Roger Catalogue D'Alay-Fux

RUDOLF RASCH: THE MUSIC PUBLISHING HOUSE OF ESTIENNE ROGER AND MICHEL-CHARLES LE CÈNE PART FOUR: THE CATALOGUE: D’ALAY — FUX

MY WORK ON THE INTERNET, VOLUME FOUR

RUDOLF RASCH

THE MUSIC PUBLISHING HOUSE

OF ESTIENNE ROGER AND

MICHEL-CHARLES LE CÈNE

1696-1743

PART FOUR: THE CATALOGUE

D’ALAY — FUX

Please refer to this text in the following way:

Rudolf Rasch, The Music Publishing House of Estienne Roger and Michel-Charles Le Cène 1696-1743 (= My Work on the Internet, Volume Four), Part Four: The Catalogue: D’Alay-Fux

http://www.let.uu.nl/~Rudolf.Rasch/personal/Roger/Catalogue-Dalay-Fux.pdf For suggestions, additions, corrections and remarks: [email protected]

© Rudolf Rasch, Utrecht/Houten, 2013

1 6 February 2017

mailto:[email protected]


D

— D’Alay — Concerti Opus 1 Libro 1-2 — 538-539 — [1727] —

MAURO D’ALAY, Dodici concerti a violino principale, 2 violini, viola, violoncello e cimbalo ... Opera prima, Libro primo-secondo. LC, no. 538-539, [1727]. XII CONCERTI | a Violino Principale | Violino Primo e Secondo | Alto Viola, Violoncello | e Cimbalo | Del Sigr. MAURO D’ALAY | Detto IL MAURINI. | Opera Prima | Libro Primo | AMSTERDAM. | a Spesa di MICHELE CARLO LE CÈNE | Libraro | No. 538 | Engraved, upright folio partbooks. Five partbooks: Violino Principale (2-20, 2-25 pp.), Violino Primo (1-10, 2-15 pp.), Violino Secondo (2-10, 2-13 pp.), Alto Viola (2-9, 2-12 pp.), Organo e Violoncello (2-17, 2-27 pp.). Double plates 2 x (19 x 26) cm. Issue LC, no. 538-539, [1727]. {RISM AA 554a} Venice, Bibl. Cons., Fausto Torr. Stampe antiche 370ab I-VI (Org&Vcl double). Catalogues First: Catalogue 1735, p. 63 (nos. 538-539). Catalogue 1744, p. 44 (nos. 538-539). Catalogue Ballard 1731, p. 30. Catalogue Leclerc 1734, p. 70, 1737, p. 80. Price f 10:0; f 24 (Ballard 1731, Leclerc 1734); f 25 (Leclerc 1737). Inventory [p. 332] ‘15 - Mauro D’Alaij, Concerti - f 15:0.’ Contents Concerto I (A-2): Allegro, Largo, Allegro. Concerto II E-flat-2: Allegro, Sicilana Largo, Allegro. Concerto III G Allegro, Grave Presto Concerto IV F Allegro, Largo Allegro, Concerto V D Allegro, Largo Allegro, Concerto VI B-flat-1 Allegro, Largo Allegro, Concerto Libro Secondo Concerto VII A-2 Allegro, , Grave Affettuoso, Allegro, Concerto VIII F Allegro, , Grave, Allegro, Concerto IX b Allegro, Largo Allegro, Concerto X c-2 Allegro ma non Presto, Siciliana Adagio, Allegro. Concerto XI A-2 Allegro, , Largo, Allegro, Concerto XII g Allegro, , Andante, Presto

— D’Alay — Solos — Manuscript —

MAURO D’ALAY, ‘3 Solos pour le violon.’ Manuscript.

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Inventory [Geschreve Muzijk p.291] [no.] ‘19 - 3 Solos pour Le violon de Mauro D’Alaij.’

— Dall’Abaco — Sonate Opus 1 — [6] — [1709-1712] —

EVARISTO FELICE DALL’ABACO, Sonate da camera a violino e violone, overo clavicembalo solo ... Opera prima. ER, [No. 6], [1709-1712]. [Title engraving]│ SONATE DA CAMERA │ a Violino e Violo overo Clavicembalo solo │ DEDICATE │ ALL’ │ ALTEZZA SERENISSIMA │ Di Giouani Adolfo Ernesto Ferdinando Carlo │ Duca di Schleswigholstein, Ereditario di Norwega, Principe │ del Sacro Romano Imperio, Conte d’Oldembourg, et Delmen- │ horste Stormase, é Ditmarse, Sigre di Rethwisch e di Wesen- │ bergh, Marchese di Trelon, Barone di Ray &a. │ DA EVARISTA FELICE DALL’ABACO│ Cittadino Veronese Musico di Camera │ di S. A. S. E. di │ BAVIERA. &a. │ OPERA PRIMA. │ A AMSTERDAM │ CHEZ ESTIENNE ROGER │ No 6. │ Rich. van Orley del. │ J. Berterham sculps. Bruxs. │ Engraved, oblong folio format. Score (iv, 53 pp.). Single plates *** x *** cm. Issue ER, [1709-1712]. {not extant?} ER, no. 6, [1713-1723]. {RISM D 794} Munich, Bayerische Staatsbibl., 4 Mus.pr. 18855 (ex Adolf Sandberger? title page

in photocopy [Sandberger describes title page]). (BSB 1988, p. 1398) Stockholm, Kungl. Mus. Akad. Bibl. Catalogues First: Catalogue 1712, p. 28. Catalogue 1716, p. 326 (no. 6). Catalogue 1735, p. 39 (no. 6). Catalogue 1744, p. 23 (no. 6). Ballard 1731, p. 29. Catalogue Leclerc 1734, p. 67, 1737, p. 77. Price f 3:10; £t 10 (Ballard 1731, Leclerc 1734-1737). Inventory [p. 300] ‘35 - Abaco, Opera Prima solo - f 17:10.’ Contents i Title iii Letter of dedication in Italian by Dall’Abaco. For text see S 1, p. XXXI. 1-4 Sonata I (C): Largo, Allegro-Adagio, Grave, Allegro. [S 2, pp. 1-9] 4-9 Sonata II (d-0): Largo e Cantabile, Allegro, Adagio, Giga Allegro. [S 1, pp. 1-9; K, pp. 2-9]] 10-13 Sonata III (e): Andante e Spiccato, Giga Allegro, Adagio, Presto Assai. [S 2, pp. 10-16] 13-16 Sonata IV (a): Largo, Allegro e Spicaato, Cantabile, Aria Allegro. [S 1, pp. 10-16; K, pp. 10-17] 17-21 Sonata V (g-1): Andante, Chaconne Allegro, Adagio, Giga. [S 1, pp. 17-25; K, pp. 18-25] 22-25 Sonata VI (D): Allegro e Spiccato, Adagio, Allegro. [S 1, pp. 26-32; K, pp. 26-31] 26-31 Sonata VII (b-1): Andante, Presto, Adagio, Allegro Assai. [S 1, pp. 33-41; K, pp. 32-41] 31-35 Sonata VIII (G): Largo, Allegro, Adagio, Allegro e Spiritoso. [S 2, pp. 17-25] 35-39 Sonata IX (A-2): Grave, Allegro, Cantabile, Allegro. [S 2, pp. 26-35 40-43 Sonata X (F): Allegro, Grave, Giga Allegro Assai, Largo Andante, Allegro Assai. [S 2, pp. 36-

44] 44-47 Sonata XI (B-flat): Adagio e Cantabile, Allegro, Largo, Aria Cantabile. [S 1, pp. 42-47; K,

pp. 42-47]

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48-53 Sonata XII (E-3): Ciaccona Allegro, Presto Assai. [S 2, pp. 45-54] Facsimile Preface by Marco Materassi & Laura Och. Florence: SPES, 1999 (= Monumenta Musicae

Revocatae 24). Editions S 1: Ausgewählte Werke, Erster Theil, [Herausgegeben von Adolf Sandberger]. Leipzig,

Breitkopf & Härtel, 1900 (= Denkmäler der Tonkunst in Bayern, Erster Jahrgang, Band I): Sonatas 2, 4, 5, 6, 7 and 11.

S 2: Ausgewählte Werke, Zweiter Teil, Eingeleitet und herausgegeben von Adolf Sandberger, Bearbeitung des Basso Continuo von Anton Beer-Walbrunn, Max Meyer-Olbersleben und Josef Venzl. Leipzig, Breitkopf & Härtel, 1908 (= Denkmäler der Tonkunst in Bayern, Neunter Jahrgang, Band I): Sonatas 1, 3, 8, 9, 10 and 12.

K: Sechs Sonaten für Violino und Generalbaß aus opus 1, Neuausgabe nach dem Urtext … herausgegeben von Walter Kolneder. Mainz, Schott, 4618, 1956: Sonatas II, IV, V, VI, VII, XI (same choice as S 1, perhaps after S 1?).

Remark The dedicatee is Johann Adolf Ernest Ferdinand Karl Duke of Plön and Rethwisch (Brussels 1684-1729 Hambrug). Plön adn Rethwisch are two small possessions in Holstein. Johann Adolf’s family had converted to catholicism, his father was a general in the Spanish Army in the Southern Netherlands.

— Dall’Abaco — Concerti Opus 2 — 114 — [1712] —

EVARISTO FELICE DALL’ABACO, Concerti a quatro da chiesa, cioè due violini, alto viola, violoncello e basso continuo ... Opera seconda. ER, No. 114, [1712].

│ CONCERTI A QUATRO DA CHIESA │ Cioè due Violini Alto Viola Violoncello e Basso Continuo │ DEDICATI ALL’ │ Altezza Serenissima Elettorale │ DI │ MASSIMILIANO EMANUELE │ Duca dell’alta e Bassa Baviera, del Palatinato Superiore, di Brabante, │ Limburgo, Luxemburgo, é della Geldria, Conte Palatino del Reno, Arcidapifero, │ Elettore e Vicario del Sacro Romano Imperio, Landgravio di Leuchtenberg, │ Conte di Fiandra, Hanonia e Namur, Marchese del Sacro │ Imperio, é Signore di Malines, &c. &c. │ da me │ EVARISTO FELICE DALL’ABACO │ Cittadino Veronese Maestro de Concerti della Medesima A.S.E. │ OPERA SECONDA. │ A AMSTERDAM │ Chez Estienne Roger & Le Cene Libraire. │ No. 114. │

Engraved, upright folio format. Five partbooks: Violino Primo (iv, 19 pp.), Violino Secondo (18 pp.), Alto Viola (15 pp.), Violoncello (15 pp.), Basso Continuo (15 pp.). Double plates 2 x (20 x 24.5) cm. Issue ER, no. 114, [1712]. {not extant?} ER&LC, no. 114, [1723-1743]. {RISM DD 795} Brussels, Cons. Roy. Mus., 26,674 (ex Wagener). (title engraving dated 1712 <<< niet te vinden in Brussel!!!). CHECK Visby, Stadsbibl. (V1, Vc). Catalogues First: Catalogue 1712, p. 41. Catalogue 1716, p. 343 (no. 114). Catalogue 1735, p. 60 (no. 114). Catalogue 1744, p. 41 (no. 114). Catalogue Ballard 1731, p. 29. Catalogue Leclerc 1734, p. 67, 1737, p. 77. Price f 5:0; £t 14 (Ballard 1731); £t 15 (Leclerc 1734-1737).

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Inventory [p. 300] ‘13 - [Abaco, Opera] Seconda Concerti - f 9:15.’ Contents i Title iii Letter of dedication in Italian by Dall’Abaco. Concerto I (d-0): Largo, Allegro, Allegro Assai. [S 3, pp. 1-8] Concerto II All’unissono (e): Allegro Assai, Adagio, Allegro e All’unisono. [S 3, pp. 9-14] Concerto III (F): Adagio, Allegro-Adagio, Presto e Spiccato. [S 3, pp. 15-20] Concerto IV All’unissone (a): Aria Allegro, Largo, Presto. [S 1, pp. 126-140] Concerto V (g-1): Largo, Allegro e Spiritoso, Grave, Allegro. [S 1, pp. 141-151] Concerto VI All’unissono (D): Allegro Assai, Adagio, Allegro e Spiritoso Assai. Concerto VII (C): Largo Andante, Allegro, Adagio, Presto. [S 3, pp. 21-25] Concerto VIII All’unissono (b): Allegro, Largo, Presto. [S 1, pp. 152-163] Concerto IX (B-flat): Largo Andante, Allegro e Spiccato, Largo, Allegro e Spiccato. [S 1, pp. 164-177] Concerto X All’unissono (A-2): Allegro Assai-Adagio-Allegro-etc., Largo, Presto. Concerto XI Con il Violoncello obligato (G): Vivace, Grave Piano e Solo, Allegro Assai. [S 3, pp. 26-35] Concerto XII All’unissono (F): Allegro, Largo, Violino Solo Presstissimo-Adagio, Allegro Assai. [S 3, pp. 36-42] Editions S 1 (see under Opus 1): Concertos 4, 5, 8 and 9. S 3: Ausgewählte Werke, 3. Teil, Unter Verwendung des Nachlasses von Adolf

Sandberger herausgegeben von Hans Schmid. Wiesbaden, Breitkopf & Härtel, 1967 (= Denkmäler der Tonkunst in Bayern, Neu Folge 1): Concertos 1, 2, 3, 7, 11 and 12.

Remarks ‘All’unissono’ means that Violino Primo and Secondo are identical, except for solo parts in Concerto IV-3, VI-1 and all movements of XII. Concerto XI is a concerto for violoncello.

The dedicatee is Maximilian II Emanuel Elector of Bavaria (Munich 1662-1726), governor of the Southern (Spanish) Netherlands from 1691 to 1714.

— Dall’Abaco — Sonate Opus 3 Libro 1-2 — 184-185 — [1714] —

EVARISTO FELICE DALL’ABACO, Sonate da chiesa e da camera a tre, cioè due violini, violoncello e basso continuo ... Opera terza, Libro primo-secondo. ER, no. 184-185, [1714].

[Title engraving] │ SONATE │ DA │ CHIESA È DA CAMERA │ à tre, cioè due Violini, Violoncello è Basso Continuo. │ Dedicate All’ │ ALTEZZA REALE │ DI │ LEOPOLDO PRIMO │ Duca di Lorena, Rè di Gerusalemme, Marchesio Duca di Calabria, │ di Bar, di Gheldria, del Monferrato è di Carloville, Marchese di Pointe- │ a Mousson è di Nomery, Conte di Provenza, di Vaudemonte, di │ Blamonte, di Zutphen, di Sarverden, di Salme è di Falkenstein &c. &c. &c. │ da me │ EVARISTO FELICE DALL’ABACO │ Cittadino Veronese Maestro de Concerti │ dell’ A.S.E. di Baviera. │ OPERA TERZA. │ Libro Primo. │ à Amsterdam │ Chez ETIENNE ROGER Marchand Libraire │ & MICHEL CHARLES LE CENE │ No 184 │

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[Libro secondo]│ SONATE DA CAMERA │ à tre, cioè due Violini, Violoncello è │ Clavecembalo, ò vero due Haubois con │ il Fagotto. │ Dedicate all’ ALTEZZA REALE │ DI │ LEOPOLDO PRIMO │ Duca di Lorena, Rè di Gerusalemme, Marchesio Duca di Calabria, │ di Bar, di Gheldria, del Monferrato è di Carloville, Marchese di Pointe- │ a Mousson è di Nomeny, Conte di Provenza, di Vaudemonte, di Blamonte, │ di Zutphen, di Sarverden, di Salme è di Falkenstein &c. &c. &c. │ Da me │ EVARISTO FELICE DALL’ABACO │ Cittadino Veronese Maestro de Concerti │ dell’ A.S.E. di Baviera. │ OPERA TERZA. │ LIBRO SECONDO │ A AMSTERDAM │ Chez ESTIENNE ROGER Marchand Libraire │ & MICHEL CHARLES LE CENE │ No 185 │

Engraved, upright folio format. Three partbooks: Violino Primo (iv, 11, 11 pp.), Violino Secondo (11, 11 pp.), Basso Continuo (11, 11 pp.). Double plates 2 x (20 x 25) cm. Issue ER, no. 184-185, [1714]. {RISM DD 796-797} Munich, Bayerische Staatbibl., 4 Mus.pr. 18857 (BSB 1988, p. 1399). ER&LC, no. 184-185, [1723-1743]. {RISM DD 796-797} Paris, Bibl. Nat. Ac e4 153 (1). Paris, Cons. Roy. Mus., Ac e4 53157c (Vc, BC). Stockholm, Kungl. Mus. Akad. Bibl. Zaragoza, Arch. Mus. Cab. (only Libro primo). Reprint Paris, Le Clerc le cadet, Sr Le Clerc, Mme Boivin, [1740]. {RISM D 798} Catalogues First: Catalogue 1716, p. 340 (no. 184-185); ‘184., 185. - Abaco opera Terza libro primo

e libro secondo XII. Sonate à tre due violini Violoncello e Basso Continuo - f 5:0.’ Catalogue 1735, p. 55 (no. 184-185). Catalogue 1744, p. 37 (no. 184-185). Catalogue Ballard 1731, p. 29. Catalogue Leclerc 1734, p. 67, 1737, p. 77. Price f 5:0; £t 11 (Ballard 1731); £t 10 (Leclerc 1734); £t 12 (Leclerc 1737). Inventory [p. 300] ‘21 - [Abaco, Opera] terza trio - f 10:10.’ Contents Libro primo i Title page iii Letter of dedication in French by Dall’Abaco. 1-2 Sonata I (C): Adagio, Allegro, Largo, Allegro. [S 2, pp. 106-115] 2-3 Sonata II (F): Adagio, Allegro, Largo, Allegro. [S 1, pp. 89-96] 4-5 Sonata III (b): Adagio, Allegro e Spiccato, Largo, Allegro. [S 1, pp. 97-106] 6-7 Sonata IV (G): Largo, Allegro mà non Presto, Adagio, Allegro. 8-9 Sonata V (D): Largo e Cantabile, Allegro, Largo, Allegro. 10-11 Sonata VI (e): Allegro e Spiccato, Adagio, Allegro. [S 1, pp. 107-115] Libro secondo 1-2 Sonata VII (g-1): Largo, Allemanda Allegro, Sarabanda Largo, Giga Allegro. 2-4 Sonata VIII (C): largo, Allegro, Sarabanda Largo, Aria Allegro. [S 2, pp. 116-125] 4-5 Sonata IX (a): Largo, Allemande Allegro, Aria Largo, Giga Allegro. 6-7 Sonata X (F): Adagio e cantabile, Allegro, Sarabanda Largo, Gavotte Allegro. [S 2, pp. 126-

136] 8-9 Sonata XI (G): Grave, Allemanda Allegro, Ciaccona Vivace. [S 2, pp. 127-148] 10-11 Sonata XII (A-2): Largo, Allemanda Allegro, Aria Adagio, Gavotta 1-2da, Allegro Assai. [S 1,

pp. 116-125]

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Editions S 1 (see under Opus 1): Sonatas II, III, VI, XII (after the Paris reprint). S 2 (see under Opus 1): Sonatas I, VIII, X, XI (after the Paris reprint). Reference Lepore 1995, pp. 555-556. Remark The dedicatee is Leopold Duke of Lorraine and Bar (1679-1729), nicknamed Leopold the

Good. Since his territories were first occupied by the French, he could govern them only from 1698 onwards.

— Dall’Abaco — Sonate Opus 4 — 419 — [1716] —

EVARISTO FELICE DALL’ABACO, Sonate da camera a violino e violoncello ... Opera quarta. JR, No. 419, [1716].

[Title engraving] │ Sonate da Camera │ à Violino, è Violoncello │ Dedicate All’ │ ALTEZZA SERENISSIMA │ E REVERENDISSIMA ELETTORALE │ DI │ GIOSEPPE CLEMENTE ELETTORE │ Gran Cancelliere del Sacro Romo: Imperio, │ Arcivescovo di Collonia, per Italia legato │ nato dalla Sacra Sede Apostolica, Vescovo │ Principe di Hildeshaim │ di Ratisbona, è │ Liege; Ammistratore di Berchtols- │ graden. duca dell’una è l’altra Baviera │ è del Palatinato Superiore; duca di │ Westfalia di Angaria è di Biglione; │ Conte Palatino del Reno; Langravio di Leuchtenberg; Marchese di Franco │ monte, Conte di Solser, è di Hoorn │ da me │ EVARISTO FELICE DALL’ABACO │ Cittadino │Veronese Maestro de Concerti │ dell’ Al:za Ser:ma Ell:e di Baviera │ OPERA QUARTA. │ A Amsterdam Chez Estienne Roger & Le Cene │ No 419. │

Engraved, upright folio format. Score (iv, 60 pp.). Double plates 2 x (18 x 25) cm. Issue JR, no. 419, [1716]. {RISM DD 799} Amsterdam, Toonkunst. Bibl. {according to S 1, p. XXXII} Brussels, Cons. Roy. Mus., 26375. Munich, Bayrische Staatsbibl., 4 Mus.pr. 27341 (BSB 1988, p. 1398). Washington DC, Libr. Cong. ER&LC, no. 419, [1723-1743]. {RISM D 800} Paris, Bibl. Nat., Vm7 682. Arrangement Opera quarta mis pour la musette, vielle, flûte traversière et hautbois avec la basse

continue par Mr. Chedeville le Cadet. Paris, Nicolas Chédeville, Mme Boivin, Le Clerc, [1752-1753]. {RISM D 801}

Mélange de pièces Françoises et Italiennes, avec la basse continue, accomodées pour la flûte traversière, hautbois, et flûte douce, te tout recueilly et mis en ordre par Mr. *** [Chedeville], La plus part de ces pièces sont tirées du IVe Oeuvre d’Abaco. Paris, Mme Boivin, Leclerc, [c. 1754]. {not in RISM? F Pn, Rés VMA 269}

Catalogues First: Catalogue 1725, p. 43 (no. 419). Catalogue 1735, p. 39 (no. 419). Catalogue 1744, p. 23 (no. 419). Catalogue Ballard 1731, p. 29. Catalogue Leclerc 1734, p. 67, 1737, p. 77. Price f 5:0; £t 10 (Ballard 1731, Leclerc 1734); £t 12 (Leclerc 1737). Inventory [p. 301] ‘5 - Abaco, Opera quarta solo - 33/4/70 - f 31:19.’ Contents i Title page. iii Letter of dedication in Italian by Dall’Abaco. For text see S 1, p. XXXII.

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1-5 Sonata I (d-0): Adagio, Corente Allegro, Sarabanda Adagio, Giga Allegro. [S 2, pp. 55-60] 6-11 Sonata II (e): Andante è Spiccato, Presto e Spiritoso Assai, Largo è Cantabile, Giga Presto

Assai. [S 2, pp. 61-67] 11-14 Sonata III (F): Grave, Allemanda Spiritoso Assai, Largo è Cantabile, Allegro Assai. [S 1, pp.

48-53] 14-19 Sonata IV (A): Vivace è Puntato, Allemanda ma non Presto, Adagio, Allegro Assai. [S 1, pp.

54-60] 19-23 Sonata V (g-1): Grave, Allegro, Largo, Giga Affettuoso. [S 1, pp. 61-66] 24-29 Sonata VI (C): Allegro ma non Presto, Sarabanda Largo, Aria Cantabile, Allegro Spiritoso. [S 1,

pp. 67-73] 30-37 Sonata VII (a): Adagio, Allemanda Allegro, Rondeau Largo, Giga Allegro Assai. [S 2,

pp. 68-76] 38-43 Sonata VIII (G): Allegro, Allegro, Grave, Largo è Cantabile, Allegro. [S 1, pp. 74-81] 44-48 Sonata IX (D): Adagio, Allemanda Allegro, Largo, Allegro. [S 2, pp. 77-84] 49-53 Sonata X (F): Grave, Allegro Assai, Grave, Presto Assai. [S 2, pp. 85-91] 54-58 Sonata XI (b): Allegro, Giga Affettuoso, Adagio, Primo Passepie Allegro, Secondo Passepie.

[S 1, pp. 82-85] 59-60 Sonata XII (g): Largo, Presto è Spiccato, Passacaglia un Poco Vivace, Giga Allegro Assai. [S 2,

pp. 92-105] Facsimile [Introduction] Marco Materassi & Laura Och (Florence: S.P.E.S., 1999 = Monumenta

Musicae Revocata 25) ? Editions S 1 (see under Opus 1): Sonatas III, IV, V, VI, VIII, XI. S 2 (see under Opus 1): Sonatas I, II, VI, IX, X, XII. Remarks The dedicatee is Joseph Clemens of Bavaria (1671-1723), Prince Bishop and Elector of

Cologne.


EVARISTO FELICE DALL’ABACO, Concerti a più istromenti ... Opera quinta. JR, no. 476, [1721].

[Title engraving] │ CONCERTI │ à più Istrumenti │ DEDICATI, ALLA │ Altezza Serenissima │ DI │ FERDINANDO MARIA │ Innocentio, Gioseppe, Michele, Ducca della │ Alta, è Bassa Baviera è del Palatinato │ Superiore, Conte Palatino del Rheno, │ è Landgravio de Leichtenberge &c. &c. &c. │ da mè │ EVARISTO FELICE DALL’ABACO │ Cittadino Veronese Consigliere, è Maestro │ de Concerti di S.A.S.E. di Baviera &c &c │ OPERA QUINTA │ Libro Primo │ A AMSTERDAM │ Chez │ Michel Charles Le Cene │ No 476 │

Engraved, upright folio format. Seven partbooks: Violino Primo (2-23 pp.), Violino Secondo (Flauto Primo in Concerto IV; 2-24 pp.), Violino Primo de Concerto Grosso (2-25 pp.), Violino Secondo de Concerto Grosso (Flauto Seecondo in Concerto III; 18 pp.), Alto Viola (15 pp.), Fagotto (12 pp.), Organo (14 pp.). Plates 2 x (19 x 25) cm. Issues JR, no. 476 [1721]. {RISM D 802} London, Brit. Libr., f.19. (BL 1981 I, p. 10). Munich, Bayrische Staatsbibl., 4 Mus.pr. 18856. (BSB 1988, p. 1398). Rostock, Univ. Bibl. Stockholm, Kungl. Mus. Akad. Bibl.

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LC, no. 476 [1723-43]. {RISM DD 803} Brussels, Cons. Roy. Mus., 27014. London, Brit. Libr., R.M. 26.a.8.(1.) (BL 1981 I, p. 10; Org only). Lund, Univ.bibl., Saml. Kraus 266 (V2c missing). Paris, Bibl. Nat., Vm7 1678. Paris, Cons. Nat. Mus., A 33360. Zaragoza, Arch. Mus. Cab. (V1c missing). Catalogues First: Catalogue 1725, pp. 65-66 (no. 476). Catalogue 1735, p. 62 (no. 479 [sic]). Catalogue 1744, p. 43 (no. 479 [sic]). Catalogue Ballard 1731, p. 29. Catalogue Leclerc 1734, p. 67, 1737, p. 77. Price f 5:0; £t 15 (Ballard 1731, Leclerc 1734-1737). Inventory [p. 301] ‘36 - [Abaco, Opera] quinta Concerti - [33/4/70?] - f 18:0.’ Contents i Title page. iii Letter of dedication in Italian by ‘Euvariste Felice dell’Abaco’. For text see S 1 (see under Opus

1), p. XXXIII, S 3 (see under Opus 2), p. XIV, DOCUMENTS 1721. Concerto I (F): Allegro, Aria Allegro, Largo e Cantabile, Allegro ma non Presto, Presto Assai. [S 3, pp. 43-52] Concerto II (g): Allegro e Spiccato, Largo, Allegro, Grave, Presto. [S 3, pp. 53-64] Conceroto III (e): Allegro, Adagio Cantabile, Presto Assai-Adagio-Prestissimo-Adagio, Largo, Primo-Secondo Passepied. [S 3, pp. 65-76] Sonata IV (B-flat): Allegro e Spiccato, Allegro ma non Presto, Adagio e Spiccato, Giga Allegro, Primo-Secondo Passepied. [S 3, pp. 86-101] Sonata V (C): Allegro-Grave, Grave, Allegro, Rondeau Allegro. Sonata VI (D): Allegro, Aria Cantabile, Ciaccona Allegro e Spiccato, Rondeau Allegro, Allegro. Edition S 3 (see under Opus 2): Concertos I, II, III, IV, VI. Remark The dedicatee is Ferdinand Maria Innocenz Joseph Michael of Bavaria (Brussels 1699-

1783 Vienna), a son of Maximilian II Emanuel Elector of Bavaria. He later served as a general in the Imperial Army.

On the title page the volume is called Libro Primo, which is right for the six concertos that follow. Nothing is known about a Libro Secondo. The number 477 was given to the Libro Secondo of Facco’s Pensieri adriarmonici (Libro primo with no. 469). No. 485 seems to open. Perhaps this number was reserved for a Libro Secondo.


EVARISTO FELICE DALL’ABACO, Concerti a più istrumenti ... Opera sesta. LC, No. 575, [1735].

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[Title engraving:] │ Concerti à piu Istrumenti │ Dedicati │ All’Altezza Serenissma. Reverendma. Elettorale │ di │ CLEMENTE AUGUSTO. Arcivescovo di Colonia │ Gran Cancelliere del S.R.I. per l’Italia Elettore Legato nota dalla Sta. │ Sede Apostolica Gran,Maestro del Ordine Teutonico Vescovo è Prencipe │ d’Hildesio Paderborna, Münster, ed Osnabruck, Duca dell’Alta │ è Bassa Baviera del Palatinato Superiore di Westphalia, │ ed Angaria, Conte Palatino del Rheno, Landgravio di │ Leüchtenberg, Burgravio di Stromberg, Conte │ di Pirrmont Signore di Borkelohe, Wörth, │ Freüdenthall, ed Eüllenberg &c. &c. &c. │ Opera Sesta │ da me │ Evaristo Felice dall’Abaco Consilliere │ è Maestro de Concerti di S.A.S. E. di Baviera &. │ AMSTERDAM │ Spesa di MICHELE CARLO LE CENE │ I. S. Ways inv. │ I. M. Liotard Scul: │

[Engraved title:] │ CONCERTI │ à piu Istrumenti │ Dedicati │ All’Altezza Serenissma. Reverendma. Elettorale │ di │ CLEMENTE AUGUSTO │ Arcivescovo di Colonia │ Gran Cancelliere del S.R.I. per l’Italia Elettore Legato nota dalla Sta. │ Sede Apostolica Gran,Maestro del Ordine Teutonico Vescovo è Prencipe │ d’Hildesio Paderborna, Münster, ed Osnabruck, Duca dell’Alta │ è Bassa Baviera del Palatinato Superiore di Westphalia, │ ed Angaria, Conte Palatino del Rheno, Landgravio di │ Leüchtenberg, Burgravio di Stromberg, Conte │ di Pirrmont Signore di Borkelohe, Wörth, │ Freüdenthall, ed Eüllenberg &c. &c. &c. │ OPERA SESTA │ da me │ EVARISTO FELICE DALL’ABACO │ Consilliere è Maestro de Concerti di S.A.S. E. di Baviera &. │ AMSTERDAM │ Spesa di MICHELE CARLO LE CENE │ No. 575. │

Engraved, upright folio format. Six partbooks: Violino Primo (iv, 33 pp.), Violino Secondo (31 pp.), Violino Terzo (28 pp.), Alto Viola (24 pp.), Violoncello (25 pp.), Basso Continuo (24 pp.). Double plates 2 x (19 x 24,5) cm. Issue LC, no. 575, [1735]. {RISM D 804} London, Brit. Libr., R.M. 26.a.8.(2.) (BL 1981 I. p. 10; Vc only). Uppsala, Univ. Bibl., Utl instr. mus. tr. 31-36 /1. Advertisement Amsterdamsche Courant, 9, 16 May 1735 (also for sale at Nicolaas Selhof, The Hague,

Dirk Haak, Leiden; Dyonis van Rijn, Utrecht). Amsterdamsche Courant, 19, 24 1736 (also for sale at Selhof, The Hague; Haak, Leiden;

Adam Meerkamp, Middelburg) Catalogues First: Catalogue 1735, p. 64 (no. 575). Catalogue 1744, p. 45 (no. 575). Catalogue Leclerc 1734, p. 67, 1737, p. 77. Price f 10:0; £t 24 (Leclerc 1734), £t 25 (Leclerc 1737). Inventory [p. 282] [no.] ‘41 - Abaco Opera sesta XII concerti.’ [p. 301] ‘9 - [Abaco, Opera] sesta Concerti - 77/11/140. 5 - [Abaco, Opera] Idem gr. pap. - 1 titelplaat 1 - f 66:18.’ Contents i Title page iii Letter of dedication by Dall’Abaco. For text see S 1 (see under Opus 1), p. XXXIII, S 3 (see

under Opus 2) , p. XV. Concerto I (C): Allegro, Largo, Presto è Spiccato. [S 3, pp. 102-111] Concerto II (E-3): Allegro mà non Troppo, Adagio, Allegro Assai. Concerto III (F): Allegro, Largo Sempre Piano, Allegro è Spiritoso. Concerto IV (b): Allegro, Adagio, Allegro. [S 3, pp. 112-125] Concerto V (G): Allegro è Vivace Assai, Aria Adagio Cantabile, Allegro. [S 3, pp. 126-133]

10 6 February 2017


Concerto VI (F): Allegro, Adagio, Allegro mà non Troppo, Allegro Assai. Concerto VII (A-2): Allegro, Grave, Presto. Concerto VIII (D): Allegro, Largo, Allegro. [S 3, pp. 134-140] Concerto IX (B-flat): Allegro mà non Troppo, Largo Assai, Allegro Assai. Concerto X (C): Allegro, Largo, Allegro. Concerto XI (E-3): Allegro, Aria Cantabile, Allegro è Spiritoso. [S 3, pp. 141-150] Concerto XII (D): Allegro, Grave, Allegro mà non Troppo. Edition S 3 (see under Opus 2): Concertos I, IV, V, VIII, XI. Remark The dedicatee is Clemens August of Bavaria (Brussels 1700-1761 Ehrenbreitstein), son of

Maximilian II Emanuel Elector of Bavaria, was Prince Bishop and Eelctor of Cologne. He was also Prince Bishop of Münster, Hildesheim and Osnabrück, and Grand Master of the Teutonic Order.

— Dandrieu — Sonate Opus 2 — [334] — [1710] —

JEAN-FRANÇOIS DANDRIEU, Sonate a violino solo e violoncello o basso continuo ... Opera seconda. ER, [No. 334], [1710]. │ SONATE │ a Violino Solo e Violoncello │ o Basso Continuo │ DEL SIG. DANDRIEU │ OPERA SECONDA. │ A AMSTERDAM │ Aux Depens d’Estienne Roger Marchand Libraire │ Qui vend la Musique du monde la plus correcte & qui s’engage de la │ donner à meilleur marché que qui que ce soit, quand │ même il devroit la donner pour rien. │ Engraved, upright folio format. Score (2-35 pp.). Double plates 2 x (21 x 28) cm Source Livre de sonates à violon seul ... Seconde oeuvre. Paris, Foucault, [....]. {RISM D 890} Issue ER, [1710]. {RISM D 891} Berlin, Staatsbibl. D-W, 19 Musica div. fol. (August 1967, no. 72, p. 68). Advertisement Amsterdamsche Courant, 22 May 1710. Catalogues First: Catalogue 1712, p. 28. Catalogue 1716, p. 326 (no. 334); Catalogue 1735, p. 39 (no. 334); Catalogue 1744, p.

23 (no. 334). Price f 2:10. Inventory [p. 315] ‘14 - [Dandrieu,] Secondo Solo.’ Contents 1-7 Sonata I (A): Preludio Grave, Allegro, Adagio, Giga Affettuoso, Gavotta Allegro. 7-11 Sonata II (c-2): Preludio Adagio, Allegro, Aria Affettuoso, Allemanda, Adagio, Giga Allegro. 12-17 Sonata III (G): Preludio Adagio, Allegro, Aria Affettuoso, Giga Allegro, Gavotta Allegro. 17-23 Sonata IV (g-1): Preludio Largo, Allegro, Gavotte Allegro, Giga, Grave, Corrente Allegro. 23-29 Sonata V (e): Preludio Largo, Allegro, Adagio, Corrente Affettuoso, Gavotte Allegro, Giga

Allegro. 30-35 Sonata VI (D): Preludio Adagio, Giga Allegro, Sarabanda Largo, Vivace, Aria Affettuoso.

11 6 February 2017


— Dandrieu — Pièces [Livre 1]— (Author, 1724) —

JEAN-FRANÇOIS DANDRIEU, Livre de pièces de clavecin contenant plusieurs divertissement dont les principeaux sont les caractères de la guerre. Paris, Author, 1724. {RISM DD 893} Inventory [p. 368] ‘1 - Dandrieu Piece de Clavecin Paris.’ Catalogue Catalogue 1744, p. 59. Price f 5:0.

— Dandrieu — Pièces [Livre 1] — 515 — [1724] —

JEAN-FRANÇOIS DANDRIEU, ‘Livre de pieces de clavecin contenant plusieurs divertissement dont les principeaux sont les caractères de la guerre.’ LC, no. 515, [1724]. Source Livre de pièces de clavecin contenant plusieurs divertissement dont les principeaux sont

les caractères de la guerre, ... Paris, author, 1724. See previous item. Issue LC, no. 515, [1724]. {not extant ?} Catalogues First: Catalogue 1735, p. 69 (no. 515), ‘Livre de Pieces de Clavecin contenant plusieurs

Divertissemens de la Guerre de la Chasse & la fête de Villages par François d’Andrieu.’ Catalogue 1744, p. 49 (no. 515), p. 54 (without number). Price f 5:0. Inventory [p. 315] ‘22 - Dandrieu, Pieces de Clavecin.’

— Dandrieu — Caractères — (Author, 1733) —

JEAN-FRANÇOIS DANDRIEU, Les caractères de la guerre. Paris, Author, 1733. {RISM D 894} Inventory [p. 364] ‘1 - Dandrieu Caracteres de la Guerre.’

— D’Anglebert — Pièces — [129] — [1704] — JEAN-HENRY D’ANGLEBERT, Pièces de clavecin. ER, [no. 129], [1704]. │ PIECES DE CLAVESSIN │ Composées │ PAR I. HENRY D’ANGLEBERT │ Ordinaire de la Musique de la Chambre du Roij │ avec la Maniere de les jouer │ Diverses Chacconnes, Ouvertures & autres Airs │ de Monsieur de Lullij mis sur │ cet instrument │ AVEC QUELQUES FUGUES POUR L’ORGUE │ A AMSTERDAM │ Chez Estienne Roger Marchand libraire │ Engraved, upright folio format. Keyboard score (69 pp.). Double plates 2 x (19,5 x 26,5) cm. Source Paris, auteur, [1689]. {RISM AA 1222} Paris, Christophe Ballard, 1703. {RISM AA 1223} Issue ER, [1704]. {RISM A 1224} Munich, Bayerische Staatsbibl., 2 Mus.pr. 1991 (BSB 1988, p. 4974). New Haven CN, Yale Univ.

12 6 February 2017


The Hague, Gemeentemuseum, 27 A 86 (mf IV/544; titlepage missing). Advertisement Post Man, 13 April 1706 (Isaac Vaillant). Catalogues First: La Barre 1704B. Catalogue 1716, p. 346 (no. 129). Catalogue 1735, p. 67 (no. 129). Catalogue 1744, p. 48 (no. 129). Price f 7:0. Inventory [p. 279] [no.] ‘15 - Pieces de clavecin par Anglebert Paris F.b..’ [p. 304] ‘10 - Anglebert, Pieces de Clavesin.’ Contents i Title. 1 Prelude. 2 Allemande. 3 Courante. 4 Double de la Courante. 5 Seconde courante. 6 Troisieme Courante. 7 Sarabande. 8 Gigue. 9 Gaillarde (Lentement). 10-11 Chaconne en Rondeau. 12 Gavotte (Lentement), Menuet. 13 Ouverture de Cadmus (de Mr De Lully). 14 Ritournelle de Feés de Roland, Menuet dans no bois. 15-17 2e Gigue On la joue avant la gaillarde aprez la I.re Gigue. 18 Prelude. 19 Allemande. 20 Courante. 21 Seconde Courante. 22 Courante de Mr Lully. 23 Sarabande (Lentement), Sarabande Dieu des Enfers. 24-25 Gigue 25 Gigue de Mr Lully. 26 Gaillarde. 26-28 Passacaille. 29 Menuet La Jeunne Iris, Gavotte ou es tesalles Air ancien. 30 Gavotte La Beau Berger, Air La Berger Annette Vaudeville. 30-31 Ouverture de la Mascarde. 32 Les Sourdines d’Armide. 32-33 Les Songes agréables d’Atis. 33 air d’Apollon du Triomphe d’Amour. 34 Menuet de Poiton Vaudeville. 34-37 Passacaille d’Armide. 38-39 Prelude. 40 Allemande. 41 Courante, Double de la Courante. 42-43 Sarabande Grave (Lentement). 43 Sarabande (Lentement). 44 Gigue.

13 6 February 2017


45 Gaillarde (Lentement). 46 Gavotte, Menuet. 47-48 Ouverture de Proserpine. 48-55 Variations sur les Folies d’Espargne. 56 Allemande. 57 Courante, Seconde Courante. 58 Sarabande. 58-59 Gigue (Gayement). 59 Chaconne de Galatée. 60-61 Chaconne en Rondeau. 62 Tombeau de Mr. de Chambonnieres. 63 Fugue grave pour l’Orgue. 64 Seconde Fugue sur le même sujet. 65 Troisième Fugue sur le même sujet. 66-67 Quatrième Fugue sur le même sujet. 68 Cinquème Fugue sur le même sujet. 69 Quatuor sur le Kirie à trois sujets tires du plein chant [70] Marques des Agrémens & leurs signification

— Degli Antonii — Ricercate Opus 5 — [285] — [1698] —

PIETRO DEGLI ANTONII, ‘Ricercate a violino e violone o cimbalo ... Opera quinta.’ ER, [No. 285], [1698]. Source Suonate a violino solo col basso continuo per l’organo ... Opera quinta. Bologna,

Giacomo Monti, 1686. {RISM D 1350} Issue ER, [1698]. {not extant?} Catalogues First: Jurien 1698C; ‘Ricercate a violino e violone, o cimbalo da pietro degli Antony

Opera quinta.’ Catalogue 1716, p. 331 (no. 285). Catalogue 1735, p. 45 (no. 285). Catalogue 1744, p. 29 (no. 285). Catalogue Ballard 1704P, 1709P, 1715, p. 4: “Antonye. Symphonies à 2. Part”. Inventaire Ballard 1750, p. 38: Risercate a violino et violone o cimbalo da Pietro degli

Antonio opera quinta gravé.’ Price f 3:0. Inventory [p. 304] ‘30 - Antony, Opera quinta.’

— Degli Antonii — Messe Opus 8 — [1698] —

PIETRO DEGLI ANTONII, Messe concertate à 3 voci, due canti e basso e due violini ad libitum ... Opera ottava. ER, [1698].

│ BASSO │ MESSE, │ Concertate à 3. Voci, due Canti, e Basso e 2 Violini ad libitum. │ CONSACRATE │ AL REVERENDISSIMO CAPITOLO DE’│ CANONICI REGOLARI │ LATERANENSI │ Di S. Gio. in Monte di Bolgna. │ DA │ PIETRO DEGLI ANTONII Mastro di Capella nella Sudetta Chiesa, │ & Accademico Filarmonico. │ OPERA OTTAVA. │ [vignette wih legend ‘UT RElevet Miserum FAtum SOLitosque LAbores.’] │ A Amsterdam, chez ESTIENNE ROGER Marchand Libraire. │

14 6 February 2017


Bookprinted, upright folio format. Six partbooks: Canto Primo (-(1), A, 2A, 3A(2), [4A](1) fols; 1[=A1r]-14 pp.), Canto Secondo (-(1), [B], [2]B, 3B(2), 4B(1) fols; 1[=[B]1r]-14 pp.), Basso (-(1), C, [2]C, 3C(2) fols; 1[=C1r]-12 pp.), Violino Primo (-(1), D, 2D, 3D(2) fols; 1[=D1r]-12 pp.), Violino Secondo (-(1), E, 2E, 3E(2) fols; 1[=E1r]-12 pp.), Basso-Continuo (-(1), F, [2F], 3F, 4F(2) fols; 1[=F1r]-16 pp.), Source Bologna, Marino Silvani, 1697. {RISM D 1353} Issue ER, [1698]. {RISM D 1354} Utrecht, Univ. Libr., MAZ 1706 (olim Inst. Muz. Wet., Lett. Bibl. Vq Degli

Antonii 1). Catalogues First: Antonii 1698B. Catalogue 1716, p. 302. Catalogue 1735, p. 11. Catalogue 1744, p. 52. Catalogue Ballard 1704S, p. 2. Price f 4:0. Inventory [p. 379] ‘5 - Antoni Opus Octavien.’ [p. 389] ‘25 Antonini opus ottavum Motetti - f 0:15.’ Contents i Title ii Catalogue Degli Antonii 1698B (only in Basso-Continuo) Messa prima Messa seconda Messa terza Facsimile Edition Messa terza in: Pietro Degli Antonii and Giovanni Battista Bassani, Masses, Edited with

an Introduction by Anne Schnoebelen (New York: Garland, 1999 = Seventeenth-Century Italian Sacred Music 10), pp. 1-49 (after source edition, without violins).

Remarks The source edition does not have the violin parts.

— Della Bella — Sonate Opus 1 — [275] — [1706] —

DOMINICO DELLA BELLA, ‘Sonate da chiesa a tre, due violini, violoncello e basso continuo ... Opera prima.’ ER, [No. 275], [1706]. Source Venice: Giuseppe Sala, 1704? {not extant} Issue ER, [1706]. {not extant?} Advertisement Post Man, 3 August 1706 (Isaac Vaillant). Catalogues Catalogo Sala 1716, fol. C3r: ‘Sonate à 3, due Violini, e violoncello, coll basso per

L’organo, di Domenico dalla Bella. Opera Prima. - [L] 5.’ First: Félibien 1706D, ‘Opera Prima Sonate da Chiesa à tré, due Violini Violoncello e

Basso Continuo.’ Catalogue 1716, p. 335 (no. 275). Catalogue 1735, p. 50 (no. 274 [sic]). Catalogue 1744, p. 33 (no. 274 [sic]). Price f 5:0. Inventory [p. 315] ‘20 - Dalla Bella Trio.’

15 6 February 2017


Remark Roger always writes Dalla Bella.

— Deon — Les géans —

DEON, ‘Les geans, cantate avec symphonie.’ Unknown edition? Catalogue Catalogue 1744, p. 56; ‘Les Geans Cantate avec Symphonie par Deon. - f 3:0.’

— Derosier — Concerts — (Pointel, 1688?) —

NICOLAS DEROSIER, ‘VII Concerts ou Ouvertures, Allemandes, Sarabandes, Courantes, etc. à trois parties et un concert à quatre parties, pour toutes sortes d’instruments.’ Amsterdam: Antoine Pointel, 1688? The data in connection with Derosier concerts are equivocal at first sight. The Pointel catalogue of 1689 gives only ‘Concerts a 4,’ a title resumed in Roger’s publisher’s catalogue of 1697B, apparently signalling a take-over. This title is changed into ‘Ouvertures, Allemandes, Sarabandes, etc.’ in the catalogue 1697D. These concerts were sold for f4. Roger’s first sales catalogue 1698EE lists ‘VIII Concert ou Ouvertures, Allemandes, Sarabandes, etc.’ for guitar and ad libitum melody parts (two trebles and figured bass), of which the guitar part sold for f5, all parts together for f9. That means that the melody parts were sold for f4, the same price as the concerts or overtures in the publisher’s catalogue. It is therefore difficult not to assume that the ‘guitar concerts’ are the same as the other concerts, but it remains unclear why the guitar concerts are in the sales catalogue, the version for melody instruments and figured bass in the publishing catalogue. The sales catalogues bring another, third version of apparently the same concerts. Now they are in score, for melody instrument and figured bass only, and sold per concert. The above given relations between the various versions are by no means certain, but they seems satisfactory to explain the various, seemingly paradoxical listings in the catalogues. Thus, this collection of eight concerts (or rather: suites) was apparently available in three versions, which could be performed separately or combined: Version 1: Two (Concert VIII: three) melody instruments and figured bass, engraved in four part

books: ‘Pour le violon et la flûte à trois et quatre parties.’ Plates got no. 202. Version 2: Guitar, one engraved partbook; melody and bass parts could be added ad libitum: ‘pour la

guitarre, avec deux violons ou deux flûtes et une basso continue ad libitum.’ Plates got no. 318.

Version 3: First melody part and figured bass, engraved (or book-printed) in score: ‘le dessus et la basse en partition pour la flûte et le violon à la clef Françoise.’

Issue Amsterdam: Antoine Pointel, 1688?? {not extant?} Catalogues [Version 1:] Pointel 1689: ‘Concerts a 4.’ First Roger: Konink 1697B, ‘Les conçerts de M. Rosiers pr. les flutes, violons et c. 4.

Parties.’ Loulié 1697D: ‘Ouvertures Allemandes Sarabandes &c. pour le violon & la fluste à 3 & 4

parties par Nicolas Derosiers gravé - f 4 -.’

16 6 February 2017


Catalogue 1716, p. 313 (no. 202): ‘202. Ouvertures, Allemandes, Sarabandes, Courantes &c. à trois parties & un concert à quatre parties pour toutes sortes d’Instruments, composées par Mr. Nicolas Derosiers. - f 4.0.’

Catalogue 1735, p. 23 (no. 202). Catalogue 1744, p. 10 (no. 202). [Version 2] First for sale: La Martinière 1698EE: ‘8 Concerts ou ouvertures, allemandes sarabandes,

courantes, gigues, menuets, & c. pour la guitarre avec 2 violons ou 2 flustes & une bass, contin. ad Libitum, composées par Mons. Nicolas des Rosiers gravé - f 9:0. Les mêmes pieces de guitarre separées - f 5:0.’

Last for sale: De la faille 1699DD. First: Bassani XVIII 1700B: ‘Un Livre de pieces de Guitarre avec 2 dessus d’instruments

& une bass. cont. ad libitum, composé par mr. Nicolas Derosiers, gravé - f 9:0. Le même Livre de Guitarre separé, gravé. - f 5:0.’

Catalogue 1716, p. 348 (no. 818 [sic]). Catalogue 1735, p. 70 (no. 318). Catalogue 1744, p. 50 (no. 318). Catalogue Ballard 1704P, 1709P, 1715, p. 4. [version 1] Catalogue Ballard 1699, p. 4. [version 2: guitar] [Version 3] First for sale: La Martinière 1698EE; ‘ 7 Concerts de M. de Derosiers le dessus & la

basse en partition pour la flûte. & le violon à la clef francoise chaque concert - f 0:12.’ Last for sale: Catalogue 1708, p. 20. Price f 4:0 (version 1: melody and bass parts together), f 5:0 (version 2: guitar part); f 0:12 per

concert (version 3: score of melody and bass parts). Inventory Possibly: [p. 316] ‘6 - [Dreux] Livre de Guitarre - 19/6/32 - f 13:10.’ Nicolas Derosier, Galoys (Google Books) “Airs d’opéras d’Issé etde l’Europe galante mis sur la guitarre,

par M. Nic. d’Erozier. Paris 1699.” fol. Dd1v. Bibliotheca D. Joannis Galloys, Paris, Laurentius Seneuze, 1710. Catalogue Ballard 1699, Catalogue Ballard 1704P, 1709P, 1715, p. 4. Catalogue Galoys

— Derosier — La fuite du Roi d’Angleterre — (Pointel, 1688) —

NICOLAS DEROSIER, La fuite du Roi d’Angleterre. A trois instruments, deux flûtes & basse de violon ... Amsterdam: Antoine Pointel, 1688.

[Engraved as part of the cartouche] │ t’AMSTERDAM, by Anthony Pointel, op de Singel inde Roseboom is alderley gelinieert Papier en Musyc te Koop. 1688. │

[Bookprinted in the cartouche] │ LA │ FUITTE │ DU ROI │ D’ANGLETERRE, │ A TROIS INSTRUMENTS │ deux Flutes Basse de Viole, │ où deux Violons Basse-Continue, │ par N. DEROSIER. │

[Heading of p. 1, bookprinted]│ LA FUITTE DU ROY D’ANGLETERRE, │ A 3. deux Violons où 2. Fluttes, Basse ou Continue, par N. DEROSIER, │ et se vendent chez l’Autheur, sur le Cingel devant le Doele inde Roose-boom, │ A AMSTERDAM, 1689. │

17 6 February 2017


Bookprinted, upright quarto format. Three partbooks: Premier Dessus, Second Dessus, Basse et Continue (all ii, 8 pp.). Issue Amsterdam, Author, [printed by Anthony Pointel?], 1689. {RISM D 1673} The Hague, Gemeentemuseum, 4 B 18 a-b (D1, D2; mf VI/3900). Amsterdam, Toonkunst-Bibl. (BC) Catalogues Catalogue Pointel 1689 First Roger: Loulié 1697D. Catalogue 1716, p. 313. Catalogue 1735, p. 23. Catalogue 1744, p. 9. Price f 1:0 (1697-1744). Inventory [p. 372] ‘6 - Fuite du Roij d’Angleterre.’ [p. 399] ‘36- Suitte du Roy d’Angleterre.’ Contents 1-8 La fuitte du Roy d’Angleterre Adagio (c-2), La navigation du Roi Adagio (f), L’arivée du Roi

Alegro, Reception du Roi Grave, Le voyage de Versaille Presto, Ritournelle de l’entreveû Adagio, Plainte (F), Air de consolation (d), Marche de Brest, La Dieu, Ritournelle Adagio, Marche Ecossoise, La Rejouîssance, Les Bourgeois (C).

Edition Nicolas Derosier, La fuite du Roy d’Angleterre for two treble recorders and keyboard,

with optional cello, Transcribed and edited by Thurston Dart. London: Oxford Univ. Press, 1959. Incomplete, includes the movements from the begining up to and including the Air de consolation.

— Derosier — Suittes Livre 1-3 — [170-171-172] — [1703] —

NICOLAS DEROSIER, ‘Suittes en trio pour les flûtes, violons et hautbois ... Livre premier-second-troisième.’ ER, [nos. 170-172], [1703]. Issue ER, [1703]. {not extant?} Reprint PM, [1710-1711]. See next item. Catalogues First: Arnauld 1703: ‘Suittes en Trio pour les Flutes, Violons & Hautbois composées par

Mr. Dérosiers musicien de le chambre de S. A. E. Palatine Livre prémier, gravé.’ ‘Suittes en Trio pour les Flutes, Violons & Hautbois composées par Mr. Dérosiers

Musicien de la chambre de S. A. E. Palatine Livre second, gravé.’ ‘Suittes en Trio pour les Flutes, Violons & Hautbois composées par Mr. Dérosiers

Musicien de la chambre de S. A. E. Palatine Livre troisiéme, gravé.’ Catalogue 1712, p. 18 (also Mortier edition). Catalogue 1716, p. 313 (no. 170-171-172). Catalogue 1735, p. 23 (no. 170-171-172). Catalogue 1744, pp. 9-10 (no. 170-171-172). Price f 2:10 per volume (1703-1708); f 2:0 per volume (1712-1744). Inventory [p. 315] ‘20 - Derosiers, Pieces en trio Liv. 1 - 5/1/12 - f 5:06. 34 - -- Livre 2 - 5/1/13 - f 6:14. 54 - -- Idem 2 dessus & basse. 19 - -- Livre 3e.

18 6 February 2017


33 - -- Idem 2 dessus & basse.’ <<nagaan in Inventory

— Derosier — Suittes Livre 1-3 — (Mortier, [1710-1711]) —

NICOLAS DEROSIER, ‘Suittes en trio pour les flûtes, violons et hautbois ... Livre premier-second-troisième.’ PM, [1710-1711]. Source ER, [1703]. See previous item. Issue PM, [1710-1711]. {not extant?} Catalogues Catalogue 1712, p. 18 (Roger and Mortier editions). Price f 2:0 per volume (1712).

— Derosier — Les principes de la guitarre — (Pointel, [1689]) —

NICOLAS DEROSIER, Les principes de la guitarre ... Amsterdam, Antoine Pointel, [1689]. │ LES PRINCIPES │ DE LA GUITARRE │ COMPOSEZ │ PAR NICOLAS DEROSIER, │ IMPRIMEZ │ PAR ANTOINE POINTEL. │ Et se vend, │ A AMSTERDAM, │ Chez le dit POINTEL Imprimeur de Musique, Op ‘t Singel, schuyns over den Doele, by ‘t Koninckx-Pleyn, in de Roose-boom. │ Bookprinted, oblong quarto format ([i], ii-xij pp.; a(4; sic) fols.). Issue Amsterdam, Antoine Pointel, [1689]. {RISM Écrits p. 261} Bologna, Civ. Mus. Bibliogr. Mus., G.31. Brussel, Bibl. Roy. Albert I, Fétis 6207 LP (bound with [G. Nivers], Méthode

facile (Ballard, 1696)). (Fétis 1877, p. 728). The Hague, Gemeentemuseum. Catalogues Catalogues Pointel 1686 (announced), 1689 (published). First for sale: La Martinière 1698EE: ‘Les Principes de la Guitarre par Mr. des Rosiers.’ Last for sale: Catalogue 1708, p. 20. First: Catalogue 1712, p. 11: ‘Principes pour apprendre à jouer de la Guitarre par M.

Nicolas Derosiers,’ p. 45: ‘Methode pour aprendre à jouer de la guitarre, Composée par Mr. Derosiers.’

Catalogue 1716, p. 293, p. 348. Catalogue 1735, p. 2, p. 70. Catalogue 1744, p. 50. Inventaire Ballard 1750, p. 17. Price f 1:0. Inventory [p. 343] ‘25 - Principe, pour la Guitare.’ Contents i Title ij Explanation of signs and ornaments iij Maniere de faire les Tremblements iv Acord de la Guitarre, etc. v Toutes les Lettres de la Guitarre. Toutes les Notes de la Guitarre. vj Alphabet Italienne et Françoise.

19 6 February 2017


vij Chaconne A la; Chaconne C ut. [All chaconnes in guitar tablature] viij Chaconne D re; Chaconne E mi. ix Chaconne F fa; Chaconne G sol. x Chaconne A mi; Chaconne B fa. xj Chaconne C sol; Chaconne D la. xij Chaconne F fa; Chaconne G sol. Facsimile Sala Bolognese: Forni, 1975. Reference Dart 1953. Remark The dating is based on the mentioning of the edition in Pointel’s Catalogue of 1689, while

he had just moved to the Singel.

— Desmarets — Les amours de Momus — (Ballard, 1695) —

HENRI DESMARETS, Les amours de Momus, ballet. Paris, Christophe Ballard, 1695. {RISM D 1767} Catalogue For sale: Mortier Catalogue 1711.

— Desmarets — Circe — (Ballard, 1694) — HENRI DESMARETS, Circe, trag;edie. Paris, Christophe Ballard, 1694. {RISM D 1768} Catalogue For sale: Mortier Catalogue 1711.

— Desmarets — Didon — (Ballard, 1693) —

HENRI DESMARETS, Didon, tragédie. Paris, Christophe Ballard, 1693. {RISM D 1769} Catalogue For sale: Mortier Catalogue 1711.

— Desmarets — Didon: Symphonies — (Ballard, 1693) — HENRI DESMARETS, Symphonies de la tragédie de Didon. Paris, Ballard, 1693. {RISM D 1770} Catalogue First for sale: Xenophon 1699AA. Last for sale: Catalogue 1708, p. 20. Inventory [p. 279] ‘[no.] 11 - Didon Tragedie par Desmarets P. France band.’

— Desmarets — Les fêtes galantes — (Ballard, 1698) —

HENRI DESMARETS, Les fêtes galantes: Opéra-ballet. Paris, Ballard 1698. {RISM D 1771} Advertisement Gazette d’Amsterdam, 7 November 1701. Catalogue First for sale: Vairasse 1702.

20 6 February 2017


Last for sale: Catalogue 1744, p. 58. Mortier Catalogue 1711. Price f 8:0 (1744). Inventory [p. 278] ‘[no.] 4 - Les Festes Galantes Ballets par Desmarets Paris f.b.’

— Desmarets — Les fêtes galantes: Airs à jouer — 130 — [1713] —

HENRI DESMARETS, ‘Les airs à jouer de l’opéra Les fêtes galantes.’ ER, no. 130, [1713]. Source Les fêtes galantes: Opéra-ballet. Paris, Ballard 1698. See previous item. Issue ER, no. 130, [1713]. {not extant?} Catalogues First: Catalogue 1716, p. 312 (no. 130), ‘Les Airs à jouër de l’Opera d’les Fêtes Galantes,

Dessus & Basse.’ Catalogue 1735, p. 22 (no. 130). Catalogue 1744, p. 8 (no. 130). Price f 1:0. Inventory [p. 337] ‘27 - [Ouverture d’ L’opera] festes Galantes.’

— Desmarets — De galante feesten: Speel-airen — 377 — [1715-1716] —

HENRI DESMARETS, Alle de speel-airen van d’opera De galanten feesten. ER, no. 377, [1715-1716]. (De Musyk Schouwtoneel 5) Source ‘Les airs à jouer de l’opéra Les fêtes galantes.’ ER, no. 130, [1713]. Issue ER, [1715-1716]. {not extant?} Catalogues First: Catalogue 1716, p. 306 (no. 377), ‘[De Musyk Schouwtoneel,] Vijfde boek,

[inhoudende alle Speel-Airen van d’Opera] de Galanten Feesten - f 0:10.’ Catalogue 1725, p. 19 (no. 377). Not in Catalogues 1735, 1744. Price f 0:10; bass available separately for f 0:10. Inventory Not in inventory. Remarks In all probability this was a mere title edition of the edition of airs from Desmaretes Les

fêtes galantes with French title page (see previous edition, no. 130).

— Desmarets — Théogène et Chariclée — (Ballard, 1695) —

HENRI DESMARETS, Théogène et Chariclée. Tragédie. Paris, Christophe Ballard, 1695. {RISM D 1774} Inventory [p. 279] [no.] ‘10 - Theogene et Carieler tragedie par Desmarets P. France band.’ Catalogue For sale: Mortier Catalogue 1711. Fort sale: Catalogue 1744, p. 58: ‘Theogene & Cariclée Tragedie par Desmartes. Paris – f

3.’

21 6 February 2017


— Desmarets — Vénus et Adonis — (Ballard, 1697) —

HENRI DESMARETS, Vénus et Adonis. Tragédie. Paris, Ballard, 1697. {RISM D 1775} Catalogue First for sale: Xenophon 1699AA. Last for sale: Catalogue 1708, p. 19. For sale: Mortier Catalogue 1711.

— Destouches — Carnaval — (Ballard, 1703) —

ANDRÉ-CARDINAL DESTOUCHES, Le carnaval et la folie, comédie ballet en musique. Paris, Christophe Ballard, 1703. {RISM D 1822} Catalogue Mortier Catalogue 1711.

— Destouches — Issé — (Ballard, 1708) —

ANDRÉ-CARDINAL DESTOUCHES, Issé. Pastorale. Revised and enlarged edition; Paris, Christophe Ballard, 1708. {RISM D 1831} Catalogue Mortier Catalogue 1711.

— Destouches — Issé: Airs à jouer — 116 — [1713] —

ANDRÉ-CARDINAL DESTOUCHES, ‘Les airs à jouer de l’opéra d’Issé.’ ER, No. 116, [1713]. Source Issé. Pastorale. Paris, Christophe Ballard, 1697. {RISM D 1830} Revised and enlarged edition; Paris, Christophe Ballard, 1708. {RISM D 1831} Issue ER, no. 116, [1713]. {not extant?} Catalogues First: Catalogue 1716, p. 312 (no. 116): ‘Les Airs à jouër de l’Opera d’Issé, Dessus &

Basse. - f 1:0.’ Catalogue 1735, p. 22 (no. 116). Catalogue 1744, p. 8 (no. 116). Price f 1:0 (1716); f 1:10 (1725-1744). Inventory [p. 338] ‘20 - Ouverture d’ L’opera d’Isse.’

— Destouches — Issé: Speel-airen — 373 — [1715-1716] —

ANDRÉ-CARDINAL DESTOUCHES, ‘Alle de speel-airen van d’opera Issé.’ ER, No. 373, [1715-1716]. (De Musyk Schouwtoneel 1) Source ‘Les airs à jouer de l’opéra d’Issé.’ ER, no. 116, [1713]. See previous item. Issue ER, no. 373, [1715-16]. {not extant?} Catalogues First: Catalogue 1716, p. 306 (no. 373): ‘De Musyk Schouwtoneel, eerste boek,

inhoudende alle de Speel-Airen van d’Opera van Issé. - f 0:10.’ Catalogue 1725, p. 19 (no. 373).

22 6 February 2017


Not in Catalogues 1735, 1744. Price f 0:10; bass available separately for f 0:10. Inventory Not in Inventory. Remarks In all probability this was a mere title edition of the edition of airs from Destouches Issé

with French title page. See previous item.

— Destouches — Marthésie — (Ballard, 1699) —

ANDRÉ-CARDINAL DESTOUCHES, Marthésie, première reine des Amazones. Paris, Christophe Ballard, 1699. {RISM DD 1828} Catalogues First for sale: Vairasse 1702. Last for sale: Catalogue 1708, p. 19. For sale: Mortier Catalogue 1711.

— Destouches — Omphale — (Ballard, 1701) —

ANDRÉ-CARDINAL DESTOUCHES, Omphale. Tragédie lyrique. Paris, Christophe Ballard, 1701. {RISM DD 1835}

Catalogue For sale: Mortier Catalogue 1711.

— Destouches — Omphale: Airs à jouer — 117 — [1713] —

ANDRÉ-CARDINAL DESTOUCHES, ‘Les airs à jouer de l’opéra d’Omphale.’ ER, no. 117, [1713]. Source Omphale. Tragédie lyrique. Paris, Christophe Ballard, 1701. {RISM DD 1835} Issue ER, no. 117, [1713]. {not extant?} Catalogues First: Catalogue 1716, p. 312 (no. 117). ‘Les Airs à jouër de l’Opera d’Omphale, Dessus

& Basse. - f 0:10.’ Catalogue 1735, p. 22 (no. 117). Catalogue 1744, p. 9 (no. 117). Price f 1:0. Inventory [p. 338] ‘44 - [Ouverture D’opera] D’omphale.’

— Destouches — Omphale: Speel-airen — 379 — [1715-1716] —

ANDRÉ-CARDINAL DESTOUCHES, ‘Alle speel-airen van d’opera Omphale.’ ER, no. 379, [1715-1716]. (De Musyk Schouwtoneel 7) Source ‘Les airs à jouer de l’opéra d’Omphale.’ ER, no. 117, [1713]. See previous item. Issue ER, no. 379, [1715-1716]. {not extant?} Catalogues First: Catalogue 1716, p. 306 (no. 379): ‘[De Musyk Schouwtoneel,] Sevende boek,

[inhoudende alle Speel-Airen van d’Opera] Omphale. - f 0:10.’

23 6 February 2017


Catalogue 1725, p. 19 (no. 379). Not in Catalogues 1735, 1744. Price f 0:10; basse available separately for If 0:10. Inventory Not in inventory. Remarks In all probability this was a mere title edition of the edition of airs from Destouches

Omphale with French title page, See previous item.

— Destouches — Sémiramis — (Ballard, 1718) —

ANDRÉ-CARDINAL DESTOUCHES, Sémiramis, tragédie en musique. Paris, Jean-Baptiste-Christophe Ballard, 1718. {RISM DD 1838} Inventory [p. 279] [no.] ‘9 - Semiramis tragedie par Destouches P. France band. Catalogues Catalogue 1744, p. 58. Price f 10:0.

— D’Eve — Genius musicus Opus 1 — [1701] — ALPHONSE D’EVE, Genius musicus divinis Marianis ac sanctorum laudibus decoratus, et ecclesiaastico ritui, una, 2. 3. 4. 5. tam vocibus quam instrumentis officiosus ... Opus primum. ER, [1701].

│ GENIUS │ MUSICUS │ DIVINIS, MARIANIS │ AC │ SANCTORUM │ LAUDIBUS DECORATUS, │ ET ECCLESIASTICO RITUI │ Unâ 2.3.4.5. tàm Vocibus quàm Instrumentis │ OFFICIOSUS. │ AUTHORE │ ALPHONSO D’EVE │ OPUS PRIMUM. │ CANTO PRIMO. │ [vignette with singing putto] │ A AMSTERDAM, │ Aux Dépens d’ESTIENNE ROGER, Marchand Libraire, chez qui l’on trouve toute │ sorte de Musique. │

Bookprinted, upright folio. Eleven partbooks: Canto Primo (ii, 24 pp., A), Canto Secondo (ii, 12 pp., B), Alto (ii, 24 pp., C), Tenore (ii, 14 pp., D), Basso (ii, 16 pp., E), Violino Primo (ii, 28 pp., F), Violino Secondo (ii, 26 pp., G), Alto Viola (ii, 18 pp., H), Tenore Viola (ii, 18 pp. I), Basso Viola (ii, 22 pp., K), Basso continuo (ii, 36 pp., L). Issue ER, [1701]. {RISM E 895} Liège, Cons. Roy. Mus. (Barthélémy 1992, p. 62). London, Roy. College Mus., I.A.7. (ex ‘Cha. Hatchett’). Oxford, Christ Church Libr., 841-51 (Hiff 1919, p. 23). Advertisement Gazette d’Amsterdam, 14 November 1702. Catalogues Annoucement: Raguenet 1701B. First: Danet 1701D. Catalogue 1716, p. 304. Catalogue 1735, p. 12. Catalogue 1744, p. 53. Price f 6:0. Inventory [p. 381] ‘3 - Eve Opera Prima Motteti & misa.’ [p. 390] ‘24 - Alphonse d’Eve Missae e motetti - f 2:05.’

24 6 February 2017


Contents Missa à 5 vocibus cum 5 instrumentis Fugite fastus De Venerabile (Canto solo cum 5 instrumentis) Quis es tu Domine De Venerabile (Alto solo cum 5 instrumentis) Qui in hoc sæculi profluvio De B.M.V. (Canto et Alto cum 5 instrumentis) Festivis ignibus De Sancto (Alto, Tenore et Basso cum 5 instrumentis) Carpite frondes Pro omni tempore (à 5 vocibus cum 5 instrumentis) Alma Redemptoris mater (à 2 Canti cum 5 instrumentis) Ave Regina cælorum (Canto, Alto et Basso cum 5 instrumentis) Regina cœli (à 4 vocibus cum 5 instrumentis) Salve Regina (à 5 vocibus cum 5 instrumentis) Litaniæ B.M.V. (à 5 vocibus cum 5instrumentis) Tantum ergo (à 5 vocibus cum 5 instrumentis)

— D’Ève — Airs Livre 1 — [1707-1708] —

ALPHONSE D’ÈVE, ‘Airs sérieux et a boire ... Livre premier.’ ER, [1707-1708]. Issue ER, [1707-1708]. {not extant?} Catalogues First: Catalogue 1708, p. 3: ‘Livre premier d’Airs serieux & à boire de Mr. d’Eve.’

Catalogue 1716, p. 299. Catalogue 1735, p. 7. Not in Catalogue 1744. Price f 1:0. Inventory [p. 371] ‘6 - Airs Serieux & a boire p Eve.’ [p. 397] ‘50 - Air Serieux et a boire par Eve - f 0:06.’

— D’Ève — Trios — [1701] —

ALPHONSE D’ÈVE, ‘Trios pour les flûtes, violons et hautbois ...’ ER, Seconde édition, [1701]. Source Probably lost edition. Issue ER, Seconde édition, [1701]. {not extant?} Advertisement Gazette d’Amsterdam, 24 November 1701. Catalogues First: Vairasse 1702: ‘Les Trios de Mr. d’Eve pour les flustes, violons & hautbois,

seconde édition considerablement augmentée & gravée en taille douce.’ Catalogue 1716, p. 314 (no. 173). Catalogue 1735, p. 24 (no. 173). Catalogue 1744, p. 10 (no. 173).

Price f 3:0. Inventory [p. 317] ‘35 - Eve, Pieces en Trio - f 0:06.’

— De Zotti — Sonate Opus 1 — [336] — [1710] —

GIOVANNI DE ZOTTI, Sonate a violino solo col suo basso per il cembalo ... Opera prima. ER, [no. 336], [1710].

25 6 February 2017


| SONATE A VIOLINO SOLO | Col Basso per il Cimbalo | DI | GIOVANNI DE ZOTTI | OPERA PRIMA | A AMSTERDAM | Aux depens d’Estienne Roger Marchand Libraire | Qui vend la Musique du Monde La plus correcte & qui s’engage de la | donner à meilleur marché que qui que ce soit, quand | même il devroit la donner pour rien. | Engraved, upright folio format. Score (2-49 pp.). Double plates 2 x (21 x 28) cm. Source Venice, Antonio Bortoli, 1707. {RISM Z 349} Issue ER, [1710]. {RISM Z 350} Bergamo, Ist. Mus. Paris, Bibl. Nat., Rés. F 1495. Advertisement Amsterdamsche Courant, 8 May 1710. Catalogues First: Catalogue 1712, p. 28. Catalogue 1716, p. 326 (no. 336). Catalogue 1735, p. 39 (no. 336). Catalogue 1744, p. 23 (no. 336). Price f 3:10. Inventory [p. 358] ‘30 - Zotti, prima Solo - f 1:10.’ Contents 2-5 Sonata I (g): Grave, Allegro, Largo, Presto. 5-8 Sonata II (a): Adagio, Allegro assai, Adagio ma Smorzato, Presto. 9-13 Sonata III (D): Largo, Allegro, Adagio, Presto. 14-16 Sonata IV (e): Grave, Allemanda Allegro, Largo, Tempo di Gavotta. 16-19 Sonata V (B-flat): Largo, Presto, Andante, Allegro. 20-23 Sonata VI (F): Adagio, Allegro e Presto, Adagio assai, Presto. 23-29 Sonata VII (c-2): Largo, Allegro e Presto, Allegro, Allegro ma non Presto. 30-32 Sonata VIII (C): Adagio, Allemanda Presto, Coreente Allegro, Gavotta Presto. 33-37 Sonata IX (d): Andante, Presto, Adagio, Allegro. 37-41 Sonata X (E-flat): Largo, Allegro, Allegro. 41-45 Sonata XI (b): Adagio, Allegro assai, Largo, Allegro. 46-49 Sonata XII (A): Adagio, Presto, Presto, Allegro ma non Presto.

— Dieupart — Suittes — 226-227 — [1701] —

FRANÇOIS DIEUPART, Six suittes de clavessin ... pour un violon et flûte avec un basse de viole et un archilut. ER, [No. 226], [1701]. Complete set or keyboard only: │ SIX │ SUITTES DE CLAVESSIN │ Divisées en │ Ouvertures, Allemandes, Courantes, Sarabandes, Gavottes, │ Menuets, Rondeaux & Gigues │ Composées & Mises en Concert │ Par │ MONSIEUR DIEUPART │ Pour un Violon & flûte avec une Basse │ de Viole & un Archilut │ Dédiées à │ MADAME LA COMTESSE DE SANDWICH │ A Amsterdam │ Chez ESTIENNE ROGER Marchand Libraire. │ Violin/Flute and Basso Continuo partbooks:

26 6 February 2017


│ SIX │ SUITTES DE CLAVESSIN │ Divisées en │ Ouvertures, Allemandes, Courantes, Sarabandes, Gavottes, │ Menuets, Rondeaux │ & Gigues │ Propres à jouer par la Flûte ou le Violon │ avec une Basse Continue│ Composées Par │ MONSIEUR DIEUPART │ A AMSTERDAM │ Chez ESTIENNE ROGER Marchand Libraire. │ Three partbooks: [Clavessin] (iv, 2-49 pp.), [Violon ou Flûte] (2-16 pp.), [Basse Continue] (2-16 pp.). Double plates 2 x (20 x 25) cm. Versions Complete set: ER, [1701]. {RISM DD 3042, 3044} D-W, 21.1-2 Musica div. (no letter of dedication; August 1967, no. 84, p. 75). GB-Lbl, h.70.p. (complete, with letter of dedication). Keyboard part: ER, [1701]. {RISM DD 3042, 3044} F-Pn, Rés. Vma 6 (Cl). [with undated [‘Dimanche au soir’] letter by Dieupart to

anonymous: Rich has visited Pepusch, wants to give an opera on Wednesday and Saturday, Has promised 40 guinea’s aan Mlle Margarita and perhaps also to Mr. Tofts. See Hall 2012, p. 39]

GB-Cfm, MU.MS. 435 (32 G 22) (Cl). Violin/flute and continuo parts: ER, [1701]. {RISM DD 3042, 3044} Durham, Cath. Libr., *C31 (Harman 1968, no. 458, p. 75) (Fl, BC). Reprint Select lessons for the harpsichord or Spinnet as allemands, sarabands, corants, gavots

minuets and jiggs ... plac’d on five lines in ye English cliff ... London: John Walsh, [no. 175], [1705]. {RISM D 3045; Smith 179; Smith&Humphries 576}

Six sonatas or solos made on purpose for a flute and a through bass. London, John Walsh, [no. 115], 1717. {RISM D 3043; Smith 50; Smith&Humphries p. 577}

Advertisement Post Man, 4 November 1701, 7 March, 11 April 1702 (Francis Vaillant); Gazette d’Amsterdam, 24 November 1701 (“Suites de M. Dieupart à un Dessus & une Basse”); Post Boy, 5 March 1702 (Francis Vaillant).

Catalogues Vairasse 1702. Catalogue 1716, pp. 308-309 (no. 227; violin/flute and continuo parts), p. 347 (no. 226: all parts; no. 226: keyboard part); Catalogue 1735, p. 18 (no. 227; violin/flute and continuo parts), p. 68 (no. 226: all parts; no. 229 [sic = no. 226]: keyboard part); Catalogue 1744, p. 6 (no. 227; violin/flute and continuo parts), p. 48 (no. 226: all parts; no. 229 [sic = no. 226]: keyboard part).

Price f 9:0 (complete); f 3:0 (flute and continuo parts); f 6:0 (harpsichord part). Inventory [p. 315] ‘34 - Dieupart, VI Sonato a flauto Solo.’ Contents (page numbers from keyboard part; left hand of keyboard part always with F-3 clef) iii Dedication to Madame Elisabeth Countess of Sandwich. 2-9 1re Suitte (A): 1 Ouverture Gravement-Gay-Lentement, 2 Allemande, 3 Courante, 4 Sarabande,

5 Gavotte, 6 Manuet, 7 Gigue. (Above the Violon/Flute part: Cette Suitte se doit joüer en C sol ut sur une flute de voix.)

10-17 2e Suitte (D): 8 Ouverture [Gravement]-Viste, 9 Allemande, 10 Courante, 11 Sarabande, 12 Gavotte, 13 Passepied, 14 Gigue. (Above the Violon/Flute part: Cette Suitte se doit joüer en f fa ut sur une flute de voix.)

18-25 3e Suitte (b): 15 Ouverture [Gravement-Viste]-Lentement, 16 Allemande, 17 Courante, 18 Sarabande, 19 Gavotte, 20 Menuet, 21 Gigue. (Above the Violon/Flute part: Cette Suitte se doit joüer en D la re sur une flute de voix.)

26-33 4e Suitte (e): 22 Ouverture [Gravement-Viste-Lentement], 23 Allemande, 24 Courante, 25 Sarabande, 26 Gavotte, 27 Menuet, 28 Gigue. (Above the Violon/Flute part: Cette Suitte se doit joüer en G ré sol sur une flute de voix.)

27 6 February 2017


34-41 5e Suitte (F): 29 Ouverture [Gravement-Viste-Lentement], 30 Allemande, 31 Courante, 32 Sarabande, 33 Gavotte, 34 Menuet en Ronbdeau, 35 Gigue. (Above the Violon/Flute part: Cette Suitte se doit joüer en G ré sol sur une flute du quatre.)

42-48 6e Suitte (f-3): 36 Ouverture [Gravement-Viste-Lentement], 37 Allemande, 38 Courante, 39 Sarabande, 40 Gavotte, 41 Menuet, 42 Gigue. (Above the Violon/Flute part: Cette Suitte se doit joüer en G ré sol sur une flute du quatre.)

49 Explication des marques / Rules for graces. Remark The dedicatee is Elisabeth Wilmot (1674-1757; daughter of John Wilmot, Second Earl of

Rochester), who married Edward Montagu, Third Earl of Sandwich, in 1689. References Hall 2010, 2012. Facsimile 6 Suiten für Cembalo (Münster: Mieroprint, EM 2025, 1999; keyboard version). 6 Suiten für Blockflöte und Basso continuo (Münster: Mieroprint, EM 2024, 1999; added

parts). Editions Six suites pour clavecin, Publiées par Paul Brunold (Paris: Dyer, 1934; keyboard version). Suite V [VI] G-dur [g-moll] für Blockflöte in C und Basso continuo, Herausgegeben von

Albert Rodemann (Celle: Moeck, 1002-1003, 1939; added parts). Suite I [II-IV] C-Dur [F-Dur, d-Moll, g-Moll] für Altblockflöte (Querflöte, Violine) und

Cembalo (Klavier), Herausgegeben von Hugo Ruf (Celle: Moeck, 1084-1087, 1966; added parts).

Suite V [VI] F-dur [f-moll] für Querflöte oder Sopranblocklöte ode Violine und Basso continuo, Herausgegeben von Hugo Ruf (Zürich: Pelikan-Verlag, 1968 = Musica Instrumentalis 14, 19; added parts).

Six suittes pour le clavecin ... edited by Kenneth Gilbert (Monaco ... 1979; revision of 1934 edition with facsimiles of the added parts).

Vier Suiten für Alt-Blockflöte und Basso Continuo, Herausgegeben von Winfried Michel (Winterthur: Amadeus BP 961, 2006; Suite I-IV, added parts).

Zwei Suiten für Sopran-Blockflöte und Basso Continuo, Herausgegeben von Winfried Michel (Winterthur: Amadeus BP 962, 2006; Suite V-VI, added parts).

— Dornel — Sonate — (??) —

LOUIS-ANTOINE DORNEL, ‘Sonate en quatuor, Quatrième œuvre, Paris, ??.’ Unknown edition? Inventory [p. 367] ‘1 - Dornel Sonates en quatuor 4e oeuvres Paris.’ Catalogue Catalogue 1744, p. 59; ‘Sonate en 4 de Damel 4ieme oeuvre. Paris. - f 3:0.’

— Dreux — Airs — 358 — [1715] — JACQUES-PHILLIPPE DREUX, ‘Airs à deux clarinettes ou deux chalumeaux ...’ ER, No. 358, [1715]. Issue ER, No. 358, [1715]. {not extant?} Catalogues First: Catalogue 1716, p. 310 (no. 358), ‘Airs à 2 Clarinettes ou deux Chalumeaux & c.

Composées par Mr. Dreux.’ Catalogue 1735, p. 19 (no. 358). Catalogue 1744, p. 6 (no. 358). Price f 1:10.

28 6 February 2017


Inventory [p. 316] ‘33 - Dreux, Airs a 2 Clarinette - 13/2/22 - f 15:04.’

— Dreux — Fanfares Livre 1 — [163] — [1704] — JACQUES-PHILIPPE DREUX, ‘Fanfares pour les chalumeax et les trompettes ... Livre premier.’ ER, [No. 163], [1704]. Issue ER, [1704]. {not extant?} Reprint PM, [1709]. See next item. Advertisement Amsterdamsche Courant 2 May 1709. Catalogues Roger, first: Burchett 1704A: ‘Fanfares pour les Chalumeaux & les Trompettes, propres

aussi à jouër sur les flûtes, violons & Hautbois à 2. & 3. parties composées par Jaques Philippe Dreux.’

Catalogue 1712, p. 15 (also Mortier edition). Catalogue 1716, p. 309 (no. 163). Catalogue 1735, p. 19 (no. 163). Catalogue 1744, p. 6 (no. 163). Price Roger: f 1:13 (1704-1708); f 0:11 (1709); f 0:15 (1712-1744). Inventory [p. 316] ‘18 - [Dreux,] Fanfares liv: premier - 12/1/15 - f 7:18.’

— Dreux — Fanfares Livre 1 — (Mortier, [1709])— JACQUES-PHILIPPE DREUX, Fanfares pour les chalumeaux et les trompettes, ... Livre premier. PM, [1709]. │ FANFARES │ Pour les Chalumeaux & les Trompettes | Propres aussi à joüer sur les Flûtes, Violons & Haubois. | Composées Par │ JAQUES [sic] PHILIPPE DREUX. │ Livre Premier | Second Dessus │ A AMSTERDAM. │ Chez PIERRE MORTIER sur le Vuygendam │ qui vend les Livres Nouveaux en Musique. │ Engraved, oblong ocatvo format. Two Partbooks: Premier Dessus, (22 pp.), Second Dessus (24 pp.; p. 24 with staves but no music). Octuple plates 8 x (15 x 9) cm. (There are as many pages with no plate horizontal margins as there are with horizontal plate margins.) Five systems per page. Premier Deussus: Title page and verso are contained in one plate with pp. 1-6; other plates pp. 7-14 and 15-22. Verso of title page is blank page printed from the plate Second Dessus: Title page is separate plate 13 x 8 cm, music from plates pp. 1-8, 9-16, 17-24. Source ER, [1704]. See previous item. Issue PM, [1709]. {RISM D 3546} Wolfenbüttel, Herz. August-Bibl., 28.1-2 Musica div. (August 1967, no. 89, p. 79) Advertisement Amsterdamsche Courant 2, 23 May 1709. Catalogues Mortier Catalogues Rousseau, HMD 1709. Roger Catalogue 1712, p. 15 (Roger and Mortier editions). Price f 1:13 (Catalogue Rousseau 1709), f 0:16 (Catalogue HMD 1709; Advertisments 2, 23

May 1709); f 0:15 (Roger 1712). Contents (all pieces in C major) 1 1 Air; 2 Air

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2 3 Air 2-3 4 Air 3 5 Air 4 6 Air; 7 Air 4-5 8 Air 5 9 Rondeau 6 10 Air 6-7 11 Air 7 12 Air 8 13 Air 8-9 14 Air 9 15 Air 10 16 Air 10-11 17 Air 11 18 Air 12 19 Air; 20 Rondeau 13 21 Air; 22 Rondeau 14 23 Imitation 14-15 24 Fanfare 15 25 Air 16 26 Air 17 27 Air 18 28 Marche en Rondeau 19 29 Air 20-21 30 Air 21 31 Air 22-23 32 Air à 3 (D1: 22; D2: 22: Second Dessus; 23: Troisième Dessus)

— Dreux — Fanfares Livre 2 — [133] — [1706] — JACQUES-PHILIPPE DREUX, ‘Fanfares pour les chalumeaux, ... Livre second.’ ER, [No. 133], [1706]. Issue ER, [1706]. {not extant?} Reprint PM, [1709]. See next item. Catalogues Roger, first: Renneville 1706B: ‘Fanfares pour les Chalumeaux & les Trompettes, propres

aussi à jouer sur les flutes violons & Hautbois à 2 parties, livre second.’ Catalogue 1712, p. 15 (also Mortier edition). Catalogue 1716, p. 309 (no. 133). Catalogue 1735, p. 19 (no. 133). Catalogue 1744, p. 6 (no. 133). Price Roger: f 2:0 (1706); f 2:04 (1708); f 0:15 (1712-1744). Inventory [p. 316] ‘50 - [Dreux, Fanfares] liv: second - 17/1/20 - f 13:0.’

— Dreux — Fanfares Livre 2 — (Mortier, [1709]) — JACQUES-PHILIPPE DREUX, Fanfares pour les chalumeaux, ... Livre second. PM, [1706].

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│ FANFARES │ Pour les Chalumeaux, Les Doubles Flûtes | & les Trompettes; Propres aussi à Jouer. | Sur les Flûtes, Violons & Haubois. | Composées Par │ JAQUES [sic] PHILIPPE DREUX. │ Livre Second. │ A AMSTERDAM │ Chez PIERRE MORTIER sur le Vuygendam │ qui vend les Livres Nouveaux en Musique. │ Engraved, oblong octavo format. Two Partbooks: Premier Dessus (?? pp.), Second Dessus (32 pp.). Quadruple plates 4 x (15 x 9) cm. Title page is separate Source ER, [1706]. See previous item. Issue PM, [1709]. {RISM D 3546} Wolfenbüttel, Herz. August-Bibl., 28.3 Musica div. (only D2). (August 1967, no.

89, p. 79) Catalogues Mortier Catalogues Rousseau 1709. Roger Catalogue 1712, p. 15 (Roger and Mortier editions). Price f 0:15 (Roger 1712). Contents (all pieces in C) 1 1 Air 2 2 Allarmi: Vivace-Adagio-Vivace-Adagio-Vivace 3 3 Gigue 4-5 4 Coucou 5 5 Marche 6 6 La Retraite 6-7 7 March 7 8 Sarabande; 9 Bourée 8 10 Coucou; 11 Gigue 9 12 Air; 13 Bourée 10 14 Gigue 10-11 15Air 11 16 Air 12 17 Marche 12-13 18 Air 13 19 Air 14 20 Fanfare 14-15 21 Menuet 15 11 Air 16 23 La Chasse 17 24 Air de Trompette 18 25 Air 18-19 26 Air 19 27 Air 20 28 Air 20-21 29 Rondeau 21 30 Marche 22 31 La Chasse 22-23 32 Allemande 23 33 Air 24 34 Air 24-25 35 Fanfare

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25 36 Marche 26 37 Rigaudon; 38 Second Rigaudon 26-27 39 Menuet 27 40 Marche 28 41 Menuet 28-29 42 Air 30 43 Gigue 31 44 Air de Trompette 32 45 Gigue 4

— Dreux — Fanfares Livre 3 — 193 — [1714] — JACQUES PHILIPPE DREUX, ‘Fanfares et autres airs ... deux chalumeaux ou deux trompettes &c. ... Livre troisième. ER, no. 193, [1714]. Issue ER, no. 193, [1714]. {not extant?} Catalogues First: Catalogue 1716, pp. 309-310 (no. 193): Fanfares & autres Airs propres à jouer sur

2 Chalumeaux ou deux Trompettes & c. par Mr. Jaques Philippe Dreux livre troisiéme.’ Catalogue 1735, p. 19 (no. 193). catalogue 1744, p. 6 (no. 193). Price f 0:15. Inventory [p. 316] ‘9 - [Dreux, Fanfares] liv: troizieme - 12/2/13 - f 6:04.’

— Dreyer — Sonates Opus 2 — 579 — [1735] — GIOVANNI FILIPPO MARIA DREYER, ‘Sonates à une flûte & basse ... Second ouvrage.’ LC, No. 579, [1735]. Issue LC, no. 579, [1735]. {not extant?} Catalogues First: Catalogue 1735, p. 28 (no. 579): ‘579. Dreyer Sonate a une Flute e basse, second

ouvrage. - f 3.0.’ Catalogue 1744, p. 14 (no. 579). Price f 3:0. Inventory [p. 316] ‘9 - Dreyer, Seconde a fluto solo - 15/2/47 - f 23:08. [Dreyer,] titre de Dreyer - 1/-/1 - f 0:12.’ References Remarks

— Dubuisson — Airs — (Ballard, 1686-1696) — PIERRE DUBUISSON, Premier (septième) livre d’airs sérieux et à boire à 2 & 3 parties. Paris, Christophe Ballard, 1686-1692. {RISM D 3606} Airs sérieux et à boire à deux et trois parties, premier livre en partition. Paris, Christophe Ballard, 1693. {RISM DD 3607} Premier (-neuvième) livre d’airs sérieux et à boire ... pour le mois de janvier 1694 (-octobre 1696). Paris, Christophe Ballard, 1694-1696. {RISM D 3608}

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Catalogues First for sale: Xenephon 1699AA; ‘Les Airs de Mr. du Buisson.’ Last for sale: Catalogue 1708; ‘Les livres d’Airs de Mr. du Buisson.’ Remarks From the description in Catalogue 1708 it can be concluded that Roger sold several

volumes with airs from Dubuisson, but it is impossible to establish which volumes exactly.

— Duos à la mode — (“Le Cène”, =??) — Les duos à la mode, petits et grands, anciens et nouveaux. “LC, No. 580,” = [Paris, ??]. │ LES DUOS | A LA MODE | PETITS, ET GRANDS | ANCIENS, ET NOUVEAUX. | Qui Serviront de Suitte au Receüil [sic] | qui a paru précédemment. | A AMSTERDAM | Chez Michel Charles le Cene. “Sur le Boom-markt. | No. 580│ Engraved, oblong quarto format. Score (85 pp.). Single plates, 21 x 16 cm. Sources *** Issue “Amsterdam, Le Cène, No. 580” = ?? Ann Arbor, ** Paris, Bibl. Ars. Paris, Bibl. Nat., Rés. 1399 Paris, Bibl. Nat., Rés. 1468 Paris, Bibl. Nat. 1-5 Duo (g-1): Lieux aimés, lieux plein de charmes (G2, F4) 5-6 Duo de deux Voix Egalles (G): Feüillages verds naissez (C1, C1) 7-8 Duo Gracieusemt. (D): Ton vin Champagne adorable fait les delices de la table (C1, F4) 8-9 Duo de deux Voix Egales (a): Sur de ta foi je viens dans ce hameau (C1, C1) 10-11 Duo Gayment (C): Vive Bachus vive Grégoire (G2, F3) 12-14 Duo Gracieusemt. (G): Viens dans mon coeur Dieu de la treille (G2, F4) 14-15 Duo de deux Voix Egales (g-1): Tu ne dois pas Jeune Lizette (G2, G2) 15-17 Duo (g-1): Un usurier sur son grimoire (C1, F4) 17-18 Duo de deux Voix Egales Rondeaux Tendremt. (g-1): Vous regnez sur mon coeur (C1, C1) 18-20 Marche des Gris-Vêtus (F): Des Gris-vêtus chantons la gloire (G2, F4) 21 Duo de deux Voix Egales Lentement (g-1): Pour un baiser doux Guillemette (C1, C1) 22-25 Duo Gay (C): Versez moy Versez moy chers Amis a boire (C1, F4) 25-27 Gravement (F): Mon coeur n’est pas troublé (C1, F4) 27-28 Duo Rondement (d-0): Versez ce champagne divin (G2, F4) 29-30 Duo de deux Voix Egales (G): Descendez des Cieux, fils de Venus (C1, C1) 30-32 Duo en Rondeau (F): Tout rend hommage a ta beauté (G2, F3) 32-33 Brunette Duo de deux Voix Egales Tres tendremt. (Bflat): Oh Dieux! que mon Iris est belle (G2, G2) 33-34 Air de Cor de Chasse Duo de deux Voix Egales (C): Dans ces aimables lieux (G2, G2) 34-38 Duo Paysan (a): Colette et moy comme je nous aimons (C1, F4) 38-41 Duo de deux Voix Egales (C): Auprès d;une jeune merveille (C1, C1) 41-42 Duo de deux Voix Egalles Rondeau Tendre et Leger (G): Helas! quand on aime bien (C1, C1) 43 Duo Rondeau (F): Ah! Therese qu’on est aise (C1, F4) 44-45 Duo de Deux Voix Egalles (a): Je verray, j’embrasseray, ce soir ma maitresse (G2, G2)

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45-47 Duo en Rondeau Graciesemt. (g-1): Aimable Dieu du vin (C1, F4) 48-49 Duo de deux Voix Egales Fanfare (G): Buvons a tasse pleine (C1, C1) 50-52 Duo Gracieusemt. (d-0): En vain pour oublier une beauté cruelle (C1, F4) 52-53 Duo de deux Voix Egalles (A): Je n’entend plus dessous l’ormeau (C1, C1) 54-55 Duo Gracieusemt. (a): L’autre jour en dorman à l’ombre d’une treille (C1, F4) 56-57 Duo de deux Voix Egalles Gracieusemt. Louré (G): Dans nos hameaux, il est un bergere (G2, G2) 57-59 Duo Gay (c): Guillot est mon Amy (G2, F4) 59-60 Duo de deux Voix Egalles Tendremt. (G): A l’ombre d’un ormeau Lizette (G2, G2) 60-62 Duo en Rondeua de deux Voix Egalles (g-1): Versez, versez que j’eprouve a mon tour (G2, G2) 63 Musette Duo de deux Voix Egales Tendremt. et Louré (C): Amuson toujours nos desirs (G2,

G2) 64-65 Duo en Rondeau Legeremt. (C): Je suis tant que dure le jour (G2, F4) 66-67 Duo de deux Voix Egalles Tendremt. (a): De la Déesse de Cythere (C1, C1) 67-68 Duo Gracieusemt. (d-0): Je sers egalement et l’Amour et la treille (C1, F4) 69 Duo de deux Voix Egalles Tendremt.(C): Quitte ta musette Berger amoureux (G2, G2) 70-73 Duo Rondement (F): Viens Bachus vole a mon secours (G2, F4) 74 Duo de deux Voix Egalles (a): D’une simple amitiez (G2, G2) 75-78 Duo Gayment (g-1): Chantez chantez mes chers amis (G2, F4) 78-81 Duo de deux Voix Egalles (d-0): Amy prend viste un verre (C1, C1) 82-85 Duo (g-1): Quel orage imprevû (C1, F4) Remark Certainly produced in France (Paris). It is the second volume to the Recueil de duos sérieux et à

boire (“Amsterdam”). Paper has vertical chain lines, 30 mm apart, a little grape as watermark. Same paper as the

Recueil de duos. RISM gives composers De Bousset, Colin de Blamont, Déon, Regnault, N. Renier, Anon.

— Duos anglois Livre 1 — [209] — [1697] — ‘Duos Anglois de différents maîtres à deux flûtes ou violons ... Livre premier.’ ER, [1697]. Issue ER, [1697]. {not extant?} Reprint PM, [1709]. See next item. Advertisement Gazette d’Amsterdam, 18 October 1696 (annoucement). Amsterdamsche Courant, 2 May

1709. Catalogues First: Recueil III 1697A, ‘Des duos Anglois pour la flustes, le violon &c.’ Catalogue 1712, p. 21 (Roger and Mortier editions). Catalogue 1716, p. 318 (no. 209). Catalogue 1735, p. 28 (no. 209). Catalogue 1744, p. 14 (no. 209). Price Roger: f 0:13 (1697-1708); f 0:11 (1709); f 0:15 (1712-1744). Inventory [p. 316] ‘9 Duos Anglois Livre 1e.’

— Duos anglois Livre 1 — (Mortier, [1709] — ‘Duos Anglois de différents maîtres à deux flûtes ou violons, ... Livre premier.’ PM, [1709].

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Source ER, [1697]. See previous item. Issue PM, [1709]. {not extant?} Advertisement Amsterdamsche Courant 2, 23 May 1709. Catalogues Mortier Catalogues Rousseau, HMD 1709. Roger Catalogue 1712, p. 21 (Roger and Mortier editions). Price Mortier: f 0:12 (Mortier Catalogue HMD 1709; Adverstisements 1709); f 0:15 (Roger

1712).

— Duos anglois Livre 2 — [210] — [1707-1708] — ‘Duos Anglois de différents maîtres à deux flûtes ou violons ... Livre second.’ ER, [No. 210], [1707-1708]. Issue ER, [1707-1708]. {not extant?} Reprint PM, [1709]. See next item. Advertisement Amsterdamsche Courant, 2 May 1709. Catalogues First: Catalogue 1708, p. 8-9. Catalogue 1712, p. 21 (Roger and Mortier editions). Catalogue 1716, p. 318 (no. 210). Catalogue 1735, p. 28 (no. 210). Catalogue 1744, p. 14 (no. 210). Price f 0:13 (1708); f 0:11 (1709); f 0:15 (1712-1744). Inventory [p. 316] ‘84 - [Duos Anglois] Livre second.’

— Duos anglois Livre 2 — (Mortier, [1709] — Duos Anglois de différents maîtres à deux flûtes ou violons ... Livre second.’ PM, [1709]. │ DUOS ANGLOIS │ De differents Maîtres │ A 2 FLUTES │ ou Violons │ LIVRE SECOND. │ A AMSTERDAM │ Chez PIERRE MORTIER Qui vend toutte sorte des liures en Musique. │ Engraved, oblong quarto format. Two Partbooks: Premier Dessus, (25 pp.), Second Dessus (2 pp.). Quadruple plates 4 x (20 x 11) cm. Source ER, [1707-1708]. See previous item. Issue PM, [1709]. {RISM Recueils XVIII, p. 162} Wolfenbüttel, Herz. August-Bibl., 30.1-2 Musica div. (August 1967, no. 638, p.

440) Advertisement Amsterdamsche Courant 2 May 1709. Catalogues HMD 1709. Catalogue 1712, p. 21 (Roger and Mortier editions). Price f 0:12 (1709); f 0:15 (1712). Contents (often an –s- after the name of the composer) 1 Purcell(s) (F) 1 Allemande 2 2 Air 2-3 King(s) 3 Gigue 3 4 Air

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4 5 Air Allegro 4-5 6 Gavotte en Rondeau 5 7 Air Presto; 8 Marche; 9 Retraite 6 10 Air de Trompettes 6-7 Paisible 11 Bruit de Guerre 7 12 Gigue Espagnolle 8 13 Menuet 8-9 Weldon(s) 14 Simphonie 9 Gasparini 15 Prelude 10 16 Menuet; 17 Gigue 11 E. D. 18 Air de Trompette 19 Fanfare 12 20 Bourée; 21 Gigue 12-13 (d) 22 Allemande 13 Eccles 23 Air Lent 14 24 Air 14-15 King (g) 25 Simphonie 15 26 Air 16 27 Gavotte 16-17 Tenoe(s) [sic] 28 Air Grave 17 King 29 Simphonie 17 30 Aiir 18 Tenoes 31 Gigue 18-19 32 Menuet 19 Weldon(s) (G) 33 Air 20 34 Air 20-21 35 Air 22 Eccles (C) 36 Air 23 Finger 37 Air Lent 23-24 38 Allemande 24 39 Air 25 H. Purcel (a) 40 Air Adagio 24-25 E. D. (F) 41 Air 25 Eccles 42 Bourée 43 Menuet

— Duparc — Airs Livre 1-2 — (Ballard, 1693-1694) — DUPARC, Premier(-second) livre d’airs sérieux et à boire à deux et trois parties. Paris, Christophe Ballard, 1693, 1694. {RISM D 3834-3835} Catalogues First for sale: Vairasse 1702. Last for sale: Catalogue 1708, p. 19.

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— Dupont — Principes — (Ballard, 1713) — PIERRE DUPONT, Principes de musique par demandes et résponces ... Paris, Christophe Ballard, 1713. Paris, Jean Baptiste Christophe Ballard, 1719. {RISM Écrits p. 283} Inventory [p. 289] [no.] ‘96 - Les Principes de Musique mis en dialogue.’

— Du Tartre — Divertissement — (Author, [1714]) — JEAN-BAPTISTE DU TARTRE, ‘Divertissement pour la paix ...’ Paris, Author, Foucaut, [1714]. {RISM D 4660} Inventory [p. 364] ‘Divertissement pour la Paix par Dutartre Paris.’ Catalogue Catalogue 1744, p. 50. Price f 1:06.

— Duval — Sonates Livre 2— (Author, 1706) — FRANÇOIS DUVAL, Seconde livre de sonates à III parties pour II violons et la basse. Paris, author, 1706. {RISM D 4665} Inventory [p. 367] ‘1 - Duval Sonate a duo violino e basso Paris.’ Catalogue Catalogue 1744, p. 59; ‘Sonate à due Violini e Bas. par Duval. - f 3:0.’

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E

— Eberhard — Pièce— (Manuscript) — GOTTHILF ANTON EBERHARD, ‘Pièce pour deux clavecimbals.’ Inventory [Geschreve Muzijk ... p. 290] ‘[nr.] 5 – une Piece pour deux Clavecimbal de Everhardo.’

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F

— Facco — Pensieri Opus 1 Libro 1-2 — 469,477 — [1720, 1721] — GIACOMO FACCO, Pensieri Adriarmonici ... Opera prima, Libro primo-secondo. JR, nos. 469, 477, [1720, 1721]. PENSIERI ADRIARMONICI O uero Concerti à cinque, Trè Violini, Alto Viola, Violoncello, e Basso per il Cembalo Consecrati ALL’ECCELLENZA Del Signor DON CARLO FILIPPO ANTONIO SPINOLA Colonna Marchese de los Balbasses, Duca del Sesto Rocca Piperozzi, e Peutime, Baron de Ginosa, Feudatario de Pontecurone, Casalnoceto, Montebello, Montemarsino, e Paderno, Gran Protonotario del Supremo Consiglio d’Italia, Consigliero di Stato di Sua Maestà Cattolica, e Suo Gentilhuomo di Camera, Castellano del Castel nouo di Napoli, Cavagliero del Ordine di San Giacomo, Grande di Spagna & c a Dà GIACOMO FACCO Musico Veneto, e Servitore attuale DI SUA ECCELLENZA OPERA PRIMA Libro Primo A AMSTERDAM Chez Jeanne Roger No 469

PENSIERI ADRIARMONICI Ouero Concerti à cinque, Trè Violini, Alto Viola, Violoncello, e Basso per il Cembalo Consecrati ALL’ECCELLENZA Del Signor DON CARLO FILIPPO ANTONIO SPINOLA Colonna Marchese de los Balbasses, Duca del Sesto Rocca Piperozzi, e Peutime, Baron de Ginosa, Feudatario de Pontecurone, Casalnoceto, Montebello, Montemarsino, e Paderno, Gran Protonotario del Supremo Consiglio d’Italia, Consigliero di Stato di Sua Maestà Cattolica, e Suo Gentilhuomo di Camera, Castellano del Castel nouo di Napoli, Cavagliero del Ordine di San Giacomo, Grande di Spagna & c a Dà GIACOMO FACCO Musico Veneto, e Servitore attuale DI SUA ECCELLENZA OPERA PRIMA Libro Secondo A AMSTERDAM Chez Jeanne Roger No 477

PENSIERI ADRIARMONICI O uero Concerti à cinque, Trè Violini, Alto Viola, Violoncello, e Basso per il Cembalo Consecrati ALL’ECCELLENZA Del Signor DON CARLO FILIPPO ANTONIO SPINOLA Colonna Marchese de los Balbasses, Duca del Sesto Rocca Piperozzi, e Peutime, Baron de Ginosa, Feudatario de Pontecurone, Casalnoceto, Montebello, Montemarsino, e Paderno, Gran Protonotario del Supremo Consiglio d’Italia, Consigliero di Stato di Sua Maestà Cattolica, e Suo Gentilhuomo di Camera, Castellano del Castel nouo di Napoli, Cavagliero del Ordine di San Giacomo, Grande di Spagna & c a Dà GIACOMO FACCO Musico Veneto, e Servitore attuale DI SUA ECCELLENZA OPERA PRIMA Libro Primo A AMSTERDAM Chez Estienne Roger & Le Cene No 469

Engraved, upright folio format. Six partbooks: Violino Primo Principale (iv, 2-23, 2-25 pp.); Violino Primo (2-21, 2-20 pp.); Violino Secondo (2-19, 2-20 pp.); Alto Viola (2-17, 2-15 pp.); Violoncello (2-17, 2-18 pp.); Organo (2-12, 2-15 pp.). Double plates 2 x (19 x 28) cm. Issues JR, nos. 469, 477, [1720, 1721]. {RISM F 48} Brussels, Cons. Roy. Mus., 27,026. Delden, Castle Twickel, P 1002 (Libro secondo). Lund, Univ.bibl. Stockholm, Kungl. Mus. Akad. Bibl., VO-R

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ER&LC, nos. 469, 477, [1723-1743]. {not in RISM} Delden, Castle Twickel, P 1002 (Libro primo). Catalogues First: Catalogue 1725, p.65 (nos. 469, 473 [sic]). Catalogue 1735, p. 62 (nos. 469, 473 [sic]). Catalogue 1744, p. 43 (nos. 469, 473 [sic]). Catalogue Ballard 1731, p. 34. Catalogue Leclerc 1734, p. 71. Price ƒ 10:0; £t 24 (Ballard 1731, Leclerc 1734). Inventory [p. 317] ‘23 - Facco, Prima Concerte lib: 1.2. - 93/22/262 1/4 - ƒ 127:18. 46 - [Facco, Prima Concerte] lib: secondo.’ Contents Libro Primo i Title page. iii Letter of dedication in Italian by Facco. Concerto I (e): Allegro, Adagio, Allegro. Concerto II (B-flat): Allegro assai, Grave staccato, Allegro assai. Concerto III (E-3): Allegro assai, Adagio, Allegro assai. Concerto IV (c-2): Allegro, Grave, Allegro. Concerto V (A): Allegro, Grave, Allegro. Concerto VI (F): Allegro, Adagio cantabile, Allegro. Libro Secondo Concerto VII (C): Allegro, Adagio, Allegro. Concerto VIII (D): Allegro, Adagio, Allegro assai. Concerto IX (C): Allegro, Adagio, Allegro. Concerto X (B-flat): Adagio staccato-Presto-..., Allegro assai. Concerto XI (g): Allegro, Adagio, Allegro assai. Concerto XII (B-flat): Allegro, Adagio, Allegro. Remark The dedicatee is Carlo Felipe Antonio Spinola y Colonna (Madrid 1665-1721), Fourth

Marquis of Los Balbases, 1707-1713 Spanish Viceroy of Naples and Sicily.

— Fadini — Sonate Opus 1 — 450 — [1719] — ANDREA FADINI, Sonate a due violini, violoncello, ed organo ... Opera prima. JR, no. 450, [1719]. | XII SONATE | a due Violini, Violoncello ed Organo, | con trè Soggetti Reali | Di | ANDREA FADINI | Compositore di Musica | OPERA PRIMA | A Amsterdam | Chez Jeanne Roger | No 450 | Engraved, upright folio format. Three partbooks: Violino Primo (2-24 pp.), Violino Secondo (2-23 pp.), Violoncello (1-19 pp.), Organo (1-8 pp.), Double plates 2 x (28 x 20) cm. Source Venice, Giuseppe Sala, 1714. {RISM F 58} Issue JR, no. 450, [1719]. {RISM F 59} Stockholm, Kungl. Mus. Akad. Bibl., O-R Catalogues First: Catalogue 1725, p. 59 (no. 450). Catalogue 1735, p. 55 (no. 540 [sic]). Catalogue 1744, p. 37 (no. 540 [sic]).

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Catalogue Leclerc 1734, p. 71. Price ƒ 5:0; £t 9 (Leclerc 1734). Inventory [p. 317] ‘67 - Fadini, Prima Concerti - ƒ 1:0.’ Contents Sonata I (A-2): Canone Allegro, Allegro, Adagio. Sonata II (C): Canone Allegro, Allegro, Adagio, Allegro. Sonata III (e): Adagio, Allergo, Adagio, Allegro. Sonata IV (B-flat): Canone Adagio, Allegro, Adagio, Allegro. Sonata V (F): Canone Adagio, Allegro, Adagio, Allegro ma non Presto. Sonata VI (G): Adagio, Allegro, Adagio, Allegro. Sonata VII (d-0): Adagio, Allegro, Adagio, Allegro. Sonata VIII (D): Canone Adagio, Allegro, Adagio, Allegro. Sonata IX (g-1): Canone Adagio, Allegro, Adagio, Allegro. Sonata X (F):Adagio, Allegro, Adagio, Allegro. Sonata XI (B-flat): Adagio, Allegro, Adagio, Allegro. Sonata XII (G): Adagio, Allegro, Adagio, Allegro.

— Favre — Sonates Livre 1-2 — (Author?, 1731) — ANTOINE FAVRE, ‘Premier livre’ or ‘Second livre de sonates à violon seul’? Both Paris, Author?, after 1731. {not extant?} Inventory [p. 368] ‘1 - Fauro Sonate a violino Solo Paris.’ Catalogues First for sale last for sale: Catalogue 1744, p. 59; ‘Sonate à Violino solo del Segnor Faure. - ƒ 3:0.’ Price ƒ 3:0 (1744). Remarks Antoine Favre (Faure) (Lyons? 1670?, ? after 1737), Frans violist en componist.

— Fedeli — Sonate Opus 1 — (Foucault, 1715) — GIUSEPPE FEDELI, Sonate a violino solo e basso continuo ... Opera prima. Paris, Foucault, 1715. {RISM F 157} Inventory [p. 377] ‘1 - Saggione Sonate a violino Solo Paris.’

— Fedeli — Airs Recueil 1-3 — (Author, 1728-c.1730?) — GIUSEPPE FEDELI, Recueil d’airs françois dans le goût italien, sérieux et à boire à une, II et III voix. Paris, author, Boivin, Le Clerc, 1728. {RISM F 154} GIUSEPPE FEDELI, Opera seconda, IIme recueil d’airs françois dans le goût italien, sérieux et à boire à une, II et III voix. Paris, author, Boivin, Le Clerc, [1728]. {RISM F 155}

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GIUSEPPE FEDELI, Opera terza, IIIe livre d’airs françois, sérieux et à boire à une et deux voix mis en musique dans le goût italien. Paris, author, Mme Boivin, Le Clerc, [c.1730?]. {RISM F 156} Inventory Not in inventory. Catalogue For sale: Catalogue 1744, p. 57; ‘Recueil d’Airs François serieux & à Boire dans le goût

Italien à une, deux, & trois Voix par Saggione Venitien, Livre prémier, second & troisième. - f 9:0.’

— Ferrandini — Sonate Opus 1 Parte 1-2 — 586, 593 — [1737, 1742-1743] — GIOVANNI FERRANDINI, ‘Sonate a flauto traversière solo e basso ... Opera prima, Parte prima-seconda.’ LC, no. 586, 593 [1737, 1742-1743]. Issue LC, no. 586, 593 [1737, 1742-1743]. {not extant?} Catalogues First Parte prima: Catalogue 1735, p. 70 (no. 586); ‘Ferrandini Prima Sonate a flauto

traversiere e basso.’ (hand written addition) First Parte seconda: Catalogue 1744, p. 19 (no. 593); ‘[Ferrandini] Parte seconda Sonate

à Flauto Traversiéri solo, e Basso, o Oboe.’ Parte prima: Catalogue 1744, p. 19 (no. 586). Catalogue Leclerc 1742, p. 55 (Ir. Livre), 1751, p. 94 (Ir. Livre, 2e. Livre). Price f 3:0; £t 6 (for each Parte, Leclerc 1742, 1751). Inventory [p. 318] ‘39 - Ferrandini, pma Libro primo - 19/1/40 - f 25:15.’ [p. 318] ‘36 - [Ferrandini, pma Libro] secondo - 20/2/47 1/4 - f 38:18.’

— De Fesch — Duetti Opus 1 — 414 — [1716] — WILLEM DE FESCH, ‘VI Duetti a due violini senza basso ... Opera prima.’ JR, no. 414, [1716]. Issue JR, no. 414, [1716]. {not extant?} Reprint VI Duetti a due violini ... Opera prima. Paris, Le Clerc le Cadet, Le Clerc, Mme Boivin.

{RISM F 615} Catalogues First: Catalogue 1725, p. 46 (no. 414), ‘VI Sonates à deux Violons sans basse, dont les

Violons travaillant tous deux également & comme dans les solos, composées par Mr. de Fesch, opera prima.’

Catalogue 1735, p. 42 (no. 414). Catalogue 1744, p. 26 (no. 414). Ballard 1731, p. 34. Catalogue Leclerc 1734, p. 69, 1737, p. 79. Price f 3:0; £t 8 (Ballard 1731), £t 9 (Leclerc 1734-1737). Inventory [p. 317] ‘17 - Fesch, Opera prima Duetti - 11/6/25 1/2 - f 13:12.’ Edition Six Duets for Two Violins, Opus IA, Edited by Robert L. Tusler (Amsterdam: Donemus,

1999 = Willem de Fesch Vol. 1) (after the French reprint). References Van den Bremt 1949, pp. 112-118, 196-198 (them. cat.); Tusler 2005, pp.33-34, 36-50. Remark The volume was dedicated to João Gomes da Silva (1671-1738), extraordinary

ambassador and plenipotentiary on behalf of Portugal for in the Dutch Republic. His name is known from the title page of the French reprint.

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— De Fesch — Concerti Opus 2 — 436 — [1718] — WILLEM DE FESCH, VI Concerti a quatro violini, alto viola, violoncello e basso per l’organo ... Opera seconda. JR, no. 436, [1718]. VI CONCERTI a Quatro Violini, Alto-Viola, Violoncello e Basso per l’Organo Dedicati ALL’ ILLmo ET ECCELLmo SIGNORE IL SIGr RICCARDO MUNNICKS, Avocato della Corte d’Hollanda DA GUGLIELMO DE FESCH, OPERA SECONDA A AMSTERDAM CHEZ JEANNE ROGER No 436 Engraved, upright folio format. Seven partbooks: Violino Primo (iv, [1], 2-30 pp.), Violino Secondo, Alto-Viola (2-13 pp.), Violoncello (2-9 pp.), Violino Primo di Ripieno (2-10 pp.), Violino Secondo di Ripieno (2-10 pp.), Basso Continuo (2-12 pp.). Double plates 2 x (19 x 24,5) cm. Issue JR, no. 436, [1718]. {RISM FF 617} Zürich, Zentral-Bibl., AMG XIII 122 & a-f. Rheda, Bentheim Bibl. LC, no. 436, [1723-1743]. {RISM FF 617a} New York NY, Coll. Hill. Catalogues First: Catalogue 1725, p.64 (no. 436). Catalogue 1735, p. 61 (no. 436). Catalogue 1744, p. 42 (no. 436). Catalogue Leclerc 1734, p. 69, 1737, p. 79. Price ƒ 5:0; £t 12 (Ballard 1731, Leclerc 1734-1737). Inventory [p. 317] ‘17 - [Fesch, Opera] seconda Concerti.’ Contents i Title page. iii Letter of dedication in Italian by De Fesch. Concerto I (E-flat; a 2 Violini e Violoncello obligati): Adagio, Poco Allegro, Grave, Adagio, Giga Spiritoso. Concerto II (C; a Violino Primo obligato): Allegro, Adagio, Allegro. Concerto III (B-flat; a 2 Violini, Alto Viola e Violoncello obligati): Adagio, Allegro, Adagio, Tempo di Gavotta. Concerto IV (A; a Quatro con Ripieni): Adagio-Presto, Allegro, Adagio, Fuga Allegro. Concerto V (F; a Violino Primo obligato): Allegro, Largo e Cantabile, Vivace. Concerto VI (D; a 2 Violini, Alto Viola obligati): Allegro, Largo e Cantabile, Allegro. Edition Six Concertos, Opus II, Edited by Robert L. Tusler (Amsterdam: Donemus, 1997 =

Willem de Fesch Vol. 3). References Van den Bremt 1949, pp. 158-159; Tusler 2005, p. 34, 50-67. Remark The dedicatee is Richard Munnicks, from 1716 Sollicitor at the Court of Holland in The

Hague.

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— De Fesch — Concerts Opus 3 — 454 — [1719] — WILLEM DE FESCH, VI Concerts ... à quatre à 4 violons, haute contre et basse continue, et 2 à 2 hautbois, 2 violons basse & basse continue ... Troisième ouvrage. JR, no. 454, [1719]. VI CONCERTS Dont il y en a quatre à 4 Violons Haute Contre & Basse Continue, & 2 à 2 Haubois, 2 Violons Basse & Basse Continue. DEDIEZ A MONSIEUR PIERRE DE COUP Amateur de Musique PAR GUILLAUME DE FESCH Troisiéme Ouvrage A AMSTERDAM CHEZ JEANNE ROGER No 454

Five partbooks: Violino Primo Principale (iv, 2-15 pp.), Violino Secondo Principale (2-11 pp.), Violino Primo di Ripieno (2-11 pp.), Violino Secondo di Ripieno (** pp.), Alto Viola (*** pp.), Violoncello (7 pp.), Organo (7 pp.). Double plates 2 x (19,5 x 25) cm. Issues JR, no. 454, [1719]. {RISM FF 620} Lund, Univ.bibl., Coll. Engelhart no. 14. New York NY, Coll. Hill. The Hague, Ned. Muz. Inst., 74 A 171 (V2 and AV missing). Zürich, Zentralbibl., AMG XIII 123 & a-f ER&LC, no. 454, [1723-1743]. {RISM F 621} Paris, Bibl. Nat. << wil niet uit on-line catalogus komen Catalogues First: Catalogue 1725, pp. 41, 65 (no. 454). Catalogue 1735, pp. 37, 61 (no. 454). Catalogue 1744, pp. 43 (no. 454). Ballard 1731, p. 34. Catalogue Leclerc 1734, p. 69, 1737, p. 79. Price ƒ 5:0; £t 12 (Ballard 1731, Leclerc 1734-1737). Inventory [p. 317] ‘15 - [Fesch, Opera] terza Concerti - ƒ 4:0.’ Contents i Title page. iii Letter of dedication in French by De Fesch. Concerto I (C): Allegro, Largo e Cantabile, Spirituoso. Concerto II (B-flat): Allegro, Adagio a tre, Vivace. Concerto III (E-3): Allegro, Largo e Cantabile, Fuga Allegro. Concerto IV (C): Allegro, Largo e Cantabile, Giga Vivace. Concerto V (e): Allegro, Adagio, Allegro. Concerto VI (a): Allegro, Adagio e Cantabile, Vivace. Edition Six Concertos, Opus III, Edited by Robert L. Tusler (Amsterdam: Donemus, 1997 =

Willem de Fesch Vol. 4). References Van den Bremt, 1949, pp. 159-163, 200-201 (them. cat.); Tusler 2005, pp. 34-35, 50-67. Remark The dedicatee is Pieter de Coup (1684-1730), bookseller and publisher in Amsterdam.

See about him Van Eeghen III 1965, pp. 81-83.

— De Fesch — Sonate Opus 4 — (Author, [1725]) — WILLEM DE FESCH, XII Sonate ... 6 a violino, violone e cembalo ... 6 a due violoncelli ... Opera quarta, Libro primo-secondo. Amsterdam, Author [1725]. Engraved by Jean Morellon la Cave.

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XII SONATE in due libri il primo: 6 à Violino, Violone, e Cembalo. ed il secondo: 6 a due violoncelli. Dedicate Al Molto jllustre Signore jl Sigr: Giacomo Dupeyron Jansz: da Guglielmo de Fesch Opera Quarta. Libro primo. in Amsterdam, in casa del Autore. fatto stampare a sue spese, e Costa f 6,,6,, [signature Guglmo de Fesch]

Engraved, upright folio format. Score (vi, 53 pp.), Single plates 20 x 28 cm. Issue Amsterdam, author, [1725]. {RISM F 623-624} Basel, Univ.-Bibl., (not in Richter 1892; Libro secondo, no title page). Houten, Coll. Rasch (Libro primo; no title page, privilege, dedication) Leiden, Univ. Bibl., 3429 A 1 (Deposit copy for the privilege). London, Brit. Libr., g.418.c.(2.) (BL 1981 XVI, p. 97). Paris, Bibl. Nat. Catalogues Catalogue Ballard 1731, p. 34. Catalogue Leclerc 1734, p. 69, 1737, p. 79. Price ƒ 6 (price on title page); £t 14 (Ballard 1731): £t 15 (Leclerc 1734-1737). Inventory [p. 317] ‘5 - [Fesch, Opera] quarta.’ Contents i Title-page iv Privilege of the States of Holland, 15 years, for op. 4, 24 January 1725. v Letter of dedication in Italian by ‘Guglielmo de Fesch’. [Sonatas I-VI for violin and figured bass] 1-5 Sonata I (d): Preludio Largo, Allemanda Larghetto, Sarabande Largo, Giga Vivace. 6-9 Sonata II (D): Preludio Adagio, Allemanda Allegro, Largo, Giga Allegro. 10-13 *Sonata III (B-4): Preludio Largo, Allemanda Allegro, Sarabande Larghetto, Giga Vivace. * ‘Questa Sonata si può Sonare un mezzo tono piu Basso giungendovi due bb.’ 14-17 Sonata IV (a): Preludio Largo, Vivace, Largo e Cantabile, Tempo di Gavotta, Minuetto. 18-21 Sonata V (A): Preludio Largo, Allemanda Allegro, Largo, Giga Vivace. 22-28 Sonata VI (B-flat): Adagio, Allegro, Grave, Allegro, Spirituoso. 28 ‘Il Fine del libro primo.’ [Sonatas VII-XII for two cellos without figuring] 29-33 Sonata VII (a): Preludio Largo, Allegro, Adagio, Tempo di Gavotta. 33-37 Sonata VIII (D): Preludio Largo e Cantabile, Allemanda Allegro, Largo, Giga Vivace. 38-41 Sonata IX (C): Largo, Allemanda, Ciciliana, Tempo di Minuetto. 42-45 Sonata X (d): Largo, Allegro, Largo, Giga Vivace. 46-49 Sonata XI (F): Preludio Largo, Allemanda Largo, Sarabande Allegro, Minuetto Primo, Minuetto

Secundo (f). 50-53 Sonata XII (A): Preludio Adagio, Allemanda, Largo, Vivace. 53 ‘il Fine J.M. Lacave sculpsit.’ Facsimile Edition Six Sonatas for Violin and Continuo, Opus IVA, Edited by Robert L. Tusler (Amsterdam:

Donemus, 1999 = Willem de Fesch Vol. 5). Six Sonatas for Two Violoncellos, Opus IVB, Edited by Robert L. Tusler (Amsterdam:

Donemus, 1999 = Willem de Fesch Vol. 6).

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References Van den Bremt 1949, pp. 125-128 (Cello duets), 133-136 (Violin sonatas), 202-205 (them. cat.); Tusler 2005, p. 35-50.

Remark The dedicatee is Jacobus Du Peyrou Janszoon (Amsterdam 1692-1756 Velsen), Lord of Limmen (in North-Holland), a wealthy merchant on Italy and the Levant, and active in whale-fishery.

— De Fesch — VI Concerti Opus 5 — 563 — [1730] — WILLEM DE FESCH, VI Concerti ... 4 a due flauti traversieri, due violini, alto viola e basso per l’organo ... 2 a quattro violini, alto viola, violoncello e basso per l’organo ... Opera quinta. LC, no. 563, [1730]. VI CONCERTI Li Quattro Primi, Sono a due Flauti Traversieri due Violini, Alto Viola e Basso per lorgano Dedicati À SUA ALTEZZA il Signore ALESSANDRO DE TURRI=TASSIS, Prencipe del Sagro R. Imperio, Conte di Vallassino, Barone d’Impden, Signore di Wolverthem Rossum & Meuseghem e della [sic] Signorie Libere del S.I. d’Egling & osterhoven Cavagliere dell’ordine de Sto. Huberto &c. &c. Da GUGLmo. DE FESCH Maestro di Capella della Chiesa Cathedrale d’Anversa OPERA QUINTA AMSTERDAM a Spesa di MICHELE CARLO LE CENE No. 563

Engraved, upright folio format. Seven partbooks: Flauto Primo (I-II) / Violino Principale (V-VI) (iv, 1-19 pp.), Violino Primo del Concerto Grosso (I-II) / Violino Primo (III-VI) (14 pp.), Violino Secondo del Concerto Grosso (I-II) / Violino Secondo (III-IV) / Violino Terzo (V-VI) (15 pp.), Flauto Secondo del Concertino (I-II) / Flauto Traversiere ò Violino (III-IV) / Violino Secondo (V-VI) (16 pp.), Alto Viola (11 pp.), Basso del Concerto grosso (I-II) / Violoncello (III-VI) (11 pp.), Organo del Concertino (I-II) / Organo (III-VI) (1-12 pp.). Double plates 2 x (20 x 24) cm. Issue LC, no. 563, [1730-1733]. {RISM FF 625} Lund, Univ.bibl. New York NY, Coll. Hill Zürich, Zentralbibl., AMG XIII 121 a-f. Advertisement The Daily Journal, 19 January 1733. Catalogues First: Catalogue 1735, p. 56 (no. 563). Catalogue 1744, p. 38 (no. 563). Catalogue Ballard 1731, p. 34. Catalogue Leclerc 1734, p. 69, 1737, p. 79. Price ƒ 6:0; £t 15 (Ballard 1731, Leclerc 1734-1737). Inventory [p. 317] ‘12 - [Fesch, Opera] quinta Concerti - 56/5/112 - / 54:16. 8 - [Fesch, Opera] Idem Gr: Pap:.’ Contents i Title page. iii Letter of dedication in Italian by De Fesch. Concerto I (D; concertino two transverse flutes): Largo, Vivace, Largo (b), Giga Allegro Concerto II (g; concertino two transverse flutes): Largo, Allegro ma non Troppo, Grave (B-flat), Arioso, Tempo di Gavotta Concerto III (G; concertino two transverse flutes): Adagio, Allegro, Ciciliana (a), Vivace Concerto IV (D; concertino two transverse flutes): Allegro, Largo e Cantabile (b), Vivace Concerto V (c; concertino three violins, viola): Allegro, Largo (E-flat), Vivace Presto. Concerto VI (E; violin concerto): Larghetto-Presto, Largo (B), Allegro, Adagio, Vivace

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Edition Six Concertos, Opus V, Edited by Robert L. Tusler (Amsterdam: Donemus, 1999 =

Willem de Fesch Vol. 7). References Van den Bremt 1949, pp. 163-165; Tusler 2005, pp. 78-87. Remarks The dedicatee is Alexander Ferdinand Third Prince of Turn und Taxis (Frankfurt/Main

1704-1773 Regensburg), from 1739 Postmaster General of the Imperal Reichspost and Head of the Princely Family of Thurn un Taxis.

— Finger —Sonatæ Opus 1 — [265] — [1700] — GOTTFRIED FINGER, Sonatæ XII. Pro diversis instrumentis ... Opus primum. ER, [no. 265], 1700. Finger issue SONATÆ XII PRO DIVERSIS INSTRUMENTIS Quarum Tres priores pro Violino & Viola di Gamba, Proximæ tres pro II Violinis & Viola di Basso, Tres sequentes pro III Violinis Reliquæ pro II Violinis & Viola Omnes ad Basin Continuam pro Organo seu Clavicymbalo Formantur AUTHORE GODEFRIDO FINGER OLMUTIO-MORAVIO Capellæ Serenissimi REGIS MAGNÆ BRITANIÆ Musico OPUS PRIMUM Anno MDCLXXXVIII

Roger issue

… Anno MDCLXXXVIII ce Livre se vend á Amsterdam Chez Estienne Roger Marchand Libraire Engraved, upright folio format. Four partbooks: Violino/Violino Primo vi, [0]-1-24 [-25] pp.), Violino Secondo (i, 7-24 [-25] pp.), Viola di Gamba (i, 1-6 pp.) / Viola di Bassa (7-12 pp.) / Violino Terzo [sic] (13-18 pp.) / Viola da Brazzo (19-24 [-25] pp.), Basso Continuo (i, 24 [-25] pp.). All partbooks begin with page 1 or 7 on a left-hand page. Double Plates 2 x (19 x 23.5) cm. Printed from the English plates. Violino Primo partbook: sheets are marked on pp. 2, 4, 6, 8, 10, 12: “A.2.”, … “A. 6.”, “A. 7. finis”. Violino Secondo partbook: sheets are marked on pp. 8, 10, 12, 14: “B.2.”, … “B. 4.”, “B. 5. finis”. Viola da gamba partbook: sheets are marked on pp. 2, 4, 6, 8, 10, 12: “C.2.”, … “C. 6.”, “C. 7. finis”. Basso Continuo partbook: sheets are marked on pp. 2, 4, 6, 8, 10, 12: “D.2.”, … “D. 6.”, “D. 7. finis”. Violino Secondo partbook is 20 pages, one gathering of five bifolios. Other partbooks have 26 pages, 1 folio with title and p. 1 (in fact on pp. i-ii of a bifolio), one gathering of six bifolios [numbered 2 to 7]. For this reason p. 1 (verso of title page) is a single plate 19 x 24 cm) and p. 2 (first page of gathering) is a single plate 19 x 24 cm. The last page of the gathering has the Tavola, also a single plate of 19 x 24 pp. Pp. iii-iv of the bifolio with the title and p. 1 appear at the end as blank pages. In the Violino Primo partbook of the Durham copy the title engraving is on p. ii of a bifolio, the dedication on p. i of a bifolio. The blank pages iii-iv of these bifolios appear as blank pages at the end. All partbook therefore consist of one gathering of 8, 5, 6 and 6 bifolios respectively. Issues London, [Author], 1688. {RISM F 845} London, Brit. Libr. K.1.i.15. ER, [1700]. {RISM F 846} Durham, Cath. Libr., Mus. C. 36. (Harman 1968, no. 463, pp. 76-77). Paris, Bibl. Nat., X 652 (1)-(4) (‘Ex Bibliotheca D. Crozas’). Reprint London: John Walsh, [no. 468], [1705]. {no copy extant? Smith 177; Smith& Humphries

622}

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Catalogues First and last for sale: Xénophon 1699AA; ‘12 Sonates à 2, 3. & 4. instruments de Mr. Fingher.’

First: Bassani XVIII 1700B. Catalogue 1716, pp. 332, p. 339, p. 343 (no. 256). Catalogue 1735, pp. 47, p. 54, p. 59 (no. 256). Catalogue 1744, pp. 30, 36, 41 (no. 256). Price ƒ 5:0. Inventory [p. 318] ‘48 - Finger, prima Trio.’ Contents ii [In Violino partbook] Title engraving, with ‘Ad Astra usque’, ‘Puras non plenas aspice manus’,

‘SONATÆ. XII. | Pro diversis Instrumentis | Authore Godefrido Finger. | Olmutio Moravio Regiae Capellae. | Musico. Londini M.DC.LXXXVIII.’ and ‘S Gribelin sculpsit’. Plate 15 x 21 cm (upright).

iii Engraved title. In Durham p. v = p. [0], that is, the recto of the first page of music. Plate 13.5 x 18.5 cm (upright).

iv [In Violino partbook] Letter of dedication in Latin by Finger addressed to King James II of England. Plate 19.5 x 24.5 cm (upright). In durham p. iii.

à due, Violino e Viola di Gamba: 1-2 Sonata Prima (d-0): C, Adagio, Allegro. 3-4 Sonata Seconda (F): Adagio, Allegro, Viola Solo, Allegro, Adagio, Allegro, Adagio, Adagio. 5-6 Sonata Terza (A-2): C, Allegro, Adagio, Allegro. à 3, due Violini e Viola di Basso: 7-8 Sonata Quarta (B-flat): 3/2, C. 9-10 Sonata Quinta (F): C, 3/2, C. 11-12 Sonata Sesta (A): Allegro, Adagio, Prestissimo. à 3 Violini: 13-14 Sonata Settima (e): Adagio, Allegro, Adagio, Allegro, Adagio. 15-16 Sonata Ottava (g-1): Adagio, 3/4, Adagio, Presto. 17-18 Sonata Nona (D): 3/2, Adagio, Allegro, C. à 3, due Violini & Viola da Brazzo: 19-20 Sonata Decima (G): C, Adagio, Allegro, 3/2, Adagio. 21-22 Sonata Undecima (E-flat-2): Adagio, 3/8, Adagio, C. 23-24 Sonata Duodecima (C): C, 6/4, 3/2, Adagio. [25] Tavola. Plate 19 x 24 (upright). Facsimile Remark Roger must have bought plates and stock in 1698 or 1699. In 1699 the edition appears

among those for sale. Then Roger printed his own issue. Both on the title engraving and on the engraved title he added ‘Ce Livre se vend à Amsterdam Chez Estienne Roger Marchand libraire.’ Since the edition appears among his own editions in the catalogues from 1700 onwards, the new issue must have been created in 1700.

— Finger —Sonates Opus 2 — [137] — [1700] — GOTTFRIED FINGER, ‘Six sonates, 3 à un violon et 3 a une flûte et une basse ... Opera seconda.’ ER, [no. 137], [1700].

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Source VI Sonatas or solo’s. Three for a violin & three for a flute wth. a thorough bass for ye harpsichord. London, Gottfried Finger, 1690. {RISM F 848}

Issue ER, [1700]. {not extant?} Reprint London, John Walsh, [no. 374?], [1702 or earlier]. {RISM F 849; Smith 82a; S&H 621} Catalogues First: Euclide 1700C, ‘Fingher opera seconda consistant en six sonates, 3 a un violon & 3

à une flûte & une basse continue, gravé. - ƒ 1:13.’ Catalogue 1716, pp. 316, 331 (no. 137). Catalogue 1735, pp. 26, 46 (no. 137). Catalogue 1744, pp. 12, 29 (no. 137). Price ƒ 1:13. Inventory [p. 318] ‘30 - [Finger,] secondo solo.’ Remarks According to Smith 82a the Walsh edition of 1702 is printed from the plates of original

private edition of Finger of 1690. If this is indeed the case, Roger cannot have bought the plates from Finger, as he did with Opus. 1

— Finger —Sonates Opus 3 — [219] — [1701] — GOTTFRIED FINGER, Dix sonates a 1 flute et 1 basse continue ... Opera terza. ER, [no. 219], [1701]. DIX SONATES à 1 Flute & Basse Continue Composez par Mr GODFRY FINGER Opera Terza A Amsterdam Chez Estienne Roger Marchand libraire

Engraved, upright folio edition. Two partbooks: Fluto (14 pp.), Basso (8 pp.). Plates 2 x (19 x 29) cm. Issue ER, [1702]. {RISM F 850} Cambridge, King’s College, Mn 13.31A Res (ex St. Hunt). Washington DC, Libr. Congr., *** Advertisement Gazette d’Amsterdam, 24 November 1701 Catalogues First: Vairasse 1702. Catalogue 1716, p. 316 (no. 219). Catalogue 1735, p. 26 (no. 219).

Catalogue 1744, p. 12 (no. 219). Price ƒ 3:0. Inventory [p. 318] ‘12 - [Finger,] terza.’ Contents Sonata I (F): Adagio, Vivace, Presto. Sonata II (c-2): Adagio, Allegro, Adagio, Vivace, Presto. Sonata III (B-flat-1): Allegro, Allegro, Vivace, Allegro. Sonata IV (g-1): Adagio, Vivace, Adagio, Presto. Sonata V (C): Vivace, Allegro, Vivace, Adagio, Presto. Sonata VI (B-flat): Adagio, Allegro, Vivace, Presto. Sonata VII (F): Adagio, Adagio, Vivace, Presto. Sonata VIII (F): Adagio, Allegro, Ciacona Vivace. Sonata IX (d): Adagio, Allegro, Adagio, Allegro, Presto. Sonata X (F): Ciacona Allegro. Facsimile New York: Performers’ Facsimiles, no. 169.

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— Finger —Sonates Opus 4 — [1701] —

GOTTFRIED FINGER, Six sonates à 2 flûtes et 1 basse continue ... Opera quarta. ER, [1701]. SIX SONATES à 2 Flutes & 1 Basse Continue Composez par Mr GODFRY FINGER Opera quarta A Amsterdam Marchand Libraire

Engraved, upright folio format. Three partbooks: Fluto Primo, Fluto Secondo (8 pp.), Organo (7 pp.). Plates 2 x (19 x 30) cm. Issue ER, [1701]. {RISM F 851} Paris, Bibl. Nat., L 48 (1)-(3) (‘Ex Bibliotheca D. Crozat’). Around 1710 this edition was replaced by another one, combining Finger’s Opera quarta

and Opera sesta. See next item. Advertisement Gazette d’Amsterdam, 24 November 1701 Catalogues First: Vairasse 1702. Catalogue 1708, p. 10. For further catalogues, see next item. Price ƒ 3:0. Inventory Not in inventory; see next item. Contents Sonata I (C): Allegro, Largo, Vivace, Adagio, Presto. Sonata II (d): Largo, Allegro, Largo, Allegro. Sonata III (G): Grave, Allegro, Adagio, Largo, Vivace. Sonata IV (C): Grave, Largo, Vivace, Allegro. Sonata V (C): Adagio-Presto-Adagio, Allegro, Largo, Allegro. Sonata VI (F): Adagio, Vivace, Adagio, Presto.

— Finger —Suonate Opus 4, 6 — [71] — [1709-1712] — GOTTFRIED FINGER, XII Suonate a due flauti e violoncello o basso continuo ... Opera quarta et sexta. ER, edition corrigée, [no. 71], [1709-1712]. XII SUONATE a Due Flauti e Violoncello o Basso Continuo DI GODFRYDO FINGER OPERA QUARTA E SEXTA Edition corrigée trez exactement sur la Partition par Estienne Roger. A AMSTERDAM Chez Estienne Roger Marchand Libraire. No. 71.

Engraved, upright folio format. Three partbooks: Flauto Primo (17 pp.), Flauto Secondo (16 pp.), Organo e Violoncello (14 pp.). Plates **** cm. [[geschat ca. 20 x 25]] Source Six sonates à 2 flûtes et 1 basse continue ... Opera quarta. ER, [1702]. See previous item. Issue ER, edition corrigée, no. 71, [1709-1712]. {RISM F 853} Washington DC, Libr. Congr. (with no. 71) Catalogues First: Catalogue 1712, p. 23. Catalogue 1716, p. 320 (no. 71). Catalogue 1735, p. 30 (no. 71). Catalogue 1744, p. 16 (no. 71).

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Catalogue Ballard 1731, p. 30: ‘De Finger, Opera quarta & sexta, Trio de Flûte. 8. l.’ Catalogue Leclerc 1734, p. 71 (twice, as Opus 4 and as Opus 6). [Devriès 1976, p. 187

lists, by mistake, the edition under the name of Filosarti, the previous composer in the list].

Price ƒ 3:0; £t 9 (Ballard 1731, Leclerc 1734). Inventory [p. 318] ‘10 - [Finger,] quarta.’ Contents Sonata I (F): Vivace, Allegro, Largo, Allegro. Sonata II (B-flat): Largo, Allegro, Adagio, Vivace. Sonata III (C): Allegro, Largo, Allegro, Adagio, Presto. Sonata IV (d): Vivace, Allegro, Largo, Allegro. Sonata V (G): Grave, Vivace, Allegro, Allegro. Sonata VI (F): Adagio, Vivace, Adagio, Presto. Sonata VII (C): Adagio-Presto-Adagio, Allegro, Largo, Allegro. Sonata VIII (g): Adagio, Allegro, Adagio-Allegro, Vivace, Allegro. Sonata IX (C): Grave, Largo, Vivace, Allegro. Sonata X (F): Largo, Allegro, Adagio, Allegro. Sonata XI (G): Adagio, Allegro, Adagio, Vivace, Allegro. Sonata XII (c): Adagio, Allegro, Vivace, Allegro. Facsimile New York: Performers’ Facsimiles, no. 143, n.d. [1995?].

— Finger —Suonate Opus 5 — [257] — [1702] — Gottfried Finger, X Suonate a tre, due violini e violoncello o basso continuo ... Opera quinta. ER, [no. 257], [1702]. X SUONATE à Tre Due Violini e Violoncello o Basso Continuo Dedicate ALLA SERENISSIMA ALTEZZA ELETTORALE Da GIOVANNI GUGLIELMO Per las Gratia di Dio Conte Palatino del Rheno, Arcitesoriere & Elettore del Sacro Rom: Imperio, Duca di Baviera Guiliers, Cleves, e Berghes, Co: di Veldents, Sponheim della Marca, Ravensberg, & Moers, Signore di Ravenstein & & & Dal Suo Devotissimo Servo GODEFRIDUS FINGER Opera Quinta A Amsterdam Chez ESTIENNE ROGER Marchand libraire.

Engraved, upright folio format. Three partbooks: Violino Primo (14 pp.), Violino Secondo (14 pp.), Organo e Violoncello (11 pp.). Plates 2 x (19 x 31) cm. Issue ER, [1702]. {RISM F 852} London, Roy. College Mus., LXI.D.1.(2.) (ex Philip Joseph Salomons; Org&Vlc

twice) Paris, Bibl. Nat. Vm7 1118.

Uppsala, Univ. Bibl., Leufsta Mus. tr. 17 (ex Leufsta Bruk, Coll. De Geer). Advertisement Gazette d’Amsterdam, 17 November 1701. Catalogues First: Vairasse 1702. Catalogue 1716, p. 339 (no. 257). Catalogue 1735, p. 54 (no. 257). Catalogue 1744, p. 36 (no. 257).

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Price ƒ 4:0. Inventory [p. 318] ‘18 - [Finger,] quinta trio.’ Contents Sonata I (F): Adagio, Allegro, Largo, Allegro. Sonata II (B-flat): Arioso, Adagio-Presto-Adagio-Presto, Largo, Allegro, Largo. Sonata III (d): Adagio, Allegro, Largo, Allegro. Sonata IV (a): Adagio, Allegro, Adagio, Allegro, Allegro. Sonata V (A): Adagio, Vivace, Largo, Vivace. Sonata VI (e): Adagio, Allegro, Adagio-Allegro-Adagio-Allegro, Vivace. Sonata VII (b): Adagio, Vivace, Arioso, Allegro. Sonata VIII (e): Adagio, Allegro, Adagio, Affettuoso. Sonata IX (b): Adagio, Allegro, Largo, Allegro. Sonata X (C) ‘a Violino e Violone [vel Fagotto] col Basso Continuo’: Allegro, Largo-Presto-Adagio-Largo-Allegro, Vivace. Digital facsimile http://gallica.bnf.fr/ark:/12148/btv1b9063390b Remark The dedicatee is Johann Wilhelm of Pfalz Neuburg (1658-1716) Count Palatine of

Neuburg, Duke of Jülich and Berg, from 1690 Elector Palatine, residing in Düsseldorf and Neuburg/Donau.

— Finger & Anonymous —Sonates — [138] — [1700] — GOTTFRIED FINGER and an ANONYMOUS ITALIAN MASTER, ‘Six sonates à flûte solo avec le basse continue, trois d’un maître Italien et trois de Mr. Finger ...’ ER, [no. 138], [1700]. Issue ER, [1700]. {not extant?} Catalogues First: Bassani XI 1700D; ‘Six sonates à flûte solo col basso continuo, trois d’un maistre

Italien & trois de mr. Finger gravé - ƒ 2:0.’ Catalogue 1716, p. 316 (no. 138). Catalogue 1735, p. 26 (no. 138). Catalogue 1744, p. 12 (no. 138). Price ƒ 2:0. Inventory [p. 318] ‘50 - [Finger] & un maitre Italien.’

— Finger & Bingham — Airs anglois Livre 3 — [213] — [1703] — GOTTFRIED FINGER and GEORGE BINGHAM, 40 Airs Anglois à un dessus et une basse dont les 16 premiers sont de Mr. Finger et les 24 suivants de Mr. Georg Bingham ... Livre troisième. ER, [no. 213], [1703]. 40 AIRS ANGLOIS à un Dessus & une Basse. dont les 16 Prémiers sont de MONSIEUR FINGER & les 24 suivants de Mr GEORGE BINGHAM Livre Troisiéme Dedie a MESSIEURS SES DISCIPLES. LIVRE TROISIÉME. A Amsterdam Chez ESTIENNE ROGER. Marchand libraire

Engraved, oblong sexto format. Two partbooks: [Fluto (v, 1-27 pp., left-right reversed)?], Basso (iii, 1-23 pp., left-right reversed). Sextuple plates 6 x (19 x 12) cm.

52 6 February 2017


Issue ER, [1703]. {RISM Recueils XVIII p. 78} San Marino CA, Huntington Libr., 112525 (Basse). ER & LC, no. 213, [1723-1743] {not extant?} Reprint PM, [1709]. {RISM Recueils p. 78} See next item. Catalogues First: Arnauld 1703. Catalogue 1712, p. 22 (Roger and Mortier editions). Catalogue 1716, p. 318 (no. 213). Catalogue 1735, p. 28 (no. 213). Catalogue 1744, pp. 13, 14 (no. 213). Price f 2:0 (1703-1708); f 0:15 (1712-1735); f 1:0 (1744). Inventory [p. 308] ‘10 - [Bingham, Livre] troisieme - 6/2/29 - f 12:08.’ Contents i Title ii Dedication by George Bingham to ‘Messieurs.’ GOTTFRIED FINGER (d) 1. Ouverture: [Adagio]-[Allegro]-Adagio; 2. A Farewel: Adagio 3. Air; 4.

Adagio; 5. Jigg: Allegro; 6. A Ground: Adagio; 7. Allegro. GOTTFRIED FINGER (F) 8. Allegro; 9. Jigg; 10. Chaconne; 11. Round O. GOTTFRIED FINGER (G) 12. Allemanda; 13. Air; 14. Air; 15. Sybell; 16. Chaconne. GEORGE BINGHAM (B-flat) 17. Allemanda; 18. Borée; 19. Air; 20. Jigg. GEORGE BINGHAM (e) 21. Air; 22. Minuet; 23. Hornepipe; 24. Jigg; 25. A March. GEORGE BINGHAM (C)26. Allegro; 27. Air: Presto. GEORGE BINGHAM (d) 28. Air; 29. Hornepipe; 30. Round O. GEORGE BINGHAM (D) 31. Trumpet Air; 32. Hornepipe; 33. Air; 34. Jigg. GEORGE BINGHAM (a) 35. Adagio; 36. Minuet; 37. Hornepipe. GEORGE BINGHAM (G) 38. Scotch Air; 39. Air; 40. Jigg.

— Finger & Bingham — Airs anglois Livre 3 — (Mortier, [1710]) — GOTTFRIED FINGER and GEORGE BINGHAM, 40 Airs Anglois à un dessus et une basse dont les 16 premiers sont de Mr. Finger et les 24 suivants de Mr. Georg Bingham ... Livre troisième. Mortier, [1710]. 40 AIRS ANGLOIS POUR la FLUTE à un Dessus & une Basse. dont les 16 Premiers sont de MONSIEUR FINGER & les 24 suivants de Mr GEORGE BINGHAM Dedié á MESSIEURS SES DISCIPLES. LIVRE TROISIÉME. A AMSTERDAM Chez PIERRE MORTIER. Libraire sur le Vygendam. Chez qui l’on vend toute sorte de Musique.

Engraved, oblong sexto format. Two partbooks: Fluto (v, 1-27 pp., left-right reversed), Basso (iii, 1-23 pp., left-right reversed). Sextuple plates 6 x (19 x 11) cm. Source ER, [1703]. {RISM Recueils XVIII p. 78} See previous item. Reprint PM, [1710?]. {RISM Recueils p. 78} Brussels, Cons. Roy. Mus., 5528. (Wotquenne 1902, p. 250) Catalogues Roger Catalogue 1712, p. 22 (Roger and Mortier editions). Price f 0:15 (Roger 1712). Inventory See previous item. Contents See previous item.

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Facsimile 40 Airs Anglois ... Livre troisième. Introduction Paul Raspé. Peer: Alamire 1994.

— Finger & Croft —Sonate — [139] — [1700] — GOTTFRIED FINGER and WILLIAM CROFT, ‘Sei sonate a violino e violoncello o basso continuo, tre del Signore Finger e tre del Signore Croft.’ ER, [no. 139], [1700]. Issue ER, 1700. {not extant?} Catalogues First: Bassani XI 1700D: ‘Six sonates à violino solo col basso continuo, trois de mr.

Finger, & trois de mr. Crofts gravé - ƒ 2:0.’ Catalogue 1716, p. 331 (no. 139): ‘Sei Sonate à violino solo e Violoncello o Basso

Continuo, tre del Signore Crofts e tre del Signore Finger - ƒ 2:0.’ Catalogue 1735, p. 46 (no. 139). Catalogue 1744, p. 29 (no. 139). Price ƒ 2:0. Inventory [p. 319] ‘23 - Finger & Craft, a violino Solo.’

— Finger & Keller —Sonates — [237] — [1698] — GOTTFRIED FINGER and GOTTFRIED KELLER, Six sonates à 2 flustes et 2 hautbois ou violons et 1 basse continue. ER, [no. 237], [1698]. | SIX SONATES | .a.2. Flustes et .2. Hautbois ou Violons et .1. Basse Continüe | Dont les .4. Premier Sont Composes par Mr. Fingher et les 2 derniers par Mr: Keller | et Dedies .a. | MONSIER HENRY HAAKS. | SECONDE EDITION | ----- | .a. Amsterdam Ches Estienne Roger Marchant Libraire. | Engraved, oblong quarto format. Five partbooks: Fluto Primo (10 pp.), Fluto Secondo (10 pp.), Hobois Primo (8 pp.), Hobois Secondo (8 pp.), Basso Continuo (11 pp.). Single plates 21 x 15 cm. Issue ER, [1698]. {not in RISM?} Uppsala, Univ. Bibl. Leufsta Mus. tr. 69 (ex Leufsta Bruk, Coll. De Geer). Catalogues First: Bassani VIII 1698A; ‘Sonates a 5, 2 flutes et 2 hautbois ou tous violons et 1 bass.

cont. de Mr. Fingher et Mr. Keller gr. - ƒ 4:0.’ Catalogue 1716, pp. 322, 324-325, 342 (no. 237). Catalogue 1735, pp. 33, 36, 59 (no. 237). Catalogue 1744, pp. 17, 21, 40 (no. 237). Catalogue Ballard/Brossard 1700 (Lebeau 1955, p. 35): ‘Fingher et Keller - Six Sonates a

2 flutes e 2 hautbois ou violon et 1 basse continue dont les quattre premieres sont composées par Mr Fingher, et les deux dernieres par Mr Keller. Dediées a Mr Henry Haaks. Amsterdam, Est. Roger (s.d.) 4 parties in-4o maj. obl. gr.’

Catalogue Ballard 1704P, 1709P, 1715, p. 4. Inventaire Ballard 1750, p. 41: ‘Six sonates à 2 flutes et 2 haubois par Mrs. Flingher [sic]

et Keller gravé.’ Price ƒ 4:0. Inventory [p. 318] ‘8 - [Finger] & Keller a 5 Parties.’

54 6 February 2017


Contents [GOTTFRIED FINGER] Sonata I (F): Largo, Solo, Allegro [GOTTFRIED FINGER] Sonata II (F): Adagio, Vivace, 3/2 [GOTTFRIED FINGER] Sonata III (F): 3/2, Vivace, Adagio, Allegro [GOTTFRIED FINGER] Sonata IV (F) Allegro, Adagio, 3/2 [GOTTFRIED KELLER] Sonata V (G) Vivace, Allegro, Adagio, Allegro [GOTTFRIED KELLER] Sonata VI (G): Vivace, Vivace, Allegro See also BINGHAM & FINGER, Airs anglois Livre 4.

— J.-J. Fiocco —Sacri concentus Opus 1 — [1709-1712] — JEAN-JOSEPH FIOCCO, Sacri concentus, quatuor vocibus ac tribus instrumentis modulandi ... Opus primum. ER, [1709-1712]. SACRI CONCENTUS, Quator Vocibus ac tribus Instrumentis modulandi CELSISSIMO DOMINO DOMINO EUGENIO ALEXANDRO Principi de Turri, Tassis, ET SACRI ROMANI IMPERII Comiti di Valsassino, Baroni d’Impden, Toparchæ in Braine le Chateau, Haut-Itter, Wolverthem, Rossem, Meuseghem, Leerbecq, &c. Comitatus Hannoniæ hereditario Mareschallo, Aurei Velleris E- quiti, & hereditario Magistro Generali Postarum per Roma- num Imperium, Burgundiam & Belgiam, &c. &c. &c. Auctore JOANNE JOSEPHO FIOCCO, Bruxellensi. OPUS PRIMUM. Violino Primo. A AMSTERDAM, Aux dépens D’ESTIENNE ROGER, Marchand Libraire, chez qui l’on trouve un asortiment general de toute sorte de Musique. Bookprinted, upright quarto format. Seven partbooks: Cantus (ii, 39 pp; E), Altus (ii, 39 pp.; F), Tenor (ii, 36 pp.; D), Bassus (ii, 36 pp.; A), Violino Primo (ii, 60 pp.; G), Violino Secondo (ii, 54 pp.; H), Basso Viola (ii, 44 pp.; C), Bassus Continuus (iv, 55 pp.; B). Issue ER, [1709-1712]. {RISM F 859} Amsterdam, Toonkunst-Bibl. London, Brit. Libr., E.1391. (BL 1981 XXI, p. 101) Munich, Bayerische Staatsbibl., 4 Mus.pr. 42505. (BSB 1988, p. 1956) Regensburg, Fürstl. Hofbibl. (incomplete). Zürich, Zentralbibl., XIII 550 & a-g. Catalogues First: Catalogue 1712, p. 10. Catalogue 1716, p. 305. Catalogue 1735, p. 13. Catalogue 1744, p. 53; Missa e Motetti à 1, 2, 4 e 5 voci con 3, 4 & 5 Instromenti del

Signore Fiocco filio Motetti. - ƒ 4:10.’ [probably an unwanted amalgam of P.A. Fiocco’s Sacri concerti ... Opera prima and J.J. Fiocco’s Sacri concertus ... Opus primum]

Price ƒ 4:10. Inventory [p. 381] ‘3 - [Fiocco] filio Prima motteti.’ [p. 391] ‘90 - Motetti de Fiocco figlio opera Prima - f 3:15.’ Contents i Title iii Letter of dedication in Latin by Fiocco. For text see Stellfeld 1941, pp. 63-65.

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Motettum I De Beata Virgine: O Maria quis te laudare Motettum II De Beata Virgine: Sub tuum præsidium Motettum III De beata Virgine & pro Festo Nativitatis Domino: Ridet orbis, plaudunt astra Motettum IV De S.S. Sacramento: Obstupescite gentes Motettum V De S.S. Sacramento: A solis ortu, usque ad occasum Motettum VI Pro omni tempore: Ite, ite, ô pompæ fallaces Motettum VII Pro omni tempore: O anima dilecta Motettum VIII Pro omni tempore: O quam stultus & insanus Motettum IX De S.S. Sacramento: Fulcite me floribus Motettum X Pro tempore paschali: Surgite cum gaudio Motettum XI Pro Sancto: O fides, ô spes Motettum XII Pro Sanctâ: Adeste plaudentes Tavola Errata (4 fols., printed only one-sidedly) Reference Stellfeld 1941, pp. 63-65, 70-76 (pp. 63-65: text of letter of dedication; p. 73: facsimile of

title page). Remark The dedicatee is Eugen Alexander Franz First Prince of Thurn und Taxis (1652-1714),

from 1676 Postmaster General of the Imperal Reichspost and Head of the Princely Family of Thurn un Taxis.

— P. A. Fiocco —Sacri concerti Opus 1 — [1701] — PIETRO ANTONIO FIOCCO, Sacri concerti a una, e più voci, con instrumenti e senza ... Opera prima. ER, [1701]. [BASSO CONTINUO] SACRI CONCERTI A Una, è più Voci, con Instrumenti è senza, DI PIETRO ANTONIO FIOCCO VENETO Maestro di Capella nella Chiesa Ducale della Madonna del Sablone in Bruxelles. DEDICATI All’ Excell.mo Sig.re Prencipe de la Torre, Tassis, etc. OPERA PRIMA [vignette with legend ‘UTRElevet MIserum FAtum SOLitosque LAbores.’] A AMSTERDAM Chez ESTIENNE ROGER, Marchand Libraire.

Bookprinted, upright folio format. Eleven partbooks: Soprano Primo (fols. –(1), A-3A(2), 4A(1), 14 pp.), Soprano Secondo (fols. –(1), C(2), 4 pp.), Alto (above the pages Altus) (fols. –(1), D-4D(2), 16 pp.), Tenore (fols. –(1), I-3I(2), 4I(1), 14 pp.), Basso (above the pages Bassus) (fols. –(1), H-4H(2), 16 pp.), Violino Primo (fols. –(1), B-4B(2), 16 pp.), Violino Secondo (fols. –(1), E-4E(2), 16 pp.), Alto Viola (fols. –(1), H(2), 2H91), 6 pp.), Tenore Viola (above the pages Tenor Viola) (fols. –(1), G-2G(2), 7 pp.), Viola [da gamba] o Fagotto (fols. K-3K(2), 4K(1), 14 pp.), Basso Continuo (fols. [L], 2L, 3L, [4L], 5L, 6L (2), 24 pp.). Basso Continuo partbook with first page of catalogue on verso of title page, Viola o Fagotto with second page. Source Antwerpen, Hendrik Aertssens, 1691. {RISM F 863} Issue ER, [1701]. {RISM F 864} Glasgow, Euing Mus. Libr., R. x. 8. Catalogues First: Fiocco 1701A. Catalogue 1716, p. 303. Catalogue 1735, p. 12. Catalogue 1744,

p. 53; Missa e Motetti à 1, 2, 4 e 5 voci con 3, 4 & 5 Instromenti del Signore Fiocco filio Motetti. - ƒ 4:10.’ [probably an unwanted amalgam of P.A. Fiocco’s Sacri concerti ... Opera prima and J.J. Fiocco’s Sacri concertus ... Opus primum]

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Price ƒ 5:0 (1708-1735); ƒ 4:10 (1744). Inventory [p. 391] ‘26 - Fiocco Opera Prima missee et motetti - ƒ 2:05.’ [p. 400] ‘40 - motetti de Fiocco opera prima.’ Contents [1] Messa à 4 Voci, è 5 Instrum. [2] Per ogni tempo: Gaude cor (Canto solo, con 2 Violini e Basso) [3] Del Santissimo: Ad te venio (Canto solo, con due Violini, e Basso) [4] Del Santissimo: Benignissima Jesu (Alto solo, con cinque Instrum.) [5] Per ogni tempo: Usquequo (Tenore solo, con tre instr.) [6] Per ogni tempo: Adeste fideles (Basso solo, con 3 instr.) [7] Per ogni tempo: Venite cantantes (A 2. Alto e Bassso) [8] Per il Santissimo: Coeli dapes (A tre A.T.B.) [9] Per la Madonna: O quam serena rutilat (A quatro C.A.T.B. con 3 instr.) [10] Per la Madonna: Quam lœta quam clara (A cinque 2 C.A.T.B. con instrum.) [11] Per una Santa: Pugnasti, vicisti (A cinque 2 C.A.T.B. con 5 instr.) [12] Per una Santa: Date palmas (A cinque 2 C.A.T.B. con 5 instr. [13] Salve Regina (A cinque 2 C.A.T.B. con 5 instr.) [14] Regina cœli (A cinque 2 C.A.T.B. con 4 instr.) [15] Alma Redemptoris Mater (A quatro C.A.T.B. con 3 instr.) [16] Ave Regina cœlorum ( A cinque 2 C.A.T.B. con 5 instr.) Reference Stellfeld 1941, pp. 26-38 (p. 30: facsimile of title page).

— A. Fiore — Sonate Opus 1 — [259] — [1701] — ANDREA FIORE, Sinfonie da chiesa a tre, cioe due violini e violoncello con il suo basso continuo per l’organo ... Opera prima. ER, [no. 259], [1701]. | SINFONIE | Da Chiesa | a Tre cioe | Due Violini e Violoncello con il Suo Basso Continuo per l’organo | Da | ANDREA FIORE | Milanese | Academico Filarmonico e Musico Di Camera di | S. A. R. Vittorio Amadeo II Duca di | Savoye prencipe di Piemonte | Re di Cipro &c. | OPERA PRIMA | A Amsterdam | Chez Estienne Roger | Marchand Libraire | Engraved, upright folio format. Three partbooks: Violino Primo, Violino Secondo, Violoncello (14 pp.), Basso Continuo (13 pp.). Double plates 2 x (19 x 30) cm. Source Modena: Fortunato Rosati, 1699. [RISM F 868} Issue ER, [1701]. {RSIM F 869} Brussel, Cons. Roy. Mus., *** London, Royal Coll. Mus., D 2258-2260 (with Vaillant label; no Basso Continuo). Oxford, Bodl. Libr. Catalogues First: Raguenet 1701B, ‘Andrea fiore Academico filarmonico, opera prima sonates à tre

col violoncello gravé.’ Catalogue 1716, p. 337 (no. 259). Catalogue 1735, p. 52 (no. 259). Catalogue 1744, p. 35 (no. 259). Catalogue Olofsen 1755, pp. [2-3].

57 6 February 2017


Price f 4:0. Inventory [p. 319] ‘45 - Fiore (Andrea), Trio - f 2:05.’ Sinfonia I (B-flat): Allegro, Largo, Grave, Presto. Sinfonia II (G): Adagio, Allegro, Largo Presto. Sinfonia III (D): Largo, Allegro-Adagio, Allegro. Sinfonia IV (a): Grave, Allegro, Adagio-Presto-Adagio, Allegro. Sinfonia V (b): Largo, Allegro, Presto, Adagio, Presto, [Allegro]. Sinfonia VI (g-1): Adagio, Largo assai, Allegro. Sinfonia VII (A-2): Adagio, Allegro, Largo, Vivace. Sinfonia VIII (C): Largo, A Capella, Grave, Presto. Sinfonia IX (F): Adagio, Allegro, Adagio, Allegro. Sinfonia X (e): Largo, Allegro, Largo, Allegro. Sinfonia XI (c-2): Largo, Allegro, Grave, Allegro. Sinfonia XII (d-0): Largo, Allegro, Allegro.

— A. M. Fiore —Trattenimenti Opus 1 — [286] — [1700] — ANGELO MARIA FIORE, Trattenimenti da camera a due stromenti violino e violoncello e violoncello e cimbalo ... Opera prima. ER, [no. 286], [1700]. | TRATTENIMENTI DA CAMERA | a Due Stromenti | Violino e Violoncello e Violoncello e Cimbalo | Del Signore | ANGELO MARIA FIORE | Opera Prima | A Amsterdam | Chez Estienne Roger | Marchand Libraire | Engraved, upright folio format. Two partbooks: Violino Solo, Violoncello Solo (1-10, 11-16 pp. respectivelt), Violoncello e Cimbalo (13 pp.). Double plates 2 x (19 x 30) cm. The title is correct: Trattenimenti I-X are for “Violino solo” and “Violoncello o Cimbalo”, Trattenimenti XI-XXIV for “Violoncello Solo” and “Violoncello o Cimbalo”. The Trattenimenti are followed by two canons for two violoncellos. Source Lucca, Bartolomeo Gregori, 1698. {RISM F 870} Issue ER, [1700]. {RISM F 871} Durham, Cath. Libr., Mus. C. 39 (Harman 1968, no. 464, p. 77). Catalogues First: Bassani XI 1700D, ‘Quatorse sonates, dix à violino solo col bass, cont, é 4 à

violoncello solo col basso, cont, e un Canone a due violoncello del Signor Fiore, gravé.’ Catalogue 1716, p. 331 (no. 286). Catalogue 1735, p. 46 (no. 286). Catalogue 1744, p. 29 (no. 286). Price ƒ 3:0. Inventory [p. 319] ‘17 - Froie (Angelo M), Trio.’ Contents Violino Solo Trattenimento I (d-0): Preludio Grave-Presto-Adagio, Balletto Largo, Allegro. Trattenimento II (A-2): Grave, Balletto Allegro, Corrente Largo. Trattenimento III (C): Adagio, Balletto Spiritoso, Giga Allegro. Trattenimento IV (F): Grave, Tempo di Sarabanda Largo; Presto.

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Trattenimento V (e): Grave, Sarabanda Largo, Giga Allegro. Trattenimento VI (D): Adagio, Largo, Presto, Gavotta Allegro. Trattenimento VII (a): Largo ma Andante, Vivace, Giga Allegro. Trattenimento VIII (c-2): Adagio, Allemanda Spiritoso, Giga Allegro. Trattenimento IX (G): Adagio, Allegro, Presto. Trattenimento X (B-flat-1): Grave, Balletto Allegro, Presto Violoncello Solo Trattenimento XI (g-1) (at the bottom of p. 12: “Questo [sic] Sonata e a Violoncello Solo o vero violino sonanda [sic] alla quinta alta”): Preludio Largo, Allegro, Allegro. [Violoncello Solo mostly C4 clef, also C-3 clef)] Trattenimento XII (d-0): Adagio, Largo, Andante, Presto. Trattenimento XIII (C): [Preludio] Ad arbitrio, Allegro, Adagio, Allegro. Trattenimento XIV (c-2): Menuet a Violoncello Solo [with Violoncello o cimbalo] (G-0) Canone all unisono a duo Violoncelli. Il Violoncello Secondo deve entrare al Segno .S. e restare al segno [fermata]. Second canon: (G-0) Allegro. [only in Violoncello Solo partbook; the second canon does not have a signum concordantiæ, the second entry is after two bars] Remark Purchased by the Arnhem Collegium Musicum on 16 November 1700 (Minderhout

1997).

— Fleury —Méthode — (Ballard, 1660) — NICOLAS FLEURY, Méthode pour apprendre facilement à toucher le théorbe sur la basse-continue. Paris, Robert Ballard, 1660. {RISM Écrits p. 319} Inventory [p. 368] ‘2 - Fleurij Methode pour la Theorbe Paris.’ Catalogues For sale: Catalogue 1744, p. 59; ‘Méthode pour le Theorbe par Fleury - ƒ 6:0.’

— Franchi —Sonate Opus 1 — [305] — [1701] — GIOVANNI PIETRO FRANCHI, Sonate a tre, due violini e violone o arcileuto col basso per l’organo ... Opera prima. ER, [no. 305], [1701]. | LA CETRA SONORA | SONATE | a Tre doi violini o Arcileuto | col Basso per l’Organo | Da | D GIO PIETRO FRANCHI DA | PISTOYA | OPERA PRIMA | a Amsterdam | che [sic] Estienne Roger | Marchand libraire | Engraved, upright folio format. Four partbooks: Violino Primo (18 pp.), Violino Secondo (18 pp.), Violoncello (17 pp.), Organo (18 pp.). Double plates 2 x (20 x 30) cm. Source Rome, Giovanni Angelo Muti, 1685. {RISM F 1601} Issue ER, [1701]. {RISM F 1602} Rochester NY, Sibley Mus. Libr., M407 .F816

Advertisement Gazette d’Amsterdam, 17 November 1701. Catalogues First: Fiocco 1701A. Catalogue 1716, p. 338 (no. 305). Catalogue 1735, p. 53 (no. 305). Catalogue 1744, p. 35 (no. 305).

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Price ƒ 4:0. Inventory [p. 319] ‘12 - Franchi, prima Trio. 9 - [Franchi,] Gr: Pap:.’ Contents (page numbers after Violino Primo) 1-2 Sonata I (D): Grave Adagio, Allegro, Grave Adagio (b), Vivace, Prestissimo. 2-4 Sonata II (G): Largo, Adagio, Grave, Prestissimo. 4-5 Sonata III (C): Largo, Vivace, Adagio, Presto. 5-7 Sonata IV (A): Adagio, Allegro, Adagissimo, Largo, Vivace e Presto. 7-8 Sonata V (c-2): Adagio-Presto-etc., Adagio, Vivace, Grave-Adagissimo, Presto-Adagio-Presto. 8-9 Sonata VI (d-0): Vivace, Adagio, Presto, Adagissimo, Largo-Presto-etc. 10-11 Sonata VII (F): Largo-Vivace-etc., Adagio, Allegro, Adagio-Adagissimo, Allegro. 11-12 Sonata VIII (e): Vivace-Adagio-etc., Allegro, Vivace, Allegro, Presto. 12-14 Sonata IX (B-flat-1): Adagio, Allegro, Vivace, Adagio (g), Allegro. 14-15 Sonata X (A-2): Adagio, Vivace e Presto, Adagio, Largo. 15-17 Sonata XI (g-1): Allegro, Adagio, Vivace, Vivace e Presto, Adagio. 17-18 Sonata XII (b-1): Adagio, Vivace ma non Presto, Adagio, Allegro, Vivace e Presto. References Lepore 1995, pp. 557-559. Digital Facsimile http://hdl.handle.net/1802/14933 (Rochester NY, Sibley Music Libraray)

— Franck —Sonate Opus 1 — [270] — [1702] — JOHANN WOLFGANG FRANCK, ‘Sonate a tre, due violini, violoncello, basso e basso continuo ... Opera prima.’ ER, [no. 270], [1702]. Issue ER, [1702]. {not extant?} Advertisement Gazette d’Amsterdam, 17 November 1701 (announement); Post Man, 18 August 1702

(Francis Vaillant). Catalogues First: Vairasse 1702; ‘6 sonates de Mr. Frank à 2 violons un violoncello & B. cont. - ƒ

4:0.’ Catalogue 1716, p. 337 (no. 270). Catalogue 1735, p. 51 (no. 270). Catalogue 1744, p. 34 (no. 270). Price ƒ 4:0. Inventory [p. 319] ‘32 - Franc, prima Trio. 9 - [Franc,] Gr: Pap:.’ Remark Johann Wolfgang Franck (born Unterschwaningen, Middle Franconia 1644, died c.

1710?) was active as a musician and composer in Ansbach and Hamburg, mostly as a composer of German operas. The sonatas published by Roger seem to be his only instrumental works.

— Francœur —Sonates Livre 1 — (Author, 1715) — LOUIS FRANCŒUR, Premier livre de sonates à violon seul et basse. Paris, Author, Henri Foucault, 1715. {RISM F 1807-1808}

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http://hdl.handle.net/1802/14933


Inventory [p. 368] ‘2 - Francoeur Sonate a violino Solo Paris.’ Catalogues For sale: Catalogue 1744, p. 59; ‘Sonate à Violino solo par Francoeur. – f 4:0.’

— Francœur —Sonates Livre 1 — 437 — [1718] — LOUIS FRANCOEUR, Sonates a violon seul & basse continue ... Livre premier. JR, no. 437, [1718]. | SONATES | à Violon Seul & Basse Continue. | Composées Par | Mr. FRANCOEUR LE FILS, | L’un des vingt quatre Ordinaires de la Musique | de la Chambre de SA MAJESTÉ, & ordinaire de | l’Academie royalle de Musique. | LIVRE PREMIER | A AMSTERDAM | CHEZ JEANNE ROGER | No 437 | Engraved, upright folio format. Score (45 pp.). Double plates 2 x (19 x 25.5) cm. Source Paris, author, Boivin, Foucault, 1715. See previous item. Issue JR, no. 437, [1718]. {RISM F 1805} Paris, Coll. Meyer. (formerly). Stockholm, Kungl. Mus. Akad. Bibl., C 1-R Reprint Paris, auteur, Foucault, 1720. {RISM F 1804} Catalogues First: Catalogue 1725, p. 46 (no. 437). Catalogue 1735, p. 42 (no. 437). Catalogue 1744, p. 26 (no. 437). Price ƒ 4:0. Inventory [p. 319] ‘12 - Francoeur, prima solo.’ Contents 1-5 Sonata I (G): Adagio, Allegro, Sarabanda, Giga Allegro. 6-9 Sonata II (g-1): Adagio, Allemanda Andante, Adagio, Aria Allegro. 10-15 Sonata III (B-flat-1): Adagio, Allemanda Allegro, Gavotta, Presto. 16-19 Sonata IV (e): Adagio, Allemanda un Poco Andante, Courante, Giga. 20-25 Sonata V (a): Adagio, Allegro, Aria Affettuoso, Presto. 26-33 Sonata VI (b): Largo, Courante, Allemanda Allegro, Gavotta Andante, Presto. 34-39 Sonata VII (d-0): Allemanda, Courante, Sarabanda, Presto. 39-46 Sonata VIII (D): Adagio, Allegro, Allegro, Adagio, Allegro. (The last sonata is complete corellian: 2nd & 5th movement fugues, polyphonic violin, third

movement perpetuum mobile)

— Frère —Transpositions — [1708] — ALEXANDRE FRÈRE, Transpositions de musique, réduits au naturel par le secours de la modulation. ER, [1708]. │ TRANSPOSITIONS │ DE MUSIQUE, │ REDUITES AU NATUREL, │ par le secours de la Modulation. │ Avec un Pratique des Transpositions │ irrégulierement écrites; Et la maniére │ d’en surmonter les difficultez. │ParALEXANDRE FRERE, cy-devant │ de l’Accademie Royale de Musique. │ [vignette] │ A AMSTERDAM, │ Aux dépens d’ESTIENNE ROGER, chez │ qui l’on trouve un assortiment general de tou- │ tes [sic] sorte de Musique. │

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Bookprinted, upright octavo format (– (3), A-F(8), G(1) fols.; 1[=A1r]-98 pp.). Source Paris, Christophe Ballard, 1706. {RISM Écrits p. 329} Issue ER, [1708]. {RISM Écrits p. 329} Amsterdam, Toonkunst-Bibl. Berlin, Deutsche Staatsbibl. Bologna, Civ. Museo Bibliogr. Mus., G.83. Chicago IL, Newberry Libr., VMT 68 F 881t. (Krummel, 1977, no. 5659, p. 308) Leiden, Univ.-Bibl., 649 C 4:2. London, Brit. Libr., 1042.l.6.(3.) (ex John Hawkins). Rochester NY, Eastman Sch. Mus. Wolfenbüttel, August-Bibl, 62 Musica div. (2). (August 1967, no. 1134, p. 659) Advertisement Gazette d’Amsterdam, 13, 17 January, 3, 28 February 1708. Catalogues First: Catalogue 1708, p. 4. Catalogue 1716, p. 292. Catalogue 1735, p. 2. Catalogue 1744, p. 1. Price ƒ 1:02. Inventory [p. 375] ‘10 - Frere Transposition de Musique.’ [p. 392] ‘312 - Transposition d’Alexandre frere 8o - / 5:0.’ [p. 395] ‘52 - Transpositions de musique par frere - / 1:05.’ Contents i Title ii Blank iii-iv ‘Préface’ v-vi ‘Table’ 1-31 ‘Transpositions de musique.’ ‘Première partie.’ 32-98 ‘Seconde partie.’

— Froberger —Suittes — [314] — [1698] — JOHANN JACOB FROBERGER, 10 Suittes de clavessin. ER & Compagnie, [no. 314], [1698]. First issue 10 Suittes de CLAVESSIN Composées Par MONSR GIACOMO FROBERGUE à Amsterdam chez Estienne Roger Marchant libraire & Compagnie Seconde édition 10 Suittes de CLAVESSIN Composées Par MONSR GIACOMO FROBERGUE Seconde Edition trez exactement corrigée à Amsterdam chez Estienne Roger Marchant libraire & Compagnie Engraved, oblong quarto format. Keyboard score (38 pp.). Single plates 20.5 x 16 cm, numbered both recto and verso with letters a (pp. 1-2), b (pp. 3-4), c, … i, k, l, …, until t (37-38).

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Issues ER & Compagnie, [1698]. {not Adler; RISM F 2034; Schott AMSTERDAM EDITION 1698; Rasch&Dirksen 1992 D3}

Cambridge, King’s College (with label of François Vaillant) London, Brit. Libr., c.51.b. (BL 1981 XXII, p. 196). ER & Compagnie, Seconde Edition, [1712?]. {Adler O; Rasch&Dirksen 1992 D5} Krakov, Bibl. Jag., F 880 (ex Berlin, Deutsche Staatsbibl.). Reprint PM, [1709]. See next item. Advertisement Amsterdamsche Courant, 6 November, 18 December 1708, 28 February, 2 May 1709. Catalogues First: Jurieu 1698C. Catalogue 1712, p. 43. Catalogue 1716, p. 346 (no. 314). Last: Catalogue 1735, p. 67 (no. 314). Price f 4:0 (1698-catalogue 1708); f 1:0 (6 November 1708 - 1735). Inventory Not in inventory. Contents i Title 1-4 Suite 1 (d): Allemande, Courante, Sarabande, Gigue. [A Suite XIII, pp. 36-38; S 2/2 Suite XIII,

pp. 78-81; R 3 Partita FbWV 613, pp. 42-45] 4-7 Suite 2 (g-1): Allemande, Courante, Sarabande, Gigue. [A Suite XIV, pp. 38-41; S 2/2 Suite

XIV, pp. 82-86; R 3 Partita FbWV 614, pp. 52-55] 8-12 Suite 3 (a): Allemande, Courante, Sarabande, Gigue. [A Suite XV, pp. 42-45; S 2/2 Suite XV,

pp. 87-91; R 3 Partita FbWV 615, pp. 56-59] 12-16 Suite 4 (G): Allemande, Courante, Sarabande, Gigue. [A Suite XVI, pp. 46-48; S 2/2 Suite XVI,

pp. 92-96; R 3 Partita FbWV 616, pp. 64-68] 16-19 Suite 5 (A): Allemande, Courante, Sarabande, Gigue. [A Suite VIII, pp. 18-21; S 1 Suite II

[VIII], pp. 183-186; R 2 Partita II FbWV 608, pp. 55-57] 19-23 Suite 6 (F): Allemande, Courante, Sarabande, Gigue. [A Suite XVII, pp. 48-51; S 2/2 Suite

XVII, pp. 97-100; R 3 Partita FbWV 617, pp. 69-72] 23-26 Suite 7 (g-1): Allemande, Courante, Sarabande, Gigue. [A Suite XVIII, pp. 51-53; S 2/2 Suite

XVIII, pp. 101-104; R 3 Partita FbWV 618, pp. 73-76] 27-30 Suite 8 (a): Allemande, Courante, Sarabande, Gigue. [A Suite X, pp. 27-29; S 1 Suite IV [X],

pp. 191-194; R 2 Partita IV FbWV 610, pp. 62-64] 30-34 Suite 9 (c-2): Allemande, Courante, Sarabande, Gigue. [A Suite XIX, pp. 54-56; S 2/2 Suite

XIX, pp. 105-109; R 3 FbWV 619, pp. 77-80] 35-38 Suite 10 (D): Allemande, Courante, Sarabande, Gigue. [A Suite XX, pp. 57-59; S 2/3 Suite XX,

pp. 110-114; R 3 FbWV 620, pp. 81-84] Editions A = Suiten für Klavier (Klavierwerke II). [Herausgegeben von Guido Adler]. Vienna,

1899; Graz, Akademische Druck- u. Verlagsanstalt, R1959. (Denkmäler der Tonkunst in Österreich. 13 [Jahrg. VI/2])

S 1 = Johann-Jakob Froberger, Oeuvres complètes pour clavecin I: Livres de 1649, 1656 et 1658. Édition par Howard Schott. Paris, Heugel/Leduc, 1979.

S 2/2 = Oeuvres complètes pour clavecin 2 Volume 2: Suites et pièces diverses. Édition par Howard Schott. Paris, Heugel/Leduc, 1992.

R 2 = Neue Ausgabe sämtlicher Clavier- und Orgelwerke II: Libro Quarto (1656), Libro di Capricci e Ricercate (ca. 1685), Herausgegeben von Siegbert Rampe. Kassel: Bärenreiter, BA 8064, 1995.

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R 3 = Neue Ausgabe sämtlicher Clavier- und Orgelwerke III: Clavier- und Orgelwerke abschriftlicher Überlieferung: Partiten und Partitensätze, Teil 1, Herausgegeben von Siegbert Rampe. Kassel: Bärenreiter, BA 8064, 1995.

References Rasch 1991, pp. 67-69; Rasch 1992, pp. 135-139; Rasch & Dirksen 1992, pp. 2525-256.

— Froberger —Suittes — (Mortier, 1709) — Johann Jacob Froberger, 10 Suittes de clavessin. PM, [1709]. 10. Suittes DE CLAVESSIN Composées Par MONSIEUR GIACOMO FROBERGUE Mis en Meilleur Ordre. et Corrigée d’un Grand nombre de Fautes. A AMSTERDAM Chez PIERRE MORTIER sur le Vygendam, qui vend toutte sorte de Musique. Engraved, oblong quarto format. Keyboard score (ii, 38 pp.). Plates 2 x (25 x 18) cm. (The pages are oblong, so the two pages have been engraved on top of one other, the higher of them flipped.) Title 25 x 17.5 cm. Source ER & Compagnie, [1698]. See previous item. Issues PM, [1709]. {Adler L; RISM F 2033; Schott AMSTERDAM EDITION ca. 1709;

Rasch&Dirksen 1992 D4} Cambridge, Fitzwilliam Museum, MU. MS. 361 E (30 F 19) (Catalogus p. 240). Paris, Bibl. Nat. (Cons.), Rés. 443. Advertisement Amsterdamsche Courant, 2, 23 May 1709: ‘Froberge dix Suittes du Clavessin van wel

200 faute gecorrigeert a 2 gl.’ Catalogues Mortier Catalogues Brossard, HMD 1709. Roger Catalogue 1712, p. 43: ‘Le même livre [= Dix suittes de Clavecin, composées par

Mr. Frobergue] beaucoup mieux gravé & nouvellement corrigé par Estienne Roger, sur l’impression de Mortier - f 2.0.’ The mentioning of corrections by Roger is probably a mistake or, rather, a confusion, because it was his own edition that was issued in a second issue with corrections, to make it identical to the Mortier edition.

Catalogue 1716, p. 346 (without number). The publisher’s number was obviously assigned only in 1720. Catalogue 1725, p. 69 (no. 466. Catalogue 1735, p. 67 (no. 466). Catalogue 1744, p. 48 (no. 466). Price f 1 (Mortier Catalogue Brossard 1709), f 2 (Mortier Catalogue HMD, Roger 1712-1744). Inventory [p. 320] ‘81 - Froberger, Pieces de Clavesin.’ Contents Same as Roger edition (see previous item), but the suites do not have a number. Facsimiles In: Johann Jacob Froberger, Diverse ... Partite, 2 parts (Mainz, Bourgeat, 1693, 1696);

10 Suittes de Clavessin (Amsterdam, Mortier, n.d.). Introduction by Robert Hill. New York, Garland, 1988. (17th Century Keyboard Music 4)

Semi-facsimile: [Postface] J.H. van Krevelen, Utrecht: Musica Repartita, no. 44, 1994. Editions See Roger edition (see previous item). References See Roger edition (see previous item).

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— Froberger —Diverse … Partite — (Bourgeat, 1695) — JOHANN JACOB FROBERGER, Diverse curiose e rarissime partite di toccate, ricercate, caprici e fantasie ... Mainz, Louis Bourgeat, 1695. {RISM F 2028} Catalogues First for sale: La Martinière 1698EE; ‘Tocate, capricie e fantazie de Frobergue, gravé –

f 3:0.’ Last for sale: Catalogue 1708, p. 20; ‘Les Tocates de Frobergue pour le Clavessin, Livre

premier.’ Price f 3:0. References Rasch 1991, p. 68; Rasch 1992, pp. 133-135.

— Froberger —Diverse … Partite Parte 2 — (Bourgeat, 1699) — JOHANN JACOB FROBERGER, Seconda parte delle diverse curiose e rarissime partite ... Mainz, Louis Bourgeat, 1699. {RISM F 2031} Catalogues First for sale: Xenophon 1699AA; ‘Le mesme [= Tocates, Capricies & Fantaisies de

Frobergue pour le clavessin] gravé - f 3:0.’ Last for sale: Catalogue 1708, p. 20: ‘Les Tocates du même Auteur [= Froberger], livre

second.’ Price f 3:0. References See previous item.

— Fux —Elisa — 482 — [1721] — JOHANN JOSEF FUX, Elisa, festa theatrale per musica ... JR, no. 482, [1721]. ELISA FESTA THEATRALE PER MUSICA; Rappresentata nel Giardino dell’Imperiale Favorita Per il felicissimo Gioro Natalizio Della Sacra Cesarea e Cattolica Reale Maestà Di ELISABETTA CRISTINA IMPERADRICE REGNANTE, per comando della Sac:a, Ces:a e Catt:a Real Maestà di CARLO VI. Imperador de’ Romani sempre Augusto. Poësia di PIETRO PARIATI Poëta di S.M. Ces:a e Catt:a Musica di GIO: GIOSEPPE FUX, Maestro di Capella. A AMSTERDAM, Chez Jeanne Roger N. 482.

Engraved, upright folio format. Score (vi, 420 pp.) Plates 2 x (19 x 25) cm. Issue JR, no. 482, [1721]. {RISM F 2108} Cambridge MA, Harvard Univ. London, Brit. Libr., Hirsch II.235. (BL 1981 XXII, p. 256) Münster, Univ.Bibl. Paris, Bibl. Nat., Vm4 24. Stockholm, Kungl. Mus. Akad. Bibl. Vienna, Oest. Nat.bibl. Wiesentheid, Coll. Schönborn, Mus. 56 (with 24 manuscript partbooks; Zobely

1967, no. 56, p. 47). Catalogues First: Catalogue 1725, p. 13 (no. 482, without price).

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Last: Catalogue 1735, p. 9. (no. 582 [sic]). Walther 1732, p. 269: mentions price f 30 or Rth 15. Price ƒ 30:0 [!] (1735). Inventory [p. 317] ‘17 - Eliza, Festa Theatrale.’ Contents i Title iii Persone che cantano. v Italian dedication by Pietro Pariati to Emperor Charles VI. 1-420 Elisa Remarks This is an unusual publication within Roger’s catalogue, being the only Italian opera

score. It is Roger’s largest and also most expensive publication. It is unclear why this opera, which was premiered in Vienna on 28 August 1719 should be published two years later in Amsterdam. The edition, with Pariati’s letter of dedication addressed to the Emperor, seems to be an authentic edition.

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Roger Catalogue D'Alay-Fux

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Transcript of Roger Catalogue D'Alay-Fux