
odiscovertwoormorepiecesstruckfromidenticaldiesboth
imultaneously . inally thec ontentof thelargebron e
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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nolessstrikinglythando theirstructureandstylea
theregularcurrencies.Takenasawhole thevastma ority
onot appearatallonordinarycoins orareonlyfound
ple versions.Somemedalliontypesmayseemtobe
ypes.B utalargeproportionof thesub ectsdepicted
oins butf romma orworksofart andthustheworkof the
ely inasense withthatofthecoin-designerthanwith
epainter. ntheirwealthandvarietyof interestthe
mtheprimaryroleofmedallionsasgift piecespresented
aloccasions.
mysteriousgroupof largebron epiecestobecon-
medallions soc alledf romtheirblankreverses butc or-
dallionsproperin si eofdiameterandthicknessofflan
tsandinthestyleand techni ueoftheirobversepor-
althoughrecordedasunilateral wereobviouslynotso
obversehasbeencutfromthereverse whileinother
asbeenscrapedoffor hasvirtuallydisappearedthrough
uinelyunilateral.Theyhavesmooth polishedbacks
veorornamentedwithacentralboss:theyshownosign of
ersetype.O fthevariouse planationsofferedtoaccount
s thattheywere proofs ore perimentsforobversedies
mittedbymedallistscompetingforpostsat themintor
nographydestinedtoserveasmodelsforprovincialissues—
orwhollysatisfactory.Theyremainaproblemasyet
ymustbeincludedinourserieson thegroundsoftheir
risthereanythingtoe c ludethepossibility thattheywere
ecesofane perimentaland uitee c eptionaltype.
bron epieceswouldbeincompletewithoutatleasta
e well-knownfactthattheletterssc whichdownto
y thoughnotinvariably ontheordinarybron ec oinage
ptions omittedonthebron emedallionsproper. Totheproblem
heseletters weshallafterwardsreturn.11 orthemoment
eirpresenceor absencecannotrightlybeusedasa
uishingbetweencoinand medallion althoughtheir
orityofmedallionsisa matterofobviousimportance.
bron emedallionsproperthethreecriteriaof struc-
. nthec aseof thelargepiec es allthreefac torsmaybe
lydec isive. Wenowc ometoaseriesofsmallerbron e
lydifferentiatedbytheirstructurefromthe current
eandcontentbecomethereallydecisivefactorsinvindicating
pleshavebeenpersonallye aminedbythepresentwriter:—H adrian:5 A ntoninus
: 2 M a rc us A u re l iu s : 7 u c iu s V e r u s: 1 a d o ub t fu l p ie c e , u c il l a: 1 C o mm o du s : 4 C ar i nu s
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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Medallions
astruemedallions. nsi eofdiameter inthic knessof f lan
re oftenindistinguishablefromcoinsoftheregular
itistrue are onthewhole morevariablethaninthe
dtherearepiecesofregular coindimensionstheweightof
anthenormal weightofthecorrespondingcoins.12 n
ndsmall bi-metallicpieces themedalliccharacterof
ddoubtonstructuralgrounds.13B utforthemost part
allions wemusttakeasour truecriteriahighrelief
oftouch rarityandtheuseof reversetypesunusualin
ththoseof thelargemedallions. tishere aboveall that
nandmedallionoftenbecomessodifficulttodraw.
othesc c riterionforthesesmallerpiecesled asweshallsee
ngeresults. 14Thereis infac t noroyalroadthatwec an
beconsideredonits ownmeritsandtestedbyits styleand
e suchastoestablishits characterasaspecialcom-
tableforsolemnpresentationwithinarestrictedfield then
nourc lassofmedallionsproper. tmust however be
culationofthesesmallermedallionsascurrency ifnot
srenderedfarmorelikelythanin thecaseofthelarger
ructuralsimilaritytoregular coins.Thegreatma orityof
onsproperwerestruckbyH adrian Tra anandtheA ntonine
modus. iec esofsestertiussi earemostf re uentunder
afterwhosetimetheygrowgraduallyrarer. iecesofdupon-
realsofairly f re uentunderH adrian whileof theperiod
theyarearegular andcharacteristicfeature. nthesecond
rythese miniaturebron emedallionswereagainmuchin
eswasissuedunderAle anderSeverus somepieces
hereverse butinseparable ongroundsofstyleand
thoutit thee c lusionof thesesc piec esbyGnec chif romthe
stanceofthefallaciousnessofhis criterion.Again for
I toGallienuswehaveac ertainnumberofsmallbron e
dalliccharacter. romGallienusonwardsitbecomes
entiatesmalltruemedallionsfromordinarycoinson
softentheonlyguide.W ithConstantine thehistory
onsvirtuallycomestoanend.
emedallionofHadrianintheB ritishMuseum w iththereversetypeof theinfant
s h e- g oa t A ma l th e a w e ig h in g 1 4. 9 g r am m es B M C C R E I I , p . 4 42 n o .1 3 62 A S t ra c k
4 44 . I . , 1 .
sofA le anderSeverusand uliaMamaea romaeaeternae: aris no. 7469
5 3 n o . ) a n d of u l ia M a ma e a t e mp o rv m fe l ic i ta s : V i e nn a n o . 10 5 74 7 . T wo o t he r s ma l l
erSeverusand uliaMamaea show ingthe liberalitas type R oyalCollec tion Turin
ec hi , R o m e , a r e co mp o se d o f si l ve r c en t re s s et i n b ro n e r i ms G I I , p . 4 5 n o . 9
f .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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s
dandsilverpiec eswhic he c eedinsi eandweight
mporarycurrency.Theywerestruckonafi edsystem
ndsilverc oinsandc ouldtherefore legally beusedas
ughthesameperiodsofdeclineandrevivalin ualityof
romthereignofGallienus whenthesilvercoinage
ec lining wasreplac edbysilver-washedc opper billon ,
ofConstantine whenthesilvercurrencywasagain
racticallynorealsilver medallions andtheweightsofboth
atallperiods varyandriseandfallw iththeweightsof
moneymedallionsarenotmeremultiplecoins.U nlikethe
edallions struck inA siaande uivalenttothreedenarii
heregularcurrency.Thefirstproofof thisistheirrarity
sindividuale amplesinparticular.Nordotheyoccur
oportionsasthegold andsilvercoinsinsuccessiveperiods
efirstand secondcenturiesbothgoldandsilvermedallions
specially thegold. nthethirdcenturydowntoGallienus
plentiful whereasgoldmedallionsofthe earlythird
cessionofGallienus arestillsc arce though ac c ordingto
sofgoldmultiples ranginginvaluefromthatof2tothatof
kby lagabalusanddemoneti edbyA le anderSeverus. 16
rd andfourthcenturiesthatmultiplesasa classbecomein
thefourthc entury af terConstantine srev ivalof the
eafairlyc ontinuousseries f romConstantius toA rc adius
vermiliarensia.B utthereallycharacteristicmoney
mpiref romDioc letianonwardsarethegoldpieces multi-
tone-si tiethofapoundandthen af terc. 310 normally
eventy-secondofapound ranginginsi eandweightf rom
stissuedbyConstantine tothe72-solidipiec eofV alens
7Hereagaintheindiv idualrarityof thesegoldpiec ese -
ointheoryoftheir origin. tistrue thatinthecaseof the
-solidiandthe2-solidipieces— thenumberofknown
pe orofvariantsofasingletype c anbeasmanyassi teen 1
ofsuchpiecesasmoneyis certainlywellwithinthebounds
largermultiplesonee ample oratthemosttwoorthree
ofanygiventypeisthegeneralrule:anditishardtoimagine
edpiecescaneverhaveactuallyservedaslegal tender.
eventhelessermultiplesstanddistinctlyapartfromthe regular
edarestoreddenarius theargenteus atthetimeofhisreform sc arc elyany
etweenc . 307and330 Mattingly R omanCoins p. 223 n. 4 .
t av .1 7 n o. .
s1#-solidipiec esofConstantine . G , tav . 6 no. 12.
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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Medallions
leandcontentandthe finestateofpreservationinwhich
us. A sforthelargermultiples theirsi eandhighintrinsic
dtechni ueandthevariedand individualcharacterofboth
rsedesignsmarkthemoutas rareandspecialpresentation
neybutactuallypreservedandtreasuredbytheirrecipients
gesofimperialfavor.
eof theirissuemoneymedallionsarenoless true
emedallionsproper. B othalikewereintended notfor
alorsolemndistributionas gifts.Thedifferenceliesinthe
ointof abron emedallionwasitsstructuralandstylistic
ts type itwasasa workofartoras acommemorative
ec tofmaterialvalue thatthegif twasbothof feredandreceived.
o normally worksofoutstandingartisticmerit particu-
calpointofview whileincontenttheirtypescanrival
storicalandpoliticaldocumentsofthe highestsignificance.
inthepreciousmetalsandonc arefully f i edstandards it
trinsicmonetaryworthshouldassumeanimportanceat
theirotherassets andtheirprevalenc eunderthelater
ofan ageinwhich underthepressureofeconomicand
alueswerebeginningtoyieldplacetothose ofamoremateri-
s indeed laiduponthemonetaryvalueofmultiplesas
s thewell-knownpassagesf rom ampridius V itaA le andri
d fr o m Gr e go r y of T o ur s H i s t o ri a c cl e si a st i ca r a nc o ru m v i 2 .
iusrunsasfollows:—" formasbinariasternariaset uater-
t ueampliusus ueadliberates19 uo ueetc entenarias
venerat resolv ipraec epitne ueinusuc uius uamversari
riaenomeninditumest c umdiceretpluslargiendihanc esse
c ummultossolidosminoresdareposset dansdec emvel
aet uin uagintaetc entumdarec ogeretur. Wenotic e
erms formaebinariae " ternariae etc . implyagraduated
nf i edmonetarystandards whileallthestressislaid
value tothee c lusionofc ontentandsty le sec ondly that
edasformingpart ofthesamesystemoflargessas that
nsweredistributed and thirdly thattheissueof large
a le n t u n a fo r ma o f s ev e ra l o r m an y g o ld u n it s w as a n
addedasan e tra totheordinarycoinageanddependent
ersonalw ill. Thephrase inusuc uius uamversari doesnot
rculation thoughitdoessuggestthe possibilityofputting
fcommercialuse. tisanother uestionwhethermulti-
ouldreallyhavebeenstruc kasearlyasthef irsthalfof the
tionof themeaninglessMSSreadings libribres and bilibres = 100aurei=
aureus= 1/50thofaRomanpoundatthetimeofAle anderSeverus hasbeenadopted
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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ewriter sstatementhasbeencoloredbyhis knowledge
sof thelater mpire.Atanyrateitwould appearthat
ti ationorderwasverythoroughlyc arriedout:onlyonegold
thebinioinB erlin 20has sofarasweknowatpresent
eotherhand afewgoldpiec esissuedbyAle ander
abinioin aris 21abinioinMunic h 22thefamous -aurei
a t Ta r su s i n 1 6 7 2 3 a nd t h e lo s t a r is 4 ? ) - a ur e i pi e ce o f
uliaMamaea.24O ursec ondte tdesc ribesapresentation
by t h e m p er o r Ti b er i us C on s ta n ti n us 5 7 - 5 2 t o
reosetiamsingularumlibrarumpondere uosimperator
entesabunaparteic onemimperatorispic tam etsc riptumin
ntiniperpetv iA V GV STi:abaliaveropartehabentes uad-
ontinentes uesc riptum gloriaromanorvm. Theimpor-
owinglight uponthepurposeofmedallionissueswill be
mmediateinterestforusliesintheuseof theterm aurei
ngthefundamentallymonetarycharacterofgoldmultiples
. 26A gain thedec reeissued dee pensisludorum byV alen-
ius andA rcadiusin3 4 forbiddingprivatitodistributeasgifts
mmi thanthoseweighingone-si tiethofapound linksthe
system.27Atthe sametime thedecreeimpliesareal
plesandordinarycoins.O ne-si tiethofapoundrepresents
miliarensiaof theperiod.These beingpartoftheregular
butedby privateindividuals whiletherightofdistributing
the mperor afurtherproofthattheywereregardedas
ande ceptionalcharacter.
a ll i on s .
onsaspiecesclearlydistinguishedinonewayor another
nded notforcirculation butforspecialorsolemn
orativegifts.Thisdefinitionmust aswehaveseen
epiecesthedifferentiationofwhichfromcoinslies lessin
content andinasmuchasstyleandcontentare inthe
7 G , t av .1 n o. 10 .
a s t an di ng to le ft P I . X X I X , ) . G , t av .1 n o .9 P I . X L T V , S .
f el i ci t as t e mp o rv m P I . X X V I I , 2 . A r u bb i ng o f a no t he r p r ob a bl y 4 -a u re i p i ec e of
seenbythepresentwriterattheB ritishMuseuminSept. 193 :—obv. =• impc aesh
A n D E R a v g b u st o f A le a n de r S ev e ru s l a ur e at e t o r ig h t s e en t h re e - u a r t er s t o fr o nt w i th p a lu -
ev . = p I trpc ospp A le anderSeverusinslow uadrigatoright holdingeagle-
and reinsandolive-branchinrighthand:diameter= 29mm.Thepresentowner
n.
.
onswereeachworth72solidiand weighed327grammesapiece.
1:—" c umpublic acelebranturof f icia sitsportulisnummusargenteus aliamateria
rgenteumnummumfassite pendere uam uiformarisoletc umargentilibrauna
dividitur. Thispassageisin agreementwiththegeneralimperialpolicyofforbidding
shscale.
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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Medallions
moresearchingtestofmedalliccharacterthanoutwardstruc-
hisseriesamongmedallionsproper. seudomedallions on
n epiecesdifferentiatedfromcoinssolelybystructural
nse superf ic ialfeatures. Struc k inmostc ases f romactual
ecificallymedallictraitsneitherinstylenorin types. et
gdeliberatestepsweretakentoe cludethemfromcircula-
tolif tthem infac t outof thecategoryofc oinsintothatof
includethestrikingofdupondiusand astypesonsestertius
esonmedallionf lans thestrik ing veryrarely ofsestertii
untingofsestertiiinnarrowrims andthestrik ingofsestertius
thatthedesignsare framedbymoreorless elaboratebevelled
pondingtothoseof thegreat f ramed bron emedallions
nchet29andMowat30these mounted c oinsweree peri-
proofs f romdiestobesubmittedtothe mperorbefore
koff theob ectofthelargeflans beingtoavoidconfusion
tmoney.H adthisbeentheir purposeweshoulde pect
airlyevenlyover thewholeimperialperioddowntothe
tury.B utwhilemostreignsdownto thatofGallienus
one e ampleofsestertiistruckonnormal-si edmedallion
monerinthefirst andearlysecondcenturiesthaninlater
ed pieces theyarefairlyabundantinthef irstc entury
adrian butgrowrarerf romthetimeof theA ntonines
hevarietyandcarefulworkmanshipwhichcharacteri ethese
ttheyservedamorepositiveand aestheticpurposethanthe
sionw ithordinaryc oins. seudomedallions or me-
infac t essentiallyafeatureof theearly imperialperiod and
befoundunderlater mperors theirc hiefpartwasplayed
emedallionsproperseriouslybegins.W emayseeinthem
medallion thefirststagein theevolutionofspecialcom-
epiecesstandingapartfromtheregularcurrency and as
c allybee c ludedfromthestudyofRomanmedallions.
ativepseudomedallionsofthefirst centurymay
e ofdevelopment.Under Augustusanumberofpieces
ypesstruc konsestertiusormedallionf lans. ore ample
peofAgrippa Neptunestandingwithtridentanddolphin 31
rmerly inthe vansCollection measuring3 mm. indiameter
mmes.31AsanddupondiustypesoftheTresviri Monetales
ofGnec chi sso-c alled senatorialmedallions " f iguredinV ol. ll taw . 159 160
ns cointypesstruckonmedallionflans.Theobversesof twopiecesofAntoninus
t a v . 16 0 n o s . 2 5 a p pe a r h o we v er t o h av e b ee n s tr u ck f r om m ed a ll i on d i es = G I , t a w . 43
. O n e p i ec e of A n to n in u s i u s wi t h s c G I I , t a v . 16 0 n o . 3 m u s t o n g r ou n ds b o th o f
sedasatruemedallionproper.
p. 23 5f f. R I N 19 11 p p. 16 5f f. R I C , p .1 0 , n o. 32 .
leCatalogue1934 p. 71 no. 1220 pi. 33. Thispiec ewouldappear however tobeof
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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dmedallionflansmeasuringfrom35 to39mm.in diameter
moneyersoccuronmedallionflans:of thelatterthereis a
iameterof43 mm.33Noteworthyamongpseudomedal-
areaspeciallyheavymedallionflanin theB ritishMuseum
w iththeastypeofsc andthunderbolt 34andarestora-
theV ierordtCollec tion alarge f ramed piecemeasuring
g91.3grammes.36 orthereignof Gaiuswemaymention
well-knownsestertiustypeofthethreeprincesses36setina
measuring40mm. andaheavilyrimmedpieceofAgrippina
umwiththecarpentumtype 374 mm. intotaldiameterand
t.Claudiusisrepresentedbya fewpieces. orNero
owntothepresentwriter allstampedwithfamiliarsestertius
ightof thesehave frames orrimsofvary ingsi eand
bevelled andtheyrangeindiameterfrom45to56 mm.and
8 . 45grammes. Thus inthec aseofNeronianpseudo
e framed type inwhichthemedallic c haracterismost
formthegreatma orityofe tantpiec esandtheymaybe
of thelarge f ramed medallionsproperof theHadrianic
eudomedallionofGalbaat Naples witharegular
ypestruckona medallionflan 39appearstobeour first
bi-metallicpiece:ontheobversetheline ofdivisionbetween
rlyseen cuttingthroughthelettersofthe circumference
vianspseudomedallionswererarer:wemaynotein passing
c ein aris describedbyGnec c hias thef irstsenatorial
mplyaregularsestertiusstruc konamedallionf lan. 40 nthec ase
rst-centurypseudomedallionstherelativepositionsof
ref
ron emedallionproperunderTra anandHadrian
erpossessthesamesignificanceasrepresentingR ome s
hemedallicfield.H enceforththeyappearase ceptional
mentingthetruemedallionissues anda briefillustrative
t-centuryhistorywillserveourpurposehere.At first
rlynumerous.Nolessthantwelvepiecesof H adrianhave
SaleCatalogue1923 p. 35 no. 630 pi. 7:weight= 31. 6grammes now intheHall
ech .
. 1.
SaleCatalogue1923 p. 37 no. 654 pi. .
n o. 26 p i. 7 n o. 11 5.
, n o .4 2 p i. , n o. 12 3.
dCeres V ic toryadvanc ingtolef torright Templeof anus TriumphalA rch R oma
oncordia H arbourofO stia. A remarkablepiec ew iththeO stiatype formerly inthe
practic allye uivalenttofoursestertii NC1915 p. 329 pi. 16 no. 4 : itis however
m. w e ig h t = 4 7 .1 g r am me s . Cf . R I C , p p . 20 4 2 0 6 n o s. 5 0 6 9 .
. w ei gh t = 4 0 .3 g ra mm es . G I I , p . 9 n o. 2 7 t av . 15 9 n o. .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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Medallions
nedbythepresentwriterandof theseeightare f ramed.
everalf inespec imenshavebeenpublishedbyGnecc hi. B ut
mperorstheoutputgraduallydec lines Commodus the
emedallionsproper beingrepresentedbyonlyone
sofarasthe presentwriterisaware.43W iththeSeveran
nsbecomesomewhatcommoneragain.Noteworthyare
ensof uliaD omnaatMilanwiththesacrifice-to-V esta
truckonbi-metallicflans 44abi-metallicpieceofCaracalla
sculapiussestertiustype 4 andapieceofGetaintheB ritish
ndingbeauty w iththesestertiustypeofB ac c husand
setinabroadrimadornedw ithtwobordersofdots. 46A le ander
fivepseudomedallions uliaMamaeabyonepiece. or
vetwof inespec imens bothw ithanadloc utiosceneonthere-
k f romthesamedies. 47 hilip , O tac ilia H ostilianus
V olusianusandV alerianareallrepresentedbyone ormore
ehaveaheavypiec ein aris49andalighterpiec eatO x ford.
osesw ithapiec ein arisissuedbyC laudiusGothic us showing
dallionflan.110
ceofpseudomedallionslies then firstintheir
ersofthe truemedallionandsecondlyintheirownspecifi-
egardedfromthepurelystructuralpointofview.B utin
shipiswiththeregularc oinage anditis obv iously to
wemustturnfortheir classificationandfortheinterpre-
ddl ittletoourknowledgeofthe specialcontribution
htothe historyofpolitics religionandartin imperial
tchedoutandillustratedthestoryof theirdevelopment
ollowtheywill receiveonlyincidentalattention.
0 n o s. 1 2 4 5 7 . o r t he T i be r is t y pe n o . 2 c f . e vi s C ol l ec t io n S al e C at a lo g ue 1 9 25
dallionf lan 3 mm. atMilan.
p . 30 6 n o. 3 3 t av . 7 n o. 3 :d ia me te r = 3 6 mm . w ei gh t = 4 3 .3 g ra mm es G I I , t av . 16 0
i p p. 3 11 3 13 n os . 59 4 6 07 .
i p. 301 n o. 53 .
i p .3 30 n o. 11 2 p i. 16 n o. 7. L , 2 .
1 .5 g r am m es a n d Me s sr s . Se a by O c t . 1 93 3 9 mm . 4 6 .6 g r am me s .
t al l ic p i ec e i n B e r li n w it h t yp e o f Sa l us . I . , 3 . C f. C V , p . 2 51 n o .1 2 0.
mm e s. C f. R I C V , i p . 1 12 n o . 46 p i . 4 n o . 6 2 .
p . 23 4 n o. 2 67 a p i 6 n o. 9 0.
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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E C T Y C A SS D AS M D A L I O NS. M D A L I C CO I N S.
N I E C S
lassedasMedallions.
rswehaveattemptedtoshowthat allpiecestowhich
m medallion whethertheybemedallionsproper money
allions havecertainfeaturesincommon:theywere
tructure sty leorc ontent—orbytwo orbyallthree
mtheordinarycurrentcoinageoftheR omanstate and
eptionalissuesandintendedforspecialorsolemnpresenta-
ns.Theapplicationofthesecriteriawillnecessarily
oryofmedallionsmuchofthematerialamassedbyGnecchi
mesofhiscorpus.CoinsincorrectlyclassedbyGnecchi
oupedunderfourheadings:—( i ordinaryaescoinsof the
hdonotbeartheletterssc ontheirreverses ii the
nDec iusand truscilla iii third-c enturyaureitheweight
hanthenormal iv gif tandfestivalc oins suc hasthe
ron e uinariiissuedfromthetimeofV aleriantothatof
vermiliarensiastruckfromthe timeofConstantineonwards.
ofhisthirdvolumeGnec c hihasc ollec tedasmallgroupofso-
allions " heavybron epiec esw ithsc onthereverse the
hare inreality pseudomedallions c ointypesstruc kon
iec ese c epted thepresenc eof theletterssc onagiven
rGnec c hi c oin " theirabsence medallion " w iththe
ntothemedallioncategorywholegroupsof uitecommon
cificallymedallicfeatures whetherofstructure styleor
. Theappearanc e asageneralrule ofsc ontheregular
onwhichweshallhavetoreconsiderlaterin connectionwith
egreeofsenatorialauthority realorf ictitious overtheaes
mply theevidenceofthecoinsthemselvessuggests of
mperorse erc isedadirectandc ontinuousinf luenc euponthe
dthechoiceofaes types.Thustheabsenceofsc onthe
ofGaius3probablymeansnomorethanaspeciallypersonal
thef irstinstance itmaybe aspayfortheimperialGuards. 4
epiecesare normalsestertii:theyarenotmedallions.
ot e 2 . V i d e in fr a pp . 45 f f. G I I , t av . 14 1 n o. 1 .
saysthatGaiusonhisac c essionnotonlydistributedtothepraetoriansthesumbe ueathed
or butestablishedanotherprecedentbyaddingasmuchmoreon hisownaccount:—
sc . Spa j ui ) gpwmf iwm. Werehisnon-sCsestertiistruc k forthispurpose
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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n. TheannonaavgpiecesofTitus showingA nnonastanding
aresimplysestertiiwithoutsc:17the coinisacommonone
ec if ic allymedallic traits. Titus the darlingofmankind "
eciallypersonalconcernforhispeople scorn-supply.The
necchi ssc criterionisseeninhis inclusionamongmedal-
sstruc kunderTra anandHadrian1 andofc ommon
ofTra an H adrianandA ntoninus ius whetherofR oman
eH adrianicpieceshowingonthereverseadecastyle
sp raroundande sc inthee ergueisanordinary
of thesestertiusw iththelegendssc inthefieldandsp r
larly wemustregardasordinarysestertiithepiec esof
gende sc andthetypesofc arpentumdrawnbytwomules
ephantsontheirreverses. 22 inally theabsenc eofsc on
asses f iguredbyGnecc hi ofTra an 23H adrian 24A ntoninus
26andCarac alla27c anbeeasilye plainedbythesimplefactof
goverorto wear. romthemiddleofthe thirdcentury
enolongersonormallythe accompanimentofthereverse
whilefromGallienusonwardsthesameis trueofordinary
ree cludefromthecategoryofmedallionsanumberof
c chi splates154to15 H ostilianustoMa imian the
arealikedevoidof medalliccharacteristics.2
rtiiintroduc edbyTra anDec ius w iththelegendsfelic itas
ndvictoriaavgcorrespondingtohisownportrait onthe
avgcorrespondingtotheobverseportraitof truscilla all
areclassedbyGnecchiamonghis senatorialmedallions. 29
nstyleandalwaysstruc kuponthic k heavyf lans thesepiec es
ardandsuperficialresemblancetotruemedallions.
nactualfactmeremultiplesofordinarycoins ane periment
tiipieces.R elativelycommonandconfinedtoalimited
theyareneitherrareande c eptionalincontent asarethe
allions noraretheydifferentiatedfromordinarycoins
byvariety insub ec t-matter asarethebron emedallions
et apartinanywayfromthe regularcurrencyofthe
sentialelementinit andarethusautomaticallye c ludedfrom
derourdefinitionoftheterm.
43 n o. 6. 16 G I I , ta w. 14 4 n os .1 2 3 1 4 , n os .6 7 .
4 , n os .1 -5 1 49 n o. 9. G I I , t av .1 45 n o. 11 .C f. B M CC R E I I , p .4 76
5 n o. 3 1 . n o te t on o. 1 55 4.
49 n os .1 4 1 5. n G I I , t av .1 43 n os .9 1 3.
14 4 no s. 4 5 1 3 14 7 no .5. G I I , t av. 14 , n o. 11 .
15 1 n o s. 11 1 2 1 3 1 52 n o. 1. G I I , t av .1 52 n o. 9.
54 n os .4 6 7 1 1 2 0 1 55 n os. 13 14 1 5 1 6 1 ; 15 6 n os .1 7 -11 1 2 1 3 1 6 1 57 no s. 7
n os . 1 2 3 7 9 1 0 2 1 2 2 2 3. T he s es te rt ii o f o st um us a lt ho ug h so me wh at m ed al li c in
ardedasother thancurrentcoins.
61 n os .1 -5 .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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edasMedallions
obarbaric aureiine plic ably inc ludedamongthegold
classesasmedallionsanumberofthird-centuryaureithe
higherthanthenormal andwhic h sincetheyshowno
sandarenotmultiplesofthe unitarystandard shouldbe
dasheavycoins.Sucharethegoldpiecesof lagabalus
mmes 31thatofV alerianweighingonly5.3grammes 32those
a34andTacitus36weighingundersevengrammesandthoseof
sthansi grammes.3
ndthirdvolumesGnec chiinc ludesasmedallionsanumberof
hichare likethedoublesestertiiofTra anDec ius only
ymedallic inc haracter. Thebron e orsilveredbron e
yGnec c hias modulominimo andrangingf romthereignof
c letian 37are indeed of tendistinctivelymedallic bothin
nthec aseof thesilvermiliarensia f irstissuedbyCon-
thetypesareeitheridentical orc loselyc onnec ted w iththose
esilvermultiples ormoneymedallions wheresuchcor-
st andwhiletherearemanymiliarensiafor whichno
reknownandacertainnumberofmultiplesfor which
miliarensia suchcombinationsaswedopossessdefinitely
aformedpartof thesameseriesasthe multiplesandwere
ons.B utthefactthatboth uinariiandmiliarensiawere
esasnormaldenominationsindicatesthattheyweredis-
lmoneygifts notspeciallyor solemnlypresented after
assouvenirstoarestrictedcircleof personsofhigh
rplaceinside theordinarycurrency.U nderthe
utionof large uantitiesofc ashatfestivalsandonspec ial
payforthetroopsorasdolesforthepeople c ametobeone
puttingnewcoinageinto circulation andthetruekin-
miliarensiais notw ithmedallions butw ithsuc hseriesas
suedfortheimperialvotapublicaon anuary3. These
ussedelsewhere.39H ereitissufficientto notethatall
nasense medallic inc ontent insofarastheirtypescontain
iali edandrestrictedkind whileonsomeindividual
entisbalancedbyatleast uasi-medallicstyle.
o s. 1 5 .5 1G , t a v. 1 n o. .
. T h ew e ig h t gi v en b y G ne cc h i 5 . 6 gr a mm es i s i ne a ct .
1. * G , p . 9 n o. 1.
1. G , t a v. 4 n o. 11 .
- 6 p as si m , t aw .1 55 -1 5 p as si m .
p as si m , t aw .2 - 37 p as si m .
estivalof sisinRomeundertheChristian mperorsof the ourthCentury .
n o s. 1 6 -2 1 1 9 n o . 29 .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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inedascoinsof normal orslightlysupra-normal
owingnormalreversetypes butw ithobverseportraitswhich
dallicinstyleor struckfromdefinitemedalliondies.
ssedasmedallions.Theyarenot withaveryfewe cep-
rallyfromtheregularcurrency asarethepseudomedallions
fromordinarycoins asarethebron emedallionsproper
verseand reversetypesandbythecontentof thereverse
combinationsofmedallionobversewithcoinreverseare
ndrare. nfac t intheseisolatedinstanc esofmedallion
mmoncoinsweseemtoencountergenuine freaks or
entsinimpartingtonormalpiecesa medallicaspectwithout
egoryofcurrentcoinageoftherealm andthesameidea
coinsthe obversesofwhicharee ecutedintruemedallion
cificknownmedalliondieshavenotbeenemployed.41Two
anic medallic c oins oneintheRyanCollec tion 42theother
c tion 43havetheregularpa avgsc sestertiusreverse
froma largebron emedalliondie.44Asestertiusof
nhasthenormalA nnonareverseof139 46buttheobverse
ie usedforseverallargebron emedallionsissued
sprinc ipate. 46A sestertiusof uc iusV erus formerly in
hasafinemedallicobverseportraitand areversetype
haredbymedallionsandcoins.47B erlinalsopossessestwo
Gordian I I measuring2 mm. indiameterandweighing
mesrespec tively w ithordinaryreversetypes A polloseated
nd ortunaseated w ithlegendfortvnaredv sc onboth
ec utedinhighreliefandinmedallic sty le isstruck f roma
dieof the mperor. 4 nthe awrenc eCollec tionthereis
p w ithobversestruc k fromasmallmedalliondie49anda
eralitasstanding w ithlegendliberalitasavguse the
at thispiecewasstructurallydifferentiatedfromacoin
narycirculation.Aseries ofassesofAurelian struckat
dsaninterestinge ampleofmedallic c oinsw ithordinaryc oinre-
which withoutbeingstruckfromknownmedalliondies
edallicincharacter.Theseallbearonthe obverseaportrait
tiusofTra anw ithreversetypeofSpesandontheobversearemarkabledeepbustof
withupperarmbareandaegis Strack , Taf.7 Nr.403 P I .X X .10 ; 2 asofAle ander
ection lanymynec h w ithreverselegendae v itasandobverseportraitinveryhigh
m . w e ig h t = 2 . 1 g r am me s .
leCatalogue1935 Taf . 17 Nr. 1267. Diameter= 33mm. weightnotgiven . I . 1 4.
no s. 3 4 . S tr ack I I , T af . , Nr .7 51 . I . , 5.
n o. ; 4 , n o. 5 5 5 no .1.
S al e C at a lo g ue 1 9 23 p i . 3 , n o . 16 7 5. I . , 6 .
3 n os .1 3 1 5 .4 G I I , t av .1 53 n o. 16 .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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ine iec es
Sol orSol-Aurelian ) w iththelegendsoldominvsimperi
usteitherbare-headedtoright 0orradiatetoright w ith
w " orradiatetof ront w ithfourhorsesbelow twotoright
ereversesaree ec utedinc ommonc oinsty le: theybearthe
ns ec rav it andshowthe mperorsac rif ic ingatatripod
ngmilitarydressandholdingalongtransversespear orveiled
hera shortsceptreorascroll.B utthehighrelief ofthe
esubstitutionofthebust andlegendofthegod forthe
andtheimperialtitles servetodistinguishthesepieces
s indeed hardtodec ideinthec aseof thisA urelianic
ingwithmedalliccoinsor withsmallbron emedallions
ng itwouldappear nolessmomentousaneventthanthe
fSol nvictusasanofficialcultof theR omanstate.
reversesinclinesus onthewhole toassignthemtothe
i ec es .
ialc oinagedoesnot of itsverynature admitofapre-
rbetweencoinandmedallion wehavetoreckonwitha
es piec esthema orityofwhic h inthepresentwriter s
enearlytomedallionsthantocoinsand canwith usticebe
eformercategory whiletheyremainclassifiableascoins
ew. orinstanc e someHadrianic andA ntoninebron e
sedhereassmallmedallionsproperinvirtue ofthespecial
andtheirrarity combinedwithadecidedlymore rather
ye havebeeninc luded onstructuralgrounds asordinary
mperialCoinageandintheCatalogueofCoinsof theRoman
Museum. Thefollow inge amplesmaybec ited. The
fHadrian struckbetween134and13 areofsestertius
commonaureusanddenariustype ofthattime butthey
e amples eac hwithadif ferentobverse aremedallic in
ggesttheapplicationofaregulargold andsilvercointype
seofspec ialpresentation. 64Theiov i/optimo/ma imo/sp r
fH adrianaresestertiiasregardsdiameterand weight but
monlytwospecimens eachagainwithdifferentobverse
bverseandreversetheyare uitedecisivelymedallicin
f /hadriano/avgppinanoak -wreathpiecein aris66
v 156 n os .3 4. R I CV , i .p .3 01 no .3 20 . I . , 7 . G I I , t av. 15 6 n os .5 6 .
c oin isnotusedheretoincludethatveryc onsiderablenumberofcoinstheobverse
oughstruckfromordinarycoindies showspeciallyfineandcarefulstyle.
, V i e n n a. G I I , t a v. 1 4 5 n o. 7 . R I C I , p . 4 39 n o . 7 76 g i ve s a s es t er t iu s wi t h th i s
chsestertiusismentionedbyStrac korinB MCCRE : thebron epiec ementionedin
p. 442 no. fasbeingintheA shmoleanCollec tionisthec oreofaplateddenarius.
G ne cc hi C ol l ec ti on . G I I , t a v. 1 45 n o s. 4 5 B M C CR E I I , p i . 4 n o . 1.
, pi . 4 n o. 2. L , .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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erofa smallsestertiusandrepeatsatype combinedwith
yanCollec tionbuttheRyanpiecehasa uitedifferent
itandis e ecutedincommoncoinstyle whereasthe
c styleandisobviouslyasmallereditionof thelargebron e
typein theGnecchiCollectioninR ome.6 TheAntonine
vans now intheRyan Collec tionwithsp r/anff /
oak-wreath69isagaina smalleredition ofsestertius
wolargemedallionsproperin aris sameobverseportrait
ntobverseportrait respectively . 60 inally thesp r/
oak-wreathtypeofAntoninus iusisstatedto havebeen
ordinarysestertius onthestrengthofaB ritishMuseum
erknownspec imensof thisreversetypearelargebron e
stertius-si emedallionsarerare whilethestillsmaller
downtoGallienus easilydistinguishableonthewholef rom
ewe amplesofborder-linepieces.B utfromGallienus
cTetrarchyweareconfrontedwithanumberofbron e
ghly asassesinsi eandweight butofasty leandc ontent
re strikes f romsmallgoldandsilvermedalliondies
ortrialpiec es oraspresentationpiecesforindiv idualsof
cipientsofthe preciousmetals.Alargeproportionof
belongtothereignofGallienushimself . Thelegendvotis/
-wreathoccursonthereverseofordinaryassesofthe reign
n twomedallicbron epieces withadifferentobverse
oins inRome Gnecc hiCollec tion andtheB ritishMuseum
hic hmaywellbereplic asofagoldoriginal. Twobron e
theotherintheV atican struck inhonorof thec onsularproces-
showadec idedlymedallic obverse adeepbustof the mperor
ardress w iththelegendgallienvmavgsenatvs whilethe
sinaslow uadrigatolef t holdinganeagle-toppedsceptre. 4
e strike f romthesmallgoldmedallion inthesamec ollec -
ndpmtrpiic osill sic andasc eneof imperialsacrif ice
ec ollec tionsatV iennaandB olognaeac hpossessabron e
ofa well-knowngoldmedallionwithreverselegendvirt
ofHerc ulesstandingtof rontw ithc lub lion s-sk inand
ree istanumberofsimilarbron epiec es distributedoverseveral
, p i. 9 no .3. » G I , t av. 40 n o. 4.
le C a ta l og u e 19 3 4 p i . 43 n o . 14 4 9. I . , 9 .
n o . 4 F l o re n ce m e da l li o n u o te d p . 1 4 n o . 44 w i t h w ro n g ob v er s e .
p . 11 9 n o. 72 1. a ri s l or en ce .G I , t a v. 4 , n o .3 .
5 n o. 3 R I CV , i p i. 11 n o. 16 .
n o. 67 Z N 19 30 T af . , n os .4 5 P L X T V , 5 6 .
. 1 R . M o w at C o nt r ib u ti o ns a l a n um i sm a ti u e d e Ga l li e n R e c u e il d e M im o ir e s
NationaledesA nti uairesde ranced ' oc c asiondesoncentenaire1 04-1904 p. 31 , pi. 17
t av .3 n os .3 4 .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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probably a smalleditionofalargebron emedallionproper. 1
esoffive votapublicapiecesissuedinthenamesof allfour
ueand asagroup outstandingamongthec ommon sis- festival
heybelong c opies itmaybe ofgoldpiec esstruc konthe
sentationtospeciallyfavoredpersons.Thereversesbear
dthetype eitherofNeptuneand sisstandingcon-
erapisonboardship theobversesshowdeepbustsof the
iate w ithpaludamentumandsc eptreorw ithcuirass aegis
ndshield orlaureate w ithc onsulardress branchandsc roll. 2
border-lineproblemsis presentedbyaseriesofbron e
aringontheobversethelegendgenivsp randtheradiate
wnedbyamodius orturret torightandonthereverseeither
eth 3orint/ sc /vrbinalaurel-wreath. 4 thasbeen
eswereissuedtowardstheend ofGallienus reignonhis
e a s t w he n h e wa s s al u te d a s G e ni u s o p ul i R o m a ni "
tr a t o r i n tr a vi t u r be m. 8 6 T h e la r ge u a nt i ti e s in
eciallythosewiththeint vrbreverselegend—wereissued
weregift sestertiianddupondii havingtheirplaceinthe
parablewiththebron e orsilveredbron e uinarii the
sis- festivalc oins. O n theotherhand whereasthese
thestatecoinageoveraperiode tendingformanyyears
wereclearlyaveryspecialissue struckforonesingleoccasion
gleevent.Moreover theverypeculiartypeofobverse
dertheguiseofthe Geniusandwithoutmentionofthe
wouldappeartoe cludethesepiecesfromthecategoryof
mMedallic too arethehighreliefof thema orityof the
areful finishedstyle.Allthingsconsidered onemight
eriesasmedallions issuedinunusuallylargenumbersfor
geof individuals perhapstoall courtofficials senators
nalacknowledgmentbythe mperorofthewelcomeaccorded
ome.
emedallionsw ithsimilarreversetypeinR omeandMunic hrespectively G I , tav .
15 , n o s . 11 D i o c l et i an , 2 4 w r on g ly a s cr i be d t o Ma i m ia n i n s te a d of t o G al e ri u s , 3 0
; A . A l ff i ld i o p .c i t. p i . 1 n o s . 1 D i o c l et i an , 2 M a i m ia n . V i d e i n fr a p . 7 .
6 1 n o. 6.
n o. 13 9. L n 4 .
9 R M1934 S. 90f . Thisinterpretationof thereverselegendwouldseemtoweightthe
ingtheob ectwornontheobverseheadas aturret ratherthanasamodius.
her protectorandisthussymbolicallyturreted.Theob ectiscertainlywornin
modiuswhenaffectedashead-gear anditisnotthe usualmuralcrown whichen-
otherhand itsdetailsmostdefinitelysuggestmasonrywallsandtowers.Theonly
eturretedGenius opuliR omaniknowntothepresentwriteris thatontheSeveran
R o m e P B S R , S u pp l . a p er 1 9 39 p . 3 4 f i g. 1 9 . T h e mu r al c r ow n n e t a p pe a rs a s
s opuliR omanionthegeniopopromGallic c oinsofMa imian Mauric e , pi. 2
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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issuedunderemperorsofthe fourthcentury from
mint-marksinthee ergue formourlastseriesofbron e
senceofthemint-marksandthestyle generallyspeaking
gnswould ustifytheclassificationofsuchpiecesaslarge
d therelativelysmallnumberofknowne amplesofany
t certainofthetypesthemselves e.g.theTresMone-
iontypes makeitalsopossibleto regardthemasmedallions.
eterminatepiecesarethosewiththelegendsvirtvs caesaris
ulian v ic toriaromanorvm " monetaavg 9andv ictoria
reparatiofeltempof roc opius " restitv torreipvblic ae92
alentinian restitv torreipvblic ae 94monetaavgg
mmandvic toriaavggg97ofV alens andrestitv tor
ma andvictoriaavgvstorvm100ofGratian.Some
es suchasthereparatiofeltemp /smk apiece
a n d th e b ro n e p i ec es o f u l ia n o v ia n V a l e n ti n ia n ,
heR omanmint-mark aredecidedlymoremedallicthan
eclosecorrespondencewhichweoftenfindin style content
epieceswhichbearmint-marksandotherswhichdonot
istinctionbetweentheformerascoinsandthe latteras
ybee posedtocriticismasbeinga conventionalandarbi-
isbesttoadmit thatwecannotreallydecidewhether
esentationpiecesor withrareandoutstandingcoins.
etals thereareanumberofpiec es bothingoldand
andtypeand structurallyslightlyheavierthanthecon-
nominations whichlieontheborder-linebetweencoins
verpiec esofTra anDec ius oneweighing3. 9grammes
sandH ostilianusonthereverse 101theothertwoweighing
w ithbustsof truscilla H erenniusandHostilianusonthe
ec eofH erenniusweighing4grammes w ithatetrastyletemple
showmedallic style theirweight however isnoc riterion
ianirangefrom2.36to7.9grammes.104D uringthelatter
n o. 1 0. G I , t a v .1 39 n o. 7 .
ef tinmilitarydress w ithlabarumandV ic tory knowne amplesarefairlynumerous:
. I . I , 5 . G I , t av .1 39 n os .1 1 1 2.
n o. 4. 1 G I , t av .1 40 n o. 6.
eCatalogue1909 Taf . 51 Nr. 2723. NV ienna:Nr. 46694.
ontinmilitarydressw ithve illumandV ic tory knowne amplesarefairly
n o. 4. I n D res den P I . X X X V , 9 .
lef t holdingwreathandpalm P adua B ansaCollec tion .
no. P I . X X X T , 6 . G I , t av. 140 n os. 7 .
0 n o. 9 .1 1 G , t av . 24 n o. 1 0: R o m e G ne cc hi .
1: B e r li n a ri s. 1 » G , t av . 24 n o. 1 2: a ri s.
orc hesterHoard . Contrastthesilverpiec eof uliaMamaeawithbustsofAle ander
nthereverse weighing5.4grammes whichseemstobeagenuinee ampleofadouble
lo n G , t a v. 2 3 n o . 5 v i de i n fr a p . 14 ) .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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emeetwithgoldpiecesweighingfrom7+ to9-f grammes
einweightbetweenasinglenormalaureusand twoaurei
eitherasabnormallyheavycoinsoras smallmedallions.
elianwiththe legendsadventvsavg 106virtvsavg10
dfourteenpiecesof robuswiththefollowinglegends:—
dventvsavg 109hercv liherimanthio 110soliinv ic tocomiti
112tempfelic itas 113romaeaeternae 114secvritassaec vli116
O f thesepiec essevene amples oneunverif iable of the
117twoof theadlocutiotypeof robusandthreeof the
obusarerec ordedbyGnec c hi afourthe ampleof the
en11 andfoure amplesof theSoltypeof robusareknown
ttheothereightpiecesare eachknownfromonlyone now
uc hrarity c ombinedw iththenotablyhighreliefande -
hema orityofe tantspec imens wouldseemtosubstantiate
imtobemoneymedallions struckmoreorlessto thestand-
lfandprecursorsofthe fourthcenturyseriesof1^ -solidi
yConstantine .
usofafewsilverpiec esissuedinthenamesof ic inius ,
spusandConstantine I . Thesepiec esmightbereckonedas
chwehave asac lass alreadyrelegatedtothec ategoryof
utstandinglymedallicstyle theunusualinterestoftheir
c ases si eandweightsomewhate c eedingthatof the
a allproducetheimpressionthattheywerespecialissues
multiplesofsili uae setapartf romthecommonc oinagefor
9One reversetype commontoallfourimperialpersons
ationofthevicennaliaofConstantine , celebratedfrom
circumferencelegendvotaorbisetvrbis senetpr and
ormilestone setonas uarebasis. Thepiec esofCon-
tantine I 121haveX X / x x /avginscribedonthec ippusanda
s id e o f it t h os e o f i c in i us 1 2 5 an d C ri s pu s m ha v e / x x
c ippusandan inthef ieldtothelef tof it whileak ind
ier restsonthetopof thecippus. Theobverseportraits
n o s. 9 1 0 1 1 . » G , t a v. 3 n o .1 3.
. 1M G , t av . 3 n o. 1 6.
ho r se b ac k to l e ft . I . I , 6 . 1 10 G , t a v. 4 n o . 1 .
erlin B . M. andformerly intheWeberCollec tion WeberCollec tionSaleCatalogue1909
2 V ariantin amesonCollection aris J amesonCollectionCatalogue I I , pi.22 no.467 .
. 2 G , tav .3 n o. 17.
n o. 2 p .1 0 n o. 7 f or me rl yi n a ri s . I . n 9 .1 14 V i en na . I . n 1 0.
5 . • G , t av .4 n o. 3.
2 . 8 R a mus Cat .No .2 2A . L I , 1 1.
reover withonepossiblee ception allstruckbeforetheregularissueof heavy
v i de i n fr a p . 16 ) . m G t a v. 2 9 n o . 5.
o te s u ll a e cc h a di A u i le i a ro m an a t a v. 2 n o . 11 . L I , 1 2 .
.
p ci t. t av . 2 n o. 1 0. L I , 1 3.
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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of ic inius andConstantine showthebustof the
ringanelaboratecrestedhelmetandcuirassandholdinga
butthereisalsoavariantofConstantine w ithobverse
aringacuirassandholdinga spear.124ThebustsofCrispus
areshownradiatetolef t wearingpaludamentumandc uirass
thandandthe righthandraised.Allspecimenssofar
kofA uileia w iththee c eptionofavariantofC rispus
andshowstwostars insteadofan inthef ieldof the
variantisknownfromone e ampleonly.Thepiecesvary
o 27mm.andinweightfrom 4.95grammesto6.32
ginallyheavier asallarepiercedby ahole.Anotherre-
onstantine , knownfromtwoe amplesinV ienna 24mm.
dbyahole and eningrad 24mm. 6. 65grammes respec -
eobversethebustof the mperorseenalmostfull- face wear-
oldingahorsebythe bridleandcarryingsceptreandround
ntainsacomplicateddesign—the mperor accompanied
fect standingonaplatformbetweentwosignaandaddressing
c companiedbyhorses below. A f inepieceofCrispusinB erlin
asontheobverseane c eptionallydeepbustof theprinc e
ndcuirassandholdingaspearanda globesurmountedby
ebearsthelegendmonetaavgget caessnnandthetypeof
hepiecewasstruckatA uileiaandmayhavebeenpresented
ofav isittotheloc almint in321 ) . 1 S tmeasures25
hs6.54grammesandispiercedbya hole.Theobverse
resemblancetothatofalarge goldmedallionof icinius
s t ru c k at A u i le i a. 1 29 a s tl y t h er e i s a pi e ce o f Co n st a nt i ne I i n
ome w ithanordinaryobverseportraitandareversetype—
rsnot infre uentlyuponnormalmiliarensiaofthelater
e ec utionispartic ularlyc areful thediametermeasures26
04grammes is inv iewofthefac tthatthef lanispierced
allyhigh. A f terConstantine theseoutstandingpiec esno
dwemayregardthemase perimentsmadeintheearlydaysafter
ereintroduced.131
n o. . I . J , 1 4. m o un d at A u il ei a an d no wi n th e lo ca l mu se um .
o. 3 Z N 1 93 0 T af .3 N r. 1 .
211. A lfoldi P isc iculi ram osephD olgerdargebolen 1939 S. 4f f . datesthis
, t a v. 2 9 n o . 11 .
. tit. p. 21.
o . 6 P I . X L V U J , 5 . A ls o st ru ck i n 32 1 f or i ci ni us H ' a u in u en na li a C f .U l r ic h-
. 19 f .
o. 15. AnallusiontotheSarmatianvic toriesof332
eshouldalsoinc ludeinthisseriesapieceofConstantine inRome Gnecc hi w ith
r el - wr e at h a s re v er s e ty p e G t a v. 2 9 n o . 7 . t i s 2 3 mm . i n di a me t er a n d we i gh s 5 .
alweightmusthave beenover6grammesasa portionoftheflanhas beenbroken
reversetypesareidentic alw iththoseofa F est-aureus ofConstantine v ide
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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r-linecasesconsistsofaseriesofgold piecesrangingin
stantine tothatofA rc adius weighing5+ grammes
notonthestandardofthecontemporarysolidusofoneseventy-
onthebasisof theoldD ioc letianic aureusofonesi tiethof
htlylargerandheavierthan thenormalsolidithesepieces
odoubtdid passintouseasc urrentmoney. B utthis
standardcanonlymean that atthetimeoftheir issue
erentiatedfromtheordinarycurrencytoserveaparticular
rarityallpoint tothesameconclusion.O ftheforty
resentwriter thirty-onedisplayreversedesignsofa type
estionthattheywereintendedfor F est-aurei c ommemor-
presentsonspecialoccasions. ifteenofthesepieces—
132fourofConstantius I , 133oneofConstans 134oneofV alen-
a l e n ti n ia n I 1 3 a n d on e o f u g en i us 1 37 — s h ow t h e m p er o r
otholdinginhislef thandasceptre or inonec ase that
globesurmountedbyaV ic tory andw ithhisrighthandeither
nthreeof thesi specimensofConstantine ) orsc atteringa
sionmust inthiscase havebeenanimperiallargitio
presentsforc ertainfavoredindiv idualsinmemoryof the
enpiec esalludeinvariouswaystoimperialvota oc c asions
lseelater prolif ic intheissuebothofgoldandsilvermoney
ssere tent ofbron emedallionsproper. 13 Ninespec imens
wreath 139fourshowoneV ic tory 140twoshowtwo
gupawreathencirc lingavotainscription whileoneshows
nedtof rontw ithvotv inscribeduponthec entral mperor s
nepieceshavelessdistinctively occasional types.
showthe mperorwalkingtotherightandholding a
leacaptiveisseatedon eithersideofhim.143Twopieces
enhagen:1 Turin Ma z iniCollec tion:1 V ienna:3. TheCopenhagenpieceweighsonly
s mu s t be d u e to w ea r . G , t a v. , n o s. 7 9 u b it s ch e k Ta f . 14 N r r. 2 5 1 2 5 2 m i nt -
1 5 1 6.
1 a r is a me s on C o ll e ct i on : 1 B . M . m i nt - ma r k sm a nt : 1 e n in g ra d m i nt - ma r k
Co l le c ti o n Ca t al o gu e V , p i . 26 n o . 5 34 . I . I , 1 7 .
ur ic e , p i . 15 n o. 4 . I . m 1 . 1 U B . M . I . T H , 2 .
formerlyTrauCollection:1. TrauCollec tionSaleCatalogue1935 Taf . 52 Nr. 4572.
eenata ugoslavdealer sin1936. u V ideinf rapp. 79f f .
v o ti s / x x i n w re a th : G I I t a v. d i . su p pl . n o. 1 1 T r au C o ll e ct i on S a le C a ta l og u e
8 9 . I . m 4 . ; C on st an ti ne I : 1 v ot is / i n wr ea th : V i en na u bi ts ch ek T af . 15 N r.
M ag ne nt iu s: 1 v ot / v / mv lt / i n wr ea th : V i en na : G , t av . 14 n o. 3 .
B . M . V i e nn a f o rm er l y in T r au C o ll e ct i on : G , t a v. , n o .5 ; C o ns t an s : 1 P a r is
. B abelon ac ollec tiondemonnaiesetmidailiesdeM. CarlosdeB eistegui pi. 13 no.
1 B . M . :G , p . 3 2 n o . 42 ; C o ns ta ns : 1 P a r i s: G , t a v. 1 0 n o . 1 .
a m es o n Co l le c ti o n: a m es o n Co l le ct i on C at a lo g ue I I , p i . 23 n o . 4 2 . I . M , 7 . .
d tw o fo rm er ly i n a ri s: G , p . 33 n os . 49 5 0 R N 1 9 06 p i. 9 n o. 1 6 .
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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other ofArcadius 146showaV ictoryadvancingtowards
athandapalm.Theremainingfourare uni uespeci-
f t 14 Solc rowningthe mperor 147V ic toriaand ibertas14
ng holdingalabarumandaglobesurmountedbyV ic toryand
sfoot. 149Thusc ontent sty leand insomec ases rarity
eighttopushthisgroupof F est-aurei morethanhalf
heside ofmedallions.
, . 1 46 T ol st oi M on na ie s by a nt in es p i. 1 n o. 2 . I . H I , 9 .
i e nn a: G , t av . , n o. 2 .
P a r is : G , t a v. 9 n o . 5. T h ed i am et e r of t h is p i ec e 2 2 m m. i s t ha t o f a F e s t-
t 7. 63grammes , weretheringsubtrac ted wouldbe5+ grammes .
a n d lu n g B a s el S a le C at a lo g ue M a rc h 1 , 1 9 3 6 T a f. 2 6 N r . 2 04 1 P I . V I , 7 ) .
. I . m 1 0.
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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V E N AN C S
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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eingpublicandofficialissuescontrolledbythe state
pec t thesameminthistory generallyspeak ing astheregular
fCommodusR omelostthatundisputedmonopolyof
cywhichhadbeenherssince laviantimes andduring
nturyprovincialmintswerestriking almoste clusively
at ugdunum A ntioch A le andria aodiceaadMare
i co m ed i a an d V i m i na c iu m P ) . 1 B u t e m er g en cy o r a t le a st p o li t ic al
egardedasthe raisond etreofsuchprovincialmintings
emintpare c ellenc eforimperialaes andfromDomitian
ons intheircapacityaspresentationpiecesforspecialor
etherbron emedallionsproper largeorsmall ormoney
mally issuedfromthec entreof the mpire attheRoman
oandahalfcenturiesof imperialhistoryR omeisthe
hestudentofmedallionsis concerned.Howwas the
dandbywhatauthoritieswasitc ontrolled Suc h uestions
mmediatebearinguponoursub ec t partic ularlyuponthat
of thevastma orityofbron emedallionsproper to
erred 3namelytheabsenceoftheletters scfromtheir
toc onsiderwhatthepresenc eof theseletters and c on-
reallysignify . A c cordingtothemostfamiliar andhitherto
v iew 4theimperialc oinagewas untilthetimeofGallienus
y ofSenateand mperor theformerhavingauthorityover
whilethelatterhad af ter12B . C thee c lusiverightof
tals:thisdualityof controlimpliedadualityofmints:
ued untilthemiddleofthethirdcentury tofunctionin
netaontheCapitol asundertheR epublic now issuing
esthemarkof theSenate sauthority andGaius when
ofimperialgold andsilverfrom ugdunumtoR ome
arterof thec ityanimperialmint directedf romTra an s
rocuratormonetae 6whichissued inadditiontogoldandsilver
tterss c.O nthisviewthepresenceor absenceofscon
valenttoamint-mark denotingsenatorialmintintheone
V , i p . 64 . i nk T he M in ts o f th e R o ma n m pi re T ra ns . n te rn at . Nu m. C on gr .
dallionsofA ugustus—the4-aureipiecef rom ompeiiatNaples G tav. 1
sputed4-aureipieceat ste saidtohavebeenfoundat stein1925 S. . Cesano
1937 pp. 32f f . tav . 5 nos. 1 2 —werepresumablystruckat ugdunum.
I C , p . 16 M at ti ng ly o p. ci t. p p. 1 31 f . L S , 1 35 2.
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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heother. . . Strack whilemaintainingthetheoryof
sohebelieves intheSenate s Selbstandigkeit inthe
nestodenythedualityofmints notonly forTra an sday
altimes:untilc.A.D . 0boththesenatorialand imperial
heCapitol afterthatdatein theMonetaCaesarissituated
ia abic ana. 7O nStrac k sv iewthepresenc eorabsenc e
ns butofnc inae senatorialontheonehandasopposedto
f theabovev iewsbeac c epted itfollowsthatthebron e
w iththee c eptionof thefewpiec esmarkedsc issuedby
ity uitedistinctfromthesenatorialmintingauthority
araescoinage thetwoauthoritiesbeingatallevents
dperhapsworkingthroughorgani ationshousedunder
iesoftwoseparatemintsandof dualcontrolcan
discriminategroupingtogetherofallnon-sc pieces either
ec c hi or w ithStrac kas kaiserlicheB ron e. Theproblem
snot withoutimportanceforthegeneral uestionof
dallionstothe otheraesissues.
eresultsof rec entresearc hareallinfavorof theproba-
tdaysof the rinc ipatethec ityofRomeknewbutone
gauthority thatof the rinc epshimself . tw illbe
ugustus e pressan ietytopreserverepublic anformswas
ortionatetohisactualpossession ande erc ise ofanall-em-
ysuperiortothatofall others describedbyhimselfas
otionthathec ould inanyrealsense have renounc ed or
nateanaescurrenc ywhich w iththee c eptionof thesmallest
adrans borehisimageandsuperscriptionor attheleast
ohispersonalachievements harmoni esillwithwhatwe
hissenseofthe propagandavalueofthecoinage.We
alnatureoftheappearanceofmoneyers names mviri
omangoldandsilverc oinageissuedbetween19and12
manaesissuedbetween23and4B . C f romthefac tthat
edduringAugustus absencesfromR omein20to 19and
4 or7 ) B . C . 11thesenames uietlydisappearforeverf rom
anstate althoughitisknownfrominscriptionsthatthe offi-
duntilaslate asthethirdcentury.B utwehavenoevidence
hisview isstillmaintained unc onv incingly inthepresentwriter sopinion inStrack s
40f f .
nm. 16 latner& A shby A TopographicalD ic tionaryofAnc ientR ome pp. 345f . G.
ntichidiR omaesuburbio I I : atraversoU regioni p. 3 9. tisc ertainly improbablethat
heimperialmintat ugdunum soscrupulouslyrespectedrepublicansusceptibilitiesas
ntin anotherpartofR omeiftheofncinaeforgold andsilvercoinagecouldbecon-
istingmintontheCapitol.
io1936 S. 223andinapersonallettertothepresentwriter ic hbiniiber eugt. dass
b dassesgan unter aiserlic hen inf lussstand.
M C CR E , p . c vi . I b id . , p . c vi i i.
C r e a
t i v e C o m m o n s A t t r i b u t i o n - N o n C o m m e r c i a l - S h a r e A l i k e
/ h t t p : / / w w w . h a t h i t r u s t . o r g / a c c e s s_ u s e # c c - b y - n c - s a - 4 . 0
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oethannominalor atthemost tiiv ialorimpliedinany
ghoutthisperiodofaseparatesenatorialmint. Certainly
possiblyearlier thetaskofprov idingaduesupplyofsuitable
asofsilverandgold wasassignedtoanimperialf reedman—
entiaeris.12As forthesenatorialformulasc uponthe
ayseematfirstsight itconstitutesnoconclusiveargument
rialmintinR omeorforanindependentsenatorialmint
deed noessentialore c lusivec onnec tionw iththeR oman
recentstudyoftheofficialAugustancoinageofthe
onseveral varietiesofofficialcurrencystruckatvarious
sandpossibly inA sia itisshowntobeparalleltothe
eas Caesarisauctoritate whichappearsonof f ic ialc ur-
otandSyrianmintage andtheconclusionisdrawnthat
consulta validalloverthe mpire whichimmediately
twhichwerepassedinthefirst instanceonAugustus
ritate hisauthority tomakesuchmotionsbeingthe
erentinhis tribuniciapotestasandtheiusrelationis
SCisno senatorialmint-mark nordoesitdenoteinde-
gementoftheaescoinageeitherinR omeorinthe provinces.
theaes nolessthanthe goldandsilver wasundertheulti-
c eps auc toritas. B utinsofarasthesenatusc onsultum
employedfortheproductionof aestheformulae presses
departmentofSenatewith rinceps:14andintheAugustan
tc anhardlybedesc ribedas ameresignw ithoutlegalim-
c tionofA ugustanideology. assingonintopost-A ugustan
sc ontheadlocutioc oinsofGaius theissue thatistosay
einterventionofasenatusconsultum c an aswesaw 17
hepresenceof theindirec tformulae sc ontheearly
sreignsuggestsadesire topreservethetraditionofsena-
oinageata timewhennoaeswasissuing fromtheR oman
ro sparallelissuesofsc andnon-sc aes itislesseasy
usconsultumshouldhavebeenpassedintheonecaseand
hesconthe AfricancoinageofClodiusMacer nominally
n infac tabrigandandpirate " 1 has ofc ourse apurely
ypropagandistsignificance. tisinterestingto speculate
the lavianperiodonwardsreallyde