www.facebook.com/REGRETproject

www.youtube.com/REGRETproject

www.twitter.com/REGRETproject

info@gmspear.com

Introduction:As an artist, there is a moment when you must decide what you will say with your work. I thought longand hard about this decision and, in the spring of 2010, I chose “Regret”. Regret is series of portraitpaintings of women who have had abortions and regret them. Each portrait is accompanied by a handwritten letter from the woman explaining her decision and her lament, as well as a video interview. Theproject took three years to develop and in January of 2014, the very first advertisement for volunteerswas submitted to an email newsletter for the Silent-No-More Organization. In one day, I had 33responses. The project has grown since then and each new story sheds light on a different perspective.This diverse group has experienced much pain and even more healing in a nation phenomena that hasshaped generations.

Table of ContentsIntroduction:...............................................................................................................................................1Mission:......................................................................................................................................................2Goals:.........................................................................................................................................................2Objectives:.................................................................................................................................................2The Project.................................................................................................................................................2The Artist:..................................................................................................................................................3Participant Reactions:................................................................................................................................3Viewer Reactions:......................................................................................................................................4Press Publications and Events:...................................................................................................................4Video Component:.....................................................................................................................................5Frequently Asked Questions:.....................................................................................................................5Sample News Story:...................................................................................................................................5How to participate:.....................................................................................................................................6Exhibition Requirements:..........................................................................................................................7Contact:......................................................................................................................................................8

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Mission:This project is designed to lift a veil from the eyes of the general public on any side of the argumentssurrounding abortion in America and around the world by recording actual human accounts of thedecisions leading up to, the act of receiving, and the aftermath of an abortion.

Goals:• Reduce the number of “extremists” on any side of the argument who are not willing to account

for human error, regret, and forgiveness.

• Increase the number of Americans talking about the process, number of, and results of abortionsin their nation and community.

• Bring the conversation of conception, contraceptives and causalities of abortion into theeveryday family life of Americans as a tool of research and education.

• Provide resources for persons considering or suffering from an abortion.

• Be the catalyst to a movement of truth about the exact details that occur in clinics and thelingering and permanent results of those procedures.

Objectives:• Create a series of well-developed work to showcase the true stories of women who have had

abortions and regret them.

• Exhibit these pieces in galleries and viewing areas across the country.

• Compile the work into a book including resources for women, men, and families dealing withthese issues.

• Submit donated copies to libraries across the United States so this information is accessiblewithout the use of the internet.

• Provide for Q&A sessions, lectures, and speaking engagements to spark the conversation ofabortion in communities across the country.

• Continue to produce work, eventually including would-have-been fathers and saline survivors.

The ProjectREGRET: Portraits of Post-Abortive Women takes numerous measures to remain relevant and uphold astandard of integrity. The process begins with an email from the interested party to the artist, followedby the potential candidate completing a preliminary interview. This first layer of procedure reduces therisk of phishing. This is proceeded by the signing of a release form that clearly states the parameters theproject intends to take, the obligations of the artist, and the rights of the participants. Next, a videointerview is recorded in which each candidate answers the same questions with no provocation of

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emotion or opinion. From this interview, a still is chosen for the portrait. The participant then hand-writes a letter to the public. This negates any accusations of fabrication by the artist or interestedparties. When all the pieces of any one testimony are completed the participant reviews them to be suretheir story is in context and accurate. When approved, the materials are released for public viewing.Participants have absolute veto power over where their story appears and how it is presented ensuringthat the women are comfortable with the exposure they receive and the intent of the project. With thesemany steps, the project can withstand scrutiny under the eyes of the public and the general media.

The Artist:GM Spear has been a professional artist since her debut at theCollege of St. Rose Undergraduate show in 2008, where shereceived the First Place Foundations Award. Inspired by humaninteractions and nature, Spear works with a variety of mediumsincluding graphite, charcoal, oil paint, cut paper, and more. Frombeginners to professionals, she has collaborated with a number oflocal and national artists, and volunteered in non-profitorganizations, such as co-founding the Washingtonville Art Societyin her home town. Her personal work such as the Pop-on-Pop andRegret series look today’s culture in the face. From magazine-clipping collages to high profile oil paintings, Spear was self-taught until applying to a college level art program. She hasattended Rensselaer Polytechnic Institute, the College of St. Rose,and Empire State College as well as studying abroad. She has twoBachelors of Science Degrees; one in Fine Art Drawing andPainting and the other in Natural Science with a focus in Geology.

Participant Reactions:"Taking my son's life through abortion is the one decision I regret most in my life. This project,REGRET, means so much because it gives my baby and I voices to share the pain of abortion. I pray itwill help parent's choose life for their unborn children." - Portrait Candidate Diane

"You know, I feel blessed to be a part of [REGRET] and after talking with you for the interview, it'sundeniably opened up many things for me and healing." -Portrait Candidate Julia

“Despite sharing my story comfortably for nearly two years and very publicly, REGRET made mystory more personal, even to me, by revealing my continued struggle with obsessing for perfectionbecause mistakes can never be redone to be right the first time; much like my abortion and lost child. Ithas also made me own my abortion experience in a more real and profound way than I already had.”-Portrait Candidate Sarah Flores

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“Sharing my story with REGRET has been a beautiful experience. It caused me to reflected back towhere I was in life when the abortion happened to where I am today. Back then I was alone and afraid.I didn't have people in my life who could give me wisdom or guidance. Since seeking healing from thepain of a forced abortion I have become a strong advocate to stop violence against women. I now am aprofessional counselor who helps other young ladies with the effects of abortion and sex trafficking.What evil intended for harm, God turned into good. Thank you REGRET for this opportunity of furtherhealing in my story.” -Portrait Candidate Toni McKinley

Viewer Reactions:"REGRET is a eyeopening experience that takes me into a personal, life altering event of women whowere or are my age. Their powerful stories educate about the process and aftermath of an abortion. Thiswork truly puts you in their shoes and gives you the chance to decide what you would do if you were intheir shoes." -Monika

“They say that "a picture is worth a thousand words" and I believe that these portraits really capture theessence of each woman and her story. The unexpected twist to this art series is that you can actually optto read the 'thousand words' that inspired the painting. Each portrait draws you in with it'scraftsmanship, but the power of the words in each story (handwritten by the subject of the portrait) arewhat really pull at your heart strings. There is something to be said about the combination of art andwords and GM Spear has intertwined the two into a bold and compelling project that helps give a voiceto women who have gone through abortions.” -Brianne N.

“Spear's presentation was not only informative but poignant and emotionally charged. The projectallowed for the audience to experience the emotions, thoughts, and consequences of these women andtheir choices. I highly recommend this presentation.” -Grace Alcaro, Regent of CDA Court St. AnnMother of Mary #2419 and New York State CDA Circle of Love Quality of Life Chairman

Press Publications and Events:Catholic Daughters of the Americas National Newsletter, February 2015

Catholic Daughters of the Americas New York State Newsletter, February 2015

REGRET: Portraits of Post-Abortive Women Exhibit at St. Mary's Tetreau Hall Washingtonville NY, 1/9-1/10/15

Orange County Post/Sentinel, Just Wondering 'Round Column 1/9/15

Julia's Regret Portrait Featured on www.portraitsoflifeproject.com

Orange County Right to Life Dinner Special Guest Exhibit, October 19, 2014

Illustrating Regret of Abortion by Hannah Sheboy for theProlifeyouth.org 9/30/14

Regret Debut at the OCAC Open Studio Tour 9/13 – 9/14/14

Project Participant Request Inquiry Email Newsletter for the Silent-No-More Awareness Campaign

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Video Component:Each video interview is edited and then approved by the candidate. It is posted on the project'sYouTube channel and each interview runs on average 10 minutes. There are also compilation videosthat combined stories with similar beginnings, ends, struggles, or themes. These videos often have thegreatest impact on the viewer.

Www.YouTube.com/REGRETproject

Frequently Asked Questions:Is this a religious/political project?

This project is not designed to be a religious, political, or dictatorial experience. The project is designedas informational, including external resources, contact information for services, and accurate, truestories of real women. These stories are direct from the source and unchanged by the artist. Thisinformation is to be taken as is and will hopefully start a conversation of personal research andexploration for the viewer.

If I don't agree with the idea of the work, why should I see it?

It is always best to be informed on a topic whether you feel you agree or not. With the informationprovided to the public by the project, you can better prepare to discuss the topics of the project despitethe personal stance of the viewer.

Why is this topic important?

With a drastically high number of abortions in the United States every year and a lack of coverage bythe general media of the side-effects it causes in many women. This project attempts to shine a truthfullight on life after abortion by interviewing women who have made the choice to abort.

Who are the women who participate?

The women who participate in the project are varied ages, races, religions, socioeconomic levels, andlocations. From California to New England, late teenage years to the ripeness of old age, these womenhave little in common other than experiences with abortion and the amazingly similar aftermath theyhave felt.

How do I know the letters and stories are not falsified?

Each woman approves her video interview, portrait, and hand-writes her letter to the public. They arereal people with real personal truths to tell.

Sample News Story:REGRET: Portraits of Post-Abortive Women

GM Spear feels it is a privilege to help other women in any way that she can with the talentsGod has given her. Always having loved to draw, paint, and create, Spear found that engineeringschool did not feed her creativity enough. She transferred to an art program and had to strive to holdonto her faith and morals in a world that refused to see them as anything other than ignorance. “It wasdifficult. The art programs today do not always cater to opinions that don't fit their norm. Being aconservative in a fine art program is like being a black and white character in a color film. At least

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that's how many of my peers saw me. I was this archaic stereotype,” says Spear.

As an artist, there is a moment when you must decide what you will say with your work. Spearcontemplated this decision while approaching the completion of her fine art degree and, in the spring of2010, chose “Regret”. REGRET: Portraits of Post-Abortive Women is a series of portrait paintingsaccompanied by a hand written letters and video interviews from women who have had abortions andregret them. The project took three years to develop and is comprised of a number of complex steps.“The entire project is centered around the women. They have final veto power over every step of theprocess. They are always informed about where their image is being seen and any press the projectreceives. This was of vital importance to me in the building stages because it is not my story peoplecome to see; I am only the painter.” Preliminary interviews, release forms, video interviews, approvalconfirmation and showing agreements are just a few of the built in safe guards. “These women trust meand I work hard to be trustworthy and present them with all the knowledge and information I can.”

In January of 2014, the very first advertisement for volunteers was submitted to the Silent-No-More Campaign Organization to run in an email news letter. It read:

“Artist seeks portrait candidates for series of paintings of women who regret having abortions. Womenwill be interviewed, photographed/filmed, and painted. Each painting will be accompanied by thehandwritten story of the portrayed woman. This series is to inform against the media-driven “abortionfixes it” mentality. If interested, please contact the artist.”

In one day, Spear had 33 responses. The project has grown since then and is available online and inprint. This pivotal series of work looks today’s culture in the face. “Each story is so uniquely differentand yet all of these women have suffered as a result of this 'choice' so publicly proclaimed a quick fix.”The project is not politically bias and does not have a religious inclination; it is simply informational.The Facebook page, Spear's website, and other articles have links and contact information fororganizations who can help women facing this decision. “I just want women to know all the factsbefore they make this decision and I think the paintings, letters, and videos bring to light a discussiontoo often swept under the rug or thought to be crude or inappropriate. If we can show the results ofsmoking, drinking, and dietary choices on television then why not this 'choice'?” No matter what aviewer's stance on abortion, these personal truths and haunting portraits are defining a new voice andvenue for this controversial topic.

For more information, visit:

www.fb.com/REGRETproject

www.gmspear.com

or contact the artist:

info@gmspear.com

To include photographs with this article, please contact the artist.

How to participate:Would you like to exhibit REGRET in your area? Please see Exhibition Requirements (next section) formore information.

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Each letter needs to be framed! If you are interested in donating the price of a frame, please contact theartist for pricing on available letters. Each donated frame is a uniform black molding with a plaquelisting the dedication requested by the donor.

If you would like to be considered as a portrait candidate, please visit www.gmspear.com and ClickRegret Series for more details.

Exhibition Requirements:An exhibition of REGRET entails a number of requirements. The following list will enablepersons/organizations to find an adequate space to show in their area.

• Each painting requires five feet of uninterrupted wall to hang both the canvas and the letter.These pieces must have walls that can support an adequate amount of weight (80-100lbs) – notemporary participants or moving walls. Images of the space must be submitted to the artist tomake necessary preparations.

• The room must be heated to a minimum of 50 degrees at all times while the work is hanging.The exhibition space must have doors that remain locked for the hours the exhibition is closed.

• Artist must be able to hammer/screw hardware into the wall as need be.

• A minimum of six portraits will hang at a time and a maximum of ten depending on wallavailability.

• The artist will need a blank, uninterrupted wall or over-head projector screen to project thevideo interviews.

• A minimum of two 9 foot, grounded extension cords.

• A minimum of 60 chairs—twenty for the video viewing area and forty for an area in the middleof the room for the Q and A session.

• Three Tables—one large table for prints, one 3-5 foot table for the projector, and one table forinformation cards and pamphlets.

• Two organization member volunteers! The artist can not be everywhere at once so she needstwo volunteers to run the prints table. These persons have to be trustworthy with moneyhandling. The sale of these prints fuel the project.

• If the exhibition space is more than one hour from the New York 10992 zip code area, the artistwill need housing for the length of the exhibition including one day prior and one day after forset up and break down. A guestroom in a private residence is adequate.

• All fuel costs incurred by the artist must be reimbursed.

Suggestions:

• Provide refreshments—when food is advertised with an events more people tend to come.

• Advertise—this media packet includes a newspaper/internet ready article. Just remember toinclude the name of your organization and the event dates, times, and location at the beginningor end of the article. Submit to local and regional newspapers. Invite other organizations inyour area. Target highly populated areas with flyers, like a supermarket community bulletin

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board. Add the event to radio station community calendars or schedule a call in time toannounce the event.

• Have information for your organization available as a take-away.

Provided by Artist:

• Digital, printable flyers with the organization's name, the event dates, times, and location.

• All tools and materials required for hanging the work.

• One 30 minute Question and Answer session at each night of the exhibition.

• The artist will be present for the entire scheduled exhibition time barring illness.

• Printed media, business cards, and take-aways for the information table.

• A number of prints and original works on sale at the prints table.

• The computer and projector required to display the video interviews.

• Six to ten paintings and the accompanying letters.

Thank you for considering an exhibition of REGRET. If you have any further questions, please emailthe artist.

Contact:GM SpearPO Box 272 Washingtonville NY 10992

info@gmspear.com

www.fb.com/GMSpear.Artist

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Illustrating Regret of Abortion

9/30/2014

By Hannah Sheboy - ProLife Blogger

On September 13, 2014 GM Spear, a talented young artist, decided to put everything on the line to share a powerful message. Her project, entitled “Regret: Portraits of Post-Abortive Woman” was sharedpublicly for the first time.

The project that she had been nurturing since its infancy is now exposed for the world (particularly the secular art world).

At the close of her college career, Spear was filled with the desire—as an artist—to say something withher work. She explained how she felt like “a lot of current artists, who are in the spotlight either nationally or internationally, do not say a lot of anything in their work” and that she wanted to make artthat would mean something. She wanted to make art that she was passionate about, and the topic that she felt the most inspired by was “regret” (particularly the regret of post-abortive women).

Spear contacted many pro-Life organizations and realized, “that there are so many more organizations that help women deal with the trauma of abortion, than organizations trying to provide information thatwould prevent it”.

Spear believes that if the women, who had abortions while she was in college, knew the regret that theywould feel; they would be less likely to have an abortion.

As Spear selected the volunteers for her portraits, she would ask the women questions about their experience. She would ask women if they felt informed as they made their decision. And many women gave her answers like, “Yes, at the time I thought I was informed, But, no I really wasn’t”.

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Spear has gone to exceptional lengths to protect the integrity of these women and their stories. Before she even begins painting, Spear is asking these women for their approval. She has each woman write a handwritten letter to accompany the painting, to ensure that no one can accuse her of fabricating or changing these stories.

Spear claims that the purpose of her project is just to provide information. She expresses that she does not desire to change people’s religious or political views. She just wants to share these stories.

Spear challenges other pro-life artists to create airtight, irrefutable projects to share with the public. Shebelieves that this is a more than effective way to share the pro-life message. But, she also hopes that all young artists develop their projects from all angles to ensure that there is no room for people to poke holes.

For now, the pro-life community is waiting eagerly for the release of the next portraits. And can’t wait to hear what GM Spear is doing next!

To see these portraits and to read the stories “like” Regret: Portraits of Post-Abortive Women on Facebook.

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