RachelAnn Design Portfolio Book 2014

35
rachelann Rachelann DESIGN

description

A selection of work including contract design, coursework and pieces from my time at Women In Distress and Morikami Museum & Japanese Gardens.

Transcript of RachelAnn Design Portfolio Book 2014

Page 1: RachelAnn Design Portfolio Book 2014

rachelannRachelann D E S I G N

Page 2: RachelAnn Design Portfolio Book 2014

My goal in creating this portfolio is to show the pieces that best represent my skill set as a designer. I split the pieces into 2 major sections. 1) Coursework, which includes pieces from my undergraduate design classes, and internships at St. David’s Episcopal Church and the University of Texas RecSports. 2) Professional Work, which includes pieces I have made for different contract clients, and my full-time work at Women In Distress of Broward County, Inc. and Morikami Museum & Japanese Gardens

ON TAPTransfiguration

Sponsored By The Young Adults Ministry

DATEThursday, August 6

TIME6:30p.m.PLACEParadise

Restaurant

Celebrate the

Feast of the Transfiguration.

Paradise Restaurant & Bar: 401 East 6th StreetPlease contact Amy Moehnke for more information at

[email protected] or 610-3569.

Everyone is welcome!

Join us for

Holy Eucharist

and a time of

fellowship.

ADVENTURE TRIPSSPRING ‘10

DIVISION OF RECREATIONAL SPORTS

Temple Solomon

In the four hundred and eightieth year after the Israelites had come out of Egypt, in the fourth year of Solomon’s reign over Israel, in the month of Ziv, the second month, he began to build the temple of the LORD.

The temple that King Solomon built for the LORD was sixty cubits long, twenty wide and thirty high. The portico at the front of the main hall of the temple extended the width of the temple, that is twenty

cubits, and projected ten cubits from the front of the temple. He made narrow clerestory windows in the temple. Against the walls of the main hall and inner sanctuary he built a structure around the building, in which there were side rooms. The lowest floor was five cubits wide, the middle floor six cubits and the third floor seven. He made offset ledges around the outside of the temple so that nothing would be inserted into the temple walls.

In building the temple,

only blocks dressed at the quarry were used, and no hammer, chisel or any other iron tool was heard at the temple site while it was being built.

The entrance to the lowest floor was on the south side of the temple; a stairway led up to the middle level and from there to the third. So he built the temple and completed it, roofing it with beams and cedar planks. 10 And he built the side rooms all along the temple. The height of each was five cubits, and they were

attached to the temple by beams of cedar.

The word of the LORD came to Solomon: “As for this temple you are building, if you follow my decrees, carry out my regulations and keep all my commands and obey them, I will fulfill through you the promise I gave to David your father. And I will live among the Israelites and will not abandon my people Israel.”

So Solomon built the temple and completed it. He lined its interior walls with cedar boards, paneling

them from the floor of the temple to the ceiling, and covered the floor of the temple with planks of pine. He partitioned off twenty cubits at the rear of the temple with cedar boards from floor to ceiling to form within the temple an inner sanctuary, the Most Holy Place. The main hall in front of this room was forty cubits long. The inside of the temple was cedar, carved with gourds and open flowers. Everything was cedar; no stone was to be seen.

He prepared the inner

sanctuary within the temple to set the ark of the covenant of the LORD there. The inner sanctuary was twenty cubits long, twenty wide and twenty high. He overlaid the inside with pure gold, and he also overlaid the altar of cedar. Solomon covered the inside of the temple with pure gold, and he extended gold chains across the front of the inner sanctuary, which was overlaid with gold.

So he overlaid the whole interior with gold. He also overlaid with gold the altar that belonged to

The Of

Firs

t Kin

gs

Chapter S

ix

21 Merseyside Merseyside 22

By Regina SpektorMerseyside Staff

World Museum Liverpool Shows Biblical Artifacts

Page 3: RachelAnn Design Portfolio Book 2014

Table of ContentsSection One:

Coursework & Early Student Work Pages 3-14

Section Two:Professional Work

Pages 15-34

Page 4: RachelAnn Design Portfolio Book 2014

Coursework3

The following pieces are representative of the designs I produced in my Visual Design classes at the University of Texas at Austin, and two separate internships in Austin, TX. My focus in these pieces was to explore different types of design including advertising, layout, and basic identity systems. This section includes news media layouts, posters, advertisements, and logos.

ON TAPTransfiguration

Sponsored By The Young Adults Ministry

DATEThursday, August 6

TIME6:30p.m.PLACEParadise

Restaurant

Celebrate the

Feast of the Transfiguration.

Paradise Restaurant & Bar: 401 East 6th StreetPlease contact Amy Moehnke for more information at

[email protected] or 610-3569.

Everyone is welcome!

Join us for

Holy Eucharist

and a time of

fellowship.

the inner sanctuary. In the inner sanctuary he made a pair of cherubim of olive wood, each ten cubits high. One wing of the first cherub was five cubits long, and the other wing five cubits—ten cubits from wing tip to wing tip. The second cherub also measured ten cubits, for the two cherubim were identical in size and shape. The height of each cherub was ten cubits. He placed the cherubim inside the innermost room of the temple, with their wings spread out. The wing of one cherub touched one wall, while the wing of the other touched the other wall, and their wings touched each other in the middle of the room. He overlaid the cherubim with gold.

On the walls all around the temple, in both the inner and outer rooms, he carved cherubim, palm trees and open flowers. He also covered the floors of both the inner and outer

rooms of the temple with gold.

For the entrance of the inner sanctuary he made doors of olive wood with five-sided jambs. And on the two olive wood doors he carved cherubim, palm trees and open flowers, and overlaid the cherubim and palm trees with beaten gold.

In the same way he made four-sided jambs of olive wood for the entrance to the main hall. He also made two pine doors, each having two leaves that turned in sockets. He carved cherubim, palm trees and open flowers on them and overlaid them with gold hammered evenly over the carvings.

And he built the inner courtyard of three courses of dressed stone and one course of trimmed cedar beams.

The foundation of the temple of the LORD was laid in the fourth year, in the month of Ziv. In the

eleventh year in the month of Bul, the eighth month, the temple was finished in all its details according to its specifications. He spent seven years building it.

Chapter 7King Solomon

sent to Tyre and brought Huram, whose mother was a widow from the tribe of Naphtali and whose father was a man

of Tyre and a crafts-man in bronze.

Huram was highly skilled and experi-enced in all kinds of bronze work. He came to King

Solomon and did all the work assigned

to him.He cast two bronze pillars, each

eighteen cubits high and twelve cubits around, by

line. He also made two capitals of cast bronze to

set on the tops of the pil-lars; each capital was five cubits high. A network of interwoven chains festooned the capitals on top of the pillars, seven for each capital. He made pomegranates in two rows encircling each network to decorate the capitals on top of the pil-lars. He did the same for each capital. The capi-tals on top of the pillars in the portico were in the shape of lilies, four cu-bits high. On the capitals of both pillars, above the bowl-shaped part next to the network, were the two hundred pomegran-ates in rows all around.

He erected the pil-lars at the portico of the temple. The pillar to the south he named Jakin and the one to the north Boaz. The capitals on top were in the shape of lilies. And so the work on the pillars was com-pleted.He made the Sea of cast metal measuring ten cubits rim to rim.

“”

When all the work King Solomon had done for the temple of the LORD was finished, he brought in the things his father David had dedicated and he placed them in the treasuries of the LORD’S temple. 1 Kings 7:51

Merseyside 2423 Merseyside

You Don’t Have to sit at tHe KiDs’ table tHis YeartHanKsgiving breaK aDventure trips

prioritY registration available noW For ut stuDents. Details online at WWW.utreCsports.org

nov. 25-29Canoeing at Santa Elena

Canyon, Big Bendor

Backpacking at Big Bend Ranch State Park

$250 for UT Students and RecSports Members

$275 for non-membersnot For beginners

ADVENTURE TRIPSSPRING ‘10

DIVISION OF RECREATIONAL SPORTS

Temple Solomon

In the four hundred and eightieth year after the Israelites had come out of Egypt, in the fourth year of Solomon’s reign over Israel, in the month of Ziv, the second month, he began to build the temple of the LORD.

The temple that King Solomon built for the LORD was sixty cubits long, twenty wide and thirty high. The portico at the front of the main hall of the temple extended the width of the temple, that is twenty

cubits, and projected ten cubits from the front of the temple. He made narrow clerestory windows in the temple. Against the walls of the main hall and inner sanctuary he built a structure around the building, in which there were side rooms. The lowest floor was five cubits wide, the middle floor six cubits and the third floor seven. He made offset ledges around the outside of the temple so that nothing would be inserted into the temple walls.

In building the temple,

only blocks dressed at the quarry were used, and no hammer, chisel or any other iron tool was heard at the temple site while it was being built.

The entrance to the lowest floor was on the south side of the temple; a stairway led up to the middle level and from there to the third. So he built the temple and completed it, roofing it with beams and cedar planks. 10 And he built the side rooms all along the temple. The height of each was five cubits, and they were

attached to the temple by beams of cedar.

The word of the LORD came to Solomon: “As for this temple you are building, if you follow my decrees, carry out my regulations and keep all my commands and obey them, I will fulfill through you the promise I gave to David your father. And I will live among the Israelites and will not abandon my people Israel.”

So Solomon built the temple and completed it. He lined its interior walls with cedar boards, paneling

them from the floor of the temple to the ceiling, and covered the floor of the temple with planks of pine. He partitioned off twenty cubits at the rear of the temple with cedar boards from floor to ceiling to form within the temple an inner sanctuary, the Most Holy Place. The main hall in front of this room was forty cubits long. The inside of the temple was cedar, carved with gourds and open flowers. Everything was cedar; no stone was to be seen.

He prepared the inner

sanctuary within the temple to set the ark of the covenant of the LORD there. The inner sanctuary was twenty cubits long, twenty wide and twenty high. He overlaid the inside with pure gold, and he also overlaid the altar of cedar. Solomon covered the inside of the temple with pure gold, and he extended gold chains across the front of the inner sanctuary, which was overlaid with gold.

So he overlaid the whole interior with gold. He also overlaid with gold the altar that belonged to

The Of

Firs

t Kin

gs

Chapter S

ix

21 Merseyside Merseyside 22

By Regina SpektorMerseyside Staff

World Museum Liverpool Shows Biblical Artifacts

ADVENTURE TRIPSSPRING ‘10

DIVISION OF RECREATIONAL SPORTS

Page 5: RachelAnn Design Portfolio Book 2014

4

Coursework5. Merseyside Magazine Double Page Spread 17. Merseyside Magazine Double Page Spread 29. Merseyside Magazine Cover10. Transfiguration On Tap Poster

11. Children’s Ministry Team Logo 12. Rock Climbing Newspaper Ad 13. Spring Adventure Trip Postcard14. Thanksgiving Adventure Trip Poster

Page 6: RachelAnn Design Portfolio Book 2014

Coursework5

Double Page Spread 1:The assignment here was to create two double page spreads that fit in with the style of a magazine of my creation, and to make both pages, and both spreads, work together as one design. The assignment also required using text from the Bible as our body copy, and creating a scenario that would make the text relevant to the magazine.

Landscape A4 paper

Temple Solomon

In the four hundred and eightieth year after the Israelites had come out of Egypt, in the fourth year of Solomon’s reign over Israel, in the month of Ziv, the second month, he began to build the temple of the LORD.

The temple that King Solomon built for the LORD was sixty cubits long, twenty wide and thirty high. The portico at the front of the main hall of the temple extended the width of the temple, that is twenty

cubits, and projected ten cubits from the front of the temple. He made narrow clerestory windows in the temple. Against the walls of the main hall and inner sanctuary he built a structure around the building, in which there were side rooms. The lowest floor was five cubits wide, the middle floor six cubits and the third floor seven. He made offset ledges around the outside of the temple so that nothing would be inserted into the temple walls.

In building the temple,

only blocks dressed at the quarry were used, and no hammer, chisel or any other iron tool was heard at the temple site while it was being built.

The entrance to the lowest floor was on the south side of the temple; a stairway led up to the middle level and from there to the third. So he built the temple and completed it, roofing it with beams and cedar planks. 10 And he built the side rooms all along the temple. The height of each was five cubits, and they were

attached to the temple by beams of cedar.

The word of the LORD came to Solomon: “As for this temple you are building, if you follow my decrees, carry out my regulations and keep all my commands and obey them, I will fulfill through you the promise I gave to David your father. And I will live among the Israelites and will not abandon my people Israel.”

So Solomon built the temple and completed it. He lined its interior walls with cedar boards, paneling

them from the floor of the temple to the ceiling, and covered the floor of the temple with planks of pine. He partitioned off twenty cubits at the rear of the temple with cedar boards from floor to ceiling to form within the temple an inner sanctuary, the Most Holy Place. The main hall in front of this room was forty cubits long. The inside of the temple was cedar, carved with gourds and open flowers. Everything was cedar; no stone was to be seen.

He prepared the inner

sanctuary within the temple to set the ark of the covenant of the LORD there. The inner sanctuary was twenty cubits long, twenty wide and twenty high. He overlaid the inside with pure gold, and he also overlaid the altar of cedar. Solomon covered the inside of the temple with pure gold, and he extended gold chains across the front of the inner sanctuary, which was overlaid with gold.

So he overlaid the whole interior with gold. He also overlaid with gold the altar that belonged to

The Of

Firs

t Kin

gs

Chapter S

ix

21 Merseyside Merseyside 22

By Regina SpektorMerseyside Staff

World Museum Liverpool Shows Biblical Artifacts

Page 7: RachelAnn Design Portfolio Book 2014

6

Double Page Spread 1: The magazine I created was an arts and culture

magazine called “Merseyside” and would

be distributed in the Merseyside area of

Liverpool, England. The text in these spreads is

from First Kings chapter six. To play off the text

I let the headline set up the scenario that

the World Museum in Liverpool would be

showing Biblical artifacts relevant to this text.

Landscape A4 paper

Temple Solomon

In the four hundred and eightieth year after the Israelites had come out of Egypt, in the fourth year of Solomon’s reign over Israel, in the month of Ziv, the second month, he began to build the temple of the LORD.

The temple that King Solomon built for the LORD was sixty cubits long, twenty wide and thirty high. The portico at the front of the main hall of the temple extended the width of the temple, that is twenty

cubits, and projected ten cubits from the front of the temple. He made narrow clerestory windows in the temple. Against the walls of the main hall and inner sanctuary he built a structure around the building, in which there were side rooms. The lowest floor was five cubits wide, the middle floor six cubits and the third floor seven. He made offset ledges around the outside of the temple so that nothing would be inserted into the temple walls.

In building the temple,

only blocks dressed at the quarry were used, and no hammer, chisel or any other iron tool was heard at the temple site while it was being built.

The entrance to the lowest floor was on the south side of the temple; a stairway led up to the middle level and from there to the third. So he built the temple and completed it, roofing it with beams and cedar planks. 10 And he built the side rooms all along the temple. The height of each was five cubits, and they were

attached to the temple by beams of cedar.

The word of the LORD came to Solomon: “As for this temple you are building, if you follow my decrees, carry out my regulations and keep all my commands and obey them, I will fulfill through you the promise I gave to David your father. And I will live among the Israelites and will not abandon my people Israel.”

So Solomon built the temple and completed it. He lined its interior walls with cedar boards, paneling

them from the floor of the temple to the ceiling, and covered the floor of the temple with planks of pine. He partitioned off twenty cubits at the rear of the temple with cedar boards from floor to ceiling to form within the temple an inner sanctuary, the Most Holy Place. The main hall in front of this room was forty cubits long. The inside of the temple was cedar, carved with gourds and open flowers. Everything was cedar; no stone was to be seen.

He prepared the inner

sanctuary within the temple to set the ark of the covenant of the LORD there. The inner sanctuary was twenty cubits long, twenty wide and twenty high. He overlaid the inside with pure gold, and he also overlaid the altar of cedar. Solomon covered the inside of the temple with pure gold, and he extended gold chains across the front of the inner sanctuary, which was overlaid with gold.

So he overlaid the whole interior with gold. He also overlaid with gold the altar that belonged to

The Of

Firs

t Kin

gs

Chapter S

ix

21 Merseyside Merseyside 22

By Regina SpektorMerseyside Staff

World Museum Liverpool Shows Biblical Artifacts

Page 8: RachelAnn Design Portfolio Book 2014

Coursework7

Double Page Spread 2: On this second spread I placed the text on the outside perimeter so that the photos would be the focus, and so that the text would mirror the photos of the double doors from the first spread. I kept the same yellow feathered box from the first spread, and continued to use the font Mistral for the drop caps.

Landscape A4 paper

the inner sanctuary. In the inner sanctuary he made a pair of cherubim of olive wood, each ten cubits high. One wing of the first cherub was five cubits long, and the other wing five cubits—ten cubits from wing tip to wing tip. The second cherub also measured ten cubits, for the two cherubim were identical in size and shape. The height of each cherub was ten cubits. He placed the cherubim inside the innermost room of the temple, with their wings spread out. The wing of one cherub touched one wall, while the wing of the other touched the other wall, and their wings touched each other in the middle of the room. He overlaid the cherubim with gold.

On the walls all around the temple, in both the inner and outer rooms, he carved cherubim, palm trees and open flowers. He also covered the floors of both the inner and outer

rooms of the temple with gold.

For the entrance of the inner sanctuary he made doors of olive wood with five-sided jambs. And on the two olive wood doors he carved cherubim, palm trees and open flowers, and overlaid the cherubim and palm trees with beaten gold.

In the same way he made four-sided jambs of olive wood for the entrance to the main hall. He also made two pine doors, each having two leaves that turned in sockets. He carved cherubim, palm trees and open flowers on them and overlaid them with gold hammered evenly over the carvings.

And he built the inner courtyard of three courses of dressed stone and one course of trimmed cedar beams.

The foundation of the temple of the LORD was laid in the fourth year, in the month of Ziv. In the

eleventh year in the month of Bul, the eighth month, the temple was finished in all its details according to its specifications. He spent seven years building it.

Chapter 7King Solomon

sent to Tyre and brought Huram, whose mother was a widow from the tribe of Naphtali and whose father was a man

of Tyre and a crafts-man in bronze.

Huram was highly skilled and experi-enced in all kinds of bronze work. He came to King

Solomon and did all the work assigned

to him.He cast two bronze pillars, each

eighteen cubits high and twelve cubits around, by

line. He also made two capitals of cast bronze to

set on the tops of the pil-lars; each capital was five cubits high. A network of interwoven chains festooned the capitals on top of the pillars, seven for each capital. He made pomegranates in two rows encircling each network to decorate the capitals on top of the pil-lars. He did the same for each capital. The capi-tals on top of the pillars in the portico were in the shape of lilies, four cu-bits high. On the capitals of both pillars, above the bowl-shaped part next to the network, were the two hundred pomegran-ates in rows all around.

He erected the pil-lars at the portico of the temple. The pillar to the south he named Jakin and the one to the north Boaz. The capitals on top were in the shape of lilies. And so the work on the pillars was com-pleted.He made the Sea of cast metal measuring ten cubits rim to rim.

“”

When all the work King Solomon had done for the temple of the LORD was finished, he brought in the things his father David had dedicated and he placed them in the treasuries of the LORD’S temple. 1 Kings 7:51

Merseyside 2423 Merseyside

Page 9: RachelAnn Design Portfolio Book 2014

8

Double Page Spread 2: To connect these two pages I pulled the full

picture of the temple all the way across the fold. I then balanced the two sides with photos and a

pull quote. All of the body copy is Helvetica Neue,

and the display font is Mistral.

Landscape A4 paper

the inner sanctuary. In the inner sanctuary he made a pair of cherubim of olive wood, each ten cubits high. One wing of the first cherub was five cubits long, and the other wing five cubits—ten cubits from wing tip to wing tip. The second cherub also measured ten cubits, for the two cherubim were identical in size and shape. The height of each cherub was ten cubits. He placed the cherubim inside the innermost room of the temple, with their wings spread out. The wing of one cherub touched one wall, while the wing of the other touched the other wall, and their wings touched each other in the middle of the room. He overlaid the cherubim with gold.

On the walls all around the temple, in both the inner and outer rooms, he carved cherubim, palm trees and open flowers. He also covered the floors of both the inner and outer

rooms of the temple with gold.

For the entrance of the inner sanctuary he made doors of olive wood with five-sided jambs. And on the two olive wood doors he carved cherubim, palm trees and open flowers, and overlaid the cherubim and palm trees with beaten gold.

In the same way he made four-sided jambs of olive wood for the entrance to the main hall. He also made two pine doors, each having two leaves that turned in sockets. He carved cherubim, palm trees and open flowers on them and overlaid them with gold hammered evenly over the carvings.

And he built the inner courtyard of three courses of dressed stone and one course of trimmed cedar beams.

The foundation of the temple of the LORD was laid in the fourth year, in the month of Ziv. In the

eleventh year in the month of Bul, the eighth month, the temple was finished in all its details according to its specifications. He spent seven years building it.

Chapter 7King Solomon

sent to Tyre and brought Huram, whose mother was a widow from the tribe of Naphtali and whose father was a man

of Tyre and a crafts-man in bronze.

Huram was highly skilled and experi-enced in all kinds of bronze work. He came to King

Solomon and did all the work assigned

to him.He cast two bronze pillars, each

eighteen cubits high and twelve cubits around, by

line. He also made two capitals of cast bronze to

set on the tops of the pil-lars; each capital was five cubits high. A network of interwoven chains festooned the capitals on top of the pillars, seven for each capital. He made pomegranates in two rows encircling each network to decorate the capitals on top of the pil-lars. He did the same for each capital. The capi-tals on top of the pillars in the portico were in the shape of lilies, four cu-bits high. On the capitals of both pillars, above the bowl-shaped part next to the network, were the two hundred pomegran-ates in rows all around.

He erected the pil-lars at the portico of the temple. The pillar to the south he named Jakin and the one to the north Boaz. The capitals on top were in the shape of lilies. And so the work on the pillars was com-pleted.He made the Sea of cast metal measuring ten cubits rim to rim.

“”

When all the work King Solomon had done for the temple of the LORD was finished, he brought in the things his father David had dedicated and he placed them in the treasuries of the LORD’S temple. 1 Kings 7:51

Merseyside 2423 Merseyside

Page 10: RachelAnn Design Portfolio Book 2014

Coursework9

Merseyside Magazine Cover: This is a the cover for the mock magazine that I conceptualized and designed for the previous two pieces. The goal of this piece was to learn how to effectively convey specific information (such as stories within the magazine) while still executing a workable cover design.

Landscape A4 paper

Merseyside

‘Simply Red: Unplugged’

the softer side of punk

page 52

art goes green at bluecoat

art centrepage 38

Creamfields Festival

line-up announced!

page 42Apr

il/M

ay/£

5

Page 11: RachelAnn Design Portfolio Book 2014

10

Transfiguration on Tap Poster: In honor

of the Feast of the Transfiguration, St.

David’s Episcopal Church hosted an event called

“Transfiguration on Tap,” for which I designed this

poster using a classic painting of the Biblical

event. I gave it a modern twist by juxtaposing the

san-serif font in different weights against the

display font.

11x17 paper

ON TAPTransfiguration

Sponsored By The Young Adults Ministry

DATEThursday, August 6

TIME6:30p.m.PLACEParadise

Restaurant

Celebrate the

Feast of the Transfiguration.

Paradise Restaurant & Bar: 401 East 6th StreetPlease contact Amy Moehnke for more information at

[email protected] or 610-3569.

Everyone is welcome!

Join us for

Holy Eucharist

and a time of

fellowship.

Page 12: RachelAnn Design Portfolio Book 2014

Coursework

Children’s Ministry Team Logo Ideas: These are the logo ideas I prepared for the Children’s Ministry Team, a group of volunteer parents and staff members at St. David’s. The director wanted something that tied into the St. David’s logo and identity, but could be adapted into an identity of its own. They chose the logo shown at the top of this page.

11

Page 13: RachelAnn Design Portfolio Book 2014

12

Daily Texan Climbing Wall Ad: The Division of

Recreational Sports at the University of Texas

runs an ad in the student newspaper, the Daily

Texan, every week. This particular ad was for

the climbing wall and Outdoor Recreation’s

rock climbing activities. My focus here was on

using the RecSports brand guidelines for the year, while also

maximizing the limited black and white pallatte.

5.75x8 in 1/8 page adwww.utrecsports.org

Rock YouR WoRld

Open to all currently enrolled UT students and UT faculty/staff. UT ID required.

Details online or drop by GRE 2.200

THE CLIMBING WALLDaily and Semester Passes AvailableTop Rope TuesdaysRock Movie Night (Sept. 17)Climbing Clinics

Page 14: RachelAnn Design Portfolio Book 2014

Coursework13

Spring Adventure Trip

Schedule Postcard:

Each semester a new

poster and postcard

are distributed to give

RecSports members

and students the new

Adventure Trip schedule.

This postcard was sent

by mail, and served

as a flyer. My challenge

was fitting in the

necessary information

on one side, while also

enticing the viewer to

sign up for the program.

4x5.5 postcard

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DIVISION OF RECREATIONAL SPORTS

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Page 15: RachelAnn Design Portfolio Book 2014

Holiday Adventure Trip

Poster: The Outdoor

Recreation department

of RecSports sponsors

extended trips like this

one, which is over the

Thanksgiving Holiday.

This poster was also

converted into a Daily

Texan ad, and a web ad

for the RecSports home

page. My intention was

to grab the viewers’

attention (in this case

college students) and

give them a reason to

sign up for the trip.

11x17 paper

14

You Don’t Have to sit at tHe KiDs’ table tHis YeartHanKsgiving breaK aDventure trips

prioritY registration available noW For ut stuDents. Details online at WWW.utreCsports.org

nov. 25-29Canoeing at Santa Elena

Canyon, Big Bendor

Backpacking at Big Bend Ranch State Park

$250 for UT Students and RecSports Members

$275 for non-membersnot For beginners

Page 16: RachelAnn Design Portfolio Book 2014

Professional15

Women In DIstress thrIft store

November 23 • oNe Day oNly

THRIFT STORE

www.womenindistress.org/thrift-store24-Hour Crisis Hotline: 954-761-1133

Family Center: 954-760-9800

bUy oNe GeT oNesTore-wiDe saviNGs

CUsTomers DoNaTiNG aT leasT 6 iTems iNClUDiNG: Toys, maNUfaCTUreD Trees, holiDay liGhTs aND

New UNexpireD NoN-perishable fooD iTems will reCeive a 20% off gift card for use on

Their NexT pUrChase.seCoND iTem mUsT be similar iN NaTUre aND of eqUal

or lesser valUe. fUrNiTUre exClUDeD.

The following pieces are representative of the designs I produced after graduating from the University of Texas. This section includes corporate identity pieces, such as logos and business cards, that I produced for some of my contract clients, as well as pieces from my full-time work at Women In Distress of Broward County, Inc., and at Morikami Museum & Japanese Gardens.

R E A L E S T A T E S E R V I C E S

Page 17: RachelAnn Design Portfolio Book 2014

16

Professional Work17. H&M Real Estate Services Logos18. PattyD Business Card & Logo19. Organization Required Business Card & Logo20. Ameraguard Logo21. Ameraguard Sales Booklet 22. McAfee Personal Training Logo 23. Women In Distress Services Infographic24. Women In Distress Lifesaver Luncheon Flyer25. Women In Distress Thrift Store Sale Flyer

26. Women In Distress Loyal Tea Logo & Invitation27. Women In Distress Mobile Website 28. Women In Distress 2011-2012 Annual Report29. Morikami Astellas Program Booklet30. Morikami Family Fun Days Bookmark31. Morikami E-blast Header32. Morikami Oshogatsu Festival T-shirts33. Women In Distress Morikami.org Re-design

Page 18: RachelAnn Design Portfolio Book 2014

Professional

H&M Real Estate Services Logos: The owner of H&M wanted to update his previous logo (seen bottom left) and create interchangeable options for his different realty areas. The main logo at the top is used mostly for industrial and commercial realty. I also illustrated the construction services logo, and the residential real estate logo. This new identity is also used on direct mail, signage and other pieces.

17

R E A L E S T A T E S E R V I C E S

R E A L E S T A T E S E R V I C E S

Page 19: RachelAnn Design Portfolio Book 2014

18

[email protected]

patricia a. delgadojournalist sociologist web designer

pp http://pattyd.com

PattyD Business Card

& Logo: I illustrated

this octopus to visually

connote the many skills

PattyD offers. The logo

is versatile because it can

be used with or without

the octopus, leaving the

mirrored P and D to stand

on their own if necessary.

This logo was used across

her identity system which

included business cards,

letterhead and, previously,

a masthead for her web

site PattyD.com.

2x3.5 card stock

Page 20: RachelAnn Design Portfolio Book 2014

Professional

Organization Required Logo and Business Card: Organization Required, LLC is a small home and personal organization business based in San Antonio, TX. The owner, Phyllis Ellis, was in need of an logo and business cards and wanted something bright and fun, but one that also reflected the purpose and function of her business. You can see the final logo at the top of this page, and the business card at the bottom.

2x3.5 card stock

19

Page 21: RachelAnn Design Portfolio Book 2014

20

Ameraguard Logos: In

2010 Ameraguard USA

(as well as their Canadian

branch Armaguard)

approached me to

streamline and update

their logo (result seen

at top), and re-design

all of their existing

collateral materials

including sales booklets,

brochures, posters,

product data sheets and

business cards. In 2013,

Ameraguard split from

Armaguard and asked me

to update their logo with

a distinctly American feel

(seen at bottom).

Page 22: RachelAnn Design Portfolio Book 2014

Professional

Ameraguard Sales Booklet:

This sales booklet was the

final piece in an array of

re-branded pieces for

Ameraguard Spray-On

Bedliners. Pieces included

multiple versions of the

logo, brochures, warranty

cards, business cards,

letterhead, technical data

sheets, and more - each

fitting in to the new brand

identity I had created for

them. The full sales booklet

can be seen at:

http://bit.ly/SSFxub

10.5x6 booklet

21

Page 23: RachelAnn Design Portfolio Book 2014

McAffee Personal

Training Logo: McAfee

Personal Training did

not have a logo before

coming to me, so I had

the pleasure of working

with the owner to create

something completely

new. We settled on this

logo which combines a

modern free-weight bar

icon, because most of

his clientele are weight

lifters, as well as a sleek

type treatment, and this

blue color, which many

associate with health and

wellness.

22

Page 24: RachelAnn Design Portfolio Book 2014

Professional

Women In Distress

Services Infographic: I

created this infographic to

serve as the center spread

of the Starfish Luncheon

program journal. The event

is an annual fundraiser

for Women In Distress

of Broward County, Inc.

where the organization

shares how attending

donors have helped the

agency continue providing

much needed services in

the community. I gathered

and illustrated each of

the important data points

in order to create this

digestible infographic.

23

Page 25: RachelAnn Design Portfolio Book 2014

Lifesaver Luncheon Flyer:

This flyer was used to

promote the Lifesaver

Luncheon aboard a

Holland America cruise

ship. I used the red and

blue to give the flyer a

nautical feel and illustrated

the lifesaver and the ship.

I gave the nautical flyer

an elegant touch with the

type treatment and gave

the feeling of depth with a

slight gradient in the blue

background at the bottom.

8.5x11 paper.

24

Page 26: RachelAnn Design Portfolio Book 2014

Professional

Women In Distress Thrift Store Sale Flyer: This flyer promotes the Black Friday sale at the Thrift Store. I used the gray color and the wood grain background to give the impression of an antique poster. The gold gives the flyer some life and ties in the Holiday season. Special attention was given to the sale details, the most important piece of the flyer.

8.5x11 paper

25

Women In DIstress thrIft store

November 23 • oNe Day oNly

THRIFT STORE

www.womenindistress.org/thrift-store24-Hour Crisis Hotline: 954-761-1133

Family Center: 954-760-9800

bUy oNe GeT oNesTore-wiDe saviNGs

CUsTomers DoNaTiNG aT leasT 6 iTems iNClUDiNG: Toys, maNUfaCTUreD Trees, holiDay liGhTs aND

New UNexpireD NoN-perishable fooD iTems will reCeive a 20% off gift card for use on

Their NexT pUrChase.seCoND iTem mUsT be similar iN NaTUre aND of eqUal

or lesser valUe. fUrNiTUre exClUDeD.

Page 27: RachelAnn Design Portfolio Book 2014

Loyal Tea Invitation:

The Loyal Tea Holiday Tea

Party is a donor cultivation

event put on to thank

donors who consistently

give to Women In Distress.

This high tea called for

an elegant logo with a

holiday flair. However, to

give consideration to all

faiths and beliefs, I used

plum and gold as the color

scheme. Also, in order to

convey the elegance of the

high tea, I used alternating

script and serif fonts, as

well as decorative filigree.

5x7 postcard

26

Friday, November 30, 2012 at 3pm

WomeN iN distress

Jim & JaN moraN Family CeNter

address & direCtioNs provided upoN rsvp

tea aNd light reFreshmeNts Will be served

rsvp by November 27th to madelyN reus at

[email protected] or (954) 760-9800 x 1244.

WomeN iN distress

p.o.box 50187lighthouse poiNt, Fl 33074

Page 28: RachelAnn Design Portfolio Book 2014

Professional

Women In Distress Mobile Web Site: Women In Distress had no mobile web site before I started, which meant mobile users had to view the cumbersome desktop site to get help, get info, or make a donation. This site was based on our web company’s template (who coded the site), but the main buttons, as well as the header, were designed and illustrated by me. You can see the working site on your mobile phone at www.womenindistress.org.

27

Page 29: RachelAnn Design Portfolio Book 2014

Women In Distress

Annual Report:

The annual report for

2011-2012 was creatively

concepted, designed,

photographed (with the

exception of a few stock

photos) and partially

written by me. I used the

agency’s signature red,

complimented by a dark

and a light blue as well

as a green-yellow to give

the report a fresh look.

The full report can be

viewed at:

http://bit.ly/QY14Rh

8x8 booklet

28

Page 30: RachelAnn Design Portfolio Book 2014

Professional

Morikami’s Astellas Program Booklet: The Stroll for Well-being program at Morikami is a therapeutic garden walking program funded by the Astellas foundation. This tiered booklet serves as an informational guide for counseling and therapy groups that might be interested in the program. I used photography of the gardens as well as the natural color scheme to bring a sense of calm to the entire piece.

6x6 tiered booklet

29

Page 31: RachelAnn Design Portfolio Book 2014

Morikami Family Fun

Days Bookmark:

For this year’s Family

Fun Day schedule the

Education Department

decided to stick with

a bookmark format,

but wanted something

distinctly Morikami

for the imagery. So, I

illustrated our founder,

George Sukeji Morikami,

and his faithful

companion Inu. The front

has a brief history about

George, while the back

lists the activity dates.

2.5x7 bookmark

30

Page 32: RachelAnn Design Portfolio Book 2014

Professional

Morikami E-blast Header: As part of the Membership Department’s August sale, I created this header for our monthly e-newsletter. I used bright colors to grab the readers’ attention, as well as a few details about the sale, and a strong call to action. This sale was very successful, and the email had a 28.6% open rate with 563 clicks to the membership sale landing page.

31

Page 33: RachelAnn Design Portfolio Book 2014

Morikami Oshogatsu

Festival T-shirts:

Morikami’s annual New

Year’s celebration,

Oshogatsu, draws up to

10,000 people in one day

to celebrate the Japanese

New Year. In 2014, for

the year of the horse, I

designed these two shirts

with traditional Japanese

New Year symbols such

as the horse, Daruma and

Shishi Mai, and they were

individually printed for

guests by a local

live screen printer.

32

Page 34: RachelAnn Design Portfolio Book 2014

Professional

Morikami.org Responsive Web Re-Design: When I found that 50% of Morikami’s web traffic was coming from mobile and tablet users, we decided it was time to move to a responsive site. This saved time and money on a mobile site or an application, because the responsive site re-configures and selects content based on browser width. I managed the entire process from concepting and approving a visual layout, to working with key staff members to design contd. ͢

33

Page 35: RachelAnn Design Portfolio Book 2014

Morikami.org Contd.: the navigation and internal pages. The result is a more

mobile-friendly site that is beautiful on a smartphone, tablet, or desktop screen.

The site features an integrated e-commerce

store, which was not the case before, an integrated

version of Morikami’s blog, which was a separate

wordpress site before, and much more.

www.morikami.org

34