Rajchman Cinematic 453 2010

7/28/2019 Rajchman Cinematic 453 2010

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ARTAND THEMOVINGMAGEA CRITICALREADER

EDITEDBY TANYALEIGHTON


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r.f an and c,irJIn h,is had J snr.r nr r,anceF.,1rrFasl t f ty y. r rs rhc ovrrh.bi i l , ' rs. .a and po r.J rrsp. isesy we undern, in. 1)!r i9r ThrsbrDk rrr .esthe sr 'y Ionr eafv spJ!.r . rpermnls wrh Ic ol prore. led nnq.s n nrusunr\ .n sJ .reswhy hir rr ,crcbc.n r l rn, b rrrccinenr.rc n rrnte'nporary rn) Whntn ' rqf wh.n i r sh ns r r .N rrreblack b. i n, r l 'e wh r.[ !ng. o,c rrrd l oninred'rnr oi I m pJ nr nq . , ra s.ul l iurc),4n ard rte Mo,n9 /aasc !r rh. rs

,nd rhror srs nc ua r(r c orq o Aqrnrrrrr . Bcnr,Co o r. SerseDaney R.\ , ' fd Krruss,MrrrT o Lazzararo.r( l Pderntroducton r. I r 'cofrplex no d or rnri.l rhlr rrcrecr,ad nraqenI |orh srudenrs rfn IAn tnd'speFsabte rnic ta the piratal nle .t the rar)ng r\,s.N thrn antenpataty atl

Plb 's|rrrr Jsso.rronw 'h Al icral l

TATE


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DELEUZE'SIME,OF HOWTHECINEMATICCHANGESOU8 IDEAOF ART

B.nj.nin beginshis grea. 1934c$.y on mehanical F sdudion qhthir qu.*ion..rbe problemw.s not 3onuch wh81h.rcinema s an d,h.rped rmsfon wharm think d is, rnd in p,rti.urr h@ one hink inrhe ft or *ith rhe atu, Foi B.nj.hin, thdprcblen ofrh. cin nati. ss.h.dy inseprnbl. trcn dr *hoL quesrion, r orce ..$h.tic anil political,s indn$i.l .udicvlsu.l n.ans ol filh

w. hi3ht thinl ofcill.s Deldze rs t*ing up d squedio. ag,i. sfrerwond w.r nj sheb rh.n ,r@ borsinply . 'ew cinen. in Fhnce 6ut .lsono r9lesof thinkinS-. n@'inageol rhoqhr',Tbe uphea%ln s.nemlseDsibq $artollMdrbekrK inkjnglirh film anil prcj.dion, ,[h.sln 1in. * thde in other domainssbded to inEnr clated ideas,.Earinstrh.g!. Deleue,r M rcrunc onoflhh orsellatjob, to isol.! tne norioN oI inur! rp.ce snd rin thtinhlEd and 3o3hd the dturinc.iE mys 6rm rEle6 took pd iD hBl.Brr blurion jn rhoughr.EEn thouShDeldze vd htu bdy ol cinem in th. 193.s, he bsicphilosoPhicdnotionr he ues gobdifrernceinsennB.rymn,wft.nrtrrin sh.nA,i.R.sDiswlsnlkjngdeun.'uri6lik v,n ood (1943),isgE.r d{dy ot the.dbrs iuiclde,.sren rs, orcou6e, xigni adtqg (19ss). hs 6lms eo'nd phy, k r ml. inrh. cih.n,rogEphic imrgp i3 ba.i in rh. pr.enf.' Del.uz. thdSht Resnai3


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t


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hadperhao!sonetheuthe$withrhnprhlipk for, nhisdocunntrnestiontorthem,ibriorrcndering, rn,rt once ndetemnDG,trd iolen(,iieducibleornlonesnemory, .y

signs nd imsg$ ncinen' i.thinpoblem npon w.rphilosophyandn hn philosophyihepoblmolthe

wo*oLtr nN rogi.of clcnr''nd rhcirknsc. t,espechrryinence, o{.peculirlNisb d runrthrugh psyd'orn,lyskrnd tNctunlis'n, lw.sbecluse, kuz! !ugttn!, pon-$r!ciemaws istran orrgrnarudtHnui

writr6 or prinrK btrr,k. !irh rhinkssandque{ionrof rhoushr. hesisnsl,rr br digir'l i'mges, hsd b be posedon rhk r.nh.ft lerl rs , pmbl.hofinaSerthrtdonl tofr usrothilkoivrri.I kespu5nom hiikins.rs nrih,presntitingndrn.is ereuwritcalxNtcinenrlst0 identiry'he* mr8e5andbqanineihe largr'rpprmrust, o.driporirrr4,hrouspbblc'norrh. nsklcrisuel d*ruljcgi'n.rusbcrnrly\ed inlhi'v,) rnd


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ndsinply,n.di,.rogio[y,,6 ho'e8.n{r y, n Det.uzbaFproach)theque$ion f t chnorog, nd in panecha.hms,rluys h.vean nd.tethnugbvhichtheypdiciplein|l rbnins.cinen, isr *ry or brling d(s

Flthcme.hanicd,. [email protected],rronr ncNousarens. centnr ro rhis amngemenr Hs rh. ink.iion or n$s tobs ors.nsibiliqinrl,rion'odn ;-rfindihepmbl.morrderehin{ion df arimeno ongrdelin.d ysu(($r -(p.{ trc5ent,uiurel; ra sprcr.o lon$r d.frncdbysinulbnriry disriidelen.nb in dased r rrrmed t.ca)iandol apenanence o onssb?t(dinekmiry(iD*ordgi*n arrom oracomprqvsriation)Jsuchwererhei4sons or inrgs th.t pon wr filn m

Del.uze,.heq iSht have espondedo valiry\ queshonn thcrorbwingv,y.cinemlch sedrheinYenredoshowor endermdemDiion,.onneded otsimplywrh n.rtRhnorogi.s r Dew orei butalso.nd pamdoxei s politi.'r uses.A.rosrll he.n.jwhdhe',.ip,nd.d dnot,se s.erh.se.hsng.s,n.s nds.$of d{eninarionsotspxd'rdtin., this r$r,enhetic!, nwhi.md *nh i8 e.t' mqm, hA prayed key ore.! as *itb 3e.!ni., ihse \ $rnerenntof h. philosophyofnhrnuel (drin thi aeihericfield,buro.

d?*Ald'oldmif ldn6


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movemen.ehboBLcdn rhcbooks n.incm k nn! inroducedn rl"[Drnd4rdx.p.ttor i1963l,here hepn,rheprcbremoflimod ofFinf.(anrianBdution, i6 own udiorisurl!.yornceinsrhe idea lrimc rom

l indf6hlh9!Ieg.ne'ollheugh th. produdilc imglnrtion .

what marG^ fo!trleu?e ntheindepcndeDle ofrhese fom5 f mm rhe

and n rssEiatinsiiwlth orlesoryinuaLiiiesolrnother5on,h. greai o$

Ircd rmm rttsoies or.rusrli9 od-, 'bo, khs,wi'h (h! disjurctbn

deerEiidn nsor!pr..rtrd tinci 5o!-mrlieu)relinked oideas.SodorDsbsJe s itle hands in ? . tdor ( s6e),orexample,oton\ mdsjn a muchdhrtd n.elisti. spr.e ndiine, bd inrhepr(ess n rtoobljsd

e u$ nhn nekcn inRncd b disjointhe orm5 f*iMrion fron theuide^bndiis, usinsihemnnead osiE


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DuBrorjeanManesfauba.d Daniele uirkt uned thedisjundionbrMr.nsound ndyisualm.griitoaveritabledca ncinem.',.qholendetplomtionof rhp(urturposry th shNr vhy ir {o 'nislcrding to ihinkotcincm rs rrngu,Se rhe.rhana'eiLJtsr o' r3r,,o oa,!r 'hf Lgn\snd'Tr3.. f. hnd\ n c'aem, Tsr\-nby no theoryor l,ngurgr or cod.. be si.$l,r invntion. e houshtthi evenn litentureBe hould ooknor .l nguktio or nararolonl, bur rathe. to t heMys sreatwiren inEnr a foEilnlans!asr' i. our lrngug., ticd trp N,ff.ch. Hhelamplesincluderheonpli.aredrind n MrGl Pbu*i rheenryFmersshon o.ies, aterexplonedin iilmbylosephManldsi.z. rhe..omphx or dsns and nag.s thrt liln mak6 invenkd to er"lor thepoblem

disjoined ton the sheDsh ih* iinneadrornotherkind lrhinliDg, demedbylo8lcnororpmposjiDnsendtc'npr ra el,bonie this poblfln,H". ,8 6rn,mrre,! , \dcf op,ag ndigimr v,r ofexPromsqhi kd(h0pe.urhrwaywecanbeid to bthoushtR.smn hrderploredlnhsth.n Pou( or Beryson.hequo{ionortbcsenseinwhichft.a in time 'rs. orcou6e, lsolccntnlone nhodoh phiosoPhyrnd, n hn bmby .oirArns the Mys EdmundH rks. susensill imry1md h. rannsofspacnd imeiob.enred n a

is onnd " imrger h* nrke visible i palt.ble hh a.ented.ondirion, rr nnngr san.rmo(mentin ourli@srh! nnredu.ibk bn nrhtionn'.ir.ndcd spr.e. he he!orshnh are .eed on *adinsand endingp.inh,h*qd tncinsrnjsbrks, d onc n brsed atin.hDnolo$'andsu.cesion,or d{lapping senafiq. rhat r hNcincn, poed theque*ionof hwwe actuallythink,houareoiented id


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disd.nt d in ourrhinLing, u li.not]r.Lrncird. ' .nd cia.no 2, e|dk ui.d ro orly:. hd, thmqhtheposlhihi.6 of c.m.n.nftn.nr, fnBan3, .diling andp[j.djry, .in.D.@ld inrrr ! sholc nd psrhcn(hrni.rl w.y ro mrle visibl. such lh.6rnd pd.s i. our rnd., 3ir!.rion' or nili.us, ptor b (,nd mmn..t in)ourmn*iolselsc,.!individurlsor3rcups.Th. prlnclpl. rhd \h. cln.nrtosiapht ibasr i5n.ar in ln. prs.nr,forshichD.leuz.*ouldnndsucha dlinglppli$rio . i.rhetuublingthes of.in. ln xig^r rrd fo&,.s tblr plt oa, lr4r rnbslom'rio'intheveryiderol.h.lmryrlb.ltlnrllrheat inpaihting,phot4nphtor lir.nruE, r. *ll I ln ns Dnctlc.s thar muld bEak aMy frcn suchrhdido..l m.diun6. w. knd, ro' armpl., rb't kiet cineD' Muld b.seenb plry r k.y rc1. In ih. pk.5' in rhe 1916 .nd 16 th.l walr.t&njmin rnrrlvd in 'h. 0tmardof.udor $ pr.duc.i 'a. rh. rm.PF&nr'qs. Philohphk l m.t

rnd dE Rr n pErnt rfiin!: bcfoE lh.y e EpEsnred fo.. unin.d iubjclor oBidlG' trldrt onaptid.. rtr th.y e l.Er r.p6urion' in @i mindr oi bnitu, I.riry drmiMd 'irh nd q!.dioni .Iplotd in ntublo$.nd pt hologl - nddr orlardl.d$, iruludl.A.spshlt psyrhdut5is,,ith rr'ich cin.fu 6ld he$ m.t EI.io$ tnDu8idr th. nid6n.n .nd enlirh cnturid." roinrrodue |j1ft@nr rnd rim inro .h. Err 'dc. ofthe im.3e ss in&pDbl.rmm rh. *ntv. natwi.nrific Ibodi$ or bEim, or in rh. id.a orcin *hi3h th. nd m.nory ki.nc.s pl.y . r.y 6Li one dnple ot.hn isIxlMk dkcu$lon ol rh. dksmhtion thdn6 of Pi.re Jrn.r. lnded,tbarLhNd.'.in.mrti. -ElI dof e.Nibilh-.ould b. k.n .o ei.nd ir$lt tmm tn. sErt *uperyingertloslonof hry6in our iv.!.h..nech ibicll cpoductionft.ilibred(b.forc ln.'co..El of rh. p.s.war inrorm ion-$Te mrchineo wifi itscllch& pidu!.r, od.Ed mrdr .nd relr.ions wirh pop4andr rnd r.lwnisins.Ir, $ eld. pFpo*i th. tnEnrlon of r cin.nrtic sndbili. .ri&3 rbm tb.cftn in prycholo&r on..mln3 th! sbto' of in.3s, ir h dd.lop.d lhou3lrin d. ptrholqic.l or di.l ri.nc.s.

d*FsdFri|lad


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In phib$pbr.Manh HedeFFcrrdJndy sb(M in rhc,9:o* hNdmrandrl'.pn,bl.Eoi'inn.rsen* !!rcc6!41r.lbekrnri,nor.a s.snd o hisown tempt o mdc b!1Detuzl swriri.g\ i diferen.e n 8cqn,n \u$r$ed atreshw.yirt*ingf.vol tdisdcedinandthDurn'hts{orrn. rhl.oft ri.d to dRlop r ungrotrnd.dlem.nr n th. kindorrim..ndnsrm.nr rh( cinematicin3s.m,rcs$ibl.. h cinema,asn philosophr..

kindof n$kn'.nr Dzigr rdd e{'o nonfutlt,or*nhth?.bilityotihscih.r, rocrpruEr{.nr.{dMrldrn wtlle!. He i.d ro*o.k oursnotiSindnorion r. world, osorrorhepesplcrivis.' rcotrriied i.bnt rhrn o.{ ingnr nor0nryiiYrn6lmrg!r;\urnlidrrh.,nqirh.wodd arondrh.rf..Itleuzeha!&q,mrlighr$!.(rhu\'in rime n ap


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In erpbnng how, hmugh ih. merknsible hn kindorrimc n wodds, eleue hs d.Elops n odgimluqolsp'c. a.drineasromsof snsibilia h.tc.$eurtolhinl. Be ie.sth@ fomr tom rh.ir k.iirn subordimrion 10wbarh. sas as be Mo 8E.trundions plarrd by thepbildopbicil ids or th. sbjed orsiosndr ,nd'individuali$tion" rhe Kn d th.tcinen. rh@s us r.n iftper$n.r(or'pr.pexon'l ) vodd p.ior ro snxiousne$ .bd b indivldualnalio.. h thnwy, cinen. t.kes pan in hl.nkk l,ryft dempt to put theque*ion of'r lite in mph.e ol the cl.$ic.l notion or tnsubjed d or tb. $lI. lilp th cortst pcci*ly v h 'r,. lif. ol the coftspondin3 individod'.s wnh lh. conscious elr,t rnains $ I con{de quedio. andpo$ibili.lrorourbodi.sa. foroorbnins."vh.t*l, ih't Deleuzesolates, sp.cialt in tos war cineda (.s werl sin stodur,l 6ln). involvesparielaind.reminat.or'q!PLo"4r. N iunnies lsn*ious *llbood,o' olindividu.lity, lxpNi.g mdds, siruth't is vhy rny staer{h.t@ei re popul,td wirh , 'si les dernitkindorch*,cter rnd rdion rhar Equires a n@ .d or indefnit. desriprion tbrtn Frlsti. sirhoui beins narudntic. cin.6a rhus naps the eikjrys or. tine on . preindividuei and un .onsious. Deluze lTec an in*nbiyot in'grs rhar shM rhh tihe, nredu.ibl. .o deslny, pqiden.e, crusrUtr orpndicdbility, .ven sbrisrici or pobabilGti., -hich [email protected].$ .ftca us3nd u*.psi.ion. G,'n r thrr su.cesion) and by i.detemi nat sprcesor displrftnen6 'nd depstu res nther rhan . aitu.ted intecubjediviryo. turld ), rt is .heki.d or t mponlig thrt rqunes a chns. in rh. natucorbeli.t r rurn ro r non pngmlor selstion or hktorical d.{iny.w.sRd s riniredy in nrr./rt ndr. eeso.ktjuxbpasidonsor ap3*, sh()m ihiough bl..k..ndgikn by cinemric nlppi.s of n.n6l spaes (in olour.nd wnb his trnousI spaesor$e concntrtion .hps).ndwrh,heunren nruruRs,!enrh'oush,em.rrDlGmou!!otre.oer fofr pan or a laqli con*iraldio4isu'l rhi.kins. rr, asDeleuze l8lre, in thh greardo.umenury w

s of srcidi ns the pieq o[ ih. re.olledonimrsr', ir is bec.u$ orrhe Hy imrgr rnd thinkjns dncdcr in the filn3 nNdruon orhe p.r.nd rh. *,yr figxr. 'n 'hf ph.nr. rnf "m nno longeiro Fc,prDrc or ft{ollect rhpa* in r mn$iousnes individual


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orcollective wh . h s u d h&. s c.e.d d i bu on heconf.g. ta P6.ntany suchdosur. qithin piv.te bemory or publicconmeno*rio., showtDg,mrk in thdpment. This lunction affed.Iiction s wellasdocumenr.iynlm,bdoingheusurldisrindioNb.&.en. r.deed,Resn.G ould D . ro ertlor in

ni! gft,r tl.tion tilbs this pr*{oiled.*ith thepresent h.. s..ms to hs,nr nDrbsml liEs likr s tenible secal he uuld explorcbN it ro-es his ch.hctean thede.d,b@ing bour n a Yo dsilhout salrion or Ed.mption, pKide.ce or ph.non.nologicrl groundins.Herould thu. pNea no qu.nioniaioncephilo$phiciandcib.m,riciandpracti.6, Deuze oughr o intoduc.into hev.iy de. orvh.. rn im,Brqithinas' jnoas'industi'lso.i.ly'

roday ir sould *en ihd the .nuathan o' BnFmir n 'cq.r inemJ ! noloryft,lon.i n no bry( h,s the key ole thit fell b n b.kn sil.nr lilnmd tldision. tt foms plh or r I'ry.r .onplex or iDas.s and spac.s,whered ro altecd 3qEphi.s r.d rcsponding omw ronc on r globrl srle. Delflsin plytd l:urote.n. at vith ,n/n ibg nN, rh.E is nodalsic t.lk i{ , po*'cinenaric cond ion, Th. hi rbry or fi m h,s nsef b(oDe a matei norstmpryorppsemtion,nd dkeiburioD,burdeotrn adof oholesencerh3rlooksback o-bat n h.r be.n. s ir llu*mtingMrxhall Mcluhan olddi.run thatwhen.bchno|oslelnediumGdried to rcsist suchnodalsia bac* n 1934when heR ws ahadymuch blrith Jean uc Gddardonrhe sr prgsorcin.Do2 s one ndi$tion.Th. cri* me.ntnoitb.d.rthor.inema(wnhnses n n.l.n.holic,nticipaiionorrndchop.rul tim.), but, mh.r, the ener!.n.e or ns po$ibiliries i.s.prrabl. trcnrh. lrBr f.reof.hekindof resheric hinkjngDeleuzead ied prcisely oKrk out n cinema.rhetinehrd cbutal6o,.ndnorc mpanrndy. hrtisphiloephy?'Ttegear6h'orrsh.d usedn@ techni.,l m.rns ra invent r mod. ol audiofiNal thibld.g,rhich romedpadofa h.ssaenhe c to vhi.h it thenkened inpodnr

-iththeatu, in r.lrlion 10.thei,tupobleh th{ lxleu4 ould go on to .rplor. iogdher wiib rdln c!.uiirhis pobl.m ot ihinkins in aod wirh rhe afrs k .lFrdy to be ronnd

'n L.Iu/ . . nr{nenr of 'hc,b{ni t . . {penme.ulo 'e\pandedfmdhniqu$ nv.ys.lder to rhePmdices


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ol $. Yio.l .tu. whil. rxl.uz. dcdcs ..y ir s!$rtr,{. r. e.5 dFmfim (s Rn in^tuud 5 mr. in cr n'c.dor DRrrrs sE!'./d, otrri !e,3)*n . h. .B!.d for rh. .op.rionryol $ch mn6 *ith r6Fcr ro rn rbnncrD.sinp. jd ing' ' i l |bt .FbE| 'tuud dbrght thi rh. p{!ri'r likhcEft af sir. nlDMsD!.h.lo*.b tn. tru.lly'in FstuE rnd md thrt b. Hs kring in ln. d.al4; .ndftleuze s.es tht ld.r $ prn ol r lalls inrnrion ot th.dcrlig Buliar.r md rh.ir r.l,rio' ra rin , .ipror.dindi f i i i .n 'ws! inmrnyrn! Abin. ' rndAp?hmrnbl r l lmngrn! inDeleuzcrdudywhcn,otsnt.nt toimibrewharotherddrrkdoln3, tar Dde!4 6o!3hr war h..a$ forstruduftlnh in its el.rlomyhh th.'p.cD.lonlna3c.!lnoth?rwordqrbdnd 6ln is norabdEdin rlimpl.uirh d. Eq sp{icr.np.nr .oDdirjoN or snsibirh and $ou8nr. *hich rh.scar pon w.r nlh.srL.6 .xploirL quir. oncEt . I nd..d rhc wry r.m i.qo..s 4/.t ,'{r.ii *hich D.l.u4deroF in ! ndrinS F', ror.,mpr.. in his di*usion daMich.l.ngdoAnbnioni r m*. d.rjE. fEn dp..ih.nul frlo: .nd n c mr h.id b in$in.dendina.h. pbbl.n of.nptJ, disnn(t n sp:rs rhar el.ut rlcldy&.s in .noin.r wy i. !h. fflns of Rob.n B'tgn .o. En*. of orh.i.n5 md.d pnc.isa.uriry.eund rh. en. rin..5 srruc.uEl ln. r.rhcirhd

.brsk ot,.onnon.rp laDrio. ot toftsof sdnsibiliry-.n.rplondon rkinsp lace.oncun?ndy inif.rcnrva}3 nmny 'ns. rt ir p.a,ps smdhing rik rhis r'!s erhr.g. rh" wes.cbdiy3( domimr.sor mbds apa(.wh , rhon,Muunn.'nrorak.uD rtl.u.e 5 deaoftheci.em.ricin odrysahcrdcirumdner i. rchrion o cun ntoimnrenp.raryque$ionsrndonsj8hl.jneml .nd phitGdphylr. pl.ljn . .nu..ion $.r en. h.E p.di.D5 bEn tm quick to ch.nct.ris. rs'po${in.n.uc .nd 'pGrrhsdicrl ?I d li|. to ldk 1 hfr isquesion nis||l bromulard in fthronb d. visul rtu. He did rhe cin.m.ric - ry,rded s a pd.w.. drir.rrtb rnd.rrh.ft rklnfsof rlm.'ondirions ofvisibiriv rod.y? No dmbr rhir k , onpld q!.nion ,ih ftnlp.s rh..3! oC n. numb.rofdiBtions.r id,thet isth.vhoLqu.n ion of


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chrrg.d d und.Bdding ofvhd mlSnr b...ll.d [email protected]?HNdoqu.stiorsofrin .ndmmm.ntch..3rrh.Erylde.orss.ofimrsB in priming phototrphy or dnuing, .. wll 6 d.Eys or sdng,nd dlung about $ch rhi4r? suchqu.nlonr ha b..n dplored in . Ei.tyordom.lru; ns.tgtlEls.n*.ln''dlkrslon otAnrn snll pdnti4s ar wlln.n.d. iwl.b h. dudY r mNn ntinh!t(j.. sP..Iotogi.d saetbot*t (!9rt) or tn M.Gl Duchampt c.Ialr-.t t trinEtubdti{'lret ..d Nud.D.'a'dint a shime ngrt). Lnd,in rnoth.r $y, in dtuin ptuti..! of xindic .n or In F(orirm. hE R.ndyln.r hrE b..n br.. !p by ttillpFd.ln Ml.h.od In hlr .nt6is of^byw.rbt4lsvdrrr*rddrnd ftli iln a B.tubdrsdxm. snrrb.urln. .Mmm.ni of tDrg6,." D.l.@ hlm-lf delops (ha.qcr@orflF. tJibtr3n ht [email protected] oah@ Fh.cb [lM Endfr lh. ioR!ordm ir phrion b furE .hEu3n rh. Bkrltlnr bn.s or p6ibili9

tEn [j.l.@ s Mrn n. of ih. .rp.nd.d qsibjlnic in sbduFlffh.nl.msol.Do|suhrp.rcplor srDd.Ed thaticrliry or duntio. .rploftd .o. only n th. 6lns arhdyw.thol but .lso thok ol ch.nr.l ak.mrn. *h$. e.sunrer eith .d and nlmqperin nhrion ir N.w York n tb. 195d b.lp.d de.emine h.r 'rm rppDi.htoqm$io'. ofrin. in h.rcln.m..nd l.r.rln h.rl.drllrddns. Alhe emo.im., .h.re ir p.rhap, som.thln3 pdulh y ,{sian iD m. fired fiam. .nd lon8in Y'suji6 orut frlms, o bfound inth. ddy cir.ro tehniqu.s to whichwrnd rdm.d. rd moF Bln.r.lly irrh. prionry rttu4 acordr tim. fih.s rentt.ry!.d ror z kind or pntFin.hlric rnF in tim hudrnllp.in.inrs.- we 6nd . Elzr.d srEr.a/or cin.mr virh old md.R p.inriqr, rl., fo' .pmpk, rfi. shn3 p.3nin cin.tu 2 n rl'ich &l.ur connds rh. pDbl.h ofd.prh of 6.ld in omno th. dc.ndnls orsp.a in dP &r.qu.


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a3re.d by Heinrich w6l0lin. Del ze s many tlere.cs to modbtul p.ibtinginclud.,rheMvrheoobLmolthe'inhumrn inkulca.nn. s&ns.tionsis aken w in hn b, veRN r.d 'n. xi'oq .nd the ey rhr closeups ndaftection-imaKs n Disendein! 6ln nay ba.rDsed in rems or.hquediontor pathc or or racialigwho hinsrrws shck by mr$s rrm Bai|shit PoGnLin tgts\jnhisA ontn and nprus todry lor stsve or irr.ro* in ndin8 pichEs in an

obly.lr.r Deku. wor. hiscinem. bookr nlm nalec and anisb nN hrvemdirionrl{t rk.nrdoom ofrhr mne$..ne or &Dilill relaieu.lei@ing p..er Rapond krlour a.d ciurian'to .rni.r roms or diirornrt or ihasenatys.s uo bri.I r.m.rks about h@

Ixleu4! 8en.nl pictureof h.vins ide$ in cinen, Dight h us.d in rheseue of hN rhs b@ $4 ot rn spaces oto po*.w,r ci..m otwh,r mNm.nt .nd ri6e ar. rhmselves! .d it isp.rhapss*rituant tn.r shile D.ldhisMrkrmi.s popur,r Do,3.etuin.di3r mr*inss h them pi.neHntah., Ior.umple. rb ddition, thee pGdices lre ried up sirh the t'ry.rpde$ rhroughyhich tonrenp.Ery .rn. to b. distibglirh.d rbh modern,ft or an pncries. visual at and art sprcs plryed! rE ol. in the 196eib rh.n lend @ re the wn id.a ofad fton a sries or disti.ciions rrdclatedpndice in ehi.h it hadb*n iEdnio.'rry.ndosed iradirionalrio.md.xnibitionin,whiecube.sDac$JilGtinctionr beken art and na$ orpopu!.r cultuE, cnti.al disolsc, inlorhation, o. ftrydry lite. cjnemrRob{dsbirhenb qunions rsir.andnon5ir, in d. eiol.no orcordonM.e , lad amn hn.crurc', r, n.noth?iMiinH.liooiti.ic.tjntundeBbod in relation ro suchchang.s.h mnr,$ ro, sry,cod.rd (who ssir mrking SEar6rnt, Huwh. uer 6rn !s pan ot a nn8ot pncti.es,sjnil.r b the dy he ussl.pr.ese knsa imrs$ inrodncirS rdverGinssi8n6 n urbanryacsor orcheimting plrticip3rio. in p,nder.


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rllcuzc hrdpos.d h. qu.nionof pbl.dion inremrofrhe l.q.rr'irrdirF or sm.m mNnc4 tamin3 rnd .ditingas hy pp..r In rh.nsfom.d.H. w.s nkn{.d in hepbj.dion pEdic.si .lonAvnh ditiry.nd fmmin& Irtd rhemelEs fmno. pbjerion ns.D b i'Enr nd sns or im.s?s,rdingon. n mussyd.ns. w. s.. rh'r tiom rh. sr.d rh.r. a5 s.5. in Edi.h $. *en *!l.$ .n ilhsionist indw or..pa clrsk.l skg. rhrna mdirg Inn. *irh

prions f stac! n dasic.l pain.tngorthedro, 3*rsing.hem..isr.o rhem.ThusDeleuearsn4h.r rh. relrdon.. Gnd $.ldc,lity) is pmdy pos.d .sm&.r of. lo$ of orsubnnudonor i* prlFnR. kthe., * nnd n*d,id,?itfor cr.rirS in,gc. !.d sp.c.s (rnd e ot.hrins id..d) ,i.h li.lror inr.rr.Ene$ith on. andh.r, which is snnd.d ro the M sEar .fions.F nd sprc. -rfud\ rh. E or.ruc|ry.nd sEchrs .pic rha.F, .ach ofwtich is Ehr.d b 6e cinemaiic rplondonortiD. in bodit.titud.i.E usinspbj.c'ins,.in.m found p.!li.obj.dlv. snd $bFcrik vi.*ToinB or b.o..n rh. hlnd .nd ina3t sp...inord.rtoerploreotherrpr.esandrln.!,*hi.h,.Rn indalk.nld mmqyr rhri rrejldar intebseorrud is lisDedomrn..s which anoar.n ..n nrh.rnor. pFdioble), It w ly ro rhens.r.uftnr pndjc.r jn r r.I3.rhilor'imrsls rh{ roR u. b thih!' rh.r il.uE id.ntifiedn Fn w.r rin.n..Th. d.rt nedmmoa.h. dcrlcincmrmilnr rh.n bckn 6 on.hishly ss6stur d.:rroitrin : hq..o.eiEd in r.ms ot difr.rcnt eiyb(an. ' ldoBrory ror.bric..c .r..ri* inl! s inr36 .o fie our bhins0urpehcprions.d,ffR6, ftduci.grhem o.asilyiden!habl.opinjoir,Ju{ ar rhcltlmicinages nor. orDclcu,s, code ra lrgu8r burmrhclanoriSin.lqyotelpEsin!rimerrnd spr(.s$at.rntbecontsined nImi. rprr.,o.o in rh. d.rk '.d mm, ismoR rhrn . sjnple nofr.nd illu rion rpprnru' It is mth.. r d,t or?rrt hi


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d thrt dircdy afie.ts !h. boi',s rn.d.iD rnd 'n n hud iD,ei.ed, r.d b wbicb ean-Loui.s.nefeimuld la..r atst ib hG pictureof thepdr war nlhaoei rhe cinemtic'aubnooielon of imag< otfer.drol. or rime rnd sprc. i. rhinki.g, ,nd, i.d.edj ir is ud fbm rhk .ngle tharDeldr ekes p th. quedion fci'rEady andysed he *nole qustion of cndedng ' onpricd.d rinc ib stg.sdol.i.Gllilt'e'lmedwilho[pndn rhod rn i.GlligUc shich ,rwrys tom.s ,ft?.j rhough encouor.n tharlone* thinl in hi. rudy oI tilnd i. rh. Potrstim novel.! Bur sh.n thesrn $n or pmblen (.nd notion or sign) s tansr.ftd, vir rb. cir.mri..iob,smiery'lhkldndo'rnkdc.rd riqh. ,n{t DUi b! i.s.tud into nq fi.lit. It nus rlso onrend e hr ns conc.prio. ot thepublic (rypifi.d in relakio' mtibss)-a sbrjnicalpublic ch.o$eris.d by ashoL bq prcrgrion.lis.tion of vision and a n*nasi nachine f contol @r whthe wcr, sa.sjnrsn syb.rb.rg gbesbFnd &njmint preaoparionsto a3knore ltnerally hm cin.61 cm cEate rehtions orumnglme.b orsrin&stns d lctins iRducibcinmr is a ro.g nafr]mlory'in the inggL ro crrt bd inaSee,andshyth.re is $ oten in .ineh. the dnnat&ation ol. onspincy againn mis

.*nue ol.scrp.. rt'. pmblen orcwell r'ibd!.uiar - isbo.sinDly m.derot theble rhar hecinemticdtu oinfphr: i. ch,ryi.g kch,icrr m.hib.s of pndudjon .nd Eeptionii1 h.s .ko to dowirh ch.bgrng rel.tions besen having d.as rod colLctivrw1.1 h dirinctive tor po* war timEg,rdj is a .s politi.rl pdrciple s.er i. ,lknd Eh.ionr be*en nh-nakeB d rh.n aftn and Dubli.


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rn lisen&jni.ne tic] the ubjededna$.t ofa LeniRierensdlnllyorthcnuchr.l.ularednumbeB ta HollPmd blckburtn thepbblemDel.uzcrso.i,res wirh hinkingwithcin.mr'-,ndj im siryul,rwn thinkjnssithtime-im.gtcinena h that he he p6tle arehissinS; hE mud yd b.

.ineb,, Deteuze $ b wo& our th$e cbang4, .l ancp .*heric ,ndpoliti.rl. His sense f stnub.Huillet rs sre,r 'political fflm tukeB 6rb. Rry iil.. or'mi.orit' br.*r open he-hol. gnreot.thrognphi. rnddeuneneD filns rMrd . nd a*rhetic fom heyohd$e ndiob.dmnnnttine as th.re ansend *rys of hating it visible. wc .ould in.grn. ext ndi'gtbft ide b rh. slobal situation orrh. cin.n.tic rodlyi foi.s6pre. beyondthe division or lidion and doomenrary, mnrenpoEq dtuk and film.mar.BfiU inve.t magB o gd,r'ftrtpd b ried up with the'fatulsrion ol psples m@in3 n atul .crc$ bord.x,

s, rel,red rcliious dMsions or'clarherresrh.ric wo&book rorthequestioB ot !b. multiplic,rion ol suchsibato.sin cinemasnd of th.n rhdon vfth th. visualstu md visual d rp.ces.

gt our idea otd? whar wld ft n..n tobke up thisquedion 8.in odayn ns situ.tionr- fore-mpl.. in rlrtions?what Fle nigh theoiy or philosphyn b uhich rhe cin.nstic nish be i.r.d?To sh,r kjnds or.d ss mighr k pur rhis l0g.r prblen ol shwins rin.thDughinaS$thl c.us.usrothink?In'h.t'.ys,inrh.pmes,n*ht

r.'rrsis,on sid. of $.h qustions onens the sryreofanrnsis ekueto4et in hiscinempork', In rhe ffct plae, dere G, qmiiob ol n rhod.while Deleu,e\ bdts Engr der rhe end. hbrory of cinn. sinc. rh. 1,r..seial andtolitical rlBrnen6, thr rc nor hhbry book or th. booksordiE 8im: to qtnd fbh thegb.Erjry

ic sisrs snd imas$ inEncd by tatro ds.Thyaa thns nor ! histon.al. kther, thq ar ahstact in ..othft !ry,tiednottodemitybuttolh.preseotquedioningwjrbwhichisrorytuink.dblttowhichitn.oiRducd.s ntGed n i. incE.tinSly.obpl.ir.dlhiblinglhmugtwhkhponwa.


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cinenawuld be inked o po* $'arphilosophy,nd he hory'b phichnsave ise). n this My, the war irselt beccm.s hoE rhan an d.nt in hisiori.alir.g5r r Rugiaus is.ouxes. i becnaftr a rumins point in the kry natoE or rhe h.K3 and having deas, o['bll|BPshllnb*nd*dsively'inFm.c.. rhus ih. w,r- r,Ili w.i (with irs m$ dernction. i6 sh,ne. rh.redbL serer ir l.ft wnhin ind fr1h asped b omciat hktoiet fi$redI siDDteb rhehanne.kul vniliornricip ing heErl.limev.6 of today burpKn.ty,sth.ribdarophe,lin sensjbilityh.r calledorrhe nEniionor's,dkposnions of thouShfinsntion of a tsd waraestheti.,*ploring the'.ys a violenrand nddeminare pr* figures n ou! verypsy.hes,sm thed.\r n'ofRsnais forxampr., ui.l (1e63), irh t' Bourosnei,, v,n nu olr cese)." For, long *iththrt $pet of thpa* yith uhichcin.m s,s mncerned,Eondhis orkn, in d@unenbry and 6ction, io rhe r,ryftqrriob d.{lop.d ii lit.6bc byot ,bo!b.i ry'inibe.prsenf ! ried u* iy po$ibilig ol lriendsh p in thougllt or or ihe ,phili. i n phi 6ophy, Thephilosphicrlconepr Deleuu oqrs in cinena rh. ide, otrh. iD.geiberl in ns rerarjoN wir]l fact! rrurh

n this l.qr context, rn il thsDoffinorherdtections.ode.d, hat sone cMn BhvDeleuz.nsist.d h.t thededappins invenrionsa.d poblms rhr he *as tryin3 to s.r ar .in .ineD3d.p.ndebtly of it d its hisrory, n Etaiionpbilosophical e..ionr whi.h Deleuze alld co.c.pr'is rosis .hcm . lirewoik oui h rh. ors of hGn!dy. Theorydepans rcn hnbry in this w,rjusvh.biles6bbe1dretivenerldisciplin.(asndi iswirhkno,.od in$cad be.ones , soune ol n. blens in , n@ ligh1, h{ is whar &teuzeRns to hrv. hd in mindqhen h. dedar.d that th. lif. ,nd sudivrl ofcinem. lies ib i6 dtuggles wih rh. infomdiomr rc3rD. at onrmr, whichth. vr$cdvity orrbinkin&!h1i3i and to rale up rheprcblens rcon.ept rhat heym.k


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insn on.s.lr in rny o.. loq or hlrory. ThGy n h. lnd lndEn h* .ledyb..nJ us.d in D.t dilt Enr on.s. rhrd?3 fflh bors rr Eth.r'ho.utrhols ofa di'g philoophic.l spinr rh.r rry 6 ir.bd!.. i.b rh..ndctunlor R'di.g) of nln eD.lnlng olrhr rel|l8r rppmh dd $. snriBnphicr.nous i h.lt or I nomrd sql. or t h nLinS. H. thoql'r rh.r no Dor .nsBrD inrrinsic r.ntiK in d. hLroD of rh. .ns ih.n ln rh. hiliorr or philosophy,biose n.l.n.hot rh.n.s hrE long r.nd.d .o m'd.r.min. ,h'r ftrruerndofrn (or h..nd orPhilmphy).kft ol rh. roru ol tibnc..i.s .o.eDs In cln.na lor u..5 ouGid. or it w.spEcis.ly o rr.. th.n fDm a sonof Inrdnil.or tnr.malkln3 lsrory, r.s.tue rhr cin.ni is a 6r.d li.l!.r or m.dlufr eho* only critic,l $store,ould b? o drnins its.lt Th. 4trl.rl Ehdon ol rh. frbrlcrtlon f.on@pk'o rh. pF\.n' ir ofrdlrlcFnr bn lrkhocrnru.roflntroducrnsnshnion.s jnb 3lv.n ore.. lt .IDDdd thrt th.E .ri8t sitodioD! in yhichofi i'ro nlny ompllc.r.d pdhr, In thk tupd, th. cln.hr b.ok .oDrinu.the$nt s/ of hrnymrrrppiry'EunEcosnis.d pNumE od !nfoc..n rppllc.iion.j .u.h rhari n on. suchrubric. D.l.@ c.n dcl.F .h.r .rh nd Ddnr.r Rpituhb rh. hituryof prirring in his or h.r M qy. A8rinn th. ...rch for. .il3l. 3r.r sbryor hisrory n rn or philmphy- Fnd.d ln th.3ur nlncnlhr.nturyhbFd dun or. 3rd .ncFropcdk Libnry or M$un ondininsarl{rdt.nd in.$3 in ord.Ed sq!.n.. - D.l.@ pmp6.d r nd en orp.drsrg or im.g6..d oNDrs ro dnplL... rh. pkn( dlrtutrin8 i$cl,si6..bry pFsuppornb.r ln r pres lmn Pnkh dk inEnrid orndldnd. orituB.5 .nd rrnsnE k rhrF.m.qin!.&1.n. rdoprs M inrmLr.d pdn.ipl.. i. hi6cin.m borc ro&nplirylhk.ppq.h.Tn.nd{t rhl dl cnd&m kmpatuic .nd!rinit.|.q.'ftn.D6gi$orh.rftk th.r de.n t hft n. conrinuiiion orns b.ginning in otn.6 .. rh. &ond, lound ln rh. hn *n.oat orhisstudy,'gtu !h..'i. is on rh. ld.l ot Int d.rks *lrh nrny pndic.s th.t.hin8s h!pp.n, b.ing:, inil.s, onaFt, .ll lindr ot ena ." rog.d.r rh.s.prin ipl.r .n., pduat. a pE*o p. don In D.l.!:.t *aldn85 n .h. 1946 wi.hr ncdr boDenraect...d elrh .h. ld.r ol,podhod.nish . invhlch,.silunrbl.tocErt..nytunh.rmov.m.nr,rhinkingwouldErF,(hcki.toheh clledio. or m.t!'!(, or .ls. i rcn . Fa ppopn..io ns orprn 'rkntors.rt. noriob ot lnr..t Ener md ..ol tb. ri8$ ,tut im4$ of dnehr, rhen d.wloped in tt o. i' Pl,JoprtJ:,


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Drido@o thi. @nden.y, n rhenpr rogetrhinSsnding lg,i.. to sugr{ sequeb.B in whi.h the cinenaric nishi yetbe ns.fred !.all ned ourinterd.d+s with r n) disiPrioes ndpiecG.ly in thepe.uliaritiesofih. say

'nodeinist' in thse.se or th4 Nru.$o.iated vith nediun *ltr.ferene, an d4 he fjeds d displ.e ii rllt at all seenode'n cinena .s a melmchotyceorkits.h. ts et.tionroctichdr, 15fo'msor rb*n.rion,,re.t, difie@nr ind, inkd therromkjrylisiblthene kinds f .haides who nhabnthem, sing ihe dtu dt'j& of mss ibdu*iar leieq. rhr' is why hepobknol n.a{insmr' d@$'t mern ftuch ro hin, a.d why he n ai su.h prins todGtinglnh thepiobleh of rhe rin. insi$ rhat cinemb signsa.d imagesdonr rom, rodeor rngu.dr,hr lJn bedtuinguhh.d iomodri\ in .om.rifrcrtion.6dd kin hld spoknofan'inpunq p.culiar to cinem or iheft, r.hibcrur or popul,r curture, or ide.s ro *ar ns imsg$. Deleuzeenend. this ided ro indude rcl,tions eidr philosopbyor theory,ai sett asof, lrl3!' imageof thousht. rn rh. placeof knfr tefldiv.' id.! of cririo e,Deleuze nred o sub*itui. ,cHwe,one, n shirh the toms ol senribilit .hat aresFce rnd tin. r. ucrore,wsms rony difieEnt disciDlines t onc.x

Dcl.uzdoptd Klee s B.uha* p.inciple to mrk visibl..rs asarh@dtor this pceq d he a$ociared r yirh , quenion in prinring rh.t qob.nre* ceznbe brokehe run dishiroobad rhe cubists Isrnck i iogdhe4 ryri'.!, ri is in this ens that for dE sicnsmd imaS6olcinena lor ns bgic,nsp.culirrmrnn.rof thinlinsqithimtiontehni.at orappried.,.ots.n!k4 .nd jm4s n6t beprcisetyi,Enred in , rong rnd oir.n dirdcult po.es,! For bding 3n idean cineDe.th.re pFtftt no 6x.d sphereoI mnp.rence, only rvrilrble m..N and aninchNren.cesin. u ;n ,n, dom,in f ider'n .nmr tr !ome, rngBr,given hrugh m,ny tiirrs. noving backand tofrh, *ith nany dead{nds, wheftacb$ rhe aa, or thousn id.as in marts, aR noi soemed by nxednodelsj,mlogi.r or Dorphorogjer burrh.r thDugh thpRDtid waysone nv.naro d@clop doar,often thFush se.


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n .ould ulr bcshutl.d aou.d tmn one{om or mediun to rh. ne*. tsNdipoln,F like the cinem..ic aE dldln3ukhed ds somdhibg 6ore rh.ninfomerior; h.y*, nrh.r, ways rdirporins r ouis.ns ir su.h wry$ ro .nrble rhinljng. ro m.k iil..s po$lbl..Th.cin h.tic dlpdri.frtl.ur. ismrd. p.sibL rh. inknrio. ot ns *rt, bgond infomiDS {.nn3ndcum.rbtion) or n.m.i.g (lnDu8n ftdhlontl ch:nd.E and nod.slb 3d .i iho* *nb G .:nl mrrc pE* rhuln m.rry infomins orh..lsicrl dMsion b.@. rh. M. Thlr Gw$y t is e hisl..dang roih.tift th2t ns hn& [email protected] sihply uk. Nr d Epkc olds onc-

. cut..b.a 3i.rt .ihrs9rtrdingorM,Bhr M.ruh,n n*ht.!la.r. ri *rs a *y ol ukina !p th. pmbl.msin.mr', . wy of linking cPrtiw iders inboks wirh rhos. in drrk r.d @n6. x wa! .,.y of bE kjng thsugh thei.,r/J.,rn,,'i [email protected] our cll.ha-3bv.nld hrbits ol thought, nororly for the chand.nl bu. .ko lor flln.hcked rnd lEchroc. For the6 i3som.rhing diss.nsu,l i. rh. id.$ .h.r for. !! b rbint- rh is why d. .scin.na led .o th. .hel8.n.. of r nd prblic, lh. en olviturl audi.ne rhds.'lt D.n.r thostt innlEd . cnthrl tuppkh.d or r en. fthu. rhousn.critioi dought shouldonti.u. in rl..io. ro nd Mditims ar inromrionrlorhl-n e. k lh8.. pm. didne fDm rh. kind ofonnunic.dodhod.l of rhepublic md publi. !p.a, .bo!. ehi.h ^ll'rdd (|uF {dGrr N.gt klld .hdLry! Jriam fi.b.m.. an h.n anh for t.d.rldndor'public ph.R rn rh. ph.. of. onnunid.io..l si,biliq, hldrrc hc'ed in rh. r.y nh-m1.6 qpbn d d. disjundims of sundmd im.s. ro expos .Dorh.r id.!, d@loFd philMphic,ny by b.rn cmrssihm.l andMilnail B.knnn, r.d..d, w nnd rhi' ndion rlddy in D.l.ttet...b6k ofeitly .i3nt h rbud, to which h. Etum in ftpr$.8.5 i. vlr.cohnunicrtion.' m. pobkm of sei.bilitt in cinem! night thus b. lirlcdropharmiShlb...ll.drh. rdlrbllhyolcinemr,or$.syitcraresne**ay3olihi.k.g,nd rhinung oglrh.i wr .husnnda !ryprprin.ipl. hrrod.l.bont. fom in his*udy of .in mr:d id.r or 1'peple ro on. al. h.rlc DEsupp.s onot phil@phy,an,th?nFbtionr nrho..Mo.hdrnilth.rlnticrlormliticrltuncuon


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Rajchman Cinematic 453 2010

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Transcript of Rajchman Cinematic 453 2010